Vinyl 990 Items

LP | 1967 | EU | Reissue (Everland)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Freddie Roach’s first three albums introduced him to the world, but Brown Sugar showed it who he was. It was the album that Roach made to capture the energy of soul jazz. To somehow take the sounds in the city, in the clubs, and bring them to a record. In his original liner notes, Roach writes that the album is an ode to late nights and loud clubs, to backs damp with sweat, arms wrapped around waists. ‘’Not caring for the moment about troubles or problems,'' he wrote of people dancing, ‘’their bodies quivering under smiles that seemed to promise ‘after the dance.’'' After talking to Alfred Lion, president of Blue Note, they decided that the album needed to be made up of standards — not the standards of the stage or screen, but the standards of the people. ‘’To get the ‘soul,’'' Roach wrote, ‘’I decided to do show soul tunes.''

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Freddy Butler

With A Dab Of Soul

LP | 1967 | EU | Reissue (Bonfire)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A crown jewel of the US American soul music of the 1960s. The earthy production and vivid feeling makes this album way more tangible for fans of the genre than most polished and slick major productions. A true gem for all collectors of underground soul from the USA.

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Free Design

Kites Are Fun

LP | 1969 | EU | Reissue (Ebalunga!)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. 1967, just like it was yesterday, pre Vietnam war scenario, high hopes and a new bright horizon, soon to be fall. Meanwhile, the music and - in this case - the celestial vocal harmonies of the East Coast unit formally known as Free Design Their 1967 debut 'Kites Are Fun' is still a case in point and a major influence on today's alternative pop. Often referred as the East Coast answer to Mamas & the Papas, the band had a more ethereal and eclectic approach. From the gentle orchestral accompaniment of 'Make the Madness Stop' to the folkish bossa of 'When Love Was Young' through the sensational arrangements of 'Proper Ornaments' - a number eventually championed by Madlib in the stunning tribute The Now Sound Redesigned (released on Light In The Attic in 2005) - you'll find more than a singular approach. Produced by none other than Enoch Light the album is still an astonishing piece of heavenly art-pop with such a lysergic counterpoint.

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Gabor Szabo

1969

30,99 €*

The Sorcerer Verve By Request Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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“Gabor Szabo exploded onto the American jazz scene in the early sixties. His unusual approach and unique sound brought something startling and new to jazz. With Chico Hamilton, Charles Lloyd and Gary McFarland, Szabo offered something few in jazz had ever heard before: guitarist as enchanter and conjurer and musician as storyteller and mesmerist. Once Szabo declared his independence in 1966, he also proved how seamlessly jazz can blend the Beatles and Bacharach with Latin and Indian styles. The guitarist released a string of albums on Impulse that challenged many assumptions about jazz and stand out today as some of the most radical, yet appealing music of the period. But the times were woefully a-changing. Szabo biographer Károly Libisch considers the year 1969 a “turning point” for the guitarist. The spell Szabo weaved in the press was beginning to wane. The blizzard of coverage he generated in the previous few years began to trickle off. Perhaps the rise of rock – and rock-guitar heroes – tamped down the guitarist’s exotic allure and faddish charm. Then, too, Szabo’s erratic behavior started attracting poor notices and hastened the demise of his storied quintet, featuring guitarist Jimmy Stewart and percussionist Hal Gordon, in late 1968. Now, both Gabor Szabo, the artist and businessman, needed a hit. 1969 was his response to the call of 1969.

The album was released in August 1969, initial reviews were positive. Cash Box raved that Gabor Szabo 1969 “is magnificent music, and an album that deserves great success” while Record World called it “luscious guitaring” that features “lots of contemporary material, which he makes completely his own.” Gabor Szabo 1969 never did find the success it was seeking. But it remains a lovely listening experience that finds the guitarist at his melodic best at an important crossroads in his recording career. “

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Gabor Szabo

LP | 1967 | EU | Reissue (Impulse)

LP | 1969 | BR | Reissue (Polysom)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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This 1967 set, recorded live at Boston’s Jazz Workshop, showcases virtuoso guitarist Szabó—a veteran of Chico Hamilton’s and Charles Lloyd’s bands—at the top of his game on a diverse program featuring standards (“What Is This Thing Called Love”) and pop hits (“The Beat Goes On”) as well as the original and psychedelic-tinged jam, “Space.”

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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Gal Costa

39,99 €*

LP | 1969 | BR | Reissue (Polysom)

Release: 1969 / BR – Reissue

Genre: Organic Grooves

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Polysom Brazil vinyl LP repress import, released in 1969.

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Gal Costa

39,99 €*

Gandalf Clear Vinyl Edtion

Release: 1969 / BR – Reissue

Genre: Organic Grooves

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Heady heady work from the legendary Gal Costa – caught here right at her early best, smack dab in the middle of the Tropicalia years!

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Gandalf

LP | 1969 | US | Reissue (Jackpot)

Another Earth Vinyl Me, Please Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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If you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce GANDALF’s 1969 self-titled release as one of our proudest moments. Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych-pop record (fans of THE Left Banke, Kaleidoscope, THE Millennium, and THE Zombies, take note!). Recorded at Century Sound in Manhattan with Grammy-winning producer Brooks Arthur (who engineered Neil Diamond’s “Sweet Caroline” and Van Morrison’s “Brown Eyed Girl”), the production of the album was created on the spot in the studio with arrangements being thrown about and the incredibly haunted vocals being recorded directly from the band’s PA using a Binson Echorec to make this innovative sound (Pink Floyd later used the same echo unit to great effect). Add to that sitars, vibes, B3 organs, harpsichord, minor tragic guitar chords, and bass drones aplenty, and you’ve got the recipe for an album that bears listening to with eyes closed, music cranked, mind open. So get in on the beauty of this record, and as Sando says on the liner notes: “Put the needle in the groove, sit back, and take the trip with GANDALF.” Enough said.

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Gary Bartz

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

Italo By Numbers Green Vinyl Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
During the pagan hours of an otherwise uneventful Harlem pre-dawn in 1963, Gary Bartz glimpsed a galactic mystery that conventional aeronautics could not explain. Only a few weeks prior, the nascent alto saxophone virtuoso had acquired his first telescope to pursue a newfound passion for astronomy. The purchase was already yielding dividends.

The recent Juilliard graduate’s fascination with the heavens began with astrology, but the then 22-year-old quickly realized that those celestial sketches were just photographs of the sky as captured during a specific orbit. Why bother with the rough blueprint when you could witness the entire electromagnetic spectrum in its full glory?

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Gazebo

LP | 1962 | EU | Reissue (Softworks)

33,99 €*

Release: 1962 / EU – Reissue

Genre: Electronic & Dance

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LP | 1967 | DE | Reissue (Blue Note)

George Braith

Extension

14,99 €*

Release: 1967 / DE – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (BMG Rights Management)

George Harrison

Electronic Sound

25,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Electronic Sound Record Store Day 2024 Vinyl Edition

George Harrison

12" | 1969 | Reissue (Dark Horse)

25,19 €* 35,99 € -30%

George Kawaguchi Big Four

Release: 1969 / Reissue

Genre: Rock & Indie

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Dark Horse Records and Record Store Day are excited to announce a multi-year partnership to release limited Zoetrope picture disc pressings of George Harrison’s entire studio album catalog. The first two titles in the RSD exclusive series — Wonderwall Music and Electronic Sound — will be available on Record Store Day in April 2024. Limited to 8,000 units globally and exclusive to Record Store Day, each unit is individually numbered in silver foil and includes an insert reproducing theoriginal artwork. As a direct result of The Beatles’ keen curiosity about experimental music and other avant-garde artistic expression, Apple Records launched its short-lived Zapple subsidiary in February 1969 as a forum for unfettered sonic exploration, or, as announced at the time, “more freaky sounds.” George’s Electronic Sound and John Lennon and Yoko Ono’s Unfinished Music No. 2: Life with the Lions, both released in May 1969, were Zapple’s only releases before it was closed down. Electronic Sound’s cover art, painted by George, depicts his Moog IIIp synthesizer (which was later used on four tracks by The Beatles on their album Abbey Road) with the four modules from which the sound was synthesized. Each side of the Electronic Sound LP featured one exploratory long-form work.

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George And Sleepy

LP | 1969 | JP | Reissue (Victor Entertainment Japan)

45,99 €*

OST Il Magnifico Tony Carrera

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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In the 1950s, the Big Four, led by George Kawaguchi, was a pioneering force in Japan's modern jazz scene, gaining immense popularity. Despite changes in its lineup, the group continued to make a significant impact on Japanese jazz. The album 'George & Sleepy' was originally released in 1969 as part of Victor's Japanese Jazz series. While the original liner notes described it as an attempt to recreate the nostalgia of the George Kawaguchi Big Four, this album is far from just a retrospective. Tracks like "Lover" and "Charade" nostalgically evoke the classic Big Four, offering pure enjoyment. Meanwhile, the album also impresses with more contemporary elements, such as the refined groove of "Tuesday Samba" and the exotic, beat-driven "Vietnam." This thrilling album masterfully showcases the timeless appeal of jazz, blending the past and present through the deep, skillful performances of these jazz veterans.

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Gianni Marchetti

2LP | 1969 | EU | Reissue (Transversales Disques)

LP | 1969 | UK | Reissue (Matsuli)

Release: 1969 / EU – Reissue

Genre: Soundtracks

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First ever LP reissue of this ultra-rare Italian soundtrack originaly released on cult CAM label. Gianni Marchetti wrote this beautiful score for the Eurospy filmI Il Magnifico Tony Carrera as he was more of a songwritter than a film composer.
The score includes lots of different atmospheres and arrangements: from fuzzy dark psychedelic themes with harpsichord and haunted choirs (performed by the famous 4 + 4 di Nora O²rlandi) to angelic and dreamy vocal themes. Also contains some tense climax sitar tunes with beautiful bass sound.
Compared to the original CAM LP, this reissue dropped some carnivalesque tracks in order to include some nice unreleased variations of the themes, plus all the suspense cues that were largely removed from the original tracklisting.
Il Magnifico Tony Carrera is definitely a major score of the Italian Silver Age.
Limited Edition remastered from the original master tapes.

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Gideon Nxumalo

Gideon Plays

27,89 €* 30,99 € -10%

Gladys Knight And The Pips

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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• Long lost 1968 album from visionary South African jazz composer incorporating traditional African music sources and instruments.

• Officially licensed from the Nxumalo family and reissued with inner sleeve containing archival photographs and new liner notes by Francis Gooding.

Gideon Nxumalo’s Gideon Plays might just be the most mythologised and sought-after LP in the whole South African canon. A sophisticated bop excursion with a distinctive African edge, it was only Nxumalo’s second LP as leader, despite his crucial place in South African jazz history. Pianist Nxumalo was a visionary jazz composer who had recorded regularly during the 1950s, and his 1962 Jazz Fantasia album was the first South African jazz recording to incorporate traditional African musical sources and instruments. But he was also the country’s most significant radio presenter and jazz tastemaker – from 1954 onwards, he had worn the nickname ‘Mgibe’ to introduce ‘This Is Bantu Jazz’, South African radio’s premier jazz show. But in the aftermath of the Sharpeville Massacre in 1961, Nxumalo had been side-lined from radio play, and was eventually sacked for playing records with political meanings. By 1968, he had not been heard on record or airwave for several years. Gideon Plays was a celebrated return to the studio for one of South Africa’s best loved and most forward-thinking jazzmen, and it showcases Nxumalo’s deep understanding of jazz, his brilliant touch as a composer, and his commitment to bringing South Africa’s indigenous sound into the music. However, it was released on the tiny JAS Pride label owned by production impresario Ray Nkwe, and after one pressing in 1968, Gideon Plays fell into the undeserved silence that has obscured so much of the South African jazz discography. It has since become a legend: hardly more than a rumour, it has been bootlegged by the unscrupulous, changed hands for eye-watering sums, and has scarcely been heard outside the circles of the most committed South African jazz devotees. It goes without saying that it has never been released outside South Africa, and even now only a handful of original copies are known to have survived. Over the last ten years, Matsuli Music has been proud to present some of the greatest lost and found jazz recordings in South African history – but we have never presented a rarer, lesser known album than the mighty Gideon ‘Mgibe’ Nxumalo’s Gideon Plays.

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Gladys Knight & The Pips

LP | 1965 | UK | Reissue (Reel)

22,99 €*

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Universal)

Glen Campbell

Galveston

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Eight Miles High Red Vinyl Edition

Golden Earring

36,99 €*

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Strictly Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! Full dynamic range 2022 remasters direct from the first generation analogue master tapes! Limited Edition 500 LPs

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Goldenrod

Feelin' The Spirit Tone Poet Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Vietnam war, the excruciating motto ‘turn on, tune in, drop out’, all of a sudden we were in a new era, just across the lysergic exploitation and the political turmoil. The self-titled album by American trio Goldenrod was released on a small run in 1969 on the enigmatic Chartmaker. An instrumental album full of extended and improvised jam recorded in their hometown of Los Angeles. It comprises of just four tracks, enough for an essential trip. Titles such as "Karmic Dream Sequence" and "Descent Of The Cyclopeans" offers a new exploratory vision, between the past and the future. Goldenrod was a rare metaphysical drug experience you wouldn’t miss again! All three band members met while playing behind The Fifth Dimension and they had earlier played with Ballroom who were a pre- The Millennium-Sagittarius band. After all the three members became all of a sudden top LA session men. Jerry Scheff went on to play with The Millennium (the Californian super group led by Curt Boettcher, basically consisting of psychedelic rock musicians) while Ben Benay appeared in the blues-rock outfit Funzone in the seventies.

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Grant Green

LP | 1962 | EU | Reissue (Blue Note)

41,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Reissue (Blue Note)

Grant Green

Street Of Dreams

The Latin Bit Tone Poet Vinyl Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Issued with the 75th Anniversary of Blue Note records!

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Grant Green

LP | 1962 | UK | Reissue (Blue Note)

47,99 €*

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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2LP | 1969 | EU | Reissue (Rhino)

Grateful Dead

Live dead

34,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Cosmic Rock)

H.P. Lovecraft

LP | 1967 | EU | Reissue (Life Goes On)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Originally released in October 1967 by Philips Records, H. P. Lovecraft is the debut album by the American psychedelic rock band H. P. Lovecraft. The album blended psychedelic and folk rock influences and was marked by the haunting, eerie ambiance of the band's music, which itself was often inspired by the literary works of horror writer H. P. Lovecraft, after whom the band had named themselves. This is possibly one of the best second-division psychedelic albums, that shows the immediately identifiable Edwards-Michaels vocal tandem at its best. With deft touches of folk, jazz and sultry horn arrangements the album was a cult behind his own generation.

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Hal Blaine

Psychdelic Percussion

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Psychedelic Percussion definitely sticks to his title. With the help from Paul Beaver of Beaver & Krause (famous keyboard wizard and sound engineer for the likes of Stevie Wonder), vibe master Emil Richards (check is two fantastic album on Impulse! with The Microtonal Blues Band featuring Joe Porcaro, father of the famed Toto brothers) and Gary Coleman (percussionist in the famous Wrecking Crew), Blaine goes wild in the studio with drums, gong, xylophone, organ, bongos, congas and timpani. Unusual textures and tones lead the way to 12 instrumental exotic numbers similar in a way to Raymond Scott most visionary experiments. This is pure madness, a record full of breaks and still unsurpassed in many ways. Blaine was an American drummer and session musician, estimated to be among the most recorded studio drummers in the history of the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one, as well as many film and television soundtracks. He became one of the regular players in Phil Spector's de facto house band, which Blaine nicknamed "the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond and the Byrds.

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LP | 1960 | EU | Reissue (Blue Note)

Soul Station

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder’s studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station.

The crystalline six-song set was a showcase for Mobley’s lyrical flow from the breezy opening take on Irving Berlin’s “Remember” through bluesy originals like “Dig Dis” and the title track, and the swinging up-tempo numbers “This I Dig of You” and “Split Feelin’s.” Soul Station endures as a jazz classic for the ages..

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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LP | 1960 | EU | Reissue (Second)

Soul Station

16,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Soul Station Blue Note 85 Blue Vinyl Edition

LP | 1960 | Reissue (Blue Note)

Release: 1960 / Reissue

Genre: Organic Grooves

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Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder’s studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station.
The crystalline six-song set was a showcase for Mobley’s lyrical flow from the breezy opening take on Irving Berlin’s “Remember” through bluesy originals like “Dig Dis” and the title track, and the swinging up-tempo numbers “This I Dig of You” and “Split Feelin’s.” Soul Station endures as a jazz classic for the ages.

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Soul Station Red Marble Vinyl Edition

LP | 1960 | EU | Reissue (Second)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Soul Station Red Vinyl Edition

LP | 1960 | EU | Reissue (Second)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Eastward Ho! Harold Land In New York

Harold Land

LP | 1960 | EU | Reissue (Jazz Workshop)

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"Tenor saxophonist Harold Land and trumpeter Kenny Dorham make for a potent front line on this session, a superior hard bop set. With an obscure and quietly boppish rhythm section (pianist Amos Trice, bassist Clarence Jones, and drummer Joe Peters) giving suitable backup, Land and Dorham stretch out on five selections, most notably Cole Porter's "So in Love," "On a Little Street in Singapore," and Land's "O.K. Blues," which was dedicated to producer Orrin Keepnews. A fine effort that serves as a strong example of Harold Land's early work." Scott Yanow -All Music Guide

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Harold Land

The Fox

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"Due to his decision to settle in Los Angeles, tenor saxophonist Harold Land has long been underrated. A strong bop stylist who later on would be influenced a great deal by John Coltrane, Land in 1959 had a sound closer to Sonny Rollins. For this excellent straight-ahead quintet set with trumpeter Dupree Bolton and pianist Elmo Hope, Land performs four of Hope's superior but little-known compositions along with two of his own. This is high-quality hard bop, easily recommended to fans of straight-ahead jazz." Scott Yanow -All Music Guide

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Harold Land

West Coast Blues!

LP | 1969 | Reissue (Sony)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"[...] Tenor saxophonist Harold Land leads an all-star sextet that includes guitarist Wes Montgomery, trumpeter Joe Gordon, pianist Barry Harris, bassist Sam Jones and drummer Louis Hayes. Together, they perform three of Land's originals, "Don't Explain," and Charlie Parker's "Klactoveedsedstene," and an early version of Montgomery's "West Coast Blues." The music is as well-played and swinging as one would expect from this superior bop group." Scott Yanow -All Music Guide

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Harry Nilsson

Nilsson Sings Newman

Release: 1969 / Reissue

Genre: Rock & Indie

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The World Of Harry Partch

Harry Partch

LP | 1969 | US | Reissue (Columbia)

LP | 1969 | EU (Life Goes On)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

A composer, a theorist, and an innovator, Harry
Partch stands out among so many other
American classical artists as one of the most
eccentric. He notably rejected the tradition of
composers like Beethoven and Bach for a lack
of theatricality and drama, and took his greatest
inspirations from Eastern Noh theater,
frequently incorporating speecn and dance into
his pieces, as well as requiring participants to
perform multiple parts. His theories reflected
this dismissal, which sought to return musical
tradition to those of the pre-Classical era, with a
heavy focus on microtonality, and octave
intervals beyond what was traditionally utilized.
Many of the pieces he composed would
prominently feature instruments of his own
invention, including heavily modified string
instruments, mallet instruments, and
pipe organs.
Over the course of his life, Partch released a
number of records, soundtracked numerous
films by Madeline Tourtelot, and wrote the highly
influential text Genesis Of A Music, which would
introduce his theories to a contemporary
audience, and inspire fellow avant-garde
composers as Lou Harrison, Ben Johnston,
James Tenney, and even the famed
experimental collective The Residents.

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Harvester

Hemat

18,99 €*

LP | 1969 | EU | Reissue (Svart)

Release: 1969 / EU

Genre: Rock & Indie

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More than a single cult, the sole album by Swedish combo Harvester was released as a sort of private press on the small Decibel Records. A magical blend of folk and psychedelic rock, Hemåt was published in 1969. With some extra-rock elements like cello, fiddle and even spare horns, the record is a beautiful and magical ritual. The band eventually morphed into Träd, Gräs Och Stenar.

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Heikki Sarmanto Sextet

Flowers In The Water

21,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The Artistry Of Helen Merrill

Helen Merrill

LP | 1965 | JP | Reissue (Toyokasei)

63,99 €*

Release: 1965 / JP – Reissue

Genre: Organic Grooves

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New York based Jazz singer Helen Merrill moved to Europe after her London debut concert in 1959. as she is living in Italy for 4 years, Helen also performed Japan in 1960 and 1963.

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LP | 1964 | EU | Reissue (Blue Note)

Empyrean Isles

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Fat Albert Rotunda

42,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Fat Albert Rotunda

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Fat Albert Rotunda is the venture into jazz-funk by keyboardist Herbie Hancock. The record is
centered around the music Hancock wrote the Fat Albert cartoon show. It’s one of the records which
appeared in the period between his landmark album Maiden Voyage of 1965 and his 1973 classic
Head Hunters. Fat Albert Rotunda is a unique item in Herbie Hancock’s long and diverse catalog, with
funky tracks like "Fat Mama" and modern jazz-oriented tunes like "Tell Me A Bedtime Story". The
sextet which is backing Hancock consists of some of the most prominent musicians of that time, like
Joe Henderson on tenor sax, Johnny Coles on trumpet and Buster Williams on the bass.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

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LP | 1965 | EU | Reissue (Blue Note)

Maiden Voyage

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Maiden Voyage Blue Note 85 Blue Vinyl Edition

LP | 1965 | EU | Reissue (Blue Note)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Even by the high-water marks set by Herbie Hancock’s tremendous 1960s Blue Note output, 1965’s Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist’s career. Hancock is joined here by his Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums, along with Freddie Hubbard on trumpet and George Coleman on tenor saxophone. The quintet embarks on an oceanic exploration of five original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, “Eye of the Hurricane,” and “Dolphin Dance.”

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LP | 1962 | EU | Reissue (Blue Note)

Takin' Off

31,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | Reissue (Not Now)

Takin' Off

Release: 1962 / Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (20th Century Masterworks)

Takin' Off

18,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Takin' Off Blue Marbled Vinyl Edition

LP | 1962 | Reissue

Release: 1962 / Reissue

Genre: Organic Grooves

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The Prisoner Tone Poet Vinyl Edition

LP | 1969 | EU | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Speakers Corner)

Herbie Mann

At The Village Gate

34,99 €*

LP | 1967 | EU | Reissue (Endless Happiness)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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"Comin’ Home Baby" – that’s how the LP begins and that’s what catapulted it right into the charts. Not to one of the top places, but from this time on Herbie Mann was one of the superstars in Atlantic’s collection of jazz musicians. He was known as 'our man with the flute', and the critics in the early Sixties were full of praise for him. He became even more famous, and probably richer, through soundtracks and later on sometimes rather commercialised productions. Well, good for him. 'The Man' serves up jazz pure on this recording, made live at the legendary Village Gate club, which is no wonder considering the rhythm group that includes Ahmad Abdul-Malik and Rudy Collins. The composer of "Comin’ Home Baby", Ben Tucker, also makes an appearance as a guest soloist before the two Gershwin numbers from "Porgy And Bess" offer a wealth of rhythm pure. On the cover text of the LP, Willis Conover, who hosted the Newport Jazz Festival as a sideline (older jazz fans will know his baritone voice from AFN broadcasts), describes in detail the ethnic background of the musicians who come from all over the world – from Romania to Puerto Rico. The three numbers are by no means commonplace. Perhaps a tasty flute cocktail would be a good description. This true rarity from Atlantic’s treasure trove in the early Sixties has long been marked down on the wish list of many fans and at long last it’s available again.

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Herbie Mann

Glory Of Love

26,99 €* 29,99 € -10%

LP | 1965 | US | Reissue (4 Men With Beards)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Flutist Herbie Mann is backed by a large rhythm section and a small horn section on this Creed Taylor-produced A&M set (which has been reissued on CD). Actually the most interesting aspect of the R&B-oriented date (which includes such songs as “Hold on, I’m Comin’,” “House of the Risin’ Sun” and “Unchain My Heart”) is that the up-and-coming flutist Hubert Laws is matched with Mann on several tracks.

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Holy Modal Rounders

Speakin' My Piece Blue Note Classic Vinyl

Release: 1965 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl!

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Horace Parlan

LP | 1960 | EU | Reissue (Blue Note)

22,99 €*

LP | 1965 | US | Reissue (Blue Note)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Best known for his work with Charles Mingus, pianist Horace Parlan began recording for Blue Note in 1960 with an excellent run of hard bop classics including Speakin’ My Piece, a quintet date featuring a frontline of Stanley Turrentine on saxophone and Tommy Turrentine on trumpet with the rhythm team of George Tucker on bass and Al Harewood on drums.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.

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Horace Silver

Cape Verdean Blues

Release: 1965 / US – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Blue Note)

Horace Silver

Song For My Father

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Howlin' Wolf 60th Anniversary Edition

Howlin' Wolf

LP | 1962 | US | Reissue (Friday Music)

40,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (20th Century Masterworks)

Howlin' Wolf

Moanin' In The Moonlight

18,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | JP | Reissue (P-Vine)

Howling Wolf

Sings The Blues

39,99 €*

LP | 1969 | UK | Reissue (Charly)

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Howlin' Wolf was a true bluesman who stuck to his own style. This LP reissue of an album compiled from his recordings in 1951-1952 for RPM label, sub-label of Modern Records and released in1962 on Crown Records, also a substance of Modern.

The album features Willie Johnston on guitar, a rule-breaking mix of primitive delta blues and fancy jazz chords; Willie Steele on drums and unidentified musicians providing unparalleled backing; and Ike Turner on vibrant piano, Wolf barked out wild and tough blues in West Memphis.

Although the piano, the guitar and the harmonica were clearly out of tune, the sounds were outstandingly thumping and beautiful - there was no greater shock. This is a classic in blues history that captured the rampaging blues wolf of the blues at the beginning of his career, when he made his recording debut after the age of 40. The reissue LP will be available with iconic OBI strip.

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Hubbels

Introducing

Release: 1969 / UK – Reissue

Genre: Pop

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LP | 1969 | EU | Reissue (Sommor)

Hugo Y Osvaldo

La Bossa Nova De ...

LP | 1969 | US | Reissue (Now-Again)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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After the demise of LOS Shakers, brothers Hugo & Osvaldo Fattoruso released in 1969 "La Bossa Nova de Hugo & Osvaldo".

Here, they paid homage to the music they grew-up with: jazz, bossa nova and candombe but adding Beatlesque pop-psych and Brazilian/Latin sounds to the mix, following what they had already done with Los Shakers in songs like "Never Never" or "Adorable Lola".

Cool covers of Burt Bacharach, George Harrison and candombe pioneer Manolo Guardia blend together with lovely self-penned songs and even new, bossa-styled versions from Los Shakers catalogue.

Recorded in 1968 mostly by Hugo and Osvaldo playing all the instruments by themselves, it was originally released in 1969 in a tiny edition of 400 copies, making it one of the most desirable collectable albums related to Los Shakers.

The missing link between "Toto's Bar" and OPA's "Goldenwings"?

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Hunger

Strictly From Hunger

56,99 €*

Strictly From Hunger Black Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.

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Hunger

LP | 1969 | EU | Reissue (Guerssen)

LP | 1969 | EU (Ethelion)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Killer Doorsy organ and fuzzed-out guitars, including all-time psychedelic classics like "Colors", "Workshop" and "Mind Machine".

Transplanted from Portland to the Sunset Strip, Hunger played at all the hip places (Whisky a Go Go, Cheetah, Kaleidoscope...), rubbing shoulders with bands like Hour Glass (pre-Allman Brothers), the Doors or Steppenwolf.

In 1969 they released "Strictly from Hunger!" for the small Public label. Highly sought after, we’re proud to present a straight reissue of such collectable album.

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Igginbottom

Igginbottom's Wrench

Release: 1969 / EU

Genre: Rock & Indie

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LP | 1962 | Reissue (Vinyl Passion Classical)

Igor Stravinsky

The Firebird

17,99 €*

Release: 1962 / Reissue

Genre: Classical Music

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LP | 1965 | US | Reissue (Curb)

Ike & Tina Turner

Greatest Hits

Release: 1965 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Elemental / Universal)

Ike & Tina Turner

The Hunter

30,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Ike Turner & The Kings Of Rhythm

A Black Man's Soul

LP | 1969 | EU | Reissue (Soulgramma)

OST - Engelchen Macht Weiter

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Here’s the official reissue of the album originally released on Dallas Pompeii label in April 1969. When he was out on tour with his regular gig, the Ike & Tina Turner Revue, Ike found the time to cut this unbelievable instrumental album. Whenever he had some spare time he would drag the band into a local studio and lay down tracks, resulting in these 12 funky soul jams that sound like they were lifted from a blaxploitation movie. The band is tight and laid-back at once, with horns at the forefront most of the time. Los Angeles hip-hop group Jurassic 5 later sampled "Getting Nasty" on their self-titled EP.

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Improved Sound Limited

LP+7" | 1969 | EU | Reissue (Wah Wah)

Easterly Winds Tone Poet Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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The soundtrack to this 1969 German sexual comedy was produced by Improved Sound Limited, showcasing their killer blend of experimental pop, blues, rock, jazz, funk and easy listening, augmented with tape effects, phasing, distorted guitar... Groovy songs influenced by 60's beat and psychedelia.

Newly mastered sound by Jörg Scheuerman. Comes complete with an insert with photos and liner notes. Limited to 500 copies only.

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Jack Wilson

LP | 1967 | EU | Reissue (Blue Note)

43,99 €*

LP | 1965 | US | Reissue (Antarctica Starts Here)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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"Easterly Winds"—the second of three Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, and Billy Higgins on drums.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Jackson C. Frank

LP | 1969 | EU | Reissue (Dream Catcher)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Jackson C. Frank’s eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside.

Frank’s backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly became a fixture of the bustling folk scene. Performing a mix of blues standards and originals, he met fellow ex-pat Paul Simon who would put up the money to record Frank’s only LP.

For such a sparsely recorded work, Jackson C. Frank covers a lot of ground. From the rugged, world-weary opener “Blues Run The Game” to the stunning melancholy of “Milk And Honey,” Frank’s nimble acoustic guitar and passionate howls are all that is needed to power such authentic songwriting. Captured in a single-day session, these ten tracks are stark, gritty and seemingly out-of-place with time. There may be no ‘60s folk record that is simultaneously as rare and influential as Jackson C. Frank’s self-titled debut.

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Jaklin

22,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1962 | Reissue (Gm & Publishing)

Good, Good, Twistin

Release: 1962 / Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Polydor)

Popcorn

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Pure dynamite! live at the Royal

LP | 1964 | US | Reissue (Polydor)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Polydor)

The Popcorn

Release: 1969 / US – Reissue

Genre: Organic Grooves

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heavily sampled classic funk album!!

- "In the Middle" sampled by Chubb Rock for "Organizer"

- "The Chicken" sampled by 2 Live Crew for "I Ain't Bullshitin'",
Big Daddy Kane for "Calling Mr. Welfare",
CEO for "Hit Me with the Beat" and
Main Source for "Think"

- "Why Am I Treated So Bad" sampled by The Associates for "From the Ground Up"

- "Soul Pride" sampled by Digable Planets for "9th Wonder (Blackitolism)",
Mad Flava for "Gotz ta Flow ta This",
Mr. X & Mr.Y for "1956",
Peshay for "Psychosis" & "Vocal Tune" and
Roni Size for "Hot Stuff"

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LP | 1960 | US | Reissue (Polydor)

Think

Release: 1960 / US – Reissue

Genre: Organic Grooves

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You Got My Mind Messed Up

James Carr

LP | 1967 | US | Reissue (Bell)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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James Ray Clear Vinyl Edition

James Ray

LP | 1962 | EU (Destination Moon)

16,99 €*

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 1962 / EU

Genre: Organic Grooves

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James Ray kickstarted his career as a teenager in 1959 after he left Washington DC for New York, but debut single ‘Make Her Mine’ flopped. Two years later, songwriter Rudy Clark discovered Ray and got him signed to the Caprice label, the resultant ‘If You Gotta Make A Fool Of Somebody’ a top-30 hit that the Beatles covered in early live sets. Ray’s self-titled debut album had that hit and the equally appealing follow-up, ‘Itty Bitty Pieces,’ as well as ‘I’ve Got My Mind Set On You,’ later successfully covered by George Harrison. An overdose would tragically cut short Ray’s career, this sole LP a testament to his enduring talent.

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Jameson

Color Him In

I Got 'Dem Ol' Kozmic Blues

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Another lost gem from the non-jazz Verve catalogue, Color Him In is a daydream experience from loner singer/songwriter Bobby Jameson. Released in 1967 the album is an orchestrated psychedelic trip, no surprise then Jameson had a part in the cult film Mondo Hollywood. Produced by Curt Boettcher the album had several psych-pop numbers with rare female vocals harmonization.

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Janis Joplin

LP | 1969 | US | Reissue (Speakers Corner)

41,99 €*

I got dem ol kozmic blues again mama !

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180g

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Janis Joplin

LP | 1969 | EU | Reissue (Columbia)

34,99 €*

I Got Dem Ol' Kozmic Blues Again Mama!

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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180 gram high quality pressing vinyl!

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Janis Joplin

LP | 1969 | EU (Trading Places)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1968, Janis Joplin decided to go solo while her album 'Cheap Thrills' with Big Brother & the Holding Company was still on top of the charts. 'I Got Them Ol' Kozmic Blues Again Mama!' was her first effort. She leans more towards Soul/Rock than on her previous work, with heavy horn arrangements from her accompanying band. The album contains the lead hit single 'Try (Just A Little Bit Harder)'. The audio is sourced from the original masters and features the original artwork.

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Jasper

Liberation

LP | 1962 | EU (Survival Research)

Release: 1969 / EU

Genre: Rock & Indie

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Before joining Dick Cuthell in jazz fusion act Trifle, keyboardist Alan Fealdman and drummer Chico Greenwood formed Jasper with bassist Jon Taylor, guitarist Steve Radford and singer/harmonica player, Nick Payne. On sole LP Liberation, released by Spark in 1969, Jasper skirts psychedelia, proto-prog and blues rock, the unusual hybrid a fluid sound that’s difficult to place. Along with unusual arrangements of ‘Baby Please Don’t Go,’ ‘St Louis Blues’ and Donovan’s ‘Cuttin’ Out,’ there are baroque motifs of the title track, repeated at varying intervals. For fans of multidimensional prog and cutting edge blues-rock.

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Jeanne Lee And Ran Blake

The Newest Sound Around

16,99 €*

Release: 1962 / EU

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Legacy)

Jeff Beck

Beck-Ola

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Jeff Beck's second album, originally released in 1969 and featuring Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. All Shook Up 2. Spanish Boots 3. Girl From Mill Valley 4. Jailhouse Rock Side B: 5. Plynth (Water Down The Drain) 6. The Hangman's Knee 7. Rice Pudding

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After Bathing At Baxter's

LP | 1967 | EU | Reissue (Music On Vinyl)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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'After Bathing at Baxter's is the third album by the San Francisco rock band Jefferson Airplane. The Jefferson Airplane began 1967 with 'Surrealistic Pillow' and closed it with 'After Bathing at Baxter's', and what a difference ten months made. The album was among the purest of rock's psychedelic albums, it was also a lot more daring. The album showed a band in a state of ferment as singer/guitarist Mary Balin largely surrendered much of his creative input in the band he'd founded, and let Paul Kantner and Grace Slick dominate the songwriting and singing on all but one cut ('Young Girl Sunday Blues'). The album peaked at number 17 in The Billboard 200 in 1968. In 1967, the single 'Ballad Of You & Me & Pooneil' was placed 42 in The Billboard Hot 100.

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Bless It's Pointed Little Head

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Surrealistic Pillow

73,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 Gram MONO 45RPM Audiophile Vinyl, limited/numbered

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LP | 1967 | EU | Reissue (RCA)

Surrealistic Pillow

Idiosyncratics And Swallows Wings Black Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The release comes on 180g Vinyl.

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Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

26,99 €*

Idiosyncratics And Swallows Wings Orange Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar.

Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums…

Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching.

“Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.”

Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

*Original artwork in hard cardboard sleeve *First ever vinyl reissue *Insert with liner notes and photos *Download card

Riyl: Nick Drake, John Cale, Bert Jansch, Incredible String Band, Will Malone…

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Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

21,69 €* 30,99 € -30%

Five Years Gone Gold Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Jerry Jeff Walker

LP | 1969 | EU | Reissue (Warner Music Poland)

Release: 1969 / EU – Reissue

Genre: Pop

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180 gram audiophile vinyl
Includes 4-page booklet
Features "Mr. Bojangles" and "About Her Eyes"
Limited edition of 750 individually copies on gold coloured vinyl

Jerry Jeff Walker was an American country music and folk singer-songwriter. He was a leading figure in the progressive country and outlaw country music movement, best known for having written the 1968 song "Mr. Bojangles". The late '60s and early '70s were an interesting time during which a number of enduring singer-songwriter albums were released, and this album is a prime example.

Originally released in 1969, Five Years Gone is a forward-looking album rooted in late-'60s folk and folk-rock rather than popular country. The poetic, yet sometimes inscrutable, lyrics owe more to Bob Dylan than any Nashville tradition. For this album, Jerry Jeff Walker was joined by some Nashville heavyweights, including Weldon Myrick, Hargus "Pig" Robbins, and Charlie McCoy.

Five Years Gone is available as a limited edition of 750 individually numbered copies on gold coloured vinyl, including a 4-page booklet.

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Jerzy Milian Trio

Bazaar

25,99 €*

LP | 1967 | EU | Reissue (El Palmas Music)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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This is 180g vinyl.

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Jesus Gomez Y Su Grupo

Jesús Gómez Y Su Grupo

2LP | 1969 | US | Reissue (Analogue Productions)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.

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Jethro Tull

Stand Up

77,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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U.F.O. Black Vinyl Edition

Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

30,99 €*

U.F.O. Blue Splatter Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

32,99 €*

U.F.O. Vinyl Me, Please Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Go to Item

Jim Sullivan

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*