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Hyperdub
Jessy Lanza - Oh No
Jessy Lanza
Oh No
LP | 2016 | UK | Reissue (Hyperdub)
26,99 €*
Release: 2016 / UK – Reissue
Genre: Electronic & Dance
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Jessy Lanza's second album 'Oh No' is addressed to her own constant nervousness. The pressure of music making, which used to calm her nerves, has led to a whole new world of contingencies that stoke the anxiety mill. The exclamation 'Oh No', for Jessy, marks yet another incident of randomness interrupting her tranquillity. All of which seems at odds with the confi...
Jessy Lanza - All The Time
Jessy Lanza
All The Time
LP | 2020 | UK | Reissue (Hyperdub)
25,99 €*
Release: 2020 / UK – Reissue
Genre: Electronic & Dance
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The first 2000 copies of the LP will be available on transparent turquoise or pink vinyl, randomly picked. 'All The Time', Jessy Lanza's first album since 2016's 'Oh No', is the most pure set of pop songs that she and creative partner Jeremy Greenspan have recorded, reflective and finessed over time and distance. Innovative juxtapositions sound natural, like rigid 808s rubbing against delicate chords in 'Anyone Around', subtle footwork flutter giving a nervous energy to 'Face', unusual underwater rushes underpinning 'Baby Love'.The songs also sound more "live" than ever before. Jessy's voice is treated, re-pitched and edited on songs like 'Ice Creamy' and gestural sounds seem to respond to her lyrics in songs such as 'Like Fire', which reward the listener on repeated plays.More than previous albums, the lyrics on 'All The Time' became an important focus for Jessy too, channelling the negativity of anger and frustration arising from some significant changes in her personal situation into the text. These lyrics sometimes process raw feelings, which aren't obvious to begin with, but are soon felt, standing in stark contrast to the cushioned settings of the music.'All The Time' has ended as a triumph and an abstracted diary of a sometimes difficult, but enduring friendship and creative relationship, and it's their best work yet.
Lee Gamble - A Million Pieces Of You EP
Lee Gamble
A Million Pieces Of You EP
12" | 2021 | EU | Original (Hyperdub)
21,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Lee Gamble Completes His `Flush Real Pharynx 2019-2021' Album Cycle With `A Million Pieces Of You', The Third Ep Of A Triptych Written In A Time When The Subjective Experience Of Overload Came To A Halt, Giving Way To An Overbearing Sense Of Loss, Burnout And A Desperate Need For Hope. These Seven Tracks Feel More Reflective, More Human Than The Two Preceeding Eps; The Serpentine Dopplers And Seductive Supercar Engines Of `In A Paraventral Scale', And Imploding Motion Sculptures Of `Exhaust'. A Deepfake Of Lee's Voice Appears From The Chaotic Slow-Mo Crash Of `Balloon Lossy', Timidly Telling Of "[Garbled]_ Good News". The Uncanny Spectre Of Deep Fakes, Ai And Deep Learning Models Give Way To The Melancholic Loneliness Of The Solo Piano In `Empty Middle Seat'. Then Glimmering, Golden Pads On `Hyperpassive' Slowly Crawl Into The Hopeful, Bright Arpeggiations Of `Balloon Copy'. `A Million Pieces Of You' Is A Ride Through A Part-Synthetic, Part-Modelled, Part-Imitation, Part-Taught, Part-Human, Part-Hopeful, Part-Reflective And Paradoxically Affirmative Space - An Involuntarily Fitting Finale To An Album Originally Conceived In A World Different To The One We Now Inhabit.
Proc Fiskal - Siren Spine Sysex
Proc Fiskal
Siren Spine Sysex
LP | 2021 | EU | Original (Hyperdub)
15,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Proc Fiskal's Second Album Sees A Reorientation Of The Source Elements Of His Music. Where `Insula' Fed Off Samples Of The Ramblings Of His Friends And Sounds Of His Hometown, `Siren Spine Sysex' Is Laden With An Inner Voice Of Sampled Gaelic, Irish And English Folk Music, Contorted And Imbued Into The Futurist Body Of Modern Pop; The Ghostly Anima Image Of The Female Folk Voice And The Lamenting Wheeze Of The Accordion Rub Against The Rush Of Icey 808s And Angles Of Grime. Joe Powers' Family History Is In Folk Music, With Several Of His Forebears Active In The Scottish Folk Revival Of The 1960s. It's This Cultural Baggage - The Caledonian Antisyzygy Of The Earnest Folk Tradition He Was Raised In - Alongside The Modernist Dance Music He Makes, That Brings A Personal Element To The Album. The Music Of `Siren Spine Sysex' Examines Dance Music As Folk Music, Re-Routing Them Both Comparatively, With The Wordless Emoting Of Chopped And Screwed Gaelic Vocals Leading To Joyous Pop Songs Like `8 Mgapixel See Thru Phone' And 'Leith Tornn Carnal'. Though Fast And Detailed, `Siren Spine Sysex' Feels Relaxed And Pastoral At Times, Its Edits And Drums Sensual, Swelling, And Reactive To The Music, Its Textures Influenced By The Tinny 16 Bit Flutes, Strings, And Wacky Scores Of Gaming Soundtracks.
Kyle Hall - Girl U So Strong
Kyle Hall
Girl U So Strong
12" | 2014 | UK | Original (Hyperdub)
8,99 €*
Release: 2014 / UK – Original
Genre: Electronic & Dance
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Kyle Hall back on Hyperdub for our 10th Anniversary? - Yes please. In fact this is more or less a long delayed EP from the vaults, recorded around the same time as his 2010 ‘Kaychunk’ EP … which just goes to show how ahead of the curve the young Detroit producer is. Starting with 'Girl U So Strong', the track riffs on a distorted arpeggiating bassline, seasick organ and a dubbed out voice, and a flicking metronomic note, starting slowly before shuffling drums give the track some rhythmic focus. Soon a warm melody builds over some happy arpeggios, and the whole track feels like a product of brilliant spontaneous energy. 'Take Me Away' works an 8 bit bassline, bleeps and throbs into an off beat shuffle over a pulsing bass drum, loose and happy, dosed with sunshine and space.
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Hyperdub House | Deep House

Hyperdub Recordings is a London-based record label, founded in 2004 by Steve Goodman. »Hyperdub is a mutation of British electronic music, infected by Jamaican soundsystem culture: from dub and reggae, through jungle, right up to grime, dubstep and funky«, explained Steve Goodman (aka Kode9) in an interview with The Guardian. In his mind Hyperdub is less a record label rather than a virus. This also explains how the releases of the label from Burial, Kode9 & the Spaceape, Ikonika, to Darkstar, Hype Williams and Cooly G) spread in recent years and shaped our imaginations of dubstep and on bass based dancing music. Hyperdub started in 2001 as a web magazine that dealt with the Jamaican influence on electronic music in Great Britain (dub, reggae, jungle, grime, UK funky). In an interview with Kevin Martin (aka The Bug), that Goodman conducted for XL8R, the musician encouraged the reporter to give his productions a platform.