Electro Sale 322 Items

Natural Sciences Recs and Harsh Reality Music team up for the first reissue of Henry Hektik's Motion P. Music, booted up as a 12" sampler for DJ's not yet consumed by the candyfloss. A figure who collaborated with M. Finnkreig and active in the 80's German underground and tape trading circuit, he disappeared off the grid, leaving few documents of his music behind, with the handful of remaining tapes swallowed by mould or fried in electrical accidents. What is left is true unhinged tracks from the edge, with six cuts of jacking proto-house (Haiwasa, T.B.A), night-stalker surveillance wave jams (Hong Kong Wedding Night), Black ops narco paranoia (Private Apocalypse) and static knuckle-dragging workouts (Here Comes Escape). A snapshot into a man on the edge!! Limited to 300 copies worldwide with insert and fanzine.

Emerging from a stylistically varied collection of recordings made during the ongoing global pandemic, “Works and Days” is Alina Valentina’s debut album. Grounded by home confinement, she found herself back in the studio with generous time to reflect on the different directions taken in her previous work. Inspired by 70s horror, sci-fi and film noir, her work blends synth heavy darkwave and pop with misanthropic and playfully aloof lyrics. Lyrical themes vary in dealing with escapism, providence and existentialism; laying bare the struggle of maintaining a healthy balance between livelihood and creative output as an artist. “Works and Days” opens up like Pandora’s box, revealing a myriad of reflections on Valentina’s existence. The title refers to Hesiod’s poem ‘Works and Days’ which, like this debut, is filled with a vivid feeling for the rhythm of human life and the forces of nature.

Is a digital music file a less existing work than a vinyl record of the same content? Does bringing digital music into the physical realm make it more real by offering it the tangibility of physical matter? The PERCEBES MÚSICA collective furthers the long term discussion on the relationships between medium and message, truth and illusion, worth and validity.
“Conversor” is a various artist compilation that at first glance feels like a single artist album. The cover does not explicitly state individual authors (only track titles, lengths and BPM are provided), as if to dilute the importance of self and ego, though the listener can attain said information when accessing the download codes inside. It is content from the ether pressed to matter through a Digital-to-Analog conversion process; selected tracks picked from the label’s recent digital catalogue, cleverly edited and placed together onto a record, made to create an introspective - yet physical - electronic soul LP with clear canonical undertones. The trickling down of information from binary code to material existence into a limited edition slab of vinyl.
The offerings range from classic sounding deeper house (by the likes of Daino, Larry Quest, Poko Poko and label head Ka§par) to a wider reaching selection of african riddims (Hélder Russo, Moreno Ácido and Terra Chã), UK Garage (Cyclonix) and even golden age drum’n’bass (Al:X). An exploration of mood and cohesion through variety, the artistic result will resonate with the timeless approach of eclectic labels like the profound Guidance or Peacefrog, the cutting edge Metamorphic, or Reflective or even the widely known WARP or R&S.

Unlimted Happiness Records is presenting their first Various Artist series “Needs Vol.1”. Inspired by the eager to discover, the need for new electronics day after day. A Fast pasted A-side by Lamont Stigler and Anci, steady and smooth on the B-side with Redray and Mills Boogie. The diamond city delivers.

Off the back of their long-standing radio show and guest mix series, Tiella Sound launched in 2023 with a self-titled LP from Perugian artist Vaisa, setting the scene perfectly with its lo-fi maelstrom of field recordings, obscure rhythms and tribal textures. Livio Improta follows suit with ‘Fondamentalismi’, a 10-track exploration of broken, slow-motion rhythms coated in vinyl crackle and layers of atmospheric dust. Livio Improta has landed on Bosconi Records and Rawax, had his tunes included on Fabric 71 mixed by Cassy, and explored ethnomusicology and experimentation under the name Baldovino. From Neapolitan wave to world music, Italo-disco to house, disco and funk, his sound is rich, unpredictable and varied, as he proves here with ‘Fondamentalismi’.

ASA

Arturo Lanz Saverio Evangelista AtomTM

are the last three futurists on earth.

Radial« is the result of a vivid creative merge between Esplendor Geométrico and AtomTM. A transparent diamond formed by a heavy implosion. Its underlying massive mechanics are covered by a crystal surface made to cut reality in half. Just one letter short of “radical”, this album is no less than exactly that - an orgy of powerful, blunt repetition and hyperbolic simplicity, a profound evocation of nothingness and its surroundings. The 13 tracks (which comprise the digital full-length version) of »Radial« are the exact expansion of sonic ideas those three artists have explored during the last couple of decades. Unexpectedly so, this makes this production an outstandingly atemporal one - some would even classify it as meta-contemporary. A selection of 10 tracks of the digital full-length album will be released on CD through raster on September 01, whereas an accompanying vinyl release is scheduled for the end of 2023.

‘Cameo’ is the third and last stepping-stone which lead to Kavinsky’s long-awaited new album ‘Reborn’, out on June 3rd. Its raging funky beat and syncopated synths offer the most perfect case for American sensation Kareen Lomax to deliver a warm though exhilarating vocal performance. Robot disco guitar bumps all along and that secret recipe everyone knows was invented in Paris. Yet another humongous track by the and only dead & alive 88.1 to 107.9 FM fiend.

The pandemic has affected people in all sorts of different ways, but for FJAAK, life in
lockdown led to one key realization: nothing in life is permanent, and what you do have can
disappear at any moment, no matter how solid it may appear. That idea is at the core of the
Berlin duo’s new EP, Your Time Is Ov3r, a four-track effort that sits somewhere between a
rallying cry and a desperate primal scream. It’s not a coincidence that the record’s jagged,
electro-flavored title track contains an ominous vocal refrain (“Hypnotize me”), born out of a
time when FJAAK were looking for something, anything to make the days go by more quickly.
Still, there’s more to Your Time Is Ov3r than emotional strife. The tracks here have been
primed for the dancefloor, and are easily some of FJAAK’s sharpest productions to date.
Unbridled EP opener “Identity” fuses elements of ’90s rave techno with modern electro, the
whole thing powered by the song’s menacingly crunchy bassline. “Chunks” drops the hammer
even harder, its heavy kick and low-end growl rumbling along like a vintage muscle car. And
for those seeking something a bit more chaotic, the blaring sirens and frenzied breakbeats of
“Falcon Punch” come off like the club equivalent of a nuclear sub attack. Throughout Your
Time Is Ov3r, FJAAK tiptoe right on the edge of completely losing control, and while their
skilled hands prevent things from ever veering off the road and into a ditch, the music’s
inherent sense of instability is undeniably exhilarating.

Producer/DJ (and Georgia native) Drew Briggs’ roots in the Atlanta’s club scene stretch back over a decade. In that time he’s also notched releases for a number of internationally-recognized labels including CGI, Harsh Riddims, and Two Circles while receiving nods from Resident Advisor and Xlr8r. Briggs’ second release as Divine Interface (and first on 2mr) plunges the listener directly into his nightly routine in Atlanta - from club to afterparty to cab ride home.

NYC experimental producer Neud Photo is up next on EYA's Lonewolf series with a killer 5 tracker named 'Echoes.

The EP brilliantly oscillates between various inspirations with a strong machine sound; an incredible and hauting journey into electro,new beat, minimal and techno.

Paula heads outside in the dark. Touch and release, fingers probe searching for the unknown and return to the glove, still there for me and you. It's ours to preserve!

Patricia Kokett follows up two critically-acclaimed esoteric techno releases on Knekelhuis (Bizarr [2020], Diabel [2018]) with a new EP – Psykhe – to be released by Isla to Isla on the 25th of april 2023 as a 12” vinyl and digital.

Psykhe sees Lithuanian musician and composer Gediminas Jakubka continuing to explore his distinct sound, but taking it in a new direction: a step away from the euphoric new age dance floor and into a significantly murkier, more precarious territory. Psykhe is meant as a sonic simulacrum of the artist's psyche during the pandemic – a quickened mind bred by a decelerated world. In that and other senses, the record is a modern take on the ‘80s/’90s Detroit ethos of dance music created for an illusory dance floor.

Incidentally (or not!), Psykhe is much more electro-based and darker – intent on delivering catharsis, but not euphoria. Das Risiko starts us off with a eurotrance-infused, punchy electro beat, housing a nostalgic melody and driven forward by a raw, ever-mutating bassline. Throughout this and other tracks on the record, we hear Kokett exploring his love for disembodied voices. On Sangre Seraph, their ghostly presence is felt strongly as they take center-stage in a sequence that feels almost Sleazy-esque. The wistful synths guide us into Love Your Ghosts – an electrific banger slathered in dreamy whalesong and a fitting companion for the just-before-dawn 4x4 vibes of Khaoss, forming the emotional peak of Psykhe. The closer, Eunuchy, epitomizes the record with its soft (and somewhat sad) kosmische background, accentuating a strong rhythmic core.

A1 Somber ambience and dark drones pair well with small, silent melodies and form this perfect teaser track by Ninze & Niju. A2 With their well-known ear for details, Ninze & Niju deliver the soundtrack for riding your skateboard through deserted downtown past midnight. A3 Another signature tune by genre-defining NInze & Niju, bringing together hushed drum patterns and filtered organs to this mind-boggling brain bender. B1 Not much time is wasted when rhythmic layers, driving arpeggios and moving percussion slowly unite to this hypnotic peak time beast to be unleashed by Ninze & Niju. B2 This pretty straightforward, yet hard-to-grasp track unfolds in too many layers to leave you calm - another twisted tune for bare feet in morning dew.

With the new Serwed III on Flaty's promising Anwo Records, Flaty and OL set out to explore and celebrate the altered visions of today's mundane futurism with a kind of keen aesthetic intuition that could only be enabled by the vast volume of their listening, production, and teaching experience. Following the first two Serwed albums on Asyncro and West Mineral Ltd., the current fruits of the flourishing long-time collaboration between OL and Flaty comprise an oddly coherent kaleidoscopic set of free-wheeling journeys across varied pseudo-desolate soundscapes full of anomalies and sometimes thrills. Beyond the now seamless blending of the artists' individual styles, a whole bunch of other boundaries get blurred on the record, whether it be between the human and computer data processing algorithms, originality and referentiality, anxiety and euphoria, signal and noise. Serwed III postmodern world is the one where the orbital space is just another littered parking lot, neural networks are appreciated mostly as a source of absurd imagery, and delivery drones are used as designer drug mules. The sonic collection is fittingly complemented by the visuals based on Regula Bochsler's The Rendering Eye, an art project capturing the "erroneous" yet "picturesque" renderings found in the 3D world of Apple Maps.

Bottin is back with LP an unusual album: an instrumental album of faux "Library Music" aptly titled Quality Time. Searching for a virginal sound rolling back to the zero degree in contemporary music, Quality Time explores the sonic range of 1980s era Casiotone portable synthesizer as is, with no filters or additional timbres modifying its sound aesthetics. An exercise in composition where the reduced plasticity of sound makes us imagine music as building bricks, rather than a commentary of the times. Quality Time is Library Music made out of sheer intellectual honesty, as opposed to the anonimity of producing music as a commodity. The Casiotone alphabet allows Bottin to assemble seductive instrumental tracks marked by alpha-numeric acronyms and interspersed with sourced fragments of dialogues recalling the contemporary existential alienation and postmodern idleness.