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Vinyl, CD & Tape 33973 Hip Hop 1655 Organic Grooves 6538 Rock & Indie 11078 Electronic & Dance 11084 Reggae & Dancehall 2357 Pop 3232 Classical Music 387 Soundtracks 763 Childrens 35 Christmas 44 Halloween 3 Used Vinyl 16822
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Haley Heynderickx - I Need to Start a Garden
Haley Heynderickx
I Need to Start a Garden
LP | 2023 | US | Original (Mama Bird Recording Co.)
69,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: Near Mint, Cover: VG
Flawless fern belly vinyl. Cover has a small seam split and storage wear.
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Kuba Sojka - Multiple Faces
Kuba Sojka
Multiple Faces
2x12" | 2015 | UK | Original (DMK)
16,99 €*
Incl. VAT plus Shipping Costs
Release: 2015 / UK – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
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The Huggy Factor - Ass Jam
The Huggy Factor
Ass Jam
12" | 2000 | UK | Original (20:20 Vision)
8,99 €*
Incl. VAT plus Shipping Costs
Release: 2000 / UK – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: Generic
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V.A. - Volume Seven
V.A.
Volume Seven
12" | 2020 | UK | Original (Rube Goldberg Series)
14,99 €*
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Release: 2020 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Small writing on label
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V.A. - LargeWax3
V.A.
LargeWax3
12" | 2013 | US | Original (Large Music, LLC)
5,99 €*
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Release: 2013 / US – Original
Genre: Electronic & Dance
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Medium: VG+, Cover: Generic
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Jakob Seidensticker & Boronas - The Touch Ep
Jakob Seidensticker & Boronas
The Touch Ep
12" | 2018 | DE | Original (State Of Flow)
8,99 €*
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Release: 2018 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Generic
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George Michael - Careless Whisper Red Marbled Vinyl Edition
George Michael
Careless Whisper Red Marbled Vinyl Edition
12" | 1984 | EU | Reissue (Sony)
23,99 €*
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Release: 1984 / EU – Reissue
Genre: Pop
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Mariah Carey - Rainbow 25th Anniversary Edition Colored Vinyl Edition
Mariah Carey
Rainbow 25th Anniversary Edition Colored Vinyl Edition
2LP | 1999 | EU | Reissue (Sony Music Catalog)
41,99 €*
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Release: 1999 / EU – Reissue
Genre: Pop
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George Michael - Careless Whisper Picture Disc Edition
George Michael
Careless Whisper Picture Disc Edition
12" | 1984 | EU | Reissue (Sony)
27,99 €*
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Release: 1984 / EU – Reissue
Genre: Pop
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H.E.R. - I Used To Know Her Colored Vinyl Edition
H.E.R.
I Used To Know Her Colored Vinyl Edition
2LP | 2024 | EU | Original (Sony Music Catalog)
32,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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Kris Wadsworth - Uranus 222
Kris Wadsworth
Uranus 222
12" | 2013 | EU | Original (Uranus)
11,99 €*
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Release: 2013 / EU – Original
Genre: Electronic & Dance
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Dubfluss - Secret Sunrise
Dubfluss
Secret Sunrise
12" | 2019 | AU | Original (Krab)
16,99 €*
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Release: 2019 / AU – Original
Genre: Electronic & Dance
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Medium: Near Mint, Cover: Generic
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L .T . - Teleshop EP
L .T .
Teleshop EP
12" | 2020 | DE | Original (Ext)
11,99 €*
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Release: 2020 / DE – Original
Genre: Electronic & Dance
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Medium: Near Mint, Cover: Generic
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V.A. - The Way Out
V.A.
The Way Out
2LP | 2016 | EU | Original (Cosmic Compositions)
14,99 €*
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Release: 2016 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Medium: Near Mint, Cover: Near Mint
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Lucretio & Omar Akhrif - We Like Rain
Lucretio & Omar Akhrif
We Like Rain
12" | 2023 | UA | Original (Wicked Bass)
16,99 €*
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Release: 2023 / UA – Original
Genre: Electronic & Dance
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Bakked - Employee EP
Bakked
Employee EP
12" | 2020 | IT | Original (Outban)
29,99 €*
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Release: 2020 / IT – Original
Genre: Electronic & Dance
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Medium: VG, Cover: Generic
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Maggie - Space Debris EP
Maggie
Space Debris EP
12" | 2022 | IT | Original (Path Of Orbit)
11,99 €*
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Release: 2022 / IT – Original
Genre: Electronic & Dance
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Medium: VG, Cover: VG+
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Paradise City Breakers - Paradise City Breakers EP
Paradise City Breakers
Paradise City Breakers EP
12" | 2020 | DE | Original (Discarded Gems)
24,99 €*
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Release: 2020 / DE – Original
Genre: Electronic & Dance
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Medium: VG, Cover: Generic
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Avalanche - Applied Magic
Avalanche
Applied Magic
12" | 1994 | NL | Original (See Saw)
22,99 €*
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Release: 1994 / NL – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Generic label cover. Vinyl with scuffs and hairlines
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Cool Calm Pete - Lost
Cool Calm Pete
Lost
12" | 2005 | US | Original (Embedded)
12,99 €*
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Release: 2005 / US – Original
Genre: Hip Hop
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Used Vinyl
Medium: VG, Cover: VG+
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Santiago Uribe - Parque Rodó
Santiago Uribe
Parque Rodó
12" | 2018 | UY | Original (Montevideo Electric)
19,99 €*
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Release: 2018 / UY – Original
Genre: Electronic & Dance
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Medium: VG+, Cover: VG
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Nuspirit Helsinki - Change
Nuspirit Helsinki
Change
12" | 2000 | US | Original (Guidance)
4,99 €*
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Release: 2000 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Medium: VG, Cover: VG
Generic label cover
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Roy Hargrove's Crisol - Grande-Terre
Roy Hargrove's Crisol
Grande-Terre
2LP | 2024 | US | Original (Verve)
39,99 €*
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Release: 2024 / US – Original
Genre: Organic Grooves
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A completely unreleased fiery Latin session by unforgotten trumpet genius Roy Hargrove, who died in 2018! In April of 1998, fresh off their Grammy win for Best Latin Jazz Performance for their debut effort, „Habana“, Roy Hargrove’s band Crisol went into a studio in Guadalupe to record their follow-up album. Until now, that album, „Grande-Terre“, has never been heard. Featuring an all-star band of Roy’s long-time collaborators, including trombonist Frank Lacy, pianist Larry Willis and drummer Willie Jones III, „Grande-Terre“ showcases Hargrove’s powerful playing, his exquisite writing and the band’s incredible energy.
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Doctr & Julia - Now You Can Fly
Doctr & Julia
Now You Can Fly
12" | 2024 | EU | Original (Bordello A Parigi)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Doctr is no stranger to the Bordello. Now You Can Fly is his third visit to the label, his first with company. Paired with Julia, the offering is pure peak-time elation. Bending bars are cut through by beats and synth stabs, Doctr building a palpable energy with vocals synergising perfectly. Daring key shifts unveil the full track, inspirational words and melodic wizardry waltzing arm-in-arm. Flying ever higher, electrical pulses of hi-nrg jolt this dancefloor burner. Julia’s vocals are parred back for the flip, leaving those sun-kissed synthlines to soar above calypso-infused percussion. Two works of sheer happiness; just what the Doctr ordered.
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Terry Tester / Jay Sound - Rhythms From World Volume 1 EP
Terry Tester / Jay Sound
Rhythms From World Volume 1 EP
12" | 2024 | EU | Original (Series Of Taboo)
15,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Series of taboo records present its third release a split EP featuring two artists. The first artist is the established Copenhagen producer Terry Tester, two-decade long career as a turntablist and beatmaker his eminent take on house, hip hop and soul has been commissioned by artists such as Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood or for the BBE remix together with DJ Jazzy Jeff.

Terry’s latest outings has yielded spins from influential selectors such as Soulection, Carista, Alexander Nut (nts), Mr. Beatnick (nts), Marina Trench, EVM 128, James Rudie and Sassy J (Red light Radio).

The second artist is the talented producer Jay Sound, keyboardist and composer based in Detroit, known in the scene with productions played by artists of the caliber of Funkineven, Benedek and many others.
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Lvca & Otis - A Promise In The Cold Night EP
Lvca & Otis
A Promise In The Cold Night EP
12" | 2024 | EU | Original (Bordello A Parigi)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Two Italians step into the Bordello. Both are armed. Their weapons of choice? The synthesizer sounds of italo, new beat and wave. Lvca and Otis have been raised on the sounds of their homeland, adopting its analogue sound while adapting it to their own style. The result is a brooding mix of addictive lines and vocoder fire. “Ritmo Electronico” opens with a steel-edged snare driving smeared synths through the city dusk, robotic lyrics menace this sleazy neon-stained scene of cracked mirrorballs and flaring machines. Listeners are pulled into the underbelly of A Promise In The Cold Night with the murky “Tanzen”. Alex Vincent’s words are shrouded in glitch, bright burbling bars and a clean clap offering a path of light to help the listener navigate their way. The true coldness of the night arrives with the stabbing keys of “Synthesised Emotion”. Through a haze of hi-hats, an electrical smoke of blacks and greys fizz with juddering volts as passions pour through cable and wire. That haze grows thick in the close. Through a mist of distortion, a “Sphere Of Light” penetrates. Pin-pricks of percussion are dowsed in aquatic tones before a syrup of static is poured across proceedings, lost vocals ghost in this fog of bending bodies and forms.
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M.O.S. - Ask The Universe
M.O.S.
Ask The Universe
12" | 2024 | EU | Original (Melody Of The Soul)
15,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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M.O.S. are celebrating the 4th anniversary of their Melody Of the Soul imprint with an exclusive vinyl-only Ep entitled 'Ask The Universe'. This very special release showcases 4 outstanding tracks, carefully crafted to ignite the dancefloor with its hypnotic rhythms and soul-stirring melodies.
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V.A. - Verknipt Arena Album Solid White & Solid Red Vinyl Edition
V.A.
Verknipt Arena Album Solid White & Solid Red Vinyl Edition
2LP | 2024 | EU | Original (Be Yourself)
32,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Great White - Once Bitten
Great White
Once Bitten
LP | 1987 | EU | Reissue (Pias Catalogue)
28,99 €*
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Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Maara - Drama On
Maara
Drama On
12" | 2024 | EU | Original (Punctuality)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-11-08
A third Punctuality enters the chat; its latest member Maara proclaiming Drama On for Spray’s ever-evolving label. The Montreal maverick cues up a psy-eyed sesh for the ages, 5 wily thumpers shaded sapphic for those enthralled by the mischievous dance.

Since 2021, Maara has operated on an ‘all pills, no frills’ basis. Her prolific run of EPs for the likes of Kalahari Oyster Cult, Step Ball Chain and Radiant Records has cemented her rightful place within the club pantheon of the prog and divine. Spray and his Punctuality cohort reside there also, teasing clubland salvation for those who dare. Maara giddily joins for the ride, offering a gift in the name of Drama On; an EP of direct dancefloor transmissions that map out kinetic paths to sordid euphoria.

The curtains rise as What U Do 2 Me skips, gallops and jumps across theatrical plains, breaking for a titular reflection before reuniting with its ravey chaos. Drama On swings sharper, riding a sleazy donk through a dimly lit groove of pulsating vulgarity. An outright sassier affair celebrates Sigmund Freud’s Big Day Out; an unconscious slip of the hard house tongue that feeds an otherwise techno-driven delirium with wry glee. Give Me Ecstasy eases the tempo while raising the temperature, commanding your gaze with a noxious roller that seductively writhes in sexed-up delight. The house lights beckon, and Not My Web, Not My Problem she retorts with an unforgiving groove thrusting its charged-up rump through a cauldron of salacious murmurs and groans.

It’s Maara’s world, and we’re all just dancing in it.
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Molen - Future is Gone
Molen
Future is Gone
12" | 2024 | EU | Original (Spectral Bounce)
13,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Spectral Bounce returns with a groovy and moody set of tracks by Uruguayan tastemaker Molen. 'Future is Gone' explores dark yet glistening corners of minimal tech house, blending distorted basslines, resonant synth leads, and muffled vocals to create a cinematic aesthetic.

Spectral Bounce’s third release continues to solidify the label’s sonic identity while opening avenues for artists to present their unique interpretations and perspectives, and Molen delivers on that promise.
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S.H. - Fxwl 24A
S.H.
Fxwl 24A
12" | 2024 | EU | Original (Flux White)
13,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Electro mechanisms from the new world.
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Jori Jomni - Ponder EP
Jori Jomni
Ponder EP
12" | 2024 | EU | Original (Gorin)
13,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Jomni and Jori is an electronic music duo that has been deeply involved in the Japanese club scene, consistently producing sounds with an emotional and spacey vibe while bringing out the gem in electronic music to create unique club experiences. The record lovers who met in Kyoto have now dispersed to Cologne, Kyoto, and Tokyo, and have started a new label influenced by old records yet dedicated to exploring fresh sounds together with Miki.

"Slips" is a captivating blend of swinging beats and retro sound, featuring lush pads, melancholic chords and the randomly pitched synths. "Naizo" includes the catchy lead synth that serves as a guiding light, encouraging acceptance and self-discovery with its unforgettable melody and infectious mid-tempo groove. "Neuk" transports listeners to a world of liberation, where shimmering pads evoke the luminous breeze beyond deep-sea caverns. Underpinned by an expansive sub-bass that conjures visions of vast landscapes, it embodies an unwavering devotion to the art of dance. "Hitoshio" unveils the pulsating stab synths project the afterimage of the body onto the dancefloor with accelerating drums and anchored by classic house vocal samples.
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2lanes & 1morning - Lifeform / Follow The Rabbit
2lanes & 1morning
Lifeform / Follow The Rabbit
12" | 2024 | EU | Original (Floorspeed)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Funky techno meets hardgroove from the heart of North America - that’s the mission statement of new Washington, DC based label, Floorspeed. In its first release, Floorspeed invites two of the most exciting contemporary US producers at the moment: 1morning representing Los Angeles on the A side complimented by Detroit’s own 2Lanes on the B side.

“Lifeform” kicks off the A1 slot, showcasing a party-rock Beltram style beatdown peppered with comforting chord pads and stimulating arps. Ready for peak time blastoff! A deeper groove takes control in A2’s “Thought Pattern” shifting the energy to a locked, hypnotic close-your-eyes moment. A pattern to get lost in and one that flexes 1morning’s range of techno expertise.

“Follow The Rabbit” flips the script as a certified red-pilled hardgroove banger. Buckle your seatbelt on this B1 as 2Lanes takes you down the wormhole and through the other side over a 7 minute relentless drive. “The Bounce Route” closes out the record on a funky note with a frisky bassline, high spirited sampling and playful dub sirens for a continuous dancefloor switch up. You can find this one at the intersection of groovy and sexy.

Don’t know what to play next? Need to throw on a guaranteed dancefloor popper Asap? Hit the Floorspeed button. Dancefloor ready weapons on every release.
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Bloto - Grzybnia
Bloto
Grzybnia
LP | 2024 | EU | Original (Astigmatic)
24,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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Błoto’s bold 2020 debut brought forth three albums in just twelve months. This prolific creative burst, followed by an ongoing tour and involvement in other projects, meant that fans had to wait over three years for the next release. During this time, new ideas took shape, and the vision for their fourth LP crystallized. The wait for Błoto's new album is nearly over. As always, autumn signals the arrival of Grzybnia (Mycelium).

The idea for the album had been simmering within the band since the release of Kwasy i zasady and finally took shape in late January 2023 at Warsaw's Studio Pasterka, under the careful guidance of Piotr Zabrodzki. It was by far the most fruitful session in the group's history, with ideas flowing in abundance. The chosen tracks not only resulted in two well-received singles, Szlam / Ścieki and Bakteria, but also provided enough material for an EP set to drop next year.

The seemingly chemical title of the album Kwasy i zasady (Acids and Bases) ultimately referred to interpersonal relationships, describing traits that prevent harmony. The album embodied the polarization of societies in the 21st century. The metaphor of Grzybnia (Mycelium) goes a step further. It emphasizes the importance of cooperation as a fundamental skill that can yield various results (fruits, fungi)—both good and bad. Above all, it underscores the power of collective action beyond divisions.

In a complex, unstable modern world that is breaking apart into pieces, the concept of mycelium offers a powerful model. Mycelium thrives in degraded, seemingly lifeless environments created by humans. A key aspect of the broader significance of mycelium is that cooperation benefits all involved parties, where each contributes something and receives something in return. Mycelium is a symbiont, meaning it forms a symbiotic relationship with certain tree species through mycorrhiza, where the roots of the trees and the mycelium exchange essential life-sustaining substances. This results in mutual benefits. The world of mycelium exemplifies cooperation.

A single mushroom, like a person, dies, but mycelium endures, much like humanity itself. Thus, similar to culture, it is immortal. Błoto operates in a manner akin to mycelium. It undoubtedly belongs to the underground realm, embodying the essence of the underground. It is also a destructor of music. In what sense? The Polish Nobel laureate Olga Tokarczuk noted in her book Primeval and Other Times that “[...] Mycelium thrives by drawing the last remnants of life from what dies, decomposes, and seeps into the earth. Mycelium is the life of death, the life of decay, the life of what has died.” In the same way, Latarnik, Cancer G, Wuja HZG, and OlafSaxx, through their collaboration, process cultural products to create entirely new and surprising combinations. The result of this work is both edible and poisonous mushrooms, manifested in the form of fat beats, house, spiritual jazz, improvised music, illbient, organic techno, and genre-defying electronics.

The peak mushroom season in Poland occurs in autumn, which is why Grzybnia will be released on October 10, 2024, via Astigmatic Records. The limited edition vinyl, restricted to 500 copies, will be available for pre-order starting September 6, 2024, on Bandcamp. As always, mixing and mastering are handled by the mighty Kwazar, while the original visual representation of the mycelium metaphor is crafted by Sainer.
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Aman Umber & Krol - TELU 001
Aman Umber & Krol
TELU 001
12" | 2024 | EU | Original (Telluric Village)
13,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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In the Earth’s hidden veins, silent rivers flow,
Telluric currents, concealed beneath the show.
Whispers of the world, electric and grand,
Tracing ancient routes, from future to the land.

With Alexandra’s vision, colors start to reveal,
A canvas of wonders, in shades surreal.
Like the hum of a village where life gently sings,
The music of roots, where every note clings.

Through rock and soil, Tyme’s secrets are sealed,
In the heart of the Earth, where melodies are healed.
In David’s hands, the echoes refine,
Crafting a sound both profound and divine.

Thank you for guiding us through the telluric vein.
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Hame - Watershed
Hame
Watershed
12" | 2024 | EU | Original (Far Blue)
16,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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The second Far Blue release comes as a 4-track EP by Dutch producer Hame.

In this EP, Hame explores a deeper and organic style while keeping true to his hypnotising rhythms in an emotive context. The EP happens to be a selection of tracks that were made around critical turning points in the artist’s life. These moments of change often result in new energy or the realisation to let go. These feelings tend to be fruitful for new musical inspiration
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Subb-an - Amnesia EP
Subb-an
Amnesia EP
12" | 2024 | EU | Original (Sub Series)
15,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Subb-an returns with the third instalment on his own Sub Series Records, delivering Amnesia EP—a four-track collection of club-ready cuts that dive deep into his signature sound.

Crafted with the dance floor in mind, Amnesia EP showcases Subb-an’s unmistakable ability to blend raw underground energy with polished, sophisticated beats.

Known for his infectious grooves and dynamic production, Subb-an brings his unique style to the forefront once again, with each track offering an immersive blend of driving basslines, hypnotic rhythms, and lush uplifting atmospheric elements that reflect the essence of his creative vision.

The label has gained widespread support from the likes of Peach, Sonja Moonear, Saoirse, Enzo Siragusa, Raresh, Sedef Adasi, Shanti Celeste, Priku, Midland Anotr and Chris Stussy.

Available on both vinyl and digital formats, Amnesia EP is a testament to Subb-an’s enduring influence in the world of electronic music
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Nesta - Food For Soul
Nesta
Food For Soul
12" | 2024 | EU | Original (Fantôme de Nuit)
16,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Freshly Served! Rising talent Nesta delivers a sizzling platter with Food For Soul on Lebanese label Fantôme de Nuit. This 5-course sonic feast is packed with groove and musicality, perfectly seasoned for the dancefloor and equally delightful for a cozy home listening session. Get ready to feed your soul with this flavorful release that’s sure to satisfy your musical appetite!
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Jacksonville - Ski Jacket 87
Jacksonville
Ski Jacket 87
12" | 2024 | EU | Original (Chateau Chepere)
15,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Warm and melancholic deepness from Edinburgh’s underground fixture Jacksonville. With more than 20 years of experience in making music, the Hizou & Innershift affiliate can get deep and funky with the machines while keeping an eye on the dance floor. His take on deep house is uncompromising but subtle : crisp drums, heavy basslines, lush melodies and hypnotic arrangements is what you can expect on this ep.
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Desirée Falessi - Obscuro Femenino
Desirée Falessi
Obscuro Femenino
12" | 2023 | EU | Original (Influencia)
16,99 €*
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Release: 2023 / EU – Original
Genre: Electronic & Dance
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Let's welcome the first release of Influencia Records, a label focused on highlighting the strong personal identity of each artist transmitted though music : here is Obscuro Femenino !
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Patrick Cowley - From Behind
Patrick Cowley
From Behind
LP | 2024 | US | Original (Dark Entries)
25,99 €*
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Release: 2024 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Cybernetic disco maestro Patrick Cowley returns to Dark Entries with From Behind, a collection of grooving and ecstatic covers of 60s garage and soul cuts. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to Aids-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for films on compilation albums School Daze, Muscle Up, and Afternooners. From Behind reveals yet another facet of Cowley’s myriad influences; garage and soul. As a tripped-out teenage music freak who arrived in 60’s San Francisco, it should come as no surprise that these psychedelic sounds, both heady and visceral, infuse Cowley’s oeuvre. Recorded during Cowley’s most productive period, ‘80-’82, these tracks show the master flexing his virtuosity while paying loving tribute to the songs that shaped him. A rough draft of Loverde’s “Iko Iko” contorts the jaunty Dixie Cups classic into a slithering, monstrous bathhouse groover, the song’s signature claps draped in cavernous reverb. An unexpected hi-NRG cover of The Doors’ “20th Century Fox” has Paul Parker on vocals, ironically twisting the original’s overt heterosexuality. Via Cowley’s vocoder, The Who’s “Shakin’ All Over” is transformed into a haunting meditation on the loss of bodily autonomy that Aids inflicts, while the Moody Blues’ “Ride My See Saw” appears in instrumental, amped up and synthesized for dancefloor impact. We’re also graced with instrumental demo versions of The Seeds’ “Pushin’ Too Hard” and The Electric Prunes’ “Too Much To Dream (Last Night),” which later appeared on Paul Parker releases. Things close out with a swinging version of the Four Tops’ Motown classic “Baby I Need Your Loving”, Cowley later reimagined for R&B artist Carl Carlton. The record comes housed in a sleeve designed by Gwenaël Rattke and includes an insert with photos and liner notes written by Louis Niebur. Arriving on October 19th in celebration of what would have been Cowley’s 74th birthday, From Behind gives us yet another glimpse into Cowley’s world: iconic, erotic, and more than a little cheeky.
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V.A. - Metro Subterranean
V.A.
Metro Subterranean
LP | 2024 | US | Original (Hyperspace Communications)
27,99 €*
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Release: 2024 / US – Original
Genre: Pop
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Four electrifying bands from different periods of the west coast urban underground together for the first time on Yellow vinyl! Including: Bastidas!, Ultraviolet Catastrophe, Pink Stiletto, and Nervous Gender Reloaded. Representing the Neo New Wave of Seattle, San Francisco, Hollywood, and East LA. Pressed on yellow vinyl. Bastidas! has flourished among L.A.'s underground scene since 2007, creating a new threshold for post-punk, chunked up bass lines, and sonic synthesis. Melding genres of Latin, Post Punk, Punk, Jazz, Latin Jazz, they represent what could be East L.A.'s answer to Sonic Youth. The UltraViolet Catastrophe (aka Uvc) was a mostly synthesizer pop band in Seattle from 1982 to 1984. With the sound of multiple keyboards and female lead singer, their first live gig was at the opening of The Metropolis in Seattle in 1983. Produced by members Einar Ask and Steve Turnidge, industry specialist and author of Digital Mastering. Pink Stiletto is set to reinvigorate New Wave and post-punk. Echoing the eclectic, avant-garde essence of ZE Records, Pink Stiletto merges disco’s allure with punk’s rawness, funk’s rhythm, and new wave’s idiosyncrasy. Their songs stand out with unconventional sound, capturing the vibrant, artistic spirit of downtown New York. It draws inspiration from the likes of Gina X, Tubeway Army, and Cristina. Nervous Gender formed in Los Angeles, California, in 1978 by Gerardo Velazquez, Edward Stapleton, Phranc and Michael Ochoa. In 1979, Don Bolles of the Germs joined as drummer. The following year, Phranc left the band and Paul Roessler of the Screamers joined. Nervous Gender played with bands such as SPK, Factrix, NON, Einstürzende Neubauten, and Psychic TV during the early 1980s. The original LP has been re-released by Dark Entries Records. As of 2017, Edward Stapleton, and Matt Comeione, San Diego mod and Cal Arts trained composer, started Nervous Gender Reloaded.
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Thee Marloes - Perak Clear Merah Colored Vinyl Edition
Thee Marloes
Perak Clear Merah Colored Vinyl Edition
LP | 2024 | US | Original (Big Crown)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Organic Grooves
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Big Crown Records is proud to present Perak, the debut album from TheeMarloes.When you rst hear Thee Marloes, their particular soul sound may seemfamiliar enough. There are the weighty drums, a crooning guitar, and a beautifulvoice singing about unrequited love and the complications inherent in affairs ofthe heart. But then there is something undeniably different about Thee Marloesand their music, something new and distinct. And while you may be acquaintedwith soul music, you've probably never heard it from Surabaya, Indonesia_theplace they call home.Thee Marloes are Natassya Sianturi singing and playing keys, Tommy Satwickon drums, and Sinatrya ("Raka") Dharaka on guitar and handling production.Their sound has the universal appeal of soul, jazz, and pop, but with a distinctapproach attributable to their local culture and global inuence. The world'sintroduction to Thee Marloes' debut album Perak, started with "MidnightHotline" the scorching A side to their debut 7" on Big Crown. A punchy dance-oor number with an infectious chorus, vibey piano, and jazzy guitar licks.Contrasting that energy in the classic plug and ballad pairing dynamic, the Bside "Beri Cinta Waktu" has all the makings of a beloved soul ballad but thelyrics are in Indonesian. Regardless of any language barrier, the sentiment intheir music is palpable, helping to make their songs relatable and heartfelt. Therest of Perak ts perfectly in between those bookends of both energy andlanguage, "I Know" is a mid-tempo burner that talks about pulling the veil oflies off a love affair founded on falsehood. "Not Today" is right up there with thegrooviest feel good songs you could ever play on a Sunday morning withNatassya reminding us to make space for ourselves no matter what life throwsour way. "Mungkin Saja" brings the tempo back up with another dance oorsmoker while "True Love" nds Thee Marloes dipping into the soulful side ofjazz with a beat ballad that could soundtrack a Tarantino dance scen...
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Nap Eyes - The Neon Gate
Nap Eyes
The Neon Gate
LP | 2024 | US | Original (Paradise Of Bachelors)
24,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Sun Araw - Lifetime
Sun Araw
Lifetime
2LP | 2024 | US | Original (Sun Ark)
47,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Sun Araw"s tenth studio album, Lifetime, continues to investigate space as a motionless field against which many motions are observed! Stasis: wheels within and wheels without! "Dripping Magnetizations! Arcs of Slowing Rotations!" Two LPs at 45 RPM. Mixed by Cameron Stallones & Jake Viator, Mastered by JJ Golden. Please enjoy this adventure in sound.
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Metonomy - Illusion Of Chaos
Metonomy
Illusion Of Chaos
12" | 2024 | EU | Original (Subsoniv Device)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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V.A. - Alternative Sound Concept
V.A.
Alternative Sound Concept
12" | 2024 | EU | Original (Undancel)
19,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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The various artists alternative sound concept (ude001) is the first reference, presenting a variety of styles and sounds which represents a sound personality from a listening point. These artists residing in Malaga, Madrid and Barcelona have participated with the first project to give the presentation. -Caradusanto, multidisciplinary artist includes “Semillas” made with analog modular and ramdomized sequences. -Dark Vektor, a pioneer in the electro scene, surprises us with “En Mitg De L’Espai”, sounds that are unusual for him and keeping the same relationship with his clarity when hearing it, sung with his native linguistics and message inside. -Intervalo, shows us a B side where the broken rhythm predominates, its harmonic essence and melody continues to be its identification, we talk about “Solitude”. -Guillermo Garate, innovates with electro sounds achieving the same thing, another B side of this artist “Larga”. -Tio solo by habit in its production slides on synthesizers and analog drum machines, thus achieving “Dark Fluid” an accelerated drum & Bass rhythm differentiated from it with atmospheric and acid pads.
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V.A. - Various Artists Volume 7
V.A.
Various Artists Volume 7
12" | 2023 | EU | Original (Monday Off)
16,99 €*
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Release: 2023 / EU – Original
Genre: Electronic & Dance
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Aqualords - 25 Years Blue Marbled Vinyl Edition
Aqualords
25 Years Blue Marbled Vinyl Edition
12" | 2024 | EU | Original (Allsound)
28,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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During the '90s there were several successful groups in the dance scene, one of them is the Belgian dance formation "Aqualords". The members of this group are Regi Penxten, Steve Spaas and Nico Parisi. To honour their 25th anniversary, we release a limited edition of 500 vinyls called "Aqualords 25 Years". Comes in Transparant Stickered Sleeve.
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Balearic London - Balearic London 001
Balearic London
Balearic London 001
12" | 2024 | EU | Original (Balearic London)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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The debut release from the recently-launched London party of the same name, Balearic London shines a light on lesser known grooves from the past in this new edits series - and reappraisals of some classics given a new twist. A1 will result in spicy synchronised dancing wherever you play it so proceed with caution. Catch the Balearic London crew at festivals this summer including secretsundaze presents Multi Multi...
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Obstructor - Taboo
Obstructor
Taboo
12" | 2024 | EU | Original (Hayes)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Clever sonics, elegant chords, and dazzling color painted in broad strokes on Obstructor's Taboo.
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Dylanh / Factuaw - A Divine Decade
Dylanh / Factuaw
A Divine Decade
12" | 2024 | EU | Original (That Divine)
15,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Offish & Attempt - White Beast EP
Offish & Attempt
White Beast EP
12" | 2024 | EU | Original (Onset Audio)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Flavia Laus - Reinos Elementales
Flavia Laus
Reinos Elementales
12" | 2024 | EU | Original (Onna Bushi)
16,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Mari Samuelsen - Life
Mari Samuelsen
Life
LP | 2024 | Original (Deutsche Grammophon)
28,99 €*
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Release: 2024 / Original
Genre: Classical Music
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A Burial At Sea - A Burial At Sea Clear With Cyan Splatter Vinyl Edition
A Burial At Sea
A Burial At Sea Clear With Cyan Splatter Vinyl Edition
LP | 2021 | EU | Reissue (Moment of Collapse)
25,99 €*
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Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Django Reinhardt & Stephane Grappelli - Djangology - Rome 1949
Django Reinhardt & Stephane Grappelli
Djangology - Rome 1949
LP | 2024 | Original (Adf Bayard Musique)
24,99 €*
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Release: 2024 / Original
Genre: Organic Grooves
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Ultha - Belong
Ultha
Belong
LP | 2019 | EU | Original (Vendetta)
25,99 €*
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Release: 2019 / EU – Original
Genre: Rock & Indie
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S.O.N.S - Shibuya One Night Stand EP
S.O.N.S
Shibuya One Night Stand EP
12" | 2014 | KR | Original (S.O.N.S)
74,99 €*
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Release: 2014 / KR – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG
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DJ Deeon - House Work
DJ Deeon
House Work
12" | 1995 | US | Original (Dance Mania)
159,99 €*
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Release: 1995 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Great copy. record has some signs of use but plays and sounds fine.
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DJ Taktix - Its The Way 2010 Refix / Serum Refix
DJ Taktix
Its The Way 2010 Refix / Serum Refix
12" | 2011 | UK | Original (Apexx)
19,99 €*
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Release: 2011 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
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V.A. - Captivate 001
V.A.
Captivate 001
12" | 2016 | FR | Original (Inertie)
9,99 €*
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Release: 2016 / FR – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
Close to VG+
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Swoose - Rushin
Swoose
Rushin
12" | 2013 | UK | Original (Made Fresh Daily)
8,99 €*
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Release: 2013 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
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V.A. - Retro Future Chapter Two
V.A.
Retro Future Chapter Two
12" | 2019 | FR | Original (Talman)
16,99 €*
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Release: 2019 / FR – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
close to NM
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V.A. - House Sound Vol. 3
V.A.
House Sound Vol. 3
12" | 2011 | US | Original (House Sound)
12,99 €*
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Release: 2011 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Limited edition. close to NM
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V.A. - Druzhba004
V.A.
Druzhba004
12" | 2018 | DE | Original (Druzhba)
11,99 €*
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Release: 2018 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Generic
white vinyl Limited edition
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Unknown Artist - Inhere 003
Unknown Artist
Inhere 003
12" | 2018 | RO | Original (Inhere)
7,99 €*
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Release: 2018 / RO – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Generic
few paper scuffs
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V.A. - Recipe N°3
V.A.
Recipe N°3
12" | 2014 | FR | Original (French Kitchen)
7,99 €*
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Release: 2014 / FR – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
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...And You Will Know Us By The Trail Of Dead - Source Tags & Codes
...And You Will Know Us By The Trail Of Dead
Source Tags & Codes
LP+LP+All Media | 2017 | US | Reissue (Interscope)
26,99 €*
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Release: 2017 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Both cover and records super close to NM.
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Holger Nielson & ND - For The Ladies
Holger Nielson & ND
For The Ladies
12" | 2005 | DE | Original (Micro.fon)
3,99 €*
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Release: 2005 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Generic
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Union Analogtronics X Blu - Cheetah In The City
Union Analogtronics X Blu
Cheetah In The City
2LP | 2016 | US | Original (Fat Beats)
19,99 €*
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Release: 2016 / US – Original
Genre: Hip Hop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
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Twit One - Prelude To A Desaster
Twit One
Prelude To A Desaster
10" | 2022 | DE | Original (Melting Pot Music)
13,99 €*
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Release: 2022 / DE – Original
Genre: Hip Hop
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Used Vinyl
Medium: VG+, Cover: Near Mint
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F.Lli Paradiso - La Danza Della Giungla
F.Lli Paradiso
La Danza Della Giungla
12" | 2024 | EU | Original (La Sirenetta)
19,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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Maledetta Discoteca proudly announces the birth of their first daughter LA Sirenetta (*The mermaid) and the release of her first record!

An hommage to the Italian Afro scene of the late 80s, La Sirenetta is a sub-label born to take World Music to the next level for the contemporary Dancing Club Scene. We aim at digging, selecting and editing obscure bangers from our analogue record collections, travelling from Martinique to Ivory Coast, from Nigeria to Haiti, and giving them back to deejays and dancefloors in high-quality, highly collectable, 12” releases.

PS : This is the first release of a series that will delight collectors of Afro and World Music…we won’t stop, we just started!
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Rick Wade - Detroit Noir EP
Rick Wade
Detroit Noir EP
12" | 2024 | EU | Original (Rawax Motor City Edition)
13,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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We are very happy to welcome back Mr. Rick Wade on the 25th Rawax Motor City Edition! It's almost the 4th release form Rick Wade on this series, which is dedicated to the Love for Detroit Music and in our opinion the strogest so far!
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Sy - Feel Love EP
Sy
Feel Love EP
12" | 2024 | EU | Original (Rawax)
12,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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3rd release for Simon Heslin aka SY on Rawax! He keeps the quality level again very high! Big future-retro release - not to be missed. Highly recommended!
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Egg Idiot - Best Of LOL
Egg Idiot
Best Of LOL
LP | 2024 | EU | Original (Phantom)
13,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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You don’t have to be a genius to figure out what kind of sonic wares a dude who goes by Egg Idiot is peddling. But that doesn’t mean this gooey Leipzig freak is a one-note act. Over the 16 tracks that make up this debut LP—composed of re-recordings of songs from earlier cassettes—you’ll be taken on quite the lo-fi journey. Yes, you can expect plenty of squiggly power-poppin egg punk in the vein of Cherry Cheeks or Billiam, but you’ll also come across some denser polyrhythmic numbers not too far from something off an early Uranium Club release, a couple of slacker rock jams, what sounds like a contemporary take on ‘90s cassette punk, and even some stuff that borders on oddball industrial. This maybe isn’t a record for the easily annoyed. But you gotta imagine a dude dressed as a giant egg wouldn’t have it any other way. (Alex Howell)
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D Stone & Milion - Next Morning EP
D Stone & Milion
Next Morning EP
12" | 2024 | EU (803 Crystalgrooves)
13,99 €*
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Release: 2024 / EU
Genre: Electronic & Dance
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Music Makers Band - You Can Be
Music Makers Band
You Can Be
LP | 2024 | US | Reissue (Now-Again)
28,99 €*
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Release: 2024 / US – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-11-08
Disco-Soul-Funk Album With Mixed From The Original Multi-Track Tapes By Kenny Dope Tucked in the back corner of a linen closet in Macon, Georgia since 1979 sat a box that very few people knew existed. Lost and presumed forgotten, this box contained reel-to-reel tapes of the lost album by the band that issued the lauded Black Gold as The Mighty Chevelles in 1977. By 1979, while transitioning to the name Music Makers Band, the band entered Capricorn Studios and recorded this disco funk opus, finally issued as You Can Be.Nearly all songs have been remixed from the original multi-track masters by Kenny "Dope" Gonzalez.
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Bubble Tea And Cigarettes - We Should've Killed Each Other
Bubble Tea And Cigarettes
We Should've Killed Each Other
LP | 2024 | US | Original (Lauren)
25,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
Seattle based duo Bubble Tea and Cigarettes is known for their dreamy, massive soundscape and emotionally charged lyrics. Featuring Kat’s angelic, whispering vocals and Andi’s masterful songwriting and production, their music can be described as atmospheric, psychedelic, bittersweet, and nostalgic, often accompanied by emotionally charged their music make people shed tears but heal at the same time, connecting deeply with fans around the globe. Their unique sound has resonated worldwide - their debut album, “There’s Nothing But Pleasure,” immediately drew in those seeking healing and solace through music. The album’s success was marked by thousands of vinyl and CD sales, over 20 million streams across platforms, and a sold-out 14-stop US & Asia tour, with venues as large as 600 capacity. This success demonstrated how their art captured listeners' hearts worldwide, despite their predominantly DIY approach. With a new album titled "we should’ve killed each other" set for release on November 1, 2024, and a planned tour featuring large festivals and venues, Bubble Tea and Cigarettes continues to bridge the gap between artful indie and commercial pop, capturing listeners' hearts worldwide.
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Jalek Blount & Mali Obomsawin - Symbiont
Jalek Blount & Mali Obomsawin
Symbiont
LP | 2024 | US | Original (Smithsonian Folkways)
22,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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From the first notes of symbiont, the radical new collaborative album and document of Black and Indigenous futurism from Jake Blount and Mali Obomsawin, the listener is met with rising tidewaters, massive droughts, and the appearance of an iconoclastic uprising amidst the world's indifference. Questions of future or present tense swirl around the music as the duo unspools the intertwined threads of racial and climate justice. Amid rumbling synthesizer drones, the thrum of banjo, and the thwack of drum machines, a whisper of truth can be heard: this crisis has been unfolding for centuries.
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Rezz - Can You See Me?
Rezz
Can You See Me?
LP | 2024 | US | Original (Virgin US)
46,99 €*
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Release: 2024 / US – Original
Genre: Electronic & Dance
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Limited silver smoke colored vinyl LP pressing.
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Jean-Michel Jarre - Versailles 400
Jean-Michel Jarre
Versailles 400
2LP | 2024 | US | Original (Columbia)
60,99 €*
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Release: 2024 / US – Original
Genre: Electronic & Dance
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Jackson 5 - Third Album
Jackson 5
Third Album
LP | 1970 | US | Reissue (Motown)
35,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Jackson 5 - "Third Album" / Released on the Motown label in 1970, The Jackson 5's appropriately named Third Album featured their fourth consecutive #1 single on the pop charts with, "I'll Be There," and the #2 single, "Mama's Pearl." The album peaked at #4 on the Billboard Top LPs chart and topped the R&B Albums chart. "I'll Be There," also showcased the Jacksons' potential beyond bubblegum pop, with Michael Jackson delivering the ballad with a complexity far beyond his years. Available on red color vinyl. Version Title: [Red LP]
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Oren Ambarchi - Quixotism 10th Anniversary Remastered Edition
Oren Ambarchi
Quixotism 10th Anniversary Remastered Edition
LP | 2024 | EU | Original (Black Truffle)
31,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.

The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.

At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.
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Julianna Barwick - Magic Place 2024 Remastered
Julianna Barwick
Magic Place 2024 Remastered
LP | 2024 | US | Original (Florine)
31,99 €*
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Release: 2024 / US – Original
Genre: Electronic & Dance
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Originally released in 2011, Julianna Barwick's debut full length "The Magic Place" is a nine-piece full-length album of magic and solace, bursting joy, and healing tones. Julianna's mostly a cappella music is built from her multi-tracked and looped voice, with backing instrumentation, but it's the vocals-soaring high in reverb-drenched, wordless harmonies-that matter most here. Layered fragments and pieces become an intricate pattern through electronics; it's the sound of a rising thing, a big group harmony as a splash of sunlight through a car window, a sound that feels like hope and ascendance and patience and intimacy. Out of print for years, this 2024 version has been fully remastered by Heba Kadry, and available through Julianna's "Florid Recordings", the imprint she started in 2006 to self release her earliest recordings. There's a very particular joy in listening to Barwick's music. Free of the constraints of narrative and traceable language, it's the same joy in giving yourself over to opera in a foreign language, of letting go of your pesky rational mind and allowing the feeling to come through in the voices and performance. The title track is next, a reverb-y beauty queen that soars to Promethean heights and builds it's own kind of safe haven in the clouds. Even the gaps between songs are essential to the album's listening experience-a sigh between stories or silence-as-drone, each second important. The New York Times called the pauses between Julianna's songs, "the small pleasure of a chance to breathe between the greater pleasures of not wanting to have to." Meet The Magic Place. It's a great place to be
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Trent Reznor & Atticus Ross - OST Soul
Trent Reznor & Atticus Ross
OST Soul
LP | 2020 | US | Reissue (Universal)
39,99 €*
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Release: 2020 / US – Reissue
Genre: Soundtracks
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Asher Roth - Pabst & Jazz
Asher Roth
Pabst & Jazz
LP | US | Original (Asher Roth)
29,99 €*
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Release: US – Original
Genre: Hip Hop
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
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Bedouin Ascent - Science, Art And Ritual 30th Anniversary Edition
Bedouin Ascent
Science, Art And Ritual 30th Anniversary Edition
3LP | 2024 | EU | Original (Lapsus Perennial Series)
36,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Science, Art And Ritual' is a story of 'process'. Growing up in Harrow (a then quiet suburb of London) in the 70's and 80's from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80's dub via David Rodigan's Roots Rockers shows was the first prominent influence he received, and with punk roots --and his burgeoning record collection-- became exposed to the breathless post punk experimentation that followed in the early 80's sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent's house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby's Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers --punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. 'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before --'sar' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too. Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean Iii", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80's soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70's MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines --tr-808, Tr-707 and R-8-- is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul. Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" --regularly performed live at that time and produced in the same period as the album sessions in 1993. 'Science, Art And Ritual' may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey.
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Legowelt - Dx Days / Bayville Cove
Legowelt
Dx Days / Bayville Cove
12" | 2010 | EU | Reissue (Clone West Coast Series)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 2010 / EU – Reissue
Genre: Electronic & Dance
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3 classic Legowelt "Slam Jack Deep Chicago Ghetto Technofunk" tracks from the Clone Records vaults get the deserved remaster treatment. The early 2000's Yamaha DX Synth tribute by Scheveningens Jackmaster never sounded better...
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V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
57,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
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SU01 - Margin EP
SU01
Margin EP
12" | 2024 | EU | Original (Primordial State)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / EU – Original
Genre: Electronic & Dance
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For the 3rd release Primordial State drops a driving techno EP by Su01 with a remix by the label heads themselves.
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Theo Schumann - The Story Of Theo Schumann
Theo Schumann
The Story Of Theo Schumann
LP | 2024 | EU | Reissue (Golden Rules)
23,99 €*
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Release: 2024 / EU – Reissue
Genre: Organic Grooves
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The unbelievable groove of east germany.

Golden Rules searched the tape archives and found some pearls of the Dresden Jazz Icon Theo Schumann.

After 50 year for the first time on vinyl with a special edition of 15 unreleased songs and super rare gems from the tape archives by Theo Schumann. For fans of funky Big beat and Surf Shake.

Theo Schumann (1928 - 1990) was a great saxophone and organ player from Dresden, Germany with a unique sound. His combination of grooves in Big Beat, Jazz, Funk and Hully-Gully Rock is considered the "archetype" of pop music in the GDR. He played in many different bands like Theo Schumann Combo, Theo Schumann Sextett or Theo Schumann Orchestra and recorded many songs for different artists in the German Democratic Republic. Together with his son Roberto Schumann we managed to get some unreleased tracks from the tape archives and are now able to share some super rare gems with you on this LP.
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Piper Y Su Orchestra Pimienta - Pensamiento
Piper Y Su Orchestra Pimienta
Pensamiento
7" | 2024 | EU | Original (Vampisoul)
15,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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Courteeners - Pink Cactus Cafe
Courteeners
Pink Cactus Cafe
LP | 2024 | UK | Original (Ignition)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / UK – Original
Genre: Pop
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Pink Catcus Café is the forthcoming album by Courteeners, available on 25th October 2024
and featuring the infectiously melodic brand new single Solitude of the Night Bus.
The album is released on 25th October 2024 available on CD with limited edition coloured
LP formats, and vinyl featuring an exclusive bonus track.
Since releasing their debut album St. Jude in 2008, Courteeners have become one of the
most loved bands in Britain, building a huge community around their sold out shows that
has seen them consistently play to packed houses and fields nationwide.
Pink Cactus Café is Courteeners’ 7th studio album and their first new music since 2020’s
More. Again. Forever. which received critical acclaim. Across their 16 year career, the band
have had consistent commercial success achieving BPI certified Platinum (x1), Gold (x3) and
Silver (x2) awards for their albums. Most recently, a reissue of the band’s debut St. Jude
reached No 1 in the UK Album Charts in 2023, fifteen years after its original release, and
earlier this year, Courteeners won Band of the Year at the Nordoff Robins Northern Music
Awards
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The Cromagnon Band - Bad Night Quadrant
The Cromagnon Band
Bad Night Quadrant
7" | 2024 | EU | Original (BBE Music)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / EU – Original
Genre: Hip Hop
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Zeal&Ardor - Wake Of A Nation EP
Zeal&Ardor
Wake Of A Nation EP
LP | 2021 | Original (Mvka Music Limited)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 2021 / Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Go to Item
D. Carbone - Dancing For Freedom
D. Carbone
Dancing For Freedom
12" | 2024 | NL | Original (Ufo Inc.)
10,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / NL – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Generic
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