Vinyl 858 Items

LP | 1967 | US | Reissue (International Artists)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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When first released Astro-Sounds From Beyond The Year 2000 promised an uncharted trip beyond the now generation! And it certainly delivered, as soon as the needle drops onto the opening track ‘Flameout’
we are in astral freak-out territory with cosmic strings phased beats & displaced fuzz guitars... Despite being released as a budget label’s take on the burgeoning psychedelic scene Astro Sounds, delivers the real deal.
This is thanks in no small part to the central role played by Wrecking Crew guitarist Jerry Cole. Cole had previously been the involved some L.A. session colleagues and cut his own psychedelic
album: The Inner Sounds of the Id by 'The Id' and was the perfect choice to front Astro Sounds which can be considered a development from the seminal sounds of the Id.
Astro Sounds has suffered from some unofficial releases that offer poor audio quality. This Vinyl Exotica re-issue is remastered from the original tapes and is presented on coloured vinyl

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13th Floor Elevators

Easter Everywhere

23,99 €*

LP | 1968 | US | Reissue (International Artists)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl!

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13th Floor Elevators

Live

19,79 €* 21,99 € -10%

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Mainstream)

A Pot Of Flowers

With love

LP | 1961 | EU | Reissue (Candid)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Abbey Lincoln

Straight Ahead

31,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Con Giulio Libano E La Sua Orchestra Blue Vinyl Edition

LP | 1960 | Reissue (Jolly)

Release: 1960 / Reissue

Genre: Pop

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Furore Blue Vinyl Edition

LP | 1961 | Reissue (Jolly)

Release: 1961 / Reissue

Genre: Pop

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I Rock & Roll Di Celentano Green Vinyl Edition

LP | 1968 | EU | Reissue (SAAR)

30,99 €*

Release: 1968 / EU – Reissue

Genre: Pop

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LP | 1962 | EU | Reissue (Jolly)

Peppermint Twist

Release: 1962 / EU – Reissue

Genre: Rock & Indie

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LP | 1960 | EU | Reissue (Honeypie)

Ahmad Jamal

Happy Moods

LP | 1960 | EU | Reissue (Honeypie)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmad Jamal's contribution to the expansion of the Jazz art form is undeniable. A true genius and a source of inspiration for other Jazz greats, one for all: Miles Davis. Jamal's piano style and music aesthetic come as a unique blend of sophistication and taste. Recorded in Chicago and first released on Argo in 1960 "Happy Moods" is the result of a happy studio date and lush production featuring his great trio with Israel Crosby on bass and Vernel Fournier on drums.

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Ahmed Abdul-Malik

East Meets West

LP | 1962 | US | Reissue (New Jazz)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic. The Brooklyn native was of Sudanese descent; in addition to playing bass, he also plays oud, the forerunner to the lute. Originally released in 1960 the album is rich and heady, a multi-layered set of tonal grooves that are wrapped tight beneath the melody lines. The musicians on Malik's eight originals vary from track to track. On the mournful "La Ibky (Don't Cry)," Malik's oud shares the spotlight with a tenor sax (either Benny Golson or Johnny Griffin) plus trumpeter Lee Morgan. "Rooh (The Soul)" features the 72-string kanoon (which is sort of a brittle sounding and much smaller harp) played by Ahmed Yetman, along with Malik's arco bass and the droning violin of Naim Karacand. His ability to fuse Western Jazz with the driving rhythms created by his oud that seems almost sequenced, are startling.

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Ahmed Abdul Malik

Sounds of africa

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | UK | Reissue (Be With)

Al Hirt

Soul In The Horn

29,99 €*

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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LP | 1965 | EU | Reissue (ESP Disk)

Bells

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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First Recordings Volume 1 Clear Vinyl Edition

LP | 1963 | EU | Reissue (Sowing)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Recorded in Stockholm in 1962, and originally released on Sonet Records, these sessions stand as Ayler's first step into a new sonic world. This was when Ayler was still dealing with classic Jazz standards such as "I'll remember April", M Davis's "Tune Up" and "Rollins Tune", a declared tribute to the older master Sonny Rollins. His already super-strong tenor sax voice dominates a quiet, almost shy, local rhythm section featuring Torbjorn Hultcrant on bass and Sune Spangberg on drums. This was just before stepping into his unique, hyper energetic and ecstatic form of Free Jazz. This was Ayler sowing the seeds of a revolution to come!

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LP | 1967 | US | Reissue (Superior Viaduct)

In Greenwich Village

27,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In the mid-'60s, Albert Ayler found himself at the center of major transformations within jazz. On his albums for ESP-Disk', his delivery was radically aggressive and his tone blistering – aiming for something beyond the New Thing. His music would be further energized when (at the behest of John Coltrane) Bob Thiele signed him to Impulse! As Ayler told The Plain Dealer at the time, "It's not about notes anymore. It's a sound – a feeling. The approach we're taking will discontinue the use of the word 'jazz.'" In Greenwich Village, Ayler's first LP on Impulse!, perfectly captures the Cleveland-born saxophonist's radiant intensity. Sourced from a pair of live engagements – February '67 at the Village Theatre on New York's Lower East Side and December '66 at the Village Vanguard – these recordings show an improved clarity in production and performance. Both sets feature two basses (including Alan Silva and Henry Grimes) which allowed the ensemble to go in different harmonic directions while maintaining an organic unity. Of particular interest are "For John Coltrane," a tribute to Ayler's mentor who would pass later that year, and "Truth Is Marching In" where trumpeter Donald Ayler joins his brother to celebrate and ultimately deconstruct several jazz traditions to stunning effect. Vibrant in sound and vision, Albert Ayler's In Greenwich Village is a landmark statement in free jazz and a career high-point for this truly original artist. Superior Viaduct is honored to present this classic album on vinyl for the first time domestically in 30 years.

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Love Cry Verve By Request Edition

LP | 1967 | EU | Reissue (Verve)

31,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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1968’s Love Cry mixes Albert Ayler’s free jazz with a catchy combination of nursery rhythms and brass band marches, resulting in a peak example of experimental jazz of the period. This was Ayler’s last recording with his brother, Donald, who keeps the pace fiery along with the rhythm section of bassist Alan Silva and drummer Milford Graves, and harpsichordist Call Cobbs.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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LP | 1963 | EU (Survival Research)

Something Different!!!

17,99 €*

Albert Mangelsdorff And His Friends

Release: 1963 / EU

Genre: Organic Grooves

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Unorthodox saxophonist Albert Ayler straddled different jazz streams during his brief career. After playing with Stanley Turrentine and Harold Budd in the late 1950s, a move to Sweden brought him into the limelight, fronting his own trio. Debut album Something Different!!!!!! comprised four dissonant songs delivered live with bassist Torbjörn Hultcrantz and drummer Sune Spångberg, with a barely recognisable rendition of showtune “I’ll Remember April,” an off-kilter take of Sonny Rollins’ “The Stopper” (retitled “Rollins’ Tune”) and a wobbly cut of Miles Davis’ “Tune Up,” along with the original “Free.” An exceptional musical experience!

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Albert Mangelsdorff

LP | 1967 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Honeypie)

Alegre All Stars

22,99 €*

Alexis Korner Blues Incorporated

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Born from a studio jam organized by Al Santiago in 1961, the "Alegre All Stars" was inspired by the famous late 50's Cuban jam sessions. Originally published by Alegre Records, a New York City based label specialized in Latin music, this album stands as a legendary release in the field. This is like an open door on a wild Nuyorican party including food, drinks and an ongoing selection of highly infectious Latin grooves to dance to.

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R&B From The Marquee Audiophile Edition

LP | 1962 | US | Reissue (Waxtime)

25,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Dance With Death Tone Poet Vinyl Edition

Andrew Hill

LP | 1968 | EU | Reissue (Blue Note)

32,99 €*

LP | 1968 | US | Reissue (Blue Note)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Andrew Hill’s 1968 album Dance With Death stands as one of the most gratifying though under-recognized sessions of the brilliant pianist’s discography featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Andrew Hill

Grass Roots

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Angelo Francesco Lavagnino

OST Kali-Yug: La Dea Della Vendetta

LP | 1962 | EU | Reissue (Contempo)

13,99 €*

Stop The World I Want To Get Off / Tony

Release: 1962 / EU – Reissue

Genre: Soundtracks

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Lavagnino's soundtrack to the great 1962 movie 'Kali-Yug: La Dea Della Vendetta' directed by Mario Camerini and starring Senta Berger and Lex Barker, finally gets a proper reissue since its 1963 release on CAM Records. Composed and directed by Lavagnino, 'Kali-Yug' is one of the best soundtracks ever written by the late Maestro. Known for his beautiful orchestral themes, Lavagnino outdoes himself in 'Kali-Yug', with stunning exotic themes which makes this score a must have for serious soundtrack collectors. Original artwork. Master and sound restoring done by Roberto Zamori at Film Music Art Studio. Original copies, if you're lucky enough to find one, change hands for more than 350 euro!!!

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Anthony Newley

2LP | 1961 | EU | Reissue (Vinyl Passion)

11,69 €* 17,99 € -35%

Release: 1961 / EU – Reissue

Genre: Pop

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LP | 1965 | DE | Reissue (Blue Note)

Anthony Williams

Spring

26,09 €* 28,99 € -10%

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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LP | 1968 | EU (Survival Research)

Apryl Fool

LP | 1968 | EU (Survival Research)

Release: 1968 / EU

Genre: Rock & Indie

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The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.

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Apryl Fool

LP | 1965 | EU | Reissue (Impulse)

Release: 1968 / EU

Genre: Rock & Indie

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Archie Shepp

Fire Music

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Impulse)

Archie Shepp

Four For Trane

32,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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I Never Loved A Man the Way I Love You

LP | 1967 | EU | Reissue (Rhino)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Rhino)

Lady Soul

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Lady Soul Clear Vinyl Edition

LP | 1968 | EU | Reissue (Rhino)

36,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | Reissue (Gm & Publishing)

The Electrifying Aretha

8,99 €*

Release: 1962 / Reissue

Genre: Organic Grooves

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LP | 1965 | UK | Reissue (Pure Pleasure)

Yeah!

35,99 €*

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Long Hair)

Ars Nova

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Ars Nova Black Vinyl Edition

Ars Nova

LP | 1968 | US | Reissue (Sundazed)

30,99 €*

Ars Nova Green Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.

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Ars Nova

LP | 1968 | US | Reissue (Sundazed)

30,99 €*

Art Blakey And The Jazz Messengers

Release: 1968 / US – Reissue

Genre: Rock & Indie

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A Night In Tunisia

LP | 1961 | EU | Reissue (Second)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers

A Night In Tunisia Orange Marble Vinyl Edition

LP | 1961 | EU | Reissue (Second)

22,49 €* 24,99 € -10%

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers

A Night In Tunisia Orange Vinyl Edition

LP | 1961 | EU | Reissue (Second)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers With Barney Wilen

Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

Blakey In Paris Feat. Bud Powell And Lee Morgan Clear Vinyl Edtion

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

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Art Blakey

LP | 1961 | EU | Reissue (Sowing)

22,99 €*

Art Blakey & The Jazz Messengers

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! This is Art Blakey and his Jazz Messengers, with guests Bud Powell - piano and Barney Wilen - alto sax, caught live at the Théâtre des Champs-Élysées in Paris in1959. At that time Blakey's Messengers were no less than Lee Morgan – trumpet, Wayne Shorter – tenor sax, Walter Davis Jr. – piano and Jymmy Meritt – bass. In other words one of the greatest Hard Bop combos ever, a pool of great young individuals under the direction of one of the most influential drummers and band leaders in the history of Jazz. No need to add that "Paris Jam Session" is regarded as an essential release in Blakey's extensive discography.

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Buhaina's Delight

LP | 1963 | EU | Reissue (Blue Note)

Art Blakey & The Jazz Messengers

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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The drum hero’s classic 1963 album
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, during November and December 1961
The Jazz Messengers’ 11th Blue Note album
Featuring the classic Messengers line-up of Freddie Hubbard (trumpet/flugelhorn), Wayne Shorter (tenor), Curtis Fuller (trombone), Cedar Walton (piano) and Jymie Merritt (bass)
Showcasing three classic Shorter compositions (‘Backstage Sally’, ‘Contemplation’, ‘Reincarnation Blues’) plus Fuller’s ‘Bu’s Delight’, Walton’s ‘Shaky Jake’ and a take on Henry Mancini’s ‘Moon River’
Produced by Blue Note co-founder Alfred Lion
Includes photography by BN co-founder Francis Wolff and liner notes by esteemed writer Leonard Feather

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Mosaic

LP | 1961 | DE | Reissue (Blue Note)

Release: 1961 / DE – Reissue

Genre: Organic Grooves

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Intensity Limited Contemporary Records

Art Pepper

LP | 1963 | Reissue (Craft)

Release: 1963 / Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Spin The Blues)

Arthur Big Boy Crudup

Mean Ol' Frisco

37,99 €*

LP | 1968 | US | Reissue (Brunswick)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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* Originally released in 1962 * Japanese OBI-strip * The jacket is reproduced based on the original edition Arthur 'Big Boy' Crudup was an American Delta blues songwriter and guitarist from Forest, Mississippi. He is best known, outside blues circles, for his song 'That's All Right' which was later recorded by Elvis Presley when he debuted in 1954. 'Mean Ol' Frisco' is his first solo album which was released in 1962 from Fire Records when he was 57 years old and there are no reissues on LP in recent years. As a pioneer of Japanese blues music, P-vine proudly presents this important album historically and musically with the artwork of the original edition!

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Artistics

The Articulate Artistics

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | EU (Endless Happiness)

Astrud Gilberto

Gilberto with Turrentine

The Astrud Gilberto Album

Release: 1968 / EU

Genre: Organic Grooves

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Gilberto with Turrentine is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine featuring performances recorded in 1971 released on the CTI label. The album can be described as a blend of jazz, pop, and tropicalia. It was arranged by Eumir Deodato and features appearances by A-list jazz performers including Airto Moreira, Ron Carter, Sam Brown, Hubert Laws, and Toots Thielemans.

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Astrud Gilberto

LP | 1965 | EU | Reissue (Universal)

LP | 1965 | EU (Endless Happiness)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Exclusive reissue for Plattenladenwoche 2011!

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Astrud Gilberto

The Shadow Of Your Smile

21,99 €*

LP | 1965 | UK | Reissue (Ace)

Release: 1965 / EU

Genre: Organic Grooves

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The Shadow of Your Smile is a studio album by Astrud Gilberto. With arrangements by Don Sebesky, Claus Ogerman, and João Donato, it was released via Verve Records in 1965. It peaked at number 66 on the Billboard 200 chart.

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B.B. King

Live At The Regal

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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LP | 1960 | JP | Reissue (P-Vine)

B.B. King

The Great B.B.King

36,99 €*

LP | 1967 | JP | Reissue (P-Vine)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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After creating a storm in the 50s with over 30 chart-hitting singles, BB King didn’t slow for a moment as he marched into the next decade. The Great B.B. King, the blues legend’s fifth release for Crown Records, was released in 1960 and collects a number of his iconic 50s hits including “Sweet Sixteen” and “I Had A Woman (Ten Long Years)”. P-vine is delighted to be revisiting this essential album for a limited pressing on 180g heavyweight vinyl paired with an iconic Japanese obi strip.

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B.B. King

The Jungle

35,99 €*

LP | 1963 | Reissue (Jazz Samba)

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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The Jungle, regarded as one of the best of B.B. King's many albums, is being reissued on P-vine! Recorded in 1961-62, at the height of his career, and released on Kent after he moved to ABC, six R&B charting hits came from this album. All of the songs are superbly crafted, and are truly the king of the blues. Slow songs such as '5 Long Years' are typical of B.B.'s music of this era. You can't talk about B.B. King without listening to this album!

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Baden Powell

A Vontade

Release: 1963 / Reissue

Genre: Organic Grooves

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The Nervous Kats Black Vinyl Edition

Bailey's Nervous Kats

LP | 1965 | CA | Reissue (Numero Group)

The Nervous Kats Colored Splatter Vinyl Edition

Release: 1965 / CA – Reissue

Genre: Organic Grooves

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Isolated at the rural fringe of Northern California, Bailey's Nervous Kats took Shasta County by storm in the early '60s. Combining surf, rock n' roll, exotica, and R&B, the Kats were a teenage dream draped in Magnatone amplifiers and crisp white polo tees. Their self-titled_and only_LP came at the dead end of the band's run, issued on Orville Simmons' one-shot Emma imprint in 1965. The mid-century modern LP of your dreams.

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Bailey's Nervous Kats

LP | 1965 | US | Reissue (Numero Group)

LP | 1968 | US | Reissue (Demon)

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Barbara Acklin

Love Makes A Woman

Release: 1968 / US – Reissue

Genre: Pop

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Don't Play That Song Crystal Clear Vinyl Edition

Ben E. King

LP | 1962 | UK | Reissue (Rhino Atlantic)

Don't Play That Song You Lied

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Although Ben E King's name is synonymous with The Drifters, he only actually sang on a dozen tracks with them, most of which were recorded concurrent with the start of his own solo career. This compilation anthologises Ben's solo recordings between 1960-62, presenting his early singles plus a handful of standout album tracks.

All his early hits are here, including the Drifters-like First Taste Of Love, his first million-seller Spanish Harlem, his signature song Stand By Me, the lilting Latin shuffle of Amor, the dramatic, bluesy Here Comes The Night/Young Boy Blues, his Sex'n'Soul double-sider Ecstasy/Yes, the explosive Don't Play That Song, the soulful Too Bad, the haunting I'm Standing By and Goffin & King's Tell Daddy.

Ben E. King’s ‘Don’t Play That Song!’ album is pressed on a single clear LP and is a one time pressing.

This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.

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Ben E. King

LP | 1962 | Reissue (Gm & Publishing)

27,99 €*

Release: 1962 / Reissue

Genre: Pop

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LP | 1962 | EU | Reissue (Intermusic)

Ben E. King

Dont Play That Song!

40,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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At The Renaissance Limitedcontemporary Records

Ben Webster

LP | 1960 | Reissue (Craft)

Release: 1960 / Reissue

Genre: Organic Grooves

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7" | 1968 | EU | Reissue (Arsivplak)

Beybonlar

Gelin Aysem / Nenni

13,99 €*

Big Brother & The Holding Comp

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Here is Beybonlar Orkestrasi. Ultra rare Turkish heavy psychedelic single by Beybonlar from 1969.

Amazing stuff from the teenagers band that the drummer was only 12 years old when they recorded the tunes Side A is Gelin Ayse (Bride Ayse) which is very sad traditional Turkish folk song that arranged by the psych form Side B is Nenni (Lullaby) that is a traditional tune, but what a traditional tune by the teenagers!!! Enjoy it..!

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Cheap Thrills

LP | 1968 | US | Reissue (Legacy)

33,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1965 | DE | Reissue (Blue Note)

Big John Patton

Oh Baby!

25,99 €*

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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Blue Note’s 1960s roster boasted numerous Hammond B3 organ whizzes including the soulful Kansas City born master Big John Patton. The dynamic quintet that Patton assembled for his 1965 album Oh Baby! packed a punch with the B3 master joined by trumpeter Blue Mitchell, tenor saxophonist Harold Vick, guitarist Grant Green, and drummer Ben Dixon.

Big John Patton (organ); Blue Mitchell (trumpet); Harold Vick (tenor sax); Grant Green (guitar); Ben Dixon (drums)

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Conversations With Myself

LP | 1963 | EU | Reissue (Elemental Music)

32,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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How My Heart Sings! 180g Vinyl Edition

LP | 1962 | EU | Reissue (Dol)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Not Now)

Bill Evans & Jim Hall

Undercurrent

LP | 1962 | US | Reissue (Jackpot)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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When giants of Jazz join together in conjugal jamming the resultant jousting can be less than jubilant. That was often the case in the era when promoters and record producers thought it a bright idea to create battle conditions at concerts and on albums. Undercurrent features the protagonists unsupported by a rhythm section, and relies on their intuition and telepathic understanding to create the interplay revealed in this album. Much admired as an influence on other Pianists, Bill Evans won seven Grammy Awards and a led a Trio that released many acclaimed albums. While Jim Hall continued playing, composing and arranging touring the world, receiving myriad awards in recognition of his achievements.

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Bill Evans & Jim Hall

Undercurrent

29,99 €*

LP | 1962 | EU | Reissue (20th Century Masterworks)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro. Eventually, he was persuaded to return to music, and this was one of the first recordings upon his return. Guitarist Jim Hall - who had worked with Ella Fitzgerald, Sonny Rollins, and Chico Hamilton - started his partnership with Evans during this time. Recorded over two sessions in April and May 1962, the two have that beautifully unspoken musical language of give and take; their recordings are refreshingly busy but also incredibly sparse. These two giants understand that intertwining their personalities and harmonic styles could create greatness. This notable re-issue is an all-analog production affair—AAA Mastered and cut live by audio guru Kevin Gray (Miles Davis, Herbie Hancock, Charles Mingus)—and it’s never sounded better. So dim the lights and let this music breathe with you; it’s an incredible listen and an essential album for both the novice listener wanting to dip their toe into the genre or the audiophile who needs to replace their well-worn vinyl copy. And depending on your day, it will color your mood in any emotive shade you desire.

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Bill Evans & Jim Hall

Undercurrent

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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New Jazz Conceptions 180g Vinyl Edition

LP | 1960 | EU | Reissue (Dol)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Not Now)

Portrait In Jazz

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Sunday At The Village Vanguard

2LP | 1967 | US | Reissue (Analogue Productions)

244,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Not Now)

Explorations

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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When Bill Evans played those haunting exploratory notes that introduce So What on the Miles Davis album Kind Of Blue he made a lifelong impression on generations of music lovers. Bill thereafter launched a solo career greeted with the kind of critical acclaim the bespectacled, classically-trained Pianist no doubt found unsettling yet deeply satisfying. While his association with Miles, which included performing on the most influential Jazz album of all time, was relatively short, his time with the Bill Evans Trio was longer lasting and in many ways more productive. Certainly Explorations proved a great success when first released by the Riverside label in 1961. The trio was completed by Scott LaFaro on double bass and Paul Motian on drums, gave the leader the right combination of swing and subtlety needed to suit Evans’ sensitive and yet ultimately commanding style. It was the second album by the trio and Bill claimed it was his personal favourite. Explorations produced by Orrin Keepnews certainly impressed the Jazz critics of Billboard magazine who voted it the Best Piano LP of 1961 in their annual poll.

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LP | 1961 | US | Reissue (Fantasy)

Explorations

33,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | Reissue (20th Century Masterworks)

Explorations

Release: 1961 / Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Not Now)

Moon Beams

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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There have been many great Jazz Pianists, but foremost amongst them is Bill Evans. Accepted by all fans as being supremely influential for defining the format and scope of the Jazz trio, Evans entered his first purple patch in the mid to late fifties and refined his playing with a series of album. Over the years he recorded many trio albums with frequent changes of members, with the most lauded being his first and second line-ups. By May 1962 Evans cut what would be his seventh album for Riverside . New Bassist, Chuck Israels, joined the group, and together this second classic line-up cut two albums in the same sessions. The first was Moon Beams which contained ballads, while the second one, How My Heart Sings, had the up-tempo numbers. These were recorded as a mixture during the sessions as producer Orrin Keepnews wanted to release an album of just ballads from Evans, and so made up the album from the varied session tracks. During the recordings, Evans only revealed the tracks to his trio at the session itself. Fans and critics alike were more than appreciative of Chuck Israels' ability to meld into the trio with his punchy lines, meshing in especially well with Motian.

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LP+CD | 1960 | EU | Reissue (Groove Replica)

Portrait In Jazz

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Sunday At The Village Vanguard

LP+7" | 1961 | EU | Reissue (Glamourama)

22,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Waltz For Debby Opaque Baby Pink Vinyl Editin

LP | 1962 | EU | Reissue (Dol)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | Reissue (Concord)

Bill Trio Evans

Moon Beams

Release: 1962 / Reissue

Genre: Organic Grooves

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The Essential Carnegie Hall Concert 1956

Billie Holiday

LP | 1961 | UK | Reissue (Intermusic)

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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The Essential Carnegie Hall Concert 1956

Billie Holiday

LP | 1961 | EU | Reissue (Pan Am)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | EU | Reissue (Honeypie)

Billy Preston

16 Yr. Old Soul

17,99 €*

The Most Exciting Organ Ever

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Most listeners only became aware of Billy Preston as a solo artist after he signed to Apple Records in the late 1960s. But he'd been recording for a long time prior to that, dating back to when he was a teenager. This instrumental album for Sam Cooke's SAR label (issued on its sister Derby imprint) was cut in March 1963, when Preston was still going to high school in Los Angeles. The very fact that it's wholly instrumental indicates that it's pretty early in Preston's evolution, and though he does play some piano, it's really on the more uptempo, organ-dominated tunes where he hits the best groove. In truth, these aren't any great shakes even when it comes to soul organ instrumentals, but they have a nice swinging bounce that places them a cut above period background music, though they fall a good ways short of being spellbinding. The slower numbers (including covers of hits by Sam Cooke and Ray Charles) verge on easy listening; in contrast, the more urgent cuts are cookin', with bop, jazz, and gospel influences spicing up the soul/R&B recipe. (allmusic)

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Billy Preston

LP | 1965 | EU (Trading Places)

Harlem Street Singer Limited Edition +2 Bonus Tracks

Release: 1965 / EU

Genre: Organic Grooves

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Billy Preston’s mastery of the organ was such that he was commissioned for collaboration by The Beatles, The Stones and countless others, his classic Hammond work a defining element of ‘Get Back.’ Released in 1964 when Preston was still 19, The Most Exciting Organ Ever mixes swinging originals such as ‘Low Down,’ ‘Soul Meetin,’ ‘The Octopus’ and ‘Billy’s Bag’ with expressively soulful covers of standards such as ‘If I Had A Hammer’ and ‘Don’t Let The Sun Catch You Crying,’ ably showcasing Preston’s awesome dexterity and unmatched ability on his chosen instrument. With every track a winner, the title rings true!

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Blind Gary Davis

LP | 1961 | EU | Reissue (Blues Joint)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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We Are Ever So Clean Remastered Vinyl Edition

Blossom Toes

LP | 1967 | UK | Reissue (Cherry Red)

33,99 €*

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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LP | 1960 | EU | Reissue (Jazz Workshop)

Blue Mitchell

Blue's Moods

23,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | Reissue (Concord)

Blue Mitchell

Blue's Moods Ojc. Series

Release: 1960 / Reissue

Genre: Organic Grooves

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Down With It! Tone Poet Vinyl Edition

Blue Mitchell

LP | 1965 | EU | Original (Blue Note)

43,99 €*

Release: 1965 / EU – Original

Genre: Organic Grooves

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Trumpeter Blue Mitchell had a soulful, swinging style and was equally at home in jazz, R&B, and funk settings. This 1965 date featured his Horace Silver bandmates Junior Cook on tenor sax and Gene Taylor on bass along with a 24-year-old Chick Corea on piano and 22-year-old Al Foster on drums.

“BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Bo Diddley Is A Gunslinger

LP | 1960 | EU | Reissue (Waxtime)

Release: 1960 / EU – Reissue

Genre: Rock & Indie

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LP | 1960 | US | Reissue (Checker)

Have guitar will travel

Release: 1960 / US – Reissue

Genre: Organic Grooves

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LP | 1960 | US | Reissue (Checker)

Have Guitar Will Travel

21,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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180 gram pressing!

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LP | 1961 | EU | Reissue (Now Or Never)

Is A Lover

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Reissue (ATCO)

Bo Grumpus

Before The War

Bob B. Soxx & The Blue Jeans

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Signed By Simeon

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Zip-A-Dee Doo Dah

LP | 1963 | EU | Reissue (Cornbread)

12,99 €*