Folk 3210 Items

Release: 1998 / JP – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | JP | Original (Tuff Vinyl)

Sadao China

Akabana

Release: 2022 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is an innovative work of Okinawan Pops, based on Okinawa island songs and subtly blended with the essence of reggae, soul, rock, and beyond, with unique laid-back feel good vibes. The rare masterpiece includes many originals such as “Bye Bye Okinawa” “Akabana” and “Kijimuna Blues” Nenes' hit songs produced by Sadao China in the 90ʼs.

Go to Item

If Music Presents: You Need This!

4LP | 2022 | UK | Original (BBE)

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

3LP | 2021 | EU | Original (Milk Carton Kids)

Milk Carton Kids

Prologue

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Picture
Coming Soon

Incense Music For Bed Room

LP | 2024 | JP | Original (Insense Music Works)

Release: 2024 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-14

Glad Christmas Comes Royal Blue Vinyl Edition

Eliza Carthy & Jon Boden

2LP | 2023 | UK | Original (Hudson)

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Exciting Wilson Pickett Atlantic 75 Series Sacd

Wilson Pickett

CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

Crosby, Stills & Nash Atlantic 75 Series Sacd

Release: 2023 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-05-31

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

R&B, soul singer Wilson Pickett's classic third album

Features "In the Midnight Hour," "Land of a Thousand Dances" and "Ninety-nine and a Half (Won't Do)"

Hybrid Stereo SACD

The Exciting Wilson Pickett, released in 1966, was R&B and soul singer Wilson Pickett's third album, charting at No. 3 on the U.S. Billboard R&B albums chart and No. 21 on the popular albums chart, becoming the highest-charting studio album of Pickett's career.

The making of the album saw Pickett end his relationship with Stax Studios in Memphis, Tennessee, where he had cut his early singles, and move to Fame Studios in Muscle Shoals, Alabama, where he would record for the next two years. According to AllMusic, this album firmly established Picket's "stature as a major '60s soul man," launching four major crossover hits.

The chart-toppers include "In the Midnight Hour" reached No. 1 on the Billboard R&B singles chart and No. 21 on the pop singles chart. "Land of a Thousand Dances" reached No. 1 and No. 6 respectively, his biggest pop hit. "Ninety-nine and a Half (Won't Do)" reached No. 13 and No. 53. "634-5789 (Soulsville, U.S.A.)," a song which Pickett had not on first hearing liked, reached No. 1 and No. 13.

The deeper album cuts hold significant appeal as well and include standards "Something You Got," "Barefootin'" and "Mercy Mercy" as well as several original tunes with Memphis Soul greats Steve Cropper, Eddie Floyd, and David Porter.

Go to Item

Picture
Coming Soon

Crosby, Stills And Nash

CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

2LP | 2000 | US | Reissue (Island)

Release: 2023 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-05-31

Sacd

Go to Item

Willie Nelson

Milk Cow Blues

Dawnbearer Box Set Edition

Release: 2000 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Milk Cow Blues is the 48th studio album, released in 2000, by American country music singer Willie Nelson. It contains several duets and musical collaborations with artists such as B. B. King and Dr. John. Available for the first time on vinyl. 180-gram 2 LP.

Tracklisting

Side A: 1. Milk Cow Blues 2. Outskirts Of Town 3. Black Night 4. Funny (How Times Slips Away) Side B: 5. Rainy Day Blues 6. Crazy 7. The Thrill Is Gone 8. Wake Me When It's Over Side C: 9. Kansas City 10. Fool's Paradise 11. Ain't Nobody's Business 12. Night Life Side D: 13. Sittin' On Top Of The World 14. Lonely Street 15. Texas Flood

Go to Item

Hexvessel

2LP | 2022 | EU | Original (Svart)

LP | 1974 | US | Reissue (Mobile Fidelity)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited Svart exclusive box set edition. The demo LP will not be available separately.

Hexvessel and Svart Records celebrate the 10 year anniversary of Hexvessel’s debut album Dawnbearer with a set of reissues, including CD, double vinyl plus an exclusive vinyl box set with a bonus LP containing demos and early versions of tracks on the album.

“Dawnbearer is a very important album for us, being our first album but also the first original album release for Svart Records. It’s also a very special record for our fans, and one that’s particularly close to my heart, in a world of its own when compared to the other records we have made. Considering that it’s been out of print now for some time, I’m delighted to be able to oversee a reissue of this album, together with original demos and out-takes, and liner notes showing the making of this album which carries the initial DNA of Hexvessel’s musical and spiritual journey”, says band leader Mat McNerney, “We haven’t touched a thing on the original layout, but added some bonus material for the limited edition, should you wish to own a luxury edition of this, our now classic debut.”

Hexvessel band was founded by English singer/songwriter Mat McNerney (Beastmilk, Grave Pleasures, Carpenter Brut etc) after he moved to Finland in 2009. Their style of music has been referred to as “forest folk” or as Noisey/Vice puts it: “Weaving English folk, lilting Americana, and mushroom-induced psychedelia”. Their debut album 'Dawnbearer' was released worldwide in 2011 on Svart Records and is considered to be an influential classic record of the modern Occult Rock revival. Highly popular with Hexvessel fans and unique in their catalogue, featuring guitars by Andrew McIvor (Code), violin work of Daniel Pioro (who works on Paul Thomas Anderson’s soundtracks with Jonny Greenwood from Radiohead), the early production work of Jaime Gomez Arellano (Ghost, Paradise Lost), and guest vocals from Carl Michael Eide (Virus, Ved Buens Ende, Aura Noir).

“Think Woven Hand, haunted ’60s/’70s pastoral folk, or a darker riff on Midlake. McNerney covers Clive Palmer’s post-Incredible String Band crew C.O.B. and successfully transforms and darkens Paul Simon’s “Diamonds On The Soles Of Her Shoes.” He quotes Crowley, Truman Capote, Isaac Babel, etc. Unlike black metal-ready folk, this is folk by a talented, ambitious black metal musician. But the energy’s there. As is the atmosphere.” - Stereogum

“(Part of) a new wave of bands who share many of the original occult bands' musical and philosophical characteristics, spearheaded by Ghost, from Sweden, and the Devil's Blood, from Holland – have begun to lure in a new generation of fans, predominantly from the metal scene, their names alone – Ancient VVisdom, Hexvessel, Blood Ceremony– point to a focused step back to the age of Wheatley and Hammer. ” - The Guardian (2011)

Go to Item

Ravi Shankar

Shankar Family & Friends

Release: 1974 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

3LP+CD | 2019 | EU | Original (Nakama)

Christian Meaas Svendsen

New Rituals

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | US | Original (Beatball)

Mukimukimanmansu

2012 Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-05-31

Tredici Canzoni Urgenti Orange Vinyl Edtion

Vinicio Capossela

2LP | 2023 | EU | Original (La Cupa Srl)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | US | Original (Absolute Label Service)

Finbar Furey

Moments In Time

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-05-31

In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette

Karen Dalton

8Track | 1972 | US | Reissue (Light In The Attic)

2LP | 2019 | US | Original (Audika)

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

Go to Item

Arthur Russell

Iowa Dream

Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Over the past decade, the visionary musician ARTHUR RUSSELL has entered something close to the mainstream. Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as he’s ever been. Thanks to Russell’s partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russell’s vast archive of unfinished and unreleased work, the world now hears many versions of Arthur Russell. There’s the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him. Now, after ten years of work inside the Russell library, Lee and Knutson bring us Iowa Dream, yet another bright star in Russell’s dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russell’s utterly distinct songwriting. Features contributions from downtown NYC musicians ERNIE BROOKS, RHYS CHATHAM, HENRY FLYNT, JON GIBSON, PETER GORDON, STEVEN HALL, JACKSON MAC LOW, LARRY SALTZMAN and DAVID VAN TIEGHEM, along with PETER BRODERICK, who makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing. At once kaleidoscopic and intimate, Iowa Dream bears some of Russell’s most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s.

Go to Item

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

Go to Item

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

Live At Kyoto Yamaichi Hall 1976

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Yoshiko Sai

2LP | 2023 | JP | Original (P-Vine)

Live At Shibuya O-Nest 2015

Release: 2023 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is a live recording from 1976 of Japan's legendary female singer, Yoshiko Sai. Sai made her debut with the album "Mangekyo" in 1975. In July 1976, she released her second album "Mikko," which is still highly regarded as a classic worldwide. This recording captures a long live performance just before the album's release. In 2008, a live recording collection titled "live 1976/79" which was released on CD from P-vine, featuring seven tracks from this day's recording. However, this release features the complete performance of all 17 songs for the first time, including all the songs from the album "Mikkou," as well as unreleased tracks and cover songs!

Go to Item

Yoshiko Sai

2LP | 2023 | JP | Original (P-Vine)

Release: 2023 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After taking a hiatus from her music career in 1979, Yoshiko Sai did not perform on stage until 2014, but in 2015 she held her first solo live performance ever. This album is the first record to include recordings of her entire solo live performance. The show consisted of two parts and was a culmination of her career, featuring a selection of the best songs from her five albums, from her debut album to her latest release, as well as a newly released song. The backing band included active alternative musicians such as Jojo Hiroshige and Futoshi Okano from Hijokaidan, Hajimetal and Ryoko Ono helped create an exciting and energetic atmosphere. It's very rare for her on-stage banter are also recorded.

Go to Item

The Endless Coloured Way: The Songs Of Nick Drake Grey Vinyl Edition

2LP+7" | 2023 | UK | Original (Chrysalis)

47,99 €*

2LP | 1988 | US | Reissue (Palto Flats)

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Endless Coloured Ways is a collection of songs by legendary singer/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or 'personality'. We are honoured and so grateful to all our friends, old and new, who took part in the making of this set." - Cally Calloman, Bryter Music "Having initially exchanged a list of our favourite artists and realised how much our tastes overlapped, Cally and I set out on this venture with one simple brief - to ask the artists to ignore the original recording of Nick's in terms of arrangement, production and singing style; basically, we were asking them to reinvent the song. First of all, it was humbling to hear so many similar responses, saying how important Nick's music was to them, and how much they wanted to be part of this project. But as the results came in one by one, we were staggered by the brilliance and invention that each artist had shown. They had done what we asked - they had made the song their own." - Jeremy Lascelles, Chrysalis Records

Go to Item

Woo

In The Heart Of Love

47,99 €*

2LP | 2022 | US | Original (Spiritmuse)

Release: 1988 / US – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Absolutely essential. Deluxe 2LP edition of this impeccable album from 1988. The spot glossed Gatefold jacket features artwork including archival photos & drawings from Woo’s archives as well as liner notes by Clive Ives.

Issued for the first time in its entirety on vinyl, spread over two LPs, and remastered from newly discovered hi-quality DAT sources, we’re thrilled to present the definitive version of Woo’s most fully-formed album. A cosmic testament to the healing power of love, utilizing vocoded clarinets, pastoral guitars, homespun folk lullabies, and lilting electronics, coalescing into a an hour plus long journey through their otherworldly soundscapes. A prime entry point to Woo’s sound, containing some of their most beloved songs, such as ‘Make Me Tea,’ ‘It’s Love,’ ‘Hopi’ and many others, and also including a never-before heard bonus track – the vocal version of ‘It’s Love.’

Into The Heart Of Love was originally self-released on cassette in 1988, with a wider cassette release in 1990. Compiled from home recordings from the preceding years, and released during a transitional point for the band, the Ives brothers see this album as their most complete work, offering space to the listener to stretch out and immerse themselves into the warmth of their sound.

Woo is the uncategorizable project of Clive and Mark Ives from Brighton, UK. Since the 1970s, the duo have been recording a plethora of eclectic sounds, most falling under the blanket genre of new age, but spiraling out toward notions of ambient sounds, jazz, and other spiritual takes on modern music. They received some acclaim for their early releases, including 1982's Whichever Way You Are Going, You Are Going Wrong and 1989's It's Cosy Inside, but their work began to receive renewed appreciation during the 2010s, when labels such as Drag City and Palto Flats reissued the band's albums. The brothers remained active all the while, digitally self-issuing material.

Go to Item

Surya Botofasina

Everyone's Children

47,49 €* 49,99 € -5%

Bela Fleck & Toumani Diabate

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The phenomenal debut album by an extraordinary keyboardist and composer Surya Botofasina. Surya was taught in the tradition of Alice Coltrane, by Swamini Turiyasangitananda herself, at her Ashram in California where he grew up. Produced by and co-performed with Carlos Niño in Los Angeles, this is a unique, deep listening masterpiece of spiritual jazz and meditative sounds from a progressive Sonic Artist devoted to: "OneLove. Family. Music."

Go to Item

Ripple Effect

LP | 2020 | EU | Original (Craft)

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

American IV: The Man Comes Around

Johnny Cash

2LP | 2002 | US | Reissue (American)

Eden & Johns East River String Band

Release: 2002 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissue of this classic produced by Rick Rubin!

Go to Item

Drunken Barrel House Blues

LP | 2011 | CZ | Original (East River)

Release: 2011 / CZ – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ao Vivo No Coliseu Triple

Picture
Coming Soon

José Afonso

3LP | 2024 | EU | Original (Mais 5)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-07

2LP | 2024 | EU | Original (Shukai)

Cukor Bila Smert'

LP | 2023 | UK | Original (Majazz Project)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The founders of Cukor Bila Smert’ (Ukrainian: Цукор– Біла Смерть, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the Yellow Press. The musicians gathered at Kohanovs’kyi’s house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project.

For two years, the band recorded a few home-made albums, such as “Rhododendrons Coral Aspides” in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. He also replaced Taran during the recording session because Eugene was passing an exam at that time. The band also recorded another album – “Lilies and Amaralises,” in 1989, which is also considered lost. Eugene remembers that the band made a lot of recordings but did not pay so much attention to them. Sugar – White Death played live occasionally but spent more time creating their own sound, which was named by Oleksii Dekhtyar (a founder of “Ivanov Down”) as a “sugar calypso sound.” At that time, the music was mostly created by Oleksandr Kohanovs’kyi, and the lyrics were written by Svitlana Okhrimenko and Eugene Taran.

In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Musicians played live for about one take. This session was represented on the “Mannered Music” compilation by several blocks – “Venus with Long Neck,” “The New Sissies,” and “Rhododendrons Coral Aspides,” which was shortened to “Rhododendrons” on the cassette (two songs from which – “Summer Will Not Come” and “The Great Hen-Yuan’ River,” dedicated to Grigorii Khoroshylov, the sinologist from Kyiv). The compilation cover design was created by Eugene Taran. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label, who released “Mannered Music” on cassettes and made efforts to invite Sugar – White Death to play several gigs in Poland.

In November 1990, Sugar – White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association “Nova Scena” (The New Scene). The band played selected tracks from the albums “The New Sissies” and “The Shellfishes in Gold Wrappers” (the last one is also considered lost). Due to Sergii Myasoyedov's efforts, the performance was documented: he saved a lot of photos and fragments of soundboard recordings on reel-to-reel tape.

Later, Oleksandr Kohanovs’kyi and Tamila Mazur left Sugar – White Death: Oleksandr founded his own project Pan Kifared, and Tamila became a bass player of Shake Hi-Fi (whose co-founder was Eugene Taran). Sugar became a duo of Svitlana and Eugene. They started to focus on their next work: “Antinoy Is Leaving” in late 1990.

In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called “All Secrets Of A Poem”. Some tracks from the work (“Dead Ceremony,” “Vienna Is Sleeping,” and “Untitled”) were released on their next and last album, “Selo” (“The Village”). The rest compositions were published as a part of the compilation for the first time.

In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a “real” studio, organized their last recording session. Although the journey’s beginning was unsuccessful (Eugene’s guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an 8-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days – the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as “Selo” (“The Village”) album on cassette tapes by Koka Records (remastered by Tadeusz Sudnik). Later, Sugar – White Death was disbanded.

Go to Item

Al Fajer Group

Al Fajer (The Dawn

Haavard White Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Al Fajer Group was established in Kuwait in 1987, co-founded by four artists: Sima Kanaan (Vocals), Bashar Shammout (Guitar) Jameel Saraj (Oud and Guitar) and Nizar Alyan (Percussion). Al Fajer Group became known for their unique frequencies and the transparency of their sound. The band is rooted in acoustic oud, guitar and percussion and they never used any electronic equipment during their sets. When they were first established they would perform Palestinian patriotic songs, related to the Palestinian liberation struggle. They released their launch album, recorded on reel tapes, during the First Intifada in 1988, after which they began composing and writing their own original music. They were unable to release this due to the Iraqi invasion of Kuwait in 1990, when all the band members were forced to leave the country and could not reunite to release the second album. During the limited time in which they were able to work together, they participated in multiple tours in Kuwait, Iraq, Germany and other locations. This is the first vinyl release for the band and includes original music, which has not been available until today.

Go to Item

Haavard

2LP | 2022 | EU | Original (Prophecy Productions)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In My Own Time Super Deluxe 50th Anniversary Edition

Karen Dalton

Box | 1972 | US | Reissue (Light In The Attic)

LP | 2021 | US | Original (Old Bear Records Reissued)

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-14

Definitive edition of Karen Dalton’s 1971 Masterpiece
Two 180-gram, 45 RPM LPs cut from new 2021 transfers and pressed at RTI, featuring bonus tracks from the original album sessions 12” 180-gram, 45 RPM EP: Live at The Montreux Golden Rose Pop Festival (May 1971), newly remastered (2021) and previously unreleased in any format. B-side includes a beautiful etching of Karen, illustrated by renowned artist Jess Rotter. Previously unreleased 7” single: Live at Beat Club, Germany (April 1971) Repro of 1971 French edition 7” single: Something On Your Mind b/w One Night Of Love Both 7” singles pressed at Third Man Pressing and housed in old-style tip-on jackets 20-page booklet featuring unseen photos and liner notes by Lenny Kaye, plus contributions from Nick Cave and Devendra Banhart Replica Playbill for Montreux performance, CD of all tracks. Housed in a special, expanded trifold jacket Limited to 2,000 sequentially foil numbered copies worldwide

Featuring Dalton’s interpretations of songs like “Are You Leaving for the Country,” “When a Man Loves a Woman,” “Katie Cruel,” and her posthumously recognized signature performance, “Something On Your Mind,” will be available in a variety of formats, including a bonus-filled, 50th anniversary Super Deluxe Edition, which expands exponentially upon Light in the Attic’s 2006 reissue of the album, co-produced by Nicholas Hill.

The 50th Anniversary Super-Deluxe Edition features the newly remastered (2021) In My Own Time album, presented on three sides of 45-rpm, 180-gram vinyl pressed at Record Technology Inc. (rti), with the fourth side showcasing alternate takes from the album sessions. The Super Deluxe package also includes the previously unreleased audio from her rare, captivating performance, Live at The Montreux Golden Rose Pop Festival, May 1st, 1971. This is the first time this audio has been made available in any physical format — presented on 180-gram 12-inch vinyl, pressed at Third Man Record Pressing, and featuring a stunning etching of Dalton by acclaimed artist Jess Rotter on the B-Side. Accompanying the bonus record is a replica playbill from The Montreux Golden Rose Pop Festival, 1971, meticulously arranged and compiled from vintage source material by Darryl Norsen. In addition to the bonus 12”, the set contains a CD of all tracks included in the package and two 7-inch singles, featuring previously-unreleased live recordings captured at Germany’s Beat Club in 1971, both pressed at Third Man Record Pressing and housed in tip-on jackets. All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters. A 20-page booklet—featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart—rounds out the package, which comes housed in a special trifold jacket, individually foil-stamped and numbered in a strictly limited worldwide edition of 2,000 copies.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

Go to Item

Matt Wheeler

Wonder Of It All

Red Dirt Girl Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Story has the power not only to entertain, but to shed light. Matt Wheeler invites you on a journey into story with 'Wonder of It All', a collection of songs based on classic works of literature - namely 'The Little Prince', 'Watership Down'', 'The Horse & His Boy', 'The Hobbit', & 'Orthodoxy' - woven together by engaging audiobook-style narrative story pieces. The vinyl version of the album also features instrumental versions of all of the songs.

Go to Item

Emmylou Harris

LP | 2021 | NL | Original (Nonesuch)

Release: 2021 / NL – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Butterfield Blues Band

Live At Woodstock

2LP | 2020 | US | Original (Run Out Groove Vinyl)

Ry Cooder / Manuel Galban

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First time that Butterfields incendiary live set at Woodstock is available on vinyl
Remastered for maximum fidelity with lacquers cut at Sam Phillips Recording Studio
Features all new artwork, pressed on 2-140g records and comes in a deluxe gatefold tip-on jacket

Paul Vaughn Butterfield was an American blues harmonica player, singer and band leader. After an early training in classical flute, he developed an interest in blues harmonica and explored the blues scene in his native Chicago.

Butterfield met aspiring blues guitarist Elvin Bishop in the early 1960s and with bassist Jerome Arnold and drummer Sam Lay (both from Howlin Wolfs touring band), the new group secured a highly successful club engagement at Big Johns Folk Club in Chicago which brought them to the attention of producer Paul A. Rothchild. During their engagement, Butterfield met and occasionally sat in with guitarist Mike Bloomfield. Rothchild was impressed with the chemistry between the two and persuaded Paul to bring Bloomfield into the band and eventually signed them to Elektra Records in 1964. Rothchild assumed the role of group manager and used his folk contacts to book them at the Newport Folk Festival in 1965. The band added keyboardist Mark Naftalin, and its debut album, The Paul Butterfield Blues Band was finally successfully recorded in mid-1965 and released later that year. The album reached number 123 in the Billboard 200 chart, but its influence was felt way beyond the sales figures. In July 1966, the sextet recorded their second full length album, EastWest. The album consisted of more varied material and reached number 65 on the album charts. With Bishop and Naftalin remaining, the band added bassist Bugsy Maugh, drummer Phillip Wilson, and saxophonists David Sanborn and Gene Dinwiddie. This lineup recorded the bands third album, The Resurrection of Pigboy Crabshaw in 1967. The album cut back on instrumental jams and focused more on an R&B influenced horn-driven sound. It was Butterfields highest-charting album, reaching number 52 on the chart. On the next album, In My Own Dream, the band continued to move away from its roots in Chicago blues towards a more soul-influenced, horn-based sound. The album reached number 79 on the Billboard chart and by the end of 1968, both Bishop and Naftalin had left the band.

The band was invited to perform at the Woodstock Festival on August 18, 1969. They performed seven songs, and although its performance did not appear in the film Woodstock, one song, Love March, was included on the original album release Woodstock: Music From the Original Soundtrack and More, released in 1970. In 2009, Butterfield was included in the expanded 40th Anniversary Edition Woodstock video, and an additional two songs appeared on the box set Woodstock: 40 Years On: Back to Yasgurs Farm. Finally, in August 2019, Rhino Entertainment released the web-only, 38 CD/blu-ray, numbered and limited box set: WoodstockBack to the Garden: The Definitive 50th Anniversary Archive which included Butterfields complete set. Run Out Groove will issue this incendiary live set on vinyl for the very first time with new artwork and deluxe packaging!

Go to Item

Mambo Sinuendo

LP | 2018 | US | Original (Nonesuch)

Release: 2018 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | JP | Original (Sony Music Japan)

Hidefumi Toki

Toki

Release: 2024 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-28

LP | 2024 | JP | Original (Sony Music Japan)

Mari Nakamoto

Mari Nakamoto III

Release: 2024 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-28

LP | 2024 | JP | Original (Sony Music Japan)

Isao Suzuki

Blow Up

Release: 2024 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-28

Cisco E La Casa Del Vento

900 Orange Vinyl Edition

LP | 2024 | EU | Original (The Saifam Group)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Rebel Tangerine Vinyl Edition

Anne Wilson

LP | 2024 | EU | Original (Emi Nashville / Sparrow)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Princess Of Bossa Nova! Deluxe Record Store Day 2024 Edition

Sylvia Telles

2LP | 2024 | EU | Original (Poppydisc)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Let There Be Rockgrass Record Store Day 2024 Edition

Hayseed Dixie

2LP | 2024 | EU | Original (Hayseed Dixie)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Antologia Della Canzone Napoletana

LP | 2024 | EU | Original (La Canzonetta)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Wheel 30th Anniversary Deluxe Edition

Rosanne Cash

2LP | 2023 | Original (Rumblestrip)

Release: 2023 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Adventure Of Pirate Kid

Sons Of Sun

LP | 1972 | JP | Reissue (Fuji)

Love & Wealth: The Lost Recordings

Release: 1972 / JP – Reissue

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 1972, the legendary Soft Rock "Happy End" album is now back on an analog LP!! Written by Hiro Yanagida, Produced by Takashi Matsumoto, Sons OF SUN's first album will be making its return from the label Fuji!! Keyboard Hiro Yanagida Drums Kiyoshi Tanaka E.Guitar Kazuyuki Nagaoka E.Bass Hideaki Takebe Vocal MAO

Go to Item

Louvin Brothers

2LP | 2018 | US | Original (Modern Harmonic)

Release: 2018 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | Original (Gilded Wings)

Blair Dunlop

Out Of The Rain

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-05-31

Me Veo Pink Vinyl Edition

Brie Stoner

2LP | 2024 | EU | Original (Flat Iron)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-14

LP+2x7" | 2022 | US | Reissue (Mississippi)

The Weeds

Just Colour

LP | 1971 | US | Reissue (PQR-Disques Plusquereel)

Release: 2022 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fred Cole’s legendary 1961-1966 band. The 12" is a straight reissue of the 1968 LP (unfortunately originally released as "The Lollipop Shoppe" but now returned to the real name of the band). One 7" features artwork from the Weeds' 1971 single and contains the 4 songs released as The Weeds (originally on separate 7", one released 1971 and the other 1966 which includes cover of Them's "Little Girl"). The other 7" features artwork from the 1968 Lollipop Shoppe 7" but since those two cuts were included on the LP, this features 4 other songs, "Someone I Knew" and "Through My Window" from the 1969 single, and "Who's it Gonna Be" and "Mr. Madison Avenue." Instead of pressing a double album that could have provided more material, this package was done intentionally to house all the essential cuts (and all the original artwork of the LP and 7" releases)."

Go to Item

Roy Rutanen

Shotgun Willie 50th Anniversary Deluxe Black Friday Record Store Day 2023 Vinyl Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Roy Rutanen’s self-titled album has remained a very well-kept secret among psychedelia and acid-folk collectors ever since its original release in 1971 on MCA in Australia. Now is the right time for Rutanen’s glorious music to shine through, with his unique combination of moody acoustic bliss and acid-drenched solos, as evidenced on ‘The Trip Song', a 10-minutes magnum opus that might well be a candidate for top 10 psychedelic tunes of all time! (Tell me too that ‘Plastic People’ doesn’t make you instantly think of Rodriguez). And like Rodriguez, despite the far flung nature of his record’s release, Rutanen is actually American. But during his time in Vietnam, Rutanen used two R&R periods to visit Australia. He liked it so much, he decided to fly straight back upon his discharge from the US Army. Rutanen's early recollections of Australia were of having good times, making many good friends: "I smoked a lot of pot and indulged in other highs,” Roy said. "I lived right on Manly Beach in Sydney and went to sleep at night with the sound of surf coming in through the open balcony doors.” He started putting his name about in the scene and playing his own songs at some local venues, which led to the album being recorded, and then more or less abandoned by MCA. What could have been the solid foundation for a promising career in the music industry was abandoned due to the lack of label support, subsequently surviving as a one-off release, accessible only to a select few who could afford the steep price ($650+) commanded for original copies.

Go to Item

Willie Nelson

2LP | 1973 | Reissue (Rhino)

Live At The Capitol Theater Oct 21, 1978 Clear Vinyl Edition

Release: 1973 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Quantity: 5500
Release type: RSD Exclusive Release

2nd LP contains all of the session outtakes, included in the 2006 4CD box set The Complete Atlantic Sessions.

Go to Item

Harry Chapin

3LP | 2023 | EU | Original (Renaissance)

2LP | 2023 | EU | Original (Warner Bros.)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Natural Clear Vinyl.Harold Forster Chapin was an American singer, songwriter, philanthropist, and hunger activist best known for his folk rock and pop rock songs. He achieved worldwide success in the 1970s. Chapin, a Grammy Award-winning artist and Grammy Hall of Fame inductee, has sold over 16 million records worldwide. This is an intimate concert with just Harry and his guitar.

Go to Item

Zach Bryan

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Beast In Its Tracks Purple Vinyl Edition

Josh Ritter

LP | 2013 | US | Reissue (Pytheas)

Release: 2013 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-14

Little Plastic Castle Orange Vinyl Edition

Ani Difranco

2LP | 2023 | EU | Original (Righteous Babe)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2022 | DE | Original (The Lollipoppe Shoppe)

Charles O'Hegarty

The More I Travel

Release: 2022 / DE – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2008 | EU | Reissue (Craft)

Tinariwen

Aman Iman Water Is Life

Release: 2008 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2022 | UK | Original (By Norse Music)

Nebala

Lustuz Lathu Wothuz Alu

Alla Fiera Dell'est Record Store Day 2024 Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Northman songwriter and actor, and former Heilung singer Jonas Lorentzen releases the debut full-length album of his solo project Nebala: “Lustuz Laþu Wōþuz Alu” on through By Norse Music! After being involved with Heilung for two years, and more recently with the worldwide-acclaimed movie The Northman as songwriter and actor, Jonas Lorentzen decided to focus on his own musical expression, based on a reimagination of Nordic Folk and spiritually driven music. The result is Nebala, spearheaded by Jonas Lorentzen, but assisted and graced by powerful talents such as Sebastian Gainsbourough (Vessel, The Northman, Manchester Collective), Kjell Braaten (Wardruna, Origami Galaktika) as well as non-musician minds assisting in the conceptual development, Doctor Mathias Nordvig (Professor of Pre-Christian Religion at CU Boulder) and Philosopher Naina Gupta (University of Kingston). “Lustuz Laþu Wōþuz Alu” is Nebala’s first full-length studio album and invites the listeners to dive into Old Norse Mythology. Nebala in Proto-Germanic means “the void”; the void through which all life originates. Sexuality is the essence of all life form. Through this album Nebala initiates sexuality into a space of sacredness. Using traditional frame drums, lyre, tagelharpa, Tibetan singing bowls, and throat singing, Jonas Lorentzen has developed a unique Indo-Nordic sound for Nebala that toys with timescapes, soundscapes, and cultural boundaries to bring you back to the primordial experience of music itself. He comments on the album: “When you let yourself be taken by desire and lust, you will be consumed by what the ancient Germanic peoples called Laþu. The ancestor of our modern word “to let,” laþu suggests giving into natural desire and emotion. When Wōdan sought the deepest knowledge of the cosmos he had to brave the dangers of the deep caves in Hnitbjörg and let himself be taken by the desire of Gunlaþu, the forceful goddess of the underworld.”

Go to Item

Angelo Branduardi

2LP | 1976 | EU | Reissue (Universal)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2024 | Original (Continental Europe)

The Hello Darlins

The Alders & The Ashes

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cowboy In Sweden Deluxe Edition

Lee Hazlewood

2LP | 2016 | US | Reissue (Light In The Attic)

The LHI Years: Singles, Nudes & Backsides (196871)

Release: 2016 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Newly Expanded Deluxe Double LP Edition! Double LP expanded edition includes outtakes, demos and instrumentals, including 10 previously unreleased recordings 26 total tracks Album remastered from pristine LHI master tapes by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Torbjörn Axelman, Suzi Jane Hokom, Nina Lizell, Don Randi, Hal Blaine and Shel Talmy Rare film production photos from the Torbjörn Axelman archive Double LP housed in a gatefold jacket By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin...Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.

Go to Item

Lee Hazlewood

2LP | 2012 | US | Reissue (Light In The Attic)

Shot In The Dark Colored Vinyl Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cuts from essential albums like Cowboy In Sweden Features duets with Suzi Jane Hokom, AnnMargret and Nina Lizell Audio remastered from original tapes Unreleased song “I Just Learned To Run” Indepth liner notes & unseen photographs As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing megahit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Lee’s solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.

As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, eversoslightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tenderhearted romantic, the brokenhearted loser and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, AnnMargret and Nina Lizell play counterpart to his manly tones.

In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.

A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a bigshot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latterday interest in his work. This landmark compilation promises to create many more converts.

Go to Item

Ashley Cooke

3LP | 2023 | Original (Big Loud)

Release: 2023 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

Space-Time Dreatime: The Four Dimensional Music Of

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Lori Vambe

2LP | 2023 | EU | Original (Strut)

Come On Over Diamond Edition

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Occasionally, you find music outside the commercial mainstream, outside of everything - the music of visionaries, eccentrics, inventors, loners, the keepers of secrets, the path-finders. Moondog, Daphne Oram, Harry Partch are from this mould. And so too is Lori Vambe. This is the first ever reissue of Vambe"s privately pressed original albums from 1982, Drumland Dreamland and Drumgita Solo, packaged in a deluxe slipcase and featuring both albums in their original artwork!

Go to Item

Shania Twain

2LP | 2023 | EU | Original (Mercury)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Where Rock 'N' Roll Was Born: Celebrating 100 Years Of Sam Phillips

2LP | 2023 | US | Original (Sun)

43,19 €* 47,99 € -10%

Little Plastic Castle Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Where Rock 'n' Roll Was Born: Celebrating 100 Years of Sam Phillips[2 LP] Determination and passion drove Sam Phillips to create Sun Records and change music forever, and Sun is celebrating his 100th birthday with a 2-lp anthology of songs he brought to life. The gatefold features archival photos and liners from Grammy-winning writer Robert Gordon about Phillips' legendary legacy. Known as "The Man Who Invented Rock 'n' Roll," tracks from artists like Johnny Cash and Jerry Lee Lewis remind listeners what the Big Bang of rock and roll sounded like in 1950s Memphis.

Go to Item

Ani Difranco

2LP | 2023 | EU | Original (Righteous Babe)

Hard Working Man (1960-1964) Record Store Day 2023 Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

More info on the color coming soon.

Go to Item

Dorsey Burnette

LP | 2023 | US (Iron Mountain Analog Research)

Release: 2023 / US

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2023 exclusive release on Gold or Black vinyl (Randomly Inserted). From the makers of 'Hillbillies In Hell'...

Full Throated, Big Chested Country, Hollyweird Pop and Velveteen Popcorn for the working stiffs. Best known as one of the original Godfathers of '50s Rockabilly, Dorsey Burnette had a fascinating 1960s solo pivot to epic, widescreen vistas of Existential Incarcerations, Serpentine Temptations, Cold War Escapees, Luciferian Combats, Eco-Armageddons and Creationist Heavens. Blessed with a bold set of tonsils and a song-writing genius, Burnette is largely forgotten today but his hits (and misses) offer a brash landscape of Spiritual-Crooner Belters and Hillbilly Backwoods Swelters. Lusty, loud and proud, this set examines unheard and underrated sides cut for various mid-'60s labels as Burnette sought a home for his unique Hillbilly Popcorn Pop. Antediluvian Survivalism and Biblical Environmentalism, Ancient Traditionalism and Passionate Hedonism. The best of Dorsey Burnette's 1960s sides stand alone as Wry Depression-Era Fables, Swinging Tower of Babel Ballads, Devilish Tribulations and Forceful Masculine Declarations.

Eons in the making – ‘Hard Working Man' captures and chronicles the stellar output of a prodigious wordsmith and eccentric, arcane thinker. Fundamental Questions and Timeless Revelations, Dorsey Burnette channelled Eternal Wisdom through Blood, Sweat and Big Beat Ballads.

Many of these sides are impossibly rare and are reissued here for the very first time. All for your primal listening pleasure.

*Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! *Full dynamic range 2023 remasters direct from the first generation analogue master tapes! *Limited Edition 500 LPs – 250 ‘Sugar Mountain’ Gold LPs! / 250 ‘Restless Rollin’ Black LPs! (randomly inserted)

Go to Item

Whom The Moon A Nightsong Sings Dark Green Vinyl Edition

2LP | 2022 | EU | Original (Prophecy Productions)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bill Callahan & Bonnie Prince Billy

Blind Date Party

2LP | 2021 | US | Original (Drag City)

2LP | 2006 | US | Original (Columbia)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.

Go to Item

Bob Dylan

Modern times

2LP | 1994 | US | Reissue (Craft)

Release: 2006 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

10 new songs ... 180 gram vinyl !

Go to Item

Jewel

Pieces Of You

Release: 1994 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2014 | US | Original (Verve)

Blake Mills

Heigh Ho

Release: 2014 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Living For A Song: Tribute To Hank Cochran

Jamey Johnson

2LP | 2012 | US | Original (Mercury)

Release: 2012 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2024 | US | Original (Drag City)

Lee Underwood

California Sigh

No Secrets Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-28

Drag City is excited to present the first ever vinyl pressing of guitarist Lee Underwood"s under-sung 1988 acoustic guitar opus, California Sigh.Guitarist Lee Underwood"s syncretic blend of jazz, folk, and blues was a tremendous force behind Tim Buckley"s genre-stretching late 60s/early 70s music - but his 1988 acoustic guitar opus California Sigh has remained a unsung footnote to his story. Until now! This first time vinyl-edition reveals Lee"s free-floating acoustic moods, with synths and co-production from ambient avatar Steve Roach, as a soulful work of tranquility and transcendence.In the years following the release of California Sigh, Lee wrote and recorded two solo piano CDs, Phantom Light and Gathering Light. Additionally, he wrote Blue Melody: Tim Buckley Remembered, a memoir of their time together, as well as three books of poems, Timewinds (2010), Diamondfire (2016) and Into Light (Poetic Matrix Press, 2021). He continues to live in Northern California.

Go to Item

Carly Simon

LP | 1971 | US | Reissue (Friday Music)

Release: 1971 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-05-31

LP | 2024 | EU | Original (Nordvis)

Blood And Sun

Love & Ashes

2LP | 2024 | US | Original (Missing Piece)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-07

"Love and Ashes” by Blood and Sun stands as a testament to the power of dark folk, melding Luke Tromiczak's compelling vocals with a rich array of passionate percussion and heartfelt strings. Produced by Bob Ferbache (Woven Hand, 16 Horsepower, Blood Axis, etc) and crafted with care across various locations, this album offers a journey of introspection and universality, shining a light on the dualistic nature of home and wanderlust.

Go to Item

Anna Tivel

Question

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2001 | US | Reissue (Drag City)

Faun Fables

Mother Twilight

2LP | 2004 | US | Reissue (Drag City)

Release: 2001 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Mother Twilight is the second Faun Fables album. It has since been noted by Scottish author R.J. Stewart as a work containing true artifacts of the oral underworld tradition. Dawn and Nils made a hand-assembled first pressing and peddled it to nearly every bar and rural hall across North America from 2001-2003. Drag City reissued the CD in 2004.Things are glowing outside, enough to bring any sun worshiper in for the night. But you must remain outside and begin walking. It"ll prepare you for the night, which otherwise comes as a chilling surprise. If you pay attention this time, maybe you"ll understand why you"re becoming invisible. When your memory began, it wasn"t startling, wasn"t a mistake. It came out of an old, dark and familiar thing, like a storyteller, like Twilight... so save us from fear, mother, and tell your story.Dawn McCarthy"s creative background was forged in oral tradition amidst a large musical family in Spokane, Washington; studying piano, music theater, rock bands, guitar, folklore and ethnomusicology. Dawn cut her teeth as a singer and performer with various bands and cabarets in Madison, Wisconsin and New York City, most notably as yodeler with the Bindlestiff Family Cirkus, who inspired her to want a gypsy life with a kindred spirit someday. Her focus took a pivotal turn in that direction in 1997 with a solo quest through the UK and Ireland and their bardic traditions; singing songs in clubs and homes, all the while undergoing a pastoral, psychological experience with the land. Upon her return to the States, a fateful meeting with Oakland, CA born-and-raised Nils Frykdahl (Sleepytime Gorilla Museum) moved McCarthy back to the West to begin a new creative collaboration in the thriving hills and art community of the San Francisco Bay Area.Since 1999, Faun Fables have released six albums and performed their animist, otherworldly folk music across North America and Europe, with shows in Australia, New Zealand and Israel, as well. Dawn"s writing and voice (described by The...

Go to Item

Faun Fables

Family Album

Buena Vista Social Club Record Store Day 2024 Gold Vinyl Edition

Release: 2004 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Happy 20th birthday to Family Album, the third recording of Faun Fables and the first one released on Drag City. These songs belong to sons and daughters, entwined and orphaned, domesticated and feral; to all the family vines unraveling from a ball of yarn. In this family album, runaways graze the wild together, a mother finds her courage playing the piano, dogs become thieves and wolves, and a son is taken too soon. Fourteen-year-old nymphs sit dangerously at the crossroads, a younger brother tries to find his place, packs of girls defeat fear with a march, and the nightly adventures of the household mouse are spied upon.Dawn McCarthy"s creative background was forged in oral tradition amidst a large musical family in Spokane, Washington; studying piano, music theater, rock bands, guitar, folklore and ethnomusicology. Dawn cut her teeth as a singer and performer with various bands and cabarets in Madison, Wisconsin and New York City, most notably as yodeler with the Bindlestiff Family Cirkus, whom inspired her to want a gypsy life with a kindred spirit someday. Her focus took a pivotal turn in that direction in 1997 with a solo quest through the UK and Ireland and their bardic traditions; singing songs in clubs and homes, all the while undergoing a pastoral, psychological experience with the land. Upon her return to the States, a fateful meeting with Oakland, CA born-and-raised Nils Frykdahl (Sleepytime Gorilla Museum) moved McCarthy back to the West to begin a new creative collaboration in the thriving hills and art community of the San Francisco Bay Area. Since 1999, Faun Fables have released six albums and performed their animist, otherworldly folk music across North America and Europe, with shows in Australia, New Zealand and Israel, as well. Dawn"s writing and voice (described by The New Yorker as "one of the more compelling instruments in contemporary music") opens hearts and minds with a whisper to a rallying battle cry, further animated by Frykdahl"s adventurous musicality and vocals. Da...

Go to Item

Buena Vista Social Club

2LP | 1996 | EU | Reissue (World Circuit)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Buena Vista Social Club’ is both the name given to this extraordinary group of musicians and the album, recorded in just six days in 1996 in Havana’s 1950s vintage Egrem studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at 8 million copies, outselling any other record in the same genre. The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González & Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century. Celebrating 25 years since the release of Wim Wenders’ iconic documentary ‘Buena Vista Social Club’, this classic album will be made available on limited edition gold vinyl, and features the remastered audio and bonus tracks released as part of the album’s 25th Anniversary in 2021.

Go to Item

Nashville Goes Fuzz Black Vinyl Record Store Day 2024 Edition

LP | 2024 | US | Reissue (Iron Mountain Analog Research)

Release: 2024 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia Full dynamic range 2024 remasters direct from the firstgeneration analogue master tapes Original Cover Art by Eric Adrian Lee Limited Edition 500 copies 250 'City Of Sin' Neon Orange LPs / 250 'Midnight Mayhem' Black LPs (randomly inserted) From the fiends who brought you Hillbillies In Hell...

Birthed accidently at Bradley's Owen's Nashville studio in July 1960 on a Marty Robbins session, the Fuzztone was soon appropriated by the hipster punks of Garage Rock and Psychedelia across countless iconic underground and overground recordings like The Electric Prunes' 1966 'I Had Too Much To Dream Last Night' and The Stooges 1969 'I Wanna Be Your Dog.'

Less known, however, was that Country Music also embraced the Fuzztone across the mid1960s and produced Fuzzedup Bawdy Trucker ballads like The Willis Brothers' raucous 'Soft Shoulders, Dangerous Curves', buzzing odes to Psychic Vengeance such as Johnny Darrell's sweet 'Mental Revenge' and surreal Lovesick Screamers like Billy Gray's 'Rotten Love.'

The Original Hayseed Fuzztone Freak Out is here.

Get ready. Waylon Jennings makes fingers bleed on his blisteringly poignant poverty parable 'Six Strings Away', Ferlin Husky breaks the bridge on his smooth 'I'll Sail My Ship Alone' and the man who invented it all, Grady Martin, delivers in spades 'The Fuzz.'

Years in the making from Music City U.S.A, come 18 screeching slices of serious Nashville cowpunk mayhem and nervous backwoods niche novelty.

You have been warned...

Go to Item

V.A. - Hillbillies In Hell: Whiskey Is The Devil The Demon Drink: Bikers, Boozy Ballads, Moonshine Minstrels And Skid Row Joes (1962-1972) Black Vinyl Record Store Day 2024 Edition

Hillbillies In Hell: Whiskey Is The Devil The Demon Drink: Bikers, Boozy Ballads, Moonshine Minstrels And Skid Row Joes (1962-1972) Black Vinyl Record Store Day 2024 Edition

LP | 2024 | US | Reissue (Iron Mountain Analog Research)

Sundown Turquoise Vinyl Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia Full dynamic range 2024 remasters direct from the firstgeneration analogue master tapes Original Cover Art by Eric Adrian Lee Limited Edition 666 copies 333 (randomly inserted) 'Hooch Hellscape' Splatter LPs / 333 (randomly inserted) 'Binge Blackout' Black LPs Beelzebub loves Booze...

The Demon Drink. That necrotic amber liquid that drives the Innocent to Sin and the Fallen into Depravity...

Presented here for the very first time are 16 Timeless Tribulations and Pickled Revelations: Lustful Odes to Drunken Vice, Beersoaked Homicides and the Eternal Unpaid Price.

Years in the making – ‘Hillbillies In Hell: Whiskey Is The Devil' presents a dank barroom of battered Hayseed Inebriates, Bizarre Bottlefed Hallucinations, Slithering Saucedup Serpents, Righteous Hellfire Prophets and the Endless Infinite Liquid Battle between the Dark and the Light.

Moments of true Beauty amidst moments of Terror, Torment and Trial.

A musty backwoods shack of forgotten 45s: Phantastic Moonshine Visitations, Delusional Rotgut Initiations, Autocidal Confrontations, Guiltridden Graveside Lamentations and Redemptive Revival Remonstrations most of these sides are impossibly rare and are reissued here for the very first time.

Fill your glass and feel the infernal heat...

SEE Larry Doig suffer Alcoholic Hallcinations! Hear the Dan Sheaffer 3 ask HOW FAR IS IT TO Hell?! Witness Stonewall Jackson's pain from Drinking AND Driving!

Go to Item

Gordonlightfoot

LP | 1974 | US | Reissue (Friday Music)

Release: 1974 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

If You Could Read My Mind Green Vinyl Edition

Gordon Lightfoot

LP | 1970 | US | Reissue (Friday Music)

Release: 1970 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

If You Could Read My Mind Gold Vinyl Edition

Gordon Lightfoot

LP | 1970 | US | Reissue (Friday Music)

Release: 1970 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Wagram)

Nina Simone

The Jazz Queen

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bob Dylan Featuring Tom Petty

Live At The Entertainment Centre In Sydney 24th-25th February 1986 Splatter Vinyl Edition

2LP | EU | Original (Second)

Release: EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1974 | JP | Reissue (Universal)

Shrieks

Iruka No Uta

LP | 2023 | EU | Original (L'autre)

Release: 1974 / JP – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A 1974 album by Shrieks, consisting of Kazuo Kambe and Iruka (Toshie Hosaka), who later had a hit with "Nagori Yuki," is reissued on Shm-cd and analog LP!

Go to Item

Crimi

Scuru Cauru

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | EU | Reissue (Real Gone Music)

John Hartford

Aereo-Plain

Release: 1971 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2013 | EU | Reissue (Drag City)

Suarasama

Timeline

Yufusugebito No Uta (Japanese Edition)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2023 marks the twenty-eighth year of Suarasama; it is also the first year for this reissue of their 2013 masterpiece, Timeline. Irwansyah Harahap and Rithaony Hutajulu, Ethnomusicology lecturers at University of Sumatera Utara, founded Suarasama in 1995 after graduating from the University of Washington Ethnomusicology program. Their music, as expressed on both Timeline and Fajar Di Atas Awan (first issued in 1998, reissued by Drag City in 2008) is hypnotic and joyful; progressing ancient North Sumatran music concepts while referencing the music of adjacent ethnic traditions. "Dukkha," for example, was written combining Mandailing and Eastern European musical inspirations. Playing this song on African jembe, Indian sruti box and a European lute known as the mandolin, Suarasama instigate a musical synesthesia in the listener that may honestly earn and truly deserve the title of "world music." Throughout Timeline, this is largely due to Irwansyah Harahap"s master playing on a variety of stringed instruments including acoustic guitars, Malaysian gambus, mandolin, and an invention of his own design, the saz-guitar. Suarasama"s spirit and intention is further elevated by Rithaony Hutajulu"s vocals, as well as the skilled rhythm playing of Muhammad Amin and Horas Panjaitan, with additional percussion and singing from several others. The sound of Suarasama is the sound of people engaged in a deeply spiritual, constantly moving recital in open space. Suarasama"s conception of Timeline was a multifaceted one from the start. It grew from the concept of hemiola, a metric rhythmic structure involving the juxtaposition of a 2-beat time signature upon 3-beat time within the same line. The song "Timeline" itself addresses the history of musical lutes around the world as a means of debuting their custom-made lute, the aforementioned saz-guitar. Finally and perhaps most significantly, a "timeline" charts the passage of time, and therefore references Suarasama"s musical path over the years of their existence. This is especially significant since founder and leader Irwansyah Harahap passed away in 2021 at the age of 60. As difficult as this loss is for his family, friends and fans alike, the reissue of Timeline is seen as a celebration of the vitality and importance of his music career and journey.

Go to Item

Yukimasa Takebe

LP | 1972 | JP | Reissue (Fuji)

42,74 €* 44,99 € -5%

Trench Of Loneliness Colored Vinyl Edition

Release: 1972 / JP – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is the only album left by the legendary singer/songwriter Yukimasa Takebe. One of the best recordings of all time, reminiscent of Neil Young's "Harvest". The beautiful music and lyrical world. A great masterpiece of quality Folk-Rock that sings about the anxieties and hopes of youth. Originally released in 1972. Junji Ariyama: Acoustic / Classic guitar, flute Takashi Nishioka: Acoustic guitar, Conga, Mouth-harp Isato Nakagawa: Acoustic/Electric/Dobro guitar Hiro Yanagida: Cello, Piano, Organ, Strings Hideaki Takebe: Bass Chito Kawachi: Drums Masahiro Takekawa: Violin Yukimasa Takebe: Acoustic-guitar, Vocal

Go to Item

Iterum Nata

LP | 2023 | EU | Original (Sound Pollution / Nordvis)

41,99 €*