Vinyl 146101 Items

Release: 2021 / EU – Original

Genre: Soundtracks

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Rumbon / Weo Feat. Ramon Orlando

Alex Malajunta

7" | 2021 | US | Original (Discos Mas)

Pilgrimage Of The Soul Black Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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Dominican multi-instrumentalist Alex Malajunta is back on wax with a super hot, up-tempo, original merengue with "Rumbón." Party tested and dancer approved! The B-side is an updated version of the 1980s Ramon Orlando hit "Weo" featuring the merengue legend himself! Excellent call and response on this song for audience engagement.

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Mono

LP | 2021 | EU | Original (Pelagic)

Musca Yellow Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Pilgrimage Of The Soul Is The 11th Studio Album In The 22-Year Career Of Japanese Experimental Rock Legends, Mono. Recordedand Mixed - Cautiously, Anxiously, Yet Optimistically - During The Height Of The Covid- 19 Pandemic In The Summer Of 2020, Pilgrimage Of The Soul Is Aptly Named As It Not Only Represents The Peaks And Valleys Where Mono Are Now As They Enter Their Thirddecade, But Also Charts Their Long, Steady Journey To This Time And Place.Continuing The Subtle But Profound Creative Progression In The Mono Canon That Began With Nowhere Now Here (2019), Pilgrimageof The Soul Is The Most Dynamic Mono Album To Date (And That's Saying A Lot). But Where Mono's Foundation Was Built On The Well-Established Interplay Of Whisper Quiet And Devastatinglyloud, Pilgrimage Of The Soul Crafts Its Magic With Mesmerizing New Electronic Instrumentation And Textures, And - Perhaps Most Notably - Faster Tempos That Are Clearly Influenced By Disco And Techno. It All Galvanizes As The Most Unexpected Mono Album To Date - Replete With Surprises And As Awash In Splendor As Anything This Band Has Ever Done.Mono Began In Japan At The End Of The 20th Century As A Young Band Equally Inspired By Thepioneers Of Moody Experimental Rock (My Bloody Valentine, Mogwai) And Iconic Classicalcomposers (Beethoven, Morricone) Who Came Be Fore Them. They Have Evolved Into One Of The Most Inspiring And Influential Experimental Rock Bands In Their Own Right. It Is Only Fitting That Theirevolution Has Come At The Glacial, Methodical Pace That Their Patient Music Demands. Mono Is A Band Who Puts Serious Value In Nuance, And Offers Signi Ficant Rewards For The Wait. "Glacial, Metallic, All-Consuming Post-Rock" - Stereogum,Stunning, Eloquent, Emotionally Gut-Busting" - Pop Matters"It's The Kind Of Album That's Best Played Start To Finish (And Best Played Loudly), And That Can Truly Suckyou In And Transport You To Another World If You Do So." - Brooklyn Vegan

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Herbert

2LP | 2021 | EU | Original (Accidental)

19,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Second Breakfast)

Liz Lawrence

The Avalanche

25,99 €*

12" | 2021 | EU | Original (BPitch)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LIZ Lawrence returns with her heavily anticipated new album THE Avalanche, following 2019’s critically-acclaimed Pity Party and 2020’s Whoosh EP. The album contains 11 brand new tracks, including the singles Where The Bodies Are Buried and Down For Fun. Written and recorded in ‘The Coffin’ - her self-built garden shed home studio - during the lockdown of 2020, the album showcases Liz’s growth as both a songwriter & producer and positions her as the UK’s foremost fully independent alt-pop solo artist. Liz will tour the album in September/October 2021, with a 12 date UK tour, including her biggest headline show to date at Lafayette in London. The tour will follow Liz’s appearance with friends and collaborators Bombay Bicycle Club at All Points East in August.

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DJ T-1000

The Dirrty Underground

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | US | Original (Air Vinyl)

The Musalini

The Return Of The Oro

25,99 €*

LP | 2021 | US | Original (Dewolfe Music)

Release: 2021 / US – Original

Genre: Hip Hop

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After dropping a string of strong releases between the top of 2019 and the end of 2020, Uptown NYC’s The Musalini has quickly made a name for himself in hardcore Hip-Hop. After dropping two solo albums with Dutch imprint De Rap Winkel Records, he partnered with Air Vinyl Records to give fans a collab album with Harlem heavy-hitter G4 Jag. Then, this past Summer he came with the pinnacle of his discography so far, the playertastic The Return of The Oro. This 19-track offering establishes the smooth-voiced Mus as one to watch. As for guests, he links with underground champs like Ransom, Rasheed Chappell, and G4 Jag, as well as his homies Emilio Craig, O Finess, and Izzy Hott.

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Keith Papworth

Hard Hitter

36,99 €*

LP | 1969 | UK | Reissue (Be With)

Release: 2021 / US – Original

Genre: Organic Grooves

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There may not be a more suitable name than Hard Hitter to grace an album cover ever again. The drums hit, and they hit hard. From cinematic funk (“Speed Trap”, “Hard Hitter”, “Decisive Action", and “Big Dipper”), to strutting grooves (“Fun Seeker”), along with jazzy ("Three’s A Crowd") and erratic (“Super Drive”) recordings, this record sounds like a 1970’s action movie. Released in 1975, Hard Hitter features compositions by Keith Papworth, who, in addition to writing hundreds of tracks for de Wolfe Music's production library over the course of three decades, is best known for having his recordings featured in Monty Python skits and movies. Hard Hitter is beloved by crate diggers of all genres for its minimalist orchestration over heavy grooves.

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Willie Hutch

Soul Portrait

LP | 2021 | EU (Parramatta)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. His debut, Soul Portrait (1969), is an incredible slice of gritty, Southern-fried soul. Think Stax with a touch of Detroit sparkle. As a whole, the album demonstrates the self-contained act Hutch was; he wrote every tune on the album while also arranging and conducting for it. It features 11 timeless grooves, with a blend of beat ballads and undeniable dancers.

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Marina & The Kats

Different

Release: 2021 / EU

Genre: Pop

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Rue Des Cascades/ Cascade Street

Yann Tiersen

LP | 2013 | EU | Original (Ici D'Ailleurs)

22,99 €*

LP | 2021 | EU | Original (Alien Transistor)

Release: 2013 / EU – Original

Genre: Rock & Indie

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People Ask Repeatedly If They Can Purchase These Records And The Answer Until Now Has Been No. Until Now. We Are Delighted To Announce The Re-Issue Of These Four Incredible Albums With Updated Artwork. Lp Are Re-Mastered, And For The First Time Ever Available In English (English Versions For Cds Will Come Later) . When The Albums Were Originally Released They Were Predominantly Sold In France But Subsequently Yann Has Become Known All Over The World. For That Wider Audience The He Has Painstakingly Translated The Titles Into English, Doing It Himself To Ensure The Original Meanings And Sentiment Are Kept. Where Oc...

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Fehler Kuti

Professional People

Release: 2021 / EU – Original

Genre: Organic Grooves

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How Much Time Between You And Me?

Perila

LP | 2021 | EU | Original (Smalltown Supersound)

LP | 2021 | EU | Original (Harbour Artists & Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Perila (Aleksandra Zakharenko) left her native Russia six years ago, landing in Berlin. Finding her place almost immediately - first at Berlin Community Radio and through that amongst a group of like-minded creative individuals (including her current flatmates Special Guest DJ and exael) - she started a regular practice of working on an expressionistic "sonic diary" of field recordings and electronic sound research for her own pleasure. When the opportunity arose to create her own podcast series, WET (or Weird Erotic Tension) was born. Upon hearing her evocative and atmospheric music layered with friends Nat Marcus and Inger Wold Lund's erotic spoken word poetry, Sferic Records asked to release it, and Perila - a project name originally used for her BCR show - truly came to be. Aleksandra, who was raised in St. Petersburg, has been involved in music since childhood thanks to her melomaniac father. She's been both drummer and singer in local bands in Russia, and is also the co-founder of radio.syg.ma - one of the first online stations in Russian focusing on experimental sounds - but Perila is something else entirely. You could loosely describe it as ambient, but her soundworld is so specific and transportative, filled with detail and movement, it's more akin to hauntological musique concrète, touched by song. Her fascination with voice and language - she studied English literature at university - is still evident, although that's now her voice, her texts, her crooning you can hear on the Everything Is Already There cassette (Boomkat Editions, 2020), her processed breaths on the Meta Door L cassette (Paralaxe Editions, 2020). The Wire Magazine got it right when they said about Irer Dent that, "Sensuality is presented as a secret pass to a higher consciousness." For her debut album, How Much Time it is Between You and Me?, released via Smalltown Supersound on June 11th, Aleksandra takes inspiration from the concept of time, which she felt keenly during the pandemic. Recorded primarily in September 2020 in a rural village in France - her only travel during the first year of the pandemic period - surrounded by mountains but otherwise alone with no internet, her perception of time there differed immensely. She describes the trip as, "an immersive experience into self," viewed through a "silence prism" where everyday sounds usually ignored felt amplified. While her work has always dealt in intimacy - be it the private thrills of WET or the audible closeness of our surroundings - the organic response and consistent feedback she gets for Perila made Aleksandra recognize a longing, a need for it in today's world. Intent on creating work based in honesty and tenderness, Perila's practice also explores how we feel music and emotion throughout the body and how sound can help to release it. How does the sound enter a body and travel through it? Where does movement start? How do you reach and unblock emotional clusters with the help of sound and deep listening of the body responses? Aleksandra likes to describe her music and performances as trips - thick narratives drifting along sound to get closer to self. Let Perila guide you through this journey.

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Eloise

Somewhere In-Between

Release: 2021 / EU – Original

Genre: Organic Grooves

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2LP | 2021 | EU | Original (Sonar Kollektiv)

Feiertag

Time To Recover

26,99 €*

EP | 2021 | US | Original (Sentient Ruin Laboratorie)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Now it‘s finally here: The debut album «Time To Recover» by Feiertag. The Multi-faceted artist & producer has established himself as a leading name within the electronic music sphere since making his debut in 2015. He defies convention in ways many cannot, from his immersive productions on Last Night On Earth, Boogie Angst, Majestic Casual and Kitsuné.

After two successful EPs and even more singles, Feiertag took his time for this debut album. This can be heard on each of the sixteen tracks: Extraordinary attention to detail, sophisticated arrangements and a sound aesthetic that couldn‘t sound more modern are probably the first impressions you take away from «Time To Recover». On second or third listen through, however, you realize that almost every one of these songs has hit potential somehow.

After the dubby head-nodding opener «Stranger To One» follows «Yearn» with Oli Hannaford from London and Tessa Rose Jackson from Amsterdam, revealing a melancholic and shimmering musical soundscape. Majestic vocals combine with lush percussive elements and smooth drums, whilst rich chords work atop of resonant strings. A song destined for eternity!

Tessa is also featured on «Follow» and «Riptide». Then there‘s the collaboration with Gosto, «Stronger,» a song that gains in punch and impact with each successive listen. And with every rewind, you turn up the volume a little more. As loud as enough that you can also enjoy «It‘s Alright» with James Alexander Bright in its full glory and exuberant optimism. Similarly good-humored is the instrumental «Saccharine» tasting full of sweet summer, unbridled exuberance and outdoor parties. With «Panorama» Feiertag shows his calmer, more ambient side towards the end of the album to finally set an absolutely dignified closing point together with Pete Josef on «Where Are We Now».

«Time To Recover» is an almost furious ride through current musical styles and genres - all from the artful and almost grandiose orchestrated point of view of Feiertag. credits

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Aberration

LP | 2021 | EU | Original (Phat Penguin)

Release: 2021 / US – Original

Genre: Rock & Indie

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Obfuscating And Abysmal Ambient Dark Death Metal From Members Of Void Rot, Suffering Hour, Tvaer, And Nothingness. Fifteen Minutes Of Oppressive And Abhorrent Death Metal Chaos Spiraling Down Into Aphotic Hell. Debut Ep - For Fans Of Altarage, Immolation, Impetuous Ritual, Abyssal Etc..

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Buntspecht

Spring Bevor Du Fällst

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 1991 | EU | Reissue (Materiali Sonori / Spittle)

Durutti Column

Dry

Thelonious Beats / Black Cash & Theo

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Durutti Column are still one of the most sought after band of the English post-punk. Since their first album 'The Return Of Durutti Column' (released on Factory in 1980), the guitarist, pianist and composer Vini Reilly has published a series of remarkable albums that filled the gap between new wave and ambient music. Reilly and Bruce Mitchell (who’s been working with such major artists like Simply Red and Rod Stewart) represented the future of the Manchester scene moving forward from the forerunners (Joy Division, A Certain Ratio, etc.) to the new musical heroes (Happy Monday, Stone Roses and the likes). Materiali Sonori invited The Durutti Colurnnat for the first edition of the Greetings Festival in San Giovanni Valdarno in 1985, and build since then a steady relationship with the band. It was precisely Vini Reilly that started the record series 'Greetings' (dedicating to the Belpaese tracks like 'Florence Sunset", "San Giovanni Dawn", 'For Friends In Italy"). Subsequently Materiali Sonori dedicated the first cover of the magazine Sonora to Reilly and Mitchell (including a previously unreleased track on the magazine's compact disc) "Dry' is conceived as a new journey among Vini inventions, through rarefied moods and subterranean streams of sound. The fifteen songs (lasting fifty-five minutes) have been recorded in Manchester in 1990, Vini sits in on guitar and piano, while Mitchell is on electronic and acoustic percussion, other instruments such as the clarinet (played by Zinnia Mitchell-Williams, Bruce's daughter), harmonica, viola and keyboards are also featured on the session. Here, once again, Durutti Column 's music could be defined as half-way between melancholy rock and 'progressive' New Age.

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Summer In The City / Epilog Drum Break Edit

7" | 2021 | EU | Original (Galaxy Sound)

LP | 1998 | EU | Reissue (Island)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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File under Funk, Soul, Hip Hop Breaks, Samples Series

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PJ Harvey

Is This Desire?

28,99 €*

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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Beyond Colossal Green Vinyl Edition

Dozer

LP | 2008 | EU | Reissue (Heavy Psych Sounds)

2LP | 2020 | EU | Original (ZYX)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Beyond Colossal is the fulfillment of the promise 2005’s excellent Through the Eyes of Heathens began to see through. The sound is that of the band pushing itself harder, writing stronger songs and compromising none of their edge or aural passion. You can hear it on “Exoskeleton (Part II),” truncated here from its appearance with “Part I” on a 2007 split with Iceland‘s Brain Police, at the 1:39-mark launching of “The Ventriloquist,” on the more traditionally stoner “Grand Inquisitor” and even the quiet “Bound for Greatness” which closes out the album. Dozer are not only on top of their game, they’re well beyond it.

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Savage

Love And Rain

Release: 2020 / EU – Original

Genre: Electronic & Dance, Pop

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I've Seen All I Need To See Black Vinyl Edition

The Body

LP | 2021 | US | Original (Thrill Jockey)

31,99 €*

Frank McDonald & Chris Rae

Release: 2021 / US – Original

Genre: Rock & Indie

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Over the course of two decades The Body, Lee Buford and Chip King, have consistently challenged assumptions and defied categorization, redefining what it means to be a heavy band. On I've Seen All I Need To See, they test the boundaries of the studio to explore the extremes and microtonality of distortion to find its maximal impact. Their most incisively bleak, a towering monolith of noise, album to date Buford's booming, resolute drums paired with King's obliterated guitar and howl. Course, bristling distortion contorts every instrument, with samples of spoken word, cymbals, toms and King's already noxious tone emerging from layers of feedback. The recording studio remains indelible to The Body's creative process. Together with engineer Seth Manchester of Machines With Magnets, they capture the complexities of distorted sound in stunning detail. The clarity and the cacophony exceed anything they've created before, morphing desolate, festering soundscapes into an exhilarating sonic universe. Buford often lays the framework for songs from the drums up, mirroring hip hop production. I've Seen All I Need To See trades out 808s and The Body's self- sampling for live instruments with a focus on expanding mutations of sound from more limited sources. The results are remarkably rich textural bombardments. Throughout, The Body deliver oppressive noise with potent lucidity, replicating the overwhelming sound of their live performances in revelatory detail. I've Seen All I Need To See demonstrates not only The Body's fearless spirit and vicious edge, but their intellectual musical heft through its explorations of distorted sound and the power of distorted sounds' interplay. Composer Roger Johnson said "Noise is power, but is generally represented as negative, chaotic, dangerous, violent, when it comes... from those marginalized from power. Noise is also an expression of freedom, a 'liberation of sound.'" The Body are sound liberators capable of mining and extracting remarkable details from the most manipulated and distorted sound sources. I've Seen All I Need To See is a groundbreaking work and an ecstatic listen, whether seen as a testament to catharsis in oblivion, an opus of inexorable dread or a wholly liberating adventure.

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Mean & Dirty

LP | 1978 | EU | Reissue (De Wolfe)

28,99 €*

Never Gonna Fall In Love Again

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1978, the title Mean & Dirty describes this album to a T. Let this record play with any 70’s cop drama, spy-thriller, or blaxploitation film and it will act flawlessly as the soundtrack. Dramatic funk rock dominates this album (Moving Target, Flying Squad, Arrival Time), but room is left open for the mellower pieces (Slow Fuse, Blue Mood, Night Moves), the super-fast (Dragster), and the surprisingly jaunty (On Yer Bike, Guv).

Founded in 1909, de Wolfe Music’s legendary production music catalog has gained cult status among vinyl collectors and crate diggers worldwide.

Featuring music from a roster of composers including Reg Tilsley, Roger Webb and duo Frank McDonald & Chris Rae, it also includes performances from iconic musicians such as Jimmy Page and Herbie Flowers. De Wolfe Music has provided the soundtrack to countless feature films including Monty Python and The Holy Grail, The Witchfinder General, Dawn Of The Dead, and more than twenty of the Shaw Brothers’ Kung Fu classics. Major recording artists who’ve sampled the collection in recent years include Beyonce, Drake, Jay Z, Lily Allen, Gorillaz, K. Michelle, Jay Electronica, Cam’ron and Ja Rule, to name just a few.

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Diplomats Of Soul

12" | 2020 | UK | Original (Expansion)

Release: 2020 / UK – Original

Genre: Organic Grooves

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7" | 2020 | US | Original (Colemine)

Bubaza

Ice Breaker

10,99 €*

2LP | 2009 | EU | Reissue (Relapse)

Release: 2020 / US – Original

Genre: Organic Grooves

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Bubaza Is A Side Project Featuring Members Of Jungle Fire And The Sure Fire Soul Ensemble. Covering Ground That Each Of Their Respective Bands Live In: Latin Jazz, Instrumental Soul, Funk, Etc., But While Also Extending This A Little More Into B-Boy And DJ Culture With Fiery Drum Breaks And Crafting Tunes Meant For The Funk Dance Floor.

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Baroness

Blue Record

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (Kranky)

MJ Guider

Sour Cherry Bell

Release: 2020 / US – Original

Genre: Electronic & Dance

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Melissa GUION’s second offering for Kranky retains the glassy gauze of her debut, 2016’s Precious Systems, but shaded starker and darker, framed by mechanical rhythms and humid industrial moods. She speaks of Sour Cherry Bell as something of a reckoning with her tools of creation: “I was curious to see how far I could go with them, even if that meant reaching the ends of their capacity to do what I wanted. But I never exhausted them and they never exhausted me.” Utilizing her trusted combination of instrumentation, Guion tracked the record between her New Orleans home and rehearsal space, capturing chemistries both intimate and expansive. The songs sway between twilit shoegaze, downer ballads, and gothic pop, mapping a delicate palette of electric melancholies, though in retrospect she cites as her primary muse the notion of power: “lost and found, corporeal and cerebral, harnessed and exploited, of one and many, in this reality and the next.” Sour Cherry Bell reverberates beyond the here and now into scenes unseen, worlds unheard.

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Stone Free - A Jimi Hendrix Tribute

2LP | 2020 | UK | Original (Reprise)

37,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Stag-O-Lee)

Buzzsaw Joint Cut 07

Release: 2020 / EU – Original

Genre: Rock & Indie

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Black Merda Clear Beer Vinyl Edition

Black Merda

LP | 1970 | EU | Reissue (Lilith)

LP | 1982 | UK | Reissue (Expansion)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Hailing from late-'60s Detroit, Black Merda (pronounced "Murder") were both aesthetically and musically way ahead of their time. When most black groups (including Parliament/ Funkadelic) were still sporting suits, singing about love and using a horn section, Black Merda had already become a tight guitar-heavy freak-funk four piece. By weaving guitar rock and psychedelia into soul and R&B they were the gods of the underground "black rock" movement which fell somewhere between Jimi Hendrix and Parliament and MC5. But it wasn't just about the music, the message was just as important.

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The Warriors

Behind The Mask

19,99 €*

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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LP | 2020 | EU | Original (Warner)

Gabby Barrett

Goldmine

Release: 2020 / EU – Original

Genre: Rock & Indie

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Afro Power Selected By DJ Mauri

LP | 2020 | EU | Original (Use Vinyl)

Release: 2020 / EU – Original

Genre: Organic Grooves

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12" | 2020 | EU | Original (CCCP)

The Unknown Artist

CCCP Edits 2

12" | 2020 | EU | Original (NineTimesNine)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The series continues with Perestroika Beats and Glasnost vibes. Edits from the Land Of The Lost - USSR aka CCCP vol.2

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Brecc

Hell 999

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2LP | 2020 | EU | Original (Bureau B)

Jimi Tenor

NY, Hel, Barca

Gentle Grip Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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"NY, Hel, Barca" is a compilation of Jimi Tenor's early works from the legendary Warp and Sähkö days (1994-2001).

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Practice

LP | 2020 | US | Original (Wharf Cat)

OST Vendredi Au La Vie Sauvage

Release: 2020 / US – Original

Genre: Rock & Indie

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On their debut full length, Gentle Grip, Public Practice reanimate the spirit of late `70s New York with their playfully angular brand of no wave-meets-funk and dark disco. While magnetic singer and lyricist Sam York and guitarist and principal sonic architect Vince McClelland (who both played together as members of the meteoric yet shortlived NYC post-punk outfit WALL) take an almost anarchic approach to songwriting, Drew Citron, on synth and bass, and drummer/producer Scott Rosenthal (both previously of Brooklyn indie-pop favorites Beverly) bring a more traditional, pop sensibility to the table. These contrasting styles challenge and complement each other, resulting in a sound that is full of spiraling and exhilarating tensions. Lyrically, York explores the complexities and contradictions of modern life overtop grooves and choruses that disarmingly open up the doors to self-reflection. "You don't want to live a lie / But it's easy / Your house is important / Your car is important / Your shoes are important / Dinner's important" she sings on "Compromised," begging the question: how does one balance material desires with the desire to be seen as a good person? Changing pace, the supremely groovy "My Head" is about tuning out the influx of external noise and staying true to your inner creative force. But whether they are poking holes in commonly held ideas centered around relationships, creativity, or capitalism, Public Practice never lose sight of the fact that they want to have fun, and they want you to have fun too. After all, who needs a soapbox when there's a dark, sweaty dancefloor out there with room on it for all of us?

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Maurice Jarre

LP | EU | Original (Prometheus)

Release: EU – Original

Genre: Soundtracks

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The Ghost Of Orion Black Vinyl Edition

My Dying Bride

2LP | 2020 | EU | Original (Nuclear Blast)

37,99 €*

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 2020 / EU – Original

Genre: Rock & Indie

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MY DYING BRIDE‘s three decades of misery almost came to an end several years ago. Following 2015’s universally lauded »Feel the Misery« album, vocalist Aaron Stainthorpe’s daughter, just five years old at the time, was diagnosed with cancer. Shocked and heartbroken, Stainthorpe put all band activities on hold while he, his immediate family, and MY DYING BRIDE put their collective energies into eradicating what Stainthorpe called, “the cruellest of God's bitter and loveless creations.” The high hurdles, however, didn’t stop with cancer. In 2018, returning original member and guitarist Calvin Robertshaw texted his departure, effective immediately. No reason was given or explanation provided to anyone. Then, just as MY DYING BRIDE had regrouped after positive news that his daughter was effectively cancer free, returning drummer Shaun Taylor-Steels departed right before the band were slated to enter Mark Mynett’s studio, Mynetaur Productions. Down two members but feeling right as rain, MY DYING BRIDE moved on, mastered the doldrums, recording magnificent new album, »The Ghost of Orion«, to the joyful tears of fans across the globe, in the process.

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Eddie Harris

The In Sound

LP | 1981 | EU | Reissue (Favorite)

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

This is one of Eddie Harris' great records. The playing is inspired! What a band! Cedar Walton (piano) and Billy Higgins (drums), Lee Morgan's favourite rhythm section. The underrated but popular tenor saxophonist introduces his "Freedom Jazz Dance," which would become a jazz standard after featuring on Miles Davis' album Miles Smiles. Plays one of the earlier versions of "The Shadow of Your Smile," romps on "Love for Sale" and "'S Wonderful," and also performs "Born to Be Blue" and his own "Cryin' Blues." Harris is heard in prime form in a quartet/quintet with pianist Cedar Walton, bassist Ron Carter, drummer Billy Higgins, and part-time trumpeter Ray Codrington. A gem. - Scott Yanow/AMG

Recorded 1965
Engineer – Tom Dowd

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Twylyte '81

The First Coming

12" | 2020 | EU | Original (South London Analogue Material)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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We are very proud to presents this official and first ever reissue of The First Coming, by Twylyte ’81, an extremely rare and underrated Soul-Jazz album produced and released in 1981.
Twylyte ’81 was a 3 pieces band composed of Frank Jones Jr., Alfred Brown Jr. and John Belzaguy, who, except for John, have never recorded anything else than this incredible album. The First Coming is primarily standing out by a superb composition, mixing touch of Soul, Jazz, and Disco together. It secondly shines thanks to the amazing deep and spiritual voice of the band leader, Frank Jones Jr., whose vocals style can sometime remind of John Lucien. Even more impressive is the fact that these 3 fellas were all less or close to 18 years old when composing and recording this beauty. As did others brilliant hidden projects such as Ted Coleman Band, or Minority Band, it was also useful for Twylyte ’81 to receive the support of JSR Records, a kind of non-profit label dedicated to help young bands and artists in recording and producing their own records.
Here are a few words from Al Brown Jr. about this release: “After 38 years, I still have the euphoric feeling while listening to this album. I would say that this was one of my greatest achievements. I want to say "Thank you" Pascal Rioux and associates for sharing the group's vision with the rest of the world. I pray the listeners will feel a portion of what we tried to convey through these songs. When I first began this project, I thought it was just killing time. Being 17 years old at the time, I didn't see the music we worked on being recorded. We (Frank and I) were in a basement practicing each song. Who knew that this music would be recorded let alone picked up 38 years later? I still remember every beat, drum roll, every stop/start; everything. Wow, the nostalgia of it all. I wish this album much successful and I hope in the future I can perform this album live.”

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Ayarcana

Laminator Perc Remix

LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The long awaited debut S.L.A.M. EP 'Laminator' from Ayarcana arrives in expected fashion. This master of noise, texture and groove offers three original tracks. His unique ability to combine relentless evolving drum work, raw powerful synths and hellish modular noise into dance floor destruction is a creation to behold. Big daddy Perc comes through with a vintage remix to complete the first S.L.A.M. EP of 2020.

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Bill Fay

Countless Branches

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Signature)

Calibre

Planet Hearth

Debra Anderson / The Caesars

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The multi-faceted producer and DJ, and one of electronic music's most respected, Calibre releases his brand new record 'Planet Hearth' on November 29th. An album featuring exclusively new material, and dedicated to a very close friend who passed away last year, this is by far the most personal and poignant record he has ever made.

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Funny How We've Changed Places / Girl I Miss You

7" | 2019 | EU | Original (Outta Sight)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Crown Jewels Volume 1 Fools Gold Vinyl Edition

LP | 2019 | US | Original (Big Crown)

The Vulture / Get Together

Release: 2019 / US – Original

Genre: Organic Grooves

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Big Crown is proud to present our first compilation on the label, Crown Jewels Vol. 1. This is something of a highlight reel for what we have released in the three years that we've been around.Some of our artists are world famous at this point while some of them are still under the radar. It's been extremely satisfying for us when the fans of one Big Crown artist discover another one because they are label mates. We are putting out this comp with the hope that it will continue that process, and, this is a damn good listen. Even though not all BC artists can be found in the same aisle of the record store, after listening to Crown Jewels Vol. 1, it should be clear how they all fit on the same record label. When we started Big Crown we wanted to have a label that's only boundaries were defined by our taste, not by genre. We think that this is a perfect example of that; and this is only volume one. Thank you to everyone who has supported us thus far and please stay tuned as we have plans to continue pushing the envelope and putting out tunes we believe in.

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Black Cash & Theo

7" | 2019 | US | Original (Galaxy Sound)

Release: 2019 / US – Original

Genre: Electronic & Dance

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File under Funk Edits / Soul Edits
Black Cash & Theo Edits

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20 Years Of Fabric Orange Vinyl Edition

2LP | 2019 | UK | Original (Fabric)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Jazz Images)

Miles Davis

Relaxin'

Release: 2019 / EU – Original

Genre: Organic Grooves

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Of All The Things Deluxe Edition

Jazzanova

3LP | 2019 | EU | Original (Sonar Kollektiv)

LP | 2019 | EU | Reissue (Parlophone)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Very few albums manage to unveil their roots so honestly and at the same time succeed in creating something utterly distinct. ‚Of All The Things‘ from Jazzanova is one of these albums. Originally released in 2008 on Universal, it now gets a luxurious reissue on Sonar Kollektiv as a 3LP with pop-up gatefold cover including previously unreleased instrumentals. This format corresponds perfectly with the elegant opulence of the music that shines even brighter eleven years after its initial release. At no time is it unclear that this album is a deep bow to soul from the 1960s and 70s as well as genres like jazz, brazil and pop music in the vein of the early Beatles. Along these lines, ‚Of All The Things‘ is meant to be perceived as a tribute to the music that Jazzanova has been honoring affectionately in their DJ sets and which has always had a decisive influence on their own productions. At the same time, the Jazzanova guys have been successful in casually creating elaborate musical pieces which convey a deeply contemporary vibe – not least because of the multifarious references to electronic productions.
The path to this sophomore long player, which features the contribution of over 50 studio musicians, had been laid out beginning with Jazzanova‘s first album ‚In Between‘ from 2002.

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Stiff Little Fingers

Inflammable Material

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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12" | 1986 | EU | Reissue (ZYX)

Off

Electrica Salsa

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Misdemeanor (Jazz Mix) / You're Gonna Need Me

DJ Copy

7" | 2019 | US | Original (Galaxy Sound)

LP | 2019 | EU | Original (Mecanica)

Release: 2019 / US – Original

Genre: Organic Grooves

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Richard Evans bass player and arranger blazes Jazz Funk intro, really sets it off from Original Foster Sylvers version very hot tune !!! Side B. You're Gonna Need ME Dionne Warwick .1973 Monster of Pysch Soul tune
Written by Holland - Dozier- Holland Studios arranged by Mckinley Jackson you can hear that RAW DETROIT FUZZ FUNK Sound. Dilla aka Jay Dee brought to the light of day after he flipped it on his Famous Donuts album (STOP) back in 2006 Well that history we already know! Wu-Tang's Clap from THE W album (2000) as bonus track!

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Pailhead

Trait

LP | 2019 | EU | Original (Milestone)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Pailhead was a collaboration of vocalist Ian MacKaye (Minor Threat, Fugazi), Ministry’s Al Jourgensen and Paul Barker, and drummer Eric Spicer (Naked Raygun). In 1986, MacKaye was just a few years away from his genre-defining work in Minor Threat and on the cusp of starting an even more influential band, Fugazi. Al Jourgensen was also undergoing a transition with his band Ministry after the release of “Twitch”. He wasn’t the guy who would release the game-changing “The Land Of Rape And Honey” a couple of years later, but he was well on his way. Alain met Ian when he was living in London. Both found common ground musically and politically and decided to collaborate on a project that would fuse elements of industrial music with hardcore punk. The result was a bunch of unique and unrepeatable hymns. Pailhead released one first single “I Will Refuse” / “No Bunny” in 1987 and next year the 4-song EP “Trait”, both on the legendary Wax Trax! Records. Limited edition of 500 copies on grey vinyl with deluxe sleeve with soft touch lamination and sticker with classic band logo.

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Queen

Queen In Nuce

7" | 2019 | UK | Original (Outta Sight)

Release: 2019 / EU – Original

Genre: Pop

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Reprint of the album published in 1995 by Milestone Records. It is an album that collects the first songs of the group that we now know as QUEEN.

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Betty Moorer

Speed Up / It's My Thing

13,99 €*

Release: 2019 / UK – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Stag-O-Lee)

Buzzsaw Joint Cut 05

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Wagram)

Spirit Of Salsa

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Wagram)

Girls Rock

Release: 2019 / EU – Original

Genre: Pop

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LP | 2019 | EU | Original (Wagram)

Chanson Francaise

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (X-Ray Production)

L'Entourloop

Chickens In Your Town

39,99 €*

Release: 2019 / EU – Original

Genre: Hip Hop

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12" | 2019 | EU | Original (ZYX)

Kel-Air & Band Band

Tuareg

LP | 1962 | EU | Reissue (Speakers Corner)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Re-issue of this Italo disco rarity from the year 1986. Side A contains the two rare original versions and as a highlight we present on side B two new and exclusive remixes by the Italo Disco legends Flemming Dalum and George Hysteric

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Herbie Mann

At The Village Gate

Nathan Davis & Georges Arvanitas Trio

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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"Comin’ Home Baby" – that’s how the LP begins and that’s what catapulted it right into the charts. Not to one of the top places, but from this time on Herbie Mann was one of the superstars in Atlantic’s collection of jazz musicians. He was known as 'our man with the flute', and the critics in the early Sixties were full of praise for him. He became even more famous, and probably richer, through soundtracks and later on sometimes rather commercialised productions. Well, good for him. 'The Man' serves up jazz pure on this recording, made live at the legendary Village Gate club, which is no wonder considering the rhythm group that includes Ahmad Abdul-Malik and Rudy Collins. The composer of "Comin’ Home Baby", Ben Tucker, also makes an appearance as a guest soloist before the two Gershwin numbers from "Porgy And Bess" offer a wealth of rhythm pure. On the cover text of the LP, Willis Conover, who hosted the Newport Jazz Festival as a sideline (older jazz fans will know his baritone voice from AFN broadcasts), describes in detail the ethnic background of the musicians who come from all over the world – from Romania to Puerto Rico. The three numbers are by no means commonplace. Perhaps a tasty flute cocktail would be a good description. This true rarity from Atlantic’s treasure trove in the early Sixties has long been marked down on the wish list of many fans and at long last it’s available again.

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Live In Paris

3LP | 2018 | EU | Original (Sam)

54,99 €*

Emotional Detox Black Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style.
His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world was equally original and knew no boundaries.
This concert in Paris is audible proof that as a performer, his fluid phrasing, distinct articulation, booming bottom register, growls and shrieks were fuelled by tremendous drive and furious invention - the man was on fire!
These live sessions demonstrate the limitless invention of Nathan’s solos. Holding no punches, weaving signature phrases, shouts and riffs into his solos, he was a fierce and fervid performer. With a sort of hollow resonance at the heart of his reedy and warm sound, Nathan Davis was a highly original artist, from an era when having a distinct sound on your instrument was the grail of jazz artistry. Harold Land, Jimmy Heath, John Gilmore, Paul Gonsalves, Charlie Rouse, George Coleman, Booker Ervin, Clifford Jordan ... Jazz is made of such giants and Nathan Davis was one of them.

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Camera

LP | 2018 | EU | Original (Bureau B)

(I've Got) Trouble In Mind 7" & Rare Stuff 2009/2014

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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We also offer the limited yellow colored edition.

Started as the so called “Krautrock Guerrilla” in 2012, six years later the Berlin combo Camera are releasing their fourth full-length album. Customarily associated with the likes of NEU! and La Düsseldorf it is
time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. Motto: “It's not repetition, it’s discipline”
For fans of nominative determinism, there can be few more apposite appelations than Michael Drummer. He is the catalyst, the chain mail vapour trail linking everything together as he crosses the soundscape of everything captured on Camera. The band’s moniker Camera, meanwhile, is an altogether more capricious
calling card. Camera obscura. Camera lucida. From daguerrotype to digital, self-induction to selfies. The song title Super 8 offers a potential clue to the
camera in their mind’s eye. When Super 8 was introduced in 1965, it was one of the few film formats to accommodate a sound track, occupying the
space between the edge of the film and the image area. Perhaps this will serve as a nice analogy when pondering where Camera’s music comes
from. Emotional Detox is the fourth full-length album by Camera, now a quintet, following two albums as a trio and one as a duo. The line-up on ED comprises Steffen Kahles, Michael Drummer, Michel Collet, Andreas Miranda and Timm Brockmann, all more or less based in Berlin. Drummer is the only constant through all four phases. Keyboarder Timm
Brockmann, who left the group in 2014, returns to the fold. He and Franz Bargmann, who left Camera the year before him, released a Brockmann //
Bargmann LP entitled Licht on Bureau B in 2017, a celebration of keys, guitars and effects which, at times, emulated the ferocious potential of Camera. By the time Steffen Kahles joined the band, Brockmann had
already departed, so the new ensemble adds another twist in bringing together two keyboard players from different Camera phases for the first time. The Brockmann Drummer reunion, meanwhile, completes a circle tracing back to early Camera experiences shared in 2010/11, playing on the streets of Berlin (literally).
Paradoxically, the new, expanded Camera line-up sharpens the focus of the tracks running through Emotional Detox. With Drummer not so much joining
the dots as hammering them home with a nail gun, the stronger framework allows even greater freedom for the musicians to express and ultimately align their disparate creative interests. Throw a single stone into a pond and concentric circles will ripple outwards into infinity. A swoosh of parallel lines. Boundless symmetry. The soundscape assumes the quality of a cinematic loop, like watching the same film over and over, yet discovering new things each time it plays. As a mythological Mancunian once said before the fall: it’s
not repetition, it’s discipline. Customarily associated with the likes of NEU! and La Düsseldorf perhaps it is time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. The “Krautrock Guerrilla” tag was cute and catchy for a while, but the flanged depths of
Himmelhilf sound more Bloody Valentinesque, less like echoes of Cluster or Harmonia. The motorik origins of the band documented on their debut album Radiate! (2012) and the nods to history and William Burroughs on the sophomore Remember I Was Carbon Dioxide (2014) gave way to Commodore 64 playfulness on Phantom of Liberty (2016). A spirit of experimentation still abounds on the new LP, but there’s also evidence that the group have taken a confident step towards something more “pop” – without tearing up the tangled roots beneath the surface of Camera’s studio floor. The reference points are there, but Emotional Detox is not dependent on them. We live in an age when everything happens at the same time – all of your music in one place, instantaneous streams on mobile devices, encyclopaedic references checked in seconds. The
temptation to see connections everywhere can be overwhelming, the speed at which information
travels slows us down. Emotional Detox encourages us to disregard these multiple distractions.
That’s when detoxification kicks in.

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The Liminanas

2LP+CD | 2018 | EU | Original (Because Music)

36,99 €*

2LP | 2018 | EU | Original (Bad Boy)

Release: 2018 / EU – Original

Genre: Rock & Indie

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This Reissue has never before been releases as 2LP+CD and Poster. The Liminanas are a couple and a band. They have produced records in their own garage in Cabestany located in the south of France for about ten years. They played in Australia, the US and toured Europe regularly. United Kingdom included. The first opus of the now series “I have trouble in mind” was released on the initiative of Bill and Lisa Roe (iconic label “trouble in mind") in the US in 2014. It combines all the 45t , unreleased songs recorded by the couple for “Mojo magazine", tribute to Beach Boys, fanzines, micro labels. All the titles which were difficult to find and that fans were looking for. And now, here it is: I ve got trouble in mind vol 2.

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Janelle Monae

Dirty Computer

36,99 €*

Release: 2018 / EU – Original

Genre: Pop

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Araca Azul Colored Vinyl Edition

Caetano Veloso

LP | 1972 | EU | Reissue (Lilith)

The Tenth Sub Level Of Suicide

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Apparently when this album was originally released in 1972, confused and bewildered fans, expecting more of the same found on Transa, released earlier that year, returned the album to the shop, demanding a refund. Meanwhile, critics raved, and many now consider Araçá Azul known as CAETANO VELOSO’s “experimental album” to be one of his great creative moments. To be fair to his many fans, it was a stark departure from his previous releases, which were decidedly more pop, but Veloso had been through a lot recently, having just returned from political exile in the UK, so it is no wonder that the artist was feeling a bit like he needed to fly in the face of conformity. In Veloso‚s own words, “I made this album without thinking, without taking the time to stop to think.” He refers to the album’s “insolent experimentalism” and calls it a kind of “last stand.” Color vinyl version.

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Leviathan

2LP | 2018 | UK | Original (Moribund)

Release: 2018 / UK – Original

Genre: Rock & Indie

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12" | 2018 | US | Original (Absence Seizure)

Abe Duque / Matuss

Seizure No. 10

LP | 1981 | UK | Reissue (Expansion)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Absence Seizure marks its tenth release this September, a split package comprising one original from co-founder Abe Duque and two from label-founder Matuss.

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Sylvia Striplin

Give Me Your Love

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Ambivalent & Alden Tyrell

Detente

12" | 2018 | EU | Original (Cocoon)

12" | 2018 | EU | Original (Arts)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Berlin-based American Kevin McHugh aka Ambivalent is definitely no stranger to the scene. With “R U OK” on Richie Hawtin’s M_nus label he landed one of clubland’s absolute hits of 2007 which can still be found lurking in discerning DJ’s record cases today. Since 2015 he has been providing high quality tracks on his Delft label, and he celebrated his Cocoon debut two years ago with the “Daylights” EP. Together with Dutch Clone-producer Martijn Hoogendijk aka Alden Tyrell, Ambivalent has cooked up another serving of straightforward techno complete with rigorous hi-hats, which will no doubt summon up the uncompromising energy of his Berghain sets wherever it’s played.

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Thomas Schumacher

When I Rock Remixes

Lloyd Miller & The Heliocentrics

Release: 2018 / EU – Original

Genre: Electronic & Dance

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It is not the honor that you take with you, but the heritage you leave behind. We don't have every day a rework of a classic techno milestone on a label that tries to push the boundaries of the future, but this time is the time. Thomas Schumacher represents one of those artists that was there since the very beginning, and he is the proof of how an artist can evolve in many ways during the years, but always been devoted to techno, and the meaning of it. 'When I Rock' was played all over the world for decades but now gets a brand new rework by label boss Emmanuel, and the creator itself Thomas Schumacher. The record has a B/W sleeve cover design by Caitlin Schumacher on 12".

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OST

2LP | 2010 | EU | Reissue (Strut)

Release: 2010 / EU – Reissue

Genre: Organic Grooves

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Strut repress a classic from 2010, The Heliocentrics’ groundbreaking studio collaboration with Lloyd Miller, ‘(OST)’.
Recorded following their award-winning collaboration with Ethio jazz pioneer, Mulatu Astatke (Mojo magazine Top 50 of the year 2009, Sunday Times World Music Album of the year), pioneering UK collective The Heliocentrics resurfaced with another fascinating jazz enigma, ethno-musicologist, jazz maestro and multi-instrumentalist, Lloyd Miller.
Learning various instruments and immersing himself in New Orleans jazz through his father, a professional clarinet player, Lloyd Miller first trained himself in the styles of George Lewis and Jimmy Giuffre and cut his first Dixieland jazz 78 rpm record in 1950. During the late ‘50s, his father landed a job in Iran and Miller began to develop a lifelong interest in Persian and Eastern music forms, learning to play a vast array of traditional ethnic instruments from across Asia and the Middle East.
He toured Europe heavily, basing himself in Switzerland, Belgium, Sweden, Germany (where he played with Eddie Harris and Don Ellis) and, most famously, in Paris where he worked with leftfield bandleader Jef Gilson, a phenomenon in French jazz during the early ‘60s. Miller returned to the Middle East during the ‘70s, landing his own TV show on NIRTV in Tehran under the name Kurosh Ali Khan. His show became a national fixture and ran for seven years. More recently, his mid-‘60s album ‘Oriental Jazz’ has become a collector’s favourite.
Emerging from an acoustic jazz session in 2007 set up by Jazzman, the Heliocentrics collaboration was recorded at the band’s Quatermass Studios in East London during January and February 2010, a fresh, freeform mix of Eastern arrangements, jazz and angular psychedelics. The recordings involved a number of ethnic instruments that Miller played and studied throughout his career including the oud, Phonofiddle, Indian santur, Chinese shawm and wooden flute.
Lloyd Miller & The Heliocentrics’ ‘(OST)’ will be repressed on its original 2LP format, 1000 copies only.
LLOYD MILLER & THE HELIOCENTRICS – (OST)
Tracklisting

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LP | 2018 | EU | Original (Wagram)

Wanted Disco

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Piaptk)

Sugar Candy Mountain

Do Right

19,99 €*

LP | 2018 | EU | Original (Kranky)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Do Right is the followup to Sugar Candy Mountain's critically acclaimed 2016 album,
"666". Part travelogue, part response to the current, turbulent climate, Do Right
gives voice to the deeply nested anxiety of modern times and attempts to offer a
balm. Nature, it seems, is where the band often goes to calibrate its' moral compass
so frequently upended by the daily news-cycle. Sugar Candy Mountain invites you to
join them on this journey singing "There's a quiet place I go when I need to fifind my
way/ There's a quiet place inside/ Come on in just knock and a door will open".
Musically, the band remains rooted in 60's and 70's rock, with their signature honey
sweet vocals. "Do Right" leans more heavily on synthesizer than the band's previous
records, lending the album a more modern feel. The album pairs the ephemeral
orchestral arrangements of The Beach Boys with the pop sensibility of George
Harrison on "All Things Must Pass". Oscillating between the hazy psychedelic pop of
Mild High Club, the driving energy of Dungen and the danceable familiarity of The
Supremes Do Right is a perfect cocktail of old and new, imploring the listener to
take a ride into the sunset with Sugar Candy Mountain.

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Christina Vantzou

No. 4

Release: 2018 / EU – Original

Genre: Electronic & Dance

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And The Chambers Brothers

Barbara Dane

LP | 2018 | EU | Original (Smithsonian Folkways)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Dusty Ballroom 01-In Dust We Trust

LP | 2018 | EU | Original (Stag-O-Lee)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Red Goddess (Of This Men Shall Know Nothing)

Hawthonn

LP | 2018 | US | Original (Ba Da Bing)

Emerald Island EP Picture Disc Edition

Release: 2018 / US – Original

Genre: Electronic & Dance

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The music of Hawthonn is dense and atmospheric, but not inaccessible. Experimental electronic techniques fuse with doom-laden organ riffs, crystalline piano, elemental drones and haunting vocals. Largely guided by their own unconscious muse, the band’s chief inspirations lie outside of music, in Romantic poetry, dreams and reveries, esoteric symbolism, the history of magic and witchcraft, folklore and the English landscape.

Hawthonn is Leeds-based duo Layla Legard and Phil Legard. Having previously collaborated in music, as well as text and photography, they officially formed in 2014 to deepen their uniquely imaginative approach to music-making. Often developing from obsessive explorations of a particular theme, their work precipitates dreams and imaginative journeys, which inform the direction of their music. Their earliest music explored the afterlife mythos of Coil’s Jhonn Balance through the image of the Hawthorn tree and Cumbrian landscape where his ashes were scattered. Their approach draws lyricism from the psychoacoustic phenomena of “phantom words”—sonic textures translated from geographical space into droning sound spectra, and verbalized dream imagery.

The prime symbol of Red Goddess (Of This Men Shall Know Nothing), is mugwort. An herb associated with dreaming, travel and menstruation, mugwort particularly favors edgelands: those abandoned, untended places, part man-made, part rural, where nature begins to reclaim what humanity has left behind. The music here unfolds a mandala of symbolism from these liminal spaces, drawn from a web of fascinations which unfolded during the recording process.

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Caro Emerald

LP | 2018 | UK | Original (MVKA)

Release: 2018 / UK – Original

Genre: Pop

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Undercover Mixtape Black Vinyl Edition Edition

Orgone

2LP | 2018 | US | Original (Colemine)

Release: 2018 / US – Original

Genre: Organic Grooves

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Orgone takes on 13 funk and soul classics! Otis Redding, Funkadelic, The Meters, Aretha Franklin, Betty Wright, and Booker T are just a few of the artists Orgone cover on this mixtape collection with some help from friends as well! Expertly recorded and performed, you could make an argument for some of these being better than the originals, but we'll suffice it to say that it's a simply killer set from beginning to end!

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LP | 1974 | EU | Reissue (Sonor Music Editions)

Mare Romantico

The Days Of Never Coming Back And Never Getting Nowhere

Release: 1974 / EU – Reissue

Genre: Soundtracks

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Amazing Italian Library Electronic and Underwater gem originally released in 1974, which has remained totally obscure until these days and absolutely impossible to find - Bewitching Underwater music trip made through analogue synthesizers and sophisticated Electronic Lounge mood music especially recorded for TV sea documentaries - for sure one of the finest examples we had of Italian Underwater Library music. Delicate marine themes alternate with hypnotic and abyssal vibes with droning effects, elegance reflected in crystal clear waves. A little jewel for fans of early Electronic music and Library junkies.
Renewed artwork by painter Stefania Casagrande. Back sleeve liner notes by music journalist Marco Ferretti. 180 gram vinyl. Limited edition of 500 copies.

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Textor & Renz

LP+CD | 2017 | EU | Original (Trikont)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Moritz von Oswald & Ordo Sakhna

2x10" | 2017 | UK | Original (Honest Jons)

17,99 €*

Descendants Of Mike And Phoebe, The

Release: 2017 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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A kind of intimate scrapbook of the startling collaboration between the techno maestro and this long-standing musical collective based in Bishkek, devoted to the roots music of Kyrgyzstan. Loose-leaved but balanced, lucid and intimate, it sets out from stunning a cappella and virtuosic komuz and kylak, mouth harp and traditional percussion: not field, but expert studio recordings, using marvellous vintage microphones, made over several days in Berlin. Further, a few of these are deftly treated by Moritz, using Reichian de-synced double-tracking, and discreet effects. Also two ten-minute dubs: a deadly, signature Berlin steppers, plus its version; and an echoing, mystical drum session, recorded live on stage in Bishkek. And a side-long, dream-like summation: the locomotive, oceanic, clangorous, dread Facets.

Ravishing, rooted, searching music; beautifully presented.

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A Spirit Speaks

LP | 1974 | UK | Reissue (Pure Pleasure)

2LP | 1979 | EU | Reissue (Reprise)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! "Descendents Of Mike & Phoebe" is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass tones are firmly at the head of the group on most numbers – recorded at a similar level to his excellent work with Clifford Jordan on Strata East during the same time – and other instrumentation includes piano from Consuela, flugelhorn from Cliff, and percussion from Sonny Brown and Billy Higgins – all used in a wonderfully evocative style that's even better than some of Lee's later soundtrack work. A few numbers feature vocals from Grace – singing wordlessly and with a really heavenly sort of quality – and together, the whole group have an undeniable sense of power and majesty, yet also one that's touched by a really personal sense of poetry too. Titles include a great version of Lee's "Coltrane", which was more famously recorded with Clifford Jordan.

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Neil Young & Crazy Horse

Live Rust

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Ben Lukas Boysen /Sebastian Plano

Everything Black Vinyl Edition

LP | 2017 | EU | Original (Erased Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | CZ | Original (Interscope)

Imagine Dragons

Evolve

28,99 €*

LP | 2017 | EU | Original (Atlantic)

Release: 2017 / CZ – Original

Genre: Rock & Indie

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“Evolve” (stylized as ƎVOLVE) is the upcoming third studio album by American rock band Imagine Dragons. The album is the band's new material follow-up to their second studio album, “Smoke + Mirrors”.

After the release of “Smoke + Mirrors” and its respective world tour, a self-imposed hiatus for 2016 and cryptic messages from the band through their social media gained anticipation for their third album. In comparison to “Night Visions” and “Smoke + Mirrors”, frontman Dan Reynolds explained that the album will be an 'evolution for Imagine Dragons'.

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Portugal. The Man

Woodstock

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Captured Tracks)

B Boys

Dada

26,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Speakers Corner)

Herbie Hancock

Crossings

Sekele I Like It / Feet On The Ground

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In the 1970s, Herbie Hancock’s "Crossings" was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity – although it was unclear where the crossing was going to take us …
Nevertheless, the excellent trumpeter Eddie Henderson – often underestimated as an improviser and composer, and Benny Maupin – who like Hancock had grown up under Miles Davis’s wing, present a wide range of sound-generating instruments – as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group – and even produce here melodic arches of sound! Whether Bennie Maupin’s "Quasar" launches the group and us into extraterrestrial territory (as stated in one review) is a moot point.
This LP is a contemporary historical document, though it certainly doesn’t sound antiquated. That’s why younger listeners too will find pleasure in this experiment from the previous millennium.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason
Production: David Rubinson

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Robert Helms

12" | 2017 | EU | Original (Betino's)

Takin' My Time With You / I Want You (All For Myself

Release: 2017 / EU – Original

Genre: Organic Grooves

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Unearthed by groove archeologist Betino Errera, this black gem was cut in Paris in 1980 by American vocalist Robert Helms. His French career being rather confidential with releases under his own name as well as Bobby Helms or simply Bobby, the Lay Down Girl album remained a well-kept secret for decades despite the fact that it contained two very strong disco-funk tunes.
Helms was backed by a seasoned studio band including Donny Donable (of Lafayette Afro Rock Band) on drums, Christophe Zadire (of Zulu Gang fame) on bass and Beckie Bell on backing vocals. The session was led by master musician Jacob Desvarieux on guitar, piano and synths, who was already at that time one of the founders of Kassav. These recordings were made under the supervision of Pierre Jaubert, who was a major player on the independent French production scene from the late 60s onward, operating his own studio, famous for also being a much appreciated meeting point for musicians. He is responsible for bringing forth works from legendary bluesmen like John Lee Hooker, Memphis Slim, Roosevelt Sykes and jazz greats including Mal Waldron, Archie Shepp and Charlie Mingus. But to funk lovers, Pierre Jaubert is mostly known for his involvement with the mythical Lafayette Afro Rock Band whose prominent breaks and riffs have been sampled by the most illustrious rappers including Public Enemy, De La Soul, Naughty by Nature, Digital Underground, Wu Tang Clan and Ice Cube to name just a few.
Today, Betino's Records reissues two very sought after tracks from the original album: "Feet On The Ground", cowritten by Desvarieux and Helms and "Sekele I Like It", written by Desvarieux and Pasteur Lappe, the latter hailing from Cameroon was the first one to record the song in 1979. In addition, both tunes get the contemporary rework treatment. Baptman and Betino editing the vocals out of "Sekele I Like It" then turning it into a very danceable Philly inspired dub. For his part, DJ Vas digs the Afrobeat seam on "Feet On The Ground", thickens the sauce with thumping bass lines and adds an "Earth Wind & Fire" feel by putting the emphasis on the horn section.
And last but not least, this 12inch pressing is limited to 700 copies worldwide.

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Maureen Bailey

7" | 1976 | UK | Reissue (Soul Brother)

8,99 €*

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Clube Da Esquina Volume 2

Milton Nascimento

2LP | 1978 | BR | Reissue (Polysom)

75,99 €*

2LP | 2017 | UK | Original (Bella Union)

Release: 1978 / BR – Reissue

Genre: Organic Grooves

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The release is on 180g vinyl and in a gatefold cover. Milton's second volume of tracks cut with his legendary "corner club" – with a very similar approach to the landmark first volume! Loads of great artists make guest appearances on here, like Lo Borges, Wagner Tiso, Toninho Horta, and Chico Buarque – and the production has haunting blend of baroque, jazz, and soul that we can only define as "Nascimento like"! A really fitting companion to the first volume, and a double-length set with tracks that include "E Dai", "Pao E Agua", "Canoa, Canoa", "Credo", "Nascente", "Meu Menino", "Que Bom, Amigo",

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Father John Misty

Pure Comedy

32,99 €*

LP | 2017 | US | Original (Kranky)

Release: 2017 / UK – Original

Genre: Rock & Indie

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Since 2012, Father John Misty, aka Josh Tillman, has unexpectedly emerged as a singular (if not undeniably, um, idiosyncratic) voice. Whether by virtue of his lyrics, which routinely defy the presumed polarities of wit and empathy; his live performances which may perhaps be described best as “intimately berzerk”, or the infuriating line he seems to occupy between canny and total fraud online or in interviews, Father John Misty has cultivated a rare space for himself in the musical landscape – that of a real enigma. Pure Comedy sees Tillman at the height of these powers: as a lyricist, and equally so a cultural observer – at times bordering on freakishly prescient. Tillman’s bent critiques, bared humanity and gently warped classic songwriting are all here in equal measure and – at 75 minutes – there’s a veritable fuck ton of it. The album navigates themes of progress, technology, fame, the environment, politics, aging, social media, human nature, human connection and his own role in it all with his usual candour, and in terms as timely as they are timeless.

Tillman wrote the majority of Pure Comedy throughout 2015 and recorded all the basic tracking and vocals live to tape (in no more than two takes each) at United Studios (fka the legendary Ocean Way Studios, favored by Frank Sinatra and The Beach Boys) in Los Angeles March 2016.

Pure Comedy was co-produced once again by Josh Tillman and long-time producer Jonathan Wilson; mixed by Tillman, Wilson and Trevor Spencer, and mastered by Bob Ludwig at Gateway Mastering Studios. The album features string, horn and choral arrangements from classical iconoclast Gavin Bryars (Jesus Blood Never Failed Me Yet, Sinking Of The Titanic), with additional contributions from Nico Muhly and Thomas Bartlett.

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Earthen Sea

An Act Of Love

LP | 1982 | US | Reissue (Palace Of Lights)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Received an 8.1. rating from Pitchfork.

Jacob Long's newest recordings under the Earthen Sea moniker deepen his compelling synthesis of shadowy rhythms and opaque atmospherics, drawing on the most potent qualities of melancholic ambient and dub techno. An Act Of Love follows 2015’s Ink, released via Ital’s Lovers Rock imprint, and was inspired by internal tribulations and the experience of exploring an empty nocturnal metropolis. Careful waves of tones drift and decay; beats materialize and pulse across twilit landscapes; a noir mood reigns. Given Long’s background as bassist for revelatory tribal-punk trio Mi Ami, An Act Of Love showcases a musician in the midst of transcendent redefinition, crafting an immersive language of texture and motion.

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K. Leimer

Land Of Look Behind

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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The Land of Look Behind soundtrack returns to vinyl in a remastered and expanded edition that includes a download of three previously unheard and unreleased tracks from the original sessions. Alan Greenberg, who wrote and directed this film documenting the funeral of Bob Marley, provided K. Leimer with location tapes which were used to originate many of the rhythmic patterns for Land of Look Behind. Loops of the monologues and phrases that exhibited more distinctive cadences and pacing, the words, glottal stops, clicks and coughs of witnesses were used as cues for the percussion instruments. In effect, speech became the organizing principle of the musical score. By eliminating the accuracy of click tracks, musicians were prompted to rove through the inconsistent intervals of the voice-derived patterns. Also included is a four-page insert featuring an essay by Paul Dickow.

K. Leimer founded Palace of Lights in 1979. Leimer’s early work has recently been reissued by Autumn and RVNG, and his early cassette work is in the critically acclaimed VOD box set American Cassette Culture. Leimer has been actively producing music since the mid 1970s — his current catalog includes seventeen albums plus two collaborative albums with Marc Barreca.

Leimer’s work is included in the collection of The British Library.

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Wigan Casino II / Station Road, Wigan 1973-81

LP | 2016 | UK | Original (Outta Sight)