Vinyl 5028 Items

LP | 1970 | EU | Reissue (Cosmic Rock)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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A late period hard-rock, proto-punk entry in Zambian guitarist and bandleader Paul Ngozi’s extensive catalog. Featuring drummer Chrissy Zebby Tembo. LP includes oversized 8 page booklet detailing Ngozi’s arc, rare photographs, discography and annotations. Released under license from the Estate of Paul Nyirongo. “Zambia's Zamrock movement that exploded in the 1970s ... provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats.... enlivening a scene that included bands like Musi O Tunya, Amanaz and the Ngozi Family.” - The New York Times Zamrock was a bona-fide rock scene, with albums released through independent labels based in Zambia. This music scene was complete, encompassing the genres of rock, acid folk, fusion, Afro-beat, South African jazz and traditional Zambian melodies. It quickly became a uniquely Zambian movement, befitting of its name. WITCH, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent or elsewhere.

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Brute Force

19,99 €*

7" | 1989 | EU | Reissue (Top Ranking Sound)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Blessed by producer Herbie Mann, who released their sole record in 1970 on his personal imprint Embryo, Brute Force were a singular jazz funk group, who filled the gap between heavy rhythm n blues and the jazz-rock revolution already professed by Miles Davis. The Herbie Mann connection was solidified by the presence of guitarist Sonny Sharrock - who plays on the first half of the record - at the time in the flutist supergroup. With the distinctive electric piano of Richard Daniel and brother Ted (a future key figure in New York downtown jazz scene) on trumpet the record still retains a fascinating mood.

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Kirk Wonder

Dollars Weak

11,99 €*

7" | 1989 | EU | Reissue (Top Ranking Sound)

Release: 1989 / EU – Reissue

Genre: Reggae & Dancehall

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Revisiting this dancehall gem! A genre-defining track from the late '80s, Kirk Wonder's "Dollars Weak," licensed from producer Mansfield McClean, features innovative use of synthesizers and infectious rhythm programming. Coupled with Wonder's signature vocals and the now-classic lyrics "dollars weak, but life is sweet," it captures the complex socio-economic realities of the era—a message that continues to hold relevance. Out Now!

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Blacka Shines

Mob Him Kill Him

11,99 €*

7" | 1987 | EU | Reissue (Top Ranking Sound)

Release: 1989 / EU – Reissue

Genre: Reggae & Dancehall

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Introducing Mark Anthony James, born on April 8, 1968, in Kingston city, Jamaica. A musical career spanning since 1983 when he adopted the stage name "Blacka Shines" and marked his entry into the studio with his first recording in 1987 amidst the digital reggae revolution. As the mid-'90s unfolded, a significant transformation took place, leading to a new chapter in his artistic identity. During this period, Mark James embraced the new name "Ultimate Shines," marking a conscious evolution in his artistic identity. Presented here are two 7"s from the earlier works of Mark James, featuring the 1989 recut of "Mob Him Kill Him" and the 1990 gem "Fraid A Prison," produced on Roland Gordon's imprints "Gorland" and "Gin". These releases were made possible through collaboration with Mark James and Richard McPherson.

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Vicious Irie

Late Night Attack

11,99 €*

Release: 1987 / EU – Reissue

Genre: Reggae & Dancehall

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"Late Night Attack come catch the Late Night Attack!" Good things come to those who wait. We're thrilled to finally unveil the latest reissue in our Harry J grail series, a long-anticipated release "Late Night Attack." This 1987 gem shares the same rhythm as "Jam The Calypso," a reissue from a couple of years ago. Vicious Irie, also known as Sedley Downer, delivers an absolute fire performance, spitting lyrics over this fast-paced Harry J digi riddim.

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LP | 1987 | EU | Reissue (Proper)

Julian Cope

Saint Julian

Release: 1987 / EU – Reissue

Genre: Pop

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LP | 1971 | EU | Reissue (Warner Music International)

Asterix

Asterix 2024 Remaster

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Bongo Ossie & The Moon Lights

Black Society / Super 8 Corporation

7" | 1975 | EU | Reissue (Hornin Sounds)

13,99 €*

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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Indigos Black Vinyl Edition

Duke Ellington

2LP | 1989 | US | Reissue (Impex)

73,99 €*

Release: 1989 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Waricka)

Delroy Wilson

Live As One

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1981 | EU | Reissue (Ransemble)

Enzo Randisi

Swing Ensemble

43,99 €*

LP | 1986 | JP | Reissue (Universal Music Japan)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Did someone say Summer? Sicily is what Cuba is to the Caribbean, sun, sea, easy and friendly people with lots of troubles! You won't find anything better around that identifies the summer more than this album by Enzo Randisi who at the beginning of the 80s put together a Swing Ensemble as a tribute to that "cheerful" movement of Jazz music. But Enzo and his fellas just couldn't stay on track and put in the best that the alternative Palermo area could offer in that historical period, like the sisters Cinzia and Loredana Spata, who brought the production to a next level in the vocal version of All Blues or in Chic Corea's Spain. But what really struck us was Charles Cables' version of "Quite Fire" (here missspelled as "Quite Fair"), released a few months earlier only in Japan and which would only become famous in the 90s with the Acid Jazz movement, and this tells us a lot about how hungry Enzo and Riccardo were of musical knowle, to be able to find some pearls in a city with basically no record shops and isolated...well...it's on an island!

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Yukako Hayase

So Utsu

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

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Yukako Hayase released her debut album on Sixty Records in 1986. Yasushi Akimoto handled the lyrics and production for all but one of her songs. With her laid-back voice, worldly-wise attitude, and European-inspired sound, this album has gained renewed appreciation in recent years for its ahead-of-its-time vibe.

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LP | 1980 | Reissue (Rhino)

Go To Heaven

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1978 | Reissue (Rhino)

Shakedown Street

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1971 | US | Reissue (Craft)

Idris Muhammad

Black Rhythm Revolution!

37,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Carlos Santana / Mahavishnu John

Love Devotion Surrender Supervinyl 180g

LP | 1973 | US | Reissue (Mobile Fidelity Sound Library)

88,99 €*

LP | 1970 | EU | Reissue (Cosmic Rock)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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1973 Meeting OF Santana AND John Mclaughlin Yields Spiritual Transcendence: Love Devotion Surrender IS Inspired BY John Coltrane AND A Quest FOR Enlightenment

Sourced from the Original Master Tapes: Tones, Textures, and Notes Float Amid a Large, Open Soundstage on Mobile Fidelity's Numbered-Edition 180g LP 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Two guitar giants. A band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album. The only meeting of Santana and John McLaughlin on record, Love Devotion Surrender more than lives up to the promise offered by its principal creators. Based in divine faith, religious toleration, meditative intent, and the forward-thinking philosophy that music can take us closer to the truth, it is a spiritual journey. These enlightening concepts are reflected in the inspired playing of Santana and McLaughlin, who repeatedly hit a higher plane on this 1973 set.

Sourced from the original analogue master tapes and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition 180g LP of Love Devotion Surrender benefits from the reissue label’s painstaking engineering efforts. The windows on the record’s give-and-take passages, sustained notes, and varied textures are thrown open with palpable transparency and detail. Laden with delicate acoustic touches and gentle piano touches, as well as powerful staccato bursts and fast-paced percussion, Love Devotion Surrender contains a dynamic mix of tempos, tones, and contrasts crucial to its optimal enjoyment. This collectible edition brings those aspects to the fore with extraordinary realism.

In addition, the pinpoint imaging — Santana primarily on the left, McLaughlin on the right — invites you to picture the musicians in the act. You’ll sense a newfound freedom and naturalism to the playback, as well as black backgrounds and an openness that allow the widespread array of textures, atmospherics, echoes, and neo-psychedelic shapes to float in the air. Call it jamming guided by a higher power or surreal art brought together by time, circumstance, and purpose; there really is no other album completely like it.

Having each become a follower of Indian guru Sri Chinmoy, who wrote the album’s extensive liner-note essay and is seen in several jacket photos, Santana and McLaughlin began playing together in 1972. Both legends found themselves in the midst of personal and creative transition. Santana was moving away from rock-based songs in favour of exploratory jazz-rock. A contemporary of Miles Davis, McLaughlin had already achieved fame with the Mahavishnu Orchestra, then on the brink of collapse due to internal disagreements.

On Love Devotion Surrender, the duo pools its interests in discovery and transcendence into gorgeous music steeped in improvisational lines, ecstatic chords, and sensitive organ accompaniment courtesy of the record’s best-kept secret, Larry Young. The former Blue Note recording artist had already connected with McLaughlin in the Tony Williams Lifeline, which began as a power trio and turned jazz on its head with its groundbreaking 1969 debut. Young’s ear for melody and fearless penchant for chasing down adventurous fusion leads — not to mention keeping pace with the headliners, no small feat — make him an ideal foil for the proto post-rock happening throughout.

Credited under his Muslim name, Khalid Yasin, Young isn’t the only standout. Several Santana contemporaries — bassist Doug Rauch, drummers Mike Shrieve and Billy Cobham, percussionists Mingo Lewis and Armando Peraza — play alongside Mahavishnu Orchestra member Jan Hammer and Tony Williams Lifeline drummer Don Alias, who already had credits on Davis’ seminal Bitches Brew and On the Corner. Complemented by Santana and McLaughlin, the ensemble sounds and feels unstoppable. In addition to the band’s search for sacred soulfulness, the common denominator throughout is John Coltrane, who engaged in similar pursuits during the 1960s. Two of the five compositions — “A Love Supreme,” “Naima” — are interpretations of Coltrane standards while the lynchpin, a nearly 16-minute investigation into the traditional “Let Us Go Into the House of the Lord,” integrates free-form structure, jazz phrasing, gospel mysticism, cross-cut dynamics, and tonal shaping into one of the most uplifting pieces of music you’ll ever hear. The same can be said for the entirety of Love Devotion Surrender. Bow down.

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V.A.

Simla Beat '70

19,99 €*

LP | 1986 | EU | Reissue (Arabusta)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Sensational reissue for the first volume of iconic compilation Simla Beat 70. A psych garage manifesto, the record consisted of groups who appeared at the All-India Simla Beat ‘battle of the bands’ contest held in two years (1970 and '71) in Bombay. The annual event and the records were sponsored by The Imperial Tobacco Company. Bands from all around India would compete for first prize. The album - indeed - was not recorded live on the stage but in a primitive makeshift studio using very little overdubbing or sound reinforcement. The sound is generally influenced by the proto-garage western movement of the mid sixties and later became a massive cult for all the 70s rock fans.

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Horace Martin

You've Changed

24,99 €*

Release: 1986 / EU – Reissue

Genre: Reggae & Dancehall

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Lonnie Liston Smith & The Cosmic Echoes

Astral Travelling

LP | 1973 | UK | Reissue (BGP / Flying Dutchman)

25,99 €*

LP | 1977 | UK | Reissue (Southbound)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Born and raised in Richmond, Virginia, keyboard player Lonnie Liston Smith moved to New York in 1963 playing with the likes of Dakota Staton, Al Hibbler, Max Roach and Abbey Lincoln and Roland Kirk. He made his first recordings with Kirk and in 1968 entered into a mutually rewarding and instructive partnership with Pharoah Sanders and Leon Thomas. In 1971-2 he toured Europe with saxophonist Gato Barbieri appearing on his 1973 albums “Under Fire” and “Bolivia”. His growing reputation was also burnished by playing Fender Rhodes with Miles Davis electric band.

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Millie Jackson

Feelin' Bitchy

21,99 €*

The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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In the spring of 1977, Millie Jackson was down in Muscle Shoals, Alabama, laying down tracks for what became “Feelin’ Bitchy” with co-producer Brad Shapiro. Released in August 1977, the album reached #4 and #34 in America’s Billboard’s R&B and Hot 100, going gold with over 500,000 copies sold. Jackson’s cover of ‘If You’re Not Back In Love By Monday’ – already a hit for Merle Haggard in March 1977 – also reached #5 R&B and #43 in the Hot 100 in August. Although the album did not chart in the UK, “Feelin’ Bitchy” sold strongly to a dedicated fanbase who had voted her the #1 female singer in the Blues & Soul magazine annual poll. Jackson also performed much of the material on her sold-out UK dates in early 1978.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

139,99 €*

Akira Ishikawa & His Count Buffalos

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Electrum Clear Orange Vinyl Edition

LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)

47,99 €*

Screaming Blue Murder Blue Marble Vinyl Edition

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)

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Girlschool

LP | 1982 | EU | Reissue (Renaissance)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Screaming Blue Murder Blue Vinyl Edition

Girlschool

LP | 1982 | EU | Reissue (Renaissance)

24,99 €*

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | UK | Reissue (Charly / Byg)

Freedom

Freedom At Last

Swastikas For Noddy Picture Disc Editoin

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Freedom were one of many British groups that grew from that particularly fertile period that saw the likes of Alexis Korner, John Mayall, The Yardbirds and of course the Rolling Stones come to the fore. Comprising former members of the highly successful Procol Harum, the band recorded fresh original material that put them at the cutting edge of what became known as blues rock, all the while covering classics by their role models.

Freedom At Last is one of the best albums the group made in a relatively short life cycle. At times loud, hard and aggressive and at others mellow and introspective, the music showcases the compositional strengths of Bobby Harrison, Rogers Saunders and Walt Monaghan, while the reprises of anthems by the likes of Howlin’ Wolf, Willie Dixon and Junior Wells makes it clear the band knew where it was going because it did not forget where it came from.

This newly remastered version of Freedom At Last is a very timely reminder of the vibrant work of a British band that made premium blues rock with attitude.

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Current 93

LP | 1988 | US | Reissue (Cashens Gap)

36,99 €*

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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LP | 1978 | Reissue (Rhino)

Shakedown Street

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1980 | Reissue (Rhino)

Go To Heaven

Release: 1980 / Reissue

Genre: Rock & Indie

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The Hissing Of Summer Lawns

Joni Mitchell

LP | 1975 | Reissue (Rhino)

37,99 €*

Release: 1975 / Reissue

Genre: Pop

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LP | 1989 | Reissue (Rhino)

Chicago

Greatest Hits 1982-1989

Release: 1989 / Reissue

Genre: Rock & Indie

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Histoire De Melody Nelson Crystal Clear Vinyl Edition

Serge Gainsbourg

LP | 1971 | US | Reissue (Light In The Attic)

Release: 1971 / US – Reissue

Genre: Pop

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LP | 1973 | JP | Reissue (Universal Music Japan)

Motoaki Masuo

First

I Was There At The Texas Chainsaw Massacre

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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Motoaki Masuo, known for his active role as a guitarist in the 1970s and 1980s, debuted his album on Polydor in 1973. This album, a hidden gem of Japanese soft rock, showcases his talent as a songwriter, arranger, and singer. Notable guests on the album include Masami Tsuchiya, who later formed Ippudo, as well as Takeru Sato and Tetsuji Hayashi.

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Ambient Noise

12" | 1980 | US | Reissue (Last Laugh)

LP | 1986 | BR | Reissue (Discos Nada)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Reissue of the rare 1980 punk single. Expanded to a 12-inch EP with two unreleased bonus cuts.

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D-Day

Grape Iris

LP | 1986 | BR | Reissue (Tres Selos Paralelo)

Release: 1986 / BR – Reissue

Genre: Electronic & Dance

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Originally released as a picture disc in 1986, this is D-Day’s first LP, presenting a beautiful mix of Minimal Synth, New Wave, and Bossa Nova. The band was formed in October 1982 and became well-known in the Japanese indie scene. They spent over 200 hours in the studio for recording. At that time, even for major label bands, it didn't take that much time to record an album. However, as D-day was not a major label band, they were free to craft their own narrative. Thus, they had a lot of time to experiment with their dreamy melodies, whisper-like vocals, programmed beats, swirling guitars. First-ever vinyl reissue of this Japanese masterpiece. Remastered from the original tapes, it includes a replica of the original insert, and a poster with a beautiful photo and in the other side translated lyrics and an extensive text by Chihiro Yoshikawa.

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Colera

Pela Paz Em Todo Mundo

Youthman Skanking Deluxe Re-Issue

Release: 1986 / BR – Reissue

Genre: Rock & Indie

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Reissue, originally released in 1986. Cólera, formed in the early 1980s by Pierre and his brother Redson, who is one of the key figures in South American punk. They played a vital role in the scene and garnered a dedicated following with their energetic and politically charged music. Pela Paz, which translates to "For Peace" in English, is often regarded as one of the most important and influential releases in Brazilian punk. Pela Paz stands as a testament to the DIY spirit of the Brazilian independent music scene. The record's success demonstrated that independent music could thrive outside of major record labels, inspiring countless bands and artists in South America.

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Wayne Smith

LP | 1982 | UK | Reissue (VP)

22,99 €*

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 1970 | EU | Reissue (Elemental Music)

Allman Brothers Band

Idlewild South

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Som, Sangue e Raca Blue Vinyl Edition

Dom Salvador e Abolicao

LP | 1971 | EU | Reissue (Mad About)

Nr. 1 Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown. Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of... more

This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown. Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.

The album ‘Som, Sangue e raça’ paves the way for future generations of musicians and producers of the Carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz, and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.

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Grave

LP | 1975 | EU | Reissue (Sommor)

26,99 €*

LP | 1982 | EU (Radiation Reissues)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Ultimate Kraut basement hard-rock garage monster, originally released as a small private pressing edition of 100 copies in 1975. Originally from Brinkum (near Bremen), Grave was formed in a basement in 1975. Using a primitive tape recorder and just two mics, six tracks were recorded live at a makeshift studio located at the Brinkum Jugendhaus (Youth Center) in summer 1975, resulting in the Grave Nr. 1 album. Grave’s music is raw, sincere, melancholic and unadulterated.

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Lydia Lunch

13.13 Red Vinyl Edtion

20,99 €*

7" | 1981 | US | Reissue (Star Creature)

Release: 1982 / EU

Genre: Rock & Indie

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Recorded in Los Angeles in 1982, 13.13 exists as document to the pandemonium of specters and potential serial killers who twisted the California Dream into a waking nightmare as they snaked through the boulevards, back yards and basements of a sun stroked paradise turning into a blood soaked inferno of fear, paranoia, panic and lust killings. Lush musical textures provided by members of seminal art punks The Weirdos - Dix Denney, Cliff Martinez and Greg Williams create a hypnotic backdrop to Lunch’s evocative vocals and terrifying lyrics

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I.N.D.

Stay Sweet

Release: 1981 / US – Reissue

Genre: Organic Grooves

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7" | 1982 | US | Reissue (Star Creature)

Third Rail

Reachin' For It

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Tales Of Creation 35th Anniversary Marble Vinyl Edition

Candlemass

LP | 1989 | UK | Reissue (Peaceville)

38,99 €*

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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A Holocaust In Your Head - The Original Holocaust Yellow Vinyl Edition

Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

25,99 €*

A Holocaust In Your Head - The Original Holocaust Black Vinyl Edition

Release: 1989 / EU

Genre: Rock & Indie

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How many bands can say they had multiple debut albums? For crustcore sound terrorists Extreme Noise Terror, Holocaust In Your Head - The Original Holocaust, first recording version, continues to excuse itself in being reissued for what must be the last time before the last time. It’s no wonder why. We The Helpless is every bit as hopeless as it sounds - a blitzkrieg of wails and nightmarish sonics that tighten themselves around the temples until the eyes turn white. Statement will always stand on its own two feet as a perfect set opener and Innocence to Ignorance’s unhinged atmospheric armageddon as well as Use Your Mind’s sample-sprung assault on the senses are possible indications of where the band could’ve wound up had their line-up not been walking such a shaky tightrope. Rough as hell? Sure. But if you want to know what it feels like to have the signal input of your skull reflect a separation in the grounding circuit of the flesh from the neck down, then carry on screaming.

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Extreme Noise Terror

LP | 1989 | EU (Radiation Reissues)

20,99 €*

Straight Shooter Atlantic 75 Series

Release: 1989 / EU

Genre: Rock & Indie

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Bad Company

2LP | 1975 | US | Reissue (Analogue Productions Atlantic 75 Series)

71,99 €*

LP | 1977 | EU | Reissue (Music On Vinyl)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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Erik Tagg

Rendez-Vous

Release: 1977 / EU – Reissue

Genre: Pop

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LP | 1986 | US | Reissue (ORG Music)

Bad Brains

I Against I

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Hellish Crossfire Galaxy Vinyl Edition

Iron Angel

LP | 1985 | EU | Reissue (High Roller)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Hellish Crossfire Black Vinyl Edition

Iron Angel

LP | 1985 | EU | Reissue (High Roller)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Master Project Genesis Splatter Vinyl Edition

LP | 1988 | EU | Reissue (High Roller)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Master Project Genesis Black Vinyl Editoin

LP | 1988 | EU | Reissue (High Roller)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Mission Executed Splatter Vinyl Edition

LP | 1987 | EU | Reissue (High Roller)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Mission Executed Black Vinyl Editoin

LP | 1987 | EU | Reissue (High Roller)

25,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Black Soul Brothers Green Vinyl Edition

Miguel De Deus

LP | 1977 | EU | Reissue (Groovie)

22,99 €*

LP | 1987 | US | Reissue (Sorcerer)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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For the first time reissued, with the great contribution of Miguel de Deus's family in São Paulo, that supplied the amazing collection of photos for the 4 pages inner, inside the LP. This limited edition is a highly collectable for fans of brazilian soul, groove and psychedelia. It's our contribution to pay respect to one of the most important brazilian musicians of the late 60's and early 70's. Main brain of bands like OS Brazões and Assim Assado, he let us an amazing legacy for new generations. This is a small, but more than deserved homage to him, finally. Miguel de Deus was the protagonist of this amazing Afro-Funk movement, together with a group of “heavy” musicians, as they were called in those days of consolidation of a strong Black Power scene, mainly composed of black youth from the outskirts of the suburbs of São Paulo and Rio de Janeiro, where the movement took the name of Black Rio. Its raw Rock-Funk-Psychedelic-Tropicalia.

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Lubricated Goat

Plays The Devil's Music

33,99 €*

Convicted Black Ice With Red White And Cyan Blue Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sorcerer Records present a reissue of Lubricated GOAT's debut LP Plays The Devil's Music, originally released in 1987. It's been out of circulation for over two decades, and Sorcerer Records presents this classic slice of underground Australiana in all its glory. Recorded over two recording sessions in mid-1986, one in Perth and one in Adelaide, Plays The Devil's Music wasn't really seen by LG founder/mainstay STU Spasm (ex-BEASTS OF Bourbon, Salamander JIM, et al.) as a part of any grand musical plan. He recorded these tracks with his friends Martin Bland, Brett Ford, and Pete Hartley and went back to Sydney with the tapes. John Foy of Black Eye Records loved the results and the band known as Lubricated Goat was born. Over the course of several more full-lengths and an EP or two, the band made themselves a reputation as one of Australia's finest purveyors of post-punk noise-rock before relocating to the US. The musical scene centered around the Black Eye label in Sydney at the time, with bands such as the 'Goat, Thug (featuring a young Tex Perkins), No More Bandicoots, Box The Jesuit, etc. remains one of Australia's richest, weirdest and most inventive conglomeration of musicians and artists, and Stu and company were right in the thick of it. Lubricated Goat were (perhaps correctly) often compared to the Butthole Surfers at the time, and their mix of punk, post-punk, noise, and a taste for the absurd puts them firmly in the same camp. Throw in a little bit of Stooges/Birthday Party-style grunt and a distinctly Australian sense of humor and you're getting close to the magic of early Lubricated Goat. This edition comes remastered c/o Mikey Young. Comes in original artwork and inner sleeve; Includes download card; Includes new liner notes from Stu Spasm detailing the history of the recording. Recommended for fans of: Butthole Surfers,Killdozer, Pere Ubu, Big Black, Birthday Party.

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Cryptic Slaughter

LP | 1986 | Reissue (Relapse)

26,99 €*

Release: 1986 / Reissue

Genre: Rock & Indie

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The Lamb Lies Down On Broadway

2LP | 1974 | Reissue (Rhino)

Release: 1974 / Reissue

Genre: Rock & Indie

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Selling England By The Pound

LP | 1973 | Reissue (Rhino)

Release: 1973 / Reissue

Genre: Rock & Indie

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LP | 1971 | Reissue (Rhino)

Nursery Cryme

Release: 1971 / Reissue

Genre: Rock & Indie

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LP | 1970 | Reissue (Rhino)

Trespass 2007 Stereo Mix

33,99 €*

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1980 | Reissue (Rhino)

Duke

Release: 1980 / Reissue

Genre: Rock & Indie

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LP | 1981 | Reissue (Rhino)

Abacab

Release: 1981 / Reissue

Genre: Rock & Indie

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And Then There Were Three

LP | 1978 | Reissue (Rhino)

Release: 1978 / Reissue

Genre: Rock & Indie

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LP | 1977 | Reissue (Rhino)

Little Feat

Time Loves A Hero

Release: 1977 / Reissue

Genre: Rock & Indie

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Iron Maiden 2015 Remaster

Iron Maiden

LP | 1980 | Reissue (Sanctuary)

White Sport Coat And A Pink Crustacean

Release: 1980 / Reissue

Genre: Rock & Indie

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Iron Maiden - Iron Maiden (2015 Remaster)

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Jimmy Buffett

LP | 1973 | Reissue (Geffen)

It Takes A Nation Of Millions To Hold Us Back

Release: 1973 / Reissue

Genre: Rock & Indie

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Vinyl LP pressing. 1973 album from the iconic singer-songwriter. Jimmy Buffett's third studio album, A White Sport Coat and a Pink Crustacean, was released in 1973 and features "Why Don't We Get Drunk," and "He Went to Paris." Newly remastered and available for the first time on vinyl.

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Public Enemy

LP | 1988 | Reissue (Def Jam)

Release: 1988 / Reissue

Genre: Hip Hop

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LP | 1981 | EU | Reissue (EMI)

Church

Of Skins & Heart

67,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Craft)

Round Robin Monopoly

Alpha

37,99 €*

LP | 1978 | EU | Reissue (Supraphon)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Vinyl LP pressing. Originally released in 1974 on the Stax imprint Truth Records, The Round Robin Monopoly's funk-soul extravaganza Alpha returns to vinyl for the first time in 50 years! Evoking the feeling of a car chase scene in a mid-'70s action movie, Alpha lives right at the intersection of top-notch musicianship and immaculate vibes. This Jazz Dispensary Top Shelf reissue was cut from the original analog tapes by Kevin Gray.

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Bohemia

Zrnko Pisku

30,99 €*

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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I Against I Green Vinyl Edition

Bad Brains

LP | 1986 | US | Reissue (ORG Music)

OST Lost Boys Blue Vinyl Edition

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude.

This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.

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V.A.

LP | 1987 | US | Reissue (Friday Music)

42,99 €*

Release: 1987 / US – Reissue

Genre: Soundtracks

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Frehley's Comet Colored Vinyl Edition

Ace Frehley

LP | 1987 | US | Reissue (Friday Music Two)

43,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Music On Vinyl)

Modulations

It's Rough Out Here

30,99 €*

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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LP | 1975 | EU | Reissue (Life Goes On)

Brast Burn

Debon

20,99 €*

This One's For You Transparent Green Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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This extremely rare psychedelic album contains two long tracks, which provide an interesting forty-seven minutes long surreal experience for willing listeners. Led by Japanese guru Karuna Khyal, the band literally shows a narcotic and hypnotic groovy feel heading to massive bluesy tribal section. A cult in its own !

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Luke Combs

LP | 1981 | EU | Reissue (River House Artists)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Justified Light Blue Vinyl Edition

Justin Timberlake

2LP | 1982 | EU | Reissue (Jive)

Release: 1982 / EU – Reissue

Genre: Pop

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Bat Out Of Hell Coke Bottle Colored Vinyl Edition

Meat Loaf

LP | 1981 | EU | Reissue (Cleveland International)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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7" | 1978 | UK | Reissue (Expansion)

Gloria Gaynor

This Love Affair

Loving You, Needing You, Loving You, Wanting You' / Watch Where You're Going

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Pure Philly magic from Gloria Gaynor, the definitive 2 minute 43 second version of “This Love Affair” only on 7”, and becoming rare/sought after after it’s original release in 1978. The full album version also still popular, so offered here too on this back to back release. The song is co-written by Gloria Gaynor and given that Philly flavour by arrangers Norman Harris and Ron ‘Have Mercy’ Kersey. Original UK copies on Discogs start at £50.

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Bobby Hutton

7" | 1974 | UK | Reissue (Expansion)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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The two tracks on this 7” (which feature as bonus tracks on the Expansion CD reissue of “Piece Of The Action”) were first released back-to-back in 1974 on the ABC label. Both songs are co-written and produced by McKinley Jackson, key to songs for Lamont Dozier, Freda Payne and The Four Tops at ABC in the early to mid-70s.

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LP | 1974 | Reissue (Warner)

Neil Young

On The Beach

42,99 €*

Release: 1974 / Reissue

Genre: Rock & Indie

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12" | 1988 | DE | Reissue (ZYX Music)

Fancy

Flames Of Love

Release: 1988 / DE – Reissue

Genre: Electronic & Dance

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Horse Black Vinyl Edition

Horse

LP | 1970 | EU | Reissue (Guerssen)

LP | 1970 | EU | Reissue (Elemental)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Psychedelic hard-rock with occult overtones by this London based band featuring drummer Ric Parnell (Atomic Rooster, Spinal Tap…) This is their sought-after sole album, originally released in 1970 and housed in a cover designed by Roger Wootton of Comus. Horse formed in 1968 when former high school friends Rod Roach and Adrian Hawkins started writing songs together. Rod had previously played lead guitar with various groups (included a brief stint with Andromeda). Horse final line-up was established in early 1969 with Adrian Hawkins on vocals, Rod Roach on guitar, Colin Standring on bass and Ric Parnell on drums. Horse started gigging around London, sharing stage with acts like Deep Purple, Joe Cocker and David Bowie, soon establishing a large following due to their exciting live shows. After receiving interest from several record companies, they finally signed with RCA Records. The Horse self-titled album was recorded at Olympic Studios, produced by Rod Roach, and released in 1970. It’s a fantastic example of post-psychedelia and early hard-rock / proto-metal, dominated by Roach’s killer fuzz-wah guitar and Hawkins powerful vocals. Including tracks like the occult themed “The Sacrifice” and more!

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Roy Ayers

Ubiquity

LP | 1974 | HK | Reissue (Evosounds)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Ubiquity Review by Jason Ankeny. Roy Ayers' leap to the Polydor label inaugurates his music's evolution away from the more traditional jazz of his earlier Atlantic LPs toward the infectious, funk-inspired fusion that still divides critics and fans even decades after the fact. Although Ubiquity maintains one foot in Ayers' hard bop origins, the record favors soulful grooves and sun-kissed textures that flirt openly and unapologetically with commercial tastes. Several cuts feature the male/female vocals that would become a hallmark of subsequent Ubiquity efforts, while mid-tempo instrumentals like "Pretty Brown Skin" and "The Painted Desert" feature evocatively cinematic arrangements and intriguing solos that unfurl like psychedelic freak flags. The crack supporting cast including bassist John Williams, keyboardist Harry Whitaker, and drummer Alphonso Mouzon proves equally effective on high-energy numbers like "Can You Dig It" and the Nat Adderley-penned "Hummin' in the Sun" which point the way to the mind-expanding funk Ayers would perfect across the sessions to follow. An outstanding record.

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Bob James

One

50,99 €*

Release: 1974 / HK – Reissue

Genre: Organic Grooves

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2LP | 1980 | US | Reissue (Analogue Productions)

Steely Dan

Gaucho Uhqr Edition

255,99 €*

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Indigos Indigo Purple Vinyl Edition

Duke Ellington

2LP | 1989 | US | Reissue (Impex)

93,99 €*

Release: 1989 / US – Reissue

Genre: Organic Grooves

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LP | 1982 | Reissue (Rhino)

Eagles

Greatest Hits Vol.2

Release: 1982 / Reissue

Genre: Rock & Indie

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LP | 1977 | Reissue (Rhino)

Linda Ronstadt

Simple Dreams

Release: 1977 / Reissue

Genre: Pop

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LP | 1970 | EU | Reissue (Rhino)

The Stooges

Fun House

44,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Rhino)

Talking Heads

Remain In Light

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Rhino)

Television

Marquee Moon

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Rhino)

MC5

High Time

36,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The Line Of Time And The Plane Of Now Splatter Vinyl Edition

Shira Small

LP | 1974 | US | Reissue (Numero Group)