Vinyl 14040 Items

Release: 1982 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Original release from 1982. Beautiful copy!
The record is very close to if not NM. The cover has stuffed corners (with a bit of creasing on the edges) and very light spine damage. With original insert.

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Release: 1984 / UK

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Missing Persons / Duran Duran

Destination Unknown / Rio (Part II)

12" | 1982 | JP | Original (Capitol)

480,99 €*

12" | 1989 | US | Original (Peterbilt Records)

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. Promo copy. Tiny wear, few scuffs.

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Deadline

8/2/82

349,99 €*

LP | 1982 | US | Original (Nimrod Records)

Release: 1989 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Single Sided vinyl. The side with the grooves is very close to NM, the one without has a couple of scuffs and hairlines. Cover with sticker residue on top left corner, sticker rip-off on back, and slightly bumped upper left corner. Sounds worse than it looks. With insert.

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Zero Boys

Vicious Circle

319,99 €*

The Dark Side Of The Moon 50th Anniversary Deluxe Box Set

Release: 1982 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of inaudible light scuffs. Cover with light creasing, bent and stuffed corners, Light ring wear on the back. With insert.

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Pink Floyd

Box | 1973 | EU | Reissue (Warner)

276,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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2LP | 1980 | US | Reissue (Analogue Productions)

Steely Dan

Gaucho Uhqr Edition

255,99 €*

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Let It Be Limited 50th Anniversary Deluxe Edition

The Beatles

Box | 1970 | UK | Reissue (Apple)

214,99 €*

Bach: Suites For Unaccompanied Cello Complete

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin
Additional discs featuring a selection of outtakes from the recording sessions

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Janos Starker

6LP | 1978 | UK | Reissue (Analogue)

209,99 €*

LP | 1986 | US | Reissue (Plan 9)

Release: 1978 / UK – Reissue

Genre: Classical Music

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Newly remastered living presence LP set cut directly from first generation master tapes at 45rpm. Atarker's recording of the suites from 1965 make a lasting impression on the listener, box reproducing the original artwork pressed by qrp.

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Misfits

Earth A.D. / Wolfs Blood

199,99 €*

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Olivia Newton-John / Electric Light Orchestra

Xanadu Special

12" | 1980 | JP | Original (Jet)

199,99 €*

Release: 1980 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

An Evening With Dando Shaft

Dando Shaft

LP | 1970 | UK | Original (Young Blood)

170,99 €*

Release: 1970 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

161,99 €*

2LP | 1971 | US | Reissue (Mobile Fidelity)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Joni Mitchell

Blue

161,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Mobile Fidelity)

Hotel California

161,99 €*

Release: 1976 / US – Reissue

Genre: Rock & Indie

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The Long Run 180g 45RPM 2LP Box Set

LP | 1979 | US | Reissue (Mobile Fidelity)

160,99 €*

All The Young Dudes 2buch Boxset

Release: 1979 / US – Reissue

Genre: Rock & Indie

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MASTERED FROM THE ORIGINAL ANALOGUE MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND LIMITED TO 10,000 NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of the group's demanding tour for the blockbuster Hotel California, the 1979 record ultimately became the final record the Eagles would create for nearly three decades. Stacked with first-rate material and three mammoth singles, the seven-times-platinum effort ensured the Eagles never drifted far from the public's consciousness.

Mastered from the original analogue master tapes, pressed on MoFi SuperVinyl, and limited to 10,000 copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set presents The Long Run in unparalleled sound. Akin to the audiophile label's prior Eagles UD1S sets, this collectible edition plays with extreme clarity, organic richness, tube-like warmth, spectacular dynamics, and microscopic levels of detail. Songs come across with an epic sweep and feature front-to-back soundstages that give the music unprecedented air, roominess, and separation.

As for the noise floor? Practically non-existent. Though the Eagles are renowned for great-sounding albums, The Long Run might be the most note-perfect work in their catalogue – the result of more than 18 months of painstaking recording sessions. This UD1S version demonstrates why. The placement of the rounded bass lines, extension of the piano accents, and golden tones of the blended harmonies are constantly identifiable and practically take you inside the arrangements.

Complementing the gorgeous sonics, the premium packaging of the UD1S The Long Run pressing befits its esteemed status. The deluxe box features foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue exists as a curatorial artefact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album, including the artwork.

Intentionally simple, the cover is designed by John Kosh, who devised the art for the Beatles' Abbey Road and The Who's Who's Next. The stark black-and-gray colour palette speaks to the exhaustion the band was feeling at the time – as well as the malaise conveyed in several songs. Kosh's creation also can be seen to reflect a gravestone, and though the Eagles would fall dormant for more than two decades, the tombstone interpretation is line with the tongue-in-cheek nature of the album title: The Eagles would return and outlast a majority of their lesser contemporaries and joyless critics.

"Who is gonna make it?/We'll find out in the long run," posits Don Henley on the album's opening track, an R&B-fuelled classic that reached No. 8 on the charts. Henley later addressed the irony of the lyrics; his group was in the process of breaking apart when he wrote it. Yet the singer-songwriter and colleague Glenn Frey clearly knew something others failed to recognize. Related themes of survival, resilience, and dark humour course throughout The Long Run, which also marks the arrival of bassist Timothy B. Schmit. His lead vocal anchors the No. 8 hit "I Can't Tell You Why," a staple he co-wrote with Henley and Frey.

That dynamic duo has a hand in all but one of the songs, "In the City," Joe Walsh's slide-guitar-appointed ode to endurance. Walsh also shares a writing credit on the closing "The Sad Cafe," a melodramatic favourite whose lineage extends to another of the band's long-time collaborators, J.D. Souther. He, along with Frey and Henley, teamed with Detroit legend Bob Seger on penning the record's signature anthem: the Grammy-winning "Heartache Tonight." Fuelled by rhythmic handclaps, a romping groove, and the band's trademark California-bred country-rock style, the chart-topper comfortably sits alongside deep cuts such as the winking shuffle "The Disco Strangler" and cinematic "King of Hollywood."

The challenges and pressures associated with making The Long Run after dealing with the unimaginable success of Hotel California ended up grounding the Eagles. Yet the album's enduring merit, performances, and melodies confirmed Henley and Frey's beliefs. The Eagles are still thriving. They made it. The long run continues.

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Mott The Hoople

Box | 1972 | Reissue (Madfish)

158,99 €*

Release: 1972 / Reissue

Genre: Rock & Indie

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Harvest 50th Anniversary Edition

Neil Young

Box | 1972 | EU | Reissue (Reprise)

157,99 €*

2LP+2CD | 1977 | EU | Reissue (Universal)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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2LP + 7" + 2dvd

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Bee Gees

OST Saturday Night Fever

150,99 €*

Release: 1977 / EU – Reissue

Genre: Soundtracks

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Thriller Limited Edition Ultradisc One-Step LP Numbered Deluxe Box Set

Michael Jackson

Box | 1982 | US | Reissue (Mobile Fidelity)

Release: 1982 / US – Reissue

Genre: Pop

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Putting into perspective the incalculable impact and pioneering significance of the best-selling album of all time – Michael Jackson's Thriller – has never been easy. Though Thriller lays claim to mind-boggling statistics that serve as reminders of how pervasive and indispensable it remains to music snobs and casual listeners alike, its essence always traces back to the greatness, power, and scope of the music. Now, as it celebrates its 40th anniversary, the record that reimagined pop; united audiences; made strides towards achieving racial equality; established the video as an artistic and commercial format; and taught the world how to dance sounds even more invigorating than it did during the advent of the Walkman. Mastered from the original analog master tapes, pressed at RTI, and limited to 40,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set does for Thriller what Jackson's unforgettable appearance on the "Motown 25" TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative – the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time.

Surpassing the sonics of earlier reissues and pressings, Mobile Fidelity's 180g LP set strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism.

The gorgeous packaging of the Thriller Ud1s pressing befits the album's select status. Housed in an open-ended slipcase, the set features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this reissue exists as a curatorial artifact meant to be preserved and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.

Given that no album released during the past four decades even approaches the magnitude of Thriller, everything about it remains important. Numbers – even the "40" tied to its anniversary – don't even tell half the story. The 1982 blockbuster has sold more than 34 million copies in the U.S.; globally, it has moved upwards of 70 million units. Thriller dominated the 1984 Grammy Awards, winning a record-breaking eight trophies and sweeping every major category. It repeated the feat at the American Music Awards. Seven of its nine songs were released as singles; each charted in the Top 10. Perhaps most astonishingly, Thriller topped the Top 200 Albums chart for 37 weeks during a 59-week stretch. Fast forward 24 years, and the album was the biggest-selling catalog title of 2008.

The record's unimpeachable accolades and archival standing help provide another frame of reference. Acclaimed upon arrival, Thriller topped The Village Voice's comprehensive Pazz & Jop poll in 1983. Included in both the Library of Congress' National Recording Registry and the Grammy Hall of Fame, Thriller was ranked by the Rock and Roll Hall of Fame at No. 3 on its Definitive 200 Albums of All Time. Rolling Stone named it the 12th Greatest Album of All Time. Time deemed it "the greatest pop album of all time." The Independent called it "the most inspiring album of all time."

Thriller proved as influential as it did inspiring. Its unparalleled success, dazzling style, and sleek architecture changed every facet of culture and entertainment. The reverberations echoed throughout society. Thriller crossed over to mainstream channels and white audiences with a degree that no Black musician managed in decades (if ever); prompted MTV to give Black artists a widespread platform; elevated choreography and dance to higher-level artforms; shattered long-standing racial boundaries; and reconceptualized music via a genre- and color-blind blend of fleet pop, funk, disco, soul, and rock sent up with cinematic panache, oversized ambition, and dynamic energy.

Its effect on multitudes of subsequent artists cannot be overstated. Thriller opened up a new galaxy in which Prince soon strolled. It's the same universe that Usher, Maxwell, and Jamiroquai joined in the ‘90s and that contemporary headliners like Beyonce, Justin Timberlake, and Bruno Mars orbit today. Their style-blurring identities, R&B-rooted foundations, and interdisciplinary approaches directly link to those on Thriller. Notably, the album's first single – "The Girl Is Mine," a duet and co-write with Beatles legend Paul McCartney – captured the record's unwillingness to cater to a specific race, generation, class, or style. Eddie Van Halen – at the time, the world's premier rock guitarist – performed a similar bridge role by supplying the electrifying solo on "Beat It."

Jackson, Quincy Jones, and company do the rest. Drop the needle on any track on Thriller and the insatiable desire to move takes hold. So do sensations of familiarity, pleasure, fun, and soulfulness. Be it the breathless, bass-laden swagger of the Moonwalking "Billie Jean"; horn-accented, post-disco slide of the gossip critique "Wanna Be Startin' Somethin'"; rousing tempo of the lush, sequin-adorned "P. Y. T. (Pretty Young Thing)"; gentle balladry and liquid vocal phrasing of "Human Nature"; vivid hybrid of funk-disco and horror-film drama of the title track; or streetwise strut and rhythmic fantasia of "Beat It," Thriller never lets up.

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LP | 1987 | IT (Not On Label (Duran Duran))

Live: Italian Tour 1987

7" | 1977 | FR | Original (Decca)

Release: 1987 / IT

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Generic

Picture Disc

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Cock Sparrer

We Love You

LP | 1972 | UK | Original (CBS)

Release: 1977 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record has some hairlines and a few superficial scratches.
Plays with surface noise but only for a few rounds during the run ins.
Close to VG+. Ships in a brand new generic sleeve.

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Wizz Jones

Right Now

Stage Fright 50th Anniversary Limited Deluxe Boxset

Release: 1972 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Sleeve has small sticker on front. light ring-wear.

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The Band

5LP | 1970 | EU | Reissue (Capitol)

148,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Swan Song)

Led Zeppelin

In Through The Out Door

144,99 €*

The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM. With insert and brown paper bag outer sleeve.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

139,99 €*

LP | 1975 | DE | Original (Knöterich)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Jessica

Jessica Spielt Reger

139,99 €*

Cahoots 50th Anniversary Box

Release: 1975 / DE – Original

Genre: Rock & Indie, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG

Front cover has a small hole close to spine.
(see photos).

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The Band

Box | 1971 | EU | Reissue (Capitol)

135,99 €*

Tattoo You 40th Anniversary Limited 5LP Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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2021 marks the 50th anniversary of The Band’s fourth studio album, ‘Cahoots’. On December 3, Capitol/UMe will release the newly remixed and remastered album in variety of formats to celebrate this iconic and influential album.

‘Cahoots’ was the fourth studio album, and last album of original material for four years.
The front cover painted by New York artist/illustrator Gilbert Stone Back cover features a photograph portrait of the group by Richard Avedon.
Features guest vocals from Van Morrison (on “4% Pantomime”)
Super Deluxe Edition

Newly Remixed and Remastered in Hi-Resolution Surround Sound
Blu-Ray Audio
2 CD’s
180g LP, DMM, Half-Speed Master
“Life Is A Carnival” / “The Moon Struck One” 7” Single
Bonus Tracks, Alternate Versions & Instrumentals
Olympia Theatre, Paris,1971 Bootleg Performance Audio
Booklet
All-New Liner Notes by Rob Bowman
Collectable Lithographs

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The Rolling Stones

5LP | 1981 | EU | Reissue (Polydor)

135,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Teaser And The Firecat Super Deluxe Box

Yusuf / Cat Stevens

Box | 1970 | EU | Reissue (Island)

134,99 €*

Release: 1970 / EU – Reissue

Genre: Pop

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| 1987 | DE | Original (Bear Family)

Jerry Lee Lewis

The Killer 1973-1977

129,99 €*

Duran Duran / Mel Smith And Griff Rhys-Jones

Release: 1987 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs, close to VG+. Box with damaged corner and edges with tape.

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Save A Prayer / Excerpts

7" | 1987 | UK | Original (Virgin)

129,99 €*

Release: 1987 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1987 | NL (Black Cat)

El Presidente

129,99 €*

LP | 1970 | UK | Original (Track)

Release: 1987 / NL

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Low quality live recordings for the die-hard fans, mega rare!

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Jimi Hendrix

Band Of Gypsys

125,99 €*

Something / Anything Black Friday Record Store Day 2022 Colored Vinyl Edition

Release: 1970 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. Cover has slight wear. Puppet sleeve.

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Todd Rundgren

4LP | 1972 | EU | Reissue (Rhino)

125,99 €*

2x12" | 1986 | UK | Reissue (Music For Nations)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Reissue. Color: Different ones. Limitation: 3.500 copies.

4-lp/45 RPM 50th anniversary edition of the acclaimed album including "I Saw the Light" and "Hello It's Me". Box set with 2 gatefolds featuring reproductions of original tape boxes. Each LP on different color vinyl. New notes by noted Todd scholar Paul Myers.

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Metallica

Master Of Puppets

125,99 €*

Madman Across The Water Limited Box Set

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl and cover are very Close to VG+. Gatefold cover. Limited edition 1987 reissue. DMM.

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Elton John

4LP | 1971 | EU | Reissue (EMI)

124,99 €*

Release: 1971 / EU – Reissue

Genre: Pop

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12" | 1987 | US | Original (Riovista)

Girly

Trouble

124,99 €*

Release: 1987 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1975 | UK | Original (Harvest)

Pink Floyd

Wish You Were Here

Technical Ecstasy Super Deluxe Box Set

Release: 1975 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

UK original.
Sleeve has wear and scuffs. Original inner sleeve
LP has surface marks.

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Black Sabbath

5LP | 1976 | EU | Reissue (Bmg / Sanctuary)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Original (Just Sunshine)

Betty Davis

They Say I'm Different

Release: 1974 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original US Sonic Pressing - Unipak cover and vinyl are Close to VG+.

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LP+12"+All Media | 1982 | EU | Reissue (Parlophone)

Rio

Eldorado: Sym By The Electric Light Orch

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened with hype sticker. Vinyl is close to NM. Original inner sleeves. 2014 reissue.

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Electric Light Orchestra

LP | 1974 | US | Reissue (Mobile Fidelity)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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2LP | 1975 | US | Reissue (Mobile Fidelity)

One Of These Nights

Release: 1975 / US – Reissue

Genre: Rock & Indie

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2 x Vinyl, LP, 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo

Limited to 10,000 copies
1/4" / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe
Copyright 1975 Elektra/Asylum Records, a division of Warner Music Group

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2LP | 1989 | IT (Unifaun)

Lost Prophets

Release: 1989 / IT

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1979 | DE | Original (Kanon)

Goldfinger

Soundhouse Vol. 1

Release: 1979 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

12" | 1986 | DE | Original (Schauspiel Staatstheater Stuttgart)

Glenn Branca

Edmond

John Dummer's Famous Music Band

Release: 1986 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of small light scuffs. cct VG+

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John Dummer

LP | 1970 | UK | Original (Fontana)

Tattoo You 40th Anniversary LP+4CD Box

Release: 1970 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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The Rolling Stones

LP+4CD | 1981 | EU | Reissue (Polydor)

118,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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World Is A Ghetto 50th Anniversary Collector's Black Friday Record Store Day 2023 Vinyl Edition

War

5LP | 1973 | Reissue (Rhino)

118,74 €* 124,99 € -5%

2LP | 1973 | EU | Reissue (Kosmische Kuriere)

Release: 1973 / Reissue

Genre: Organic Grooves

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Quantity: 2000
Release type: RSD Exclusive Release

The World is a Ghetto was WAR's 1973 funk/R&B/latin fusion jam, which became the top selling record in America that year. It features "Cisco Kid" inspired by the popular mid-century TV show, The title Track, "The World Is A Ghetto" which has been sampled in more than 31 hip hop songs, including tracks by Geto Boys, Ice T-, and A$ap Mob, instrumental jam "City, Country, City," Four Cornered Room, Beetles In The Bog, and Where Was You At. This release features the progressions of the two key tracks (Cisco Kid and The World Is A Ghetto), and alternate takes/reimaginings of the remaining tracks

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Walter Wegmüller

Tarot Boxset

114,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Mobile Fidelity)

Paul Simon

There Goes Rhymin' Simon

113,99 €* 119,99 € -5%

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Mobile Fidelity)

On The Border

113,99 €* 119,99 € -5%

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP+LP+All Media | 1986 | EU | Reissue (Parlophone)

110,99 €*

LP | 1976 | UK | Original (Sire)

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Limited edition. 2015 reissue. tiny wear.

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Ramones

110,99 €*

Release: 1976 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. Original UK pressing.

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LP+12"+All Media | 1982 | US | Reissue (Parlophone)

Rio

105,99 €*

7" | 1989 | UK | Original (Sleeping Bag)

Release: 1982 / US – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition 2014 reissue. Original inner sleeves.

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EPMD

I'm Housin'

105,44 €* 110,99 € -5%

LP | 1971 | UK | Original (Vertigo)

Release: 1989 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Ships in a label sleeve.
Record and sleeve are close to NM.

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Graham Bond With Magick

We Put Our Magick On You

104,99 €* 149,99 € -30%

Greetings From Asbury Park N.J.

Release: 1971 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

UK original, first pressing.
Sleeve has light storage wear, LP like new.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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I Robot UltraDisc One-Step Edition

Alan Parsons Project

LP | 1977 | US | Reissue (Mobile Fidelity)

Release: 1977 / US – Reissue

Genre: Rock & Indie

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12" | 1989 | US | Original (Sheik)

Dreams Come True

Sweet Magic

Release: 1989 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1972 | UK | Original (Vertigo)

Gentle Giant

Octopus

LP | 1977 | JP | Reissue (Crown)

Release: 1972 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

US original.
Sleeve has heavy wear, small handwriting.
LP has surface marks.

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Taeko Ohnuki

Sunshower

LP | 1971 | DE | Original (Vertigo)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing! Record with scuffs and small scratches! Cover with slight storage wear!

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Legend

LP | 1979 | DE | Original (Not On Label)

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Samll stamp on back cover.

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Varis

Release: 1979 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1986 | DE | Original (Transparent)

Fragile

We've Got Tonight, Boy

OST Conviene Far Bene L'Amore Black Vinyl Edition

Release: 1986 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on cover.

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Fred Bongusto

LP | 1975 | EU | Reissue (Cinedelic)

98,99 €*

LP | 1977 | US | Original (Sire)

Release: 1975 / EU – Reissue

Genre: Soundtracks

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USA title: Love And Energy / Sex Machine 2037 A.D.
In the future, the world's oil supply has finally been exhausted, causing a massive energy crisis. In a search for alternative sources of energy, a scientist invents a machine that can harness the energy expended during sexual intercourse and transfer it into electrical power. Conviene Far Bene L’Amore is a 1975 film written and directed by Pasquale Festa Campanile, a film adaptation of his novel of the same name. It is an erotic comedy with science-fiction elements that is debilitating the theories of Wilhelm Reich (the author of The Function of the Orgasm) in which satire and fantapolitic are mixed.
The original LP with the music of Fred Bongusto, arranged and directed masterfully by Josè Mascolo, is now a cult object for the lovers of Italian melodic soundtracks with bossa nova and jazz and for the samples used by many rappers. Bongusto often combines the synth for the melody with the orchestral ground; an unmistakable and very personal solution also used the year before for the Malizia soundtrack which was a great success.

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Ramones

Leave Home

98,99 €*

OST Il Gatto A Nove Code / The Cat O Nine Tales Colored Vinyl Edition

Release: 1977 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl is close to NM. Pitman pressing. Seam splits. Original inner sleeve.

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Ennio Morricone

2LP | 1970 | EU | Reissue (Rustblade)

94,99 €*

Indigos Indigo Purple Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Soundtracks

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Limited Edition of 250 copies ONLY – Super Deluxe / Expanded BOX-Edition, containing:

Regular LP as above, but on Exclusive YELLOW SMOKE VINYL
Exclusive BONUS SILVER MARBLE VINYL with unreleased tracks (for the first time ever on Vinyl!), incl. ‘Il Gatto a nove Code (movie takes suite) of 12:33 minutes!

2 Full Colour Movie Posters
Special Insert
Exclusive Gatefold Photo Book.

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Duke Ellington

2LP | 1989 | US | Reissue (Impex)

93,99 €*

Release: 1989 / US – Reissue

Genre: Organic Grooves

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LP | 1977 | US | Reissue (Chiaroscuro)

Tarika Blue

93,99 €*

LP | 1984 | US | Reissue (Trust)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. 2020 reissue.

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7 Seconds

The Crew

93,99 €*

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Red vinyl is close to NM. Original inner sleeve. Tiny wear. Limited edition. 2021 reissue. 7" is missing.

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LP | 1986 | JP | Original (EMI)

92,99 €*

Add Some Music To Your Day

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Promo copy. With OBI and insert. Cover and vinyl are very close to NM. With poster.

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Tatsuro Yamashita

LP | 1972 | JP | Reissue (NBC Universal Entertainment Japan Inc.)

92,99 €*

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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LP+LP+All Media | 1986 | EU | Reissue (Parlophone)

90,99 €*

The Dark Side Of The Moon

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Original inner sleeves. 2015 reissue.

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Pink Floyd

LP | 1973 | UK | Reissue (Harvest)

90,99 €*

Everybody Loves The Sunshine

Release: 1973 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Early UK reissue. 5th pressing,

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Roy Ayers Ubiquity

LP | 1976 | US | Original (Polydor)

90,99 €*

Raising Hell Numbered Limited Edition 180G LP SuperVinyl

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original inner sleeve. Monarch pressing. Writing on cover.

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Run DMC

LP | 1986 | US | Reissue (Mobile Fidelity Sound Lab)

89,99 €* 99,99 € -10%

Eldorado A Symphony By The Electric Light Orchestra Supervinyl Edition

Release: 1986 / US – Reissue

Genre: Hip Hop

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SOURCED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL
1/2" / 30 IPS analogue master to DSD 256 to analogue console to lathe

Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash "Walk This Way," the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything – hard-rock riffs, turntable scratching, itchy rhythms, hit singles – not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, the reissue label's numbered-edition 180g 33RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with its musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME – and included on "Best of" lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet – the triple-platinum effort rocks the house.

Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent – and displayed just how big it could get – Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell.

As for the music, it ranks among the most influential, inventive, and invigorating ever released – rap or otherwise. Vanguard artists such as Ice-T, Eminem, Jay-Z, and Public Enemy's Chuck D – who declared it his all-time favorite and "the first record that made me realize this was an album-oriented genre" – have testified on behalf of its brilliance. And never mind the presence of the Top 5 single "Walk This Way," whose power helped make Aerosmith's Steven Tyler and Joe Perry relevant for the first time in nearly a decade – and literally put Run-D.M.C. in bedrooms ranging from the Bronx to Bartlett to Bad Axe.

Look instead to the rest of the entirely filler-free set, be it the corkscrew turns, slippery wordplay, and "My Sharona"-meets-"Mickey" mixology of the boisterous "It's Tricky," the fat-but-minimized bass grooves and warped turntable wobble of the hysterical "You Be Illin'," chimes-accented inertia and boombox-on- shoulder thunder of the now-iconic "Peter Piper," or voice-as-percussion attack of the funky "Is It Live." With Raising Hell, the answer to the question is always affirmative – a sensation bolstered by the fact the group always had something to say.

The definition of Golden Age Hip-Hop in every way, Run-D.M.C. avoids the negativity and misogyny that later plagued the style, spinning assertive tales about identity (the biographical and culture-changing "My Adidas"), work ethics ("Perfection"), and, most notably, pride (the Harriet Tubman- and Malcom X.-referencing "Proud to Be Black"). Pavement-packed inner cities, tree-lined suburbs, and cornfield-rimmed rural areas would never again be the same. And rocking a rhyme that's right on time would become trickier than ever.

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Electric Light Orchestra

LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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LP | 1986 | JP | Reissue (Polydor)

ABBA

Greatest Hits

Release: 1986 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Includes obi with small tear.

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LP | 1989 | UK | Original (EMI)

Decade

Release: 1989 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1976 | DE | Reissue (Brain)

Günter Schickert

Samtvogel

LP | 1979 | FR | Original (REM)

Release: 1976 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sleeve has edge wear and light creases.

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Chorale Mixte De Givors

LP | 1980 | DE | Original (Brutkasten)

Release: 1979 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Sleeve has light scuffs and wear around the edges.
LP has surface marks.

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Blister Chap

Sweet Lilian

Release: 1980 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1976 | FR | Original (United Artists)

Edition Speciale

Allée Des Tilleuls

7" | 1979 | US | Original

Release: 1976 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover with storage wear, a bent corner and small writings on the back! Record with a few scratches!

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Units

High Pressure Days

Pelican West 40 Deluxe-Edition

Release: 1979 / US – Original

Genre: Electronic & Dance

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Original Pressing found in drummer Richard Driskell's archives. Come housed in original unstamped paper sleeve. Units were a synth punk band formed in San Francisco in 1978. This was a private release from 1979. "Synthesizer bands don't normally thrill. Rather, they tend to lull the listener, falsifying and distorting the images and ideas at hand. San Francisco's Units are not that kind of synthesizer band. All four songs on this EP (even the instrumental!) are straightforward, exciting, lyrical experiments in understanding the beast and making it rock. Two machines and a drummer. Not pastoral visions but urban ones. Not peaceful, still angry. Not satisfied, still probing and asking questions. New life brought to old techniques. How surprising. How wonderful." New York Rocker, November 1979

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Haircut One Hundred

4LP | 1982 | UK | Reissue (Demon / Edsel)

88,99 €*

Release: 1982 / UK – Reissue

Genre: Pop

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Carlos Santana / Mahavishnu John

Picture
Coming Soon

Love Devotion Surrender Supervinyl 180g

LP | 1973 | US | Reissue (Mobile Fidelity Sound Library)

88,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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1973 Meeting OF Santana AND John Mclaughlin Yields Spiritual Transcendence: Love Devotion Surrender IS Inspired BY John Coltrane AND A Quest FOR Enlightenment

Sourced from the Original Master Tapes: Tones, Textures, and Notes Float Amid a Large, Open Soundstage on Mobile Fidelity's Numbered-Edition 180g LP 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Two guitar giants. A band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album. The only meeting of Santana and John McLaughlin on record, Love Devotion Surrender more than lives up to the promise offered by its principal creators. Based in divine faith, religious toleration, meditative intent, and the forward-thinking philosophy that music can take us closer to the truth, it is a spiritual journey. These enlightening concepts are reflected in the inspired playing of Santana and McLaughlin, who repeatedly hit a higher plane on this 1973 set.

Sourced from the original analogue master tapes and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition 180g LP of Love Devotion Surrender benefits from the reissue label’s painstaking engineering efforts. The windows on the record’s give-and-take passages, sustained notes, and varied textures are thrown open with palpable transparency and detail. Laden with delicate acoustic touches and gentle piano touches, as well as powerful staccato bursts and fast-paced percussion, Love Devotion Surrender contains a dynamic mix of tempos, tones, and contrasts crucial to its optimal enjoyment. This collectible edition brings those aspects to the fore with extraordinary realism.

In addition, the pinpoint imaging — Santana primarily on the left, McLaughlin on the right — invites you to picture the musicians in the act. You’ll sense a newfound freedom and naturalism to the playback, as well as black backgrounds and an openness that allow the widespread array of textures, atmospherics, echoes, and neo-psychedelic shapes to float in the air. Call it jamming guided by a higher power or surreal art brought together by time, circumstance, and purpose; there really is no other album completely like it.

Having each become a follower of Indian guru Sri Chinmoy, who wrote the album’s extensive liner-note essay and is seen in several jacket photos, Santana and McLaughlin began playing together in 1972. Both legends found themselves in the midst of personal and creative transition. Santana was moving away from rock-based songs in favour of exploratory jazz-rock. A contemporary of Miles Davis, McLaughlin had already achieved fame with the Mahavishnu Orchestra, then on the brink of collapse due to internal disagreements.

On Love Devotion Surrender, the duo pools its interests in discovery and transcendence into gorgeous music steeped in improvisational lines, ecstatic chords, and sensitive organ accompaniment courtesy of the record’s best-kept secret, Larry Young. The former Blue Note recording artist had already connected with McLaughlin in the Tony Williams Lifeline, which began as a power trio and turned jazz on its head with its groundbreaking 1969 debut. Young’s ear for melody and fearless penchant for chasing down adventurous fusion leads — not to mention keeping pace with the headliners, no small feat — make him an ideal foil for the proto post-rock happening throughout.

Credited under his Muslim name, Khalid Yasin, Young isn’t the only standout. Several Santana contemporaries — bassist Doug Rauch, drummers Mike Shrieve and Billy Cobham, percussionists Mingo Lewis and Armando Peraza — play alongside Mahavishnu Orchestra member Jan Hammer and Tony Williams Lifeline drummer Don Alias, who already had credits on Davis’ seminal Bitches Brew and On the Corner. Complemented by Santana and McLaughlin, the ensemble sounds and feels unstoppable. In addition to the band’s search for sacred soulfulness, the common denominator throughout is John Coltrane, who engaged in similar pursuits during the 1960s. Two of the five compositions — “A Love Supreme,” “Naima” — are interpretations of Coltrane standards while the lynchpin, a nearly 16-minute investigation into the traditional “Let Us Go Into the House of the Lord,” integrates free-form structure, jazz phrasing, gospel mysticism, cross-cut dynamics, and tonal shaping into one of the most uplifting pieces of music you’ll ever hear. The same can be said for the entirety of Love Devotion Surrender. Bow down.

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LP+LP+All Media | 1986 | EU | Reissue (Parlophone)

88,99 €*

La Pocha Y Su Grupo De Flamenco = La Pocha Y Su Grupo De Flamenco

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: VG+

Still sealed. Limited edition. 2015 reissue. Slightly cracked corner.

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Flamenco Ole! = フラメンコ・オーレ!

LP | 1979 | JP | Original (JVC)

87,99 €*

LP | 1981 | UK | Original (Rough Trade)

Release: 1979 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Limited edition. Direct Disk. OBI is missing.

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Chris & Cosey

Heartbeat

86,99 €*

Each Time 40th Anniversary Edition

Release: 1981 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.
Record is close to NM.

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Eiichi Ohtaki

LP+7" | 1984 | JP | Reissue (Sony Japan)

86,99 €*

2LP | 1981 | US | Reissue (Analogue Productions Atlantic 75 Series)

Release: 1984 / JP – Reissue

Genre: Pop

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Eiichi Otaki's Masterpiece Album to be Released as 40th Anniversary Edition!

Each Time 40th Anniversary Edition" will be released to commemorate the 40th anniversary of the release of "Each Time", a masterpiece album by Eiichi Otaki, a giant in the Japanese pop world! Each Time" was the sixth original album released on March 21, 1984, and the last full studio album before Otaki's death. It was released at a time when Otaki was attracting a great deal of attention as both an artist and a composer, and was a huge hit, ranking No. 1 on the Oricon Album Weekly Ranking, ahead of Michael Jackson's "Thriller". The album is now being brought back to life after 40 years in three different packages!

Each Time 40th Anniversary Edition" will be released as [the ultimate box set]. An analog vinyl set of 12" + 7" records will also be released at the same time. This is a very rare limited edition release that includes the full 12" album of the [1984 Original Mix] and the 7" single "Fjord Girl / Bachelor Girl" released in 1985.

Each Time 40th Anniversary Edition" will be released simultaneously as a luxury box set, an analog record containing the 12" + 7"

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Foreigner

4 Atlantic 75 Series

86,99 €*