Vinyl 504 Items

LP | 1967 | EU (Endless Happiness)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
"‘I Never Loved a Man the Way I Love You’ runs the stylistic gambit without feeling Franklin is doing things just for show. The album isn’t trying to function as a resumé of her skills. Genre shifts feel organic and natural. “Don’t Let Me Lose This Dream” is built on a bossa nova groove, while “Do Right Woman Do Right Man” has a little country ballad flavor. “Dr Feelgood (Love Is A Serious Business)”—one of four songs penned by Franklin herself—is a bluesy belter. She might have been Queen of the genre, but pigeonholing Franklin in soul is like calling Sugar Ray Leonard just a welterweight. She could shuffle through styles as smooth as velvet. Everything is stamped with her own distinct character."

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The Cyrkle

OST Minx

22,99 €*

Release: 1967 / EU

Genre: Soundtracks

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Recorded in 1967 and almost shelved until the film's release two years later, The Minx soundtrack is full of The Cyrkle’s trademark three-part harmonies, intricate arrangements, and paisley-psychedelic sounds. The Minx initially eluded the grasp of even the most dedicated The Cyrkle’s fans, later turning itself into one of their best works.

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Lonnie Smith

Finger Lickin' Good

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Further Conversations With Myself

Bill Evans

37,99 €*

Chariot Rising Black Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A follow up to the similarly-titled Conversations With Myself album recorded several years before -- and like that one, a record that has Bill Evans playing "with" himself, via the technology of overdubs! The album's less a solo album, than a duet one -- given that most of the numbers feature Evans working between melody and rhythm on overlapping piano lines -- creating a mini chorus of pianos that sounds totally great, and wonderfully unique! Titles include "Emily", "Yesterdays", "Santa Claus Is Coming To Town", "Funny Man", "The Shadow Of Your Smile", "Little Lulu" and "Quiet Now”

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Dantalian's Chariot

LP | 1967 | EU | Reissue (Guerssen)

Chariot Rising Splattered Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Complete 1967 recordings - including the cult psychedelic classic 45 “Madman Running Through the Fields” - by Dantalian’s Chariot, Zoot Money’s psychedelic incarnation featuring a young Andy Somers on guitar & sitar (later known as Andy Summers in The Police). Performing frequently at Middle Earth and UFO displaying a wild light show, the band cut just one 45 but laid down more tracks for an unreleased album. Here it is in its full sonic glory. Top notch UK psychedelia with West Coast and Eastern influences.

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Dantalian's Chariot

LP | 1967 | EU | Reissue (Guerssen)

The Lebron Brothers Orchestra

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Psychedelic Goes Latin

LP | 1967 | EU (Get On Down)

Release: 1967 / EU

Genre: Organic Grooves

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Question Mark & The Mysterians

Action

LP | 1967 | EU | Reissue (Universal)

25,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Nina Simone Sings The Blues Vinyl Me, Please Edition

Nina Simone

LP | 1967 | US | Reissue (Vinyl Me, Please)

The Mar-Keys / Booker T. & The M.G.'S

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Nina was singular in both her ability and the music she made. She will always be one of the best to ever do it. "Nina Simone Sings the Blues' comes on 180 gram blue vinyl.

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Back To Back Vinyl Me, Please Edition

LP | 1967 | US | Reissue (Vinyl Me, Please)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Back to Back captures the instrumental aspect of the ’67 Stax-Volt European tour (“Volt” is the name of Stax’s subsidiary label). Immediately apparent is that the live versions of these songs are played much faster than the recorded ones. Exuberant? Definitely! These folks were racing across unfamiliar cultures and landscapes, reimagining their place in this world, looking down at the clouds for the first time. The pace was faster because their lives were — quickly — getting so much larger. In these recordings, you can hear all of that emotional exhilaration, all of that savoring of personal respect, that thrill of the new. Many of these songs were several years old, but they shine on Back to Back like they’re being performed for the first time. Over and over, you hear the musicians throwing in something extra, curlicues and tangents that express their excitement.

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Duke Ellington

Far East Suite

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Country, My Way Black Friday Record Store Day 2024 Red & White Swirl Vinyl Edition

Nancy Sinatra

LP | 1967 | US | Reissue (Light In The Attic)

37,99 €*

Country, My Way Black Friday Record Store Day 2024 Blue Vinyl Edition

Release: 1967 / US – Reissue

Genre: Pop

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In 1967, Nancy Sinatra would continue her artistic ascent into the pop stratosphere with the James Bond You Only Live Twice theme song, the groovy technicolor television special, Movin’ With Nancy, recording one of the most beloved duets of all time, “Some Velvet Morning,” and a cross-country pilgrimage to the center of the country music scene. Nancy traveled to Nashville to cut her fifth album at RCA Studios, where many of the greatest country songs of all time were recorded. On Country, My Way, Nancy fuses her own personal style with country music, resulting in a new hybrid sound. Producer Lee Hazlewood called it “hippie-billy.” While many people get credit for pioneering the contemporary country sound, like many milestones of the 1960s, Nancy was one of the first. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture.

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Nancy Sinatra

LP | 1967 | US | Reissue (Light In The Attic)

Country, My Way Black Friday Record Store Day 2024 Edition

Release: 1967 / US – Reissue

Genre: Pop

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Nancy Sinatra

CD | 1967 | US | Reissue (Light In The Attic)

16,99 €*

2LP | 1967 | Reissue (Rhino)

Release: 1967 / US – Reissue

Genre: Pop

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The Monkees

Headquarters

47,99 €*

Release: 1967 / Reissue

Genre: Rock & Indie

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Ptooff ! Splattered Vinyl Edition

Deviants

LP | 1967 | EU (Trading Places)

LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1967 / EU

Genre: Rock & Indie

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One of the best album by UK psychedelic rock band The Deviants. The band’s debut album “Ptooff!” was originally released in 1967 on the label Underground Impresarios and only available through a few selected head shops before being re-printed by Decca Records in 1969. Founded by legendary counter-culture figure Mick Farren and Russell Hunter and inspired by The Fugs, the band was the first of the anarchic groups to emerge from the Ladbroke Grove area of London. Two years before Hawkwind burst on to the underground scene, the Deviants were preaching revolution and creating their own form of musical anarchy.

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Miles Davis

Miles Smiles

82,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Thanks To You Clear Vinyl Edition

The Egyptians

7" | 1967 | US | Reissue (Fraternity)

17,99 €*

How To Blow Your Mind And Have A Freak-Out Party

Release: 1967 / US – Reissue

Genre: Organic Grooves

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The Egyptians - Thanks Yo You

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Unfolding

LP | 1967 | Reissue (Real Gone Music)

38,99 €*

Release: 1967 / Reissue

Genre: Rock & Indie

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Antonio Carlos Jobim

Wave

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Reissue of the 5th studio album by Brazilian jazz legend Antônio Carlos Jobim. Considered one of Jobim’s best albums, this masterpiece peaked at #5 on the Billboard Jazz Albums chart. It features a plethora of star sidemen, such as Dom Um Romão, Claudio Slon, Jerome Richardson, Ron Carter & Urbie Green, among others, as well as superb arrangements by Claus Ogerman.

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Wes Montgomery

A Day In The Life

Sunday At The Village Vanguard

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Reissue of the debut album on A&M Records by jazz guitarist Wes Montgomery, released in 1967. It reached #1 on the Billboard Jazz Album chart and #2 on the R&B chart. Considered by far the best of his three albums on A&M (in partnership with Creed Taylor’s CTI Records), A Day in the Life features a plethora of star sidemen, such as Herbie Hancock, Ron Carter, Ray Barretto, and Grady Tate, among others, as well as superb arrangements by Don Sebesky. The LP was masterfully engineered by Rudy Van Gelder.

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Bill Evans

2LP | 1967 | US | Reissue (Analogue Productions)

210,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Cosmic Rock)

The Free Spirits

Out Of Sight And Sound

24,99 €*

LP | 1967 | US | Reissue (International Artist)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Possibly one of the first crossover jazz-rock album ever, ‘Out of Sight and Sound’ was released in 1967 by ABC Records. The album was recorded by Rudy Van Gelder and produced by Bob Thiele. Featuring a stellar line up comprised of young talented guitar player Larry Coryell (soon to be a proficient solo artist on Vanguard) the record was a true expression of the musicians lifestyle and artist heritage. With drummer Bob Moses (Compost, Steve Kuhn) on board, second guitarist Columbus "Chip" Baker, saxophonist Jim Pepper (a native American who’s debut on Herbie Mann Embryo is still regarded as a masterpiece) and bassist Chris Hills, Free Spirits were possible the first fusion group around !

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13th Floor Elevators

Easter Everywhere

58,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Sweet Rain Acoustic Sounds Edition

Stan Getz

LP | 1967 | US | Reissue (Verve)

38,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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2LP | 1967 | UK | Reissue (GNP Crescendo)

The Seeds

Future

Easter Everywhere Half Speed Master Edition

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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The ensuing album, “Future”, seemed at once both calculated and confused. For some, it represents the Seeds’ grand psychedelic statement, a mind-blowing articulation of the flower power movement of which they had been proclaimed torchbearers. To others, “Future” is Sky Saxon’s folly: an over-egged, acid-damaged pudding that submerged the true power of the band with meaningless grandeur. The truth lies somewhere between. A narcissistic over-confidence made Sky feel the need to now augment Daryl, Jan and Rick in the studio with numerous overdubs – strings, harp, tuba – on hastily cobbled material that brimmed with bizarre lyrical concepts. On certain tracks the combination worked fine, on others it seemed almost like a parody of psychedelia. Nevertheless, “Future” contains many fan favourites such as ‘Painted Doll’, ‘Flower Lady’, ‘Two Fingers’ and ‘A Thousand Shadows’.

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The 13th Floor Elevators

LP | 1967 | UK | Reissue (International Artists)

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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LP | 1967 | JP | Reissue (P-Vine)

B.B. King

The Jungle

34,99 €*

Music For The Small Hours

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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The Jungle, regarded as one of the best of B.B. King's many albums, is being reissued on P-vine! Recorded in 1961-62, at the height of his career, and released on Kent after he moved to ABC, six R&B charting hits came from this album. All of the songs are superbly crafted, and are truly the king of the blues. Slow songs such as '5 Long Years' are typical of B.B.'s music of this era. You can't talk about B.B. King without listening to this album!

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Clarke-Boland Sextett

LP | 1967 | JP | Reissue (P-Vine)

33,24 €* 34,99 € -5%

The Voice Of Scott Mckenzie

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Formed by Kenny Clarke and Francy Boland, the Clarke-Boland Sextett, with the participation of numerous musicians from both Europe and the United States, made significant contributions to the development of jazz in Europe. At the core of this ensemble, the powerhouse sextet consisting of Kenny Clarke, Francy Boland, Sahib Shihab, Jimmy Woode, Joe Harris, and Sadi came together to record the album "Music For The Small Hours" in 1967, and it is now set to be reissued with an obi.

This album spans a wide range of styles, from standards like Burt Bacharach's "Wives & Lovers" to Brazilian and Afro-Cuban influences such as Luiz Bonfá's "Ebony Samba" and Dizzy Gillespie's "Tin Tin Deo." Additionally, it features original compositions like Shihab's "Please, Don't Leave," where he takes on vocal duties. The entire recording exudes a sophisticated and relaxed mood, showcasing the utmost skill of this formidable sextet. "Music For The Small Hours" is a masterpiece that deserves a place in the history of European jazz, boasting the ultimate level of refinement.

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Scott McKenzie

LP | 1967 | EU (Endless Happiness)

22,99 €*

David Bowie Indie Exclusive Cloudy Green Vinyl Edition

Release: 1967 / EU

Genre: Pop

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The Voice of Scott McKenzie is the debut album by Scott McKenzie, released in 1967. The timeless "San Francisco" is the featuring track on the collection but listen to what Scott does with John Phillips' "Twelve-Thirty", which went on to be a hit record for Phillips' own group, "The Mamas And Papas". McKenzie's rendition of Donovan's "Celeste" has a languid beauty, while Tim Hardin's "Reason to Believe" is one of the best received by the song.

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David Bowie

2LP | 1967 | WW | Reissue (Decca)

41,99 €*

Release: 1967 / WW – Reissue

Genre: Rock & Indie

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David Bowie Green Vinyl Edition

David Bowie

2LP | 1967 | PL | Reissue (Decca)

39,89 €* 41,99 € -5%

Release: 1967 / PL – Reissue

Genre: Rock & Indie

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Ti Ho Sposato Per Allegria Blue Vinyl Edtion

Piero Piccioni

LP | 1967 | EU | Reissue (Musica Per Immagini)

The Mugwumps Orange Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Soundtracks

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“Ti Ho Sposato Per Allegria” (1967) is a comedy directed by Luciano Salce, taken from the theatrical play of the same name (1965) by Natalia Ginzburg. The main characters are Pietro and Giuliana, respectively interpreted by Giorgio Albertazzi and Monica Vitti. A lawyer from a good family, serious, accustomed to a calm and regular life who got married to a indolent and dazed girl with a difficult past a month after meeting her at a party. Despite Giuliana's inability to transform herself into a good housewife, his relationship with Pietro continues to flourish, because he seems to find enjoyment in each of his wife's many mistakes. The reason for their union lies not in love but, perhaps, in a genuine sympathy, as strong as it is mutual. The story has become a minor classic with each new representation. On both stage and screen the themes of everyday life, and the more complex and existential ones, are addressed. The subtle irony of the work relies on recounting problematic events in a carefree tone: realities such as abortion, death, separation and the couple's incommunicability are underplayed with naturalness. The funny events of the film are commented on by Piero Piccioni's music, published for the first time on vinyl by Musica Per Immagini, with an harmonious tracklist. For this first orchestra rehearsal with the director, which will be followed by other important soundtracks, the composer makes an effective and elegant synthesis: on the one hand he reworks moods and aesthetic intuitions of some previous and happy experiences, while on the other he identifies and anticipates the first bars of that unmistakable sound between bossa nova, funk and lounge nuances that will characterize almost all the production of the Seventies. In fact, the Turin-native artist simplifies in a positive sense the articulated harmonic structures that have always distinguished his authorial figure – where the so called jazz features are to be considered more than central in the musical texture, as prominent elements of the harmonic syntax – and he tries a melodic reduction that will make the compositions more catchy or memorized, but not easier for this. Lightness of spirit and rarefied elegance are the keys of this new Dionysian world.

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The Mugwumps

LP | 1967 | US | Reissue (Sundazed)

30,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Guerssen)

The Living Daylights

Let's Live For Today

Release: 1967 / EU – Reissue

Genre: Pop

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LP | 1967 | EU | Reissue (Cosmic Rock)

Jameson

Color Him In

24,99 €*

The Best Of Sonny & Cher Pink Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Another lost gem from the non-jazz Verve catalogue, Color Him In is a daydream experience from loner singer/songwriter Bobby Jameson. Released in 1967 the album is an orchestrated psychedelic trip, no surprise then Jameson had a part in the cult film Mondo Hollywood. Produced by Curt Boettcher the album had several psych-pop numbers with rare female vocals harmonization.

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Sonny & Cher

LP | 1967 | US | Reissue (Friday Music Two)

44,99 €*

Release: 1967 / US – Reissue

Genre: Pop

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LP | 1967 | EU (Trading Places)

The Esquires

Get On Up And Get Away

Release: 1967 / EU

Genre: Organic Grooves

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Family vocal group the Esquires was formed in Milwaukee in the late 1950s; by the time they moved to Chicago to launch their recording career the group featured Gilbert Moorer, Alvis Moorer, and Sam Pace and although Curtis Mayfield turned them down, Bunky Sheppard recognised their potential, their debut single ‘Get On Up’ a smash hit that led to the recording of this brilliant debut album, an excellent collection of upbeat melodic soul with the group’s vocal harmonies in the spotlight. Further permutations would follow but Get On Up And Get Away captures the group in its illustrious eginning, full of shining joy. A top-notch release!

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Wes Montgomery

California Dreaming

30,99 €*

LP | 1967 | UK | Reissue (Be With)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Released in 1967, California Dreaming was Wes Montgomery's last album for Verve (other than an exciting collaboration with Jimmy Smith). It’s an extraordinary orchestral date featuring arrangements by Don Sebesky that showcases soloists such as pianist Herbie Hancock and percussionist Ray Barretto. The songs (which include "Sunny" and the title tune "California Dreaming") are in this case mostly pop material of the era, from which the great performer extracts magic sounds. The album reached No. 1 on the Billboard jazz album chart and No. 4 on the R&B chart, and was one of the last great works by Montgomery, whose later guitar style influenced jazz fusion and smooth jazz. At the peak of his popularity, the guitarist unexpectedly died of a heart attack on June 15, 1968, at the age of 45.

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Al Hirt

Soul In The Horn

Fire Horses / Silence On The Shore

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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Les Marquis

7" | 1967 | EU | Reissue (You Are The Cosmos)

12,99 €*

LP | 1967 | Reissue (Blue Note)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Les Marquis were an Austrian band active in the 1967-1971 period. Their debut single - Fire Horses - released in 1969, is one of the best Garage/Folk-Rock European gems of the late sixties. Limited edition of 400 copies.

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Bobby Hutcherson

Happenings

Release: 1967 / Reissue

Genre: Organic Grooves

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Gypsy Woman Yellow Vinyl Edition

Joe Bataan

LP | 1967 | US | Reissue (Craft)

34,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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2LP | 1967 | US | Reissue (Impex)

Thelonious Monk

Straight, No Chaser

62,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Endless Happiness)

Herbie Mann

Glory Of Love

26,99 €* 29,99 € -10%

Roger Saloom & The Vest Pocket Players

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Flutist Herbie Mann is backed by a large rhythm section and a small horn section on this Creed Taylor-produced A&M set (which has been reissued on CD). Actually the most interesting aspect of the R&B-oriented date (which includes such songs as “Hold on, I’m Comin’,” “House of the Risin’ Sun” and “Unchain My Heart”) is that the up-and-coming flutist Hubert Laws is matched with Mann on several tracks.

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The City In An Owl's Eye

LP | 1967 | US | Reissue (Void)

17,49 €* 24,99 € -30%

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Legendary and rare folk-psych private press record from 1967 that holds up well. Furthermore, the LP is legendary in a literal sense: until recently, few collectors really even knew it truly existed. And Roger Salloom? imagine Jack Kerouac, John Belushi, Lord Buckley, and Lenny Bruce, then throw in Leadbelly, Jimmy Reed, Lonnie Johnson, and Geoff Muldaur… all rolled into one person, and you have a glimpse of poet, singer-songwriter Roger Salloom. Salloom was in the center of the 1960s San Francisco psychedelic scene, playing the Fillmore with Santana, Van Morrison, BB King and Procul Harum. In the 1970s he moved to Nashville to pursue songwriting, then disappeared for two decades to raise a family as a single parent and draw a syndicated cartoon. There is a story here. A story so intriguing that it enticed an award-winning filmmaker to make a film about the subject. So Glad I Made It, the Saga of Roger Salloom, America’s Best Unknown Songwriter, won six awards, was on the 2006 Grammy ballot, and received rave reviews across the U.S.

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Nico

Chelsea Girl

Emily's Illness / Home Before Dark Clear Blue Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The debut solo album (and second sb.Jdio LP) by German singer Nico, Chelsea Girt was released by Verve Records in October 1967, following Nico's collaboration with the Velvet Underground on their 1967 debut sb.Jdio album. The title is a reference to Andy Warhol's 1966 film Chelsea Girls, which Nico starred in. Born Christa Paffgen in Cologne in 1938, Nico was a singer, songwriter, actress and model. Besides working with Warhol, she had roles in several films, including Federico Fellini's La Dolce Vila (1960). In the 1980s, she toured extensively. She died in Ibiza on July 18, 1988, as the result of a cycling accident at the age of 49. Musically, Chelsea Girl can be described as a cross between chamber folk and 1960s baroque pop. Al/Music reviewer Lindsay Planer gave it four and a half out of five stars, stating tha???? "Nico's inherently bleak delivery is similar to the more modern contributions of Laurie Anderson, Ann Magnuson, and Patti Smith. An unqualified masterpiece." Produced by Tom Wilson, much of the album features instrumental work and songwriting credits from Velvet Underground members Lou Reed, Sterling Morrison, and John Cale. "I'll Keep It with Mine" was written by Bob Dylan, while three other songs are by Jackson Browne.

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Nora Guthrie

7" | 1967 | JP | Reissue (EM)

Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion

Release: 1967 / JP – Reissue

Genre: Rock & Indie

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2024 repress of "nora Guthrie - Emily’s Illness / Home Before Dark" (7") has been announced, and this time in Clear Blue Vinyl!! The new edition features a new binding design, a new label, a new jacket format, and a completely new edition that includes valuable photos and lyrics that could not be included in the previous edition! The long-awaited reissue that will bring tears to the eyes of psychedelic and soft rock fans alike! This is a must buy! Repressed for the first time in over 14 years. The new edition features a new binding design, a new label, a new jacket format, and a completely new edition that includes valuable photos and lyrics that could not be included in the 2009 edition! The daughter of American folk musician Woody Guthrie, sister of singer-songwriter Arlo Guthrie, and granddaughter of noted Yiddish poet Aliza Greenblatt, Nora Guthrie released her only and treasured single in 1967, at age 17.

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Ewa Demarczyk

LP | 1967 | EU | Reissue (Warner)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Czeslaw Niemen & Akwarele

Dziwny Jest Ten Swiat..

LP | 1967 | PL | Reissue (Warner)

Release: 1967 / PL – Reissue

Genre: Organic Grooves, Rock & Indie

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Volume 1 Black Vinyl Edition

Fabrizio De Andre'

LP | 1967 | EU | Reissue (RCA)

37,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Superfine Dandelion Blue Vinyl Edition

The Superfine Dandelion

LP | 1967 | US | Reissue (Sundazed)

The Jelly´Bean Bandits Yellow Vinyl Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Flower power psych pop that’ll blow you away! Exploring the jangly folk and garage sounds of the late ‘60s, the Superfine Dandelion picks a wide variety of colorful folk, country and jug band influences and puts a psychedelic tint on their all-original compositions. Our favored stereo mix, pressed on blue vinyl! Formed in 1967, this Phoenix, AZ band would only last for a year before parting ways, leaving behind just one album – a fate many Mainstream artists ultimately faced, no matter how quality their style and sound was. The Superfine Dandelion features Mike McFadden (formerly of the garage rockin’ Mile Ends) and Rick Anderson (founding member of the Tubes) showcasing the sound of the Summer of Love – kaleidoscopic, sunny & groovy! “While the cheeriest cuts have the sunny folk-pop/rock feel of, say, some of the L.A. folk-rock issued by the Dunhill label (‘Don't Try to Call Me’ recalls P.F. Sloan) or the Monkees, their self-titled LP had a good deal of sub-Jefferson Airplane folk-psych-rock, with plenty of minor chords, harmonies, and wistful lyrics. Then ‘Janie's Tomb’ and ‘It's Raining’ have a jokey jug band vibe, like a cross between the Charlatans and the Lovin' Spoonful.” – Richie Unterberger (AllMusic)

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The Jellybean Bandits

LP | 1967 | US | Reissue (Sundazed)

22,39 €* 31,99 € -30%

LP | 1967 | EU | Reissue (Dream Catcher)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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This freakbeat jelly belly delight showcases the Bandits’ vaudeville humor, garage rock & catchy psychedelic pop! Considered a cult classic, this mixed bag of candy-coated fuzz is sure to satisfy your sweet tooth! Our favored stereo mix, pressed on yellow vinyl! Newburgh, New York psych-punks the Jelly Bean Bandits formed in 1966. Originally known as “The Mirror,” the band regularly packed area nightspots like the local Trade Winds, Poughkeepsie's Buccaneer Nightclub, and Burlington, Vermont's Red Dog. In due time, they recorded a three-song demo reel that resulted in a three-album recording contract with Mainstream Records – however, unknown to Mainstream, these three songs represented the sum total of the Jelly Bean Bandits' repertoire, forcing the band to write enough additional material to flesh out a full-length LP in the course of a week. Amazingly, their eponymous 1967 debut is excellent, a freakbeat cult classic distinguished by emotive guitar and some innovative production techniques – all the more impressive, the album was recorded in a single 12-hour stretch. Mainstream hated the end result, however, and dropped the Jelly Bean Bandits just as they were commencing work on the follow-up – only one song was completed before the sessions were aborted, leaving just one ‘60s studio album from these confectionary con-artists. – Jason Ankeny

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The Smoke

It's Smoke Time

Release: 1967 / EU – Reissue

Genre: Pop

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LP | 1967 | US | Reissue (Warner)

The Grateful Dead

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Sorcerer Crystal Clear Vinyl Edition

Miles Davis

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Miles Davis

Sorcerer

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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The Story Of Simon Simopath Purple Vinyl Edtion

Nirvana

LP | 1967 | EU | Reissue (Klimt)

24,99 €*

John Mayall And The Bluesbreakers

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Story of Simon Simopath is the debut album by British psychedelic band Nirvana, released by Island Records in 1967. Described by Melody Maker's Chris Welch as a "science fiction pantomime album", the songs are linked with a story on the back cover which details the dream of Simon Simopath to fly. "Pentecost Hotel" was released as a single with the non-album b-side, "Feelin' Shattered". "Wings of Love" was the next single, also with a non-album b-side, "Requiem to John Coltrane. In a retrospective review on AllMusic, Stewart Mason feels that the "unashamedly twee early concept album", with its "deliberately childlike tone", despite being "a collection of unconnected songs forced together" in a "rather silly story", is a "uniformly solid set of well-constructed psych-pop tunes". The Story of Simon Simopath was selected for The Mojo Collection as one of the most significant albums in musical history.

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A Hard Road

LP | 1967 | EU (Decca)

16,99 €*

Release: 1967 / EU

Genre: Organic Grooves, Rock & Indie

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Their Satanic Majesties Request

The Rolling Stones

LP | 1967 | EU | Reissue (Decca)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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2LP | 1967 | EU (Endless Happiness)

Tamba 4

We And The Sea

21,99 €*

Release: 1967 / EU

Genre: Organic Grooves

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Milford Graves / Don Pullen

Nommo

LP | 1967 | US | Reissue (Superior Viaduct)

25,99 €*

The Electric Prunes Blue Vinyl Edition

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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The Electric Prunes

LP | 1967 | US | Reissue (Jackpot)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Underground Light Blue Vinyl Edition

The Electric Prunes

LP | 1967 | US | Reissue (Jackpot)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Nature Sounds)

Roy Ayers

Stoned Soul Picnic

LP | 1967 | EU | Reissue (El Palmas Music)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In the late 1960s, vibraphonist Roy Ayers was among the top young talents in jazz, thriving during a remarkable era for the genre. While Ayers would later become a jazz-funk pioneer and delve heavily into R&B fusions, his third album Stoned Soul Picnic is a masterful showcase of soul-jazz grooves. Produced by Herbie Mann, Stoned Soul Picnic features a memorable Laura Nyro-penned title track, along with an exceptional lineup of musicians, including Gary Bartz, Hubert Laws, Ron Carter, Herbie Hancock, and Grady Tate. Originally released in 1968, this early Roy Ayers classic is now receiving an official reissue via Nature Sounds.

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Jesus Gomez Y Su Grupo

Jesús Gómez Y Su Grupo

Easterly Winds Tone Poet Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.

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Jack Wilson

LP | 1967 | EU | Reissue (Blue Note)

Hip Hug-Her Pink Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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"Easterly Winds"—the second of three Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, and Billy Higgins on drums.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Booker T. And The Mg's

LP | 1967 | US | Reissue (Jackpot)

The Paragons / Tommy Mccook & The Supersonics

Release: 1967 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. 1967’s Hip Hug-Her is one of their most beloved records. Spawning two significant hits, their cover of the Young Rascals “Groovin” and the title track "Hip Hug-Her"

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I'm Worried Man / Soul Style

7" | 1967 | JP | Reissue (Duke Reid Classics)

Love Cry Verve By Request Edition

Release: 1967 / JP – Reissue

Genre: Reggae & Dancehall

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A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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Albert Ayler

LP | 1967 | EU | Reissue (Verve)

We Are Paintermen 180gram Half-Speed Master Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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1968’s Love Cry mixes Albert Ayler’s free jazz with a catchy combination of nursery rhythms and brass band marches, resulting in a peak example of experimental jazz of the period. This was Ayler’s last recording with his brother, Donald, who keeps the pace fiery along with the rhythm section of bassist Alan Silva and drummer Milford Graves, and harpsichordist Call Cobbs.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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The Creation

LP | 1967 | UK | Reissue (Demon)

36,99 €*

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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Dexter Wansel

Life On Mars

30,99 €*

Release: 1967 / EU – Reissue

Genre: Pop

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Stubborn Heart / How Do You Like It

The Sheppards

7" | 1967 | UK | Reissue (Mirwood)

11,99 €*

7" | 1967 | EU | Reissue (Guerssen)

Release: 1967 / UK – Reissue

Genre: Pop

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“You can’t beat the classics” and in the Northern Soul world, no label is more renowned than Mirwood. The Sheppards ‘Stubborn Heart’ has been played since the early days of the scene but is still a guaranteed floor-filler.

Its flip ‘How Do You Like It’ has also picked up many spins in more recent years. As is our habit, to distinguish from the originals, we have changed the label colour - this time we’ve gone for a fetching purple and gold.

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William Penn Fyve

Swami / Blow My Mind

14,99 €*

Best Of Wilson Pickett Volume Two

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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First ever band-sanctioned reissue of this legendary ‘Pebbles’ garage-psych 45 from 1967. William Penn Fyve aka William Penn & His Pals were a regular presence on the early Bay Area scene, opening for the likes of Jefferson Airplane, Paul Revere & the Raiders and Them. Their line–up included lead singer / organist Gregg Rolie, later of Santana / Journey. In 1966 they recorded their lone single, "Swami" / “Blow My Mind”, for the Thunderbird label. The A-side (written by guitar player Mike Shapiro and famous for being included on “Pebbles-The Acid Gallery”) is early acid-punk with fuzzed-out raga guitars and hilarious lyrics about a guru. The flipside is an energetic garage-punk number with swirling Vox organ and a fuzz rave up á la Yardbirds.

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Wilson Pickett

LP | 1967 | US | Reissue (Friday Music)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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John Mayall & The Bluesbreakers

A Hard Road

LP | 1967 | EU | Reissue (Proper)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Superior Viaduct)

Albert Ayler

In Greenwich Village

LP | 1967 | US | Reissue (Nature Sounds)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In the mid-'60s, Albert Ayler found himself at the center of major transformations within jazz. On his albums for ESP-Disk', his delivery was radically aggressive and his tone blistering – aiming for something beyond the New Thing. His music would be further energized when (at the behest of John Coltrane) Bob Thiele signed him to Impulse! As Ayler told The Plain Dealer at the time, "It's not about notes anymore. It's a sound – a feeling. The approach we're taking will discontinue the use of the word 'jazz.'" In Greenwich Village, Ayler's first LP on Impulse!, perfectly captures the Cleveland-born saxophonist's radiant intensity. Sourced from a pair of live engagements – February '67 at the Village Theatre on New York's Lower East Side and December '66 at the Village Vanguard – these recordings show an improved clarity in production and performance. Both sets feature two basses (including Alan Silva and Henry Grimes) which allowed the ensemble to go in different harmonic directions while maintaining an organic unity. Of particular interest are "For John Coltrane," a tribute to Ayler's mentor who would pass later that year, and "Truth Is Marching In" where trumpeter Donald Ayler joins his brother to celebrate and ultimately deconstruct several jazz traditions to stunning effect. Vibrant in sound and vision, Albert Ayler's In Greenwich Village is a landmark statement in free jazz and a career high-point for this truly original artist. Superior Viaduct is honored to present this classic album on vinyl for the first time domestically in 30 years.

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Roy Ayers

Virgo Vibes

LP | 1967 | EU | Reissue (Musica & Entretenimiento)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Long before becoming an icon of funk, acid jazz, and R&B, Roy Ayers was a promising young jazz vibraphonist. Originally released in 1967, Virgo Vibes was Ayers' second album, and his debut for Atlantic. With five cool, funky jazz tracks, the LP features talented musicians like Joe Henderson, Charles Tolliver, Bruno Carr, Jack Wilson and the mysterious pianist Ronnie Clark (Herbie Hancock playing under a pseudonym). A rare treasure infused with the relaxed, sunny vibe that defined Ayers’ stellar career, Virgo Vibes is now available again on vinyl.

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Los Vidrios Quebrados

Fictions

Slow Drag Tone Poet Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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"Fictions" (1967) by Los Vidrios Quebrados is released now on vinyl, from the original IRT masters! Los Vidrios Quebrados were pioneers in Chile in adopting psychedelia as a musical aesthetic, due to the influences gathered mainly from British groups. Although they bequeathed only one LP, this one is a permanent reference of research and applause, for having been worked with their own material (without covers, as was the norm of local rock at the time) and combining their electric flight with opinions of social observation. "Fictions" (1967) is one of the most important rock albums made in Chile. The 1966 single "Friend" and "She'll Never Know I'm Blue" gave way the following year to the recording of "Fictions", their only LP, under the RCA Victor and Ues Producciones label. Without merely copying their influences, the songs on the album feature smooth and fine instrumental arrangements by Héctor Sepúlveda (guitar and vocals), who also acted as the album's musical director. Those who were lucky enough to hear them live say that they were much more rock than what we can appreciate on the album. And the music on the "Fictions" album was even more sophisticated than what was being done at the time, there was a musicality that was quite anticipatory, even foreign. If you listen to the harmonies in "Introduction to Life..." or "Concerto in A Minor", they are quite complex compared to what was heard at the time. That's why they also had a place in radio stations more accustomed to playing classical music, like Radio Andrés Bello. There was a certain intellectual taste, something like an "intellectual arrogance", like the quotations to Oscar Wilde in the lyrics of the songs, for example. For the recording of "Fictions", Los Vidrios Quebrados had very little time, as was customary in those days. And despite the technical limitations of the recording studios (two tracks -vocals on one side and all the instruments on the other-, bottle cap tambourines and homemade instruments), when listening to the album, the result is surprising and, considering that in Chile the music of the Beatles and the Rolling Stones was already known, the reception of "Fiction" was quite good. After the success of "Fictions" and with a promising future, Los Vidrios Quebrados decided to go to Europe in 1969, but the idea was rejected by the parents of two of the members, who only saw music as a hobby. Different life choices and musical tastes led months later to the end of the band.

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Donald Byrd

LP | 1967 | EU | Reissue (Blue Note)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Donald Byrd’s 1967 album Slow Drag was one of the last pure hard bop records the trumpeter would make before his music began evolving towards fusion. Byrd flies high on this gratifying set featuring alto saxophonist Sonny Red, pianist Cedar Walton, bassist Walter Booker & drummer Billy Higgins.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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V.A.

Riot On Sunset Strip

LP | 1967 | EU (Sparton)

17,99 €*

Release: 1967 / EU

Genre: Rock & Indie, Soundtracks

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Please Don't Go / My Heart Remembers Record Store Day 2023 Edition

Willie Tee

7" | 1967 | UK | Reissue (Nola)

14,99 €*

LP | 1967 | US | Reissue (Craft)

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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First official reissue of this essential and insanely rare Willie Tee double sider. New Orleans gold from the Nola vaults, the A side ‘Please Don’t Go’ is a certified Northern Soul classic with the flip a fantastic smokey, low slung soulful number that’s become a real collector’s favourite. With original copies having traded hands for £1800 in the past, it’s high time this was made available to a new generation of listeners. Red label version original black sleeve.

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Albert King

Born Under A Bad Sign

36,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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The Sorcerer Verve By Request Edition

Gabor Szabo

LP | 1967 | EU | Reissue (Impulse)

23,99 €*

LP | 1967 | UK | Reissue (Elemental)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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This 1967 set, recorded live at Boston’s Jazz Workshop, showcases virtuoso guitarist Szabó—a veteran of Chico Hamilton’s and Charles Lloyd’s bands—at the top of his game on a diverse program featuring standards (“What Is This Thing Called Love”) and pop hits (“The Beat Goes On”) as well as the original and psychedelic-tinged jam, “Space.”

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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Tim Hardin

Tim Hardin 2

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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Indian War Whoop Deluxe Ediiton

The Holy Modal Rounders

LP | 1967 | US | Reissue (Don Giovanni)

LP | 1967 | EU | Reissue (Akarma)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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"Some people think this record is unlistenable, while others consider this one of the key documents of the American music underground" - Byron Coley -55th Anniversary edition, one time pressing of 1500 foil numbered 2xLP copies -2 disc collection including original album remastered and Live in 1965 -Half-speed mastered vinyl cut by Miles Showell at Abbey Road Studios -Live in 1965 (Disc 2) remastered by Ryan Schwabe and available on vinyl for the first time -Comprehensive liner notes by Jesse Jarnow (Heads: A Biography of Psychedelic America) and Peter Stampfel The year 1967 proved to be a strong point of the ’60s generation culture and the ever growing New York underground music scene. Steve Weber and Peter Stampfel provided a blithe sendup of musical Americana as they mined this tradition, while introducing outrageous and zany virtuoso turns on acoustic guitar, banjo and violin. Their lyrics and vocals are uniquely their own. Their personalities were profoundly incompatible, like those of Gilbert and Sullivan.

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The Serpent Power

25,99 €*

Renaldo Domino & The Orientations

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Serpent Power were amongst the many bands that emerged during those heady days of 1967 but, unlike many of their contemporaries who went on to build solid careers, their arrival was only to be a brief spell in the sun as this delightful album was to prove their sole release as a full band. There is no doubt that it stands proudly alongside other better known works of that time.

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Love My Girl / I'm Hip To Your Game

7" | 1967 | UK | Reissue (Epsilon)

18,04 €* 18,99 € -5%

Impressions Of Wonderful Colored Vinyl Edition

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Renaldo Domino blasted onto the fertile Chicago soul scene of the late 60's with a voice as sweet as sugar and deep grooves that sound just as fresh five decades later. Releasing singles on Mercury subsidiaries Smash and Blue Rock, and later Twinight records, Renaldo’s all-too-brief career has still managed to leave an impact to all those lucky enough to hear it.

Domino's Renaldo first record: I Love My Girl & I'm Hip To Your Game, came out in 1967 on the impossible to find Arnell records. I'm Hip To Your Game was later released on Smash in 1969

Renaldo returned to the spotlight in 2007 when the Chicago reissue powerhouse Numero Group put him on the cover of their deluxe box set Eccentric Soul: Twinight's Lunar Rotation (which included other greats Syl Johnson, The Notations, and many more). Renaldo’s performing career began to flourish once again with shows around country. In early 2019 Renaldo teamed up with producer Jeremy Kay and arranger JB Flatt and set out to record new tracks that would live up to Renaldo’s great early records. Assembling a crack team of Brooklyn’s best they pulled out all the stops, creating a mix between the lush arrangements of Chicago’s early soul style and the hard-hitting beat of current Brooklyn soul. The new single “No Laggin’ & Draggin’” / “Give Up The Love”, released Feb 2020, is now available on Colemine Records. Backed by The Heavy Sounds, Renaldo’s live performances continue to deliver with passion and precision, making new fans young and old.

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Motions

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Milford Graves & Don Pullen

Nommo

LP | 1967 | EU | Reissue (Chush)

21,59 €* 23,99 € -10%

LP | 1967 | FR | Reissue (Polydor)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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In his 1967 DownBeat review of the initial release, Amiri Baraka wrote: "The music is beautiful on this album... These two players... are making some of the deepest music anywhere. It wants nothing."

Peter Margasak included the album in his list of "Favorite Albums of 2020," and wrote: "Essential coupling of two insanely rare duo albums from a 1966 concert at Yale University: Pullen at his most ferocious and probing, Graves making a huge step in establishing his radical approach to polymetric movement."

In a review for Point of Departure, John Sharpe commented: "The five pieces represent a true dialogue... Although intensity levels vary, the exchanges remain resolutely non-melodic and non-metric throughout... Even after all this time the music still challenges preconceptions. It remains a classic of the genre and deserves to be widely heard."

Thurston Moore included Nommo in his "Top Ten From The Free Jazz Underground" list, first published in 1995 in the second issue of the defunct Grand Royal magazine, calling the interplay between the musicians "remarkable."

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Cream

Disraeli Gears

22,99 €*

Release: 1967 / FR – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Verve)

Nina Simone

High Priestess Of Soul

Chicken Fat Verve By Request Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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180g Vinyl LP pressing. High Priestess of Soul is the last album Simone released under Philips Records. The songs are accompanied by a large band directed by Hal Mooney. The album contains popular songs, such as "Don't You Pay Them No Mind" and African American gospel and folk related songs written by Simone herself, such as "Take Me to the Water" and "Come Ye." After this album title, Nina Simone was sometimes referred to as "the high priestess of soul." Nina Simone was an American singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Simone's musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.

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Mel Brown

LP | 1967 | EU | Reissue (Impulse)

18,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Rhino)

The Doors

Strange Days

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Here Comes The Whistleman

Roland Kirk

LP | 1967 | EU | Reissue (Modern Harmonic)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | Reissue (ORG Music)

Dexter Gordon

Take The A Train

32,99 €*

Release: 1967 / Reissue

Genre: Organic Grooves

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Infatuation / What Have I Got Now

Darrow Fletcher

7" | 1967 | UK | Reissue (Jacklyn)

11,99 €*