Vinyl 736 Items

Release: 1966 / EU – Reissue

Genre: Rock & Indie, Pop

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The Kinks Are The Village Green Preservation Socie

The Kinks

Box | 1968 | EU | Reissue (BMG Rights Management)

106,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Johnny Cash

At Folsom Prison

84,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-08-16

4LP | 1968 | US | Reissue (Future Days)

Grateful Dead

Two From The Vault

79,99 €*

It Serve You Right To Suffer

Release: 1968 / US – Reissue

Genre: Rock & Indie

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2021 repress

Following on the heels of Light In The Attic’s vinyl LP release of One From The Vault comes the next in the trilogy of From The Vault releases by the Grateful Dead. These releases are distinguished from the more abundant Dick’s Picks series in that Dick’s Picks are “direct from the soundboard” recordings, while the From The Vault series were professionally recorded on multi-track tape and then mixed down (decades) later for release. Recorded live at the Shrine Auditorium (Los Angeles) in 1968, this is the worldwide vinyl debut release of this legendary show featuring the 6 piece line-up of Pigpen, Garcia, Weir, Lesh, Kruetzmann, & Hart, freshly remastered in 2014 by Joe Gastwirt for maximum mind expansion. 9 dynamic songs on 8 sides of wax, this show has previously only been available on CD; this is the first ever vinyl LP release!

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John Lee Hooker

2LP | 1965 | US | Reissue (Analogue Productions)

75,99 €*

Blues & Roots Atlantic 75 Series

Release: 1965 / US – Reissue

Genre: Rock & Indie

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180g 45rpm pressing. Newly repressed at 45 RPM by Quality Record Pressings. This recording was originally mastered at the former AcousTech Mastering facility and the sound is fantastic.

John Lee Hooker himself did not know his exact date of birth. If he hadn't died at around the age of 80, this ageless musician would still be easily pulling the next generation to his gigs. Hooker remains a phenomenon, a mysterious figure of black rhythm and blues, a charismatic king who reigns supreme in rock 'n' roll's Hall of Fame. John W. Peters described his music as a synthesis of scorching emotional ardour, unrelenting rhythmic intensity, and original poetry of a highly personal character. Anyone hearing him for the first time may well be startled at the unfiltered passion and power of his music.

And another surprise is in store for those who compare Hooker's late recordings with those made in the Sixties. His unmistakable, raw voice has fully matured, but his incantory style of singing appears markedly finer and more flexible. And then there is the perfect gem of a rhythm group whose sinewy sounds fill the grooves with merciless gravitational force. It's enough to make your spine tingle!

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Charles Mingus

2LP | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

Live At The Sands (Before Frank)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm

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Count Basie

2LP | 1966 | US | Reissue (Mobile Fidelity Sound Lab)

73,99 €*

In Person At The Blackhawk

Release: 1966 / US – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Vinyl, limited & numbered!

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Miles Davis

2LP | 1961 | US | Reissue (Impex)

73,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Miles Davis

Filles De Kilimanjaro

71,24 €* 74,99 € -5%

LP | 1962 | UK | Reissue (Impex)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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Kenny Dorham

Matador

66,99 €*

LP | 1962 | EU | Reissue (Dialogo)

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Numbered, Limited Edition - 5000 Copies!

Available On All-Analog Hq-180 For The First Time Ever!

Mastered by Chris Bellman From The Original Analog Master Tapes!

Sometimes in the course of our exploration of potential titles to reissue, we come across a true gem that somehow escaped mainstream popularity. Our new all-analog Hq-180 of Matador by trumpeter Kenny Dorham and his quintet is the latest and perhaps most crystalline example of this. There has never been a single 180-gram pressing available. It has only been reissued (officially) once in 50 years. When you hear it, you'll scratch your head raw that this under-appreciated gem has been missing for so long.

Working with a soulful Jackie McLean on alto, a loose and swinging Bobby Timmons on piano, and the locked-in rhythm section of Teddy Smith on bass and J.C. Moses on drums, the playing is spontaneous, energetic and expressive. Check out the frenetic interplay between Timmons and Moses during the long trailing section of "Melanie".

"Dorham and McLean, two of jazz' most passionate and lyrical players, are in very good form here. Helped by a varied set of material and an energized Timmons, they have fashioned an album of surpassing interest." - Ira Gitler, Downbeat Magazine, April 1963

Recorded in a single day in 1962, Matador contains the sprawling epic McLean-penned "Melanie" (a suite in three parts), as well as Dorham's smoldering "El Matador" and a stirring take on "Beautiful Love". Throughout the session, Timmons, Smith, and Moses provide sublime support while Dorham and McLean trade sinewy solos. Emotional musical exploration ties to readily approachable post-bop structure that make for a snappy, yet heady, mix of tunes that put a tap in your foot while engaging your head and heart.

Chris Bellman cut Matador from the original analog master tape (one of the few that survived the Universal warehouse fire of 2008, lucky for us) and the sound is revelatory! Tight acoustics of the Soundmaker Studios provide tightened bass, crystal-clear drums and beautifully rounded tones from Dorham's and McLean's horns. This is another fine example of Impex Records cutting through the fat of modern music-making to reveal the very essence of the music and the giant talents who created it. We are elated to bring this sadly-neglected classic back for true believers to add to their collection and (maybe more importantly) to a whole new generation to discover for the first time.

"Kenny Dorham's Matador can safely claim the all too common distinction of being a classic among jazz connoisseurs while virtually unknown to the casual listener... A fantastic session by any standard."- Brandon Burke, AllMusic Guide

Features Numbered, Limited Edition Limited To 5000 Pressings Audiophile 180g Vinyl LP 33rpm Available on all-analog LP for the first time in nearly 50 years First time ever on Hq-180 Mastered by Chris Bellman from the original analog master tapes Original single disc jacket with ribbed paper tip-on over heavy-board stock Pressed at RTI

Musicians

Kenny Dorham trumpet

Jackie McLean alto saxophone

Bobby Timmons piano

Teddy Smith bass

J.C. Moses drums

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V.A.

Passaporto Per L'italia

63,04 €* 96,99 € -35%

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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A Love Supreme (Acoustic Sounds)

LP | 1965 | UK | Reissue (Verve)

56,99 €*

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Impex)

The Dave Brubeck Quartet

Time Further Out

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Lightnin' Hopkins

Lightnin'

Release: 1961 / US – Reissue

Genre: Organic Grooves

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"Lightnin'" is among the rewarding acoustic dates Lightnin' Hopkins delivered in the early '60s. The session has an informal, relaxed quality, and this approach serves a 48-year-old Hopkins impressively well on both originals like "Thinkin' 'Bout An Old Friend" and the familiar "Katie Mae" and enjoyable interpretations of Sonny Terry & Brownie McGhee's "Back To New Orleans" and Arthur 'Big Boy' Crudup's "Mean Old Frisco". Hopkins' only accompaniment consists of bassist Leonard Gaskin and drummer Belton Evans, both of whom play in an understated fashion and do their part to make this intimate setting successful. From the remorseful "Come Back Baby" to more lighthearted, fun numbers like "You Better Watch Yourself" and "Automobile Blues", "Lightnin'" is a lot like being in a small club with Hopkins as he shares his experiences, insights and humor with you.

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Out There 200g Vinyl Edition

Release: 1961 / US – Reissue

Genre: Organic Grooves

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In 1960, the free jazz pioneered by Ornette Coleman, Cecil Taylor, Horace Tapscott and a very few others was rejected by many musicians and most listeners. For the visionary saxophonist, clarinetist and flutist Eric Dolphy, it was simply new music fed by the mainstream, a logical extension of the jazz tradition. In "Far Cry" without leaving form behind, he incorporated the spirit of adventure and abandon with which free jazz at its best infused freshness into jazz. Recording with a pianoless quartet that used Ron Carter’s cello as the other melody instrument, Dolphy worked from chord patterns developed within structures that depart from ordinary 32-bar jazz and popular song forms. He used 30-bar, 35-bar and 18-bar structures, but he also observed standard practice with 12-bar blues, “Serene”. Dolphy’s speech-like improvisations and Carter’s bowed or plucked cello solos soar over the impeccable and responsive accompaniments of bassist George Duvivier and drummer Roy Haynes.

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Standard Coltrane 200g Vinyl Edition

LP | 1962 | US | Reissue (Analogue Productions)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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John Coltrane brought a new sound and style to jazz, and he applied it in his own unique way to the standard material of the storehouse of American music gathered from Broadway, Hollywood and Tin Pan Alley. With the excellent rhythm team of Red Garland, Paul Chambers (both of whom had done so many concert, club and recording dates with him) and Jimmy Cobb and the Miles-directed flugelhorn of Wilbur Harden, Trane puts his personal stamp on numbers not done that often like Henry Nemo's "Don't Take Your Love from Me", Fred Ahlert's "I'll Get By" and two more familiar yet still not overdone songs, Richard Rodgers' "Spring Is Here" and Bronislau Kaper's "Invitation."

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At The Five Spot

Release: 1961 / US – Reissue

Genre: Organic Grooves

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One night during a one-time, two-week engagement at the Five Spot produced enough music of lasting merit for three albums. When Rudy Van Gelder took his portable equipment down to the fabled Cooper Square jazz club on July 16, 1961, he captured the interaction of an extraordinary quintet.
Eric Dolphy, Booker Little, Mal Waldron, Richard Davis and Ed Blackwell had formed a cooperative group and, if LIttle had not died in October 1961, there is no doubt that it would have been a potent force in the music of the 1960s and beyond. Dolphy himself died in June 1964, after establishing himself as one of the important contemporary reedmen. Here his alto saxophone and bass clarinet and Little’s trumpet explore three originals: "The Prophet" by Dolphy, "Bee Vamp" by Little, and "Fire Waltz" by Waldron. It’s time caught in a bottle — music for the ages.

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Jimmy Forrest

Out Of The Forrest

Release: 1961 / US – Reissue

Genre: Organic Grooves

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From the time Coleman Hawkins firmly established the tenor saxophone on the jazz map, it has been one of the most potent forces in the music, its best practitioners able to raise the roof with a jumping blues, soothe the savage beast with a tender love ballad, and do just about anything in between. At the time of this recording (1961), Jimmy Forrest, the St. Louis-born reedman, was a veteran of the Fate Marable, Jay McShann, Andy Kirk, and Duke Ellington bands. Later in his career he starred with Count Basie. Here he leads a quartet of teammates from the combo of 'Sweets' Edison, including the young Austrian pianist Joe Zawinul, through a gamut of the aforementioned moods from "Crash Program" to the caressing "That's All", with a few tips of the cap to Ben Webster along the way. With Joe Zawinul, Tommy Potter and Clarence Johnston.

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Lush Life 200g Vinyl Edition

LP | 1960 | US | Reissue (Analogue Productions)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Here is one of the musical giants of the 20th century, poised on the precipice of greatness. Between the spring of 1957 and the winter of 1958, during which time "Lush Life" was recorded, the music of tenor saxophonist John Coltrane (1926-1967) was developing in giant steps, thanks in great part to a six-month 1957 stint with Thelonious Monk that had much to do with sharpening Coltrane’s harmonic conception and torrential attack.
"Lush Life" contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life”. Coltrane handles the tune’s delicate complexities with infinite style and finesse.
Coltrane and jazz would never be the same.

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Thelonious Monk

At The Blackhawk

Release: 1960 / US – Reissue

Genre: Organic Grooves

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The Ornette Coleman Quartet

This Is Our Music

2LP | 1960 | DE | Reissue (ORG Music)

54,99 €*

Release: 1960 / DE – Reissue

Genre: Organic Grooves

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Pressed at Pallas in Germany

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Gene Ammons

Nice An' Cool

53,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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This 1961 set of standards, favoring ballads, is Gene Ammons in his prime. For the most part, this session is tight and structured, keeping Ammons firmly locked in the groove more so than on some of his more wandering dates. His big-as-a-house tone stands center stage in front of a sympathetic piano-bass-drums trio of Richard Wyands, Doug Watkins and J.C. Heard, respectively.

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Coltrane Hq Ltd 200g Editionmono Numbered

LP | 1962 | US | Reissue (Analogue Productions)

53,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1960 | US | Reissue (Analogue Productions)

Outward Bound

53,19 €* 55,99 € -5%

LP | 1961 | JP | Reissue (Teichiku)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Dolphy had left his native California and come east as part of Chico Hamilton's group, settling in New York in 1960 and becoming part of Charles Mingus's group. This first recording as a leader brought comparisons with Ornette Coleman but the two were really parallel figures in the then-emerging avant-garde. Dolphy did not eschew 'changes', as Coleman did, but he used them in new ways. This LP was significant not only for his alto saxophone but introduced his individual approach to the flute and, particularly, the bass clarinet.

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Hideo Shiraki

In Fiesta

52,99 €*

Release: 1961 / JP – Reissue

Genre: Organic Grooves

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LP | 1961 | UK | Reissue (Roulette)

Count Basie

Basie In Birdland

50,99 €*

LP | 1965 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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e-mastering by Ray Staff at Air Mastering, Lyndhurst Hall, London

'Basie at Birdland' is a 1961 live album featuring Count Basie and his famed orchestra playing at Birdland in New York City. Recorded on June 27-28th of 1961, and released just one month later in July of that year, 'Basie at Birdland' proved once again that Count Basie was one of the world's best players, band leaders, and flag bearers of Jazz. Birdland, the self-proclaimed, 'Jazz Corner of the World' provides a raucous, lively backdrop to the band's soulful Kansas City style Jazz, on tunes like, 'Blue Backstage', and 'Good Time Blues' alongside their harder hitting, big band bop. 'Basie at Birdland' features the Count at the height of his prowess, and he and his band's fervent, swinging performance cannot be missed - it's perfect for novices and aficionados alike.

This is a jaw-dropping recording of Basie's band in 1961. The band is so tight and swings so hard it sounds at times as if one is listening to a Wurlitzer organ. There simply was no band that swung as hard as Basie's - at least not as recorded on this live date. Amazing.

Simply the best live recording of a big band ever!

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Miles Davis

My Funny Valentine

49,99 €*

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Bill Evans At Town Hall Volume One Acoustic Sounds Edition

Bill Evans Trio

LP | 1966 | EU | Reissue (Verve)

48,99 €*

The Latin Bit Tone Poet Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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A timeless piano jazz classic: Bill Evans’ first-ever performance at a concert hall in New York City. Featuring the sensitive accompaniment of Chuck Israels on bass and Arnold Wise on drums. Includes a thirteen-minute solo suite dedicated to the memory of Bill’s father who had only recently passed at the time of the recording.

Verve Acoustic Sounds Series: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Grant Green

LP | 1962 | UK | Reissue (Blue Note)

47,99 €*

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Live At The Village Vanguard Acoustic Sound Edition

LP | 1962 | EU | Reissue (Impulse)

47,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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2LP | 1968 | EU | Reissue (Polydor)

Cream

Wheels Of Fire

46,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Psychedelic Sounds Of The 13th Floor Elevators Facsimile Mono Edition

The 13th Floor Elevators

LP | 1966 | UK | Reissue (International Artists)

44,99 €*

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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A Charlie Brown Christmas Deluxe Edition

Vince Guaraldi Trio

2LP | 1965 | EU | Reissue (Craft)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Blues A-Plenty Acoustic Sounds

Johnny Hodges

LP | 1960 | Reissue (Verve)

Release: 1960 / Reissue

Genre: Organic Grooves

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Guitar Forms Acoustic Sounds

Kenny Burrell

LP | 1965 | EU | Reissue (Verve)

Total Eclipse Tone Poet Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell's album "Guitar Forms" stands as Burrell’s definitive musical statement. It was nominated for three Grammys in 1965, is considered one of the true masterpieces in the Verve catalog. This is partly due to the outstanding performance of the guitarist himself, of course, but also to the unforgettable arrangements that Gil Evans wrote for five of the album's nine tracks. According to AllMusic, these were in no way inferior to the brilliant arrangements that Evans had made for Miles Davis classics such as "Birth Of The Cool", "Porgy And Bess" and "Sketches Of Spain".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Bobby Hutcherson

LP | 1968 | Reissue (Blue Note)

Tex Book Tenor Tone Poet Vinyl Edition

Release: 1968 / Reissue

Genre: Organic Grooves

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Bobby Hutcherson’s 1968 album "Total Eclipse" was the vibraphonist’s first recording to feature saxophonist Harold Land who would become a key collaborator for years to come. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson, and drummer Joe Chambers on this impassioned and probing 1968 set of post-bop.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Booker Ervin

LP | 1968 | Reissue (Blue Note)

Release: 1968 / Reissue

Genre: Organic Grooves

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Down With It! Tone Poet Vinyl Edition

Blue Mitchell

LP | 1965 | EU | Original (Blue Note)

Extensions Tone Poet Vinyl Edition

Release: 1965 / EU – Original

Genre: Organic Grooves

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Trumpeter Blue Mitchell had a soulful, swinging style and was equally at home in jazz, R&B, and funk settings. This 1965 date featured his Horace Silver bandmates Junior Cook on tenor sax and Gene Taylor on bass along with a 24-year-old Chick Corea on piano and 22-year-old Al Foster on drums.

“BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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McCoy Tyner

LP | 1968 | EU | Reissue (Blue Note)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Oscar Peterson Trio with Milt Jackson

Very Tall Acoustic Sounds

LP | 1961 | EU | Reissue (Verve)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Verve)

Charles Mingus

Pre-Bird Acoustic Sounds

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Out Of The Afternoon (Acoustic Sounds)

Roy Haynes

LP | 1962 | EU | Reissue (Impulse!)

Blue Spirits Tone Poet Vinyl Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Drummer Roy Haynes was just about everywhere in the golden age of jazz, recording classic albums with some of the most legendary names of the genre. The hard-bop-verging-on-post-bop Out Of The Afternoon is an excellent example of the adventurous spirit that was taking flight in the jazz world in the early 1960s. Haynes swings as the leader of this 1962 Impulse! session, featuring A-list jazzmen Roland Kirk (multiple instruments including stritch and nose flute!), Tommy Flanagan (piano) and Henry Grimes (bass).

VERVE ACOUSTIC SOUNDS SERIES: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Freddie Hubbard

LP | 1965 | EU | Reissue (Blue Note)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Blue Note)

Bobby Hutcherson

Stick Up!

Breaking Point Tone Poet Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Vibraphonist Bobby Hutcherson’s 1966 album Stick-Up! found him in the company of a new band line-up with Joe Henderson, McCoy Tyner, Herbie Lewis, and Billy Higgins. The quintet covers a vast expanse of post-bop territory on five Hutcherson originals plus Ornette Coleman’s “Una Muy Bonita.”

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Bobby Hutcherson (vibraphone); Joe Henderson (tenor saxophone); McCoy Tyner (piano); Herbie Lewis (bass); Billy Higgins (drums)

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Freddie Hubbard

LP | 1966 | EU | Reissue (Blue Note)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Pastel Blues Acoustic Sounds Edition

Nina Simone

LP | 1965 | EU | Reissue (Verve)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Reissue (Friday Music)

The Monkees

Release: 1966 / US – Reissue

Genre: Pop

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LP | 1968 | EU | Reissue (Rhino)

MC5

Kick Out The Jams

41,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | Reissue (Real Gone Music)

Listening

41,99 €*

Release: 1968 / Reissue

Genre: Rock & Indie

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Ramblin' (Bonus Track) Blue Vinyl Edition

The Jack Wilson Quartet

LP | 1966 | US | Reissue (Friday Rights Mgmt)

41,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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2LP | 1968 | EU | Reissue (Akarma)

Bobby Callender

Rainbow

40,99 €*

LP | 1962 | EU | Reissue (Intermusic)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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T his bizarre, Alan Lorber-produced psychedelic album appeared originally in 1969 on Boston Sound. Bobby Callendar was an incredibly gifted poet and lyricist whose complex texts could only be compared to Scott Walker; the concepts of a U.K. artist of Indian heritage post-psychedelia were augmented by the lush arrangements of Paul Harris and Bob Gallo. The cast of musicians on this album included some of the highest-caliber sidemen of the time, most notably Richard Davis, the master bassist of Van Morrison's Astral weeks fame (not to mention a jazz musician in his own right), the guitars of Eric Gale and Hugh McCracken, and the astonishingly subtle Burnard Purdie on drums. The album is a rich and complex exploration of Eastern-inspired psychedelic rock and folk centered on the incredibly complex texts and vocals of Bobby Callendar. When reading the lyric sheet, it is most astonishing how such elaborate poetic evocations were somehow made to fit popular song forms. Sure, at these highly conscious times of the late '60s it was not uncommon for deeply poetic, socially conscious, or hallucinogenic themes to appear in the lyrics of pop music, yet this is album is absolutely brilliant for being one of the most ostentatious animations of the written word, yet absolutely vital and musical throughout. Fans of Scott Walker's solo material, Colin Blundstone, and Duncan Browne should give this album a few hours -- if not a week -- of their attention. This excellent Italian reissue from Akarma is packaged and remastered exquisitely. (All Music)

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Ben E. King

Dont Play That Song!

40,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Howlin' Wolf 60th Anniversary Edition

Howlin' Wolf

LP | 1962 | US | Reissue (Friday Music)

40,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (East West)

Lloyd Miller

The Middle East

LP | 1968 | BR | Reissue (Polysom)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The second and last chapter of Dr Miller's journey between cultures and its uses, which began with "The Far East", dissected and looked into the root of the sound of distant Asia, continues with this new chapter dedicated instead to the countries bathed by the Mediterranean and contiguous to Central European history. From Spain to Arabic sounds, a new compendium that takes us back to other places and times, Dr Miller is once again able to dissect and encapsulate sounds and spices from distant places and spaces in a time machine. Thanks to these historical documents, we have the opportunity to discover feelings that are impossible to find 50 years later, sucked up and watered down by globalization and social capitalism.)

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Tom Ze

Grande Liquidacao

3LP | 1962 | UK | Reissue (Not Now)

Release: 1968 / BR – Reissue

Genre: Organic Grooves

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This is a 180g vinyl pressing. In 1968 Tom Zé; moved from Salvador Bahia to Sao Paulo where he hung out and wrote with his friends Gilberto Gil and Caetano Veloso. Although initially part of theTropicalia movement,Zé was so independent he was determined to forge his own musical path. He started by recording Grande Liquidacao, a hyperactive pop album backed up by two incredible psychedelic rockbands: Os Brazoes and Os Versateis.

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Dean Martin

Italian Love Songs

Release: 1962 / UK – Reissue

Genre: Pop

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LP | 1961 | EU | Reissue (Ascensionale)

Jorge Lopez Ruiz

B.A. Jazz

LP | 1965 | BR | Reissue (Polysom)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Jorge López Ruiz is one of most versatile of musical talents to emerge from Argentina. As a bass player, composer, performer and arranger he has worked across many genres including jazz, pop as well as stage productions and feature films. The "B.A. Jazz" album has been a rarity for years and original pressings attract huge amounts from collectors. It's rarity is matched by the fantastic music contained with its grooves. It's a genuinely important record in the development of jazz in South America.

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Moacir Santos

Coisas

Release: 1965 / BR – Reissue

Genre: Organic Grooves

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Afro-Harping Deluxe Edition

Dorothy Ashby

2LP | 1968 | EU | Reissue (Verve)

Jimmy Smith / Wes Montgomery

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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A cult album from 1968 that has long since become known as a groove classic across genre boundaries, now for the first time as a deluxe edition, freshly remastered, with bonus tracks and attractive packaging. Along with Alice Coltrane, Dorothy Ashby was the only world-famous jazz harpist. Thanks to deep grooves and sophisticated orchestral sounds, “Afro-Harping” is her most famous album to date, which is continually breathed new life into thanks to samples and remixes by Pete Rock, Kendrick Lamar, Jay Dee (aka J Dilla), Madlib, Flying Lotus and others. Remastered from the original ¼-inch tapes by Alex Wharton/Abbey Road Studios and featuring eight strong, previously unreleased alternate tracks, including an explosive version of the single “Soul Vibrations”, the classic album is now available for the first time in a high-quality format appropriate to its ever-growing importance.

2-lp: gatefold sleeve, padded black inner sleeves, illustrated eight-page insert with detailed liner notes by Seán Casey/Shindig! magazine.

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Jimmy & Wes: The Dynamic Duo

LP | 1966 | US | Reissue (Anagram Music)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Reissue (Anagram Music)

Bill Evan

With Symphony Orchestra

Release: 1966 / US – Reissue

Genre: Organic Grooves

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The Exciting Wilson Pickett Crystal Clear Vinyl Edition

Wilson Pickett

LP | 1966 | UK | Reissue (Rhino Atlantic)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Don't Play That Song Crystal Clear Vinyl Edition

Ben E. King

LP | 1962 | UK | Reissue (Rhino Atlantic)

Wishes You A Swinging Christmas Acoustic Sounds Edition

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Although Ben E King's name is synonymous with The Drifters, he only actually sang on a dozen tracks with them, most of which were recorded concurrent with the start of his own solo career. This compilation anthologises Ben's solo recordings between 1960-62, presenting his early singles plus a handful of standout album tracks.

All his early hits are here, including the Drifters-like First Taste Of Love, his first million-seller Spanish Harlem, his signature song Stand By Me, the lilting Latin shuffle of Amor, the dramatic, bluesy Here Comes The Night/Young Boy Blues, his Sex'n'Soul double-sider Ecstasy/Yes, the explosive Don't Play That Song, the soulful Too Bad, the haunting I'm Standing By and Goffin & King's Tell Daddy.

Ben E. King’s ‘Don’t Play That Song!’ album is pressed on a single clear LP and is a one time pressing.

This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.

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Ella Fitzgerald

LP | 1960 | EU | Reissue (Verve)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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The Quest Limited Ojc. Series

Mal Waldron

LP | 1961 | Reissue (Concord)

Release: 1961 / Reissue

Genre: Organic Grooves

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LP | 1960 | Reissue (Concord)

Blue Mitchell

Blue's Moods Ojc. Series

Release: 1960 / Reissue

Genre: Organic Grooves

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East Broadway Run Down Acoustic Sounds

Sonny Rollins

LP | 1966 | EU | Reissue (Impulse)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Taru Tone Poet Vinyl Edition

Lee Morgan

LP | 1968 | Reissue (Blue Note)

At The Renaissance Limitedcontemporary Records

Release: 1968 / Reissue

Genre: Organic Grooves

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Lee Morgan’s 1968 album "Taru" found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold Sleeve with deluxe tip-on jacket.

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Ben Webster

LP | 1960 | Reissue (Craft)

Release: 1960 / Reissue

Genre: Organic Grooves

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Cannonball Adderley / Bill Evans

Know What I Mean Original Jazz Classic Series

LP | 1961 | Reissue (Concord)

Release: 1961 / Reissue

Genre: Organic Grooves

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Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition

LP | 1968 | EU | Reissue (Culture Factory)

LP | 1965 | JP | Reissue (Think!)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Quantity: 2200
Release type: RSD Exclusive Release
Iron Man (aka the Eric Dolphy Record), originally released in 1968, is known as an extraordinarily complex and challenging recording. A jazz multi-instrumentalist who gained prominence in the 1960s, Dolphy extended the vocabulary and boundaries of the alto saxophone and was among the earliest significant jazz flute soloists. Vinyl for the album ALL MUSIC calls “ESSENTIAL” has been long out of print and unavailable. This deluxe package for RSD Black Friday includes an OBI side strip, single album jacket, original album art work, printed inner sleeve, original record labels and specialty color vinyl.

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Mighty Sparrow

Tattoo Woman

LP | 1966 | US | Reissue (Third Man)

Release: 1965 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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"Tattoo Woman" was originally released in 1965 and includes "Under My Skin", a favorite not only among calypso fans but also Ska and Reggae lovers! This is a calypso arrangement of Cole Porter's original song "I've Got You Under My Skin" and is truly a masterpiece! The album as a whole contains many wonderful pieces that convey the breath of calypso in its heyday! Please enjoy these two historical masterpieces by the god of calypso, Mighty Sparrow, together with "The Outcast", which will be released at the same time on analog LP!!

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France Gall

Baby Pop

Poupee De Cire, Poupee De Son

Release: 1966 / US – Reissue

Genre: Pop

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Baby Pop is not only an important album for FRANCE GALL herself, it is also a hugely important record for the entire yé-yé scene. Baby Pop hinted at the musical direction that yé-yé was headed in much the same way Revolver and Pet Sounds did in the UK and USA. Baby Pop is more mature and varied than her earlier more bubblegum releases. You will still find a wonderfully cheesy tracks like “L’Amerique” here and there but with the impossibly infectious title track and songs like the Serge Gainsbourg penned “Nous Ne Sommes Va-T’en” and the groovy Farfissa driven “Faut-Il que Je T’Aime” we welcome a new France Gall and say hello to some of the finest pop music ever released in French or any language. 180-gram vinyl pressing in direct-to-board jackets.

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France Gall

LP | 1965 | US | Reissue (Third Man)

LP | 1968 | US | Reissue (Blue Note)

Release: 1965 / US – Reissue

Genre: Pop

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FRANCE GALL was a prolific French vocalist and performer, remembered as one of the central figures of the 1960s yé-yé pop movement. Aligning catchy, spirited rhythms with lighthearted lyrics and drawing from the beat music a la early Beatles and Hollies, the yé-yé artists promoted a sort of new freedom of expression and breaking down of social barriers in post-WWII France. Third Man Records is beyond honored to bring this music to a larger audience by issuing the first authorized North American vinyl pressings of these titles, some of the most brilliant highlights from Gall’s catalog. While France Gall had been releasing music since she was 16 it wasn’t until she took the Grand Prix at the 1965 Eurovision Song Contest with her rendition of Serge Gainsbourg’s “Poupée de Cire, Poupée de Son” that she would be catapulted to the top of the swinging yé-yé scene alongside the likes of Francoise Hardy, Sylvie Vartan and Bridgette Bardot. This record contains two of France’s most loved tracks, “Poupée de Cire” and “Laisse Tomber Les Filles” also penned by Gainsbourg. She recorded versions of the title track in French, German, Italian and Japanese and was now an international pop superstar. At the time France was dismissed by many as making fluffy ultra commercial pop hits but her music stands the test of time far better than most, as not many were making music of this consistent high quality. Highly recommended. 180-gram vinyl pressing in direct-to-board jackets.

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Lonnie Smith

Think

LP | 1966 | US | Reissue (Motown)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Supremes

I Hear A Symphony

LP | 1961 | US | Reissue (Craft)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Limited green colored vinyl LP pressing.

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Hampton Hawes

For Real

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Volume 3 Black Vinyl Edition

Fabrizio De Andre'

LP | 1968 | EU | Reissue (RCA)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Tutti Morimmo A Stento Black Vinyl Edition

Fabrizio De Andre'

LP | 1968 | EU | Reissue (RCA)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1962 | US | Reissue (Spin The Blues)

Arthur Big Boy Crudup

Mean Ol' Frisco

Lady Soul Clear Vinyl Edition

Release: 1962 / US – Reissue

Genre: Organic Grooves

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* Originally released in 1962 * Japanese OBI-strip * The jacket is reproduced based on the original edition Arthur 'Big Boy' Crudup was an American Delta blues songwriter and guitarist from Forest, Mississippi. He is best known, outside blues circles, for his song 'That's All Right' which was later recorded by Elvis Presley when he debuted in 1954. 'Mean Ol' Frisco' is his first solo album which was released in 1962 from Fire Records when he was 57 years old and there are no reissues on LP in recent years. As a pioneer of Japanese blues music, P-vine proudly presents this important album historically and musically with the artwork of the original edition!

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Aretha Franklin

LP | 1968 | EU | Reissue (Rhino)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Bring It Home To Me Tone Poet Vinyl Edition

Blue Mitchell

LP | 1966 | EU | Reissue (Blue Note)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | JP | Reissue (P-Vine)

B.B. King

The Great B.B.King

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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After creating a storm in the 50s with over 30 chart-hitting singles, BB King didn’t slow for a moment as he marched into the next decade. The Great B.B. King, the blues legend’s fifth release for Crown Records, was released in 1960 and collects a number of his iconic 50s hits including “Sweet Sixteen” and “I Had A Woman (Ten Long Years)”. P-vine is delighted to be revisiting this essential album for a limited pressing on 180g heavyweight vinyl paired with an iconic Japanese obi strip.

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LP | 1962 | US | Reissue (Impulse!)

Coltrane

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Reissue (Capitol)

Steve Miller Band

Sailor

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Capitol)

Steve Miller Band

Children Of The Future

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The Chuck & Mary Perrin Album: Brother & Sister

Chuck & Marry Perrin

LP | 1968 | EU | Reissue (Mapache)

Nancy In London Summer Wine Red Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Mapache is proud to present the first ever vinyl reissue of The Chuck & Mary Perrin album: Brother and Sister. Recorded in 1968, this gemm is one of the biggest secrets of US folk. Full of amazing melodies and beautiful songs, this is one of the hardest to find records for collectors of folk, psych and singer/songwriters style records. Includes covers by Donovan or John Sebastian plus stunning originals like "Commencement", "Mornings" or "Babe can you see" .

Only 500 copies were pressed, originals of this rarity have been sold for more than $1.000. It is one of the highest rated albums on record collectors guides.

Remastered from the original tapes, this reissue comes with an additional insert. Includes previously unseen pictures and comes in a gatefold tip on jacket, exact replica of the original record issued on Chuck's own label, Websters Last Word.

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Nancy Sinatra

LP | 1966 | US | Reissue (Light In The Attic)

Psychicemotus Verve By Request Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”

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Yusef Lateef

LP | 1966 | EU | Reissue (Impulse)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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OST Come Imparai Ad Amare Le Donne Clear Green Vinyl Record Store Day 2024 Edition

Ennio Morricone

LP | 1966 | EU | Reissue (Vinyl Magic)

36,09 €* 37,99 € -5%

Revolver Special Edition Standard Vinyl

Release: 1966 / EU – Reissue

Genre: Soundtracks

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1966 soundtrack from Ennio Morricone Pressed on Transparent Green Vinyl & includes a 30x30cm insert First ever release of four tracks on vinyl! “Come imparai ad amare le donne” (How I learned to love women) is a 1966 romantic comedy directed by Luciano Salce; the cast includes internationally renowned actors such as Anita Ekberg, Michèle Mercier and Robert Hoffman, as well as a very young Romina Power who was only 14 years old at the time. The beginning of the artistic collaboration between Ennio Morricone and Salce dates back to 1961, with one of the Maestro’s very first soundtracks, “Il federale” (The Fascist); the partnership then continued with “La voglia matta” (Crazy Desire), “La cuccagna” (A Girl… and a Million), “Le monachine” (The Little Nuns), “Slalom”, “El Greco” and, finally, “Come imparai ad amare le donne”.

For this film, Ennio Morricone composed a soundtrack that is a true hymn to love, with an elegant and refined atmosphere led by the beat ballad “Pioggia sul tuo viso” performed by the English group The Sorrows, and by various romantic themes such as “La diva”, “La donna gattina” and “La donna romantica” that alternate with classical compositions such as “Alta moda” and “Alla corte di Luigi Xvi”. The love theme returns in a danceable version in the opening credits.

Originally released in 1966 and reissued in 1985, this soundtrack is finally reissued on clear green vinyl LP with a new artwork and a 30x30cm insert. In addition, four tracks are here released on vinyl for the first time. Liner notes and audio remastered by Claudio Fuiano.

A Record Store Day 2024 exclusive!

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The Beatles

LP | 1966 | CZ | Reissue (Apple)

Release: 1966 / CZ – Reissue

Genre: Rock & Indie, Pop

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LP | 1965 | UK | Reissue (Pure Pleasure)

Eddie Harris

The In Sound

These Are My Roots - Clifford Jordan Plays Leadbelly

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

This is one of Eddie Harris' great records. The playing is inspired! What a band! Cedar Walton (piano) and Billy Higgins (drums), Lee Morgan's favourite rhythm section. The underrated but popular tenor saxophonist introduces his "Freedom Jazz Dance," which would become a jazz standard after featuring on Miles Davis' album Miles Smiles. Plays one of the earlier versions of "The Shadow of Your Smile," romps on "Love for Sale" and "'S Wonderful," and also performs "Born to Be Blue" and his own "Cryin' Blues." Harris is heard in prime form in a quartet/quintet with pianist Cedar Walton, bassist Ron Carter, drummer Billy Higgins, and part-time trumpeter Ray Codrington. A gem. - Scott Yanow/AMG

Recorded 1965
Engineer – Tom Dowd

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Clifford Jordan

LP | 1965 | EU | Reissue (Atlantic)

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Clifford Jordan hailed from Chicago, hometown of hard-driving, so-called ‘tough tenorists’ like Gene Ammons and Eddie ‘Lockjaw’ Davis. While Jordan shared their unnerving bravado, his tone is different, an alluring tone, simultaneously rough around the edges and ephemeral. A sought-after sideman, Jordan recorded with stalwarts as Lee Morgan and Max Roach in the late fifties and early sixties, as well as a series of high standard solo albums. Like age matures wine, Jordan’s style ripened in the early seventies, his lines becoming fluent like ripples of lake water. Jordan kept recording and performing steadily until his death in 1993.

Maybe this album, filled with interpretations of such classic tunes as Take This Hammer and Goodnight Irene, is not such a surprise act after all. The preceding year, Jordan had been part of Charles Mingus’ outfit (appearing on the hi-voltage live album Right Now: Live At The Jazz Workshop) Musical gobbler Mingus’ unfazed search for new vistas while retaining an all-embracing sense of the past’s relevance and blend of harmonic finesse with unbridled juke joint tumult surely rubbed off on Jordan.

Da Gray Goose is one of the cases in point. Tasteful harmony over the stop-time theme kicks it into action, strongly plucked bass and fiery drums inspire the soloists, creating an atmosphere of abandon. Lusty shout choruses stoke up the fire as the tune progresses. There are also some, yes, virtuoso banjo parts.

The gloomy folk blues music of Huddie ‘Leadbelly’ Ledbetter, whose life story reads like a combined effort of Shakespeare and James Baldwin, including oppression, hardship, addiction, treachery, murder and prison life, is excellently cast in a jazz frame. But not too jazzy, often the sound of Jordan’s top-notch group is as tough-as-nails as the sound of any one group that enlivened the back alley bars way back when. Jordan’s unpredictable phrasing overcomes the restrictions of the rigid folk blues form.

Craftily uncrafted, These Are My Roots is a spirited album of earnest, raw and ebullient swing.

Recorded on February 1 & 17, 1965 in NYC

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Sarah Vaughan

Sarah +2

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Clark Terry & Orchestra Feat. Paul Gonsalves

Clark Terry And His Orchestra

LP | 1960 | US | Reissue (Sam)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | UK | Reissue (Pure Pleasure)

Charles Lloyd

Dream Weaver