Vinyl 1439 Items

The Crazy World Of Arthur Brown

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The long lost 1968 debut album by singer-songwriter, Scott Fagan, once tipped to be bigger than Elvis, is set for release on 9th February 2024 via Earth Recordings. 'South Atlantic Blues' will be reissued for the first time in its original artwork, with an iconic portrait of Fagan by famed rock photographer, Joel Brodsky, following a widely celebrated 2015 release.Revisiting his mystical, mythical, and deeply soulful masterpiece, this psych-folk gem doffs a Tropicalia hat direct from downtown New York. "His songs embrace a broad sonic fantasia, swirling in '60s New York R&B and '40s jazz, as well as the Caribbean rhythms of calypso, meringue and Pachanga." New York TimesScott Fagan's story is worthy of a movie in itself. A swinging hipster who landed in 60s Greenwich folk scene, escaping the abject poverty of his U.S. Virgin Islands upbringing, Fagan found himself mentored by the Brill Building's Doc Pomus and Mort Shuman, and feted as the next big thing. "Forget Rodriguez, forget Searching for Sugar Man," says Sharyn Felder, daughter of the late Doc Pomus, the legendary songwriter who signed Fagan to management in 1964. "Scott was so much more. He was cut from a different cloth."'South Atlantic Blues' is the perfect soundtrack to this tale, an epic song cycle wrapped around an impassioned love story, driven by Fagan's dense, allusive lyrics, and production by Elmer Jared Gordon (Pearls Before Swine) and rich arrangements by Horace Ott (Nina Simone, Sam Cooke, The Shirelles). The Earth Recordings reissue coincides with a resurgence in activity for Fagan, with a new album in the works - the never-recorded soundtrack to 'Soon', the 1971 Broadway rock musical he co-wrote and starred in - and a documentary 'Soon: the Story of Scott Fagan' currently filming through Scissor Kick Films, from director Marah Strauch, writer Chris Campion (who rediscovered the singer-songwriter in 2015), and producer Eric Bruggeman.Classic Black Vinyl + DLC

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LP | 1968 | US | Original (Track)

74,99 €*

Sérgio Mendes & Brasil '66

Release: 1968 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

US first pressing. Strong VG copy!

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Look Around

LP | 1968 | US | Reissue (A&M)

8,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

I'll Be A Happy Man / Take A Trip Record Store Day 2023 Edition

Latin Blues Band

7" | 1968 | UK | Reissue (Speed)

LP | 1968 | EU | Reissue (Life Goes On)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Reissued for the first time ever on 7 inch, having previously only ever been on the Take A Trip Pussycat LP, Latin Blues Band - (I'll Be A) Happy Man. A dynamic dancefloor jazz and boogaloo belter from 1968, with a legendary piano riff and breakbeats that were most famously sampled by DJ Premier for Christina Aguilera’s classic ‘(Ain´t No Other Man)’. The B side houses another boogaloo bomb in the form of ‘Take A Trip’ that will set you back £80+ for an original copy. Yellow label version with white sleeve.

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The Insect Trust

18,99 €*

Acid Vinyl Me, Please Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Insect Trust were an American jazz-based rock band that formed in New York in 1967. The members of the band were Nancy Jeffries on vocals, Bill Barth on guitar, Luke Faust - formerly of the Holy Modal Rounders - on guitar, banjo, fiddle, and harmonica, Trevor Koehler on saxophone, and Robert Palmer (1945–1997) on clarinet and alto saxophone. Elvin Jones and Bernard Purdie both drummed with the group at times. Bill Folwell, who had played with Albert Ayler (and later an original member of The Mystic Knights of the Oingo Boingo), on bass and trumpet; as well as Warren Gardner on trumpet and clarinet, were part of the band by the time they recorded their second album. The band probably took its name from William S. Burroughs's novel Naked Lunch. The music ranges from surreal folk-rock (in the vein of such local heroes like Holy Modal Rounders and Fugs), to Booker T.-like pop-soul, to flat-out free jazz. Never intended to be a traditional pop act, the Insect Trust should be best remembered for extending rock's boundaries and taking the genre to a much hipper level without resorting to a lot of banal technique.

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Ray Barretto

LP | 1969 | US | Reissue (Vinyl Me, Please)

LP | 1969 | UK | Reissue (Beverley's)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Ray Barretto’s songs are cinematic. Artfully composed, richly orchestrated, each one feels like something deserving of big-screen wonderment. And, indeed, from Martin Scorsese’s Mean Streets (''Ritmo Sabroso'') and Oliver Stone’s JFK (''El Watusi'') to Lee Daniels’ Precious (''Teacher of Love'') to Tom McCarthy’s Spotlight (''Cocinando Suave''), his music as a bandleader made it into movies of major importance across the decades. Of course, you don’t need to be a card-carrying cinephile to appreciate the moods and magnitudes expressed by his work, especially his seminal 1968 album Acid for Fania Records.

It takes more than a minute into ‘’Acid'' before Barretto begins showing off on the congas, leading into a nearly three-minute solo marked by fabulous flourishes that culminates with the full band, including pianist Cruz, showing their united might. Elsewhere on Acid, the group would have dutifully jumped headfirst into this mode, but here it is just a spectacular finish to a rhythmic story — Barretto’s story — told like the best film you’ve never seen.

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Toots And The Maytals

Sweet And Dandy

LP | 1968 | US | Reissue (Philly Groove)

Release: 1969 / UK – Reissue

Genre: Reggae & Dancehall

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Formed by lead vocalist legend Toots Hibbert, and the ragged call-and-response background singers Nathaniel “Jerry” McCarthy and Raleigh Gordon, Toots & the Maytals were spotted by Beverley Records’ founder Leslie Kong who produced the group’s first records in the 60s. Their Sweet And Dandy album was featured in 1972’s emblematic movie The Harder They Come, which included a performance of the title track recorded at Beverley Studios and also highlighted ‘Pressure Drop’ in its accompanying soundtrack. The movie’s unprecedented success, combined with some of the solid gold singles pulled from this album, fast-tracked Toots and the Maytals to reggae icon status, assuring the group international success and making Sweet And Dandy one of the most highly acclaimed albums in Jamaican music.

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Delfonics

Sound Of Sexy Soul

LP | 1969 | US | Reissue (Bija)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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sampled by Afu-Ra, Diamond D ...

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Michael Gregory Jackson

Clarity

Release: 1969 / US – Reissue

Genre: Organic Grooves

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You Can't Keep A Good Man Down

Hank Ballard

LP | 1968 | US | Reissue (Polydor)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Time Out! Time In For Them

Them

LP | 1968 | US | Reissue (Tower)

18,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The Big Soul Of John Lee Hooker

John Lee Hooker

LP | 1963 | US | Reissue (Vee Jay)

15,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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LP | 1965 | US | Reissue (Blue Note)

Wayne Shorter

The Soothsayer

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Skatalites

Skatalite

37,99 €*

Eight Miles High Red Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Pop

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• 180 GRAM AUDIOPHILE VINYL
• PRODUCED BY DUKE REID
• LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON TURQUOISE COLOURED VINYL

The album The Skatalite was originally released in 1969 and contains some of the best tracks from the Skatalites cut for producer Duke Reid. It was recorded with the classic line-up, featuring Don Drummond on trombone, Jackie Mittoo on piano, and Jonny “Dizzy” Moore on the trumpet. This 12-track set includes “Eastern Standard Time”, “Dan-De-Lion” and “Yard Broom” amongst others.

The Skatalite is available as a limited edition of 750 individually numbered copies on turquoise coloured vinyl.

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Golden Earring

36,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Strictly Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! Full dynamic range 2022 remasters direct from the first generation analogue master tapes! Limited Edition 500 LPs

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Velvett Fogg

36,99 €*

Spirit Of The Golden Juice

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Velvett Fogg are a psychedelic rock band hailing from Birmingham, England. Active during the late 1960’s, Velvett Fogg were one of the many new bands from the Birmingham underground scene trying to take pop and rock music to a higher level of creativity. They were given a record deal by Pye Records, through which they released their first and only studio album, the self-titled Velvett Fogg. The original package was accompanied by a quote from U.K. disc jockey John Peel, who commented that “there is a lot of good music on this record. Remember Velvett Fogg - you will hear the name again”. Ironically the band broke up shortly after release. The album has since become a much sought after title.

Velvett Fogg is available on black vinyl.

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F.J. McMahon

LP | 1969 | US | Reissue (Anthology / Kemado)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1965 | EU | Reissue (MCA)

B.B. King

Live At The Regal

22,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Epic)

Sly & The Family Stone

Stand

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The Meters Red Vinyl Edtion

The Meters

LP | 1969 | US | Reissue (Jackpot)

It's A Long Way Down Red Vinyl Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Debut 1969 Album by New Orleans Funk Legends: The Meters. Sourced From the Original 1969 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Features the hit song "Cissy Strut". Limited Red Apple Vinyl LP.

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The Fallen Angels

LP | 1968 | US | Reissue (Jackpot)

31,99 €*

Contact Colored Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Released only one year after their psychedelic debut, The Fallen Angels’ sophomore album, It’s A Long Way Down, lays it all out on the line. Unfettered by label interference, The Fallen Angels’ second and final record highlights all the band has to offer. Off-kilter time signatures, experimental soundscapes, and white-hot guitar licks abound across It’s A Long Way Down’s dozen tracks, with lead singer Jack Bryant’s vocals serving as a guiding light through the paisley-patterned tunnel. Album high points like “Poor Old Man” and “Something New You Can Hide In” tease early signs of progressive rock with their weird and winding melodies, and impress with rock-solid instrumentation. An early marvel of psych rock that holds up to this day. Mastered from its original tapes and pressed at RTI on color vinyl, in its original gatefold design.

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The Silver Apples

LP | 1969 | EU | Reissue (Jackpot)

LP | 1969 | EU | Reissue (Columbia)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The 1969 follow up to Silver Apple’s debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Contact is where the Silver Apples began inhabiting that sound with more urgency and experimentation.

Sourced from the original master tapes plus inner sleeve with unseen master tape box photos. Featuring the original controversial artwork with the Silver Apples in the cockpit of a Pan Am jet on the front, and a plane crash with the duo superimposed over it, on the back. The airline sued both Kapp Records & the band, forcing the band to breakup. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more.

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The Byrds

Sweetheart Of The Rodeo

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Sony)

The Psychedelic Furs

Book Of Days

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Blues Obituary Golden Vinyl Edition

The Groundhogs

LP | 1969 | UK | Reissue (Fire)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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OST More Remastered Edition

Pink Floyd

LP | 1969 | EU | Reissue (Parlophone)

23,99 €*

Release: 1969 / EU – Reissue

Genre: Soundtracks

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LP | 1968 | EU | Reissue (Music On Vinyl)

Janis Joplin

Cheap Thrills

LP | 1969 | EU | Reissue (Proper)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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One of the most eagerly anticipated albums of 1968 by press and public, 'Cheap Thrills' met every expectation and then some. With the heartrending version of 'Piece Of My Heart' and a definitive cover of Gershwin's 'Summertime', the album (which consists of studio and live material) shot to the top of the charts and stayed there. The audio has been sourced from the original masters, and Robert Crumb's artwork (also known for creating Fritz the Cat and the iconic Keep On Truckin' comics) is meticulously recreated on this Music On Vinyl issue. A truly classic album and an important part of Rock history, this album is a time capsule for one of rock's most distinguished singers.

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White Noise

An Electric Storm

33,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Music On Vinyl)

Thelonious Monk

Monk's Blues

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Otis Redding & Carla Thomas

Are You Lonely For Me Baby

7" | 1969 | FR | Original (ATCO)

LP | 1963 | EU | Reissue (Music On Vinyl)

Release: 1969 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Record is close to VG.

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Thelonious Monk

Monk's Dream

LP | 1969 | US | Reissue (ATCO)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Monk's Dream is the first album jazz musician Thelonious Monk released on Columbia Records. Jazz scholars and enthusiasts alike also heralded this combo as the best Monk had been involved with for several years.

180g audiophile vinyl.

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Buffalo Springfield

Last Time Around

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Antonio Vivaldi - English Chamber Orchestra, Henryk Szeryng

De Vier Jaargetijden

LP | 1969 | NL | Original (Philips)

3,99 €*

Release: 1969 / NL – Original

Genre: Classical Music

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Used Vinyl

Medium: VG+, Cover: VG

Portraits In Blues Vol. 6

Lonnie Johnson

LP | 1968 | DE | Reissue (Storyville)

Release: 1968 / DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Guitar Forms Acoustic Sounds

Kenny Burrell

LP | 1965 | EU | Reissue (Verve)

43,99 €*

Steppin' Out Tone Poet Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell's album "Guitar Forms" stands as Burrell’s definitive musical statement. It was nominated for three Grammys in 1965, is considered one of the true masterpieces in the Verve catalog. This is partly due to the outstanding performance of the guitarist himself, of course, but also to the unforgettable arrangements that Gil Evans wrote for five of the album's nine tracks. According to AllMusic, these were in no way inferior to the brilliant arrangements that Evans had made for Miles Davis classics such as "Birth Of The Cool", "Porgy And Bess" and "Sketches Of Spain".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Harold Vick

LP | 1963 | EU | Reissue (Blue Note)

42,99 €*

LP | 1962 | EU | Reissue (Impulse)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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In 1963, tenor saxophonist Harold Vick made his sole album as a leader for Blue Note, the underrated soul jazz gem „Steppin’ Out“. The record finds its groove from the first downbeat and stays firmly in the pocket throughout this set featuring Blue Mitchell, Grant Green, John Patton, and Ben Dixon.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket

Harold Vick (tenor saxophone); Big John Patton (organ);

Grant Green (guitar); Ben Dixon (drums); Blue Mitchell (trumpet)

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McCoy Tyner

Inception

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | EU | Reissue (RCA)

Paul Desmond

Take ten

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Analogue Productions)

Tony Joe White

Black And White

46,99 €*

LP | 1968 | EU | Reissue (Speakers Corner)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!

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Lalo Schifrin

OST Bullitt

LP | 1963 | UK | Reissue (Pure Pleasure)

Release: 1968 / EU – Reissue

Genre: Soundtracks

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A high-speed car chase between a Dodge Charger and a Ford Mustang, with super-cop Bullitt at the wheel, who forces the hitman off the road and into a petrol station, which explodes and incinerates him. Prior to that, harsh clashes of metal, hubcaps flying all over the place, and the chief character Steve McQueen, who grimly changes gears and hurtles through the streets of San Francisco, wheels screaming and rubber burning. That was how Hollywood staged one of the longest and most dramatic car chases, long before the days of the Anti-Blocking-System and Anti-Slide-Control.
Very up-to-date and just as exciting as the screenplay is the music Lalo Schifrin wrote for the film, which embeds the characters, places and events in a musical context. For example, "Bullitt": the metrically angular main theme portrays a mysterious, cool character who sums up a situation with keen alertness and then makes his attack with the speed of lightning.
Initially the music travels through easy-going Latin terrain. But gradually the rhythmic texture changes and takes a rougher path, with clicks, knocks and hammering. Legendary flute lines create a compensatory placidness with airy clouds floating above the sharp mix. A really special track is "Shifting Gears": here you can listen to Schifrin tuning the car, how he manipulates a jammed springy bossa to take on the sound of clean, smooth-running rock.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

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Thelonious Monk

Criss-Cross

Release: 1963 / UK – Reissue

Genre: Organic Grooves

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7" | 1968 | US | Original (White Whale)

The Turtles

Sound Asleep

8,99 €*

Release: 1968 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Public Lover No. 1 / Steppin' Stones

The Vendors

7" | 1963 | US | Original (MGM)

6,99 €*

Gary Puckett & The Union Gap

Release: 1963 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

promo Close to VG+

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Young Girl

7" | 1968 | DE | Original (CBS)

5,99 €*

Release: 1968 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1963 | DE | Original (Liberty)

The Ventures

Memphis

7" | 1968 | UK | Reissue (Monument)

Release: 1963 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: Generic

Close to VG. label sleeve

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Robert Knight

Love On A Mountain Top

Big Brother & The Holding Company

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Label sleeve. 1973 reissue. close to NM

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Cheap Thrills

LP | 1968 | JP | Original (CBS/Sony)

70,99 €*

For The Sake Of The Song Vinyl Me, Please Edition

Release: 1968 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

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Townes Van Zandt

LP | 1968 | US | Reissue (Vinyl Me, Please)

Nuff Said! Vinyl Me, Please Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.

No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.

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Nina Simone

LP | 1968 | US | Reissue (Vinyl Me, Please)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Duke Ellington / Coleman Hawkins

Ellington Meets Coleman Hawkins Acoustic Sounds Vinyl Edition

LP | 1963 | EU | Reissue (Impulse)

57,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | Reissue (Sony)

Harry Nilsson

Nilsson Sings Newman

Release: 1969 / Reissue

Genre: Rock & Indie

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At Folsom Prison Black Vinyl Edition

Johnny Cash

LP | 1968 | EU | Reissue (Sony)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Legacy)

Leonard Cohen

Songs From A Room

Release: 1969 / EU – Reissue

Genre: Pop

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Speed And Space - The Concept Of Space In Music

Masahiko Togashi Quartet

LP | 1969 | EU | Reissue (Cinedelic)

24,99 €*

LP | 1969 | EU | Reissue (Decca)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert

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The New Jazz Orchestra

Le Dejeuner Sur L'herbe

Escalator Colored Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. If one were asked to pick an album that represented the best of British jazz in the 1960s, Le Déjeuner Sur l’Herbe by the New Jazz Orchestra would be a serious contender. Recorded in September 1968, it draws together many of the key streams that had developed in British jazz in the preceding years, and also presages much of what was to come. Notwithstanding the line-up, which includes some of the very best British jazz musicians directed by an inventive and ingenious leader in Neil Ardley, the session features pieces written by the most distinctive jazz composers active in Britain at that time alongside idiosyncratic interpretations of works by John Coltrane and Miles Davis. And it’s all captured beautifully by engineer Howard Barrow and producer Tony Reeves and it features a stella cast of some of the greatest musicians, not just from that era or genre but beyond; Jack Bruce, who would become one of the founding members of Cream, Barbara Thompson, Ian Carr, Michael Gibbs, Dave Gelly, Dick Heckstall-Smith and Jon Hiseman, who went on to form one of the greatest jazz/progressive/rock bands – Colosseum.

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Sam Gopal

LP+7" | 1969 | UK | Reissue (Morgan Blue Town)

30,99 €*

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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I've Been Here All The Time

Patti Drew

LP | 1969 | US | Original (Capitol)

13,99 €*

Audrey Hepburn, Rex Harrison

Release: 1969 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: G, Cover: G+

Water damage on back cover.

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My Fair Lady Soundtrack

LP | 1969 | JP | Original (CBS/Sony)

8,99 €*

Rodgers & Hammerstein / Julie Andrews, Christopher Plummer, Irwin Kostal

Release: 1969 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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The Sound Of Music (An Original Soundtrack Recording)

LP | 1965 | JP | Original (Victor)

LP | 1968 | US | Reissue (Third Man)

Release: 1965 / JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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France Gall

1968

37,99 €*

LP | 1969 | EU | Reissue (Verve)

Release: 1968 / US – Reissue

Genre: Pop

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1968 dives further into the psychedelia that FRANCE GALL was hinting at on Baby Pop. Even with addition of sitars and echoes of The Beatles, The Stones, The Kinks and Pet Sounds era Beach Boys all over this record it is still 100% French and could only have been made by France Gall. The addition of English expat producer/arranger, DAVID WHITAKER, brought a new and welcome airiness to the mix that was lacking on Gall’s earlier recordings. The album contains 2 of Serge Gainsbourg’s strangest and most out there arrangements, “Nefertiti” and “Teenie Weenie Boppie” about an LSD trip gone horribly wrong. 1968 is an absolutely essential addition to any record collection. 180-gram vinyl pressing in direct-to-board jackets.

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The Eddie Fisher Quintet

The Third Cup

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Rhino)

Crosby, Stills & Nash

36,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1965 | UK | Reissue (Pure Pleasure)

Eddie Harris

The In Sound

LP | 1962 | EU | Reissue (Speakers Corner)

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

This is one of Eddie Harris' great records. The playing is inspired! What a band! Cedar Walton (piano) and Billy Higgins (drums), Lee Morgan's favourite rhythm section. The underrated but popular tenor saxophonist introduces his "Freedom Jazz Dance," which would become a jazz standard after featuring on Miles Davis' album Miles Smiles. Plays one of the earlier versions of "The Shadow of Your Smile," romps on "Love for Sale" and "'S Wonderful," and also performs "Born to Be Blue" and his own "Cryin' Blues." Harris is heard in prime form in a quartet/quintet with pianist Cedar Walton, bassist Ron Carter, drummer Billy Higgins, and part-time trumpeter Ray Codrington. A gem. - Scott Yanow/AMG

Recorded 1965
Engineer – Tom Dowd

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Herbie Mann

At The Village Gate

LP | 1963 | Reissue (Jazz Samba)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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"Comin’ Home Baby" – that’s how the LP begins and that’s what catapulted it right into the charts. Not to one of the top places, but from this time on Herbie Mann was one of the superstars in Atlantic’s collection of jazz musicians. He was known as 'our man with the flute', and the critics in the early Sixties were full of praise for him. He became even more famous, and probably richer, through soundtracks and later on sometimes rather commercialised productions. Well, good for him. 'The Man' serves up jazz pure on this recording, made live at the legendary Village Gate club, which is no wonder considering the rhythm group that includes Ahmad Abdul-Malik and Rudy Collins. The composer of "Comin’ Home Baby", Ben Tucker, also makes an appearance as a guest soloist before the two Gershwin numbers from "Porgy And Bess" offer a wealth of rhythm pure. On the cover text of the LP, Willis Conover, who hosted the Newport Jazz Festival as a sideline (older jazz fans will know his baritone voice from AFN broadcasts), describes in detail the ethnic background of the musicians who come from all over the world – from Romania to Puerto Rico. The three numbers are by no means commonplace. Perhaps a tasty flute cocktail would be a good description. This true rarity from Atlantic’s treasure trove in the early Sixties has long been marked down on the wish list of many fans and at long last it’s available again.

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Jorge Ben

Samba Esquema Novo

20,99 €*

Release: 1963 / Reissue

Genre: Organic Grooves

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7" | 1968 | UK | Reissue (Tramp)

Offbeats

The Hump

11,99 €*

Motherlight Colored Vinyl Edition

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Monstrous blue-eyed soul / garage double-sider and a must for any rare groove DJ.
250 copies pressed.

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Bobak, Jons, Malone

LP | 1969 | EU | Reissue (Morgan Blue Town)

Otis Blue - Otis Redding Sings Soul

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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1969 album from the Morgan Blue Town stable, a classic psychedelic prog album. Album features Mike Bobak, Andy Jons & Wil Malone. Now on Limited Edition 180 gram Pearl Colored Vinyl.

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Otis Redding

LP | 1965 | US | Reissue (Sundazed)

31,99 €*

LP | 1969 | UK | Reissue (Ace)

Release: 1965 / US – Reissue

Genre: Organic Grooves

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11 tracks ... sampled by Guru, Ghostface, Geto Boys ... 180 gram vinyl

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Mighty Baby

26,99 €*

Spirits Known And Unknown

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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Mighty Baby evolved out of the Action, club favourites who released a number of poor-selling singles. Dropped by Parlophone, musical chairs saw Ian Whiteman (keyboards/flute) and Martin Stone (guitar) join and the music now blended progressive psychedelia with longer pieces dominated by instrumental prowess rather than Reggie King’s soulful vocals. King departed and guitarist Alan King and Whiteman began to share vocal duties on newly penned material like ‘Egyptian Tomb’ and ‘House Without Windows’ that, in retrospect, can be seen as reflecting light from the dark star of the Grateful Dead.

“Mighty Baby” was first released on the Head label on 7th November 1969 in a superb gatefold sleeve with artist Martin Sharp serving up the arresting front cover that looked like a lion being showered in blood. The album received positive reviews, with International Times stating “The music has a hundred characters… Eastern, Oriental, country, folk, rock, blues, pop etc. etc… At this moment in time Mighty Baby’s record is simply THE best thing in its class.”

The album is now seen as a progressive rock classic; cohesive, with no low spots, the inventiveness and musical prowess on a par with the equally revered, albeit jazzier, prog rock band Cressida. This latest edition from Ace, not only replicates the gatefold sleeve of the original but also contains an inner sleeve replete with memorabilia from the collection of Richard Morton Jack

“Mighty Baby” is a must-have purchase not only for fans of the band but those who want to discover this classic progressive rock album for the first time.

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Leon Thomas

LP | 1969 | UK | Reissue (BGP / Flying Dutchman)

22,99 €*

LP | 1962 | EU | Reissue (Blue Note)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Leon Thomas’ debut as a leader was this classic of spiritual jazz recorded for Bob Thiel’s Flying Dutchman label. Originally pressed in 1969, it features an all-star band including Pharoah Sanders (under the name Little Rock), Lonnie Liston Smith (piano), James Spaulding (alto sax), Cecil McBee (bass), Roy Haynes (drums) and Richard Landrum (bongos).

“Spirits Known And Unknown” features versions of ‘The Creator Has A Master Plan (Peace)’, the classic ‘Song For My Father’, ‘One’, ‘Echoes’ and the topical ‘Damn Nam (Ain’t Goin’ To Vietnam)’. Subtitled New Vocal Frontiers upon release, the rear sleeve noted that “Thomas is searching as far into himself as he can go for spirits known and unknown and is creating new dimensions of vocal expressiveness to bring these spirits – these feelings – into the experience of others.” The fact that this album is hailed as a classic shows that he succeeded.

Pressed on 180gm vinyl we have remained faithful to the original pressing replicating the Flying Dutchman label style and gatefold-sleeve.

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Herbie Hancock

Takin' Off

31,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Elemental)

George Benson

Giblet Gravy

Sunshine & Shadows Pink Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Released on the Verve label in 1968, Giblet Gravy marked jazz/soul guitarist George Benson's fourth album as a leader. It features Benson backed by an all-star group arranged and conducted by Tom Mcintosh, that includes such jazz luminaries as Ernie Royal, Pepper Adams, Johnny Pacheco, Billy Cobham, Ron Carter, and Herbie Hancock. According to AllMusic reviewer Richard S. Ginell, the label's "immediate goal was to groom Benson as the next Wes Montgomery (who was about to leave Verve) - and so he covers hit tunes of the day, playing either with a big band plus voices or a neat quintet anchored by Herbie Hancock, and the sound is contoured to give his guitar a warm mellow ambience. But the eclectic Benson is his own man, as his infectious repeated-interval rhythm trademark tells us on his self-composed title track. George's work is always tasty and irresistibly melodic."

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Ars Nova

LP | 1969 | US | Reissue (Sundazed)

30,99 €*

LP | 1968 | UK | Reissue (Charly)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Touted as the “new Doors,” Ars Nova’s second release shows the band genre-bending jazz and heavy psychedelia in a style that’s their own. Shifting from a largely classical centric sound, this was the group’s last album before going their separate ways. Pressed on pink vinyl!

Sunshine & Shadows takes the baroque-meets-psych sound of the debut and turns a bit more to the psych side. The stately brass interludes are gone, but horns still figure prominently in the mix. There’s some jazzy New Orleans flavor to a couple of the tunes, albeit twisted into a 7/4 vamp on “You Had Better Listen.”

The instrumentalists in the band, featuring trumpet and trombone, really give the music a unique flavor, setting them apart from the multitudes of other American psych bands. Ars Nova might be likened to Ultimate Spinach (but without the overly serious, pretentious lyrics) or later Zombies (though with less emphasis on the keyboards).

It’s all very well written and nicely played, and when they do a tender ballad like “Temporary Serenade,” the acoustic guitar is very lute-like, much more along the lines of classical than folk (like the later work of Jan Akkerman with Focus), and the trumpet descant adds a lovely spice.

“Well, Well, Well” is the heaviest rock tune in their repertoire, with a great electric guitar riff and hot organ playing, again set apart by trombone and trumpet. This one is definitely worth seeking out for baroque pop fans.

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P.P. Armold

Kafunta

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Fun In Acapulco Green Vinyl Edition

Elvis Presley

LP | 1963 | EU | Reissue (Dol)

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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Chicas! Chicas! Y Mas Chicas! Red Vinyl Edition

Elvis Presley

LP | 1962 | EU | Reissue (Dol)

Release: 1962 / EU – Reissue

Genre: Rock & Indie

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Highway 61 Revisited Black Vinyl Edition

Bob Dylan

LP | 1965 | EU | Reissue (Sony)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Night Lights Acoustic Sound Edition

Gerry Mulligan

LP | 1963 | EU | Reissue (Verve)

43,99 €*

LP | 1968 | Reissue (Blue Note)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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The album "Night Lights" by American jazz saxophonist Gerry Mulligan was released in 1963, at the height of the bossa nova boom of the early 1960s. Laid-back rhythms and lyrical compositions leave room for improvisations and charming arrangements of signature solos by his fellow musicians - in addition to three original compositions, there are relaxed versions of Chopin's "Prelude in E Minor" and the Brazilian anthem "Morning of the Carnival" from Luiz Bonfa's "Black Orpheus".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Herbie Hancock

Speak Like A Child

Release: 1968 / Reissue

Genre: Organic Grooves

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Feelin' The Spirit Tone Poet Vinyl Edition

Grant Green

LP | 1962 | EU | Reissue (Blue Note)

41,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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The Black Saint And The Sinner Lady Acoustic Sounds Edition

Charles Mingus

LP | 1963 | EU | Reissue (Verve)

42,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Stan Getz & Joao Gilberto

Getz / Gilberto

LP | 1963 | EU | Reissue (Verve / Acoustic Sounds)

42,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Wah Wah)

Wynder K. Frog

Out Of The Frying Pan

20,99 €*

Eric Dolphy & Booker Little

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Memorial Album Recorded Live At The Five Spot

LP | 1965 | US | Original (Prestige)

48,99 €*

LP | 1965 | US | Original (Blue Note)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Some stains on cover. Original US mono pressing.

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Stanley Turrentine

Joyride

48,99 €*

LP | 1968 | US | Original (Columbia)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Pressing. Close to VG+

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Miles Davis

Nefertiti

93,99 €*

K.B. Burrell Tone Poet Vinyl Edition

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing.

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Kenny Burrell

LP | 1969 | EU | Reissue (Blue Note)

43,99 €*

Art Blakey & The Jazz Messengers

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1957, Kenny Burrell’s third session as a leader for Blue Note presented the guitarist’s signature stylings with a crack team of hard boppers featuring Horace Silver, Hank Mobley, Doug Watkins, and Louis Hayes. Previously only issued on vinyl in Japan (1979) this swinging set is given a new shine with this mono Tone Poet Vinyl Edition.

BLUE NOTE TONE POET EDITION: Mono, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Buhaina's Delight

LP | 1963 | EU | Reissue (Blue Note)

LP | 1965 | BR | Original (Odeon)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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The drum hero’s classic 1963 album
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, during November and December 1961
The Jazz Messengers’ 11th Blue Note album
Featuring the classic Messengers line-up of Freddie Hubbard (trumpet/flugelhorn), Wayne Shorter (tenor), Curtis Fuller (trombone), Cedar Walton (piano) and Jymie Merritt (bass)
Showcasing three classic Shorter compositions (‘Backstage Sally’, ‘Contemplation’, ‘Reincarnation Blues’) plus Fuller’s ‘Bu’s Delight’, Walton’s ‘Shaky Jake’ and a take on Henry Mancini’s ‘Moon River’
Produced by Blue Note co-founder Alfred Lion
Includes photography by BN co-founder Francis Wolff and liner notes by esteemed writer Leonard Feather

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Milton Banana Trio

54,99 €*

LP | 1965 | US | Reissue (Blue Note)

Release: 1965 / BR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Nice copy considering its age, with some yellowing and light ring wear, but artwork still looking good. Clear signs of use and slightly worn grooves, however plays fine, with just minimal surface noise audible only in some quiet sections.

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Joe Henderson

In 'N Out

89,99 €*

Another Earth Vinyl Me, Please Edition

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Slightly warped vinyl, no skipping, plays VG. Cover has discolouration, tear in bottom spine and slight wear. 1968 reissue.

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Gary Bartz

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

LP | 1969 | NL | Reissue (Elektra)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
During the pagan hours of an otherwise uneventful Harlem pre-dawn in 1963, Gary Bartz glimpsed a galactic mystery that conventional aeronautics could not explain. Only a few weeks prior, the nascent alto saxophone virtuoso had acquired his first telescope to pursue a newfound passion for astronomy. The purchase was already yielding dividends.

The recent Juilliard graduate’s fascination with the heavens began with astrology, but the then 22-year-old quickly realized that those celestial sketches were just photographs of the sky as captured during a specific orbit. Why bother with the rough blueprint when you could witness the entire electromagnetic spectrum in its full glory?

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The Stooges

Release: 1969 / NL – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Traffic)

Bukka White

Parchman Farm

Best Of Sam & Dave Audiophile Red Vinyl Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Born Booker T. Washington White, Bukka’s trajectory as a blues performer follows a familiar template for his
time. Born in Mississippi, maybe in Houston, MS – maybe in Aberdeen, MS – maybe in 1902, maybe in 1909
or even 1906 he recorded throughout the 1930s. Bukka even recorded while incarcerated in the Mississippi
State Penitentiary aka Parchman Farm. Asked about his time at Parchman White commented “Well, I mostly
played guitar.”
During the 1940s and 50s as Blues moved from the Delta to Chicago, from rural to urban, Bukka’s career went
dormant. And then, like many of his time, his talent was “rediscovered” in the early 60s, in no small part thanks
to a brilliant guitarist in his own right, John Fahey. Performances and all new recordings happened throughout
the 60s, building interest in Bukka White’s Delta roots. This compilation of White’s best early material was first
issued in 1969 (1970 in the US), collecting Bukka’s 78s recorded for Vocalion and Okeh. His influence on rock
performers of that day cannot be understated. He opened for rock bands he’d inspired at venues like The
Fillmore, played his instrument in such a fashion that some said it’s like he was trying to destroy that guitar, his
most famous guitar, a 1933 National Duolian, was even known as “Hard Rock.” And then there’s the fact that
his song “Shake‘em On Down” was so influential on Led Zeppelin that they, “borrowed” from the song for both
“Hats Off To Roy Harper” and “Custard Pie.”
Bukka White was many things, a strong influence on his cousin B.B. King, a cotton picker, a mule driver, a hobo,
a player in the old Negro Leagues, a boxer, a preacher, a convict, a factory laborer and, as celebrated here,
one of America’s blues pioneers.

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Sam & Dave

LP | 1969 | US | Reissue (Friday Music)

44,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1963 | EU | Reissue (Sony Legacy)

Bob Dylan

Freewheelin Bob Dylan

30,99 €*

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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Oh, Good Grief! - 50th Anniversary Vinyl Edition

Vince Guaraldi

LP | 1968 | US | Reissue (Omnivore)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Universal)

Glen Campbell

Galveston

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Velvett Fogg Green & White Marbled Vinyl Edition

Velvett Fogg