Vinyl 778 Items

Medina Tone Poet Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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If you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce GANDALF’s 1969 self-titled release as one of our proudest moments. Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych-pop record (fans of THE Left Banke, Kaleidoscope, THE Millennium, and THE Zombies, take note!). Recorded at Century Sound in Manhattan with Grammy-winning producer Brooks Arthur (who engineered Neil Diamond’s “Sweet Caroline” and Van Morrison’s “Brown Eyed Girl”), the production of the album was created on the spot in the studio with arrangements being thrown about and the incredibly haunted vocals being recorded directly from the band’s PA using a Binson Echorec to make this innovative sound (Pink Floyd later used the same echo unit to great effect). Add to that sitars, vibes, B3 organs, harpsichord, minor tragic guitar chords, and bass drones aplenty, and you’ve got the recipe for an album that bears listening to with eyes closed, music cranked, mind open. So get in on the beauty of this record, and as Sando says on the liner notes: “Put the needle in the groove, sit back, and take the trip with GANDALF.” Enough said.

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Bobby Hutcherson

LP | 1969 | Reissue (Blue Note)

38,99 €*

Baden Powel E Vinicius De Moraes

Release: 1969 / Reissue

Genre: Organic Grooves

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Bobby Hutcherson’s cutting-edge 1969 session "Medina" found the vibraphonist with a remarkable band featuring Harold Land on tenor saxophone & flute, Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums. The set presents original compositions by Hutcherson, Cowell, and Chambers.
BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a single sleeve with deluxe tip-on jacket.

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Os Afro Sambas

LP | 1966 | EU | Reissue (Forma)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Howlin' Wolf 60th Anniversary Edition

Howlin' Wolf

LP | 1962 | US | Reissue (Friday Music)

40,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Verve)

Nina Simone

I Put A Spell On You

Genesis HHV Exclusive Green Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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180g

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Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

David Bowie Indie Exclusive Cloudy Green Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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David Bowie

2LP | 1967 | WW | Reissue (Decca)

41,99 €*

Release: 1967 / WW – Reissue

Genre: Rock & Indie

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Nancy In London Summer Wine Red Vinyl Edition

Nancy Sinatra

LP | 1966 | US | Reissue (Light In The Attic)

36,99 €*

The Futuristic Sounds Of Sun Ra

Release: 1966 / US – Reissue

Genre: Rock & Indie

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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”

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Sun Ra

LP | 1962 | US | Reissue (Craft)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Abbey Road 50th Anniversary Edition

The Beatles

LP | 1969 | EU | Reissue (Apple)

Release: 1969 / EU – Reissue

Genre: Pop

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LP | 1965 | Reissue (Blue Note)

Lee Morgan

The Gigolo

Release: 1965 / Reissue

Genre: Organic Grooves

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LP | 1962 | UK | Reissue (Blue Note)

Freddie Hubbard

Ready For Freddie

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Ti Ho Sposato Per Allegria Blue Vinyl Edtion

Piero Piccioni

LP | 1967 | EU | Reissue (Musica Per Immagini)

LP | 1965 | DE | Reissue (Impulse)

Release: 1967 / EU – Reissue

Genre: Soundtracks

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“Ti Ho Sposato Per Allegria” (1967) is a comedy directed by Luciano Salce, taken from the theatrical play of the same name (1965) by Natalia Ginzburg. The main characters are Pietro and Giuliana, respectively interpreted by Giorgio Albertazzi and Monica Vitti. A lawyer from a good family, serious, accustomed to a calm and regular life who got married to a indolent and dazed girl with a difficult past a month after meeting her at a party. Despite Giuliana's inability to transform herself into a good housewife, his relationship with Pietro continues to flourish, because he seems to find enjoyment in each of his wife's many mistakes. The reason for their union lies not in love but, perhaps, in a genuine sympathy, as strong as it is mutual. The story has become a minor classic with each new representation. On both stage and screen the themes of everyday life, and the more complex and existential ones, are addressed. The subtle irony of the work relies on recounting problematic events in a carefree tone: realities such as abortion, death, separation and the couple's incommunicability are underplayed with naturalness. The funny events of the film are commented on by Piero Piccioni's music, published for the first time on vinyl by Musica Per Immagini, with an harmonious tracklist. For this first orchestra rehearsal with the director, which will be followed by other important soundtracks, the composer makes an effective and elegant synthesis: on the one hand he reworks moods and aesthetic intuitions of some previous and happy experiences, while on the other he identifies and anticipates the first bars of that unmistakable sound between bossa nova, funk and lounge nuances that will characterize almost all the production of the Seventies. In fact, the Turin-native artist simplifies in a positive sense the articulated harmonic structures that have always distinguished his authorial figure – where the so called jazz features are to be considered more than central in the musical texture, as prominent elements of the harmonic syntax – and he tries a melodic reduction that will make the compositions more catchy or memorized, but not easier for this. Lightness of spirit and rarefied elegance are the keys of this new Dionysian world.

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John Coltrane

A Love Supreme

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Blue Note)

Herbie Hancock

Maiden Voyage

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Jefferson Airplane

Surrealistic Pillow

74,99 €*

Sweet Rain Acoustic Sounds Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 Gram MONO 45RPM Audiophile Vinyl, limited/numbered

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Stan Getz

LP | 1967 | US | Reissue (Verve)

38,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Craft)

Isaac Hayes

Hot Buttered Soul

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | Reissue (Blue Note)

Bobby Hutcherson

Happenings

Release: 1967 / Reissue

Genre: Organic Grooves

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LP | 1966 | UK | Reissue (Bgp / Tuba)

Johnny Lytle

New And Groovy

Milford Graves & Don Pullen

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Vibes player Johnny Lytle was one of the heroes of the early acid jazz club circuit, with his cut 'Selim' being an anthem of the scene.

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Nommo

LP | 1967 | EU | Reissue (Chush)

El Juego De Desaparecer / Chica Tiéntame

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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In his 1967 DownBeat review of the initial release, Amiri Baraka wrote: "The music is beautiful on this album... These two players... are making some of the deepest music anywhere. It wants nothing."

Peter Margasak included the album in his list of "Favorite Albums of 2020," and wrote: "Essential coupling of two insanely rare duo albums from a 1966 concert at Yale University: Pullen at his most ferocious and probing, Graves making a huge step in establishing his radical approach to polymetric movement."

In a review for Point of Departure, John Sharpe commented: "The five pieces represent a true dialogue... Although intensity levels vary, the exchanges remain resolutely non-melodic and non-metric throughout... Even after all this time the music still challenges preconceptions. It remains a classic of the genre and deserves to be widely heard."

Thurston Moore included Nommo in his "Top Ten From The Free Jazz Underground" list, first published in 1995 in the second issue of the defunct Grand Royal magazine, calling the interplay between the musicians "remarkable."

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Los Syn

7" | 1966 | EU | Reissue (Madmua)

21,99 €*

LP | 1969 | EU | Reissue (Elemental)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Los Syn were born in 1966 in Chile, formed by four young lads from the US whose parents were working in Santiago at the time, and they released this sole 45 before all going back to the US next year. The record is practically nowhere to be found, and such an amazing example of teen garage folk-punk the way we all lose our head for.

Limited reissue of 500 copies, with an insert with liners by Gary Pilgram (bass player), and two postcards with unseen photos!

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Pharoah Sanders

Jewels Of Thought

7" | 1969 | Reissue (Cleopatra)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Jewels of Thought is an album by the American jazz saxophonist Pharoah Sanders. It was recorded at Plaza Sound Studios in New York City on October 20, 1969, and was released on Impulse! Records in the same year.

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Bob Marley

Soul Rebel

11,99 €*

Release: 1969 / Reissue

Genre: Reggae & Dancehall

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LP | 1969 | US | Reissue (Craft)

Joe Henderson

Power To The People

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Andromeda Black Vinyl Edition

Andromeda

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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One of the key albums when talking about psychedelic hard-rock and early proto-metal, originally released in 1969. Featuring the great John Du Cann (The Attack, Atomic Rooster, Hard Stuff…) on guitar plus Mick Hawksworth (Fuzzy Duck, Alvin Lee) on heavy bass plus the powerful drumming of Ian McLane (Neat Change, Ray Owen’s Moon).

Andromeda was formed during the final days of Du Cann’s previous band The Attack, when he decided to go in a full heavier & proggier musical direction. Recruiting his friend/room mate Mick Hawksworth on bass plus drummer Jack McCulloch (of One In A Million, soon to be replaced by Ian McLane), the power-trio was born. After initial interest from John Peel (Dandelion) and Kit Lambert (Track Records), Du Cann decided to go with a major label, RCA, who offered him the chance to self-produce their first album. Recorded at Advision Studios, the impressive Andromeda debut was released in 1969, housed in a sleeve designed by John with photos by Gered Mankowitz. But despite receiving excellent reviews and the band playing lots of gigs (some of them billed above bands like Black Sabbath), RCA didn’t know what to do with such a heavy rock band. Tired of the lack of promotion and support, John accepted an offer to join Atomic Rooster… but that’s another story.

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LP | 1967 | JP | Reissue (P-Vine)

B.B. King

The Jungle

East Broadway Run Down Acoustic Sounds

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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The Jungle, regarded as one of the best of B.B. King's many albums, is being reissued on P-vine! Recorded in 1961-62, at the height of his career, and released on Kent after he moved to ABC, six R&B charting hits came from this album. All of the songs are superbly crafted, and are truly the king of the blues. Slow songs such as '5 Long Years' are typical of B.B.'s music of this era. You can't talk about B.B. King without listening to this album!

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Sonny Rollins

LP | 1966 | EU | Reissue (Impulse)

38,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Reissue (Light In The Attic)

Nancy Sinatra

Boots Blue Vinyl Edition

19,99 €*

LP | 1965 | BR | Reissue (Polysom)

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

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Moacir Santos

Coisas

39,99 €*

Release: 1965 / BR – Reissue

Genre: Organic Grooves

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Guitar Forms Acoustic Sounds

Kenny Burrell

LP | 1965 | EU | Reissue (Verve)

43,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell's album "Guitar Forms" stands as Burrell’s definitive musical statement. It was nominated for three Grammys in 1965, is considered one of the true masterpieces in the Verve catalog. This is partly due to the outstanding performance of the guitarist himself, of course, but also to the unforgettable arrangements that Gil Evans wrote for five of the album's nine tracks. According to AllMusic, these were in no way inferior to the brilliant arrangements that Evans had made for Miles Davis classics such as "Birth Of The Cool", "Porgy And Bess" and "Sketches Of Spain".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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LP | 1969 | JP | Reissue (P-Vine)

Kashmere Stage Band

Our Thing

37,99 €*

Music For The Small Hours

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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Clarke-Boland Sextett

LP | 1967 | JP | Reissue (P-Vine)

Easter Everywhere Half Speed Master Edition

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Formed by Kenny Clarke and Francy Boland, the Clarke-Boland Sextett, with the participation of numerous musicians from both Europe and the United States, made significant contributions to the development of jazz in Europe. At the core of this ensemble, the powerhouse sextet consisting of Kenny Clarke, Francy Boland, Sahib Shihab, Jimmy Woode, Joe Harris, and Sadi came together to record the album "Music For The Small Hours" in 1967, and it is now set to be reissued with an obi.

This album spans a wide range of styles, from standards like Burt Bacharach's "Wives & Lovers" to Brazilian and Afro-Cuban influences such as Luiz Bonfá's "Ebony Samba" and Dizzy Gillespie's "Tin Tin Deo." Additionally, it features original compositions like Shihab's "Please, Don't Leave," where he takes on vocal duties. The entire recording exudes a sophisticated and relaxed mood, showcasing the utmost skill of this formidable sextet. "Music For The Small Hours" is a masterpiece that deserves a place in the history of European jazz, boasting the ultimate level of refinement.

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The 13th Floor Elevators

LP | 1967 | UK | Reissue (International Artists)

42,99 €*

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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Dusty In Memphis Atlantic 75 Series

Dusty Springfield

2LP | 1969 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Mi Mami Dijo / Pobre Nina

Release: 1969 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

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Los Monjes

7" | 1965 | EU | Reissue (Discos Quilombo)

18,99 €*

LP | 1962 | DE | Reissue (Impulse)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Reissue of this incredibly wild proto-punk garage 45 released in Mexico in 1965!!! 500 copies only!!!

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John Coltrane

Ballads

Release: 1962 / DE – Reissue

Genre: Organic Grooves

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Waltz For Debby Opaque Baby Pink Vinyl Editin

Bill Evans Trio

LP | 1962 | EU | Reissue (Dol)

15,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | NL | Reissue (Elektra)

The Stooges

Release: 1969 / NL – Reissue

Genre: Rock & Indie

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Come Into My Parlour / Check Him Out

The Bleechers

7" | 1969 | EU | Reissue (Harlem Shuffle)

11,99 €*

LP | 1966 | EU | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Reggae & Dancehall

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About THE Bleechers

The Bleechers (Leo Graham, Wesley Martin, and a third singer known only as Sammy) were a Jamaican harmony trio who formed around 1968, when they performed some studio work for producer J.J. Johnson. The Bleechers are better known though, for a series of outstanding singles they recorded with famed producer Lee "Scratch" Perry a year later, including the ultra-rare smash hit "Come Into My Parlour" and the brilliant "Check Him Out", both featured on this EP. Sadly no album was ever completed. Surprisingly, the Bleechers are also famous for tracks they did not do but got credited for… The 1968 incredible “What’s Wrong With You”, their first track on an Upsetter blank is actually not performed by them at all but by the Race Fans!!! And the 1969 “Pound Get A blow” also on an Upsetter blank is in fact a song by The Soul Twins. A well-known and explicit track by The Bleechers is the shocking “Ram You Hard” released on the Pama ‘s Punch sublabel in 1969 under the incredible name John Lennon & The Bleechers, where they explicitly describe what's about to happen to a poor young lady: "I ram you hard/To make you feel alright," says the main line repeatedly… Risqué indeed! Even with these few standout tracks, the band lacked any proper recognition at the time. After disbanding, Leo Graham carried on recording for Lee Scratch Perry as a singer and he wrote a handful of great songs such as the lovely “Want A Wine” in 1972 and the amazing “Black Candle” in 1973. Finally, another track Graham recorded for Perry "Voodooism” gave its name to an anthology of Perry-produced Black Ark rarities some 30 years later…

About This Exceptional Release

These two outstanding tracks were released separately on the Upsetter label in 1969: first “Come Into My Parlour” on TMX 202, followed by “Check Him Out on TMX 330. Lee Scratch Perry wrote and produced both songs. “Come Into My Parlour” was also featured on the Trojan’s Tighten Up volume 2 LP that year also!

“Come Into My Parlour” has never been repressed since. It is impossible to find in good conditions and is in great demand.

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Wayne Shorter

Speak No Evil

32,29 €* 33,99 € -5%

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Blue Note)

Pete La Roca

Basra

Spirits Known And Unknown

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Underrated drummer’s 1965 album
His debut solo album and one of only two Blue Note albums as leader (the second emerged in 1997)
Recorded at the Van Gelder Studio on 19th May 1965
Featuring Blue Note legend Joe Henderson on tenor, Steve Kuhn on piano and Steve Swallow on bass
Showcasing three fine La Roca originals (the title track, ‘Candu’, ‘Tears Come From Heaven’), Steve Swallow’s ‘Eiderdown’ and interesting takes on the standards ‘Malaguena’ and ‘Lazy Afternoon’
Produced by Alfred Lion
Includes a famous Reid Miles cover, plus photography by Francis Wolff and liner notes by Ira Gitler

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Leon Thomas

LP | 1969 | UK | Reissue (Pure Pleasure)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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The Max Roach Trio Feat. The Legendary Hasaan

The Max Roach Trio

LP | 1965 | EU | Reissue (Speakers Corner)

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Hardly any other musician has released so little as Hasaan Ibn Ali, born William Henry Langford Jr., in 1931, who died in 1980. Just seven titles in all are his complete output, all of which he composed himself, all of them on the present Atlantic LP, and all recorded in December 1964. The saxophonist Odean Pope, who often practised with him, talks of a second recording session in 1965 for Atlantic, but the recordings were never released because Hasaan was sent to jail shortly afterwards; rumour has it that the tapes were destroyed in a fire – and it might well be that recordings with John Coltrane still exist somewhere or other.
Until then, one should enjoy the Max Roach Trio with Art Davis on the bass to the full. We have here a recording that will astound and fascinate your ears with its originality. A first impression conjures up reminiscences of Cecil Taylor and Herbie Nichols, while Hasaan himself talks of the pianist Elmo Hope as the man who brought him closer to the 'mystery of music'. When asked how the recording session with maestro Max Roach went, Hasaan said: »They scared me to death.«
According to Odean Pope, Hasaan was not an easy person to get on with, and he was convinced of his talent to the point of arrogance. But despite this – or perhaps because of this – one listens spellbound to the 40 minutes on this LP, a legacy and never-fulfilled promise of an extremely talented man. We are indebted to Max Roach, who persuaded the bosses of Atlantic Records to make these recordings. For many, many years they had vanished from the record market, but fortunately they are now available as an audiophile re-release to be listened to and admired.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

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Herbie Hancock

Fat Albert Rotunda

LP | 1966 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Fat Albert Rotunda is the venture into jazz-funk by keyboardist Herbie Hancock. The record is
centered around the music Hancock wrote the Fat Albert cartoon show. It’s one of the records which
appeared in the period between his landmark album Maiden Voyage of 1965 and his 1973 classic
Head Hunters. Fat Albert Rotunda is a unique item in Herbie Hancock’s long and diverse catalog, with
funky tracks like "Fat Mama" and modern jazz-oriented tunes like "Tell Me A Bedtime Story". The
sextet which is backing Hancock consists of some of the most prominent musicians of that time, like
Joe Henderson on tenor sax, Johnny Coles on trumpet and Buster Williams on the bass.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

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Baden Powell

Tristeza On Guitar

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Frank Sinatra & Antonio Carlos Jobim

Francis Albert Sinatra & Antonio Carlos Jobim

LP | 1967 | EU | Reissue (Universal)

LP | 1967 | EU | Reissue (CY Music)

Release: 1967 / EU – Reissue

Genre: Pop

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“Francis Albert Sinatra & Antônio Carlos Jobim” is a 1967 studio album by Frank Sinatra and Antônio Carlos Jobim. The tracks were arranged and conducted by Claus Ogerman, accompanied by a studio orchestra. Along with Jobim's original compositions, the album features three standards from the 'Great American Songbook, ("Change Partners", "I Concentrate on You", and "Baubles, Bangles and Beads") arranged in the bossa nova style. This new edition contains additional bonus tracks.

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Mavi Isiklar

Iyi Düsün Tasin

20,99 €*

LP | 1965 | EU | Reissue (MCA)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The holy grail of turkisch surf-rock.

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B.B. King

Live At The Regal

22,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Strictly From Hunger Color-In-Color Vinyl Edition

Hunger

2LP | 1967 | UK | Reissue (GNP Crescendo)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Killer Doorsy organ and fuzzed-out guitars, including all-time psychedelic classics like "Colors", "Workshop" and "Mind Machine".

Transplanted from Portland to the Sunset Strip, Hunger played at all the hip places (Whisky a Go Go, Cheetah, Kaleidoscope...), rubbing shoulders with bands like Hour Glass (pre-Allman Brothers), the Doors or Steppenwolf.

In 1969 they released "Strictly from Hunger!" for the small Public label. Highly sought after, we’re proud to present a straight reissue of such collectable album.

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The Seeds

Future

Poe Through The Glass Prism

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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The ensuing album, “Future”, seemed at once both calculated and confused. For some, it represents the Seeds’ grand psychedelic statement, a mind-blowing articulation of the flower power movement of which they had been proclaimed torchbearers. To others, “Future” is Sky Saxon’s folly: an over-egged, acid-damaged pudding that submerged the true power of the band with meaningless grandeur. The truth lies somewhere between. A narcissistic over-confidence made Sky feel the need to now augment Daryl, Jan and Rick in the studio with numerous overdubs – strings, harp, tuba – on hastily cobbled material that brimmed with bizarre lyrical concepts. On certain tracks the combination worked fine, on others it seemed almost like a parody of psychedelia. Nevertheless, “Future” contains many fan favourites such as ‘Painted Doll’, ‘Flower Lady’, ‘Two Fingers’ and ‘A Thousand Shadows’.

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The Glass Prism

Release: 1969 / EU – Reissue

Genre: Electronic & Dance

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LP | 1967 | EU | Reissue (Guerssen)

The Living Daylights

Let's Live For Today

Release: 1967 / EU – Reissue

Genre: Pop

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LP | 1969 | UK | Reissue (Charly)

Don Cherry

Mu. First Part

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Genesis Black Vinyl Edition

Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

LP | 1962 | EU | Reissue (Jazz Workshop)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Ron Jefferson

Love Lifted Me

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Walpurgis Black Vinyl Edition

The Shiver

LP | 1969 | EU | Reissue (Sommor)

LP | 1969 | EU | Reissue (Cosmic Rock)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Heavy prog-psych with tons of organ and fuzz guitar courtesy of THE Shiver from Switzerland. This is their sole album from 1969, housed in a sinister cover designed by surrealist painter H.R. Giger (his first album cover work). Originally formed in the mid-60s in St. Gallen (Switzerland) as a beat, R&B band in the vein of Spencer Davis Group or The Yardbirds (and featuring an English vocalist), The Shivers dropped soon the “s” from their name at the same time as they adopted the early progressive sounds of British bands like Procol Harum or Moody Blues. After winning the first prize at a couple of major music festivals and even sharing stage with Pink Floyd, they started recording their first album. Combining interesting cover versions (the LP opens with a monster heavy cover of Procol Harum’s “Repent Walpurgis") and original songs, the album is a perfect example of the transition from beat and blues-rock to psychedelia and heavy prog.

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The Aggregation

Mind Odyssey

LP | 1967 | US | Reissue (Warner)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Prompt reissue of the only album released by The Aggregation, a Los Angeles psych rock combo, who licensed the album on LHI - Lee Hazlewood company - back in 1969. The story goes like that: the band used to perform cover songs at Disneyland attraction park but also produced a bunch of originals to get along with Disney rides and exhibits. Hence their concept album in which "funhouse" is a metaphor for exploring the brain frontiers. A must have!

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The Grateful Dead

Release: 1967 / US – Reissue

Genre: Rock & Indie

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It's So Hard To Tell Who's Going To Love You The Best

Karen Dalton

LP | 1969 | EU | Reissue (Light In The Attic)

34,99 €*

LP | 1966 | DE | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Features new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes - Pressed at RTI - Includes liner notes by Brian Barr - Featuring unseen photos by legendary photographer Joel Brodsky - LP housed in an expanded gatefold jacket

Description: “My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.” – Bob Dylan

Karen Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching & bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.

World-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.

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Joe Henderson

Mode For Joe

Release: 1966 / DE – Reissue

Genre: Organic Grooves

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Chicken Fat Red Vinyl Edtion

Mel Brown

LP | 1969 | US | Reissue (Jackpot)

Hip Hug-Her Pink Vinyl Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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The 1967 Impulse Records legendary Funk/Soul Instrumental masterpiece album Chicken Fat. If you haven’t heard Chicken Fat yet, get ready because the LP won’t leave your turntable until your jaw stops hitting the floor. Sourced from the original analog master tapes by Kevin Grey. All Analog Process (aaa) Initially working as a guitar player for such greats as Sonny Boy Williamson & Etta James, Impulse Records eventually offered Mel Brown the chance to record his own material. Recorded in 1967 in Hollywood, CA, for the Impulse record label, Brown amassed a group of session musicians who had played with Charles Mingus, Marvin Gaye, and Dizzy Gillespie. Much of the album was arranged by Oliver Nelson, who worked with Thelonious Monk, Sonny Rollins, Jimmy Smith and more. His touch is felt all over the record and helps solidify the journey. These recording sessions also reflected the Sunset Strip and the energy of late ‘60s Los Angeles so incredibly, you can almost hear the go-go boots hit the floor to dance til they drop.

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Booker T. And The Mg's

LP | 1967 | US | Reissue (Jackpot)

LP | 1969 | EU | Reissue (Rhino)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. 1967’s Hip Hug-Her is one of their most beloved records. Spawning two significant hits, their cover of the Young Rascals “Groovin” and the title track "Hip Hug-Her"

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Crosby, Stills & Nash

36,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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U.F.O. Blue Splatter Vinyl Edition

Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

LP | 1969 | UK | Reissue (Beverley's)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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Toots And The Maytals

Sweet And Dandy

LP | 1969 | EU | Reissue (Proper)

Release: 1969 / UK – Reissue

Genre: Reggae & Dancehall

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Formed by lead vocalist legend Toots Hibbert, and the ragged call-and-response background singers Nathaniel “Jerry” McCarthy and Raleigh Gordon, Toots & the Maytals were spotted by Beverley Records’ founder Leslie Kong who produced the group’s first records in the 60s. Their Sweet And Dandy album was featured in 1972’s emblematic movie The Harder They Come, which included a performance of the title track recorded at Beverley Studios and also highlighted ‘Pressure Drop’ in its accompanying soundtrack. The movie’s unprecedented success, combined with some of the solid gold singles pulled from this album, fast-tracked Toots and the Maytals to reggae icon status, assuring the group international success and making Sweet And Dandy one of the most highly acclaimed albums in Jamaican music.

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White Noise

An Electric Storm

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Endless Happiness)

The Orient Express

22,99 €*

Nancy In London Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The Orient Express' sole LP from 1969 stands today as an early experiment in world fusion - and a pretty successful one at that, at least artistically. Guitarist Guy Duris is a Frenchman who became enamored with the oud, a classical Arabian guitar. Belgian Bruno Giet is a bass player with a rock background. Iranian Farshid Golesorkhi is an award-winning percussionist in the Persian tradition. As a trio, they only left 35 minutes for posterity, but these minutes are filled with interesting ideas and kitschy songs, all originals.

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Nancy Sinatra

LP | 1966 | US | Reissue (Light In The Attic)

34,99 €*

Release: 1966 / US – Reissue

Genre: Rock & Indie

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LP | 1962 | JP | Reissue (P-Vine)

Lightnin' Hopkins

Mojo Hand

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Forget lightning in a bottle, we have Lightnin' on a vinyl! Recorded in New York in 1960 with famed producer Bobby Robinson, Mojo Hand is considered by many to be one of the finest blues records of all time. Since P-vine reissued it for the first time ever in 1983, word of the record’s quality quickly spread, with original copies now selling for thousands of dollars on the second hand market! Whether it’s the boogie of title song “Mojo Hand”, or the low and slow blues of “Have You Ever Loved a Woman”, the Lightnin’s acoustic blues is soulful. Don’t miss Mojo Hand, available for the first time ever on limited edition red vinyl with an obi-strip, only from P-vine Records.

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LP | 1969 | EU | Reissue (Elemental)

Ramsey Lewis

Mother Nature's Son

40,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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I Want My Woman White Vinyl Edition

The Emperors

LP | 1965 | US | Reissue (Beatrocket)

Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Blisterin’ bleach blonde garage punk from Long Beach’s Emperors!

Previously limited to a handful of singles, this full length LP includes all of their material, including 4 unissued tracks! From the maniacal laughter on “Laughin’ Linda” to their foot-tappin’ cover of the Zombies’ “You Make Me Feel So Good” it’s easy to see why this group of teens were hailed as Long Beach’s favorite group.

Susan Gilmore, an Emperor fan, recollects, “The highlight of the dances were when they played. While attendance was pretty good for other bands, the Emperors packed the place every time. The buzz would start during the week at school. ‘The Emperors are playing this weekend. Are you going to go?’”

The wild teenage sound of the original Emperors is still the greatest. “It's just a lifetime experience,” concluded Randall. “In a way, I felt that we were ahead of our time. The way we played and the way we presented everything on stage, nobody was shy. It was a wonderful experience.”

A new version of the band rebranded as simply Emperor, led by Steve Watts and Randy Budihas, would record for RCA, then Private Stock during the ‘70s. After a 20-year break, The Emperors reformed in 2002 and are still performing and entertaining fans today.

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Yusef Lateef

LP | 1969 | UK | Reissue (Arc Records)

43,99 €*

Senza Sapere Niente Di Lei Record Store Day 2023 Edition

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."

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Ennio Morricone

LP | 1969 | EU | Reissue (CAM SUGAR)

LP | 1969 | JP | Reissue (Craftman)

Release: 1969 / EU – Reissue

Genre: Soundtracks

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Senza Sapere Niente di Lei (1969, Luigi Comencini) is one of the first scores composed by Ennio Morricone for a Giallo film, just ahead of the great season of the cult Italian thrilling genre forged by Dario Argento...so far unreleased on vinyl (with the exception of two tracks included on a 1980 CAM anthology LP, now pretty much impossible to find). With “Senza Sapere Niente di Lei” Morricone composed one of his most dreamy and ethereal scores, with a sweet and delicate theme unfolding in a lullaby to the rhythm of a valzer, and interpreted in multiple keys: from lounge-jazz to experimental music. The final result is a sensual and suave sound that well matches the quintessential morbid style of Giallo cinema and of the film’s plot.

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Masahiko Togashi

We Now Create

45,99 €*

Creedence Clearwater Revival

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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The most important artists in the history of Japanese free jazz, Masahiko Togashi, Masayuki Takayanagi, Mototeru Takagi and Motoharu Yoshizawa. A solemn and crazy improvisation work originally recorded in 1969! "It was not until 1969, when this album was recorded, that the quality of Japanese free jazz works reached a world-class level. The most important artists in the history of Japanese free jazz feast the solemn and insane improvisation has not faded away even in the present age of 2022." - Kouki Hanawa (Craftman Records)

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Willy And The Poor Boys

LP | 1969 | EU | Reissue (Fantasy)

22,99 €*

LP | 1967 | EU | Reissue (Verve)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Vinyl LP repressing of this 1969 album. WILLY & THE POOR BOYS, the fourth album by one of the world's all-time greatest rock bands, Creedence Clearwater Revival, remains a top-selling album in the CCR catalog with over 2 million copies sold to date. Reaching the top 50 in six countries upon it's release, the album stands as a landmark international success and one that cemented the band's legacy as a vanguard of American rock 'n' roll. Contains the ubiquitous chart-topping hit, 'Down On The Corner,' which rocketed into the top 10 in the Billboard Hot 100 in the U.S. and continues to be a mainstay on classic rock radio today. Additionally, the visceral 'Fortunate Son' is included here - an incendiary protest song that became inextricably linked to the Vietnam war, resulting in it's addition to the National Recording Registry by the Library of Congress in 2014 for being 'culturally, historically, or aesthetically significant'.

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Nina Simone

High Priestess Of Soul

Nancy Wilson W/ Cannonball Adderley

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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180g Vinyl LP pressing. High Priestess of Soul is the last album Simone released under Philips Records. The songs are accompanied by a large band directed by Hal Mooney. The album contains popular songs, such as "Don't You Pay Them No Mind" and African American gospel and folk related songs written by Simone herself, such as "Take Me to the Water" and "Come Ye." After this album title, Nina Simone was sometimes referred to as "the high priestess of soul." Nina Simone was an American singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Simone's musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.

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Nancy Wilson

LP | 1962 | EU | Original (Intermusic)

21,99 €*

Release: 1962 / EU – Original

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Sam)

Nathan Davis Sextet

Peace Treaty

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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2LP | 1969 | US | Reissue (Analogue Productions)

Jethro Tull

Stand Up

93,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Bring It Home To Me Tone Poet Vinyl Edition

Blue Mitchell

LP | 1966 | EU | Reissue (Blue Note)

36,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Rhino)

The Doors

Strange Days

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1966 | EU | Reissue (Blue Note)

Bobby Hutcherson

Stick Up!

42,99 €*

Morgen Black Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Vibraphonist Bobby Hutcherson’s 1966 album Stick-Up! found him in the company of a new band line-up with Joe Henderson, McCoy Tyner, Herbie Lewis, and Billy Higgins. The quintet covers a vast expanse of post-bop territory on five Hutcherson originals plus Ornette Coleman’s “Una Muy Bonita.”

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Bobby Hutcherson (vibraphone); Joe Henderson (tenor saxophone); McCoy Tyner (piano); Herbie Lewis (bass); Billy Higgins (drums)

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Morgen

We Are Ever So Clean Remastered Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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US heavy psych masterpiece from 1969. Powerful sound and recording with thunderous drums, piercing fuzz guitars and the incredible vocals of Steve Morgen. Formed as Morgen’s Dreame Spectrum in 1967 in NY, Morgen were one the first bands signed to ABC’s offshoot Probe Records (home also of Soft Machine in the US). Fuelled by the chemistry between ace guitar player Murray Shiffrin and creative songwriter/singer Steve Morgen, they recorded their self-titled album in 1968 but, much to the band’s dismay and frustration, it wasn’t released until December 1969. Morgen included seven impressive tracks, all of them written by Steve Morgen. You can hear subtle influences of Hendrix, Stones, Who, Doors or Donovan but Morgen’s sound is clearly a beast of its own kind. The mysterious gatefold cover featured Edvard Munch’s iconic 1893 composition The Scream on the front. Welcome to the Void! *Original gatefold artwork. *Repro of the elusive poster insert. *New color insert with cool photos and detailed liner notes by Mike Stax (Ugly Things) *Audiophile restoration / remastering by Ezra Lesser.

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Blossom Toes

LP | 1967 | UK | Reissue (Cherry Red)

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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2LP | 1969 | UK | Reissue (Soul Brother)

Marva Whitney

It's my thing

LP | 1969 | EU | Reissue (Mad About)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Remastered double LP incl. 18 tracks ... produced by James Brown, sampled by Del, EPMD, Special Ed, Funkdoobiest, ...

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The Four Sounds

Jazz From District Six

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Impossible-to-find gem from 1969 finally reissued in a deluxe edition. Ultra Rare South African Jazz from District Six with legendary musicians Clifford Moses, Richard Schilder, Basil Moses and Basil Coetzee.

True Jazz today is becoming a rare art whose existence depends not only on the Jazz-musician but also on the medium by means of which it is propagated. This album is the combined effort of musician and Trutone Record Company to add their contribution to the interest of the arts. The theme for this album is set in "District Six", the community which brought forth "The Four Sounds".

Basil Moses is perhaps most widely known, in the context of South African jazz history, as having recorded prolifically – including performing on seven or eight of Abdullah Ibrahim’s 1970s recordings. He also features on Sathima Bea Benjamin’s African Songbird (The Sun, GL 1839).

Guitarist Cliffie Moses, three years older than brother Basil, was also a professional musician and the two, along with Richard Schilder and Billy Bowers (aka Billie Dollie), formed the Four Sounds in the early 1960s. The group with Basil ‘Manenburg’ Coetzee and Roy Nolly recorded their debut album, Jazz from District Six, in 1969 for Trutone (tblc 1).

In 1970 Basil, Cliffie, Roy Petersen and Monty Weber were all hired to tour the country as the core of Percy Sledge’s backing band for a seventeen-week sell-out tour of South and southern Africa. Percy Sledge described it as the “greatest tour of [his] career”.

Notes by Siemon Allen at Flatinternational”

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H.P. Lovecraft

West Coast Pop Art Experimental Band

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Originally released in October 1967 by Philips Records, H. P. Lovecraft is the debut album by the American psychedelic rock band H. P. Lovecraft. The album blended psychedelic and folk rock influences and was marked by the haunting, eerie ambiance of the band's music, which itself was often inspired by the literary works of horror writer H. P. Lovecraft, after whom the band had named themselves. This is possibly one of the best second-division psychedelic albums, that shows the immediately identifiable Edwards-Michaels vocal tandem at its best. With deft touches of folk, jazz and sultry horn arrangements the album was a cult behind his own generation.

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Part One Mono Edition Colored Vinyl Edition

LP | 1967 | US | Reissue (Jackpot)

West Coast Pop Art Experimental Band

Release: 1967 / US – Reissue

Genre: Pop

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Formed in Los Angeles in 1965, The West Coast Pop Art Experimental Band was considered by many to be Calfornia's answer to the Velvet Underground. The group created psych/rock music that was both fragile and dreamy. 'Part One' (the band's second LP!) was originally released in 1967 on Frank Sinatra's Reprise Records. Though band leader Bob Markley and his companions didn't achieve the fame or notoriety of other bands from the area, they have nonetheless achieved cult status among collectors. For the first time, this legendary records gets reissued in MONO, with sound from the original master tapes.

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Volume 2 Mono Edition Colored Vinyl Edition

LP | 1967 | US | Reissue (Jackpot)

32,99 €*

2LP | 1966 | EU | Reissue (Sony)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Released in 1967 on Reprise Records as a follow-up to 'Part One', 'Vol. 2' (the band's third LP!) takes the band into more ambitious and psychedelic territory than the '66 debut on Fifo Records and the first Reprise full-length, 'Vol. 2' maintains their unique pop sound mixed with ominous fuzz guitar, jumping from graceful folk-rock to wailing guitar freakouts, to multilayered avant-garde compositions at a moment's notice. This legendary LP sees its first ever reissue in mono, with sound taken from the original master tapes.

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Bob Dylan

Blonde On Blonde

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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LP | 1966 | EU | Reissue (Far Out)

Jose Roberto Bertrami

Jose Roberto Trio

LP | 1962 | UK | Reissue (Impex)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time vinyl reissue of Jose Roberto Bertrami's 1966 ‘José Roberto Trio’ via Far Out Recordings. Best known as the keyboardist and bandleader of legendary trio Azymuth, the late José Roberto Bertrami also wrote for, arranged for and performed with Elis Regina, George Duke, Sarah Vaughn, Jorge Ben, Eddie Palmieri, Milton Nascimento, Flora Purim and Erasmo Carlos, among countless others.

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Kenny Dorham

Matador

66,99 €*

The Piper At The Gates Of Dawn Mono Mix Edition

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Numbered, Limited Edition - 5000 Copies!

Available On All-Analog Hq-180 For The First Time Ever!

Mastered by Chris Bellman From The Original Analog Master Tapes!

Sometimes in the course of our exploration of potential titles to reissue, we come across a true gem that somehow escaped mainstream popularity. Our new all-analog Hq-180 of Matador by trumpeter Kenny Dorham and his quintet is the latest and perhaps most crystalline example of this. There has never been a single 180-gram pressing available. It has only been reissued (officially) once in 50 years. When you hear it, you'll scratch your head raw that this under-appreciated gem has been missing for so long.

Working with a soulful Jackie McLean on alto, a loose and swinging Bobby Timmons on piano, and the locked-in rhythm section of Teddy Smith on bass and J.C. Moses on drums, the playing is spontaneous, energetic and expressive. Check out the frenetic interplay between Timmons and Moses during the long trailing section of "Melanie".

"Dorham and McLean, two of jazz' most passionate and lyrical players, are in very good form here. Helped by a varied set of material and an energized Timmons, they have fashioned an album of surpassing interest." - Ira Gitler, Downbeat Magazine, April 1963

Recorded in a single day in 1962, Matador contains the sprawling epic McLean-penned "Melanie" (a suite in three parts), as well as Dorham's smoldering "El Matador" and a stirring take on "Beautiful Love". Throughout the session, Timmons, Smith, and Moses provide sublime support while Dorham and McLean trade sinewy solos. Emotional musical exploration ties to readily approachable post-bop structure that make for a snappy, yet heady, mix of tunes that put a tap in your foot while engaging your head and heart.

Chris Bellman cut Matador from the original analog master tape (one of the few that survived the Universal warehouse fire of 2008, lucky for us) and the sound is revelatory! Tight acoustics of the Soundmaker Studios provide tightened bass, crystal-clear drums and beautifully rounded tones from Dorham's and McLean's horns. This is another fine example of Impex Records cutting through the fat of modern music-making to reveal the very essence of the music and the giant talents who created it. We are elated to bring this sadly-neglected classic back for true believers to add to their collection and (maybe more importantly) to a whole new generation to discover for the first time.

"Kenny Dorham's Matador can safely claim the all too common distinction of being a classic among jazz connoisseurs while virtually unknown to the casual listener... A fantastic session by any standard."- Brandon Burke, AllMusic Guide

Features Numbered, Limited Edition Limited To 5000 Pressings Audiophile 180g Vinyl LP 33rpm Available on all-analog LP for the first time in nearly 50 years First time ever on Hq-180 Mastered by Chris Bellman from the original analog master tapes Original single disc jacket with ribbed paper tip-on over heavy-board stock Pressed at RTI

Musicians

Kenny Dorham trumpet

Jackie McLean alto saxophone

Bobby Timmons piano

Teddy Smith bass

J.C. Moses drums

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Pink Floyd

LP | 1967 | EU | Reissue (Parlophone Label Group)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Reuben Bell With The Casanovas

It's Not That Easy / Hummin' A Sad Song

7" | 1967 | UK | Reissue (BGP)

11,99 €*

After All Black Vinyl Edition

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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This slice of Louisiana deep Southern soul has taken on a life of its own since Dave Godin included it on his first “Deep Soul Treasures” CD, and the single has shot up to well over three figures in value.

In 2021 the song is the subject of a cover version by the-name-to-drop Lady Blackbird and we felt it was about time that it was reissued in its original format.

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After All

LP | 1969 | EU | Reissue (Out-Sider Music)