Vinyl 62618 Items

Reputation Picture Disc Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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All The Way West—SITKA SUN's sophomore release—is both a carefully composed instrumental jazz album and a spaced-out contemplation on the human condtion. It exists at the intersection of rhythmic prowess, psychedelic experimentation, & jazz sensibility, intentionally asking more questions than it's willing to answer throughout its 32 minute lifespan. In comparison to Sitka Sun's eponymous debut, All The Way West steps ever deeper into the intricacies of composition and the adventurous spirit of improvisation, and is anticipated to be well-received by jazz enthusiasts, rare groove collectors, beat makers, and record store clerks alike. All The Way West is music for right now, as we come out of 2020 and hopefullyinto a changing world: it encourges reflection, inspires movement, & welcomes new growth.

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Taylor Swift

2LP | 2017 | EU | Original (Big M)

47,99 €*

Release: 2017 / EU – Original

Genre: Pop

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LP | 2017 | US | Original (The Flenser)

Succumb

Soon It Will Be Cold Enough w/ Cornerbump

Release: 2017 / US – Original

Genre: Rock & Indie

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San Francisco’s Succumb plumbs the depths of modern death metal with primitive elegance, but what sets them apart from their peers is vocalist Cheri Musrasrik. The juxtaposition of death metal riffing and propulsive drums with Musrasrik’s cavernous howl and sophisticated lyrics make a unique listening experience in today’s crowded landscape.

The band was formed in 2014 by a group of friends with diverse musical backgrounds who share a common love for Canadian death metal, war metal, and 1990s Napalm Death. That same year they released a demo under the name Cloak and played a handful of local shows, attracting the attention of The Flenser. The following year they were joined by Harry Cantwell (Bosse-de-Nage, ex-Slough Feg) on drums and got to work writing their self-titled debut album, recorded by Bay Area luminary Jack Shirley (Deafheaven, Bosse-de-Nage, Botanist, Oathbreaker, etc.).

Musrasrik cites authors and poets like Yeats, Genet and Zola as her primary lyrical influences. Throughout the album she tackles themes such as human experimentation, autoerotic asphyxiation, BDSM, prostitution, opium dens and dystopias with a literary flair.

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Emancipator

2LP | 2013 | US | Reissue (Emancipator)

It's Inside You Neon Yellow Vinyl Edition

Release: 2013 / US – Reissue

Genre: Electronic & Dance

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Damaged cover!

Douglas Appling (born 1987), better known by his stage name Emancipator, is an American electronic music producer based in Portland, Oregon. He launched his music career by self-releasing his debut album “Soon It Will Be Cold Enough” in 2006 while he was still a college student. He has subsequently released six albums, founded his own record label, and formed a live band, the Emancipator Ensemble, whose sold-out shows have been called by one critic "an unforgettable experience".

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Candy

LP | 2024 | Original (Relapse)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Nettwerk)

Neil Frances

It S All A Bit Fuzzy

Release: 2024 / Original

Genre: Pop

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LP | 2019 | EU | Original (Northern Underground)

Dudu Tassa

El Hajar

18,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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What Still Gets Me Yellow Vinyl Edition

Shit Present

LP | 2023 | EU | Original (Specialist Subject)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (RockStar Records)

Flop Machine

Machine Beat Rock & Roll

Release: 2023 / EU – Original

Genre: Rock & Indie

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Arcade Dreams Splatter Vinyl Edition

Marvel `83

LP | 2023 | EU | Original (Electronic Purification)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | UK | Original (Incienso)

DJ Trystero

Castillo

LP | 2023 | Original (Infine / Cry Baby)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Tokyo based producer and City-2 St. Giga label owner DJ Trystero arrives on Incienso with his debut LP “Castillo”. Over nine tracks Trystero explores uniquely spontaneous modes of rhythm and sound - turning ambient, breakbeat, electro, techno and house into blurred sonics that expand on their own time.

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Lucie Antunes

Carnaval

Release: 2023 / Original

Genre: Rock & Indie

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Coming Home White & Black Galaxy Vinyl Edition

Falling In Reverse

LP | 2017 | EU | Reissue (Epitaph Europe)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Not Now)

Elvis Presley

King Creole

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Ilian Tape)

Andrea

Due In Color

Form And Functions Orange Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Andrea’s second album “Due In Color“ was primarily created in 2020 and 2021. During these crazy and decelerated times he explored more hazy and experimental Jazz, which inspired him to use more acoustic sounds in his productions. Dark loud clubs are in a far away distance, while Andrea takes us to wonderful blooming fields.

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Dubatech

12" | 2023 | EU | Original (Ranges)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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After his full-length CD release on Ranges, Dubatech returns with an excellent 4-tracks dub techno EP. On the A-Side, the fragrant chords and the airy vibrant atmospheres in >Straight Ahead< contrast with the mystic sense of darkness of >Sand and Stars<. The B-side focuses on late-night moods. The energetic depth of >Istanbul Latenight< pairs with the experimental groovy and dreamy attitude of >Moonlight Moods<. Overall, the EP presents a personal, addictive, and multifaceted journey. A fresh and impressive artistic interpretation of modern dub that is willing to fulfill the expectations of dub techno connoisseurs from a functional and emotional standpoint. Heavyweight transparent orange vinyl - Limited pressing. Dont miss it!

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Diggin' For Gold Volume 13

LP | 2023 | EU | Original (Busy Bee Production)

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2023 | EU | Original (Ada Kaleh Romania)

Ada Kaleh

O Seara De Ragaz EP

Tokyo Record Store Day 2023 Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Amazing minimalism! Incl. Aubrey and Prins Thomas Remixes. 190g Eco Waxx!

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NRBQ

12" | 2023 | JP | Original (Hayabusa Landings)

69,99 €*

Release: 2023 / JP – Original

Genre: Rock & Indie

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LP | 2023 | Original (Sounds Of Subterrania)

The 50 Kaitenz

The 50kaitenz No Bikkuri

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2017 | EU | Reissue (Ninja Tune)

Iglooghost

Neo Wax Bloom

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Gezan With Million Wish Collective

Anochi

LP | 2023 | JP | Original (Jusangatsu)

49,99 €*

LP | 2023 | EU | Original (City Slang)

Release: 2023 / JP – Original

Genre: Rock & Indie

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Three years after "klue", the new album has finally been released!!! The new album "Achichi" under the name Gezan With Million Wish Collective made a strong debut at Fuji Rock Festival 2021. This is a cutting-edge form of tribal punk, created on the theme of the unchangeable human voice in an age of databasing and selection. The sixth full-length album in three years, with a cover illustration that flashes between the indigenous and the cosmic. The recording and mixing engineer is Naoyuki Uchida, a master of the DUB world who is also currently operating Gezan's live show, following on from the previous album, and it is a point of arrival of one of the current alternatives that shoots a counter to the confused times.

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Grandbrothers

Late Reflections

Down In The Basement White w/ Red Splatter Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Im Zentrum von Grandbrothers Musik stand schon immer die Verbindung von Altem und Neuem. Auf ihrem vierten Album "Late Reflections", welches am 14. April auf City Slang erscheint, stellen sie nun ihr Schaffen in Verbindung zu einer Institution, die ihrer eigenen Musik sieben Jahrhunderte vorausgeht: der Kölner Dom.

Das ikonische Monument gotischer Architektur, UNESCO-Weltkulturerbe und Deutschlands meistbesuchte Sehenswürdigkeit, diente als Aufnahmestudio für das neue Album des deutsch-schweizerischen Duos. Das Ergebnis ist ein Album mit einem präzisen Sinn für Geschichte und Architektur, ein Album, das die räumlichen Eigenschaften dieses prachtvollen Baus zum Teil seiner hypnotischen Komposition selbst werden lässt und in Klang überführt. Für ein Konzeptalbum ist "Late Reflections" eindringlich und immersiv, und es stellt ebenso viele Fragen, wie es Antworten gibt: Was bedeutet es für Musik, mit Architektur und Raum zu interagieren? Wie klingt eigentlich eine Kirche, die seit Jahrhunderten wegen ihrer Opulenz verehrt wird? Was kann zeitgenössische Kunst aus 700 Jahren Geschichte ziehen? Und wie können Musiker ihren eigenen kompositorischen Ansatz nach mehr als einem Jahrzehnt frisch und unverbraucht halten? Von Beginn an haben Grandbrothers Musiktraditionen in Frage gestellt. So gelang es dem vor mehr als einem Jahrzehnt in Düsseldorf gegründeten Klavierduo mit seiner vielschichtigen Musik immer wieder, die Grenzen zwischen Ambient, Minimal und Electronica zu verschieben. Das Ergebnis klingt immer anders, doch immer geprägt durch die außergewöhnliche Zusammenarbeit zwischen dem deutsch-türkischen Pianisten Erol Sarp und dem Schweizer Elektroniker und Software-Entwickler Lukas Vogel. Auf bisher drei Alben – Dilation (2015), Open (2017) und All The Unknown (2021) – zog das Duo seine besondere Inspiration aus einer konzeptuellen Beschränkung: Jeder Klang, jede Note stammt von nur einem einzigen Instrument – dem Konzertflügel.

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Dahmers

LP | 2018 | UK | Reissue (Lovely)

25,99 €*

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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12" | 2023 | EU | Original (Groovin)

Peven Everett

Bluelight Love

Don Drummond With Tommy Mccook & The Skatalites

Release: 2023 / EU – Original

Genre: Electronic & Dance

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New unreleased 2023 production by the Chicago composer and producer.

Definitely not to miss !

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Silver Dollar / Apanga

7" | 2023 | UK | Original (Firehouse)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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LP | 2023 | EU | Original (Groovin)

St. David

Timeless EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | US | Original (Company)

Tanukichan

Gizmo

LP | 2023 | US | Original (Carpark)

Release: 2023 / US – Original

Genre: Rock & Indie

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When the pandemic hit, Hannah van Loon adopted a dog named Gizmo, who became a much-needed companion while the Bay Area musician wrote her second album as Tanukichan. Aptly named after her new four-legged friend, Gizmo is an exercise in release, whether from situational hindrances—a forced lockdown, for one—or from self-imposed hedonistic coping mechanisms.“ A theme I always had floating around was escape,” van Loon explains of her follow-up to 2018’s Sundays. “Escaping from myself, my problems, sadness and cycles.”

To channel the more uplifting spirit she wanted for Gizmo, van Loon turned to the radio pop-rock of her childhood: “I was struck by the in-your-face positivity of the lyrics,” she adds, referencing artists like 311, The Cranberries, and Tom Petty. “I wanted to bring that positivity while writing about the sad and helpless emotions I’d been grappling with.” But Gizmo’s lightheartedness doesn’t make it shallow: “I think that I could let it go, as beautiful as snow,” she murmurs on “Don’t Give Up,” a nu metal-meets-Cocteau Twins groove about the sudden awareness that all the relationships you depend on could vanish instantaneously. Van Loon’s main collaborator on Gizmo was Toro y Moi’s Chaz Bear, and the jangly pop earworm “Take Care” showcases the heavily distorted, in-your-face guitar work reminiscent of Bear’s own psych joints What For? And Mahal. On the hypnotic, wall-of-sound-rocker “Thin Air” featuring Enumclaw, van Loon channels the triumphant grit of The Smashing Pumpkins as she ponders the impermanence of even the most impactful relationships: “I’ll always have the memories/Of how you used to make me see/Until they fell in the ocean/They’re not swimming/They’re not floating.”

Existentialism aside, Gizmo also sees van Loon break out of her sonic comfort zone. “One of the main changes of how I’m approaching music now is that I want to have more fun in the process,” she says, and she walks the line between melodrama and whimsy gracefully: “I can learn something because I’ve been here before,” she sings on the soaring, bittersweet “Been Here Before.” Deftones-inspired thrash drums and screeching electric guitars are gracefully contrasted with van Loon’s hypnotic, almost deadpan vocal style and a crystal clear acoustic guitar she describes as “cute.” Gizmo the dog suddenly passed away right as van Loon finished the album, but he’s immortalized with his photo on the cover—a fitting emblem of this new era of Tanukichan.

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Mind Music Palace

12" | 2023 | EU | Original (Santo Tomas)

Release: 2023 / US – Original

Genre: Rock & Indie

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Originally released in April 2021, the album is getting a reissue from Carpark in February 2023. It’s fitting that Philadelphia guitarist Victoria Rose and Baltimore producer/musician Stone Filipczak named their band @— a symbol that calls to mind the detachment of an email exchange or a Twitter mention. The folk-pop duo created their debut album »Mind Palace Music« almost entirely remotely from, sending each other recordings over iMessage from their respective cities throughout fall/winter 2020. But although its creators were 100 miles away, the 11-track album gleams with a sense of closeness, tied together with @’s penchant for deeply personal and candid lyrics

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Revivis

Trip To Luzon EP

LP | 2023 | US | Original (Alcopop!)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Launching in early 2023, Santo Tomas is the first label from Berlin-based artist Revivis. The English producer kicks off his new imprint with an innovative four tracker - “Trip To Luzon.” Showcasing a deep yet progressive sound and shift in direction musically, tying together the artist’s wide influences and showcasing them in his club room dynamic sound. Revivis chose the Santo Tomas name as an homage to his Filipino roots, acknowledging his history and bringing it into his most personal project yet. The artist’s trademark energy can be found in the tracks, but he explores new territory in terms of mood and the atmospheres he presents within the release. Sleeve photography by Stephanie Elizabeth Third.

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Ditz

The Great Regression

Release: 2023 / US – Original

Genre: Rock & Indie

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Ditz re-release their debut album, The Great Regression on eco vinyl after the first 1,500 copies sold out within a matter of weeks.

The 10-track album has been a long time coming – the five-piece first came together in Brighton at the end of 2015 and released their debut EP the following year. There have been a few line-up changes along the way, but they have been settled since their breakthrough tracks ‘Gayboy’, ‘Total 90’ and a cover of Peaches’ ‘Fuck The Pain Away’ in 2019, which prompted Joe Talbot from Idles to proclaim “Ditz are the best band in Brighton, if not the world”. Even though the various lockdowns slowed the band’s momentum for a while, they turned the situation to their advantage, using the downtime to fine-tune this incredible debut.

Abrasive but accessible, The Great Regression has been widely lauded as one of the most important British guitar debuts of 2022. Resident named it #4 best album of the year, Pitchfork gave it a 7.3, the likes of Steve Lamacq, John Kennedy, Jack Saunders, Joe Talbot and Tom Robinson all spun it merrily and Spiegel, Gigwise, Loud & Quiet, Upset, Flood, Under The Radar, Brooklyn Vegan, Pop Matters, Louder Than War and so many more fell in love.

Such themes of insecurity and gender pop up a lot over the course of the album, as well as lots of references to the human body breaking and being harmed in unnatural ways, although there’s no one overarching concept, simply because the songs have come together over such a long period of time. The title is not so much a reference to society going backwards, but more the band’s penchant for childish jokes. “Sitting in a van all day can get silly,” laughs Cal.

That’s not to say The Great Regression is in any way light-hearted. It’s full of anger, rage and despair. ‘Three’ takes some text from Stanislaw Lem’s 1961 sci-fi novel Solaris and applies it to the hollow activism of everyone from big corporations to middle class uni students.

Other literary touchstones include Sylvia Plath, William Burroughs and Hubert Selby Jr, but even more influential is the band’s ever-growing pile of equipment. “We spent a lot of time during the recording process just trying to make unusual sounds out of pedals, or whatever we could find,” says Cal.

The album concludes with a cacophonous new version of ‘No Thanks, I’m Full’, which originally closed their debut EP in 2016. “Over the years the live version has evolved so much that we just had to record it again to do it justice,” explains Cal. “The lyrics are so old that I can’t place whether they are about the hazards of drinking or not drinking.”

It’s proof of just how far Ditz have come on in that time and a reminder that, in order to progress, you need to regress. And we’ll drink to that. Or not.

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Fabric Presents: Chaos In The Cbd

2LP | 2023 | UK | Original (Fabric)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Hard Skool Limited 7'' Single

Guns N' Roses

7" | 2021 | EU | Original (Universal)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Q-Sounds)

Principles Of Joy

9-3

Release: 2023 / EU – Original

Genre: Organic Grooves

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12" | 2023 | EU | Original (Exarde)

JJ Fortune

Virtual Reality

Vertigo Days Yellow Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Ya’ll know it is time to get ready for some bass drum pressure. So there is a number eleven on their roster from JJ Fortune. The moniker of an Irish DJ and a producer who at the moment lives in Melbourne, Australia. Now he is mostly releasing new music on his own Pachinko and Rizzwax record labels, like the serious guys do. But now it is time to take a step further from the homeland and check in with Moscow.

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The Notwist

2LP | 2021 | EU | Reissue (Morr Music)

36,99 €*

2xLP | 2023 | EU (Avenue 66)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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On Vertigo Days, the first album in seven years for The Notwist, one of Germany’s most iconic independent groups are alive to the possibilities of the moment. Their music has long been open-minded and exploratory, but from its engrossing structure, through its combination of melancholy pop, clangorous electronics, hypnotic Krautrock and driftwork ballads, to its international musical guests, Vertigo Days is both a new step for The Notwist, and a reminder of just how singular they’ve always been. Most importantly, the core trio of Markus and Micha Acher and Cico Beck are reaching out: as Markus reflects, “we wanted to question the concept of a band by adding other voices and ideas, other languages, and also question or blur the idea of national identity.”

It’s been seven years since The Notwist’s last album, Close To The Glass, and in that time the various members of the group have been busy with side projects (Spirit Fest, Hochzeitskapelle, Alien Ensemble, Joasihno), guest appearances, a record label (Alien Transistor), movie scoring, helping organise the Minna Miteru compilation of Japanese indie pop & running a festival (Alien Disko). Those divergent paths feed back into Vertigo Days in surprising ways, from its structure, built from group improvisations, with songs flowing and melting into one another in a collective haze, to its spirit, which feels refreshed and alive. There’s something cinematic about Vertigo Days too, reflective of the group’s time working on soundtracks, and reflected in the rich, moody photographic artwork by Lieko Shiga that adorns the cover.

The first sign of this newfound openness was the album’s lead single, “Ship”, where the group were joined by Saya of Japanese pop duo Tenniscoats, her disarmingly hymnal voice sighing over a propulsive, Krautrocking beat. Elsewhere, American multi-instrumentalist Ben LaMar Gay sings on “Oh Sweet Fire”, also contributing “a love lyric for these times, imagining two lovers in an uprising hand in hand.” American jazz clarinettist and composer Angel Bat Dawid adds clarinet to the spaced-out dream-pop of “Into The Ice Age”, while Argentinian electronica songwriter Juana Molina gifts some gorgeous singing and electronics to “Al Sur”. Saya also reappears as a member of Japanese brass band Zayaendo, who guest on the album. Throughout, The Notwist also capture the openness of their live performances, too, where they mix and link their songs in unexpected ways.

Indeed, what’s most impressive about Vertigo Days is the way it sits together as one long, flowing suite, the album conceptualised as a whole entity – it’s perfect for the long-distance, dedicated listening experience. This is also captured by the album’s lyrics, which Markus states, “feel more like one long poem.” The dimensions of that poem are multi-faceted, something intensified by the geopolitical weirdness of its times: “As the situation changed so dramatically, while we were working on the record, the theme of ‘the impossible can happen anytime,’ more about personal relationships in the beginning, became a global and political story.” But it also works at a level of poetic abstraction, such that each song gestures in multiple directions – the deeply private pans out to the global. The one certainty is that there is no certainty. “It’s maybe mostly about learning and how you never arrive anywhere,” Markus concurs. To sit within uncertainty is brave, but it’s also where we feel most alive, and Vertigo Days is an album that is brimming with life, with enthusiasm and love for music and for community, all wide-eyed and dreaming.

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John Frusciante

. I :

LP | 2023 | EU | Original (Quindi)

Release: 2023 / EU

Genre: Electronic & Dance

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After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.

While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.

Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.

I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.

I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.

This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.

There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.

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Bondo

Print Selections

Odyssey (Original Amiga Demoscene Soundtrack)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Bondo is four Los Angeles musicians collaging displaced tempos and fractured melodies. Their sparsely vocalised music conspires to bring into view a practical enlightenment, evoking the sandy contentment of an exhausted marine sunset. The organically mechanical compositions wander with the intention not to be aimless, but to be consumed in Process.
Bondo comes to Quindi Records to release its first full-length album, Print Selections, and it is saturated in the communal consciousness of the band. The songs call for the individuals to dissolve to make way for the music.
The lyrical content of the record tells of a mind made anew, cleared of its data & ego to witness nothing in particular. Bringing the past with them, the band makes clear allusions to their influences - their tones reminiscent of outfits like Duster, Unwound, Acetone & Fugazi, but also has heavy nods to more formless genres like the dub melodies of King Tubby and the jazz of Archie Shepp.
The music feels like the dusty bed of a scanner, plays like the light leaking from underneath its lid.

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Greg

LP | 2023 | EU | Original (WRWTFWW)

33,99 €*

2LP | 2023 | EU | Original (Rekord Music Publishing)

Release: 2023 / EU – Original

Genre: Soundtracks

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WRWTFWW Records is thrilled to announce the first ever release of the soundtrack for the sci-fi Amiga demoscene wonder Odyssey by the Alcatraz group, with music from Greg - and what is possibly the first ever vinyl release for an Amiga demoscene soundtrack, if not the first ever vinyl release for a demoscene soundtrack whatsoever!

The special limited edition vinyl features the complete soundtrack of the demo sourced from the original masters as well as printed innersleeves, a 24x24 inch double-sided poster with extensive liner notes on the fascinating history of the Amiga demoscene on one side and a floppy disk print on the other, and a WRWTFWW sticker sheet. Odyssey is also available in digital format.

Wikipedia says: The demoscene is an international computer art subculture focused on producing demos: self-contained, sometimes extremely small, computer programs that produce audiovisual presentations. The purpose of a demo is to show off programming, visual art, and musical skills. Demos and other demoscene productions (graphics, music, videos, games) are shared at festivals known as demoparties, voted on by those who attend and released online.

In the demoscene galaxy, one era was particularly exciting: the Amiga years during which the demos were created for the Commodore Amiga home computer - a time of intense rivalry between programmers, graphics artists, and computer musicians, testing the limits of the (fixed) Amiga hardware.

The Odyssey demo was one of the largest productions ever released by an Amiga group, a real sci-fi movie on five floppy disks made with 3D sequences. It was presented at a demoscene party in 1991 and won the competition, setting a new standard for Amiga demo possibilities.

One of the highlights of the demo was the funky cosmic music from Swiss composer Greg, a true space opera, the 90s galactic soundscape you didn’t know was missing from your life! And so here it is, available for the first time, 10 tracks of pure video game music joy, adventurous computer pop, pixelated techno-trance, Star Wars gone floppy disk, and interstellar beats for days.

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Die Fantastischen Vier

Liechtenstein Tapes

Release: 2023 / EU – Original

Genre: Pop

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2LP | 2019 | UK | Reissue (Two Acorns)

Celer

Xiexie

32,99 €*

2LP | 2016 | UK | Reissue (The state51 Conspiracy)

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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A week before leaving, I bought a dictionary and phrasebook.

Covered in rain, during the days and even the nights, Shanghai was lit in a glow, a mist turning to a constant grey fog. Buildings lined with neon and lcd screens flashed, and from around corners and behind buildings, the night was illuminated much the same as the day. Cars separated the classes, their horns voices punctuating the streets, as pedestrians in groups loosely scattered the streets, talking and walking on speakerphone.

Standing by the metro escalators, there in the square with the overhanging trees of a park, there is construction all around. The buildings seem to be climbing into the darkness at this very moment. Leaving behind and moving forward. We seem to know everything already, our illusion of experience. I imagine taking your hand, I imagined taking your hand, and the lights in the subway flicker as we go deeper. Transit bookmarks each experience, every daydream, and in the end they're interchangeable and indistinguishable between reality and imagination. Try to remember which is real.

To Hangzhou the maglev reached 303 km/h, the towering apartment buildings hunch under construction, passing by in blurs on the flat farmland landscape. I fell asleep, as you were dancing but to no music. The lilies on the lake nodded in the rain, dipping into the water. There was a Wal-Mart near the hotel where I won a pink bunny from a claw machine. I remember the beauty of the architecture of Hangzhou station, birds swirling around the pillars near the top, the echoes of the deep station interior, and the laughing at being lost. There at least we have each other, that memory, or that daydream.

Everything moves faster than we can control. Days are just flashes, moments are mixed up but burned on film, and all of the places and times are out of order. If it could only be us, only ours. If it was ours, if it was us. Sometimes everything goes faster than you can control and you can't stop, much less understand where you are. I bought a dictionary and phrasebook, but "xièxie" was the only word I ever got to use. - Will Long, January 2019

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Steve Jansen

Tender Extinction

39,99 €*

12" | 2012 | EU | Reissue (Pampa)

Release: 2016 / UK – Reissue

Genre: Electronic & Dance

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Heavyweight double gatefold vinyl with remastered audio and new and updated artwork reworked by the designer of the original sleeves

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Isolee

Allowance 2022 Repress

LP | 2018 | EU | Original (Mendeku Diskak)

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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After his separation from Playhouse in 2007 and the rather longish break that followed it, it looks as if Isolée has finally found their new homebase with Pampa Records. Evidence of this may be found in such unprejudiced tracks as "Taktell", a single extracted from the album "Well-Spent Youth" . As is tyical for Isolée, it defies any clear-cut genre classification and creates its very own harmonic setting, merging associations of pop, house and distant landscapes into a unique sound voyage. Now his second EP on Pampa is being released, and "Allowance" doesn't leave an inch of a doubt where the road is headed. Without making any concessions to the needs of a DJ, from bar one the theme is being introduced in all its inherent necessity and then continually established until a seemingly worn-out, mainstream, pop autotune voice settles upon the cosy bass bed just like a cherry on the cake. We haven't known Isolée anywhere near as free and poppy in a very long time. A more mix-friendly version of the track will be available for digital download. "You Could Do Your Memories" lures the listener away into a daydream, as if he suddenly found himself in an unknown place at a new-wave party that cannot possibly have happened the way it did. "Wobble", on the other hand, leaves only few questions unanswered, the party definitely looks familiar, and just when we reach that point where the funk motif resulting from the fusion of bassline and chords is threatening to wear us down, we are being released.

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Orreaga 778

Bide Bakarra

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2017 | EU | Original (Mendeku Diskak)

Orreaga 778 / Grebol

Split

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP | 2012 | EU | Original (Consouling Sounds)

Amenra

Mass V

37,99 €*

Release: 2012 / EU – Original

Genre: Rock & Indie

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LP | 2012 | EU | Reissue (Urok)

Tribes

Baby

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Shannon And The The Clams

Sleep Talk Green / Blue With Gols Spots Vinyl Edition

LP | 2011 | US | Reissue (1-2-3-4 Go!)

LP | 2017 | EU | Reissue (Compost)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Shannon AND THE Clams return with a brand new album that tops everything they’ve done before. Sleep Talk features twelve new songs that Kim Fowley and Lou Christie would have clawed each others eyes out to get a hold of in the early ‘60s. Shannon can belt out fierce and fun like Wanda Jackson and Etta James going head to head in a competition for the last bottle of hooch in a song like "King of the Sea" and then play that heartbroken bad girl tryin’ to do good bit that hasn't been done this well since the Tammys or the Shangri-La's in a song like "Tired of Being Bad." Cody, the bands guitarist and other main song writer/singer comes on like a crooning, hiccuping, lo-fi garage version of the aformentioned Christie. Excercising the economy and aggression of Garage Rock in ways Lou would never have imagined but with a tenderness and vocal register you know he'd appreciate. Ian, the band's drummer, in addition to his skill at his own instrument provides additional back ups that would make Ennio Morricone and a tribe of head hunters equally as proud.

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Web Web

Oracle

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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LP | 2018 | EU | Original (Repertoire)

Giorgio Moroder

Best Of Electronic Disco

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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From Genesis To Revelation Mono Version

Genesis

LP | 2016 | EU | Original (Repertoire)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Turbulence Green Vinyl Edition

Miami Nights 84

LP | 2012 | EU | Reissue (Electronic Purification)

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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12" | 2016 | EU | Reissue (Suction)

RX-101

EP2

2LP | 2011 | EU | Reissue (Monkeytown)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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First released in 2016, »EP 2« was the 2nd volume in Suction Records’ 4-part »EP series« by Rx-101, serving as an introduction to this elusive producer’s vast, mind-blowing archive of unreleased late ‘90s braindance, melodic techno, and IDM tracks. Rx-101 is a previously unknown producer from the Netherlands, Erik Jong, who recorded hundreds of tracks, live to cassette, in a feverish burst of creativity from 1997-1999. Riyl Bochum Welt or Aphex Twin’s »Selected Ambient Works Volume 1.«

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Modeselektor

Monkeytown

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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Nathaniel Rateliff & The Night Sweats

The Future Black Vinyl Edition

LP | 2021 | EU | Original (Caroline)

Release: 2021 / EU – Original

Genre: Pop

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Lockdown Cronicles EP Feat. Rootsman I Black Vinyl Edition

Stojche

12" | 2021 | EU | Original (Kontakt)

Some Kind Of Peace Deluxe Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Berlin based producer Stojche showcases three unique dub-rooted tracks with amazing vocals by Rootsman I on his first installment on Kontakt. Limited Colored Vinyl.

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Ólafur Arnalds

3LP | 2021 | EU | Original (Mercury Classics)

89,99 €*

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2016 | EU | Original (Ruin Nation)

Oi Polloi

Saorsa

16,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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The Curse Of The Hot Rods Colored Vinyl Edition

Eddie And The Hot Rods

LP | 2021 | US | Original (Tigers Archive)

Release: 2021 / US – Original

Genre: Rock & Indie

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CJ Ramone

Reconquista!!

LP | 2012 | EU (Pinhead)

12" | 2021 | EU | Original (Hyperjazz)

Release: 2012 / EU

Genre: Rock & Indie

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Import From Argentina. CJ Ramone's Album From 2012 Reissues ON Limited AND Numbered 180gr Vinyl.

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Khalab

The Great Oxidation EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With the locution “Great Oxidation Event” we usually refer to the first major mass extinction that has been known on Earth. Occurred around 2,5 billion years ago, it consisted in a huge rise in oxygen in the atmosphere and shallow oceans that radically changed the conditions for the life on our planet, enabling the subsequent development of multicellular life forms. As debut on his own label Hyperjazz Records, with ’The Great Oxidation EP’, electro-shaman Khalab comes back to his natural habitat: the dance floor. With these three instrumental tracks, the visionary artist aims to drive the listener on a backward journey, down to rediscover the most ancestral human rite: to dance. A return to the origin in a radical way to reach a brighter future, but also a bridge for another world - a new space where meet new life forms and uncover new feelings and new consciousness. To embellish this EP, the presence of two very special collaborations. The acclaimed Detroit-based drummer and producer Shigeto joined Khalab in the track ‘Anaerobe’. Also, the Mexican visual artist Carlito Dalceggio contributed with his amazing art by creating the video clip for the track Neba’: a full hand-drawn short movie with no digital manipulations or special effects. His work reflects the seamless ease in which he moves between genres and cultures all in the service of creating the mythology of now.

Khalab Electronic artist and producer Khalab has developed an international reputation for his original fusion of traditional African sounds, deepbass work, jazz, and heavilylayered & dense electronic textures. He has three albums on his credits: ‘Khalab & Baba’, a four-handed workwith the Malian griot Baba Sissoko, released for the Nickodemus’s Wonderwheel Records; the worldwide acclaimed ‘Black Noise 2084’, that draws on the field recordings archive of the Royal Museum in Brussels and result of the collaboration with some of the most innovative musicians of the current UK jazz scene; and ‘M’berra’, recorded in the Mauritanian desert together with the some Tuareg musicians from Mali (M’berra Ensemble), that earned him the collaboration with the Peter Gabriel’s Real World Records. His music evolution is a seamless journey – from the most ancestral tribes to the unexplored cosmos; from the black jungle to the skyscrapers; from the remotest subconscious to the furthest and real projection of future Africa. His wide-reaching musical tastes can be heard regularly on his monthly Worldwide FM show, Love from Rome. Already working on a new record ready in 2022, Khalab pulls out of his laboratory the first experiment with this EP.

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12" | 2021 | EU | Original (Before)

Lock Plate Va

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Before is back with a strong VA and some serious talent!

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LP | 2021 | US | Original (Riding Easy)

Scrap Metal Volume 1

DJ Buzz of Waxolutionists & Preddy

Release: 2021 / US – Original

Genre: Rock & Indie

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By now listeners are probably familiar with Riding Easy’s wildly popular Brown Acid series of rare, lost and unreleased proto-metal and stoner rock singles from the ’60s-’70s. In the endless pursuit of those glorious gems, the label often uncovers equally brilliant rarities from the late-’70s to late-’80s Golden Age of Heavy Metal that also just must be heard, but they don’t fit the series’ aesthetic. Scrap Metal Volume 1 collects some of the greatest unknown and lost heavy metal tracks, long buried beneath the avalanche of the era’s classic output. Everyone knows the old adage that history is told by the winners. But sometimes the losers tell the best stories. And while none of these bands found fame and fortune, this artifact and the volumes to come are testament to the enduring power of heavy music. One can hear the blood, sweat and beers that went into each of these singles. The recordings may be low budget, but the inspiration and talent is immutable. Not only are the amps turned up to 11, the boyish sexual innuendo is cranked to 69. One can hear the convergence of influences—NWOBHM, thrash, glam metal, doom, etc—colliding at once as the era birthed a wellspring of subgenres. Many of these singles are self-released and were thus limited to a small run of copies. Those that remain are hoarded by collectors and sold for exorbitant amounts. Riding Easy has collected the best of the best for the listener here. As with Brown Acid, all of these tracks are licensed legitimately and the artists all get paid. Because it’s the right thing to do.

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Hildegard Knef Edit / Chilly Gonzales Buzz Interview Edit

7" | 2021 | EU | Original (Personal)

17,99 €*

LP | 2021 | EU | Original (Melius Prod)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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DJ Buzz (1/3 of Austrian DJ-Deckgroup Waxolutionists) & personal rec. mastermind Preddy finally with their Drunken Edit of Hildegard Knef`s "Im 80. Stockwerk" on Vinyl 7inch. Plus a very special Bonus on the flipside. The remix was originaly released on a double 10inch compilation of Drunken Edits on the label, now hard to find. The „Hildegard Knef Edit“ was on heavy rotation worldwide by DJ's and Radio Jocks like Gilles Peterson, Lefto, Bigga Bush (Rockers Hi-Fi), Eddy Ramich. It's now available again on 45rpm!

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Panam Panic

The Black Monk

18,99 €*

7" | 2021 | EU | Original (Mr Bongo)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Founded by the pianist Robin Notte (from the former electro-jazz band Wise) Panam Panic is one of the best Jazz-Groove french band. Influenced by Musician like Yussef Dayes, Robert Glasper, Roy Hargrove or Christian Scott, Panam Panic mix up Jazz with groove, Hip hop and electronic textures. The Black Monk is their first vinyl album. Robin Notte's gamble is to create a Jazz which is sufficiently sophisticated to delight the most demanding experts, yet also accessible enough to initiate neophytes. As such, Panam Panic defends a resolutely actual Jazz, open with no borders or blinders, combining powerful organic grooves with tidy melodies, delicate harmonies and frenzied solos

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EPMD

I'm Housin'

15,99 €*

Release: 2021 / EU – Original

Genre: Hip Hop

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LP | 2021 | EU | Original (Ilian Tape)

Jake Muir

Mana

17,99 €*

12" | 2021 | EU | Original (Ilian Tape)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Since he started producing music, Berlin-based American sound artist Jake Muir has been obsessed with sampling. His 2018 album "Lady's Mantle" was based on manipulated chunks of vintage Californian surf rock, and its follow-up, 2020's midnight symphony "The Hum Of Your Veiled Voice" was sourced from a wide variety of old records, and inspired by the work of experimental turntablists like Marina Rosenfeld, Janek Schaefer and Philip Jeck.

On "Mana", Muir looks back to a misunderstood musical movement. Around 1995, a group of New York producers and DJs - including DJ Olive, DJ Spooky and Spectre - pioneered a genre-dissolving sound by unifying hip-hop techniques with ideas pulled from dub, jungle, ambient music and industrial noise. Badged "illbient", it was a short-lived genre that felt like a high-minded psychedelic cousin of the UK's trip-hop.

Muir uses illbient as the springboard for "Mana", utilizing a selection of samples to inform his frothy drones and foreboding atmospheres. He ushers the material into 2021 by diverting it through his own contemporary worldview, attempting to recreate the hyperreal fantasy histories of Japanese RPGs (think "Dark Souls" and "Final Fantasy") and nod to sensual, tactile soundscapes of European industrial labels Staalplaat and Soleilmoon. The result is a magickal, sensory journey that's as physical as it is representational.

If the illbient producers were encouraging a burgeoning experimental music landscape to emphasize the tactile feeling of turntablism and sample manipulation, Muir is doing the same with "Mana". Each track heaves and breathes not just with his cultural reference points, but with layered, complicated emotions. We can hear joy, sadness, desire and anguish, obscured by disintegrating noise, hallucinogenic harmonies and sub-aquatic bass. It's electronic music that's rooted not in technology, but in touch.

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Sustrapperazzi

Return From Shibuya

Saving My Love Feat. Little Dragon

Release: 2021 / EU – Original

Genre: Hip Hop

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Hailing from Hastings, England, Sustrapperazzi joins the Ilian Beat Series with a dope fonka of a 12".

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&ME, Rampa, Adam Port

12" | 2021 | EU | Original (Keinemusik)

The Night They Came Home Limited Orange Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Timing is just right for the fourth and final single off of the upcoming Keinemusik album. "Send Return" will be the second full length, &ME, Adam Port and Rampa laid down together in liaison with an illustrious cast of feature guests. On "Saving My Love" they teamed up with one of Sweden's finest - Little Dragon. That breezy beat in conjunction with an overly catchy synth lead and Yukumi Nagano's harmonic vocals make a R'n'B-tinged Pop-jewel of the everlasting kind.

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Mr. Bungle

2LP | 2021 | UK | Original (Ipecac)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Km 4.5 Compilation Volume 1

12" | 2021 | EU | Original (KM 4.5)

Disintegration In Leipzig August 4th 1990

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Km 4.5’s first voyage of sound navigates the airwaves as a compilation of unique tracks from pioneering producers created uniquely for Km 4.5. Hailing from all over the globe, each has touched the sands of Papaya Playa Project, the birthplace of Km 4.5; each track is their own aural experience of Tulum. Traverse their singular realms of sound manifested into music through their time in this utopia in the first compilation inaugurating Km 4.5.

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The Cure

LP | 2021 | EU | Original (Planet Claire)

15,99 €*

Charmed Life - The Best Of The Divine Comedy

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Cure put on quite the formidable live show back in 1990—and following their massive “Prayer Tour” the year prior, Robert Smith and Co took a visit over to East Germany, to play a legendary and televised performance in Leipzig (Future home to the world’s largest Goth Festival, Wave Gotik Treffen). Speaking of Goth, Robert actually states, while segueing into the encore of Faith and Seventeen Seconds material that “this is the goth bit of the set”.

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The Divine Comedy

2LP | 2021 | Original (Divine Comedy)

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Beach Impediment)

Mujeres Podridas

Muerte En Paraiso

Release: 2021 / US – Original

Genre: Rock & Indie

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Tread Black Vinyl Edition

Ross From Friends

2LP | 2021 | UK | Original (Brainfeeder)

7" | 2021 | US | Original (Artifix)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Ross From Friends—AKA British producer Felix Clary Weatherall—returns with ‘Tread’, his keenly anticipated new album, due for release on 22nd October via Flying Lotus’ Brainfeeder imprint.

On ‘Tread’ Ross From Friends dials up the intricate and emotive qualities of his production style that have previously led Mixmag to praise his “idiosyncratic dexterity that not only makes your heart ache, but dance right out of your chest”. An artist who demonstrates an ever-increasing mastery of his craft, ‘Tread’ is a record that is at once sleek and melodic but also eminently danceable, nostalgic but brilliantly modern, with nods to sounds and styles that are not so much reflected but refracted and recontextualised through Clary Weatherall’s lens.

Lead single “The Daisy” exemplifies the spirit of the album. A bewitching club track that skips out of the speakers, the peppy 2-step drums cosying up to swollen pads that tug on your heart strings. Drawing its name from one of the opening steps in solving the classic Rubik’s Cube puzzle, the single also comes alongside a video which peers into the world of competitive speed-cubing. Directed by Rudá Santos and commissioned as part of Crack Magazine’s ‘Three Minutes’ program, the video also features a cameo from Felix as a speed-cubing competition judge.

It follows his highly acclaimed 2018 debut album ‘Family Portrait’—named one of the best of the year by Crack Magazine, Mixmag, NME and AV Club with further support from the likes of Rolling Stone, The Observer, The Wire, Resident Advisor and many more—and subsequent ‘Epiphany’ single on Brainfeeder, both of which were dedicated to and inspired in part by his parents and sister respectively.

Just as unique as the music on ‘Tread’ is the manner in which it came about. Frustrated by the friction to the creative process that arises when recording hardware and instruments through a computer—the constant need to start and stop recording, saving and cataloguing everything as you go—Felix decided to write and build his own piece of software. The resulting plugin—named “Thresho” and available via Ableton’s Max For Live platform—starts recording once the audio hits a user-defined threshold, then stops once it goes below that threshold, automatically saving and indexing the resulting clips alongside timestamps.

Leaving “Thresho” running in the background, Felix now found himself able to stay fully in the moment while jamming with his instruments, free to go with ideas as they happened, safe in the knowledge that nothing would be lost, or need replaying or recapturing. This revelation in how he approached the production and writing on ‘Tread’ meant he spent the first six months just experimenting with his hardware, not actually committing to any music, but with “Thresho” quietly recording everything he was doing, each session leaving its mark on an ever expanding library of his own samples. When he later came to composing the album, he was then able to draw on specific moments, either recalling the exact date or time he had made a recording, or simply browsing the now vast audio library of his own making. "Sometimes a whole tune could come from an idea within a recording or sometimes I’d just dump a random recording into an existing project and see what happens," he explains.

At the same time as writing ‘Tread’ there were also huge shifts taking place in the world outside of music. Finding himself confined over lockdown to a small stretch of the Old Kent Road in London—an area between his studio and his house that he would traverse each day—Felix discovered this was the same neighbourhood in which his Nan had worked in a sweet shop many years before, and where his Dad had attended various parties and squats in his heyday. As he wrote the record, he spent a lot of time reflecting on his own life around this area: the parties he’d go to, different friends, relationships, houses he's lived in and made tunes in. "In my mind it chronologically tied itself to the tunes I was listening to across that period too,” he explains. “How things have changed over the past 10 years in South London can be mapped with the type of music I was listening to throughout various stages of living here. I’ve basically honoured all of these musical touchstones across the album, thinking about how those memories and the tunes attached have been etched into a permanent chronology that’s completely personal to me."

This new way of working alongside Felix's inner reflections are inextricably intertwined. “I’ve amassed all of these memories from a time spent just messing around in South London, as with ‘Thresho’, I’ve amassed all of these recordings from sitting around and experimenting musically," he says. “'Tread’ refers to the marks that I’ve been permanently leaving, both in my memories and throughout the process using ‘Thresho’”.

With ‘Thresho’ being so integral to the album Felix has also made the decision to share this vast bank of recordings that were the foundations of ‘Tread’ and in doing so, offer up a peek behind the scenes at the creative process of one electronic music’s most individual and compelling voices. To be released soon, fans will be invited to explore this resource and share their interpretations, versions, iterations and interactions.

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Naughty Women

1979 Demos

LP | 2021 | US | Original (Carpark)

Release: 2021 / US – Original

Genre: Rock & Indie

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Los Angeles’ Naughty Women started in 1977 and lasted until about 1983. They had a crazy stage show involving goats heads and lots of lingerie. They are credited with the only band Brendan Mullen ever had to have banned from the Masque! Two tracks—"Fuck Yourself" and "Put To Death." Full-color cardstock cover. Black vinyl. Limited to 500 copies.

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Ducks Ltd.

Modern Fiction

LP | 2021 | EU | Original (Mr Bongo)

Release: 2021 / US – Original

Genre: Rock & Indie

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Toronto’s Ducks Ltd. (formerly Ducks Unlimited), the bright jangle-pop duo of Tom McGreevy (lead vocal, guitar, bass, keyboards) and Evan Lewis (guitar, bass, drum programming), accomplish the impossible. The pair craft songs that play to very specific inspirations without drowning underneath them—immediately evidenced on their critically acclaimed EP, Get Bleak, and sharpened on Modern Fiction, their debut LP. “The Servants, The Clean, The Chills, The Bats, Television Personalities, Felt,” Evan rattles off. “Look Blue Go Purple is one I reference a lot with our production.” Echoes of ‘80s indiepop abound, but they never overwhelm. This is not a nostalgic record, after all, nor is it a derivative one. Instead, across 10 cheery-sounding songs, Ducks Ltd. explore contemporary society in decline, examining large scale human disaster through personal turmoil (hence the title, taken from a university course called Gnosticism and Nihilism in Modern Fiction, influenced by Graham Greene novels. Bookish indie fans, look no further.)

Writing the album was intimate. Tom drafted the nucleus of a song on an unplugged electric guitar and brought it over to Evan’s apartment, where the pair sat in his bedroom, placing percussive beats from a drum machine under nascent melodies, passing a bass back and forth, adding organs and bridges where necessary. “It’s computer music trying extremely hard not to sound like computer music,” Tom jokes. Fearful that limited and expensive studio time would kneecap the project creatively, eroding their charming naivete, the pair re-recorded the album in a storage space owned by Evan’s boss. Ornamentation through collaboration followed: there’s Aaron Goldstein on Pedal Steel in the Go-Betweens’ “Cattle and Cane”-channeling interlude “Patience Wearing Thin,” Eliza Niemi on cello (“18 Cigarettes,” a song loosely inspired by a 1997 Oasis performance of “Don’t Go Away”), and backing harmonies from Carpark labelmates The Beths (on an ode to friendship at a distance, “How Lonely Are You?,” “Always There,” and on the sped-up Syd Barrett stylings of “Under The Rolling Moon.”) While in his native Australia due to covid-19, Evan worked closely with producer James Cecil (The Goon Sax, Architecture in Helsinki) on Modern Fiction’s finishing touches—at one point, in the mountains of the Macedon Ranges in Victoria, recorded a string quartet (featured on “Fit to Burst,” “Always There,” “Sullen Leering Hope,” “Twere Ever Thus,” “Grand Final Day.”)

It’s danceable, depressive fun, with some relief: in “Always There” and “Sullen Leering Hope,” Modern Fiction’s faithful heart. “There’s a tendency in my writing, because of my world view, to be very bleak.” Tom explains. “A quality I don’t always see in myself and really appreciate in others is the courage to go on.” And yet, the record manages resiliency—enough for pop fans to fall in love with.

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Os Devaneios

Embalo Diferente

Let's Talk About The Weather

Release: 2021 / EU – Original

Genre: Organic Grooves

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For number 92 in our Brazil45 series, we delve back to another all-time favourite track, 'Embalo Diferente' by Os Devaneios. This sublime funky Samba joint has always ignited the dancefloor for us. It featured on the band's 1978 album, 'O Conjunto Que Faz Você Vibrar’, which originally saw release on EMI. No crazy hype needed for this one, just a fantastic straight-up, no messing Samba Funk made for dancing.

We only know of four albums by Os Devaneios and for the A-side of this 45, we have selected one of our more recent discoveries with a track entitled 'A Beleza É Você Menina'. Taken from their 1979 album 'Raça Suor E Suingue’ (also originally released on Emi), it was recorded only a couple of years after 'Embalo Diferente’. Whilst it remains in that Samba mold, it has also taken on some of the vibe and characteristics of Soul, Brazilian Boogie and AOR from that late 70s and early 80s period. A feel-good and uplifting record, yet one which simultaneously has a hint of melancholy and is all the more beautiful for it. It's always good to discover a new song by an old favourite, and we hope you grow to love it too.

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Gudrun Gut + Mabe Fratti

LP | 2021 | EU | Original (Umor-Rex)

LP | 2021 | EU | Original (We Release Jazz)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Gudrun Gut and Mabe Fratti have worked together on a powerful hybrid album, where taut rhythms fuse with haunted vocal melodies and spoken word, and field recordings meld with extended ambient pieces. As part of Umor Rex’s 15th anniversary, we here present an album that builds a dialogue between two lands and two unique artists. Mexico is the origin and conceptual residence of our label, while Germany is where we produce and manufacture our records (Berlin functions as the center of distribution and logistics, thanks to our friends at Morr Music). The intertwining imaginations belong to German producer Gudrun Gut (Malaria!) —a notable figure of the subculture and the German music scene since the early 80s, and also a founder of Monika Enterprise and recipient of the ‘Listen to Berlin’ Award in 2019— and singer, multi-instrumentalist and composer Mabe Fratti (originally from Guatemala, now based in Mexico City). We knew about "Let's Talk About The Weather" from the beginning, and since the moment Gudrun and Mabe made us part of their project, our excitement could not be greater. The process started with Gudrun and Mabe having long distance conversations, asking about their whereabouts and discussing the weather. This might seem rather commonplace, but it works as a key thematic component for the entire album. The weather as the new great unknown, perceived through the optics of everyday life. Sound files were methodically exchanged, with Mabe exploring words and vocals, and Gudrun working with field recordings taken from each city. In the end, this joint musical venture would provide a healing effect for both artists during life in quarantine. "Aufregend", the opening track of the album, reflects upon a general lack of excitement in modern life. It wonders what the future might hold. Is it cold? Is it warm? Will it be the same? "Air Condition" is an eerie, dazzling collision of climates: the hazy warmth of Mexico City, the deep cold of Uckermark. The last track, which gives the album its name, is a long ambient piece composed of four parts: sound sculptures, field recordings of city life, news and weather forecasts, and private conversations about the climate. It's kind of a collaborative diary, obsessed with a single, all-encompassing subject. Produced and recorded by Gudrun Gut and Mabe Fratti between Berlin, Uckermark, Veracruz and Mexico City. Mixed by GGut at Stern Studio Mastered by John Tejada in Sherman Oaks, USA. Artwork & photos by Daniel Castrejón in Mexico City.

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Ryo Fukui

My Favorite Tune

Love Made Me Do It Glow In The Dark Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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180g vinyl, half speed mastered, heavy sleeve, obi, liner notes, sticker. We Release Jazz is very happy to announce the official reissue of Ryo Fukui’s only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa. Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite “Nord” and “Voyage", a tribute to his mentor Barry Harris ("No-body’s"), alternate versions of his mega classics “Scenery” and “Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish. My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography. Points of interests - For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments. - Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui. - 11th release from We Release Jazz, notably following Hiroshi Suzuki’s Cat, Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin’s Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based Wrwtfww Records.

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Kat Von D

LP | 2021 | EU | Original (Kat Von D)

25,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (Counterchange)

P. Lopez

Emulation

Tastes Like Freedom Remixed Transparent Magenta Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sampler for the debut LP from Paraguayan producer P. Lopez, ‘Asunción,’ featuring the triumphant, ‘Emulation feat. Vera Brothers.’ Up-tempo brain bouncing techno, power-house, washes of electronic-soul, and Latin American tribalism.

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30/70

12" | 2021 | EU | Original (Rhythm Section International)

16,99 €*

Vendedor De Mangaios / Vou Tirar Voce Daqui

Release: 2021 / EU – Original

Genre: Electronic & Dance

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30/70 and Rhythm Section team up once more to deliver their most ambitious remix package to date. Call outs to friends and family of the label and collective offered up a selection of some of the most exciting electronic music producers in the scene and the fruits of the collaboration have arrived.

The remix package continues 30/70’s practise of rebirthing their music in a contemporary club sound but this time takes that intention a step further, veering into unexpected and more experimental territory for the band, calling in a new era for their musical endeavours.

The record opens with a duo that need no introduction, label legends Chaos In The CBD work their magic on TLF, playing on Josh Kelly’s drawn out noir-esque sax notes and Allysha’s whispering tones to create a sultry and sophisticated house number in their typically infectious style.

Next up Utrecht native Carista enters with the sound of the Netherlands for a new wave electro trip fresh off her BBC Radio 1 residency.

Tornado Wallace takes us straight to a hot pink sunset on the long lost festival floor with his Red Face Mix of Tastes Like Freedom.

Closing out are the cerebral and ethereal sounds of Yu Su’s Midnight Blossom Remix, where the Kaifeng-born composer, DJ and sound artist continues her exploration of ‘fourth world’ ambience and left-field dance music.

Over the last few years, 30/70 have become something of a supergroup: with Allysha Joy, Ziggy Zeitgeist, Josh Kelly and Matthew Hayes all soaring as solo artists and band leaders. Individual talents aside, there’s nothing quite like the 30/70 collective united as one unstoppable force; and the synergy is palpable in this tantalising tour-de force.

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Josan / Bartos Galeno

7" | 2021 | EU | Original (Mr Bongo)

LP | 2021 | EU | Original (Sounds Of Subterrania)

Release: 2021 / EU – Original

Genre: Organic Grooves

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For number 90 in the Brazil45 series, we share a couple of lesser-known discoveries that have become recent favourites here at Bongo HQ.

First up we head to the north of Brazil with funky Forró / boogie hybrid monster, 'Vendedor De Mangaios' by Josan. Originally released in 1981 on the album 'Rio De Renovações’ on Copacabana Records. This addictive dancefloor gem is still relatively under the radar, but it has become a firm favourite at Bristol's Worm Disco Club parties and amongst the DJ's and collectors of Brazil's underground dance music scene.

Taken from the illustrious singer Bartô Galeno's self-titled 1977 album on Tapecar Records, 'Vou Tirar Você Daqui' is an unusual one. Not easily pigeon-holed, the song sits somewhere between MPB / funk and rock, yet isn't really any of them. Backed with a big orchestrated sound and tripped-out synths, the track has a truly unique feel.

We hope you dig these finds. Another testament to the diversity and depth of Brazil's rich musical heritage.

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The 50 Kaitenz

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Not Now)

Ink Spots

Best Of

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Besser-Samstag)

High John

High Jazz

Release: 2021 / EU – Original

Genre: Hip Hop

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High John releases at the moment a series of EPs which will be packed together as "High Jazz" a vinyl with roughly 40minutes of playtime consisting of finest beats and modern jazz vibes.

It's a Gatefold and the Coverart is by Robert Winter and Jeremias Diekman! Don't sleep on this one - limited to 250 copies.

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2LP | 2021 | EU | Original (Toy Tonics)

Italomania

Conquering Lion Expanded Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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8 reworks of rare and unexpected italian disco and funky pop music from the 1970ies. Not the usual electronic Italodisco classics, but here come some more organic sounding band-disco music from the time of 1976 - 82. Positive vibrations and high quality dance pop reworked for today’s advanced dancefloors by Toy Tonics head honcho Kapote and his Italian friends BPlan and Paul Older. Some of these edits already have been released as bandcamp only, but because of extreme demand for vinyl Toy Tonics did this limited edition double vinyl release.

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Yabby You & The Prophets

2LP | 2021 | UK | Original (Pressure Sounds)

Release: 2021 / UK – Original

Genre: Reggae & Dancehall

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Cybernetic Defiance And Orgasm: The Essential Henry Kawahara

Henry Kawahara

2LP | 2021 | EU | Original (EM)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Here is a portal to a vast and relatively unknown world, the Japanese cyber-occult underground media scene of the early 1990s; our guide is the late Henry Kawahara, a media artist and electronic music producer whose expansive and visionary conception of digital technology merged with a desire to break free of the constraints of mere rationality.

This collection, the first-ever archival release of his work, is drawn from recordings released during the period 1991-1996, an exceptionally fertile time for Kawahara. Originally released on CD by a few Japanese independent labels including Hachiman Publishing, a cyber-occult / new-age / old shinto book specialist, the releases were available mainly in book stores, so this sumptuous and prescient music has remained relatively unknown. The original titles and tag lines of the CDs give clues about Kawahara’s interests and the music itself: Digital Mushroom, Subtropical Illusion, Never-ending Asia, and so on. This 15-track gateway compilation is available on double 12” vinyl and CD; the CD version has two extra discs featuring sound from two art installations entitled Dysteleology - α and Dysteleolog - β from the 1990s. All formats feature extensive English liner notes. Cover art by 2yang, with liner notes by Keisuke Oki and Koki Emura, with an interview of Sūgen Takeda (Hachiman Publishings)

"Henry Kawahara has been called “the Jon Hassell of Japan”, but upon closer inspection one finds that his work operates on very different terms. Like Hosono's forays into computerized Ryukyu folk “sightseeing music” or Tsutomu Ōhashi's Ecophony trilogy, Kawahara's world projected ancient musical traditions and notions of cultural identity onto the modern digital plane through a fusion of cybernetic thinking and pan-asian cultural introspection that makes Western attempts to do the same seem quaint in comparison. Kawahara's omnidirectional sound “illusions” were constructed not as albums but psychological experiences, billowing with a then-nascent notion of early 90s cybernetic spirituality that was proliferating on both sides of the Pacific as the hyperlinked state of global connectivity we know today was just beginning to crystalize. Through digital representations of folk instruments, shifting Midi sequencing and custom binaural recording technology he aimed for psychoacoustic effect as much as artistic, all via a countercultural form of distribution untethered from the commercial expectations of post-bubble modes of artistic production. This EM collection draws out the best of his fruitful early-mid 90s period into a revelatory sequence, generously opening Kawahara's world to all." — Spencer Doran (Visible Cloaks)

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Soulsuckers On Parade

LP | 2021 (Minky)

LP | 2021 | US | Original (Riding Easy)

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Release.

***Years in the making—The Lodger: A Story Of The London Fog was composed for a live scoring of Alfred Hitchcock's 1927 British silent film classic about the search for a "Jack the Ripper"-like serial killer on the loose in London. The score was first performed live at the Brooklyn Academy of Music on Halloween Night 2013 and recorded from 2016 to 2020. Pressed on orange vinyl.

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Deathchant

Waste

&Hope EP Red Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Heavy music’s evolution has always been a murky swamp of sub-genres. So, combining Thin Lizzy’s glistening twin guitar harmonies with Melvins-grade sludge and a hearty dose of proto-metal psych probably shouldn’t sound so revolutionary as it does in the hands of L.A. quartet Deathchant. But theirs is a special, transcendent sound. Waste, the band’s sophomore album and first for Riding Easy Records, is anything but. The thirty three-minute, seven-song blast flows seamlessly from song to song, aided by droning segues, while simultaneously slithering between genres and moods. Rumbling noise, chiming guitar melodies, bluesy boogie, Nwobhm thrash, COC grunge and punk fury all rear their head at times, sometimes all at once. Though one wouldn’t be able to tell by the concise structures and well-crafted songs, a lot of Deathchant’s music is improvised, both in the studio and live. That’s not to suggest their songs are jammy— they’re very tightly organized compositions. But the four musicians have that special musical telepathy that allows them to keep the song structures open-ended. “Improv is a huge things for us and always has been,” singer / guitarist T.J. Lemieux says. “The musical freedom to look at the other dudes in the band and be able to take things wherever we want to go is magical. I like the feel of flying off the hinges.” Likewise, the band itself is similarly amorphous in its membership. “We run the band with an open door. No lineup is definitive,” Lemieux explains. On Waste, the lineup is: Lemieux, George Camacho on bass, Colin Fahrner on drums, and John Belino on second guitar. Waste was recorded live in a rented cabin in the mountains of Big Bear, CA. “We packed a big-ass van and set up in the living room and kitchen,” Lemieux says. “Tracked it live, with overdubs after.” The whole album was recorded over two separate weekends, engineered by Steve Schroeder, who also recorded the band’s 2019 self-titled debut album. “I’d say it has sort of a DIY LA punk aesthetic,” he adds. “Very ironically going hand in hand with a classic metal vibe: Thin Lizzy, Judas Priest, classic Deep Purple, Uriah Heep and other melodic heavy rock bands.”

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Frankey & Sandrino

12" | 2021 | EU | Original (Sum Over Histories)

LP | 2021 | EU | Original (Permanent Vacation)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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‘&Hope EP’, the 4 track EP from Frankey & Sandrino, is a celebration of the duo’s partnership and a journey into their musical symbiosis. After making music together for close to a decade, the pair feel more connected than ever and grateful to be able to express themselves creatively with no compromises. The EP is a step away from their signature eclectic electronic dance music productions and a clear boundary-pusher, with a plethora of new musical elements thrown into the mix.

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Rhode & Brown

Everything In Motion

16,99 €*

12" | 2021 | EU | Original (Ilian Tape ITX Series)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A download code is included. Everything has its right moment in space and time. And Rhode & Brown’s debut album “Everything in Motion” is no exception to this rule. But first things first: Hailing from Munich, Germany, Friedrich Trede and Stephan Braun are the DJ and producer duo Rhode & Brown. Growing up in two neighbouring villages near Munich both of them had been music enthusiasts since their early childhood. Friedrich played drums in punk bands at school and recorded rap songs in his bedroom, while Stephan, as childhood friend of Harold Faltermeyer’s son, had the chance to experiment in the impressive studio of the legendary Donna Summer producer in his early teens. By the late 2000s older friends started supplying them with DJ mixtapes and helped them sneak into clubs they weren’t allowed to visit, yet – cultivating their love for electronic music and club culture. And, of course, the Internet was their go-to source for finding the latest blog house tunes back then, too. It wasn’t until October 2009 that their paths would cross for the very first (but almost last) time when introduced by a mutual friend: Back then Stephan was selling his old CDJ-player and Friedrich, who wanted to hone his DJ skills, ended up buying it: „When I got home and unpacked the player I realized that it was the wrong model. I thought Stephan was trying to rip me off - so I called him in a rage and demanded my money back.“ Friedrich laughs. To cut a long story short, the two met again the same evening, money and CD-players were exchanged, but luckily so was their passion for house and disco music. It was at that very moment that Rhode & Brown was born.

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Konrad Wehrmeister

Untitled

7" | 2021 | EU | Original (Hot Casa)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Hallucinating Gnarly Spring Breakers

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Vaudou Game

Bella