Vinyl 1402 Items

LP | 1967 | EU | Reissue (Survival Research)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.

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Yusef Lateef

Jazz Mood

24,99 €*

Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A multi-instrumentalist who reconfigured jazz many times during his long career, Yusef Lateef came to prominence in the late 1950s, after having toured with Dizzy Gillespie. Jazz Mood dates from 1957, when his Quintet had some of Detroit's finest, including Alice Coltrane's brother Ernest Farrow on bass and future Jazz Messenger Curtis Fuller on trombone. The use of an argol on 'Metaphor' and a rabat and finger cymbals on 'Morning' point to Lateef's Islamic grounding and his belief that music serves a higher purpose; this edition has bonus track 'Passion,' from the equally excellent Before Dawn. Rich, deep, and varied, this is required listening for all serious jazz heads.

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Yusef Lateef

LP | 1969 | UK | Reissue (Arc Records)

43,99 €*

Londra Sokaklarında Ağlar Gezerim / Zindan Oldu Sensiz Geçen Günlerim

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."

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Yüksel Özkasap

7" | 1969 | TR | Original (Türküola)

15,99 €*

Release: 1969 / TR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1967 | US | Original (Brunswick)

Young Holt Unlimited

On Stage

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | EU | Reissue (Atlantic)

Yes

Yes Cobalt Vinyl Edition

36,99 €*

Five Live Yardbirds Record Store Day 2024 Red Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Yes - Yes is the band's acclaimed 1969 debut. Includes "Sweetness" and a cover of The Beatles' song "Every Little Thing"

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Yardbirds

LP | 1964 | US | Reissue (Culture Factory)

39,99 €*

LP | 1964 | US | Reissue (Vee Jay)

Release: 1964 / US – Reissue

Genre: Rock & Indie

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Five Live Yardbirds – 1964, their first live album contains some of Eric Clapton's earliest recordings. It was recorded at the legendary Marquee club in London. This lineup features Eric Clapton/lead guitar, Keith Relf/ lead vocals & harmonica, Chris Dreja/ rhythm guitar, Paul Samwell-Smith/bass and Jim McCarty/drums. This deluxe package includes color vinyl, an OBI side spine and printed inner sleeve.

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Wynton Kelly

Kelly Great

23,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | EU | Reissue (Wah Wah)

Wynder K. Frog

Sunshine Super Frog

20,99 €*

The Sound Of Wilson Pickett

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Wilson Pickett

LP | 1967 | US | Original (Atlantic)

3,59 €* 5,99 € -40%

Hey Jude Vinyl Me, Please Edition

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl with many scuffs and hairlines

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Wilson Pickett

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

Best Of Wilson Pickett Volume Two

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Let’s start with the scream. We tend to define our singers by how “great” their voice is, how deftly they can ascend and descend major and minor scales, and how they can turn up and turn down the emotion inherent in their voices. But when considering Wilson Pickett, it begins and ends with his scream. He could take you on a journey, he could butter you up, he could make you feel things in your vital organs, but you don’t get a nickname like “Wicked Pickett” because you’re a crooner.

Pickett’s “Hey Jude” forms the spiritual centerpiece and title track of hisfinal trip up to the mountain-top, his last true masterpiece LP. He’d take forays to Philadelphia for the new sound of soul, and even go vaguely disco in the late ’70s. But for his final album of the ’60s, a decade where he dominated the soul charts, he’d unwittingly help start southern rock, and scream his way across one of the most recognizable tunes in the history of song. Not bad for 31 minutes and eight seconds worth of music.

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Wilson Pickett

LP | 1967 | US | Reissue (Friday Music)

43,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Please Don't Go / My Heart Remembers Record Store Day 2023 Edition

Willie Tee

7" | 1967 | UK | Reissue (Nola)

First Taste Of Hurt / I'm Having So Much Fun Record Store Day 2022 Vinyl Edition

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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First official reissue of this essential and insanely rare Willie Tee double sider. New Orleans gold from the Nola vaults, the A side ‘Please Don’t Go’ is a certified Northern Soul classic with the flip a fantastic smokey, low slung soulful number that’s become a real collector’s favourite. With original copies having traded hands for £1800 in the past, it’s high time this was made available to a new generation of listeners. Red label version original black sleeve.

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Willie Tee

7" | 1969 | UK | Reissue (Gatur)

Willie Rosario And His Orchestra

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Following on from the incredible success of 2020's "Teasin' You Again", we're proud to follow that up with one of Willie Tee's greatest double-siders and one of his very rarest 45s. Welcome to the incredible "First Taste Of Hurt" backed with "I'm Having So Much Fun".

This record was first discovered in Los Angeles in 1976 primarily for "I'm Having So Much Fun" which drew interest from the Northern Soul crowd, but then "First Taste Of Hurt" started catching on in wider circles. These days "First Taste Of Hurt" is the key side with a truly international audience across several scenes. An original Gatur copy of this will set you back £5000 and even the UK Grapevine reissue will cost you the best part of £100 these days. Expect another across-the-board Willie Tee smash which will match perfectly with "Teasin' You Again" and sell to many audiences.

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El Bravo Soy Yo!

LP | 1963 | EU (Survival Research)

7" | 1967 | EU | Reissue (Guerssen)

Release: 1963 / EU

Genre: Organic Grooves

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Puerto Rican composer, bandleader and percussionist Willie Rosario was a giant of Latin music, known as Senor Afinque or Mr. Tight for the strength of his musical arrangements. Born in Coamo in 1930, Rosario had already formed the Coamex band, prior to his emigration to New York in 1947, where he played in various orchestras, forming his own band in Spanish Harlem in 1959 and also presenting a Spanish-language music show on radio station Wado. Signing to Alegre in 1962, he began touring widely, the label issuing this sought-after debut in 1963; mixing covers and original, the hot salsa here features the dulcet tones of lead singer, Frankie Figueroa.

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William Penn Fyve

Swami / Blow My Mind

LP | 1969 | US | Original (Raw)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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First ever band-sanctioned reissue of this legendary ‘Pebbles’ garage-psych 45 from 1967. William Penn Fyve aka William Penn & His Pals were a regular presence on the early Bay Area scene, opening for the likes of Jefferson Airplane, Paul Revere & the Raiders and Them. Their line–up included lead singer / organist Gregg Rolie, later of Santana / Journey. In 1966 they recorded their lone single, "Swami" / “Blow My Mind”, for the Thunderbird label. The A-side (written by guitar player Mike Shapiro and famous for being included on “Pebbles-The Acid Gallery”) is early acid-punk with fuzzed-out raga guitars and hilarious lyrics about a guru. The flipside is an energetic garage-punk number with swirling Vox organ and a fuzz rave up á la Yardbirds.

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Wildman Steve

My Man! Wild Man!

3,95 €*

Release: 1969 / US – Original

Genre: Comics

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Used Vinyl

Medium: VG, Cover: VG

Hard N' Horny Turquoise Vinyl Edition

Wigwam

LP | 1969 | EU | Original (Svart)

Hard N' Horny Black Vinyl Edition

Release: 1969 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

Due to high demand, Svart Records will release represses of Wigwam's early works on vinyl once again. The Finnish legends in Wigwam are no strangers to fans of Progressive Rock around the world. Their debut album Hard N’ Horny from 1969 and the following Tombstone Valentine from 1970 are a couple of cornerstones among many in their impeccable discography. The previous Svart editions of these absolute classics by the pioneers of early progressive rock date back to 2019, so it was about time to bring back these must-haves to the market.

Hard N’ Horny started the legacy of Wigwam. Album’s A-side is jazzy, early prog-rock by the keyboardist Jukka Gustavson, with an exception on the first track written by the original bass player Mats Huldén. Lots of heavy organ, jazzy piano, and some vocal parts by Gustavson. The B-side is ‘60s psychedelia written by the British-born vocalist Jim Pembroke. It consists of songs about a man called Henry, together forming a mini Rock opera.

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Wigwam

LP | 1969 | EU | Original (Svart)

LP | 1969 | EU | Reissue (Proper)

Release: 1969 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

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White Noise

An Electric Storm

33,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | UK | Reissue (Island)

White Noise

An Electric Storm

30,99 €*

LP | 1969 | EU | Reissue (Soulgramma)

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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Whispers

Planets Of Life

20,99 €*

West Coast Pop Art Experimental Band

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Formed in 1964 in Watts, California, U.S. and based in Los Angeles, the original members were the texan twin brothers Wallace Scott and Walter Scott plus Gordy Harmon, Marcus Hutson and Nicholas Caldwell. In 1973 Gordy Harmon injured his larynx in a driving accident and was replaced by Leaveil Degree. Planets Of Life was the result of the incoming change, a vocal soul-funk masterpiece from a renewed harmony group. Often compared to the Isley Brothers, due to Scotty Scott vocal similarities to Ronald Isley, the band was an excellent r&b combo, turning lately into an electric funk vibe with a clear Temptations twist.

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Volume 2 Mono Edition Colored Vinyl Edition

LP | 1967 | US | Reissue (Jackpot)

32,99 €*

West Coast Pop Art Experimental Band

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Released in 1967 on Reprise Records as a follow-up to 'Part One', 'Vol. 2' (the band's third LP!) takes the band into more ambitious and psychedelic territory than the '66 debut on Fifo Records and the first Reprise full-length, 'Vol. 2' maintains their unique pop sound mixed with ominous fuzz guitar, jumping from graceful folk-rock to wailing guitar freakouts, to multilayered avant-garde compositions at a moment's notice. This legendary LP sees its first ever reissue in mono, with sound taken from the original master tapes.

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Part One Mono Edition

LP | 1967 | US | Reissue (Jackpot)

West Coast Pop Art Experimental Band

Release: 1967 / US – Reissue

Genre: Pop

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Formed in Los Angeles in 1965, The West Coast Pop Art Experimental Band was considered by many to be Calfornia's answer to the Velvet Underground. The group created psych/rock music that was both fragile and dreamy. 'Part One' (the band's second LP!) was originally released in 1967 on Frank Sinatra's Reprise Records. Though band leader Bob Markley and his companions didn't achieve the fame or notoriety of other bands from the area, they have nonetheless achieved cult status among collectors. For the first time, this legendary records gets reissued in MONO, with sound from the original master tapes.

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Part One Mono Edition Colored Vinyl Edition

LP | 1967 | US | Reissue (Jackpot)

Release: 1967 / US – Reissue

Genre: Pop

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LP | 1969 | JP | Original (A&M)

Road Song

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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LP | 1964 | US | Original (Verve)

Movin' Wes

15,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Seam split. Original US mono pressing.

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LP | 1964 | US | Original (Verve)

Movin' Wes

9,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Original (Verve)

Movin' Wes

19,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing.

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LP | 1967 | EU | Reissue (Elemental)

California Dreaming

30,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Released in 1967, California Dreaming was Wes Montgomery's last album for Verve (other than an exciting collaboration with Jimmy Smith). It’s an extraordinary orchestral date featuring arrangements by Don Sebesky that showcases soloists such as pianist Herbie Hancock and percussionist Ray Barretto. The songs (which include "Sunny" and the title tune "California Dreaming") are in this case mostly pop material of the era, from which the great performer extracts magic sounds. The album reached No. 1 on the Billboard jazz album chart and No. 4 on the R&B chart, and was one of the last great works by Montgomery, whose later guitar style influenced jazz fusion and smooth jazz. At the peak of his popularity, the guitarist unexpectedly died of a heart attack on June 15, 1968, at the age of 45.

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LP | 1967 | US | Original (Verve)

California Dreaming

19,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy is close to VG+

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LP | 1967 | EU | Reissue (Elemental)

A Day In The Life

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Reissue of the debut album on A&M Records by jazz guitarist Wes Montgomery, released in 1967. It reached #1 on the Billboard Jazz Album chart and #2 on the R&B chart. Considered by far the best of his three albums on A&M (in partnership with Creed Taylor’s CTI Records), A Day in the Life features a plethora of star sidemen, such as Herbie Hancock, Ron Carter, Ray Barretto, and Grady Tate, among others, as well as superb arrangements by Don Sebesky. The LP was masterfully engineered by Rudy Van Gelder.

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LP | 1967 | JP | Reissue (A&M)

A Day In The Life

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI! Gatefold cover is close to VG+ and the record is close to VG!

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LP | 1967 | US | Original (A&M)

A Day In The Life

9,99 €*

Genesis HHV Exclusive Green Vinyl Edition

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

26,99 €*

Genesis Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

25,99 €*

Speak No Evil Blue Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Wayne Shorter

LP | 1964 | EU | Reissue (Blue Note)

LP | 1964 | Reissue (Blue Note)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”

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Wayne Shorter

Juju

Release: 1964 / Reissue

Genre: Organic Grooves

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Wayne Shorter Featuring Lee Morgan, Reginald Workman And Elvin Jones

Night Dreamer

LP | 1964 | EU (Blue Note)

Love Me With All Your Heart

Release: 1964 / EU

Genre: Organic Grooves

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Wayne Shorter stepped out as a Blue Note artist on his masterful 1964 label debut Night Dreamer, a sublime set that signalled the arrival of one of the most important saxophonists and composers in jazz history. Timeless Shorter compositions are given transcendent performances by a quintet with Lee Morgan, McCoy Tyner, Reggie Workman, and Elvin Jones.

Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

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Victor Feldman

LP | 1964 | US | Original (Vee Jay)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Velvett Fogg Green & White Marbled Vinyl Edition

Velvett Fogg

LP | 1969 | EU | Reissue (Music On Vinyl)

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Pop

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180 GRAM AUDIOPHILE VINYL
FIRST AND FINAL STUDIO ALBUM BY BRITISH PSYCHEDELIC ROCK
BAND VELVETT FOGG

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON
TRANSLUCENT GREEN & WHITE MARBLED VINYL

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Velvett Fogg

36,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Velvett Fogg are a psychedelic rock band hailing from Birmingham, England. Active during the late 1960’s, Velvett Fogg were one of the many new bands from the Birmingham underground scene trying to take pop and rock music to a higher level of creativity. They were given a record deal by Pye Records, through which they released their first and only studio album, the self-titled Velvett Fogg. The original package was accompanied by a quote from U.K. disc jockey John Peel, who commented that “there is a lot of good music on this record. Remember Velvett Fogg - you will hear the name again”. Ironically the band broke up shortly after release. The album has since become a much sought after title.

Velvett Fogg is available on black vinyl.

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White light / white heat Purple Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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140 gram clear purple vinyl reissue!

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White light / white heat

20,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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reissue on 180g vinyl with three bonus tracks

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2LP | 1967 | US | Reissue (Polydor)

White Light / White Heat

48,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The Velvet Underground & Nico

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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... one of the greatest albums of all time! ... 180 gram vinyl with bonus track 'chelsea girls'

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Victor All Time Hit Series - The Best Of Hits Vol 3

7" | 1963 | JP | Original (Victor)

Release: 1963 / JP – Original

Genre: Organic Grooves, Pop, Soundtracks

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Medium: G, Cover: VG

LP | 1967 | US | Reissue (Atlantic)

The Super Hits

7,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split on bottom spine. Vinyl with scuffs and hairlines

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The Famous European Screen Themes

2LP | 1969 | JP | Original (Victor)

22,99 €*

Release: 1969 / JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with spine damage

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Tamla Motown Is Hot, Hot, Hot!

LP | 1969 | DE | Original (Tamla Motown)

Release: 1969 / DE – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

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Stereo Demonstration Record

7" | 1964 | JP | Original (Victor)

Release: 1964 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Medium: VG+, Cover: VG+

Cover slightly yellowed.

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LP | 1969 | US | Original (Longines Symphonette Society)

Soul Supreme Vol. 2

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Yellowed cover.

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LP | 1969 | DE | Original (Multitrack)

Schaut Auf Diese Stadt

5,99 €*

Release: 1969 / DE – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Riot On Sunset Strip

LP | 1967 | EU (Sparton)

17,99 €*

Release: 1967 / EU

Genre: Rock & Indie, Soundtracks

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Presenting...The James Brown Show

LP | 1967 | US | Original (Smash)

10,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines. Cover with long open seam splits

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Piano Music Of The Near East

LP | 1963 | EU | Reissue (Modern Silence)

17,99 €*

Release: 1963 / EU – Reissue

Genre: Classical Music

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Medium: Near Mint, Cover: Near Mint

LP | 1962 | EU | Reissue (Dialogo)

Passaporto Per L'italia

58,19 €* 96,99 € -40%

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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OST The Original Hits Of Right Now Plus Some Heavies "Easy Rider"

LP | 1969 | US | Original (Dunhill)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Medium: VG+, Cover: VG+

OST The Original Hits Of Right Now Plus Some Heavies "Easy Rider"

LP | 1969 | US | Original (Dunhill)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Medium: VG+, Cover: VG

Seam split.

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LP | 1969 | US | Reissue (Real Gone Music)

OST Russ Meyer's Vixen

Release: 1969 / US – Reissue

Genre: Soundtracks

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OST How The West Was Won = 西部開拓史

LP | 1962 | JP | Original (MGM)

19,99 €*

Release: 1962 / JP – Original

Genre: Soundtracks

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Medium: VG+, Cover: VG+

Includes original insert.

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LP | 1969 | JP | Original (20th Century Fox)

OST Hello Dolly!

22,49 €* 24,99 € -10%

Release: 1969 / JP – Original

Genre: Soundtracks

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Medium: VG, Cover: VG+

Record is slightly warped but close to VG+
Back cover shows minor foxing.

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LP | 1969 | CS | Original (Supraphon)

Night Club 68

Release: 1969 / CS – Original

Genre: Organic Grooves, Rock & Indie

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Medium: VG+, Cover: VG

LP | 1964 | US | Original (Vanguard)

Newport Broadside

Release: 1964 / US – Original

Genre: Rock & Indie

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Medium: VG, Cover: VG

LP | 1969 | DE | Original (Schwann AMS Studio)

Neue Geistliche Lieder

Release: 1969 / DE – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Cover with tear on the front. Vinyl close to VG+

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LP | 1969 | GDR | Original (AMIGA)

Musical Erfolge

Release: 1969 / GDR – Original

Genre: Soundtracks

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Medium: VG+, Cover: VG

LP | 1969 | DE | Original (Constanze)

Music For Wild Angels

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Medium: VG, Cover: VG

Motown Winners' Circle No. 1 Hits Vol. 3

LP | 1969 | US | Original (Gordy)

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: G+

Cover has a cut corner.

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LP | 1969 | US | Original (Motown)

Motortown Revue Live

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: G+, Cover: G+

LP | 1964 | GDR | Original (AMIGA)

Modern Jazz Studio Nr. 1

Release: 1964 / GDR – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

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LP | 1969 | US | Original (Atlantic)

Jazz Super Hits

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Vinyl close to VG+. Cover with punch hole

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LP | 1964 | US | Original (Limelight)

I/We Had A Ball

12,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Gatefold cover has a taped top spine. Stereo pressing.

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Giant Instrumental Rhythm & Blues Hits

LP | 1964 | US | Original (Imperial)

12,79 €* 15,99 € -20%

Release: 1964 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

tear in top spine. Mono Research Craft Press.

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Georgie Woods Is Back !!!

LP | 1967 | US | Reissue (Lost Nite)

32,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Medium: VG, Cover: VG

Record has some marks and hairlines.

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El Niño Gogo - Aguinaldo Navideño

LP | 1969 | US | Original (Velvet)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Medium: G+, Cover: G

Cover with taped edges.

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Easy Rider (Songs As Performed In The Motion Picture)

LP | 1969 | DE | Original (Columbia)

Release: 1969 / DE – Original

Genre: Rock & Indie, Soundtracks

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Medium: VG, Cover: VG

Cover splits on top seam. Sticker on cover.

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Die Rose War Rot: Schlagerchansons Unserer Tage

LP | 1969 | GDR | Reissue (AMIGA)

Release: 1969 / GDR – Reissue

Genre: Pop

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Medium: VG, Cover: VG

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Christmas Gift For You From Phil Spector

LP | 1963 | CZ | Reissue (Sony Legacy)

25,19 €* 35,99 € -30%

Release: 1963 / CZ – Reissue

Genre: Pop, Christmas

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Bye Bye Birdie (An Original Soundtrack Recording)

LP | 1963 | JP | Original (Victor)

Release: 1963 / JP – Original

Genre: Soundtracks

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Medium: VG+, Cover: VG+

Includes original insert.

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LP | 1969 | DE | Original (Chess)

Blues News

Release: 1969 / DE – Original

Genre: Rock & Indie

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Medium: VG+, Cover: VG

White vinyl

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Blues At Newport (Recorded Live At The Newport Folk Festival 1963)

LP | 1964 | US | Original (Vanguard)

Release: 1964 / US – Original

Genre: Organic Grooves

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Betthupferl (Kinderlieder Und Geschichten Zur Guten Ruh)

LP | 1967 | DE | Reissue (Europa)

Release: 1967 / DE – Reissue

Genre: Comics, Soundtracks

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Medium: VG, Cover: VG

Reissue. seam split

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Austrian Folk Music Volume 1 - The Eastern Provinces (Upper Austria, Styria, Lower Austria, Vienna, Burgenland)

LP | 1967 | AT | Reissue (Roots)

Release: 1967 / AT – Reissue

Genre: Rock & Indie

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Medium: VG+, Cover: VG

Small writing on cover.
Includes booklet.

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V.A. - A Country Christmas With Jimmie Davis - Roy Drusky - Red Foley - Bobby Helms - Jimmy Martin - Bill Monroe - Jimmy Newman - Webb Pierce - Ernest Tubb - Kitty Wells - The Wilburn Brothers

A Country Christmas With Jimmie Davis - Roy Drusky - Red Foley - Bobby Helms - Jimmy Martin - Bill Monroe - Jimmy Newman - Webb Pierce - Ernest Tubb - Kitty Wells - The Wilburn Brothers

LP | 1962 | US | Original (Decca)

18,99 €*

Release: 1962 / US – Original

Genre: Rock & Indie, Christmas

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Medium: VG, Cover: Generic

Cover is missing.

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A Collection Of Original 16 Big Hits Vol. 8

LP | 1967 | US | Original (Motown)

9,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Medium: G+, Cover: VG

tear in spines

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21 Super Soul Souvenirs Vol. 2

LP | 1969 | US | Original (KSOL)

How To Blow Your Mind And Have A Freak-Out Party

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Yellow Splashed vinyl. Cover has seam split.

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Unfolding

LP | 1967 | Reissue (Real Gone Music)

38,99 €*

Release: 1967 / Reissue

Genre: Rock & Indie

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LP+CD | 1969 | EU | Reissue (Lilith)

Tropicalia

Ou Panis Et Circencis

26,99 €*

Rumba Samba Cha-Cha-Cha - Weltschlager aus Südamerika

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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180 Gram vinyl!

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Trio San José

LP | 1963 | DE | Original (Ariola)

Release: 1963 / DE – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

LP | 1969 | GR | Original (Regal)

Trio Bel Canto

Τρίο Μπελκάντο

Release: 1969 / GR – Original

Genre: Rock & Indie

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Medium: VG+, Cover: VG+

LP | 1967 | UK | Reissue (Island)

Traffic

Mr Fantasy

25,99 €*

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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After Steve Winwood jumped ship from chart toppers The Spencer Davis Group and quit the bright lights in favour of the countryside and jam sessions with Jim Capaldi, Dave Mason and Chris Wood, in wake of these events Traffic were formed, it was Birmingham, April ,1967. Traffic began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards like the Mellotron and harpsichord, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. Soon after in December 1967 Traffic would release Mr. Fantasy their debut Album on Island records. Rolling Stone called the album “one of the best from any contemporary group” and has become a staple on almost any best album poll from the 20th and 21st centuries!

Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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Traffic

Mr.Fantasy

LP | 1967 | CS | Original (Supraphon)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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180 gram gatefold cover vinyl reissue incl. various bonus tracks!

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Traditional Jazz Studio

Trrad Trrad

LP | 1969 | EU | Reissue (Long Hair)

Release: 1967 / CS – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

sticker tear on cover, seam wear

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Touch

30,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Toots & The Maytals / Roland Alphonso

Hold On / On The Move

7" | 1969 | JM | Reissue (Pyramid)

12,99 €*

Release: 1969 / JM – Reissue

Genre: Reggae & Dancehall

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7" | 1969 | JM | Reissue (Pyramid)

Toots & The Maytals

Pee Pee Cluck Cluck

12,99 €*

Release: 1969 / JM – Reissue

Genre: Reggae & Dancehall

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LP | 1969 | UK | Reissue (Beverley's)

Toots And The Maytals

Sweet And Dandy

27,99 €*

LP | 1969 | US | Reissue (Analogue Productions)

Release: 1969 / UK – Reissue

Genre: Reggae & Dancehall

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Formed by lead vocalist legend Toots Hibbert, and the ragged call-and-response background singers Nathaniel “Jerry” McCarthy and Raleigh Gordon, Toots & the Maytals were spotted by Beverley Records’ founder Leslie Kong who produced the group’s first records in the 60s. Their Sweet And Dandy album was featured in 1972’s emblematic movie The Harder They Come, which included a performance of the title track recorded at Beverley Studios and also highlighted ‘Pressure Drop’ in its accompanying soundtrack. The movie’s unprecedented success, combined with some of the solid gold singles pulled from this album, fast-tracked Toots and the Maytals to reggae icon status, assuring the group international success and making Sweet And Dandy one of the most highly acclaimed albums in Jamaican music.

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Tony Joe White

Black And White

46,99 €*

I Left My Heart In San Francisco

Release: 1969 / US – Reissue

Genre: Organic Grooves

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"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!

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Tony Bennett

LP | 1962 | EU | Reissue (Vinyl Passion)

17,99 €*

Release: 1962 / EU – Reissue

Genre: Pop

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2LP | 1962 | US | Reissue (Analogue Productions)

Tony Bennett

At Carnegie Hall

69,99 €*