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Reset all Filters Vinyl 1960 1961 1962 1968 Stocked Items Only
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Dorothy Ashby - Afro-Harping Deluxe Edition
Dorothy Ashby
Afro-Harping Deluxe Edition
2LP | 1968 | EU | Reissue (Verve)
39,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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A cult album from 1968 that has long since become known as a groove classic across genre boundaries, now for the first time as a deluxe edition, freshly remastered, with bonus tracks and attractive packaging. Along with Alice Coltrane, Dorothy Ashby was the only world-famous jazz harpist. Thanks to deep grooves and sophisticated orchestral sounds, “Afro-Harping” is her most famous album to date, which is continually breathed new life into thanks to samples and remixes by Pete Rock, Kendrick Lamar, Jay Dee (aka J Dilla), Madlib, Flying Lotus and others. Remastered from the original ¼-inch tapes by Alex Wharton/Abbey Road Studios and featuring eight strong, previously unreleased alternate tracks, including an explosive version of the single “Soul Vibrations”, the classic album is now available for the first time in a high-quality format appropriate to its ever-growing importance.

2-lp: gatefold sleeve, padded black inner sleeves, illustrated eight-page insert with detailed liner notes by Seán Casey/Shindig! magazine.
Donald Byrd - Royal Flush Blue Note Classic Vinyl Series
Donald Byrd
Royal Flush Blue Note Classic Vinyl Series
LP | 1961 | EU | Reissue (Blue Note)
28,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Donald Byrd was off to the races after joining Blue Note in 1958 and had fully hit his hard bop stride by 1961 with his excellent album "Royal Flush". Joining the trumpeter was a state-of-the-art rhythm section featuring Herbie Hancock on piano, Butch Warren on bass, and Billy Higgins on drums plus Byrd’s frequent collaborator Pepper Adams on bari sax.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Howlin' Wolf - Howlin' Wolf 60th Anniversary Edition
Howlin' Wolf
Howlin' Wolf 60th Anniversary Edition
LP | 1962 | US | Reissue (Friday Music)
40,99 €*
Release: 1962 / US – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-11-22
Offbeats - The Hump
Offbeats
The Hump
7" | 1968 | UK | Reissue (Tramp)
11,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Monstrous blue-eyed soul / garage double-sider and a must for any rare groove DJ.
250 copies pressed.
Art Blakey & The Jazz Messengers - A Night In Tunisia Blue Note Classic Vinyl Series
Art Blakey & The Jazz Messengers
A Night In Tunisia Blue Note Classic Vinyl Series
LP | 1960 | EU | Reissue (Blue Note)
28,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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One of the great line-ups of Art Blakey & The Jazz Messengers coalesced when saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons, and bassist Jymie Merritt, as heard on the 1960 album "A Night In Tunisia". Opening with a fiery version of Dizzy Gillespie’s famous piece, the rest of the set showcased new bandmember originals.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Hank Mobley - Soul Station Blue Note 85 Blue Vinyl Edition
Hank Mobley
Soul Station Blue Note 85 Blue Vinyl Edition
LP | 1960 | Reissue (Blue Note)
28,99 €*
Release: 1960 / Reissue
Genre: Organic Grooves
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Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder’s studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station.
The crystalline six-song set was a showcase for Mobley’s lyrical flow from the breezy opening take on Irving Berlin’s “Remember” through bluesy originals like “Dig Dis” and the title track, and the swinging up-tempo numbers “This I Dig of You” and “Split Feelin’s.” Soul Station endures as a jazz classic for the ages.
Mal Waldron - The Quest Limited Ojc. Series
Mal Waldron
The Quest Limited Ojc. Series
LP | 1961 | Reissue (Concord)
38,99 €*
Release: 1961 / Reissue
Genre: Organic Grooves
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Etta James - At Last! Orange Vinyl Edition
Etta James
At Last! Orange Vinyl Edition
LP | 1961 | EU | Reissue (Dol)
15,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Eddie Gale - Eddie Gale's Ghetto Music
Eddie Gale
Eddie Gale's Ghetto Music
LP | 1968 | EU | Reissue (Elemental)
30,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Lee Morgan - Taru Tone Poet Vinyl Edition
Lee Morgan
Taru Tone Poet Vinyl Edition
LP | 1968 | Reissue (Blue Note)
38,99 €*
Release: 1968 / Reissue
Genre: Organic Grooves
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Lee Morgan’s 1968 album "Taru" found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold Sleeve with deluxe tip-on jacket.
Donald Byrd - Byrd In Flight Tone Poet Vinyl Edition
Donald Byrd
Byrd In Flight Tone Poet Vinyl Edition
LP | 1960 | EU | Reissue (Blue Note)
42,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Marcos Valle - Samba 68
Marcos Valle
Samba 68
LP | 1968 | EU | Reissue (Elemental)
30,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Elemental Music, together with Universal Music Spain presents a new vinyl reissue of “Samba ’68“, the only album released on the Verve label by prolific Brazilian singer Marcos Valle. In 1968, Valle was commissioned by Verve to record his Brazilian hits in English in order to capitalize on the then-huge Getz-Gilberto-Jobim-Mendes-Astrud market. Marcos’ rapid and stunning artistic growth is apparent on this brilliant Bossa Nova album. Fans of Sérgio Mendes and Astrud Gilberto (both of whom recorded tons of Valle tunes) will enjoy it immensely, for “Samba ’68” is definitely one of the ultimate “loungy” records. “Samba ‘68 is a vibrant set of Brazilian pop, indebted to bossa nova and samba but undeniably Americanized for a domestic audience. The result is a joyous album throughout that wears its dated sound quite well. Marcos Valle interprets eleven of his own songs, including Brazilian standards like ‘Chup Chup, I Got Away,’ ‘Batucada’ and ‘So Nice (Summer Samba),’ as well as new tracks like ‘Crickets Sing for Anamaria’ and ‘The Answer.’ The vocal harmonies of his wife (the Anamaria of the song title) provide a beautiful counterpoint to Valle’s voice on several tracks, making Samba ‘68 one of the best Brazilian crossovers of the 1960s.”(John Bush, AllMusic) Marcos Valle was the Renaissance man of Brazilian pop, a singer/songwriter/producer who straddled the country’s music world from the early days of the Bossa Nova craze well into the fusion-soaked sound of ‘80s Brazilian popular music. Though his reputation in America never quite compared to contemporaries like Caetano Veloso, Milton Nascimento, Gilberto Gil, or even Tom Zé. Valle is one of the most important and popular performers in the history of Brazilian pop.
Latin Blues Band - I'll Be A Happy Man / Take A Trip Record Store Day 2023 Edition
Latin Blues Band
I'll Be A Happy Man / Take A Trip Record Store Day 2023 Edition
7" | 1968 | UK | Reissue (Speed)
14,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Reissued for the first time ever on 7 inch, having previously only ever been on the Take A Trip Pussycat LP, Latin Blues Band - (I'll Be A) Happy Man. A dynamic dancefloor jazz and boogaloo belter from 1968, with a legendary piano riff and breakbeats that were most famously sampled by DJ Premier for Christina Aguilera’s classic ‘(Ain´t No Other Man)’. The B side houses another boogaloo bomb in the form of ‘Take A Trip’ that will set you back £80+ for an original copy. Yellow label version with white sleeve.
Jimi Hendrix - Electric Ladyland
Jimi Hendrix
Electric Ladyland
2LP | 1968 | EU | Reissue (Sony)
27,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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All time classic album, including 'Crosstwon Traffic', 'Voodoo Chile' & more!
Blue Mitchell - Blue's Moods Ojc. Series
Blue Mitchell
Blue's Moods Ojc. Series
LP | 1960 | Reissue (Concord)
38,99 €*
Release: 1960 / Reissue
Genre: Organic Grooves
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Nina Simone - Nuff Said! Vinyl Me, Please Edition
Nina Simone
Nuff Said! Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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Townes Van Zandt - For The Sake Of The Song Vinyl Me, Please Edition
Townes Van Zandt
For The Sake Of The Song Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.



No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.
La Lupe - Queen Of Latin Soul / Reina De La Cancion Latina Vinyl Me, Please Edition
La Lupe
Queen Of Latin Soul / Reina De La Cancion Latina Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
There is something raw and disruptive about La Lupe and her modalities of performance, something that far exceeds tropes of so-called hysteria and all the gendered and racial scripts that come along with it. Uncontrolled expression opens up new routes; it presses against obligatory composure.

The boleros, boogaloos and salsas of Reina de la Canción Latina contain lessons about love, about a willingness to stay alive, about what it means to push against the confines. Reina de la Canción Latina asks us to listen to La Lupe outside of a binary mode — to look a little deeper, to find her personhood and to search for flashes of freedom wherever we can.
Fabio - Lsd / Reloginho Red Vinyl Edition
Fabio
Lsd / Reloginho Red Vinyl Edition
7" | 1968 | EU | Reissue (Groovie)
18,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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1968, in the Brazilian dictatorship, Fábio released this psychedelic gem LSD (Lindo Sonho Delirante), writed by him and Carlos Imperial.

A soul / garage floor killer till today. Besides the alucinated rhythm, the song was an explicit provocation to the political society of the 60’s.
Ben Webster - At The Renaissance Limitedcontemporary Records
Ben Webster
At The Renaissance Limitedcontemporary Records
LP | 1960 | Reissue (Craft)
38,99 €*
Release: 1960 / Reissue
Genre: Organic Grooves
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Nancy Sinatra & Lee Hazlewood - Nancy & Lee Black Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Black Vinyl Edition
LP | 1968 | US | Reissue (Light In The Attic)
30,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Hank Mobley - Soul Station
Hank Mobley
Soul Station
LP | 1960 | EU | Reissue (Blue Note)
28,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder’s studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station.

The crystalline six-song set was a showcase for Mobley’s lyrical flow from the breezy opening take on Irving Berlin’s “Remember” through bluesy originals like “Dig Dis” and the title track, and the swinging up-tempo numbers “This I Dig of You” and “Split Feelin’s.” Soul Station endures as a jazz classic for the ages..

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Margo Guryan - Take A Picture Black Vinyl Edition
Margo Guryan
Take A Picture Black Vinyl Edition
LP | 1968 | US | Reissue (Numero Group)
26,99 €*
Release: 1968 / US – Reissue
Genre: Pop
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Take A Picture is Margo Guryan's one and done classic _ one of record collecting's real unheralded masterpieces _ bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.
Thelonious Monk - At The Blackhawk
Thelonious Monk
At The Blackhawk
LP | 1960 | US | Reissue (Analogue Productions)
46,99 €*
Release: 1960 / US – Reissue
Genre: Organic Grooves
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Julie Driscoll / Brian Auger - Jools/Brian
Julie Driscoll / Brian Auger
Jools/Brian
LP | 1968 | UK | Reissue (Charly)
27,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Max Roach - We Insist (Mono)
Max Roach
We Insist (Mono)
LP | 1961 | US | Reissue (Candid)
30,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.
Ray Charles - The Genius Sings The Blues Green Vinyl Edition
Ray Charles
The Genius Sings The Blues Green Vinyl Edition
LP | 1961 | EU | Reissue (Dol)
15,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Freddie Hubbard - Open Sesame
Freddie Hubbard
Open Sesame
LP | 1960 | EU | Reissue (Blue Note)
18,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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John Coltrane - My Favorite Things
John Coltrane
My Favorite Things
LP | 1961 | EU | Reissue (Waxtime)
16,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Johnny Cash - At Folsom Prison Black Vinyl Edition
Johnny Cash
At Folsom Prison Black Vinyl Edition
LP | 1968 | EU | Reissue (Sony)
27,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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John Coltrane - Lush Life 200g Vinyl Edition
John Coltrane
Lush Life 200g Vinyl Edition
LP | 1961 | US | Reissue (Analogue Productions)
46,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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Here is one of the musical giants of the 20th century, poised on the precipice of greatness. Between the spring of 1957 and the winter of 1958, during which time "Lush Life" was recorded, the music of tenor saxophonist John Coltrane (1926-1967) was developing in giant steps, thanks in great part to a six-month 1957 stint with Thelonious Monk that had much to do with sharpening Coltrane’s harmonic conception and torrential attack.
"Lush Life" contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life”. Coltrane handles the tune’s delicate complexities with infinite style and finesse.
Coltrane and jazz would never be the same.
Miles Davis - Steamin' 180g Vinyl Edition
Miles Davis
Steamin' 180g Vinyl Edition
LP | 1961 | EU | Reissue (Dol)
15,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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John Coltrane - Plays The Blues 180g Vinyl Edition
John Coltrane
Plays The Blues 180g Vinyl Edition
LP | 1962 | EU | Reissue (Dol)
15,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Dizzy Reece - Asia Minor
Dizzy Reece
Asia Minor
LP | 1962 | EU | Reissue (Honeypie)
24,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Jamaican-born jazz trumpeter Dizzy Reece recorded one of his best opus in 1962. Released on the New Jazz label the album featured greats such as bassist Ron Carter, renowned saxophonist Cecil Payne and pianist Hank Jones. It’s a beautifully recorded and sequenced album, the compositions reflecting Reece’s interest in the music of the Asian continent and regions of North Africa, with each piece transitioning nicely into the next. Asia Minor would be the last session Reece would lead until 1967/68. A fixture of the European jazz scene of the Fifties, Reece came to New York in 1959. This intriguing, Eastern-flavored date, is still regarded has one of the best example of cross-pollination in the jazz genre.
Martin Denny - Exotic Percussion Sea Glass Colored Vinyl Edition
Martin Denny
Exotic Percussion Sea Glass Colored Vinyl Edition
LP | 1961 | US | Reissue (Jackpot)
25,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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Sourced From The Original Master Tapes; Out of print since the 1960s

Now joining Jackpot Record's ever-expanding collection of Martin Denny re-issues is the hypnotic "visual sound" of Exotic Percussion, which has not been on vinyl since its original release in 1961.

His production on Exotic Percussion is ambitious, adventurous, and fascinatingly futuristic, especially when a tumbler with ice was still the preferred way to let loose. Xylophones and chimes swim from ear to ear; traditional jazz instrumentation collides with such musical oddities as boo bas, shamisens, Manga harp, and Burmese gongs.

As always, the choice of compositions on a Martin Denny record is a bizarre yet exciting spin around the globe, but this one is even weirder than usual. From the faster-than-light of "Cumana" to the luscious groove of "Moonlight On The Ganges" (made famous by Frank Sinatra and a track that is still being played on a loop at Disneylan's Jungle Cruise attraction), it's a whiplash of a ride. But the stand-out on the record is the combo of "Misirlou" (which would be made famous a few years later by Dick Dale and even decades later with its appearance in Pulp Fiction).

So join the conga line and head out into the street as Martin Denny once again creates a world we yearn to return to and an album we can always revisit.
Van Morrison - Astral Weeks Limited Olive-Green Vinyl Edition
Van Morrison
Astral Weeks Limited Olive-Green Vinyl Edition
LP | 1968 | EU | Reissue (Warner)
22,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Art Blakey - Blakey And His Jazz Messengers Verve By Request
Art Blakey
Blakey And His Jazz Messengers Verve By Request
LP | 1961 | EU | Reissue (Impulse)
33,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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1961 Art Blakey and his Jazz Messengers made their only recording for the label Impulse! Records. It marked a turning point for the popular hard bop formation as it was their first appearance as a sextet with trombonist Curtis Fuller, and secondly their last recording with pianist Bobby Timmons. Also unusual is the fact that only one piece by a band member was on the program and otherwise only standards were played.
VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve.
Elvin Jones & Richard Davis - Heavy Sounds Verve By Request Edition
Elvin Jones & Richard Davis
Heavy Sounds Verve By Request Edition
LP | 1968 | WW | Reissue (Verve)
33,99 €*
Release: 1968 / WW – Reissue
Genre: Organic Grooves
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Not macht erfinderisch! Das Album “Heavy Sounds” war eigentlich als Trio-Session mit dem Gitarristen Larry Coryell geplant gewesen. Als dieser aber kurzfristig erkrankte und nicht im Studio auftauchte, spielten Schlagzeuger Elvin Jones und Bassist Richard Davis ad hoc eine fast zwölfminütige Duo-Version von “Summertime” ein. Die restlichen Nummern nahm das Gespann einen Tag später mit Verstärkung des Saxofonisten Frank Foster und des Pianisten Billy Green auf, wobei Elvin Jones in “Elvin’s Guitar Blues” höchstpersönlich den Gitarrenpart übernahm. Es sollte seine einzige Aufnahme als Gitarrist bleiben.

Verve BY Request Serie: remastert, audiophiles 180-Gramm-Vinyl von Third Man Pressing/Detroit, Gatefold Sleeve.
Thelonious Monk - Monk's Blues
Thelonious Monk
Monk's Blues
LP | 1968 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Dragonfly - Dragonfly Black Vinyl Edition
Dragonfly
Dragonfly Black Vinyl Edition
LP | 1968 | EU | Reissue (Guerssen)
26,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Ultra loud heavy psychedelic rock from Colorado, late 60s, with loads of fuzz guitar all over.

Dragonfly were actually a band called The Legend, who changed their name just when they were recording their self-titled album. Originally released by the Megaphone label in 1968, Dragonfly is a hard-psych classic, highly sought-after by collectors since day one. Back in 2012 we did the first official vinyl reissue and we now present a new, improved repress with expanded liner notes and newly sourced / remastered audio, sounding better than ever.

*Official reissue with original artwork in gatefold sleeve *Newly audiophile restoration / remastering *Insert with liner notes and rare photos *Repro of the elusive original sticker

“This album is sure to share space at the top of your shelf with Plastic Cloud, Savage Resurrection and SRC for those special moments when you want to teach a young, unsuspecting psych convert just what that acid rock guitar thing was all about” - Aaron Milenski
Nico - The Marble Index
Nico
The Marble Index
LP | 1968 | Reissue (Domino)
27,99 €*
Release: 1968 / Reissue
Genre: Pop
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P.P. Armold - Kafunta
P.P. Armold
Kafunta
LP | 1968 | UK | Reissue (Charly)
27,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Bill Evans & Jim Hall - Undercurrent
Bill Evans & Jim Hall
Undercurrent
LP | 1962 | US | Reissue (Jackpot)
29,99 €*
Release: 1962 / US – Reissue
Genre: Organic Grooves
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In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro. Eventually, he was persuaded to return to music, and this was one of the first recordings upon his return. Guitarist Jim Hall - who had worked with Ella Fitzgerald, Sonny Rollins, and Chico Hamilton - started his partnership with Evans during this time. Recorded over two sessions in April and May 1962, the two have that beautifully unspoken musical language of give and take; their recordings are refreshingly busy but also incredibly sparse. These two giants understand that intertwining their personalities and harmonic styles could create greatness. This notable re-issue is an all-analog production affair—AAA Mastered and cut live by audio guru Kevin Gray (Miles Davis, Herbie Hancock, Charles Mingus)—and it’s never sounded better. So dim the lights and let this music breathe with you; it’s an incredible listen and an essential album for both the novice listener wanting to dip their toe into the genre or the audiophile who needs to replace their well-worn vinyl copy. And depending on your day, it will color your mood in any emotive shade you desire.
The Insect Trust - The Insect Trust
The Insect Trust
The Insect Trust
LP | 1968 | EU | Reissue (Life Goes On)
18,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Insect Trust were an American jazz-based rock band that formed in New York in 1967. The members of the band were Nancy Jeffries on vocals, Bill Barth on guitar, Luke Faust - formerly of the Holy Modal Rounders - on guitar, banjo, fiddle, and harmonica, Trevor Koehler on saxophone, and Robert Palmer (1945–1997) on clarinet and alto saxophone. Elvin Jones and Bernard Purdie both drummed with the group at times. Bill Folwell, who had played with Albert Ayler (and later an original member of The Mystic Knights of the Oingo Boingo), on bass and trumpet; as well as Warren Gardner on trumpet and clarinet, were part of the band by the time they recorded their second album. The band probably took its name from William S. Burroughs's novel Naked Lunch. The music ranges from surreal folk-rock (in the vein of such local heroes like Holy Modal Rounders and Fugs), to Booker T.-like pop-soul, to flat-out free jazz. Never intended to be a traditional pop act, the Insect Trust should be best remembered for extending rock's boundaries and taking the genre to a much hipper level without resorting to a lot of banal technique.
Tina Brooks - True Blue
Tina Brooks
True Blue
LP | 1960 | EU | Reissue (Blue Note)
28,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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The only one of tenor saxophonist Tina Brooks’ albums as a leader to be released during his too-brief lifetime, 1960’s True Blue is a hard bop masterpiece featuring Brooks’ distinctive compositions performed by an exceptional quintet with Freddie Hubbard on trumpet, Duke Jordan on piano, Sam Jones on bass, and Art Taylor on drums.



Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.
Mankunku Quartet - Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition
Mankunku Quartet
Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition
LP | 1968 | UK | Reissue (Mr Bongo)
29,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Limited edition of 200 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

The Mankunku Quartet's 1968 album 'Yakhal' Inkomo’ clocks in at just over 30 minutes of jazz perfection. This compact, and to-the-point, album would sit comfortably in amongst some of the best works in the catalogues of any of the quintessential jazz labels such as Blue Note, Prestige and Impulse. 'Yakhal' Inkomo’, however, was originally released on the South African record label World Record Co., which resulted in it becoming an elusive and sought-after piece for jazz collectors. First press copies sometimes fetch as much as £1,000 on the collectors' market. It has been long regarded as one of the finest South African jazz albums and DJ / broadcaster Gilles Peterson cemented this when he included it in his "best of genre" focussed radio show, 'The 20 - South African Jazz'. Tenor saxophonist Winston "Mankunku" Ngozi recorded the session on 23rd July 1968 at the Manley van Niekerk Studios, in Johannesburg. It was recorded by Dave Challen and produced by Ray Nkwe. The session is built up of two original works by Mankunku on the A-side, 'Yakhal' Inkomo' & 'Dedication (To Daddy Trane and Brother Shorter)', and on the B-side, the Horace Silver composition 'Doodlin', and a John Coltrane number 'Bessie's Blues'. What is striking is how the Mankunku-penned compositions not only hold their own next to Silver and Coltrane but they are, arguably, the better tracks on the record - a testament to the beautiful writing and playing of Mankunku. 'Yakhal' Inkomo' features the great musicians; Agrippa Magwaza on bass, drummer Early Mabuza, and pianist Lionel Pillay. Pillay was of Indian descent, making this a mixed-race group, thus the very recording of the album was an act of resistance as it broke the apartheid restrictions of the time. The title of 'Yakhal’ Inkomo' means “the bellow of the bull”, the Black audience would have understood this as coded community symbolism and an act of protest but it escaped the attention of the white government. For this edition, we have enlisted the services of Abbey Road Studios mastering, and lacquer-cutting engineer Miles Showell to cut a special half-speed master from the audio taken off the original master tapes. Miles has previously worked on our Arthur Verocai, Marcos Valle and Ian Carr re-issues, and once again we are blown away by the richness and clarity of Miles' work. We have also presented it as a replica copy using the cover artwork and labels from the primary World Record Co. original version. On the sleeve notes, Ray Nkwe the producer and the President of the Jazz Appreciation Society of South Africa writes "This is the LP that every jazz fan has been waiting for" and Ray was not wrong, it's a stone-cold timeless jazz classic.
Sam Cooke - The Wonderful World Of Sam Cooke
Sam Cooke
The Wonderful World Of Sam Cooke
LP | 1960 | EU | Reissue (Waxtime)
16,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Sanford Clark - They Call Me Contry Blue Vinyl Edition
Sanford Clark
They Call Me Contry Blue Vinyl Edition
LP | 1968 | US | Reissue (Numero Group)
29,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Propelled by his 1956 Lee Hazlewood-produced hit "The Fool," Sanford Clark was already a rockabilly legend in his own right by the time he swapped his hair gel and switchblade for a pair of cowboy boots on They Call Me Country. Recorded between 1965-67 and originally released as a series of singles for Phoenix's Ramco label, the 12 tracks on this LP borrow Bakersfield's outlaw sound and ignore Nashville's countrypolitan flair, standing as a true lost masterpiece of country music's third generation. Clark's booming baritone tells tales of bar fights, heartaches, and drinking til you can't stand, while Waylon Jennings provides a backdrop of fuzzed out guitar twang. Mastered from the original session tapes and back on vinyl for the first time since the Nixon administration.
Dexter Gordon - Go!
Dexter Gordon
Go!
LP | 1962 | EU | Reissue (Blue Note)
18,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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The John Wright Trio - South Side Soul
The John Wright Trio
South Side Soul
LP | 1960 | EU | Reissue (Jazz Workshop)
23,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Originally issued in Stereo on Prestige LP (PR 7190) Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7190) The John Wright Trio John Wright (piano), Wendell Roberts (bass), Walter McCants (drums). Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, August 30, 1960 Engineered & mastered by Rudy Van Gelder Cover photo & design: Esmond Edwards Back-liner notes: LeRoi Jones Recording supervised by Esmond Edwards
Yusef Lateef - The Blue Yusef Lateef
Yusef Lateef
The Blue Yusef Lateef
LP | 1968 | UK | Reissue (Speakers Corner)
34,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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"The Blue Yusef Lateef" - Yusef Lateef (ts, fl, perc, voc); Sonny Red (as); Blue Mitchell (tp); Kenny Burrell (g); Hugh Lawson (p); Buddy Lucas (hca); Cecil McBee, Bob Cranshaw (b); Roy Brooks (dr); strings and vocal group

Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also – as in this case – in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next.
On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. "Juba Juba" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef’s plaintive flute and background voices singing »freedom, freedom, freedom«. After such a gloomy beginning the classical blues number "Like It Is" comes over like a breath of fresh air, with its superb string quartet as the foundation. The R&B contributions on the other tracks testify to Lateef’s skilled excursions into the realm of the blues, while the truly adventurous tracks such as "Back Home" and the mystic, Chinese odyssey "Moon Cup" weave a magical net of sheer pleasure. "The Blue Yusef Lateef" is in every possible way absolutely breathtaking. It is a milestone as a jazz album. As a blues album it is quite unique. But as a musical work of art it is a glorious and genial masterpiece.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: April 1968 in RCA Studios, New York City by Ray Hall
Production: Joel Dorn
Willie Colón - Hustler
Willie Colón
Hustler
LP | 1968 | US | Reissue (Craft)
35,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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HIS CLASSIC SECOND ALBUM WITH HECTOR LAVOE AS LEAD VOCALIST AND IT SET THE PATH FOR BOTH MEN AS ONE OF THE GREATEST SALSA DUOS IN HISTORY.
Herbie Hancock - Takin' Off
Herbie Hancock
Takin' Off
LP | 1962 | EU | Reissue (Blue Note)
31,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Yusef Lateef - The Centaur And The Phoenix
Yusef Lateef
The Centaur And The Phoenix
LP | 1960 | EU | Reissue (Jazz Workshop)
23,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Piero Umiliani - OST Svezia, Inferno e Paradiso
Piero Umiliani
OST Svezia, Inferno e Paradiso
LP | 1968 | EU | Reissue (Schema)
21,99 €*
Release: 1968 / EU – Reissue
Genre: Soundtracks
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Another excellent soundtrack by Piero Umiliani, maybe his famous one ever,
this time composed for Luigi Scattini’s film “SVEZIA, INFERNO E PARADISO”
(Sweden, Heaven and Hell), a so-called ‘mondo movie’ entirely shot in the scandinavian
country which the title refers to. Umiliani’s music is able to emphasize the different moods
of the movie: at times dramatic, on other occasions ironic or peaceful.
Eric Dolphy - At The Five Spot
Eric Dolphy
At The Five Spot
LP | 1961 | US | Reissue (Analogue Productions)
46,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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One night during a one-time, two-week engagement at the Five Spot produced enough music of lasting merit for three albums. When Rudy Van Gelder took his portable equipment down to the fabled Cooper Square jazz club on July 16, 1961, he captured the interaction of an extraordinary quintet.
Eric Dolphy, Booker Little, Mal Waldron, Richard Davis and Ed Blackwell had formed a cooperative group and, if LIttle had not died in October 1961, there is no doubt that it would have been a potent force in the music of the 1960s and beyond. Dolphy himself died in June 1964, after establishing himself as one of the important contemporary reedmen. Here his alto saxophone and bass clarinet and Little’s trumpet explore three originals: "The Prophet" by Dolphy, "Bee Vamp" by Little, and "Fire Waltz" by Waldron. It’s time caught in a bottle — music for the ages.
Os Mutantes - Os Mutantes
Os Mutantes
Os Mutantes
LP | 1968 | EU | Reissue (Lilith)
26,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Os Mutantes' debut album that made the psychedelic sound popular in Brazil.
Delfonics - Sound Of Sexy Soul
Delfonics
Sound Of Sexy Soul
LP | 1968 | US | Reissue (Philly Groove)
14,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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sampled by Afu-Ra, Diamond D ...
Tito Puente - Dance Mania Colored Vinyl Edition
Tito Puente
Dance Mania Colored Vinyl Edition
LP | 1968 | EU | Reissue (Dol)
32,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Max Roach - We Insist Clear Vinyl Edition
Max Roach
We Insist Clear Vinyl Edition
LP | 1961 | US | Reissue (Candid)
30,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.
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Ray Barretto
Barretto Para Bailar
LP | 1961 | US | Reissue (Descarga)
24,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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Luiz Bonfá - Plays And Sings Bossa Nova Limited Edition
Luiz Bonfá
Plays And Sings Bossa Nova Limited Edition
LP | 1962 | Reissue (Jazz Samba)
22,99 €*
Release: 1962 / Reissue
Genre: Organic Grooves
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Blind Gary Davis - Harlem Street Singer
Blind Gary Davis
Harlem Street Singer
LP | 1961 | Reissue (Concord)
38,99 €*
Release: 1961 / Reissue
Genre: Organic Grooves
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Ray Charles - Ray Charles In Person Vinyl Me, Please Edition
Ray Charles
Ray Charles In Person Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
Creating harmony out of unlikely combinations was integral to Charles’ genius, and that’s evident with how effortlessly he navigates multiple genres on In Person, oftentimes on the same song. It’s an album that’s a testament to him as a versatile musical pioneer: someone who was unafraid to explore different ideas and sounds throughout his career, becoming a seminal figure in American music in the process.
Tim Hollier - Message To A Harlequin
Tim Hollier
Message To A Harlequin
LP | 1968 | EU | Reissue (Wiseraven)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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An acid-folk masterpiece finally revealed ! When two worlds collide here’s where the legacy of Tim Hollier begins, his first album was released on United Artists in 1968 and this long overdue re-issue is a definitive statement of the master genius. Guest on the opening night of a Beckenham folk club run by his friend David Bowie, Hollier recorded ‘Message To A Harlequin’ with the assistance of Donovan arranger John Cameron. Hollier was also a regular on London's folk club circuit for several years alongside the likes of Paul Simon, Al Stewart and Nick Drake. Here’s your chance to finally grab his visionary songwriting.
Dalida - T'aimer Follement
Dalida
T'aimer Follement
LP | 1960 | EU | Reissue (All Time Records)
20,99 €*
Release: 1960 / EU – Reissue
Genre: Pop
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Margo Guryan - Take A Picture Opaque Sun Gold Vinyl Edition
Margo Guryan
Take A Picture Opaque Sun Gold Vinyl Edition
LP | 1968 | US | Reissue (Numero Group)
27,99 €*
Release: 1968 / US – Reissue
Genre: Pop
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Take A Picture is Margo Guryan's one and done classic _ one of record collecting's real unheralded masterpieces _ bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.
Tamba 4 - Samba Blim
Tamba 4
Samba Blim
LP | 1968 | EU | Reissue (Endless Happiness)
29,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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This is the second incredible album which the Brazilian bossa combo did in the US for A&M Records, during the brief time when they were expanded to a quartet from the original Tamba Trio lineup. This album can be considered a masterpiece that combines their original style with American sophistication. The set is completely sublime. A wonderful mix of the group's trademark harmony vocals and crackling bossa rhythms, with the warmly flowing CTI production style of the time – not funky like the CTI sound of the 70s, but a bit more sophisticated than the style Creed Taylor had been using earlier at Verve. Tracks are short, breezy, and often very lively – bossa grooving warmed in the California sun.
Nobuo Hara Meets Hozan Yamamoto - New Jazz In Japan
Nobuo Hara Meets Hozan Yamamoto
New Jazz In Japan
LP | 1968 | EU | Reissue (Le Très Jazz Club)
33,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Nobuo "Hara", whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, for his part, a Shakuhachi player, a traditional Japanese flute, enjoying such recognition in his country that he was awarded a Living National Treasure in 2002. The first record bringing together the two musicians is a live recorded in 1967 during the Newport Jazz Festival. It was a year later, in 1968, that New Jazz in Japan, their first studio recording, was released. Accompanied by the ower of the Sharps & Flats, Nobuo Hara"s tenor sax and Hozan Yamamoto"s shakuhachi respond subtly to give this record, which had not been reissued since 1971, a completely unique style.
Lightnin' Hopkins - Lightnin' And The Blues
Lightnin' Hopkins
Lightnin' And The Blues
LP | 1960 | JP | Reissue (P-Vine)
33,24 €* 34,99 € -5%
Release: 1960 / JP – Reissue
Genre: Organic Grooves
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Originally recorded in 1954 for the short-lived Herald record label and released over the years as 7” singles, these 12 songs were finally collected as an LP in 1960. With the support of a rhythm section, Lightnin’s electric blues has never run as wild, with dirty licks and riffs plentiful throughout. With reverse printing and coating, we’ve completely replicated the original jacket - but now with an obi-strip! Don’t miss the mastepiece of blues from P-vine Records!
Sam Jones - The Soul Society
Sam Jones
The Soul Society
LP | 1960 | EU | Reissue (Jazz Workshop)
24,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Far Cry - Far Cry
Far Cry
Far Cry
LP | 1968 | EU | Reissue (Life Goes On)
18,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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"Their music reaches from blues to jazz into space", proclaimed the original liner notes to this highly collectible record, just released in 1968. Hailing from Boston, the Far Cry were a talented seven-piece blending psych rock and r&b, in the vein of Blood, Sweat & Tears and Rare Earth, with a further look into the realms of Beefheart Magic Band and John Cipollina Quicksilver Messenger Service. Their sole album still maintain a distinctive sound, melting acid guitar, sax and even vibraphone, organ and conga.
Johnny Cash - At Folsom Prison
Johnny Cash
At Folsom Prison
2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)
74,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Howard McGhee - Maggie's Back In Town!!
Howard McGhee
Maggie's Back In Town!!
LP | 1961 | US | Reissue (Craft)
37,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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Bobby Hutcherson - Total Eclipse Tone Poet Vinyl Edition
Bobby Hutcherson
Total Eclipse Tone Poet Vinyl Edition
LP | 1968 | Reissue (Blue Note)
43,99 €*
Release: 1968 / Reissue
Genre: Organic Grooves
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Bobby Hutcherson’s 1968 album "Total Eclipse" was the vibraphonist’s first recording to feature saxophonist Harold Land who would become a key collaborator for years to come. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson, and drummer Joe Chambers on this impassioned and probing 1968 set of post-bop.



BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Blind Gary Davis - Harlem Street Singer Limited Edition +2 Bonus Tracks
Blind Gary Davis
Harlem Street Singer Limited Edition +2 Bonus Tracks
LP | 1961 | EU | Reissue (Blues Joint)
18,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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John Coltrane - Lush Life Black Vinyl Edition
John Coltrane
Lush Life Black Vinyl Edition
LP | 1961 | EU | Reissue (SAAR)
25,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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« Lush Life » (1958) is among John Coltrane’s best endeavors on the Prestige (and Music) label.

One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material.

Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass) and Art Taylor (drums). The intimate setting is perfect for ballads such as the opener ‘Like Someone in Love ».

John Coltrane doesn’t have to supplement the frequent redundancy inherent in pianists, so he has plenty of room to express himself through simple and ornate passages. Unifying the slippery syncopation and slightly Eastern feel of « I Love You » is the tenor’s prevalent capacity for flawless, if not downright inspired on-the-spot « head » arrangements that emerge singular and clear, never sounding preconceived. Even at an accelerated pace, the rhythm section ably prods the backbeat without interfering. A careful comparison will reveal that « Trane’s Slow Blues » is actually a fairly évident derivation (or possibly a different take) of « Slowtrane ». But don’t let the title fool you as the mid-tempo blues is undergirded by a lightheartedness.

May provides a platform for Coltrane’s even keeled runs before the tenor drops out, allowing both Earl May and then Art Taylor a chance to shine. The fun cat-and-mouse-like antics continue as Taylor can be heard encouraging the tenor player to raise the stakes and the tempo – which he does to great effect.
Apryl Fool - Apryl Fool
Apryl Fool
Apryl Fool
LP | 1968 | EU (Survival Research)
16,14 €* 18,99 € -15%
Release: 1968 / EU
Genre: Rock & Indie
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The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.
Etta James - Etta James
Etta James
Etta James
LP | 1962 | Reissue (Gm & Publishing)
27,99 €*
Release: 1962 / Reissue
Genre: Organic Grooves
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Scott Fagan - South Atlantic Blues
Scott Fagan
South Atlantic Blues
LP | 1968 | US | Reissue (Earth)
29,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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The long lost 1968 debut album by singer-songwriter, Scott Fagan, once tipped to be bigger than Elvis, is set for release on 9th February 2024 via Earth Recordings. 'South Atlantic Blues' will be reissued for the first time in its original artwork, with an iconic portrait of Fagan by famed rock photographer, Joel Brodsky, following a widely celebrated 2015 release.Revisiting his mystical, mythical, and deeply soulful masterpiece, this psych-folk gem doffs a Tropicalia hat direct from downtown New York. "His songs embrace a broad sonic fantasia, swirling in '60s New York R&B and '40s jazz, as well as the Caribbean rhythms of calypso, meringue and Pachanga." New York TimesScott Fagan's story is worthy of a movie in itself. A swinging hipster who landed in 60s Greenwich folk scene, escaping the abject poverty of his U.S. Virgin Islands upbringing, Fagan found himself mentored by the Brill Building's Doc Pomus and Mort Shuman, and feted as the next big thing. "Forget Rodriguez, forget Searching for Sugar Man," says Sharyn Felder, daughter of the late Doc Pomus, the legendary songwriter who signed Fagan to management in 1964. "Scott was so much more. He was cut from a different cloth."'South Atlantic Blues' is the perfect soundtrack to this tale, an epic song cycle wrapped around an impassioned love story, driven by Fagan's dense, allusive lyrics, and production by Elmer Jared Gordon (Pearls Before Swine) and rich arrangements by Horace Ott (Nina Simone, Sam Cooke, The Shirelles). The Earth Recordings reissue coincides with a resurgence in activity for Fagan, with a new album in the works - the never-recorded soundtrack to 'Soon', the 1971 Broadway rock musical he co-wrote and starred in - and a documentary 'Soon: the Story of Scott Fagan' currently filming through Scissor Kick Films, from director Marah Strauch, writer Chris Campion (who rediscovered the singer-songwriter in 2015), and producer Eric Bruggeman.Classic Black Vinyl + DLC
Hideo Shiraki - In Fiesta
Hideo Shiraki
In Fiesta
LP | 1961 | JP | Reissue (Teichiku)
52,99 €*
Release: 1961 / JP – Reissue
Genre: Organic Grooves
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Etta James - Miss Etta James Orange Vinyl Edition
Etta James
Miss Etta James Orange Vinyl Edition
LP | 1961 | EU | Reissue (Second)
20,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Wes Montgomery - Incredible Jazz Guitar
Wes Montgomery
Incredible Jazz Guitar
LP | 1960 | EU | Reissue (20th Century Masterworks)
18,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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McCoy Tyner - Extensions Tone Poet Vinyl Edition
McCoy Tyner
Extensions Tone Poet Vinyl Edition
LP | 1968 | EU | Reissue (Blue Note)
43,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Eric Dolphy - Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition
Eric Dolphy
Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition
LP | 1968 | EU | Reissue (Culture Factory)
33,14 €* 38,99 € -15%
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Quantity: 2200
Release type: RSD Exclusive Release
Iron Man (aka the Eric Dolphy Record), originally released in 1968, is known as an extraordinarily complex and challenging recording. A jazz multi-instrumentalist who gained prominence in the 1960s, Dolphy extended the vocabulary and boundaries of the alto saxophone and was among the earliest significant jazz flute soloists. Vinyl for the album ALL MUSIC calls “ESSENTIAL” has been long out of print and unavailable. This deluxe package for RSD Black Friday includes an OBI side strip, single album jacket, original album art work, printed inner sleeve, original record labels and specialty color vinyl.
Yusef Lateef & Doug Watkins - Imagination! Clear Vinyl Edition
Yusef Lateef & Doug Watkins
Imagination! Clear Vinyl Edition
LP | 1960 | EU | Reissue (Sowing)
24,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Another legendary Lateef session cut in 1960 for the New Jazz imprint. The co-leader - bassist Doug Watkins - died tragically in a car accident in 1962 at the age of 27. However, prior to his early demise, he recorded dozens of wonderful sessions with some of the greatest jazzmen of his time, among them Sonny Rollins, Art Blakey’s Jazz Messengers and the Horace Silver Quintet. Imagination ! marked his second and final album as a leader, and features Watkins on cello instead of bass. The use of cello - and oboe on some numbers - makes the date stand out a bit from the usual hard bop sessions of the period and straight-ahead jazz fans will want to get this.
The Wind In The Willows - The Wind In The Willows
The Wind In The Willows
The Wind In The Willows
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wave band Blondie.
Art Blakey & The Jazz Messengers - Mosaic
Art Blakey & The Jazz Messengers
Mosaic
LP | 1961 | DE | Reissue (Blue Note)
28,99 €*
Release: 1961 / DE – Reissue
Genre: Organic Grooves
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The Rolling Stones - Beggars Banquet
The Rolling Stones
Beggars Banquet
LP | 1968 | EU | Reissue (Universal)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones returned to their blues roots on 1968's Beggars Banquet, which was immediately acclaimed as one of their landmark achievements. A strong, acoustic Delta Blues flavor colors much of the album, particularly "Prodigal Son" and Jagger/Richards' "No Expectations." Basic rock 'n' roll is not forgotten with "Street Fighting Man" and "Sympathy for the Devil." The lyrical bite of the material ensured it's place as one of the best blues-based rock albums of all time. 180-gram vinyl.
Don Ellis - How Time Passes
Don Ellis
How Time Passes
LP | 1961 | US | Reissue (Candid)
30,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis. Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York City’s post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus’ Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among others, the Glenn Miller Orchestra, Lionel Hampton, and Woody Herman. On subsequent albums, Ellis would take an even wilder direction. Here, on his first recoding date as a band leader, the experimentation begins. Ellis stretches the boundaries of bop-based jazz playing with time, tempo and meter. It is the start of his exploration of Third Stream - a fusion of jazz and contemporary classical music. The album title itself - How Time Passes - was taken from an article written by the controversial German composer Karlheinz Stockhausen on the “function of time.” The exceptional section features Ron Carter on bass, the underrated Jaki Byard on piano and saxophone, and Charlie Persip on drums. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and noted musician, historian and writer Gunther Schuller - the originator of the term “Third Stream” - giving a context and insight that adds to the experience of hearing these extraordinary performances.
Eric Dolphy - At The Five Spot Volume 1 Clear Vinyl Edtion
Eric Dolphy
At The Five Spot Volume 1 Clear Vinyl Edtion
LP | 1961 | EU | Reissue (Sowing)
24,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Recorded live by Rudy Van Gelder this is one of a pair of Dolphy's albums documenting the 1961 historical residency at the Five Spot, the New York's major temple of the early avantgarde. This is timeless music performed by one of the essential lineups in modern Jazz. A marvelous quintet featuring the great Booker Little on trumpet and the amazing rhythm section of Mal Waldron — piano, Richard Davis — double bass and Ed Blackwell — drums plus, of course, master Eric Dolphy on alto saxophone, bass clarinet and flute. "All forward thinking and challenged listeners need to own these epic club dates" Allmusic
Silver Apples - Silver Apples Smoke Colored Vinyl Edition
Silver Apples
Silver Apples Smoke Colored Vinyl Edition
LP | 1968 | US | Reissue (Jackpot)
29,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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New 24 bit /96 kHz transfer taken from the original master tapes. Limited Smoke Colored Vinyl w/ Deluxe Silver Foil Jacket.

Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), SILVER APPLES quickly gained a reputation as New York’s leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become“Krautrock” Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. Edition of 500 copies.
Andrew Hill - Dance With Death Tone Poet Vinyl Edition
Andrew Hill
Dance With Death Tone Poet Vinyl Edition
LP | 1968 | EU | Reissue (Blue Note)
32,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Andrew Hill’s 1968 album Dance With Death stands as one of the most gratifying though under-recognized sessions of the brilliant pianist’s discography featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.
Carmell Jones - The Remarkable Carmell Jones Tone Poet Vinyl Edition
Carmell Jones
The Remarkable Carmell Jones Tone Poet Vinyl Edition
LP | 1961 | EU | Reissue (Blue Note)
32,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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24 Jahre jung war der Trompeter Carmell Jones, als er 1960 von seiner Geburtsstadt Kansas City nach Los Angeles ging. Und schon kurz nach seiner Ankunft erhielt der vielversprechende Youngster, den manche damals mit Clifford Brown verglichen, dort einen Plattenvertrag bei Pacific Jazz. 1961 konnte er für das Label sein phänomenales Debütalbum “The Remarkable Carmell Jones” aufnehmen. Im Zusammenspiel mit Tenorsaxophonist Harold Land, Pianist Frank Strazzeri, Bassist Gary Peacock und Schlagzeuger Leon Pettis präsentierte er auf dem Album eine hochinteressante Mischung aus Cool Jazz und Hardbop.

BLUE NOTE TONE POET EDITION: Stereo, produziert von Joe Harley, komplett analog von Kevin Gray von den Originalbändern gemastert, RTI-Pressung (180g), stabiles Tip-on-Gatefold, wattierte Innenhülle.
Creedence Clearwater Revival - Creedence Clearwater Revival
Creedence Clearwater Revival
Creedence Clearwater Revival
LP | 1968 | EU | Reissue (Fantasy)
22,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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V.A. - Passaporto Per L'italia
V.A.
Passaporto Per L'italia
LP | 1962 | EU | Reissue (Dialogo)
58,19 €* 96,99 € -40%
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.
Horace Parlan - Speakin' My Piece Blue Note Classic Vinyl
Horace Parlan
Speakin' My Piece Blue Note Classic Vinyl
LP | 1960 | EU | Reissue (Blue Note)
22,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Best known for his work with Charles Mingus, pianist Horace Parlan began recording for Blue Note in 1960 with an excellent run of hard bop classics including Speakin’ My Piece, a quintet date featuring a frontline of Stanley Turrentine on saxophone and Tommy Turrentine on trumpet with the rhythm team of George Tucker on bass and Al Harewood on drums.



Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.
Jackie McLean - Bluesnik Blue Note Classic Vinyl Edition
Jackie McLean
Bluesnik Blue Note Classic Vinyl Edition
LP | 1961 | EU | Reissue (Blue Note)
22,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Alto saxophonist Jackie McLean had the blues on his mind when he went into Van Gelder Studio in 1961 to record his hard bop masterpiece Bluesnik with a blazing quintet featuring Freddie Hubbard on trumpet, Kenny Drew on piano, Doug Watkins on bass, and Pete La Roca on drums. The six-song set of bluesy originals brims with immediacy and vibrancy.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.
Orphan Egg - Orphan Egg
Orphan Egg
Orphan Egg
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.
Gloria Lynne - I'm Glad There Is You
Gloria Lynne
I'm Glad There Is You
LP | 1961 | US | Original (Everest)
8,79 €* 10,99 € -20%
Release: 1961 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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