Vinyl 15880 Items

LP | 1984 | EU | Reissue (Red)

Release: 1989 / NL

Genre: Hip Hop, Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Chet Baker

At Capolinea

56,99 €*

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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On The Radio: Greatest Hits Volume I & II

Donna Summer

2LP | 1979 | EU | Reissue (Def Jam)

38,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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One People (Alternate Mix)

Pablo Mose

7" | 1977 | EU | Reissue (JA-Man)

12,99 €*

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1975 | EU | Reissue (Greensleeves)

King Tubby

Dub From The Roots

Rise Of Atlantis Green Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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Two albums that shook the world! The release of these two ground-breaking dubs sets in 1975 altered the course of modern music forever. Dub From The Roots & Roots Of Dub make up a crucial selection of King Tubby’s mind-altering dub versions.
Produced by Bunny ‘Striker’ Lee – both albums are essential!

The ace reissue of these wicked dub albums collecting together classic 70's dub versions by dub pioneer and leader of ‘roots’ music in Jamaica, King Tubby! Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard. All the tracks on here are versions of classic tracks from Cornell Campbell, Johnny Clarke, Horace Andy, Linval Thompson, Derick Morgan & Hortense Ellis dubbed out by the King of Dub King Tubby!’

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Carter Jefferson

LP | 1979 | EU | Reissue (Music On Vinyl)

32,99 €*

LP | 1983 | JP | Reissue (Limelight)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Carter Jefferson was an American jazz tenor saxophonist who first made name for himself as member of Woody Shaw's first working quintet. As a sideman, Carter played amongst many jazz icons, including Art Blakey, Walter Davis, Jr. And Jack Walrath. In 1978, he released his first and only solo studio album, The Rise Of Atlantis, which was produced by Woody Shaw. For the recordings, Jefferson is backed by Terumasa Hino, Harry Whitaker, Clint Houston, Victor Lewis, Steve Thornton, Lani Groves, Shunzo Ono and John Hicks. The Rise Of Atlantis is available as a limited edition of 1000 individually numbered copies on translucent green colored vinyl and includes liner notes by Michael Cuscuna on the back sleeve.

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The Oscar Peterson Trio

Eloquence

LP | 1981 | EU | Reissue (Universal)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Grace Jones

Nightclubbing

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Subterranean Jungle Violet Vinyl Edition

Ramones

LP | 1983 | EU | Reissue (Warner)

31,99 €*

Burgers 50th Anniversary Transparent Neon Orange Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. 40th Anniversary of the seventh Ramones album. Subterranean Jungle marked a return to the roots of the band. Includes "Time Has Come Today." (Original RD: February 1983)

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Hot Tuna

LP | 1973 | EU | Reissue (Warner)

31,99 €*

Danger High Voltage (Henry Stone Records)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. Gepresst auf 140g Transparent Neon Orange vinyl, single LP jacket/ black poly-lined sleeve / Syeor sticker. Celebrating 50 Years of Their Debut Studio Album. Featuring: Jack Casady, Jorma Kaukonen, Papa John Creach, Sammy Piazza. Includes: “water Song” & “highway Song” Featuring David Crosby. Limited Edition ON Transparent Orange Vinyl. (Original RD: February 1972)

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Betty Wright

LP | 1974 | EU | Reissue (Wagram)

18,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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The Vibrators & Impact All Stars

Go Back

10" | 1971 | EU | Reissue (Onlyroots)

12,99 €*

Release: 1971 / EU – Reissue

Genre: Reggae & Dancehall

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Mama Used To Say (American Remix)

Junior

12" | 1981 | DE | Original (Mercury)

Release: 1981 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

LP | 1983 | JP | Reissue (Limelight)

Oscar Peterson

Soul Español

17,99 €*

LP | 1980 | EU | Reissue (Manzie)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

No obi.

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Ja-Man All Stars

King's Dub

30,99 €*

Release: 1980 / EU – Reissue

Genre: Reggae & Dancehall

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How Long Has This Been Going On?

Sarah Vaughan

LP | 1978 | JP | Original (Pablo)

18,99 €*

OST Bali Orange Vinyl Black Friday Record Store Day 2022 Edition

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

No obi.

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Giorgio Gaslini

LP | 1971 | EU | Reissue (AMS)

LP | 1972 | JP | Original (Polydor)

Release: 1971 / EU – Reissue

Genre: Soundtracks

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Limited edition for Black Friday Records Store Day 2022. First time ever LP reissue.

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Chick Corea

Return To Forever

LP | 1978 | JP | Original (Polydor)

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

No obi.

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Chick Corea

The Mad Hatter

19,99 €*

LP | 1978 | JP | Reissue (CTI)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Eumir Deodato

Prelude

9,99 €*

2LP | 1975 | JP | Reissue (Atlantic)

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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The Modern Jazz Quartet

The Last Concert

13,99 €*

LP | 1980 | JP | Original (Motown)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI.

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Diana Ross

Diana

19,99 €*

OST Quando L'Amore e Sensualita / When Love Is Lust

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Ennio Morricone

2LP | 1973 | EU | Reissue (Decca)

22,99 €*

Release: 1973 / EU – Reissue

Genre: Soundtracks

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The fourth release in the "Morricone Segreto" series is the first complete issue of Morricone's psychedelic, erotic music for the film "Quando L'amore È Sensualità" (When Love is Lust, 1973), one of the legendary Italian's many masterpieces. Some tracks had already been heard on compilations and have cult status among Morricone fans. Here you can hear the unabridged soundtrack with 11 previously unreleased tracks for the first time, freshly remastered from the original tapes.

2-lp, 140g, gatefold, padded inner sleeves

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Flag Limited Reissue 2022

LP+12" | 1988 | EU | Reissue (Polydor / Island)

Release: 1988 / EU – Reissue

Genre: Pop

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Stella Limited Reissue 2022

LP+12" | 1985 | EU | Reissue (Polydor / Island)

Release: 1985 / EU – Reissue

Genre: Pop

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You Gotta Say Yes To Another Limited Reissue 2022

LP+12" | 1983 | EU | Reissue (Polydor / Island)

Release: 1983 / EU – Reissue

Genre: Pop

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Solid Pleasure Limited Reissue 2022

LP+12" | 1980 | EU | Reissue (Polydor / Island)

Release: 1980 / EU – Reissue

Genre: Pop

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Joel Mc Ghie & Space Spies

LP | 1975 | EU | Reissue (Comet)

Close Enough For Rock 'N' Roll

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Comet Records present the new release out of the Comet new reissue series, Noel McGhie’s only fulllength LP, released in France in 1975 at cult private label Disques Esperance! A true rare groove classic, a one-of-a-kind spiritual jazz funk record with a fusion touch. Includes ‘Trapeze’, ‘Dancer’ and ‘Mademoiselle Tuloch’.

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Nazareth

LP | 1976 | EU | Reissue (BMG Rights Management)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | JP | Original (Motown)

Diana Ross

Sound Elegance

12,99 €*

LP | 1971 | EU | Reissue (Bonfire)

Release: 1978 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Salamander

The Ten Commandments

22,99 €*

Al Di Meola / John McLaughlin / Paco De Lucía

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. The biblical ten commandments are surely the main inspiration behind this concept album originally released on british independent label Young Blood in 1971. The one and only release by Salamander, a short- lived UK four piece , the album is a quintessential prog opera with a heavy effort on Hammond organ and lush orchestral arrangements. Comprised of Alister Benson (Organ, Vocals), Dave Chriss (Bass), John Cook (Drums) and Dave Titley (Lead Vocals, Guitar) the band was often compared to The Moody Blues and Deep Purple Mark I. Even if the 10 tracks are inspired by the holy script, the band was not proven to be Christian rock itself. The album is a sublime pompous pop affair, with a good dose of fuzz guitars and brass section.

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Friday Night In San Francisco

LP | 1981 | JP | Original (CBS/Sony)

18,99 €*

Apoteosi Clear Purple Vinyl Edition

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Apoteosi

LP | 1975 | EU | Reissue (AMS)

LP | 1973 | EU | Reissue (BMG Rights Management)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Apoteosi were a very rare, if not the one and only, progressive voice coming from the Calabria region. Their self-titled LP, released in 1975, therefore in a period of transition for the prog-rock genre, is undoubtedly one of the most emblematic LP’s and shows how a young and geographically completely ‘out of the loop’ group has been able to create a small jewel. “Apoteosi” is a work deliciously poised between pastoral and refined moments and darker and ‘crimson’ moods, with an extremely original approach and that still deserves to be listened to carefully after exactly 40 years.

Almost every musician in the band will take off towards important careers in the music world, reflecting the talent of a group that even featured a 14-year old keyboardist Massimo Idà. There’s a curious “Coro Alessandroni” presence in the credits: “Apotheosis” was recorded in Rome, therefore we’re probably talking about the same Alessandro Alessandroni who at the time had already worked on many different soundtracks written by Ennio Morricone.

The remarkable rhythm section and the musical cohesion of the musicians are standout elements in this LP, since they were able to create a musical continuum that holds a qualitative tension along the whole work; moreover, there is a close proximity to certain models the English progressive underground, rather than the Italian one, the Canterbury scene in particular. “Apoteosi” stands still today among the hidden and precious gems delivered from a florid era of artistic ferment.

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Nazareth

Razamanaz

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Music On Vinyl)

Mikey Dread

World War Iii

Release: 1981 / EU – Reissue

Genre: Reggae & Dancehall

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OST Trio Infernale Record Store Day 2022 Vinyl Edition

Ennio Morricone

LP | 1974 | EU | Reissue (Rustblade)

37,99 €*

Release: 1974 / EU – Reissue

Genre: Soundtracks

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Allegory & Self Clear With Yellow Splatter Vinyl Edition

Psychic TV

LP | 1988 | US | Reissue (Sacred Bones)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Uno Clear Green Vinyl Edition

Uno

LP | 1974 | EU | Reissue (Vinyl Magic)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Bureau B / Sky)

Cluster

Cluster 71

Release: 1971 / EU – Reissue

Genre: Pop

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Anna Oxa Orange Vinyl Edition

Anna Oxa

LP | 1979 | EU | Reissue (RCA)

23,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | UK | Reissue (Burning Sounds)

Byron Lee's All Stars

Soul Ska

A Blow For Me, A Toot For You

Release: 1980 / UK – Reissue

Genre: Reggae & Dancehall

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Album first released 1980 and now re-released on RED Vinyl! All songs are performed by Byron Lee’s Allstars. Featuring Ken Lazarus, Jo-Jo, Keith Lynn, Smokey 007, Hubert Lee and Cecil Barker. All the tracks originally recorded in the mid-Sixties, were produced by Alty East, one of the first producers of Ska in Jamaica.

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Fred Wesley

LP | 1977 | EU | Reissue (Speakers Corner)

33,99 €*

LP | 1988 | EU | Reissue (DDD)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Thanks to their first-class training in funk and soul while playing in James Brown’s Band, Fred Wesley and Maceo Parker were the obvious choice when it came to participating in George Clinton’s P-Funk empire – the Godfather of Soul had had an enormous influence on Clinton anyway. In 1977, Clinton and Bootsy Collins produced "A Blow For Me, A Toot For You", the début album by Fred Wesley & the Horny Horns – an ensemble with Wesley on the trombone, Parker on the tenor and alto saxophone, as well as Rick Gardner and Richard 'Kush' Griffith on the trumpet. The majority of the numbers are by Clinton and Collins, so it is not really surprising that much of the LP is pure P-Funk. The album begins rather gloomily with a remake of Parliament’s "Up For The Down Stroke", and the influence of Parliament is also unmistakable in the other numbers. With regard to the instrumental numbers, "Four Play" fuses funk and jazz, while Wesley’s atmospheric "Peace Fugue" reflects the CTI sound of the 1970s. Actually "Peace Fugue" is the work which least sounds like Clinton on this LP. "A Blow For Me, A Toot For You" scarcely ranks behind Parliament’s "Mothership Connection" or Funkadelic’s "One Nation Under A Groove" and is certainly more than just a recommendable LP, which every funk lover should get to know.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: 1977 at United Sound Systems, Detroit, by Jim Vitti and Hollywood Sound Recorders, Los Angeles, by Jim Callon Production: George Clinton and Bootsy Collins

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Eros Ramazzotti

Musica È

Release: 1988 / EU – Reissue

Genre: Pop

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LP | 1985 | EU | Reissue (DDD)

Eros Ramazzotti

Cuori Agitati

Release: 1985 / EU – Reissue

Genre: Pop

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Capon - Maté - Morris - Rahoerson

LP | 1977 | EU | Reissue (Souffle Continu)

25,99 €*

George Benson, George Duvivier, Al Harewood, Mickey Tucker

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In November 1976, Jef Gilson’s phone rang. What a surprise! It was Serge Rahoerson, one of the musicians he had met in Madagascar at the end of the 60s and who had played on his first album “Malagasy”. Rahoerson announced that he was in Paris for a few days.

Immediately, Jef wanted to organise a recording session, starting the next day. He thought of a trio including Serge, Eddy Louiss on organ and cellist Jean-Charles Capon, who had also been on one of the trips to Tananarive and so had also known Rahoerson there. Unfortunately, Eddy Louiss –who had already played with Gilson and Capon on the album “Bill Coleman Sings And Plays 12 Negro Spirituals” in 1968- had to drop out at the last minute: he was delayed by a session with Claude Nougaro. Jean-Charles Capon had also become a sought-after studio musician since his trip to Madagascar in 1969. He appeared on several key albums on the Saravah label including the now famous “Comme À La Radio” by Brigitte Fontaine, “Un Beau Matin” by Areski and “Chorus” by Michel Roques, without mentioning the album by his own Baroque Jazz Trio. He was also to be found with Jef Gilson for his album on Vogue with the ex-drummer from Miles Davis’ first great quintet, Philly Joe Jones, or also in the orchestra led by Jean-Claude Vannier for the album “Nino Ferrer & Leggs”. He also played regularly on albums by Georges Moustaki.

Jean-Charles Capon and Serge Rahoerson found themselves thus in the studio, with Jef at the controls. He had decided to record the rhythmic structure right away. He would find the soloists later, that didn’t worry him. Serge Rahoerson was on drums. Though a saxophonist by training, Jef remembered that Serge was also capable of great things behind a drum kit: he was the improvised drummer on their cover of “The Creator Has A Master Plan” on the album “Malagasy”... The great memories came flooding back (the nod on the title “Orly - Ivato”), and the old magic worked again.

Brought in momentarily from Europamerica, Gilson’s new big band, in which JC Capon also played, the saxophonists Philippe Maté, from France (another Saravah stablemate) and the American Butch Morris (soon to be a key member of David Murray’s band) were invited to record their parts later and Gilson mixed it all as if it had been one single session (as he had already done on other albums, with the tracks by Christian Vander recorded before the creation and success of Magma).

The album would not appear until 1977, on Palm, Jef’s own label, and was dedicated to the memory of Georges Rahoerson, Serge’s father, who had also played on the album “Malagasy” and who had died prematurely at the age of 51 in 1974. “I only received my own copy of the album in 1981 when I came to live in France definitively”, a still-moved Serge Rahoerson told us in 2013. “I was playing in a club one night and Jef turned up by surprise with a copy of the album for me, I was so pleased to see him again. When I arrived in France, I told everyone that I had played with Jef Gilson a few years previously, and I was surprised to learn that so few people knew of him. For us, he was of one of the great jazz visionaries.” (Jérôme "Kalcha" Simonneau)

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Jazz On A Sunday Afternoon Vol. II

LP | 1981 | JP | Original (Polydor)

Third World = Third World

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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You've Got The Power = ラヴ・アイランド

LP | 1982 | JP | Original (CBS/Sony)

Campo Di Marte Clear Vinyl Ediition

Release: 1982 / JP – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Campo Di Marte

LP | 1973 | EU | Reissue (AMS)

Vietato Ai Minori Di 18 Anni Clear Red Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Campo di Marte self-titled album is considered to be one of the best italian progressive records of the Seventies. This Italian prog classic is now available from AMS Records in a new limited deluxe LP reissue on 180gr. crystal vinyl.

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Jumbo

LP | 1973 | EU | Reissue (Vinyl Magic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (BMG Rights Management)

Madness

The Rise & Fall

25,99 €*

Release: 1982 / EU – Reissue

Genre: Reggae & Dancehall

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12" | 1986 | DE | Original (Blow Up)

Silent Circle

Stop The Rain

Release: 1986 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

2LP | 1977 | JP | Original (CBS/Sony)

Santana = Santana

Moonflower

17,99 €*

LP | 1979 | JP | Original (Victor)

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Madleen Kane

Cheri

Release: 1979 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | JP | Original (Warner Bros.)

Chicago

Chicago 17

9,99 €*

Release: 1984 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | JP | Original (EMI)

Kajagoogoo

Islands

LP | 1980 | JP | Original (A&M)

Release: 1984 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

Original japanese pressing with obi.

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Chuck Mangione

Magic

16,99 €*

The Simon And Garfunkel Collection

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with obi.

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Simon & Garfunkel

LP | 1981 | JP | Original (CBS/Sony)

LP | 1981 | JP | Original (EMI)

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Olivia Newton-John

Physical

4,99 €*

Scars Of War / High Times All Star

Release: 1981 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

No obi.

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Delroy Williams

7" | 1983 | EU | Reissue (Onlyroots)

10,99 €*

Dogfeet Blue Vinyl Editon

Release: 1983 / EU – Reissue

Genre: Reggae & Dancehall

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Delroy tune from 1983. Reissue on his brand new label "Prosperity" Records. Delroy started his career in the late 60's as member of the Afrotones. Later in the 70's he will join Augustus Pablo Circle with whom he released his deepest roots tunes.

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Dogfeet

LP | 1970 | EU | Reissue (Klimt)

Warum Geht Es Mir So dreckig?

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Bassist Dave Nichols, singer Alan Pearse, drummer Derek Perry and guitarist Trevor Povey first came together as Chicago Max, followed by brief stints as Sopwith Camel (not to be confused with the San Francisco-based outfit), Malibou and Armageddon. Working in a blues-rock vein (wasn't every early-1970s band dipping their creative toes in the genre), they were signed by the small Reflection Records, though the label immediately demanded a new name. Musically 'On the Road' harkened back to the bands' blues-rock roots, but extended tracks such as 'Now I Know', the attractive atmospheric ballad 'Reprise' and the Western-inspired 'Since I Went Away' set them apart from most of their contemporaries. Not that it mattered. The album vanished without a trace, followed in short order by the band.

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Ton Steine Scherben

LP | 1971 | DE | Reissue (David Volksmund)

22,99 €*

Release: 1971 / DE – Reissue

Genre: Rock & Indie

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2LP | 1982 | EU | Reissue (Ice Machine)

Stephen Mallinder

Pow Wow

LP | 1971 | UK | Reissue (Speakers Corner)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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A new sub-label of the longstanding Canadian electro imprint Suction Records, Ice Machine — focusing on old-school wave/post-punk sounds — is thrilled to present a new, deluxe reissue of “Pow Wow”, the debut 1982 solo LP from Cabaret Voltaire’s Stephen Mallinder. Now expanded to a double-LP, and also released on CD/digital, it’s a definitive reissue which now includes Mallinder’s early solo discography in its entirety. This collection of mutant dub/funk/postpunk sounds just as fresh and contemporary in 2020 as it did in 1982 (note Autechre’s inclusion of standout cut “Del Sol” in a mix earlier this year), and highlights Mallinder’s crucial contributions to Cabaret Voltaire. Some words from Mr.Mallinder on the scene and era from which “Pow Wow” was born: “It was an interesting, and inspiring, time. The primal caterwaul of punk was dying and lots of really significant things were emerging from the fires. Much looser vibes were in the air and there was a much more exploratory feel. Punk had championed a visceral, anti-intellectual approach but in truth the real characters brought so much more to the table, and what began to happen - from people like The Pop Group to Throbbing Gristle, and emerging scenes from No New York to Factory Records - is we began to embrace the art of it all. There was acknowledgement of the importance of books, films, graphic art, and experimentation with all those mediums. We were just as interested in turning over rocks to see what lay beneath, as throwing them. There was a sense of new magik emerging.” “Pow Wow” was commissioned by the Fetish Records label, and recorded at the Cabs’ Western Works studio, where Mallinder would spend his days recording with Cabaret Voltaire, and continue on alone into night recording his debut solo material. “I slept very little in those days,” he adds, continuing: “It was done on 8 track and very multi-tracked, so lots of recording, then bouncing, and overdubbing, to get the integrated feel of the tracks. I became very adept at pressing record then jumping onto equipment to play it - it was actually a very 'live' record in that sense. I've always seen rhythm at the core of what I do so I loved the layering of counter rhythms. The sequence/arpeggiator parts were all drum machine triggers that were played live. It was about creating a distinct groove so arrangements came from weaving in and out of those linear grooves. It was fun to play everything from drums, guitars, keys, trumpet, percussion, tapes… and record and produce it all. Prince got it from me!” Surprisingly, Mallinder’s first solo LP would also prove to be his last - that is, until last year’s critically-acclaimed solo return “Um Dada”, on Dais. This new edition of “Pow Wow” contains 14 songs, and is housed in a recreation of the original, iconic Neville Brody jacket, painstakingly recreated using scans of Brody’s original artwork elements. The 2LP vinyl edition is in a reverse board, thick-spine jacket, and adds a 12”x24” folded poster/insert, featuring unused elements from Brody’s original designs, sketches, and instructions for the LP. The CD edition comes in a reverse board, 6-panel digipack.

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Dr. John

Sun, Moon & Herbs

33,99 €*

Santa Esmeralda Starring Leroy Gomez

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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"The Sun, Moon & Herbs" - Dr. John (voc, p, org, vib, perc); Tommy Ferrone, Eric Clapton (g); Bobby Keys (sax); Ed Hoerner, Jim Price (tp); Ken Terroade (fl); Walter Davis (p); Ronnie Barron (org); Jesse Boyce (b); John Boudreaux (dr); The Memphis Horns & backing vocals; a.o.
"The Sun, Moon & Herbs" was originally conceived as a triple album, but it was fragmented, stripped down and put together again to form the present single-disc LP. And although Dr. John never liked this version much, it is proof of the theory 'less is more'. None of the seven tracks are suitable for broadcasting on the radio and the spells that Dr. John and his companions weave are dark and swampy. "Black John The Conqueror" has its origins in ancient Cajun folklore, which the good Dr. modernised and gave a beat. The swampy "Craney Crow" is the younger sibling of his earlier "Walk On Guilded Splinters" and has a similar effect on the listener. "Pots On Fiyo (Filé Gumbo)" combines Latin-American rhythms with a wealth of Cajun chants and spells. The vocals are almost unfathomable and serve rather more as an additional musical instrument in the mix. "Zu Zu Zu Mamou" is so tightly knitted that one can almost cut through the music with a knife; the mood here takes on a quite different meaning. "The Sun, Moon & Herbs" is best heard on a hot sultry night where thunder rolls in the distance like jungle drums. Dr. John certainly had something specific in mind, but it is up to the listener to find out just what it was.

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Don't Let Me Be Misunderstood

LP | 1977 | DE | Original (Philips)

4,99 €*

Release: 1977 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1985 | JP | Original (Blue Note)

Stanley Jordan

Magic Touch

7,99 €*

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

2LP | 1980 | JP | Reissue (Discomate)

ABBA

ABBA's Greatest Hits 24

9,99 €*

Release: 1980 / JP – Reissue

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Van McCoy & The Soul City Symphony

Disco Baby = ディスコ・ベイビー

LP | 1975 | JP | Original (Avco)

7,99 €*

LP | 1982 | JP | Original (Arista)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Ray Parker Jr.

The Other Woman

3,99 €*

LP | 1981 | JP | Original (JVC)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Salena Jones

My Love

15,99 €*

Larry Elgart And His Manhattan Swing Orchestra

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi. Record and sleeve are close to NM.

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Hooked On Swing

LP | 1982 | JP | Original (K-Tel)

6,99 €*

LP | 1978 | EU | Reissue (Speakers Corner)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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The Doobie Brothers

Minute By Minute

33,99 €*

Hide Away - Man Is Comin'! (Special Mix)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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How the Doobie Brothers came to form a “family” is not only a fateful event but also a good story. While getting high on a marihuana joint (or doobie) that was passed from one to the other in a practice room, one of the group apparently uttered the following momentous words: »We are all Doobie brothers«. Later, when in possession of all his faculties, the co-founder of the group, Tom Johnston, was thinking along the lines of a Motown sound, with a bass line resembling that of Seals and Crofts, and vocals in the style of Stevie Wonder. That "Minute By Minute", the first album to appear in the post-Johnston era, so perfectly reflects the mature style of the group is mostly thanks to the two experienced former Steely Dan musicians Jeff “Skunk” Baxter and singer Michael McDonald.
Subtle, gently electrified groove epitomizes the main focus of this album. Its laid back, colourful and glittering sounds are rounded out with powerful rhythms and warm sounds ("What A Fool Believes"). Solo vocals are layered over rolling chords on the piano, a snappy bass and a multi-voiced background to create an appealing harmony ("Here To Love You"). Perfectly tempered and accomplished solos from the lead guitar and saxophone are welcome extras that never drown out the impressive leader of the group. So much brotherliness on a record certainly deserved to be recognized with three Platinum Records and a Grammy Award.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1978 at Warner Bros.-Studios, North Hollywood, by Donn Landee and Loyd Clifft
Production: Ted Templeman

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Silent Circle

12" | 1985 | DE | Original (Blow Up)

8,99 €*

Singles Going Steady Black Vinyl Edition

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: G+

Yellow transparent vinyl!

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Buzzcocks

LP | 1979 | UK | Reissue (Domino)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Reissue (ABC)

Johnny Pate

OST Shaft in Africa

16,99 €*

LP | 1973 | UK | Reissue (Pure Pleasure)

Release: 1973 / US – Reissue

Genre: Organic Grooves, Soundtracks

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12 tracks incl. 'are you man enough' performed by The Four Tops ... classic blaxploitation soundtrack!!

- "Shaft in Africa" sampled by Beatnuts for "It's Da Nuts",
Cookie Crew for "Born this Way",
Diamond D for "Best Kept Secret",
Dismasters for "Black and Proud",
Hakeem for "Hip Hop Reborn",
Naughty by Nature for "The Hood Comes First",
Ras Kass for "Rasassination",
Tony Scott for "Get Into It" and
Tuff Crew for "Soul Food"

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Charles Brackeen

Rhythm X

35,99 €*

LP | 1985 | EU | Original (RCA)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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On this record, the little-known Charles Brackeen brings his saxophone to a party with most of Ornette Coleman's band. As might be expected, while Brackeen certainly holds his own, it's Ornette's boys who bring the thunder, playing around Brackeen's muscular alto as if they were a gang jumping on a new member. Haden's bass playing provides the frantic pulse, here and there ceding the stage to Blackwell's flexible drumming and dropping out to provide rolling sheets of sound by bowing his instrument. Brackeen and Cherry wrestle across this solid bedrock, with results that are often surprising and never short of beautiful.

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Pointer Sisters

Contact

4,99 €*

LP | 1976 | JP | Original (EMI)

Release: 1985 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Original EU pressing.

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Olivia Newton-John

Don't Stop Believin'

3,99 €*

Nighthawks At The Diner Remastered Edition

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Tom Waits

2LP | 1975 | EU | Reissue (Anti)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Billy Parker's Fourth World

Freedom Of Speech

LP | 1975 | UK | Reissue (Pure Pleasure)

35,99 €*

LP | 1982 | EU | Reissue (Tal)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Most of the musicians who gathered to record this fantastic spiritual jazz record for the Strata-East label on May 24th, 1974 had crossed each other's paths in various musical pairings over the preceding few years. Husband and wife team Dee Dee Bridgewater (vocals) and Cecil Bridgewater (trumpet) had been working together on albums like Frank Foster's "Loud Minority", and Roy Ayers' "Coffy" and "Virgo Red". Ten weeks before the "Freedom Of Speech" session, the couple had been joined in Tokyo by Cecil's brother Ronald Bridgewater (tenor saxaphone) to record Dee Dee's debut album, the beautiful "Afro Blue". Also in the studio on May 24th, 1974 was Donald Smith, (piano, vocals), fresh from recording on his older brother Lonnie Liston Smith's "Cosmic Funk" - on which Ronald Bridgewater had also played percussion. Cecil McBee (bass) was also there - just two weeks before, he'd completed his own Strata East date "Mutima", and in February he'd played on Mtume's "Rebirth Cycle" - with both albums also featuring Dee Dee Bridgewater on vocals. He'd also played on Lonnie Liston Smith's "Astral Travelling".
So 1974 was a huge year for all five of these people. Donald Smith and Cecil McBee were six months away from recording on Lonnie Liston Smith's massive "Expansions", with McBee fitting in a few Pharoah Sanders albums in between.
AND THEN, THE MYSTERY ... So with all this fervent activity, the question has to be asked ...Who was Billy Earl Parker Jr (drums), the leader of this session?
Billy Parker remains unlisted as a musician on all major jazz sites. His only other recording appears to be as a percussionist on Charles Tolliver's "Impact" in 1975.

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Non Band

LP | 1972 | EU | Reissue (Concord)

Release: 1982 / EU – Reissue

Genre: Pop

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A reissue of this notable album from the Japanese underground, originally dating back to 1982. Non Band was the unit surrounding female bass player Non, previously one half of the duo Maria 023. Partly due to the use of violin and clarinet, Non Band sounded quite different than the other groups at the time!

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Big Star

No 1 Record

23,99 €*

The Wall Remastered Edition

Release: 1972 / EU – Reissue

Genre: Pop

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“#1 Record” is the debut album by the American power pop group Big Star. It was released in 1972 by Memphis-based Ardent Records. Many critics praised the album's elegant vocal harmonies and refined songcraft but “#1 Record” suffered from poor distribution and sold fewer than 10,000 copies. However, “#1 Record” has more recently attracted wider attention, and in 2003 it was ranked number 438 on Rolling Stone magazine's list of the 500 greatest albums of all time.

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Pink Floyd

2LP | 1979 | EU | Reissue (Parlophone)

32,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | UK | Reissue (4AD)

Dead Can Dance

Spleen And Ideal

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (HiD)

Agitation Free

Malesch

23,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Mercury)

Metallica

Ride The Lightning

31,99 €*

Hunky Dory 2015 Remastered Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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This reissue was fully remastered in 2016.

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David Bowie

LP | 1971 | EU | Reissue (Parlophone)

Release: 1971 / EU – Reissue

Genre: Pop

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LP | 1977 | EU | Reissue (AMS / Cinevox)

Libra

OST Shock

LP | 1970 | US | Original (Polydor)

Release: 1977 / EU – Reissue

Genre: Soundtracks

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Also known under the erroneous title "Schock", this LP is the soundtrack of Mario Bava's eponymous film, also his last one before his death, which sadly occurred three years later in 1980. "Shock" was therefore released in 1977, while the Italian horror cinema was at its peak, led to international success by Dario Argento with "Deep Red" and "Suspiria".
With Goblin at work with Argento, the choice for the music of "Shock" fell on Libra, in some ways 'related' to Goblin anyway, thanks to drummer Walter Martino and guitarist Carlo Pennisi, and they also say about a fleeting participation by keyboardist Maurizio Guarini. In '77 Libra, after a brief experience on the American soul/funk label Motown, had practically split up, yet they found the necessary inspiration to record an album like "Shock", maybe 'goblinian' in its intentions, but full of personality. It contains in fact groovy tracks, delicate and acoustic atmospheres, up to completely dissonant and avant-garde sounds.
"Shock" was released on LP only in 1977 in Italy and Japan, therefore this new AMS Records edition is therefore the first official reissue after nearly 40 years! A small yet important event, celebrated with a colored vinyl encased in a beautiful triple gatefold cover with a marvellous new artwork! The track list also includes four bonus tracks which have been released only on CD until today. A must!!!

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John Mayall

USA Union

17,99 €*

LP | 1973 | EU | Reissue (AMS)

Release: 1970 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: G+

taped spines

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Alphataurus

LP | 1973 | EU | Reissue (Atlantic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Nothing much to say about this one, Alphataurus, by sure one of the
ten best Italian prog records of all times. Alpahataurus is a
masterpiece, so well crafted and played that it seems impossible
that's been made by a group of unknowns. The singer Bavaro has a very
original voice, keyboard player Pietro Pellegrini plays with
competence and no self-indulgence, guitar-playing of Guido Wasserman
is well cared and the rhythm section of Oliva and Santandrea creates a
powerful background. The album includes five long compositions of
which Peccato d'orgoglio and La mente vola are the best, the latter
featuring a nice moog intro and a stunning vibes solo.
LP reissue in triple gatefold sleeve as the original album, with sound
taken the master tapes.

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Donny Hathaway

Extension Of A Man

21,99 €*

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | UK | Reissue (Spoon)

Can

Future Days

Goodbye Yellow Brick Road

Release: 1973 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Elton John

2LP | 1973 | CZ | Reissue (Universal)

38,99 €*

Release: 1973 / CZ – Reissue

Genre: Pop

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LP | 1976 | EU | Reissue (Hot Casa)

Orlando Julius

Disco Hi-Life

21,99 €*