Vinyl 1682 Items

LP | 1966 | EU | Reissue (Blue Note)

Release: 1964 / DE – Reissue

Genre: Organic Grooves

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Der Saxophonist Sam Rivers hatte sich schon sehr früh in seiner Karriere durch bemerkenswerte Originalität ausgezeichnet. Nach einem kurzen Intermezzo im zweiten großen Quintett von Miles Davis, spielte Rivers im Dezember 1964 für Blue Note sein Debütalbum “Fuchsia Swing Song” ein. Das Repertoire bestand aus sechs Kompositionen von Rivers, die zwar fest im Post-Bop und Blues wurzelten, aber die avantgardistischen Tendenzen des Saxophonisten auch nicht leugnen konnten. Das Highlight des Albums ist die atemberaubende Ballade “Beatrice”, die später sogar von den Tenor-Giganten Joe Henderson und Stan Getz aufgegriffen und interpretiert wurde.

BLUE NOTE CLASSIC VINYL EDITION: Stereo, komplett analog von Kevin Gray von den Originalbändern gemastert, Optimal-Pressung (180 g), wattierte Innenhülle.

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Cecil Taylor

Unit Structures

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Somethin' Else Blue Note 85 Collection Blue Vinyl Edition

Cannonball Adderly

LP | 1964 | WW | Reissue (Blue Note)

LP | 1962 | EU | Reissue (Blue Note)

Release: 1964 / WW – Reissue

Genre: Organic Grooves

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“Is that what you wanted, Alfred?” we hear in Miles Davis’ unmistakable rasp at the end of “One for Daddy-O,” making it clear that the legendary (and assertive) trumpeter was not just playing the role of sideman on Somethin’ Else, the sole Blue Note album by Cannonball Adderley. The alto saxophonist was a memb¬er of Davis’ band at the time and the depth of their musical camaraderie lifts this session up to rarefied heights throughout, from the breathtaking performance of “Autumn Leaves” that opens the album to the thrilling call-and-response theme of the title track. Pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey round out the quintet on this timeless classic.

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Dexter Gordon

Go!

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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The Sidewinder Blue Note 85 Collection Blue Vinyl Edition

LP | 1964 | WW | Reissue (Blue Note)

Release: 1964 / WW – Reissue

Genre: Organic Grooves

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Nobody had expected the extraordinary success of this album and its funky title track. When Blue Note released trumpeter Lee Morgan's “The Sidewinder” in 1964, the label “only” pressed 4,000 copies, but they were completely sold out within three days. The instrumental album reached number 25 in the pop charts and number 10 in the rhythm'n'blues charts, while the soul-jazzy title track, which was shortened for that, was also successful as a single. The album, recorded with tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw and drummer Billy Higgins, is now a classic album that should be in every jazz collection.

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Taru Tone Poet Vinyl Edition

LP | 1968 | Reissue (Blue Note)

Howlin' Wolf 60th Anniversary Edition

Release: 1968 / Reissue

Genre: Organic Grooves

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Lee Morgan’s 1968 album "Taru" found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold Sleeve with deluxe tip-on jacket.

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Howlin' Wolf

LP | 1962 | US | Reissue (Friday Music)

40,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Reissue (Light In The Attic)

Nancy Sinatra

Boots Blue Vinyl Edition

19,99 €*

LP | 1965 | EU | Reissue (Verve)

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

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Nina Simone

I Put A Spell On You

Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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180g

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Mankunku Quartet

LP | 1968 | UK | Reissue (Mr Bongo)

Baden Powel E Vinicius De Moraes

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Limited edition of 200 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

The Mankunku Quartet's 1968 album 'Yakhal' Inkomo’ clocks in at just over 30 minutes of jazz perfection. This compact, and to-the-point, album would sit comfortably in amongst some of the best works in the catalogues of any of the quintessential jazz labels such as Blue Note, Prestige and Impulse. 'Yakhal' Inkomo’, however, was originally released on the South African record label World Record Co., which resulted in it becoming an elusive and sought-after piece for jazz collectors. First press copies sometimes fetch as much as £1,000 on the collectors' market. It has been long regarded as one of the finest South African jazz albums and DJ / broadcaster Gilles Peterson cemented this when he included it in his "best of genre" focussed radio show, 'The 20 - South African Jazz'. Tenor saxophonist Winston "Mankunku" Ngozi recorded the session on 23rd July 1968 at the Manley van Niekerk Studios, in Johannesburg. It was recorded by Dave Challen and produced by Ray Nkwe. The session is built up of two original works by Mankunku on the A-side, 'Yakhal' Inkomo' & 'Dedication (To Daddy Trane and Brother Shorter)', and on the B-side, the Horace Silver composition 'Doodlin', and a John Coltrane number 'Bessie's Blues'. What is striking is how the Mankunku-penned compositions not only hold their own next to Silver and Coltrane but they are, arguably, the better tracks on the record - a testament to the beautiful writing and playing of Mankunku. 'Yakhal' Inkomo' features the great musicians; Agrippa Magwaza on bass, drummer Early Mabuza, and pianist Lionel Pillay. Pillay was of Indian descent, making this a mixed-race group, thus the very recording of the album was an act of resistance as it broke the apartheid restrictions of the time. The title of 'Yakhal’ Inkomo' means “the bellow of the bull”, the Black audience would have understood this as coded community symbolism and an act of protest but it escaped the attention of the white government. For this edition, we have enlisted the services of Abbey Road Studios mastering, and lacquer-cutting engineer Miles Showell to cut a special half-speed master from the audio taken off the original master tapes. Miles has previously worked on our Arthur Verocai, Marcos Valle and Ian Carr re-issues, and once again we are blown away by the richness and clarity of Miles' work. We have also presented it as a replica copy using the cover artwork and labels from the primary World Record Co. original version. On the sleeve notes, Ray Nkwe the producer and the President of the Jazz Appreciation Society of South Africa writes "This is the LP that every jazz fan has been waiting for" and Ray was not wrong, it's a stone-cold timeless jazz classic.

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Os Afro Sambas

LP | 1966 | EU | Reissue (Forma)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Reissue (Mr Bongo)

Tenorio Jr.

Embalo

22,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Master jazz pianist Tenorio Jr aka Francisco Tenório Júnior only recorded this one album, 'Embalo', originally released on RGE in 1964. Rumour has it that he was arrested and thrown in jail (and possibly even murdered) while on tour with Toquinho and Vinicius de Moraes in Argentina in 1976. He has not been seen since...
Soon after the disappearance of Tenorio Jr. filmmaker Rogerio Lima produced a short film entitled "Balada para Tenorio," which chronicles the disappearance with interviews with family and friends.
Júnior played on Gal Costa’s classic song ’Pontos De Luz’, as sampled by Kaytranada on Lite Spots.
This classic album has long been on our list to reissue and we are delighted to be able to present it at last with replica original artwork. As regularly played by the likes of Gilles Peterson, Floating Points and co.

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Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

Dreams Black Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Gabor Szabo

LP | 1968 | EU | Reissue (Skye)

LP | 1964 | EU | Reissue (Rearward)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Arrangements by Gary McFarland Recorded at Western Recording, Los Angeles
August 6th, 7th and 9th, 1968

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Sahib Shihab

Summer Dawm 2024 Repress

22,79 €* 23,99 € -5%

Guitar Forms Acoustic Sounds

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.

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Kenny Burrell

LP | 1965 | EU | Reissue (Verve)

43,99 €*

LP | 1966 | DE | Reissue (Blue Note)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell's album "Guitar Forms" stands as Burrell’s definitive musical statement. It was nominated for three Grammys in 1965, is considered one of the true masterpieces in the Verve catalog. This is partly due to the outstanding performance of the guitarist himself, of course, but also to the unforgettable arrangements that Gil Evans wrote for five of the album's nine tracks. According to AllMusic, these were in no way inferior to the brilliant arrangements that Evans had made for Miles Davis classics such as "Birth Of The Cool", "Porgy And Bess" and "Sketches Of Spain".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Joe Henderson

Mode For Joe

Release: 1966 / DE – Reissue

Genre: Organic Grooves

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Speak No Evil Blue Vinyl Edition

Wayne Shorter

I'll Be A Happy Man / Take A Trip Record Store Day 2023 Edition

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”

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Latin Blues Band

7" | 1968 | UK | Reissue (Speed)

14,99 €*

The Futuristic Sounds Of Sun Ra

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Reissued for the first time ever on 7 inch, having previously only ever been on the Take A Trip Pussycat LP, Latin Blues Band - (I'll Be A) Happy Man. A dynamic dancefloor jazz and boogaloo belter from 1968, with a legendary piano riff and breakbeats that were most famously sampled by DJ Premier for Christina Aguilera’s classic ‘(Ain´t No Other Man)’. The B side houses another boogaloo bomb in the form of ‘Take A Trip’ that will set you back £80+ for an original copy. Yellow label version with white sleeve.

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Sun Ra

LP | 1962 | US | Reissue (Craft)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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What's Wrong With You / Bookie Man

The Race Fans

7" | 1968 | EU | Reissue (Harlem Shuffle)

11,69 €* 12,99 € -10%

OST La Morte Ha Fatto L'uovo Orange Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Reggae & Dancehall

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This killer double sider is the first release of the stunning “Bookie Man - What’s Wrong With You”. It was previously released as a blank label only in 1968 and was wrongly credited to The Bleechers. On the B side, “Bookie Man” is a completely different song,and it is a rare and brilliant track in its own right. It is also the first time the two “Bookie Man” songs are featured together on a 7inch.

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Bruno Maderna

LP | 1968 | EU | Reissue (AMS)

31,99 €*

LP | 1961 | US | Reissue (Craft)

Release: 1968 / EU – Reissue

Genre: Soundtracks

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“La Morte Ha Fatto l’Uovo” (1968), here reissued for the very first time on vinyl, is a unique score characterized by avant-garde sounds that combine with the bright tones of an atypical thriller that pays homage to the cinema of Luis Buñuel.

“La Morte Ha Fatto L’Uovo” (Death Laid an Egg) is a 1968 detective movie directed by Giulio Questi, featuring an international cast whose main actors are Ewa Aulin, Gina Lollobrigida and Jean-Louis Trintignant; the warm and bright tones of its photography strongly contrast against the dark and gloomy atmospheres and plot. The soundtrack of the film, composed and directed by Bruno Maderna, is even more peculiar and distant from the typical sounds of the time, and from almost any other soundtrack released in the 60s: there’s no trace of beat or psychedelia at all, but rather a collection of abstract and dissonant compositions, which we could classify as avant-garde and partly associate with certain experiments made by a contemporary group called Gruppo di Improvvisazione Nuova Consonanza, but also with the less common side of the library music genre. All the songs were created with the sole use of strings, acoustic guitar, piano and spoken word. A truly unique work, unpredictable and almost impossible to categorize!

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Hampton Hawes

For Real

37,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Stan Getz & Joao Gilberto

Getz/Gilberto 1step Numbered Limited Edition 180g 45rpm 2lp Edition

2LP | 1964 | US | Reissue (Impex)

179,99 €*

Cannonball Adderley / Bill Evans

Release: 1964 / US – Reissue

Genre: Organic Grooves

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1step Process 180g 45rpm Double LP Pressed on VR900-Supreme Vinyl! Mastered From The Original Analogue Master Tapes by Bernie Grundman! Super-Luxe "Monster Pak" Jacket with a Rich 36-Page Booklet & Striking Outer Slipcase!

New lacquers cut for every 500 pressings!

Strictly Limited To 7,500 Numbered Pressings!

There have been more than 40 U.S. releases (and hundreds more worldwide) of Stan Getz's cultural touchstone album and for good reason: few recordings better capture the breezy warmth and easy-going sophistication of Brazilian bossa nova for an American jazz audience. Fewer recordings can replicate the you-are-there presence and flawlessly tight studio acoustics. Only Getz/Gilberto has Billboard Top-10-charting singles like "The Girl from Ipanema." When Impex Records jumps into this densely-populated fray with our own production, we need to bring maximum value and prestige to it. Challenge accepted. We worked directly with Stan's wife Monica Getz and their son Nicolaus to create the most authentic, best-presented Getz/Gilberto ever.

Exclusive to Impex's 1step Getz/Gilberto includes an insightful new interview/essay by Charles Granata featuring Monica reminiscences of the making of this record, the subsequent cultural phenomenon, and Stan's battles with some pretty heavy demons. Also unique to this release are two bonus tracks: an alternate mono 7" mix of "The Girl from Ipanema" (without the added echo, thank you very much) and a live recording of "Corcovado" from Carnegie Hall. Finally, the large-format, 36-page booklet features dozens of rare photos, the original album notes, and a fascinating personal remembrance from Monica Getz herself, celebrating her late husband's work and an inside look at Stan's family life while making the record!

Using the original analog master tapes and no computers at all, Bernie Grundman at Bernie Grundman Mastering sought to keep the sense of space and tone on the master tape intact without unnecessary embellishment. Impex 1steps get you closer to the source, not the ideal.

We know you have many choices when it comes to enjoying this singular album. The Impex 1step of Getz/Gilberto cuts above all other releases with added-value content that takes you deeper into Stan Getz's life and process in a way never previously possible.

The 1step Process:

The Impex 1step process relies on short, tightly-controlled runs that require a new lacquer after each 500 pressings. This unforgiving format has the lacquer skipping the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass.

Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.

Features:

The only release of this fundamental jazz classic crafted with the full participation of the Getz family, including never-before-seen photos and notes from Monica and Nick Getz Exclusive new interview essay about Getz's life and the recording of the album by noted producer and historian Charles L. Granata Exclusive ultra-luxe Impex 1step packaging featuring a deluxe 36-page booklet within a heavy-stock two-sleeve Monster Pack jacket and striking colour-matched slip case Two all-analogue bonus tracks: an alternate mono 7" mix of "The Girl from Ipanema" and a live recording of "Corcovado" from Carnegie Hall Limited to 7,500 copies

Musicians:

Stan Getz- tenor saxophone Joao Gilberto - guitar, vocals Antonio Carlos - Jobim piano Tommy William - bass Milton Banana - drums Astrud Gilberto - vocals

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Know What I Mean Original Jazz Classic Series

LP | 1961 | Reissue (Concord)

Release: 1961 / Reissue

Genre: Organic Grooves

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Take A Picture Opaque Sun Gold Vinyl Edition

Margo Guryan

LP | 1968 | US | Reissue (Numero Group)

At Last! Orange Vinyl Edition

Release: 1968 / US – Reissue

Genre: Pop

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Take A Picture is Margo Guryan's one and done classic _ one of record collecting's real unheralded masterpieces _ bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.

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Etta James

LP | 1961 | EU | Reissue (Dol)

15,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Blue Note)

Herbie Hancock

Maiden Voyage

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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The Sidewinder

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Horace Silver

Song For My Father

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | UK | Reissue (Speakers Corner)

Yusef Lateef

The Blue Yusef Lateef

LP | 1968 | UK | Reissue (Mr Bongo)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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"The Blue Yusef Lateef" - Yusef Lateef (ts, fl, perc, voc); Sonny Red (as); Blue Mitchell (tp); Kenny Burrell (g); Hugh Lawson (p); Buddy Lucas (hca); Cecil McBee, Bob Cranshaw (b); Roy Brooks (dr); strings and vocal group

Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also – as in this case – in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next.
On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. "Juba Juba" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef’s plaintive flute and background voices singing »freedom, freedom, freedom«. After such a gloomy beginning the classical blues number "Like It Is" comes over like a breath of fresh air, with its superb string quartet as the foundation. The R&B contributions on the other tracks testify to Lateef’s skilled excursions into the realm of the blues, while the truly adventurous tracks such as "Back Home" and the mystic, Chinese odyssey "Moon Cup" weave a magical net of sheer pleasure. "The Blue Yusef Lateef" is in every possible way absolutely breathtaking. It is a milestone as a jazz album. As a blues album it is quite unique. But as a musical work of art it is a glorious and genial masterpiece.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: April 1968 in RCA Studios, New York City by Ray Hall
Production: Joel Dorn

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Pedro Santos

Krishnanda

22,99 €*

The Jimi Hendrix Experience

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Krishnanda is an album in the truest sense of the word – a spiritual, psychedelic Brazilian masterpiece from start to finish – celebrated by everyone from Seu Jorge and Kassin to Floating Points, Madlib and DJ Nuts. These days, originals change hands for thousands of dollars.

Pedro dos Santos, born in Rio in 1919, was a percussionist virtuoso, composer and inventor of instruments that apparently included oddities such as the ‘Tamba’ (electrified bamboo drum) and the mouth berimbau whistle. Nicknamed Perdo ‘Sorongo’ after the rhythm he invented, that features throughout ‘Krishnanda’. A highly spiritual man who was regarded as a philosopher by many.

He worked with greats including Baden Powell, Elis Regina, Maria Bethany, Elza Soares, Sebastião Tapajós, Roberto Ribeiro, Milton Nascimento, Clara Nunes, Paul Simon and Arthur Verocai, playing on his legendary self-titled LP. In the same vein as Verocai and his self-titled LP, ‘Krishnanda’ was Pedro’s chance to shine with his own, and only, solo recording.

Krishnanda was produced by Hélcio Milito, the drummer of Tamba Trio, and arranged by conductor Joppa Lins, and originally released in 1968 on CBS (Brasil). Musically, the album touches folk, samba, afro-brazilian and psychedelia plus added effects, with a lyrical depth and diversity to match; themes including morality, perception, existence and ego.

Despite the genius of the record and the influence that it had on musicians at the time of release, it disappeared into obscurity. We first discovered the record around 2003, through a friend Julio Dui. Around that time Brazilian funk and bossa was the flavour of the day, so didn’t catch our ear immediately, however it continued improve with age and now we consider it to be one of the best albums ever made, regardless of genre or origin.

The Mr Bongo reissue is produced as a replica original LP / audio master by Ricardo Garcier at Magic Master (Rio de Janeiro) / artwork restored by Andrew Edwards, from the original copy borrowed from Julio Dui – thank you, sir!

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Are You Experienced

LP | 1967 | US | Reissue (Sony)

Total Eclipse Tone Poet Vinyl Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Audiophile 180 gram pressing, approved by the Hendrix family!

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Bobby Hutcherson

LP | 1968 | Reissue (Blue Note)

43,99 €*

Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition

Release: 1968 / Reissue

Genre: Organic Grooves

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Bobby Hutcherson’s 1968 album "Total Eclipse" was the vibraphonist’s first recording to feature saxophonist Harold Land who would become a key collaborator for years to come. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson, and drummer Joe Chambers on this impassioned and probing 1968 set of post-bop.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Eric Dolphy

LP | 1968 | EU | Reissue (Culture Factory)

LP | 1967 | US | Reissue (Nature Sounds)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Quantity: 2200
Release type: RSD Exclusive Release
Iron Man (aka the Eric Dolphy Record), originally released in 1968, is known as an extraordinarily complex and challenging recording. A jazz multi-instrumentalist who gained prominence in the 1960s, Dolphy extended the vocabulary and boundaries of the alto saxophone and was among the earliest significant jazz flute soloists. Vinyl for the album ALL MUSIC calls “ESSENTIAL” has been long out of print and unavailable. This deluxe package for RSD Black Friday includes an OBI side strip, single album jacket, original album art work, printed inner sleeve, original record labels and specialty color vinyl.

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Roy Ayers

Stoned Soul Picnic

David Bowie Indie Exclusive Cloudy Green Vinyl Edition

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In the late 1960s, vibraphonist Roy Ayers was among the top young talents in jazz, thriving during a remarkable era for the genre. While Ayers would later become a jazz-funk pioneer and delve heavily into R&B fusions, his third album Stoned Soul Picnic is a masterful showcase of soul-jazz grooves. Produced by Herbie Mann, Stoned Soul Picnic features a memorable Laura Nyro-penned title track, along with an exceptional lineup of musicians, including Gary Bartz, Hubert Laws, Ron Carter, Herbie Hancock, and Grady Tate. Originally released in 1968, this early Roy Ayers classic is now receiving an official reissue via Nature Sounds.

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David Bowie

2LP | 1967 | WW | Reissue (Decca)

41,99 €*

Release: 1967 / WW – Reissue

Genre: Rock & Indie

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The Quest Limited Ojc. Series

Mal Waldron

LP | 1961 | Reissue (Concord)

Release: 1961 / Reissue

Genre: Organic Grooves

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LP | 1965 | DE | Reissue (Impulse)

John Coltrane

A Love Supreme

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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Waltz For Debby Opaque Baby Pink Vinyl Editin

Bill Evans Trio

LP | 1962 | EU | Reissue (Dol)

15,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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The Piper At The Gates Of Dawn Mono Mix Edition

Pink Floyd

LP | 1967 | EU | Reissue (Parlophone Label Group)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Boots Black Vinyl Edition

Nancy Sinatra

LP | 1966 | US | Reissue (Light In The Attic)

19,99 €*

7" | 1968 | Reissue (Food City)

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some” Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet CD housed in a digipak and featuring a 28-page booklet Release to be supported by worldwide press campaign in cooperation with Nancy Sinatra “Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

Light in the Attic is proud to present the next installment of the Nancy Sinatra Archival Series with a deluxe reissue of Nancy’s first album, Boots.

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

Remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin, the reissue is complemented by a new Q&A interview with Nancy and GRAMMY®-nominated reissue co-producer Hunter Lea.

The CD edition is housed in a digipak and features a 28-page booklet, while each vinyl set is presented in an expanded gatefold jacket (featuring a 20-page booklet), with special color editions available exclusively at NancySinatra.com, LightInTheAttic.net, and independent record stores.

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The People's Choice

Destruction

11,99 €*

A Saucerful Of Secrets Record Store Day 2019 Edition

Release: 1968 / Reissue

Genre: Organic Grooves

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Highly in demand killer 'soulful' Deep Funk smasher with great breakbeats, limited repress

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Pink Floyd

LP | 1968 | EU | Reissue (Parlophone)

LP | 1968 | EU | Reissue (Skye)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Pink Floyd's second studio album, remastered from the original mono analogue tapes. Remastered by James Guthrie, Joel Plante and Bernie Grundman. Limited edition 180 g heavyweight vinyl. Tracklisting: Side 1: 1. Let There Be More Light, 2. Remember A Day, 3. Set The Controls For the Heart Of The Sun, 4. Corporal Clegg. Side 2: 1. A Saucerful Of Secrets, 2. See-Saw, 3. Jugband Blues.

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Gabor Szabo

Bacchanal

Out There 200g Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Labeled “the Nureyev of the guitar” by jazz critic Leonard Feather, Gabor Szabo was at his creative peak at the end of the 60s, when he recorded his masterpiece “Bacchanal”. Szabo’s 60s quintet, featuring guitarist Jimmy Stewart, is on top
form here with another of his unique collections of both jazz and pop hits. His restrained use of feedback at just the right moments shows Szabo was willing to open up to new sounds yet he keeps a tight grip on his signature sound throughout these eight cuts.

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Eric Dolphy

LP | 1961 | US | Reissue (Analogue Productions)

55,99 €*

2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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In 1960, the free jazz pioneered by Ornette Coleman, Cecil Taylor, Horace Tapscott and a very few others was rejected by many musicians and most listeners. For the visionary saxophonist, clarinetist and flutist Eric Dolphy, it was simply new music fed by the mainstream, a logical extension of the jazz tradition. In "Far Cry" without leaving form behind, he incorporated the spirit of adventure and abandon with which free jazz at its best infused freshness into jazz. Recording with a pianoless quartet that used Ron Carter’s cello as the other melody instrument, Dolphy worked from chord patterns developed within structures that depart from ordinary 32-bar jazz and popular song forms. He used 30-bar, 35-bar and 18-bar structures, but he also observed standard practice with 12-bar blues, “Serene”. Dolphy’s speech-like improvisations and Carter’s bowed or plucked cello solos soar over the impeccable and responsive accompaniments of bassist George Duvivier and drummer Roy Haynes.

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Jefferson Airplane

Surrealistic Pillow

75,99 €*

LP | 1965 | US | Reissue (Delmark)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 Gram MONO 45RPM Audiophile Vinyl, limited/numbered

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Junior Wells

Hoodoo man blues

18,99 €*

Release: 1965 / US – Reissue

Genre: Organic Grooves

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The Velvet Underground & Nico

Velvet Underground

LP | 1967 | EU | Reissue (Vinyl Lovers)

El Juego De Desaparecer / Chica Tiéntame

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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... one of the greatest albums of all time! ... 180 gram vinyl with bonus track 'chelsea girls'

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Los Syn

7" | 1966 | EU | Reissue (Madmua)

21,99 €*

East Broadway Run Down Acoustic Sounds

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Los Syn were born in 1966 in Chile, formed by four young lads from the US whose parents were working in Santiago at the time, and they released this sole 45 before all going back to the US next year. The record is practically nowhere to be found, and such an amazing example of teen garage folk-punk the way we all lose our head for.

Limited reissue of 500 copies, with an insert with liners by Gary Pilgram (bass player), and two postcards with unseen photos!

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Sonny Rollins

LP | 1966 | EU | Reissue (Impulse)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Endless Happiness)

Tamba 4

Samba Blim

LP | 1967 | UK | Reissue (Be With)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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This is the second incredible album which the Brazilian bossa combo did in the US for A&M Records, during the brief time when they were expanded to a quartet from the original Tamba Trio lineup. This album can be considered a masterpiece that combines their original style with American sophistication. The set is completely sublime. A wonderful mix of the group's trademark harmony vocals and crackling bossa rhythms, with the warmly flowing CTI production style of the time – not funky like the CTI sound of the 70s, but a bit more sophisticated than the style Creed Taylor had been using earlier at Verve. Tracks are short, breezy, and often very lively – bossa grooving warmed in the California sun.

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Al Hirt

Soul In The Horn

Dragonfly Black Vinyl Edition

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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Dragonfly

LP | 1968 | EU | Reissue (Guerssen)

LP | 1967 | Reissue (Blue Note)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Ultra loud heavy psychedelic rock from Colorado, late 60s, with loads of fuzz guitar all over.

Dragonfly were actually a band called The Legend, who changed their name just when they were recording their self-titled album. Originally released by the Megaphone label in 1968, Dragonfly is a hard-psych classic, highly sought-after by collectors since day one. Back in 2012 we did the first official vinyl reissue and we now present a new, improved repress with expanded liner notes and newly sourced / remastered audio, sounding better than ever.

*Official reissue with original artwork in gatefold sleeve *Newly audiophile restoration / remastering *Insert with liner notes and rare photos *Repro of the elusive original sticker

“This album is sure to share space at the top of your shelf with Plastic Cloud, Savage Resurrection and SRC for those special moments when you want to teach a young, unsuspecting psych convert just what that acid rock guitar thing was all about” - Aaron Milenski

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Bobby Hutcherson

Happenings

Release: 1967 / Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Warner)

The Grateful Dead

24,29 €* 26,99 € -10%

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1961 | US | Reissue (Candid)

Max Roach

We Insist (Mono)

30,99 €*

LP | 1968 | EU | Reissue (Mad About)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Paulo Moura Hepteto

Mensagem

LP | 1964 | DE | Reissue (Impulse)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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One of the greatest musicians in the history of Brazilian music. Conductor, composer, arranger, band leader and, without a doubt, one of Brazil's most brilliant sax and flute players.

In 68, Paulo Moura brought together a notable group from the country's jazz and instrumental music to record the album "Mensagem". He walked between African rhythm and American and European avant-garde, transforming the Brazilian soul.

Licensed by Halina Grynberg

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John Coltrane

Crescent

Release: 1964 / DE – Reissue

Genre: Organic Grooves

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A Love Supreme Uhqr Limited Edition Box Set

John Coltrane

LP Box | 1964 | US | Reissue (Analogue Productions)

201,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — A Love Supreme Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 10,000 copies. Mastered from the original tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swing-journal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in Uhqr format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.

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LP | 1965 | Reissue (Blue Note)

The Gigolo

Release: 1965 / Reissue

Genre: Organic Grooves

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Elvin Jones & Richard Davis

Heavy Sounds Verve By Request Edition

LP | 1968 | WW | Reissue (Verve)

LP | 1964 | Reissue (Blue Note)

Release: 1968 / WW – Reissue

Genre: Organic Grooves

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Not macht erfinderisch! Das Album “Heavy Sounds” war eigentlich als Trio-Session mit dem Gitarristen Larry Coryell geplant gewesen. Als dieser aber kurzfristig erkrankte und nicht im Studio auftauchte, spielten Schlagzeuger Elvin Jones und Bassist Richard Davis ad hoc eine fast zwölfminütige Duo-Version von “Summertime” ein. Die restlichen Nummern nahm das Gespann einen Tag später mit Verstärkung des Saxofonisten Frank Foster und des Pianisten Billy Green auf, wobei Elvin Jones in “Elvin’s Guitar Blues” höchstpersönlich den Gitarrenpart übernahm. Es sollte seine einzige Aufnahme als Gitarrist bleiben.

Verve BY Request Serie: remastert, audiophiles 180-Gramm-Vinyl von Third Man Pressing/Detroit, Gatefold Sleeve.

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Wayne Shorter

Juju

Release: 1964 / Reissue

Genre: Organic Grooves

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Ti Ho Sposato Per Allegria Blue Vinyl Edtion

Piero Piccioni

LP | 1967 | EU | Reissue (Musica Per Immagini)

2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1967 / EU – Reissue

Genre: Soundtracks

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“Ti Ho Sposato Per Allegria” (1967) is a comedy directed by Luciano Salce, taken from the theatrical play of the same name (1965) by Natalia Ginzburg. The main characters are Pietro and Giuliana, respectively interpreted by Giorgio Albertazzi and Monica Vitti. A lawyer from a good family, serious, accustomed to a calm and regular life who got married to a indolent and dazed girl with a difficult past a month after meeting her at a party. Despite Giuliana's inability to transform herself into a good housewife, his relationship with Pietro continues to flourish, because he seems to find enjoyment in each of his wife's many mistakes. The reason for their union lies not in love but, perhaps, in a genuine sympathy, as strong as it is mutual. The story has become a minor classic with each new representation. On both stage and screen the themes of everyday life, and the more complex and existential ones, are addressed. The subtle irony of the work relies on recounting problematic events in a carefree tone: realities such as abortion, death, separation and the couple's incommunicability are underplayed with naturalness. The funny events of the film are commented on by Piero Piccioni's music, published for the first time on vinyl by Musica Per Immagini, with an harmonious tracklist. For this first orchestra rehearsal with the director, which will be followed by other important soundtracks, the composer makes an effective and elegant synthesis: on the one hand he reworks moods and aesthetic intuitions of some previous and happy experiences, while on the other he identifies and anticipates the first bars of that unmistakable sound between bossa nova, funk and lounge nuances that will characterize almost all the production of the Seventies. In fact, the Turin-native artist simplifies in a positive sense the articulated harmonic structures that have always distinguished his authorial figure – where the so called jazz features are to be considered more than central in the musical texture, as prominent elements of the harmonic syntax – and he tries a melodic reduction that will make the compositions more catchy or memorized, but not easier for this. Lightness of spirit and rarefied elegance are the keys of this new Dionysian world.

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Johnny Cash

At Folsom Prison

84,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1962 | EU | Reissue (Honeypie)

Mar-Keys

Do The Pop-Eye

13,99 €*

OST Zulu Orange Vinyl Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Here are the fabulous Mar-Keys, the Memphis based group, remembered to be the first house band at Stax Records. A bunch of talented, solid studio musicians who formed the foundation for the legendary Stax sound. Originally issued in early 1962, "Do the Pop-Eye" was the band's second album, a collection of minimal, infectious Soul-Funk-Rock instrumentals. Among the players: guitarist and composer Steve Cropper, bassist Donald “Duck” Dunn and organist Booker T. Jones. Just the right people to lay down the perfect groove for a quintessential album of instrumental music to dance to.

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John Barry

LP | 1964 | EU | Reissue (Reel)

Release: 1964 / EU – Reissue

Genre: Soundtracks

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Stan Getz / Joao Gilberto

Getz / Gilberto

LP | 1964 | EU | Reissue (Verve)

Creedence Clearwater Revival

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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The Latin Jazz classic that started it all! Mandatory!

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LP | 1968 | EU | Reissue (Fantasy)

22,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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OST Il Buono, Il Brutto, Il Cattivo (The Good, The Bad And The Ugly) Black Vinyl Edition

Ennio Morricone

LP | 1967 | EU | Reissue (AMS)

Release: 1967 / EU – Reissue

Genre: Soundtracks

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They Call Me Contry Blue Vinyl Edition

Sanford Clark

LP | 1968 | US | Reissue (Numero Group)

7" | 1968 | EU | Reissue (Arsivplak)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Propelled by his 1956 Lee Hazlewood-produced hit "The Fool," Sanford Clark was already a rockabilly legend in his own right by the time he swapped his hair gel and switchblade for a pair of cowboy boots on They Call Me Country. Recorded between 1965-67 and originally released as a series of singles for Phoenix's Ramco label, the 12 tracks on this LP borrow Bakersfield's outlaw sound and ignore Nashville's countrypolitan flair, standing as a true lost masterpiece of country music's third generation. Clark's booming baritone tells tales of bar fights, heartaches, and drinking til you can't stand, while Waylon Jennings provides a backdrop of fuzzed out guitar twang. Mastered from the original session tapes and back on vinyl for the first time since the Nixon administration.

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Beybonlar

Gelin Aysem / Nenni

13,99 €*

2LP | 1966 | EU | Reissue (Sony)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Here is Beybonlar Orkestrasi. Ultra rare Turkish heavy psychedelic single by Beybonlar from 1969.

Amazing stuff from the teenagers band that the drummer was only 12 years old when they recorded the tunes Side A is Gelin Ayse (Bride Ayse) which is very sad traditional Turkish folk song that arranged by the psych form Side B is Nenni (Lullaby) that is a traditional tune, but what a traditional tune by the teenagers!!! Enjoy it..!

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Bob Dylan

Blonde On Blonde

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Eric Dolphy

Out To Lunch

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Ibrahim Khalil Shihab Quintet

Spring

LP | 1968 | UK | Reissue (Matsuli)

Music From Big Pink 50th Anniversary Deluxe Edition

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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“South Africa’s lost jazz history contains many an overlooked classic. But even within that hidden tradition, there are few albums that suffered such an unlucky fate as Spring, the monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

Though Shihab was only twenty-two when Spring was recorded, he was already a lynchpin of the Cape Town scene, and the album was to be his first major statement as leader and composer. It is a magnum opus gilded by the presence of the upcoming saxophonist Winston ‘Mankunku’ Ngozi, who was soon to find huge acclaim with the hit album Yakhal’ Inkomo.

Three months of touring southern Africa in 1968 honed the band to the point that this entire album was recorded within the just two hours of allocated studio time. This album was repressed just once before the master tapes were destroyed by an ignorant record company executive. While it has remained out of print since then, the album was ‘kept alive’ as an ‘add-on’ to a 1996 CD of Mankunku’s Yakhal’ Inkomo. As a result, many modern jazz lovers still incorrectly believe these five compositions come from Yakhal’ Inkomo.

With this edition of Spring, Matsuli Music corrects an historic wrong. This edition of Shihab’s stunning debut, produced with the blessing of the man himself, is the first time it has been properly available in over forty years, and the first time it has ever been available outside South Africa. Restored and presented with new liner notes by Valmont Layne, Spring can now be seen for what it is: a peerless masterwork of Cape Jazz, blessed by the presence of the great Mankunku, but truly animated by the subtle vision and original musical spirit of its creator, Ibrahim Khalil Shihab.”

• The monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

• Almost lost recording is back on vinyl after more than 50 years.

• Heavyweight 180g vinyl with remastered audio, inner sleeve with photographs and new notes by Valmont Layne

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The Band

2LP | 1968 | EU | Reissue (Capitol)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1966 | EU | Reissue (Blue Note)

Wayne Shorter

Speak No Evil

32,29 €* 33,99 € -5%

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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The Village Green Preservation Society 2018 Stereo Remaster

The Kinks

LP | 1968 | EU | Reissue (BMG/Sanctuary)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1964 | EU | Reissue (Apple)

The Beatles

A Hard Days Night

29,44 €* 30,99 € -5%

LP | 1967 | EU | Reissue (Speakers Corner)

Release: 1964 / EU – Reissue

Genre: Pop

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Just one word to say: Essential!

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Freddie Hubbard

Backlash

Frank Sinatra & Antonio Carlos Jobim

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled "Backlash", is still until today the best of the bunch.
Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford Brown in his heart and fingers. All the titles are excellent. Of special note, however, is "Little Sunflower". The sound colouring of the flute harmonizes particularly well with Hubbard’s brass, and Ray Barretto’s contribution is more than mere decoration. You’re certainly on the right track with this LP, no matter whether it’s the beginning of a Freddie Hubbard collection or a further contribution to a large jazz collection.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber
Production: Arif Mardin

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Francis Albert Sinatra & Antonio Carlos Jobim

LP | 1967 | EU | Reissue (Universal)

2LP | 1968 | EU | Reissue (Sony)

Release: 1967 / EU – Reissue

Genre: Pop

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“Francis Albert Sinatra & Antônio Carlos Jobim” is a 1967 studio album by Frank Sinatra and Antônio Carlos Jobim. The tracks were arranged and conducted by Claus Ogerman, accompanied by a studio orchestra. Along with Jobim's original compositions, the album features three standards from the 'Great American Songbook, ("Change Partners", "I Concentrate on You", and "Baubles, Bangles and Beads") arranged in the bossa nova style. This new edition contains additional bonus tracks.

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Jimi Hendrix

Electric Ladyland

The Jimi Hendrix Experience

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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All time classic album, including 'Crosstwon Traffic', 'Voodoo Chile' & more!

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Are You Experienced EU Stereo Version

2LP | 1967 | EU | Reissue (Sony)

LP | 1965 | EU | Reissue (Music On Vinyl)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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All time classic album, including 'Hey Joe' & 'Purple Haze'!

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Stan Getz Quartet

Getz Au Go Go

LP | 1965 | BR | Reissue (Polysom)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Although the name Stan Getz (tenor sax) was initially synonymous with the West Coast cool scene during the mid-to-late 1950s, he likewise became a key component in the Bossa Nova craze of the early 1960s. Getz Au Go Go (1965) is Stan Getz in his prime, recorded with perhaps one of the best quartets of his career, featuring Bossa Nova singer Astrud Gilberto.

180g vinyl.

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Moacir Santos

Coisas

39,99 €*

Release: 1965 / BR – Reissue

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Duke)

Bobby Bland

Two Steps From The Blues

16,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Otis Blue: Otis Redding Sings Soul

Otis Redding

LP | 1965 | UK | Reissue (Atlantic)

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Lilith)

Os Mutantes

LP | 1967 | UK | Reissue (Rhino)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Os Mutantes' debut album that made the psychedelic sound popular in Brazil.

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The Doors

Strange Days

21,99 €*

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Cosmic Rock)

Jameson

Color Him In

Nobuo Hara Meets Hozan Yamamoto

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Another lost gem from the non-jazz Verve catalogue, Color Him In is a daydream experience from loner singer/songwriter Bobby Jameson. Released in 1967 the album is an orchestrated psychedelic trip, no surprise then Jameson had a part in the cult film Mondo Hollywood. Produced by Curt Boettcher the album had several psych-pop numbers with rare female vocals harmonization.

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New Jazz In Japan

LP | 1968 | EU | Reissue (Le Très Jazz Club)

Easter Everywhere Half Speed Master Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Nobuo "Hara", whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, for his part, a Shakuhachi player, a traditional Japanese flute, enjoying such recognition in his country that he was awarded a Living National Treasure in 2002. The first record bringing together the two musicians is a live recorded in 1967 during the Newport Jazz Festival. It was a year later, in 1968, that New Jazz in Japan, their first studio recording, was released. Accompanied by the ower of the Sharps & Flats, Nobuo Hara"s tenor sax and Hozan Yamamoto"s shakuhachi respond subtly to give this record, which had not been reissued since 1971, a completely unique style.

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The 13th Floor Elevators

LP | 1967 | UK | Reissue (International Artists)

42,99 €*

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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LP | 1965 | EU | Reissue (Elemental)

Wynton Kelly

Smokin' At The Half Note

30,99 €*

LP | 1961 | Reissue (Blue Note)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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An American jazz critic once said that Wes Montgomery was the "best thing that could happen to a guitar." Grand words, one might say quickly racking one's brains to come up with other great names. But after only a few minutes of listening to this live recording made in 1965 at the Half Note in New York, you will forget your brain-storming and concentrate on the unfused performance of this brilliant guitarist and the superb Wynton Kelly Trio. The music which gets down to the nitty-gritty, is always cool and straight with no fuss or frills getting in the way; the message comes over clearly--and it makes the blood surge through one's veins! This legendary session was recorded at a New York nightclub. It captures Montgomery at the height of his improvisational powers. Many consider it the best performance on record by one of the most inventive guitarists in jazz history.

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Hank Mobley

Workout

Release: 1961 / Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Cosmic Rock)

Eden's Children