Vinyl 610 Items

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers

A Night In Tunisia Orange Marble Vinyl Edition

LP | 1961 | EU | Reissue (Second)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Could It Be / Goin' Back / Headlines EP

Goldie

7" | 1966 | UK | Reissue (Top Sounds)

13,99 €*

Release: 1966 / UK – Reissue

Genre: Pop

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Milford Graves / Don Pullen

Nommo

LP | 1967 | US | Reissue (Superior Viaduct)

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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Les McCann

The Truth

23,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Culture Factory)

Three Sounds

Here We Come

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Revolver Special Edition Super Deluxe Vinyl Box Set Edition

4LP+7" | 1966 | EU | Reissue (Apple)

193,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie, Pop

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The Byrds

Fifth Dimension

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Ella Wishes You A Swinging Christmas Clear Vinyl Edtion

LP | 1960 | EU | Reissue (Destination Moon)

LP | 1961 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Christmas

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First Lady of Song Ella Fitzgerald overcame the challenges of a tumultuous youth through music, her performances with the Chick Webb Orchestra at the Savoy Ballroom and distinctive scat singing leading to early recordings and the 1938 breakthrough, ‘A Tisket A Tasket.’ After recording bebop LPs for Decca, manager Norman Granz launched the Verve label to allow her to broaden her musical horizons, exploring the Great American Songbook. Released in 1960, Ella Wishes You A Swinging Christmas sees her tackle Christmas classics as only Ella can, the lavish orchestration overseen by noted conductor Frank de Vol.

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Clifford Jordan

Starting Time

23,99 €*

The Wonderful World Of Jazz

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"This fine set matches together the already distinctive tenor of Clifford Jordan with veteran trumpeter Kenny Dorham, pianist Cedar Walton, bassist Wilbur Ware and drummer Albert "Tootie" Heath. Other than Duke Ellington's "Don't You Know I Care," the group sticks to originals by Jordan, Dorham and Walton. The music is straight-ahead, and although the tunes are pretty obscure, the solos and high musicianship uplift the music. Recommended to straight-ahead jazz collectors." Scott Yanow -All Music Guide

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John Lewis

LP | 1960 | UK | Reissue (Pure Pleasure)

34,99 €*

LP | 1967 | US | Reissue (Return To Analog)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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There is nothing hurried about this disc. That said, the music is focused and will stretch your mind. Lewis employed masterful melodic improvisers here: Paul Gonsalves, Eric Dolphy, Jim Hall among others. Listen to "Body And Soul" as it builds powerfully and the soloists explore every possible melodic theme, where the quiet power of these master musicians is almost too much to take. Listen to "I Remember Clifford" where the players are essentially the MJQ with Jim Hall replacing Milt Jackson. This set swings, but oh-so-elegantly. Just like Mr. Lewis.
S.C.Berry
Whether you're an old-time jazz afficionado or new to the genre, this album is essential. In my opinion, Lewis' lovely solo on "Body & Soul" makes his version virtually definitive - 15 minutes of bliss. The rest of the album, particularly "Afternoon In Paris", is at the same level. "Wonderful" is the perfect title for this record.
E Barrios

Recording: July and September 1960
Production: Nesuhi Ertegun & Tom Dowd

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Les Differents

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Beat Verve By Request Edition

Roy Brooks

LP | 1964 | EU | Reissue (Verve)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Don Patterson with Booker Ervin

Hip Cake Walk

LP | 1964 | US | Reissue (Prestige)

18,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1960 | US | Reissue (Polydor)

James Brown

Think

19,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Milford Graves / Don Pullen

In Concert At Yale University

LP | 1966 | US | Reissue (Superior Viaduct)

7" | 1967 | UK | Reissue (Tay-Ster)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny Sharrock and more to his important contributions during NYC's loft era – he is, simply put, free jazz royalty. In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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Lillie Bryant

Mamma / Meet Me Halfway

15,99 €*

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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In The Christmas Spirit Clear Vinyl Edition

Booker T & Mg's

LP | 1966 | Reissue (Atlantic)

Release: 1966 / Reissue

Genre: Organic Grooves, Christmas

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King Of The Delta Blues Singers

Robert Johnson

LP | 1966 | EU | Reissue (Columbia)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Universal)

Sam Cooke

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Wishes You A Swinging Christmas Gold Vinyl Edition

LP | 1960 | EU | Reissue (Not Now)

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Christmas

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Free Jazz Limited Edition Colored Vinyl

Ornette Coleman

LP | 1961 | EU | Reissue (Now Or Never)

20,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Culture Factory)

Grant Green

Grant's First Stand

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Motions

Their Own Way

26,99 €*

Release: 1966 / EU – Reissue

Genre: Pop

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The Essential Carnegie Hall Concert 1956

Billie Holiday

LP | 1961 | EU | Reissue (Pan Am)

16,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Jazz Workshop)

The John Wright Trio

South Side Soul

23,99 €*

Infatuation / What Have I Got Now

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7190) Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7190) The John Wright Trio John Wright (piano), Wendell Roberts (bass), Walter McCants (drums). Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, August 30, 1960 Engineered & mastered by Rudy Van Gelder Cover photo & design: Esmond Edwards Back-liner notes: LeRoi Jones Recording supervised by Esmond Edwards

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Darrow Fletcher

7" | 1967 | UK | Reissue (Jacklyn)

11,99 €*

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Darrow Fletcher’s belated success in Europe - from the 70s onwards, but particularly in this century - has been very rewarding from him; he has been thrilled by the interest and admiration for his past work. These are two of his revered Jacklyn label sides; Jacklyn being owned by his father, who named the imprint after Darrow’s sister. This Repro coupling will be welcomed by collectors who cannot afford the high price of the originals – many of which are often found in poor condition as they were played the hell out of in 1960s Chicago. track listing

A. Infatuation – Darrow Fletcher B. What Have I GOT NOW – Darrow Fletcher

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LP | 1964 | EU | Reissue (Apple)

A Hard Days Night

John Barry & His Orchestra

Release: 1964 / EU – Reissue

Genre: Pop

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Just one word to say: Essential!

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Great Movie Sounds Of John Barry

LP | 1966 | EU | Reissue (Speakers Corner)

34,99 €*

Release: 1966 / EU – Reissue

Genre: Soundtracks

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Wishes You A Swinging Christmas Red Vinyl Edition

LP | 1960 | EU | Reissue (Verve)

Roland Kirk With Jack Mcduff

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Christmas

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On top of tree and cookies, a successful Christmas should also include proper music. If your household only holds one Christmas album, it should definitely be “Ella Wishes You A Swinging Christmas”. Ella Fitzgerald sings like an angel and swings so hot that it's barely allowed at that celebration. The classic album from 1960, which Rolling Stone placed at number 10 on its “25 Greatest Christmas Albums of All Time” list, is now available in the most appealing edition ever, as a festive red, remastered LP with a fresh new cover design. Give it to your loved ones - or to yourself.

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Kirk's Work Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)

LP | 1966 | EU | Reissue (Musica & Entretenimiento)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Roland Kirk was one of the most creative, extravagant figures in jazz history. A master multi instrumentalist with no boundaries in terms of language, style and technique. Here we find him co-leading a strong studio session with organ specialist Brother Jack Mcduff. Backed up by Joe Benjamin on bass and Art Taylor on drums, Kirk and McDuff give voice to a soulful post-bop set full of groovy riffs and highly inventive instrumental ping pong. Recorded by Rudy Van Gelder and released in 1961 by Prestige Records, this is a fine early step in Kirk's varied and intense career.

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Beat 4

Boots A Go Go

LP | 1967 | EU | Reissue (El Palmas Music)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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This is one of the first Chilean rock albums recorded in Spanish. "Boots a Go Go" (1966) by Beat 4 is released now on vinyl, from the original IRT masters! Los Beat 4 (Santiago de Chile, 1966) began as the partnership of four childhood friends: brothers Mario and Willy Benitez, Johnny Paniagua and Reinaldo Rhino Gonzalez. Under the influence of the Beatles, the Kinks and the Animals, they formed Los Electrones, a group with which they played at school parties and various meetings, following the style of the New Wave. Around 1966, and after the explosion of the beat rhythm in our country with the arrival of the Beatles, they decided to change their name to Beat 4 and sing in Spanish. In 1967, backed by the wide radio diffusion of their single "Llora conmigo" (a Spanish version of an Italian pop song), they toured throughout the country. The band's second hit came with the jingle "Dame un Bananino", composed to promote a banana-flavored ice cream. The song was released as an EP, was a great success and took them on tour to the main beaches of Chile. They would later replicate the model with the song "Ta ta ta ta", as simple and catchy as the previous one. The Beat 4's career was short but intense and popular. At the beginning of the 70's they had already released four LPs, and since then they began to incorporate their own compositions. When Willy Benítez left the band, Tilo Mandiola replaced him, but soon after, the Beat 4 decided to leave. Willy Benítez entered the theater school of the Catholic University, to later begin a career as a humorist in television programs such as "El festival de la una". Reinaldo Rhino González, vocals (1966 - 1971). Johnny Paniagua, guitar (1966 - 1971). Willy Benítez, bass (1966 - 1971). Mario Benítez, drums (1966 - 1971). Tilo Mandiola, bass (1971).

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Jesus Gomez Y Su Grupo

Jesús Gómez Y Su Grupo

LP | 1960 | US | Reissue (Waxtime)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.

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Peggy Lee

All Aglow Again

19,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Hip Hug-Her Pink Vinyl Edition

Booker T. And The Mg's

LP | 1967 | US | Reissue (Jackpot)

And Now! Orange Vinyl Edtion

Release: 1967 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. 1967’s Hip Hug-Her is one of their most beloved records. Spawning two significant hits, their cover of the Young Rascals “Groovin” and the title track "Hip Hug-Her"

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Booker T. And The Mg's

LP | 1966 | US | Reissue (Jackpot)

30,59 €* 35,99 € -15%

7" | 1967 | EU | Reissue (Guerssen)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Long out of print 1966 release. 1966’s And Now!’ is the first to feature long-term bassist Duck Dunn, who helps create a nightclub feel that alternates between some of their most aggressive recordings and most sultry.

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William Penn Fyve

Swami / Blow My Mind

14,99 €*

LP | 1967 | UK | Reissue (Madfish)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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First ever band-sanctioned reissue of this legendary ‘Pebbles’ garage-psych 45 from 1967. William Penn Fyve aka William Penn & His Pals were a regular presence on the early Bay Area scene, opening for the likes of Jefferson Airplane, Paul Revere & the Raiders and Them. Their line–up included lead singer / organist Gregg Rolie, later of Santana / Journey. In 1966 they recorded their lone single, "Swami" / “Blow My Mind”, for the Thunderbird label. The A-side (written by guitar player Mike Shapiro and famous for being included on “Pebbles-The Acid Gallery”) is early acid-punk with fuzzed-out raga guitars and hilarious lyrics about a guru. The flipside is an energetic garage-punk number with swirling Vox organ and a fuzz rave up á la Yardbirds.

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Pretty Things

Emotions

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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LP | 1961 | EU | Reissue (Verve)

Charles Mingus

Pre-Bird Acoustic Sounds

34,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Big Hits High Tide & Green Grass Uk Edition

The Rolling Stones

LP | 1966 | EU | Reissue (Universal)

Milford Graves & Don Pullen

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1966, Big Hits (High Tide And Green Grass) was the first hits compilation from the Rolling Stones. The UK Edition contains four #1 singles, including "(I Can't Get No) Satisfaction," and "Get Off Of My Cloud." The original "fisheye" artwork has been restored for this version and is pressed on 180-gram vinyl in a gatefold jacket.

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Nommo

LP | 1967 | EU | Reissue (Chush)

21,59 €* 23,99 € -10%

Midnight Special (Blue Note Classic Vinyl)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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In his 1967 DownBeat review of the initial release, Amiri Baraka wrote: "The music is beautiful on this album... These two players... are making some of the deepest music anywhere. It wants nothing."

Peter Margasak included the album in his list of "Favorite Albums of 2020," and wrote: "Essential coupling of two insanely rare duo albums from a 1966 concert at Yale University: Pullen at his most ferocious and probing, Graves making a huge step in establishing his radical approach to polymetric movement."

In a review for Point of Departure, John Sharpe commented: "The five pieces represent a true dialogue... Although intensity levels vary, the exchanges remain resolutely non-melodic and non-metric throughout... Even after all this time the music still challenges preconceptions. It remains a classic of the genre and deserves to be widely heard."

Thurston Moore included Nommo in his "Top Ten From The Free Jazz Underground" list, first published in 1995 in the second issue of the defunct Grand Royal magazine, calling the interplay between the musicians "remarkable."

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Jimmy Smith

LP | 1961 | EU | Reissue (Blue Note)

22,99 €*

LP | 1964 | Reissue (Real Gone Music)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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It’s a testament to Jimmy Smith’s volcanic creativity that the Hammond B3 organ firebrand recorded not one but two soul jazz classics—Midnight Special and Back at the Chicken Shack—in a single day when he entered Van Gelder Studio on April 25, 1960 with Stanley Turrentine on tenor saxophone, Kenny Burrell on guitar, and Donald Bailey on drums. Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

Jimmy Smith (Hammond B3 organ); Stanley Turrentine (tenor sax); Kenny Burrell (guitar); Donald Bailey (drums)

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Three Man Army

Two

Release: 1964 / Reissue

Genre: Rock & Indie

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Flute, Brass, Vibes And Percussion

Herbie Mann

LP | 1961 | EU | Reissue (Life Goes On)

LP | 1967 | EU | Reissue (Musica & Entretenimiento)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.

Personnel: Herbie Mann (flute, bass clarinet), Johnny Rae (vibes), Nabil Knobby Totah (bass), Rudy Collins (drums), Ray Mantilla (conga drums), Ray Barretto (bongos except on #8 and #12). Plus trumpet section: Doc Cheatham, Siggy Schatz, Jerome Kail and Leo Ball. Recorded in New York City, 1959

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Los Vidrios Quebrados

Fictions

LP | 1961 | EU | Reissue (Now Or Never)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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"Fictions" (1967) by Los Vidrios Quebrados is released now on vinyl, from the original IRT masters! Los Vidrios Quebrados were pioneers in Chile in adopting psychedelia as a musical aesthetic, due to the influences gathered mainly from British groups. Although they bequeathed only one LP, this one is a permanent reference of research and applause, for having been worked with their own material (without covers, as was the norm of local rock at the time) and combining their electric flight with opinions of social observation. "Fictions" (1967) is one of the most important rock albums made in Chile. The 1966 single "Friend" and "She'll Never Know I'm Blue" gave way the following year to the recording of "Fictions", their only LP, under the RCA Victor and Ues Producciones label. Without merely copying their influences, the songs on the album feature smooth and fine instrumental arrangements by Héctor Sepúlveda (guitar and vocals), who also acted as the album's musical director. Those who were lucky enough to hear them live say that they were much more rock than what we can appreciate on the album. And the music on the "Fictions" album was even more sophisticated than what was being done at the time, there was a musicality that was quite anticipatory, even foreign. If you listen to the harmonies in "Introduction to Life..." or "Concerto in A Minor", they are quite complex compared to what was heard at the time. That's why they also had a place in radio stations more accustomed to playing classical music, like Radio Andrés Bello. There was a certain intellectual taste, something like an "intellectual arrogance", like the quotations to Oscar Wilde in the lyrics of the songs, for example. For the recording of "Fictions", Los Vidrios Quebrados had very little time, as was customary in those days. And despite the technical limitations of the recording studios (two tracks -vocals on one side and all the instruments on the other-, bottle cap tambourines and homemade instruments), when listening to the album, the result is surprising and, considering that in Chile the music of the Beatles and the Rolling Stones was already known, the reception of "Fiction" was quite good. After the success of "Fictions" and with a promising future, Los Vidrios Quebrados decided to go to Europe in 1969, but the idea was rejected by the parents of two of the members, who only saw music as a hobby. Different life choices and musical tastes led months later to the end of the band.

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Bo Diddley

Is A Lover

20,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Not Now)

Dean Martin

This Time I'm Swingin'

29,99 €*

Release: 1960 / EU – Reissue

Genre: Pop

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Pure dynamite! live at the Royal

James Brown

LP | 1964 | US | Reissue (Polydor)

19,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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We Are Paintermen 180gram Half-Speed Master Edition

The Creation

LP | 1967 | UK | Reissue (Demon)

36,99 €*

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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Phil Woods

Rights Of Swing

Mark Wirtz Orchestra & Chorus

Release: 1961 / US – Reissue

Genre: Organic Grooves

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When he first came on the scene, Phil Woods was often referred to as “The New Bird,” in a nod to the legendary Charlie Parker. A testament to his genius on the saxophone to be sure. But while obviously indebted to Parker - as all modern jazz saxophonists of a certain era were - there is no question that Phil Woods was an original. After earning a degree in music from Juilliard in the early 1950’s, Woods found himself in the orbit of the great Quincy Jones. At Jones’ invitation Woods joined Dizzy Gillespie’s infamous Jazz Ambassadors - a tour sponsored by the US State Department as part of a global cultural diplomacy initiative - and subsequently became a member of Jones’ own touring band. This recording, his 9th album as a band leader, consists entirely of Woods’ five-part Rights of Swing Suite. An ambitious large-scale composition based solidly on jazz traditions. A culmination of the influences the then 30 year artist had absorbed. Arguably considered one of Woods finest recordings, the record features a stellar section made up of Wood’s fellow Quincy Jones band members. (It should be noted that these same musicians, for the most part, are also the section on Benny Bailey’s Candid Records recording, Big Brass, recorded a a few months prior in November of 1960). Recorded at the Nola Penthouse Studios in New Your City on two dates in January and February of 1961, and conducted by Quincy Jones. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and in-depth commentary from Woods himself, giving a context and insight that adds to the experience of hearing these extraordinary performances.

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Latin A Go-Go

LP | 1966 | EU | Reissue (Vinilisssimo)

LP | 1961 | EU | Reissue (Jazz Images)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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ark Wirtz' most famous output was recorded during the mid/late '60s when he was working as an in-house producer for EMI at Abbey Road. His 'Mood Mosaic' LP and the unfinished concept album 'A Teenage Opera' (a single off this LP, 'Grocer Jack', was actually released in 1967) provided Wirtz with an iconic status. However, his lesser known 1966 album 'Latin A Go-Go' is the one to have if you aim to hit the dancefloor. To get an idea of the music, think of wild cocktail parties in sunny California in the mid-'60s, cosmopolitan hotel lounges in Copacabana or the hippest clubs in Swinging London.
The LP co-features the likes of Barbara Moore (from the legendary library music album 'Vocal Shades And Tones') and Jim Sullivan (Lord Sitar).

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Charles Mingus

Presents Charles Mingus

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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At The Half Note Cafe Volume 1

Donald Byrd

LP | 1961 | US | Reissue (Blue Note)

37,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Not Now)

Del Shannon

Runaway The Best Of

18,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Del Shannon did not fit the typical teen-idol mould other pop singers of the early Sixties were shoehorned into. Although he certainly had the required good looks, his songs had a brooding intensity to them, with recurring themes of loss and rejection that didn't sit well with the typical pop-star image of the time. In many respects he was similar to the UK's John Leyton and did a lot to pave the way for the British Invasion and the huge expansion to the boundaries of what could be considered pop music.

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Don Ellis

How Time Passes

Release: 1961 / US – Reissue

Genre: Organic Grooves

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A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis. Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York City’s post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus’ Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among others, the Glenn Miller Orchestra, Lionel Hampton, and Woody Herman. On subsequent albums, Ellis would take an even wilder direction. Here, on his first recoding date as a band leader, the experimentation begins. Ellis stretches the boundaries of bop-based jazz playing with time, tempo and meter. It is the start of his exploration of Third Stream - a fusion of jazz and contemporary classical music. The album title itself - How Time Passes - was taken from an article written by the controversial German composer Karlheinz Stockhausen on the “function of time.” The exceptional section features Ron Carter on bass, the underrated Jaki Byard on piano and saxophone, and Charlie Persip on drums. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and noted musician, historian and writer Gunther Schuller - the originator of the term “Third Stream” - giving a context and insight that adds to the experience of hearing these extraordinary performances.

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Charles Mingus

Mingus

LP | 1960 | EU | Reissue (Culture Factory)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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At the time of this recording, Mingus had been working regularly with the piano-less quartet of Eric Dolphy, Ted Curson and Dannie Richmond. The same group featured on the 1960 Candid release, Charles Mingus Presents Charles Mingus. The Mingus album, also recorded that year, features one track, "Stormy Weather," recorded with that same quartet, and two tracks recorded with a larger group featuring piano and additional horns. Of note, "mdm (Monk Duke & Me)” consumes the majority of this album. The piece consists of three intertwining themes - Duke Ellington's “Main Stem”, Thelonious Monk's “Straight, No Chaser”, and Mingus' “Fifty First Street Blues.” Released in 1961, and recorded in the fall of 1960 by Candid A&R and Producer Nate Hentoff at the Nola Penthouse Sound Studios. The LP includes extraordinary liner notes written by Hentoff, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Freddie Hubbard

Open Sesame

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Fonseca Et Ses Anges Noirs

LP | 1966 | Reissue (Mapache)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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180 gram audiophile vinyl
Includes insert
Debut album from 1966 by "The King Of Afro-Cuban Rhythm"
Limited edition of 500 individually numbered copies on translucent red coloured vinyl

Fonseca is the son of a Senegalese mother and a father from Cape Verde. Hence the Portuguese sounding name: Louis Vera Da Fonseca.

In the 1950s, he founded the group Les Anges Noirs (The Black Angels) in Brussels, named after the Brussels club in the Boomkwekerijstraat, which quickly became very popular in Belgium, Africa, and the West Indies. The famous Manu Dibango was even musical director and pianist there for a period. Manu Dibango would later become one of the emblematic figures of African music. Soon Fonseca was nicknamed “the King of Afro-Cuban rhythm”.

After several great successes from the early sixties to 1968, Fonseca suddenly disappeared from the music scene in the late 60's. Whether he died in 1970, as can be read on some sites, cannot be said with certainty.

The self-titled album Fonseca Et Ses Anges Noirs is available as a limited edition of 500 individually numbered copies on translucent red coloured vinyl and includes an insert.

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David Blue

23,99 €* 29,99 € -20%

Release: 1966 / Reissue

Genre: Electronic & Dance

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Impressions Of Wonderful Colored Vinyl Edition

Motions

LP | 1967 | EU | Reissue (Music On Vinyl)

29,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1961 | Reissue (Not Now)

Grant Green

Grant's First Stand

Release: 1961 / Reissue

Genre: Organic Grooves

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Swing Low, Sweet Cadillac

Dizzy Gillespie

LP | 1967 | EU | Reissue (Impulse)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Original Grooves: Ella In Berlin: Mack The Knife / Summertime Record Store Day 2021 Edition

LP | 1960 | EU | Reissue

15,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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V.A.

Riot On Sunset Strip

LP | 1967 | EU (Sparton)

17,99 €*

Release: 1967 / EU

Genre: Rock & Indie, Soundtracks

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Ray Conniff And His Orchestra & Chorus

Latin Rock

LP | 1960 | US | Reissue (Waxtime)

13,99 €* 19,99 € -30%

Release: 1960 / US – Reissue

Genre: Pop

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LP | 1967 | UK | Reissue (Rhino)

The Doors

Strange Days

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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Indian War Whoop Deluxe Ediiton

The Holy Modal Rounders

LP | 1967 | US | Reissue (Don Giovanni)

43,99 €*

OST Zulu Orange Vinyl Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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"Some people think this record is unlistenable, while others consider this one of the key documents of the American music underground" - Byron Coley -55th Anniversary edition, one time pressing of 1500 foil numbered 2xLP copies -2 disc collection including original album remastered and Live in 1965 -Half-speed mastered vinyl cut by Miles Showell at Abbey Road Studios -Live in 1965 (Disc 2) remastered by Ryan Schwabe and available on vinyl for the first time -Comprehensive liner notes by Jesse Jarnow (Heads: A Biography of Psychedelic America) and Peter Stampfel The year 1967 proved to be a strong point of the ’60s generation culture and the ever growing New York underground music scene. Steve Weber and Peter Stampfel provided a blithe sendup of musical Americana as they mined this tradition, while introducing outrageous and zany virtuoso turns on acoustic guitar, banjo and violin. Their lyrics and vocals are uniquely their own. Their personalities were profoundly incompatible, like those of Gilbert and Sullivan.

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John Barry

LP | 1964 | EU | Reissue (Reel)

26,99 €*

Release: 1964 / EU – Reissue

Genre: Soundtracks

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LP | 1964 | EU | Reissue (Universal)

Sam Cooke

Sam Cooke At The Copa

31,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Al Charly Max Canta I Beatles In Italiano

Augusto Righetti

LP | 1966 | Reissue (Vinyl Magic)

Release: 1966 / Reissue

Genre: Pop

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Original Broadway Cast Recordiing

West Side Story

2LP | 1961 | EU | Reissue (ZYX)

Release: 1961 / EU – Reissue

Genre: Soundtracks

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RJ & The Riots Black Vinyl Edition

RJ & The Riots

LP | 1964 | EU | Reissue (Guerssen)

19,49 €* 25,99 € -25%

Louis Armstrong & Duke Ellington

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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Cool Rock&roll, Surf, Beat AND Garage-rock From Philippines IN THE 60s!! Led by teen guitar wizard Ramon “rj” Jacinto, RJ & THE Riots was one of the first rock&roll /beat bands from the Philippines and certainly the first to release original rock n’ roll songs with lyrics in their own country. This is the first ever reissue of their second album, originally released in 1964 and now impossible to find (four stars rating in Hans Pokora’s 1001 Record Collector Dreams book). Including original songs like the monster instrumental “Fuzzed”, the garage sounding “Advertising Man”, “Girl Nice”, the surf rock of “Trip To Manila” and more plus a few rad covers (Beach Boys, Buddy Holly…). The album was recorded at the home studio built by whizz kid Ramón Jacinto, who also operated his own record label (RJ Productions), magazine (Teenstone) and radio station (from his parent’s backyard!) RJ and the Riots started as a high school band of classmates composed of Ramon “rj” Jacinto (lead guitar), Alan Austria (bass guitar), Jimmy Colayco (rhythm guitar) and Bernie Evangelista (drums) with ages ranging from 15-17 years old. They were one of the first bands with electric instruments in the Philippines and this album marked the transition from instrumental rock to vocals. Today, RJ is a well-known businessman (founder of a TV and radio network), Pinoy rock&roll icon and continues his musical journey performing rock n’ roll hits of the 50’s – 80’s at his own Bistro “rj” music lounge, where the top of Philippine society, movers and shakers, go to dance and sing to RJ’s rock n’ roll classics. *Remastered sound and color insert with liner notes & rare photos. *Download card with the album plus one bonus track from a rare 45 Riyl: Ventures, Beach Boys, Buddy Holly, Stones, JAN & Dean, BeatLES…

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Together For The First Time

LP | 1961 | EU | Reissue (Not Now)

17,99 €*

LP | 1964 | US | Reissue (Vee Jay)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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When stars collide, sparks will fly. At least that's the theory. Louis Armstrong and Duke Ellington accepted the invitation to record together with dignity and polite courtesy. While keen to see what this pairing might produce artistically speaking, it was certainly an historic occasion. As the red light went on and the tapes rolled, Duke on piano and Louis on trumpet and vocals, backed by the Armstrong All-Stars began to play. As Ellington hits the keys on a riff that sounds suspiciously like C Jam Blues and Satchmo sings cheerfully 'Baby, take me down to Duke's Place!' the champions are ready to exchange ideas rather than blows. Perhaps unsurprisingly Louis soon emerged from this unique musical gathering as the natural born leader. But all the source material was firmly Ellingtonian. Both men had enjoyed extraordinary careers and were world renowned figures when the idea of bringing them together was first proposed.

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John Lee Hooker

On Campus

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Alexis Korner's Blues Incorporated

Red Hot From Alex

LP | 1964 | UK (Trading Places)

29,99 €*

Nous Les Gars Nous Les Fille Record Store Day 2022 Splattered Vinyl Edition

Release: 1964 / UK

Genre: Organic Grooves

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Alexis Korner's third album, originally released on the Transatlantic Label in 1964, after two live albums recorded at the Cavern at the Marquee, featuring his all-time hits 'Stormy Monday ' and Chicken Shack'. A true masterpiece from one of the godfathers of the white blues movement from the 60's.

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Johnny Hallyday

LP | 1961 | US | Reissue (Culture Factory)

23,79 €* 27,99 € -15%

Release: 1961 / US – Reissue

Genre: Rock & Indie

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New Masters Remastered Edition

Cat Stevens

LP | 1967 | EU | Reissue (Decca)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Ro-D-Ys

Earnest Vocation

23,24 €* 30,99 € -25%

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Kites Are Fun Red Vinyl Edition

The Free Design

LP | 1967 | EU | Reissue (Bonfire)

20,99 €* 29,99 € -30%

Western Union Gold Record Store Day 2022 Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Limited edition of 100 copies!

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Five Americans

LP | 1967 | US | Reissue (Sundazed)

John Fred & His Playboy Band

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Limited to 1200 copies. While overshadowed by its euphonic earworm, this is a remarkably deep and diverse album. With saccharin-saturated jangly pop that verges on bubblegum ('If I Could'), infectious Vox organ propelled grooves ('Sound Of Love'), fuzz-driven garage ('Reality') and the splendid and inventive sonic atlas 'Big Cities'! Come for the single, stay for the album! All analog, pressed on Abnak gold vinyl!

1. Western Union 2. Gimme Some Lovin’ 3. Husbands & Wives 4. If I Could 5. Sympathy 6. Big Cities 7. Sound Of Love 8. I Put A Spell On You 9. Tell Ann I Love Her 10. Reality 11. Now That It’s Over 12. See-Saw-Man

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Judy In Disguise Record Store Day 2022 Edition

LP | 1967 | US | Reissue (Liberation Hall)

45,99 €*

7" | 1966 | EU | Reissue (Wah Wah)

Release: 1967 / US – Reissue

Genre: Pop

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Record Store Day 2022 Drop 1 Release. On “psychedelic purple” vinyl. Limited to 1,000 copies. First re-release since the 1960s.

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Brenner's Folk

Daurat Oest +3

12,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The most elusive Edigsa 7" gets its first ever vinyl reissue on Wah Wah. An unsung moody garage folk-rock act, Brenner's Folk where the embryonic Pic-Nic (of "Cállate niña" fame) and featured a very young Jordi 'Toti' Soler right after he had gone through Els Xerracs (who also had released an EP on Edigsa), drummer Jordi Barangé (also from Els Xerracs) and brothers Vytas and Haakon Brenner. The Brenner brothers were born in Germany but grew up in Venezuela, where their family had emigrated after the devastation of World War II. The Brenner family would return several years later to establish in Europe, first in Italy and later in Barcelona. The new band started to rehearse under the name of The Vytas Brenner Quartet, and their main influences came from american modern folk acts like Peter Paul and Mary or The Mamas & The Papas, a.o. Not long after they started rehearsing, a very young Jeanette joined them thus becoming Brenner's Folk. Edigsa approached them and offered a contract for the recording of their only EP, sung in catalan and issued in 1966. A showcase of their folk and folk rock influences, the Brenner's Folk 7" is a lo fi garagey jewel that has become an elusive piece due to the importance that its band members would gather in years to come. Toti Soler became the biggest master of guitar, he went to psychedelic and progressive / jazz rock with Om prior to trading in his electric for a Spanish guitar and pioneering instrumental flamenco jazz rock fussion sound on his early solo albums. He is still active nowadays, he is one the biggest Catalan geniuses of modern guitar. The Brenner brothers returned to Venezuela where Vytas became a big solo act, recording the sought after LPs "La Ofrenda de Vytas" and "Hermanos" with his brother Haakon on production duties. Vytas continued a solo carrer that would last until his premature death in 2004 at only 57 due to a heart attack. Jeanette, of course, went on to lead the successful Pic-Nic along with Toti Soler and later enjoyed a successful solo career in the 1970s and 1980s, plus a come back in the early 2000s.

The 4 original Catalan sung tunes will appeal to lovers of Catalan sixties aborigen sounds, Euro & Nederbiet or American teen moody folk rock garage a la Rising Storm, Dovers, Nightcrawlers, Tormentors and the likes.

A facsimile reproduction of this mega rare EP, originally released on Edigsa in 1966, coming with remastered sound and an insert with lyrics, photos and notes.

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A Hard Day's Night White Vinyl Edition

LP | 1964 | Reissue (UMR)

36,99 €*

Release: 1964 / Reissue

Genre: Rock & Indie

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A Slice Of The Top Tone Poet Vinyl Edition

Hank Mobley

LP | 1966 | Reissue (Blue Note)

LP | 1960 | Reissue (Concord)

Release: 1966 / Reissue

Genre: Organic Grooves

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Hank Mobley was inspired by 'Birth of the Cool' on his 1966 album 'A Slice of the Top' featuring Duke Pearson’s arrangements for an octet that added euphonium and tuba to a group with James Spaulding on alto sax, Lee Morgan on trumpet, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on drums.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a gatefold sleeve with deluxe tip-on jacket.

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Blue Mitchell

Blue's Moods Ojc. Series

Release: 1960 / Reissue

Genre: Organic Grooves

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At The Renaissance Limitedcontemporary Records

Ben Webster

LP | 1960 | Reissue (Craft)

Release: 1960 / Reissue

Genre: Organic Grooves

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Max Roach

We Insist (Mono)

LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Miles Davis

Miles Smiles

82,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Meet The Beatles Vinyl Edition

Release: 1964 / Reissue

Genre: Rock & Indie

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We Insist Clear Vinyl Edition

Max Roach

LP | 1961 | US | Reissue (Descarga)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Ray Barretto

Barretto Para Bailar

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | Reissue (Concord)

Blind Gary Davis

Harlem Street Singer

Release: 1961 / Reissue

Genre: Organic Grooves

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Further Conversations With Myself

Bill Evans

LP | 1967 | EU | Reissue (Elemental)

37,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A follow up to the similarly-titled Conversations With Myself album recorded several years before -- and like that one, a record that has Bill Evans playing "with" himself, via the technology of overdubs! The album's less a solo album, than a duet one -- given that most of the numbers feature Evans working between melody and rhythm on overlapping piano lines -- creating a mini chorus of pianos that sounds totally great, and wonderfully unique! Titles include "Emily", "Yesterdays", "Santa Claus Is Coming To Town", "Funny Man", "The Shadow Of Your Smile", "Little Lulu" and "Quiet Now”

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Beatles '65

Release: 1964 / Reissue

Genre: Rock & Indie

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Something New

Release: 1964 / Reissue

Genre: Rock & Indie

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A Hard Day's Night

Release: 1964 / Reissue

Genre: Rock & Indie

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The Beatles' Second Album

Release: 1964 / Reissue

Genre: Rock & Indie

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The Horace Silver Quintet

Horace-Scope

LP | 1960 | EU | Reissue (L.M.L.R.)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (L.M.L.R.)

Dexter Gordon

Doin' Allright

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Chariot Rising Black Vinyl Edition

Dantalian's Chariot

LP | 1967 | EU | Reissue (Guerssen)