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Vinyl, CD & Tape 1109 Hip Hop 1 Organic Grooves 649 Rock & Indie 367 Electronic & Dance 11 Reggae & Dancehall 18 Pop 57 Classical Music 2 Soundtracks 33 Christmas 6
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Reset all Filters Vinyl No Used Vinyl 1960 1961 1962 1964 1967 1968 1969 Stocked Items Only
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Herbie Hancock - Fat Albert Rotunda
Herbie Hancock
Fat Albert Rotunda
LP | 1969 | EU | Reissue (Music On Vinyl)
42,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Herbie Hancock - Speak Like A Child
Herbie Hancock
Speak Like A Child
LP | 1968 | Reissue (Blue Note)
28,99 €*
Release: 1968 / Reissue
Genre: Organic Grooves
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Herbie Hancock - Takin' Off
Herbie Hancock
Takin' Off
LP | 1962 | EU | Reissue (Blue Note)
31,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Herbie Hancock - Takin' Off
Herbie Hancock
Takin' Off
LP | 1962 | EU | Reissue (20th Century Masterworks)
18,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Herbie Hancock - Takin' Off
Herbie Hancock
Takin' Off
LP | 1962 | Reissue (Not Now)
20,99 €*
Release: 1962 / Reissue
Genre: Organic Grooves
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Herbie Hancock - Takin' Off Blue Marbled Vinyl Edition
Herbie Hancock
Takin' Off Blue Marbled Vinyl Edition
LP | 1962 | Reissue
24,99 €*
Release: 1962 / Reissue
Genre: Organic Grooves
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Herbie Hancock - The Prisoner Tone Poet Vinyl Edition
Herbie Hancock
The Prisoner Tone Poet Vinyl Edition
LP | 1969 | EU | Reissue (Blue Note)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Herbie Mann - At The Village Gate
Herbie Mann
At The Village Gate
LP | 1962 | EU | Reissue (Speakers Corner)
34,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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"Comin’ Home Baby" – that’s how the LP begins and that’s what catapulted it right into the charts. Not to one of the top places, but from this time on Herbie Mann was one of the superstars in Atlantic’s collection of jazz musicians. He was known as 'our man with the flute', and the critics in the early Sixties were full of praise for him. He became even more famous, and probably richer, through soundtracks and later on sometimes rather commercialised productions. Well, good for him. 'The Man' serves up jazz pure on this recording, made live at the legendary Village Gate club, which is no wonder considering the rhythm group that includes Ahmad Abdul-Malik and Rudy Collins. The composer of "Comin’ Home Baby", Ben Tucker, also makes an appearance as a guest soloist before the two Gershwin numbers from "Porgy And Bess" offer a wealth of rhythm pure. On the cover text of the LP, Willis Conover, who hosted the Newport Jazz Festival as a sideline (older jazz fans will know his baritone voice from AFN broadcasts), describes in detail the ethnic background of the musicians who come from all over the world – from Romania to Puerto Rico. The three numbers are by no means commonplace. Perhaps a tasty flute cocktail would be a good description. This true rarity from Atlantic’s treasure trove in the early Sixties has long been marked down on the wish list of many fans and at long last it’s available again.
Herbie Mann - Flute, Brass, Vibes And Percussion
Herbie Mann
Flute, Brass, Vibes And Percussion
LP | 1961 | EU | Reissue (Life Goes On)
25,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.

Personnel: Herbie Mann (flute, bass clarinet), Johnny Rae (vibes), Nabil Knobby Totah (bass), Rudy Collins (drums), Ray Mantilla (conga drums), Ray Barretto (bongos except on #8 and #12). Plus trumpet section: Doc Cheatham, Siggy Schatz, Jerome Kail and Leo Ball. Recorded in New York City, 1959
Herbie Mann - Glory Of Love
Herbie Mann
Glory Of Love
LP | 1967 | EU | Reissue (Endless Happiness)
26,99 €* 29,99 € -10%
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Flutist Herbie Mann is backed by a large rhythm section and a small horn section on this Creed Taylor-produced A&M set (which has been reissued on CD). Actually the most interesting aspect of the R&B-oriented date (which includes such songs as “Hold on, I’m Comin’,” “House of the Risin’ Sun” and “Unchain My Heart”) is that the up-and-coming flutist Hubert Laws is matched with Mann on several tracks.
Hideo Shiraki - In Fiesta
Hideo Shiraki
In Fiesta
LP | 1961 | JP | Reissue (Teichiku)
52,99 €*
Release: 1961 / JP – Reissue
Genre: Organic Grooves
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Horace Parlan - Speakin' My Piece Blue Note Classic Vinyl
Horace Parlan
Speakin' My Piece Blue Note Classic Vinyl
LP | 1960 | EU | Reissue (Blue Note)
22,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Best known for his work with Charles Mingus, pianist Horace Parlan began recording for Blue Note in 1960 with an excellent run of hard bop classics including Speakin’ My Piece, a quintet date featuring a frontline of Stanley Turrentine on saxophone and Tommy Turrentine on trumpet with the rhythm team of George Tucker on bass and Al Harewood on drums.



Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.
Horace Silver - Song For My Father
Horace Silver
Song For My Father
LP | 1964 | EU | Reissue (Blue Note)
23,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Howard McGhee - Maggie's Back In Town!!
Howard McGhee
Maggie's Back In Town!!
LP | 1961 | US | Reissue (Craft)
37,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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Howlin' Wolf - Howlin' Wolf 60th Anniversary Edition
Howlin' Wolf
Howlin' Wolf 60th Anniversary Edition
LP | 1962 | US | Reissue (Friday Music)
40,99 €*
Release: 1962 / US – Reissue
Genre: Organic Grooves
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Howlin' Wolf - Moanin' In The Moonlight
Howlin' Wolf
Moanin' In The Moonlight
LP | 1962 | EU | Reissue (20th Century Masterworks)
18,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Howling Wolf - Sings The Blues
Howling Wolf
Sings The Blues
LP | 1962 | JP | Reissue (P-Vine)
39,99 €*
Release: 1962 / JP – Reissue
Genre: Organic Grooves
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Howlin' Wolf was a true bluesman who stuck to his own style. This LP reissue of an album compiled from his recordings in 1951-1952 for RPM label, sub-label of Modern Records and released in1962 on Crown Records, also a substance of Modern.

The album features Willie Johnston on guitar, a rule-breaking mix of primitive delta blues and fancy jazz chords; Willie Steele on drums and unidentified musicians providing unparalleled backing; and Ike Turner on vibrant piano, Wolf barked out wild and tough blues in West Memphis.

Although the piano, the guitar and the harmonica were clearly out of tune, the sounds were outstandingly thumping and beautiful - there was no greater shock. This is a classic in blues history that captured the rampaging blues wolf of the blues at the beginning of his career, when he made his recording debut after the age of 40. The reissue LP will be available with iconic OBI strip.
Hubbels - Introducing
Hubbels
Introducing
LP | 1969 | UK | Reissue (Charly)
27,99 €*
Release: 1969 / UK – Reissue
Genre: Pop
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Hugh Malcolm - Good Time Rock / Love Brother Love
Hugh Malcolm
Good Time Rock / Love Brother Love
7" | 1968 | EU | Reissue (Harlem Shuffle)
13,99 €*
Release: 1968 / EU – Reissue
Genre: Reggae & Dancehall
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Yet another killer double sider with the first repress of the very rare and terrific "Good Time Rock". Extremely in demand, this rocking track has never been repressed on 7inch vinyl until now. The B side features another rare and wicked tune from Hugh Malcolm. Absolutely essential.
Hugo Y Osvaldo - La Bossa Nova De ...
Hugo Y Osvaldo
La Bossa Nova De ...
LP | 1969 | EU | Reissue (Sommor)
23,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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After the demise of LOS Shakers, brothers Hugo & Osvaldo Fattoruso released in 1969 "La Bossa Nova de Hugo & Osvaldo".

Here, they paid homage to the music they grew-up with: jazz, bossa nova and candombe but adding Beatlesque pop-psych and Brazilian/Latin sounds to the mix, following what they had already done with Los Shakers in songs like "Never Never" or "Adorable Lola".

Cool covers of Burt Bacharach, George Harrison and candombe pioneer Manolo Guardia blend together with lovely self-penned songs and even new, bossa-styled versions from Los Shakers catalogue.

Recorded in 1968 mostly by Hugo and Osvaldo playing all the instruments by themselves, it was originally released in 1969 in a tiny edition of 400 copies, making it one of the most desirable collectable albums related to Los Shakers.

The missing link between "Toto's Bar" and OPA's "Goldenwings"?
Hunger - Strictly From Hunger
Hunger
Strictly From Hunger
LP | 1969 | US | Reissue (Now-Again)
56,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.
Hunger - Strictly From Hunger Black Vinyl Edition
Hunger
Strictly From Hunger Black Vinyl Edition
LP | 1969 | EU | Reissue (Guerssen)
27,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Killer Doorsy organ and fuzzed-out guitars, including all-time psychedelic classics like "Colors", "Workshop" and "Mind Machine".

Transplanted from Portland to the Sunset Strip, Hunger played at all the hip places (Whisky a Go Go, Cheetah, Kaleidoscope...), rubbing shoulders with bands like Hour Glass (pre-Allman Brothers), the Doors or Steppenwolf.

In 1969 they released "Strictly from Hunger!" for the small Public label. Highly sought after, we’re proud to present a straight reissue of such collectable album.
Ibrahim Khalil Shihab Quintet - Spring
Ibrahim Khalil Shihab Quintet
Spring
LP | 1968 | UK | Reissue (Matsuli)
24,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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“South Africa’s lost jazz history contains many an overlooked classic. But even within that hidden tradition, there are few albums that suffered such an unlucky fate as Spring, the monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

Though Shihab was only twenty-two when Spring was recorded, he was already a lynchpin of the Cape Town scene, and the album was to be his first major statement as leader and composer. It is a magnum opus gilded by the presence of the upcoming saxophonist Winston ‘Mankunku’ Ngozi, who was soon to find huge acclaim with the hit album Yakhal’ Inkomo.

Three months of touring southern Africa in 1968 honed the band to the point that this entire album was recorded within the just two hours of allocated studio time. This album was repressed just once before the master tapes were destroyed by an ignorant record company executive. While it has remained out of print since then, the album was ‘kept alive’ as an ‘add-on’ to a 1996 CD of Mankunku’s Yakhal’ Inkomo. As a result, many modern jazz lovers still incorrectly believe these five compositions come from Yakhal’ Inkomo.

With this edition of Spring, Matsuli Music corrects an historic wrong. This edition of Shihab’s stunning debut, produced with the blessing of the man himself, is the first time it has been properly available in over forty years, and the first time it has ever been available outside South Africa. Restored and presented with new liner notes by Valmont Layne, Spring can now be seen for what it is: a peerless masterwork of Cape Jazz, blessed by the presence of the great Mankunku, but truly animated by the subtle vision and original musical spirit of its creator, Ibrahim Khalil Shihab.”

• The monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

• Almost lost recording is back on vinyl after more than 50 years.

• Heavyweight 180g vinyl with remastered audio, inner sleeve with photographs and new notes by Valmont Layne
Igginbottom - Igginbottom's Wrench
Igginbottom
Igginbottom's Wrench
LP | 1969 | EU (Ethelion)
20,99 €*
Release: 1969 / EU
Genre: Rock & Indie
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Igor Stravinsky - The Firebird
Igor Stravinsky
The Firebird
LP | 1962 | Reissue (Vinyl Passion Classical)
17,99 €*
Release: 1962 / Reissue
Genre: Classical Music
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Ike Quebec - Heavy Soul Clear Vinly Edition
Ike Quebec
Heavy Soul Clear Vinly Edition
LP | 1961 | EU | Reissue (Sowing)
22,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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"Heavy Soul" can be easily considered as one of Ike Quebec's best showcases. Recorded in 1961 by master Rudy Van Gelder and originally released on Blue Note, this fine studio session sounds as a perfect mixture of down-home blues spirit and warm, sensual ballads, with Quebec's big tenor sax voice as the leading force of a hard swinging quartet featuring Freddie Roach - organ, Milt Hinton - bass and Al Harewood - drums.
Ike & Tina Turner - So Fine
Ike & Tina Turner
So Fine
LP | 1968 | EU (Trading Places)
20,99 €*
Release: 1968 / EU
Genre: Organic Grooves
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Among the most famous husband-and-wife soul duos of all time, Ike & Tina Turner scored an incredible array of hits in the 1960s and 70s, before Tina finally exited the partnership. The debut LP on the Pompeii label, So Fine dates from 1968, a couple of years after a support slot on a Rolling Stones tour boosted their profiles; in addition to a remake of early hit ‘A Fool In Love,’ there’s an awesome take of Johnny Otis’ ‘So Fine’ and a competent rendition of ‘Shake A Tail Feather.’ Tina is fully in her element, the Ikettes keep up the harmonic pressure, and producer Ike handles the rest. Recommended listening for all soul fans!
Ike & Tina Turner - The Hunter
Ike & Tina Turner
The Hunter
LP | 1969 | EU | Reissue (Elemental / Universal)
30,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Ike Turner & The Kings Of Rhythm - A Black Man's Soul
Ike Turner & The Kings Of Rhythm
A Black Man's Soul
LP | 1969 | EU | Reissue (Soulgramma)
29,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Here’s the official reissue of the album originally released on Dallas Pompeii label in April 1969. When he was out on tour with his regular gig, the Ike & Tina Turner Revue, Ike found the time to cut this unbelievable instrumental album. Whenever he had some spare time he would drag the band into a local studio and lay down tracks, resulting in these 12 funky soul jams that sound like they were lifted from a blaxploitation movie. The band is tight and laid-back at once, with horns at the forefront most of the time. Los Angeles hip-hop group Jurassic 5 later sampled "Getting Nasty" on their self-titled EP.
Ill Wind - Flashes Black Vinyl Edition
Ill Wind
Flashes Black Vinyl Edition
LP | 1968 | EU | Reissue (Out-Sider Music)
23,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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“Flashes”, the sole album by Boston based band ILL Wind, was produced by Tom Wilson (Simon & Garfunkel, Mothers Of Invention, Velvet Underground…) and originally released on ABC Records. Terrific West Coast styled sound with male/female vocals, strong guitar interplay and inventive songwriting, featuring titles like “Dark World”, “People Of The Night”, “Hung Up Chick”… and wait till you hear their cover of “High Flying Bird”! *Hard cardboard sleeve + OBI *Includes insert with liner notes and photos

* Includes digital download card
Improved Sound Limited - OST - Engelchen Macht Weiter
Improved Sound Limited
OST - Engelchen Macht Weiter
LP+7" | 1969 | EU | Reissue (Wah Wah)
20,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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The soundtrack to this 1969 German sexual comedy was produced by Improved Sound Limited, showcasing their killer blend of experimental pop, blues, rock, jazz, funk and easy listening, augmented with tape effects, phasing, distorted guitar... Groovy songs influenced by 60's beat and psychedelia.

Newly mastered sound by Jörg Scheuerman. Comes complete with an insert with photos and liner notes. Limited to 500 copies only.
Jack McDuff - Goodnight, It's Time To Go
Jack McDuff
Goodnight, It's Time To Go
LP | 1961 | EU | Reissue (Honeypie)
21,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Recorded in 1961 and released on Prestige records in the same year, this was Brother Jack McDuff's fourth studio effort and the first featuring his regular partners Harold Vick on tenor saxophone, Grant Green on guitar and Joe Dukes on drums. Vick and Green would soon become two prominent figures in soul jazz while McDuff stands as one of the key organ players in the genre. This is an absolute soul-jazz gem!
Jack Wilson - Easterly Winds Tone Poet Vinyl Edition
Jack Wilson
Easterly Winds Tone Poet Vinyl Edition
LP | 1967 | EU | Reissue (Blue Note)
43,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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"Easterly Winds"—the second of three Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, and Billy Higgins on drums.



BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Jackie McLean - A Fickle Sonance
Jackie McLean
A Fickle Sonance
LP | 1961 | EU | Reissue (Blue Note)
18,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Jackie McLean - Bluesnik Blue Note Classic Vinyl Edition
Jackie McLean
Bluesnik Blue Note Classic Vinyl Edition
LP | 1961 | EU | Reissue (Blue Note)
22,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Alto saxophonist Jackie McLean had the blues on his mind when he went into Van Gelder Studio in 1961 to record his hard bop masterpiece Bluesnik with a blazing quintet featuring Freddie Hubbard on trumpet, Kenny Drew on piano, Doug Watkins on bass, and Pete La Roca on drums. The six-song set of bluesy originals brims with immediacy and vibrancy.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.
Jaklin - Jaklin
Jaklin
Jaklin
LP | 1969 | EU | Reissue (Dream Catcher)
22,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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James Brown - Good, Good, Twistin
James Brown
Good, Good, Twistin
LP | 1962 | Reissue (Gm & Publishing)
28,99 €*
Release: 1962 / Reissue
Genre: Organic Grooves
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James Brown - Live At The Apollo Volume 2
James Brown
Live At The Apollo Volume 2
2LP | 1968 | US | Reissue (Polydor)
31,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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180 gram vinyl!
James Brown - Popcorn
James Brown
Popcorn
LP | 1969 | US | Reissue (Polydor)
20,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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180 gram vinyl!
James Brown - Pure dynamite! live at the Royal
James Brown
Pure dynamite! live at the Royal
LP | 1964 | US | Reissue (Polydor)
19,99 €*
Release: 1964 / US – Reissue
Genre: Organic Grooves
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James Brown - The Popcorn
James Brown
The Popcorn
LP | 1969 | US | Reissue (Polydor)
19,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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heavily sampled classic funk album!!

- "In the Middle" sampled by Chubb Rock for "Organizer"

- "The Chicken" sampled by 2 Live Crew for "I Ain't Bullshitin'",
Big Daddy Kane for "Calling Mr. Welfare",
CEO for "Hit Me with the Beat" and
Main Source for "Think"

- "Why Am I Treated So Bad" sampled by The Associates for "From the Ground Up"

- "Soul Pride" sampled by Digable Planets for "9th Wonder (Blackitolism)",
Mad Flava for "Gotz ta Flow ta This",
Mr. X & Mr.Y for "1956",
Peshay for "Psychosis" & "Vocal Tune" and
Roni Size for "Hot Stuff"
James Brown - Think
James Brown
Think
LP | 1960 | US | Reissue (Polydor)
19,99 €*
Release: 1960 / US – Reissue
Genre: Organic Grooves
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James Ray - James Ray Clear Vinyl Edition
James Ray
James Ray Clear Vinyl Edition
LP | 1962 | EU (Destination Moon)
16,99 €*
Release: 1962 / EU
Genre: Organic Grooves
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James Ray kickstarted his career as a teenager in 1959 after he left Washington DC for New York, but debut single ‘Make Her Mine’ flopped. Two years later, songwriter Rudy Clark discovered Ray and got him signed to the Caprice label, the resultant ‘If You Gotta Make A Fool Of Somebody’ a top-30 hit that the Beatles covered in early live sets. Ray’s self-titled debut album had that hit and the equally appealing follow-up, ‘Itty Bitty Pieces,’ as well as ‘I’ve Got My Mind Set On You,’ later successfully covered by George Harrison. An overdose would tragically cut short Ray’s career, this sole LP a testament to his enduring talent.
Jameson - Color Him In
Jameson
Color Him In
LP | 1967 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Another lost gem from the non-jazz Verve catalogue, Color Him In is a daydream experience from loner singer/songwriter Bobby Jameson. Released in 1967 the album is an orchestrated psychedelic trip, no surprise then Jameson had a part in the cult film Mondo Hollywood. Produced by Curt Boettcher the album had several psych-pop numbers with rare female vocals harmonization.
Janis Joplin - Cheap Thrills
Janis Joplin
Cheap Thrills
LP | 1968 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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One of the most eagerly anticipated albums of 1968 by press and public, 'Cheap Thrills' met every expectation and then some. With the heartrending version of 'Piece Of My Heart' and a definitive cover of Gershwin's 'Summertime', the album (which consists of studio and live material) shot to the top of the charts and stayed there. The audio has been sourced from the original masters, and Robert Crumb's artwork (also known for creating Fritz the Cat and the iconic Keep On Truckin' comics) is meticulously recreated on this Music On Vinyl issue. A truly classic album and an important part of Rock history, this album is a time capsule for one of rock's most distinguished singers.
Janis Joplin - I Got 'Dem Ol' Kozmic Blues
Janis Joplin
I Got 'Dem Ol' Kozmic Blues
LP | 1969 | US | Reissue (Speakers Corner)
41,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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180g
Janis Joplin - I got dem ol kozmic blues again mama !
Janis Joplin
I got dem ol kozmic blues again mama !
LP | 1969 | EU | Reissue (Columbia)
34,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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180 gram high quality pressing vinyl!
Janis Joplin - I Got Dem Ol' Kozmic Blues Again Mama!
Janis Joplin
I Got Dem Ol' Kozmic Blues Again Mama!
LP | 1969 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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In 1968, Janis Joplin decided to go solo while her album 'Cheap Thrills' with Big Brother & the Holding Company was still on top of the charts. 'I Got Them Ol' Kozmic Blues Again Mama!' was her first effort. She leans more towards Soul/Rock than on her previous work, with heavy horn arrangements from her accompanying band. The album contains the lead hit single 'Try (Just A Little Bit Harder)'. The audio is sourced from the original masters and features the original artwork.
Jeanne Lee And Ran Blake - The Newest Sound Around
Jeanne Lee And Ran Blake
The Newest Sound Around
LP | 1962 | EU (Survival Research)
16,99 €*
Release: 1962 / EU
Genre: Organic Grooves
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Jeff Beck - Beck-Ola
Jeff Beck
Beck-Ola
LP | 1969 | US | Reissue (Legacy)
29,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Jeff Beck's second album, originally released in 1969 and featuring Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. All Shook Up 2. Spanish Boots 3. Girl From Mill Valley 4. Jailhouse Rock Side B: 5. Plynth (Water Down The Drain) 6. The Hangman's Knee 7. Rice Pudding
Jefferson Airplane - After Bathing At Baxter's
Jefferson Airplane
After Bathing At Baxter's
LP | 1967 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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'After Bathing at Baxter's is the third album by the San Francisco rock band Jefferson Airplane. The Jefferson Airplane began 1967 with 'Surrealistic Pillow' and closed it with 'After Bathing at Baxter's', and what a difference ten months made. The album was among the purest of rock's psychedelic albums, it was also a lot more daring. The album showed a band in a state of ferment as singer/guitarist Mary Balin largely surrendered much of his creative input in the band he'd founded, and let Paul Kantner and Grace Slick dominate the songwriting and singing on all but one cut ('Young Girl Sunday Blues'). The album peaked at number 17 in The Billboard 200 in 1968. In 1967, the single 'Ballad Of You & Me & Pooneil' was placed 42 in The Billboard Hot 100.
Jefferson Airplane - Bless It's Pointed Little Head
Jefferson Airplane
Bless It's Pointed Little Head
LP | 1969 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Jefferson Airplane - Surrealistic Pillow
Jefferson Airplane
Surrealistic Pillow
LP | 1967 | EU | Reissue (RCA)
27,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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The release comes on 180g Vinyl.
Jeremy Harmer - Idiosyncratics And Swallows Wings Black Vinyl Edition
Jeremy Harmer
Idiosyncratics And Swallows Wings Black Vinyl Edition
LP | 1969 | EU | Reissue (Sommor)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar.

Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums…

Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching.

“Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.”

Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

*Original artwork in hard cardboard sleeve *First ever vinyl reissue *Insert with liner notes and photos *Download card

Riyl: Nick Drake, John Cale, Bert Jansch, Incredible String Band, Will Malone…
Jeremy Harmer - Idiosyncratics And Swallows Wings Orange Vinyl Edtion
Jeremy Harmer
Idiosyncratics And Swallows Wings Orange Vinyl Edtion
LP | 1969 | EU | Reissue (Sommor)
21,69 €* 30,99 € -30%
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar.

Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums…

Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching.

“Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.”

Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

*Original artwork in hard cardboard sleeve *First ever vinyl reissue *Insert with liner notes and photos *Download card

Riyl: Nick Drake, John Cale, Bert Jansch, Incredible String Band, Will Malone…
Jerry Jeff Walker - Five Years Gone Gold Vinyl Edition
Jerry Jeff Walker
Five Years Gone Gold Vinyl Edition
LP | 1969 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Pop
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180 gram audiophile vinyl
Includes 4-page booklet
Features "Mr. Bojangles" and "About Her Eyes"
Limited edition of 750 individually copies on gold coloured vinyl

Jerry Jeff Walker was an American country music and folk singer-songwriter. He was a leading figure in the progressive country and outlaw country music movement, best known for having written the 1968 song "Mr. Bojangles". The late '60s and early '70s were an interesting time during which a number of enduring singer-songwriter albums were released, and this album is a prime example.

Originally released in 1969, Five Years Gone is a forward-looking album rooted in late-'60s folk and folk-rock rather than popular country. The poetic, yet sometimes inscrutable, lyrics owe more to Bob Dylan than any Nashville tradition. For this album, Jerry Jeff Walker was joined by some Nashville heavyweights, including Weldon Myrick, Hargus "Pig" Robbins, and Charlie McCoy.

Five Years Gone is available as a limited edition of 750 individually numbered copies on gold coloured vinyl, including a 4-page booklet.
Jerzy Milian Trio - Bazaar
Jerzy Milian Trio
Bazaar
LP | 1969 | EU | Reissue (Warner Music Poland)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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This is 180g vinyl.
Jesus Gomez Y Su Grupo - Jesús Gómez Y Su Grupo
Jesus Gomez Y Su Grupo
Jesús Gómez Y Su Grupo
LP | 1967 | EU | Reissue (El Palmas Music)
27,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.
Jethro Tull - Stand Up
Jethro Tull
Stand Up
2LP | 1969 | US | Reissue (Analogue Productions)
77,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Jim Sullivan - U.F.O. Black Vinyl Edition
Jim Sullivan
U.F.O. Black Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
30,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
Jim Sullivan - U.F.O. Blue Splatter Vinyl Edition
Jim Sullivan
U.F.O. Blue Splatter Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
32,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
Jim Sullivan - U.F.O. Vinyl Me, Please Edition
Jim Sullivan
U.F.O. Vinyl Me, Please Edition
LP | 1969 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
No one knows what happened to Jim Sullivan, but there have been various rumors floated involving the mob, police foul play, and, due to his closeness to Roswell, alien abduction. Because of the mystery of his disappearance, the lyrics on U.F.O. took on an otherworldly quality; the songs about aliens, and being in the sky, and disappearing seem like they were written to explain his disappearance, just written six years early.
Jimi Hendrix - Axis Bold As Love EU Stereo Version
Jimi Hendrix
Axis Bold As Love EU Stereo Version
LP | 1967 | EU | Reissue (Sony)
27,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Stereo version, freshly pressed on 180 gram vinyl!
Jimi Hendrix - Electric Ladyland
Jimi Hendrix
Electric Ladyland
2LP | 1968 | EU | Reissue (Sony)
27,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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All time classic album, including 'Crosstwon Traffic', 'Voodoo Chile' & more!
Jimmie Rowles - Kinda Groovy!
Jimmie Rowles
Kinda Groovy!
LP | 1962 | US | Reissue (Return To Analog)
21,99 €*
Release: 1962 / US – Reissue
Genre: Organic Grooves
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Jimmy Cliff - Jimmy Cliff
Jimmy Cliff
Jimmy Cliff
LP | 1969 | UK | Reissue (Trojan)
16,99 €*
Release: 1969 / UK – Reissue
Genre: Organic Grooves, Reggae & Dancehall
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Jimmy Hughes - Steal Away
Jimmy Hughes
Steal Away
LP | 1964 | UK | Reissue (Kent)
23,74 €* 24,99 € -5%
Release: 1964 / UK – Reissue
Genre: Organic Grooves
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colored vinyl
Jimmy McGriff - I've Got A Woman
Jimmy McGriff
I've Got A Woman
LP | 1962 | US | Reissue (Sue)
15,99 €*
Release: 1962 / US – Reissue
Genre: Organic Grooves
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Jimmy Ruffin - Ruff 'N Ready
Jimmy Ruffin
Ruff 'N Ready
LP | 1969 | EU (Endless Happiness)
19,99 €*
Release: 1969 / EU
Genre: Organic Grooves
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All killers and no fillers on this fabulous 1969 Motown masperpiece. It is a shame that Jimmy lived in the shadow of those other Motown singers such as Marvin Gaye and Stevie Wonder. It really is one of Motown's best albums!
Jimmy Smith - Home Cookin'
Jimmy Smith
Home Cookin'
LP | 1961 | US | Reissue (Culture Factory)
24,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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Jimmy Smith - Midnight Special (Blue Note Classic Vinyl)
Jimmy Smith
Midnight Special (Blue Note Classic Vinyl)
LP | 1961 | EU | Reissue (Blue Note)
22,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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It’s a testament to Jimmy Smith’s volcanic creativity that the Hammond B3 organ firebrand recorded not one but two soul jazz classics—Midnight Special and Back at the Chicken Shack—in a single day when he entered Van Gelder Studio on April 25, 1960 with Stanley Turrentine on tenor saxophone, Kenny Burrell on guitar, and Donald Bailey on drums. Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

Jimmy Smith (Hammond B3 organ); Stanley Turrentine (tenor sax); Kenny Burrell (guitar); Donald Bailey (drums)
Jimmy Smith / Percy France / Kenny Burrell / Bailey - Home Cookin'
Jimmy Smith / Percy France / Kenny Burrell / Bailey
Home Cookin'
LP | 1961 | EU | Reissue (Blue Note)
25,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Jimmy Smith - The Cat
Jimmy Smith
The Cat
LP | 1964 | EU | Reissue (Verve)
28,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Jimmy Thomas / Owen Grey - Springtime / I Am Satisfied
Jimmy Thomas / Owen Grey
Springtime / I Am Satisfied
7" | 1969 | EU | Reissue
13,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Deep/Mod Funk heavy hitter previously comped on Le Beat Bespoke and a deep Jamaican Soul cut increasingly in-demand among progressive Northern/Rare Soul deejays.
Jimmy Thomas - (We Ain't Here Looking For) No Trouble
Jimmy Thomas
(We Ain't Here Looking For) No Trouble
7" | 1969 | EU | Reissue (You Are The Cosmos)
9,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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First official reissue of this Soul classic originally released in 1969 by Spark label.
Joan Baez - Debut Album
Joan Baez
Debut Album
LP | 1960 | EU | Reissue (20th Century Masterworks)
18,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Joan Baez - Donna Donna
Joan Baez
Donna Donna
LP | 1960 | EU | Reissue (Wagram)
15,99 €*
Release: 1960 / EU – Reissue
Genre: Pop
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Joao Gilberto - O Amor, O Sorriso E A Flor Clear Vinyl Edition
Joao Gilberto
O Amor, O Sorriso E A Flor Clear Vinyl Edition
LP | 1960 | EU | Reissue (Sowing)
24,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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First released in Brazil in 1960 this is Joao Gilberto's second studio effort. A seminal album that just one year later introduced Bossa Nova to the United States. Joao Gilberto, one of the true masters of the genre, displays a great selection of songs including various Tom Jobim's classic gems such as "Samba de Uma Nota Só" ("One Note Samba"), "Corcovado" and "Outra Vez". An essential piece of work in the whole history of Brazilian music.
Joe Bataan - Gypsy Woman Black Vinyl Edition
Joe Bataan
Gypsy Woman Black Vinyl Edition
LP | 1967 | US | Reissue (Craft)
33,99 €*
Release: 1967 / US – Reissue
Genre: Pop
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Joe Bataan - Gypsy Woman Yellow Vinyl Edition
Joe Bataan
Gypsy Woman Yellow Vinyl Edition
LP | 1967 | US | Reissue (Craft)
34,99 €*
Release: 1967 / US – Reissue
Genre: Organic Grooves
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Joe Cuba Sextet - Vagabundeando! Hangin' Out
Joe Cuba Sextet
Vagabundeando! Hangin' Out
LP | 1964 | US | Reissue (Craft)
37,99 €*
Release: 1964 / US – Reissue
Genre: Organic Grooves
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Joe Harriott Quintet - Free Form
Joe Harriott Quintet
Free Form
LP | 1961 | EU | Reissue (Jazz Workshop)
23,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Joe Harriott Quintet - Free Form Clear Vinyl Edtion
Joe Harriott Quintet
Free Form Clear Vinyl Edtion
LP | 1961 | EU (Destination Moon)
17,99 €*
Release: 1961 / EU
Genre: Organic Grooves
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The West Indian-born alto saxophonist Joe Harriott was one of the most convincing boppers outside of the USA, though by the end of the 1950s he was exploring freer musical pastures, and the quintet with which he undertook the exploration was an outgrowth of the hard bop band with which he'd made a name on the British scene. Often in the past the group's music, in which trumpet and flugelhorn player Shake Keane figured alongside Harriott in the front line, has been compared with that of the early Ornette Coleman quartets, but here it's far more interactive, a fact borne out most obviously by the lack of soloists. Here on Free Form (1961) is where the rhythm of that indigenously West Indian form is extraordinarily maintained in the midst of characteristic group exchanges.
Joe Henderson - In 'N Out
Joe Henderson
In 'N Out
LP | 1964 | EU | Reissue (Blue Note)
25,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Joe Pass - For DJango Tone Poet Vinyl Edition
Joe Pass
For DJango Tone Poet Vinyl Edition
LP | 1964 | UK | Reissue (Blue Note)
42,99 €*
Release: 1964 / UK – Reissue
Genre: Organic Grooves
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Joe Thomas Group - Comin' Home
Joe Thomas Group
Comin' Home
LP | 1968 | US | Reissue (CBS)
15,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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Joe Williams - Presenting Joe Williams And Thad Jones / The Mel Lew
Joe Williams
Presenting Joe Williams And Thad Jones / The Mel Lew
LP | 1968 | US | Reissue (Culture Factory)
24,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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John Barry - OST Zulu Orange Vinyl Edition
John Barry
OST Zulu Orange Vinyl Edition
LP | 1964 | EU | Reissue (Reel)
26,99 €*
Release: 1964 / EU – Reissue
Genre: Soundtracks
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John Berberian And The Rock East Ensemble - Middle Eastern Rock Black Vinyl Edition
John Berberian And The Rock East Ensemble
Middle Eastern Rock Black Vinyl Edition
LP | 1969 | US | Reissue (Modern Harmonic)
28,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Crazed time signatures abound as musicians from the West look East for inspiration, infusing their rock and jazz sounds with vibes looted from India and the Far East. A true marriage of Western and (Middle) Eastern music with a fuzzed-out psychedelic edge. Released originally in 1969, Middle Eastern Rock is a unique, compelling fusion record from Armenian-American oud player John Berberian. The Rock East Ensemble, Beberian's backing band, consists of the artist's standard group, which specializes in traditional Armenian music with a jazz edge, and American session musicians who bring more of a rock sound. The results, which blend elements of psychedelia, free jazz, surf music, and various klezmer, African, and Middle Eastern textures, are dazzling, and are sure to thrill anyone with a taste for rare "outside" albums. ' AllMusic Review by Anthony Tognazzini
John Coltrane - A Love Supreme Uhqr Limited Edition Box Set
John Coltrane
A Love Supreme Uhqr Limited Edition Box Set
LP Box | 1964 | US | Reissue (Analogue Productions)
201,99 €*
Release: 1964 / US – Reissue
Genre: Organic Grooves
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John Coltrane Quartet — A Love Supreme Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 10,000 copies. Mastered from the original tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swing-journal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in Uhqr format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.
John Coltrane - Coltrane
John Coltrane
Coltrane
LP | 1962 | US | Reissue (Impulse!)
37,99 €*
Release: 1962 / US – Reissue
Genre: Organic Grooves
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John Coltrane - Coltrane's Sound
John Coltrane
Coltrane's Sound
LP | 1964 | US | Reissue (Waxtime)
19,99 €*
Release: 1964 / US – Reissue
Genre: Organic Grooves
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180g vinyl.
John Coltrane - Crescent
John Coltrane
Crescent
LP | 1964 | DE | Reissue (Impulse)
28,99 €*
Release: 1964 / DE – Reissue
Genre: Organic Grooves
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John Coltrane - Giant Steps
John Coltrane
Giant Steps
LP | 1960 | UK | Reissue (Not Now)
27,99 €*
Release: 1960 / UK – Reissue
Genre: Organic Grooves
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180g vinyl
John Coltrane - Kulu Sé Mama
John Coltrane
Kulu Sé Mama
LP | 1967 | EU (Endless Happiness)
21,99 €*
Release: 1967 / EU
Genre: Organic Grooves
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Reissue for this classic album from '67 on Orange Impulse Rec. Considered to be the last Coltrane's lifetime release it includes the all-time classic "Welcome", as defined by Coltrane himself “the song is that feeling you have when you finally do reach an awareness, an understanding which you have earned through struggle. It is a feeling of peace. A welcome feeling of peace."
John Coltrane / Lee Morgan - Best Of Birdland Volume 1 Clear Vinyl Edtion
John Coltrane / Lee Morgan
Best Of Birdland Volume 1 Clear Vinyl Edtion
LP | 1960 | EU | Reissue (Sowing)
24,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Originally released on Roulette records in 1960, this is a unique and yet often overlooked document in the form of a split album featuring early, little known works by John Coltrane and Lee Morgan. Coltrane, already in full modal flight, is featured with an unusual quartet that includes McCoy Tyner on piano, Steven Davis on bass and the great Billy Higgins on drums. Lee Morgan's straight ahead hard bop set sees the young trumpet genius leading a hard swinging group that includes a fabulous Wayne Shorter on tenor sax, Bobby Timmons on piano (both were Morgan's colleagues in Art Blakey Jazz Messengers) Jimmy Rowser on bass and Art Taylor on drums. A must have item for fans of these two masters of modern jazz
John Coltrane - Live At The Village Vanguard Acoustic Sound Edition
John Coltrane
Live At The Village Vanguard Acoustic Sound Edition
LP | 1962 | EU | Reissue (Impulse)
37,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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John Coltrane - Lush Life
John Coltrane
Lush Life
LP | 1961 | EU | Reissue (20th Century Masterworks)
18,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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John Coltrane - Lush Life 200g Vinyl Edition
John Coltrane
Lush Life 200g Vinyl Edition
LP | 1961 | US | Reissue (Analogue Productions)
46,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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Here is one of the musical giants of the 20th century, poised on the precipice of greatness. Between the spring of 1957 and the winter of 1958, during which time "Lush Life" was recorded, the music of tenor saxophonist John Coltrane (1926-1967) was developing in giant steps, thanks in great part to a six-month 1957 stint with Thelonious Monk that had much to do with sharpening Coltrane’s harmonic conception and torrential attack.
"Lush Life" contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life”. Coltrane handles the tune’s delicate complexities with infinite style and finesse.
Coltrane and jazz would never be the same.
John Coltrane - Lush Life Black Vinyl Edition
John Coltrane
Lush Life Black Vinyl Edition
LP | 1961 | EU | Reissue (SAAR)
25,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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« Lush Life » (1958) is among John Coltrane’s best endeavors on the Prestige (and Music) label.

One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material.

Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass) and Art Taylor (drums). The intimate setting is perfect for ballads such as the opener ‘Like Someone in Love ».

John Coltrane doesn’t have to supplement the frequent redundancy inherent in pianists, so he has plenty of room to express himself through simple and ornate passages. Unifying the slippery syncopation and slightly Eastern feel of « I Love You » is the tenor’s prevalent capacity for flawless, if not downright inspired on-the-spot « head » arrangements that emerge singular and clear, never sounding preconceived. Even at an accelerated pace, the rhythm section ably prods the backbeat without interfering. A careful comparison will reveal that « Trane’s Slow Blues » is actually a fairly évident derivation (or possibly a different take) of « Slowtrane ». But don’t let the title fool you as the mid-tempo blues is undergirded by a lightheartedness.

May provides a platform for Coltrane’s even keeled runs before the tenor drops out, allowing both Earl May and then Art Taylor a chance to shine. The fun cat-and-mouse-like antics continue as Taylor can be heard encouraging the tenor player to raise the stakes and the tempo – which he does to great effect.
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