Electronic & Dance 57 Items

Italian Progressive Trance Holy Grail! “Fabula”, one of the most sought after dance rarities of the 90s, gets the reissue treatment via Ultimo Tango - romantic strings, quirky acid riffs, blissful pads, sharp kicks - a beautiful, timeless fantasy awaits!

Gorje Hewek follows up last year’s impressive ‘Life EP’, with a new 5-track package brimming with
collaborative spirit. The work also marks the Watergate label debut of the legendary Hernan
Cattaneo.
The artist is a mainstay of the All Day I Dream collective and a master of intricately woven electronic
compositions, which also transfix the dancefloor. For his return contribution to Watergate Records he brings
a string of cohorts in toe – Dulus, Polo & Molac from his excellent Shanti Records imprint, alongside ADID
affiliate Roy Rosenfeld and Argentinean great Cattaeno.
The opener ‘Altitude’ is a dreamy bass-driven heater that unfolds beautifully over an eight-minute period
and is highlighted by a key driven melody that’s both playful and emotive. ‘Astro World’ is an eclectic slice
of organic house that captivates with a string-laden break before dropping down into a rhythmic second
half. The EP’s title track is a silky sunset cut resplendent with twinkling pads that has enough groove to
seduce a dusty dancefloor. ‘Vida’ begins life as a slinky percussive jam, before the dam breaks and a
colourful river of melody drives the track home. A delight. ‘Kaleidoscope’ stays true to its name driven by a
lush chord melody that cascades throughout. A gem made for big moments.

»grain« is the third Innode release following on from Gridshifter in 2013 and syn in 2021.

A new methodology to make the album is applied yet again from the trio of Bernhard Breuer, Steven Hess and Stefan Németh. The approach is more an anti approach where the trio let the process of creation itself steer the development of the recording, without any prior conceptual agenda.

Irregular rhythmic patterns often served as the initial springboard for each piece with Breuer creating a loop either by playing drums or with the aid of a modelling percussion synthesizer. The results often bypass existing formulaic grids. The outfit embraced these anti-precision steps building shapes around the tarnished templates.

The process of building upon the core structures laid forth alters throughout. In the case of »Splitter« you can hear an example of Bernhard´s core loops dominating a skeletal audio sphere. The title of the track »Impactopium« reflects the process of its construction being a conglomeration of individual titles meshed into a whole. The audio is a non-linear compendium of several fragments of individual elements. A conscious method of exploring a more decentralised architecture saw three disparate elements layered randomly on top of each other with some synths added as a sonic seasoning at the later stages.

Elsewhere sonic elements are restructured in unusual ways. One member's contribution is completely stripped away, quiet sounds captured with contact mics are highly amplified, the last track introduces twisted themes of the first track.

The title »grain« refers to the roughness resulting from these explorations. It also takes note of the term grain as used in analogue photography or in the case of audio as a distorted signal, or »noise.« All of these elements, normally eschewed, are here embraced as a thematic thread to instigate the exploratory proceedings.

This is a playbox of inventiveness, a hall of mirrors and an endless search for unusual tactics and fresh results.

Tackling the initial loop tracks from a wide variety of strategic approaches Innode has concocted a strangely cohesive work. From sparse source material to heavy overdubs of overdubs »grain« is a uplifting collection of works from this relentlessly curious and exploratory Austrian outfit. Humans make the work but the random embracing of unexpected processes means the gentleman of the outfit is not fully ruling what becomes of these works.

Josh Wink’s ‘Higher State of Consciousness’ gets a respectful touch-up 25 years on courtesy of
the Adana Twins.
The German duo come strong with a pair of remixes, fit for two very different dancefloor scenarios. The
first a smart, stripped back breakbeat version that switches from a sparse percussive soundscape to the
famous acid warbles, before introducing undulating retro trance synths to the composition for a headmelting finish. Remix Two is a driving, four-to-the-floor, rave-focused affair that builds up the 303s with
exhilarating intensity, only letting up in the final moments of the track.
The fresh interpretation follows on from Adana Twins’ super re-work of Patrice Baumel’s ‘Roar’ that
dropped on Watergate last November and reinforces the duo’s golden touch on the remix front

Much has been said about Nami Shimada's JPop Bubblegum Deep House anthem. Produced by Soichi Terada in 1989, Larry Levan used to bang it in he Paradise Garage, ressurected by Creme in 2004, over a decade before the hype. What more credentials do you need? Here's all the versions that matter, including a beautiful and haunting Legowelt remix that's rated amongst his best work (by experts that is).

A phase of rhythmic and emotional detachment.
Uncontrolled sounds, no logic, odd numbers, constant collapse of metrics.
I am a computer and I am free.

5 IDM/Breakcore/DNB/Gabber infused compositions by Sorog. Get your limited copy of 100.

Sounds to get the air moving around your ears. Inspired by imaginings of the past, present and future... and many cups of tea. Huge thanks to Stratford Ct for releasing this album - truly a dream made real <3 Enjoy and thanks for listening :)

Sounds to get the air moving around your ears. Inspired by imaginings of the past, present and future... and many cups of tea. Huge thanks to Stratford Ct for releasing this album - truly a dream made real <3 Enjoy and thanks for listening :)

Re-release alert! Remastered version of a valuable electro must have!