Vinyl 5122 Items

LP | 1988 | EU (Urashima)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, picture vinyl, ltd 500, lyric sheet, poster, numbered

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Masonna

Like A Vagina

29,99 €*

LP | 1989 | EU (Urashima)

Release: 1988 / EU

Genre: Electronic & Dance

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Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in “Japanoise” scene. Masonna’s abundant productions on his own legendary and astonishing label Coquette were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for 60’s psychedelic music revisited in its own very peculiar way. He transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts become clipped bursts of overloaded sound, doubled and extended by a delay that displace the sounds into stuttered blasts of static.

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Masonna

Masonna Vs. Bananamara

29,99 €*

Point Blank MMXXVIII Clear Yellow Vinyl Edition

Release: 1989 / EU

Genre: Electronic & Dance

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Absolutely incredible and visionary - not to mention an engrossing, challenging, and thrilling listen - Masonna Vs Bananamara vinyl reissue stands high among the most significant of the year, allowing us to witness where it all began for a hugely important artist’s lifelong commitment to an exploration of noise music. This beautiful pressing - issued as a deluxe vinyl edition of 299 copies - is the first ever reissue of this masterstroke of noise, faithfully reproducing every aspect of the original 1989 release on Vanilla Record. Truly stunning and historically monumental within the genre, it can’t be missed by any fan of Japanese experimental music and noise.

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Bonfire

LP | 1989 | EU | Reissue (AFM)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Point Blank MMXXVIII Clear Green Vinyl Edition

Bonfire

LP | 1989 | EU | Reissue (AFM)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Marshall Crenshaw Turquoise Vinyl Edition

Marshall Crenshaw

LP | 1982 | EU | Reissue (Music On Vinyl)

Active Force Black Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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180 gram audiophile vinyl
Feature the hits "Someday, Someway" and "Cynical Girl" a.o.
Ranked by Rolling Stone as one of the top 100 albums of the 1980s
Limited edition of 750 individually numbered copies on turquoise coloured vinyl

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Active Force

LP | 1983 | EU | Reissue (Music On Vinyl)

26,99 €*

LP | 1977 | EU | Reissue (Yep Roc)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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180 gram audiophile vinyl
Soul, boogie, funk album produced by Michael Stokes
Includes the big club hit "Give Me Your Love"
Reissue for the first time since 1983, celebrating its 40th anniversary

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Rubinoos

27,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Scarecrow 2022 Mix Vinyl Edition

John Mellencamp

LP | 1985 | EU | Reissue (Def Jam)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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In Hot House White Vinyl Edition

Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

19,99 €*

Face Fate Purple Vinyl Edition

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game. Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember). Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Blood Feast

LP | 1987 | EU | Reissue (High Roller)

25,99 €*

Face Fate Black Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, deep purple vinyl, ltd 250, lyric sheet, poster, specially mastered for vinyl by Patrick W. Engel/ Temple of Disharmony, 100% original sound, no remaster!

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Blood Feast

LP | 1987 | EU | Reissue (High Roller)

24,99 €*

Strappado Swamp Green Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, black vinyl, ltd 250, lyric sheet, poster, specially mastered for vinyl by Patrick W. Engel/ Temple of Disharmony, 100% original sound, no remaster!

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Slaughter

2LP | 1987 | EU | Reissue (High Roller)

30,99 €*

Strappado Black Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, swamp green vinyl, ltd 300, original mix + bonus track + 14 tracks unedited rough mix, 425gsm 5mm spine cover, lyric sheet, poster, disco bag, mastered and restored by Patrick W. Engel at Temple of Disharmony

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Slaughter

2LP | 1987 | EU | Reissue (High Roller)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, black vinyl, ltd 300, original mix + bonus track + 14 tracks unedited rough mix, 425gsm 5mm spine cover, lyric sheet, poster, disco bag, mastered and restored by Patrick W. Engel at Temple of Disharmony

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Honour & Blood Blue Vinyl Edition

LP | 1984 | EU | Reissue (High Roller)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, regular edition, cyan blue vinyl, ltd 400, insert, poster, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal NWOBHM classic!

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This Means War Magenta Vinyl Edition

LP | 1983 | EU | Reissue (High Roller)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, regular edition, magenta vinyl, ltd 400, insert, poster, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal NWOBHM classic!

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This Means War Black Vinyl Edition

LP | 1983 | EU | Reissue (High Roller)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, regular edition, black vinyl, ltd 600, insert, poster, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal NWOBHM classic!

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Power Of The Hunter Bone White Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, regular edition, bone white vinyl, ltd 400, insert, poster, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal NWOBHM classic!

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Power Of The Hunter Black Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Filth Hounds Of Hades Yellow Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, regular edition, canary yellow vinyl, ltd 400, insert, poster, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal NWOBHM classic!

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Filth Hounds Of Hades Black Vinyl Edition

LP | 1977 | EU | Reissue (La Freak)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Keith Paul

26,09 €* 28,99 € -10%

LP | 1978 | EU | Reissue (La Freak)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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First Reissue for this almost impossible to find record, this beautiful soul blending disco was recorded in one shot by Keith Paul in 1977. Fully remastered, it gives justice to one of the most hidden treasure of Guyana's music. Keith Paul recorded every instrument on this record. The liner notes interview by Saultone founder will give you the whole story and get deep in the secret of this incredible voice and talent

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Matadi

Dance My Love

LP | 1985 | EU | Reissue (Staubgold)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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First of our series is Matadi's album " Dance My Love" released in 1978 on now reissued for the first time with a full remastering of the original tracks and including an exclusive interview of Sammy Massamba on a printed insert. Matadi was a band created by legendary producer Sammy Massamba in late 70s, here's their first and only album "Dance My Love" , including cosmic afro-disco and heavy funk and soul tracks with crazy synths and groove on all tracks. The whole album was fully licensed in close collaboration with Sammy Massamba.

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The Lo Yo Yo

Extra Weapons

26,99 €*

Engine Beast Black Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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The Lo Yo Yo"s only album from 1985 for the first time reissued on vinyl. Featuring Mick Hobbs (The Work, Half Japanese) and Alig Fodder (Family Fodder), produced by Charles Bullen (This Heat). Limited to 500 copies worldwide.The Lo Yo Yo was founded in 1984 by Family Fodder"s John Pearce, aka Alig Fodder. They were active for two years and released one cassette, one split cassette with French band Look De Bouk and one full-length LP. The Lo Yo Yo"s line-up went through changes over its whole lifetime, but with some constants - most notably singer Joey Stack and drummer Carrie Brooks. Charles Bullen of This Heat occasionally played drums with Family Fodder and produced The Lo Yo Yo"s LP Extra Weapons in 1985. Alig says "It was impossible not to get together. In this era it was quasi compulsory to get a band together with your mates. It was normal to be left-wing, inclusive, anti-racist, anti-sexist, anti-homophobic and in opposition. And to form a band, with or without experience. It started as a rhythm section: Carrie on drums and myself on bass. She brought a mate along (Joey Stack) and so did I (Mick Hobbs)."Pearce"s punchy bass playing and Carrie Brooks" hard-hitting drumming form the backbone of The Lo Yo Yo sound, with Jo"s singing and keyboard sitting firmly on top. It was made complete with Mick Hobbs on guitar and percussion, and the addition of cellist Annie Hunt.

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Acid

LP | 1985 | EU | Reissue (High Roller)

Maniac Bi-Colored Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, ULTIMATE EDITION, 2nd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric insert, poster, black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony, Cutting by SST

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Acid

2LP | 1985 | EU | Reissue (High Roller)

30,99 €*

Maniac Black Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, ULTIMATE EDITION, 3rd pressing, red/ black bi-color vinyl, ltd 250, 425gsm heavy cardboard cover (revised) , lyric insert, poster (revised), red vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony

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Acid

2LP | 1985 | EU | Reissue (High Roller)

The Only Good Punk ...Is A Dead One Clear Vinyl Edtion

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, ULTIMATE EDITION, 3rd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover (revised) , lyric insert, poster (revised), black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony

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Electro Hippies

LP | 1988 | EU (Radiation Reissues)

21,99 €*

LP | 1984 | EU | Reissue (Lantern)

Release: 1988 / EU

Genre: Rock & Indie

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Hailing from the former northern mining town of Wigan, between Manchester and Liverpool, the short-lived Electro Hippies were a band like no other, saluted as icons of crust punk and proto-grindcore. Following some cassette demos, a shared LP with Newcastle’s Generic and a Peel session, debut LP The Only Good Punk…Is A Dead One surfaced on Peaceville with twenty songs, all clocking in at under two minutes (around half being less than 60 seconds). Highly political, deeply ironic, and with a snatch of Black Sabbath in the mix, The Only Good Punk is the band at their blistering best, the peak that preceded their ultimate downfall.

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Singers & Players

Leaps & Bounds

A Vulture Is Not A Bird You Can Trust

Release: 1984 / EU – Reissue

Genre: Reggae & Dancehall

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1984 mandatory re-issue for british dub-roots combo. Co-produced by On U Sound and Cherry Red the album shows the masterful production of wizard Adrian Sherwood and a series of sublime vocal performances by stalwarts Bim Sherman, Mikey Dread and Prince Far I. The sublime line-up is completed by master musicians Crucial Tony, "Deadly" Headley Bennett, Bonjo Iyabinghi Noah and Evar Wellington. Enjoy the purity of this aquatic sound 1

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Ian A. Anderson

LP | 1971 | EU | Reissue (Bonfire)

20,99 €*

LP | 1976 | EU | Reissue (Sharp Flat)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Another underground folk masterpiece back on the map. Forerunner of the british revival Ian A. Anderson licensed the album on his own The Village Thing on December 1971. Besides a couple of excellent cover- Black Uncle Remus penned by Loudon Wainwright III and a minor Bob Dylan classic as One Too Many Mornings – the album shows a more forward thinking production, with several bucolic progressive arrangements.

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Broadway Quintet

Amalume

2LP | 1988 | US | Reissue (Palto Flats)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Beautiful Zambian Jazz/Rock LP. Huge Tip! Sharp-Flat Records presents the long-awaited restoration of The Broadway Quintet's cult classic Amalume – a hypnotic concoction of traditional Zambian sounds and jazz-rock grooves with a twist of 1970s African psychedelia.

Emerging to serve the entertainment needs of Zambia's United National Independence Party (unip) in the early 1960s, The Broadway Quintet gathered seasoned talent from Lusaka's best hotel bands to fashion its esteemed lineup. Starting as a quartet and later evolving into a quintet, the group's career spanned over twenty years as favourites on the cabaret circuit and boasted a myriad of prestigious collaborations.

The Broadway Quintet's jazz sensibilities set them apart from the rock sound that dominated the music landscape of the 1970s. Yet the formula behind Zamrock, fusing indigenous Zambian sounds with Western pop, shaped their one and only 1976 long-player. Featuring modern arrangements of traditional songs, Amalume blended congas with sax sounds, folk lyrics with electric keyboard shenanigans and show business staples with jazz guitar noodling. With its psychedelic fever dream illustrated cover, it was an explosive package of "originality and electrifying beauty" as the album's liner notes rightly attested.

Released on the Zambezi label, Amalume joined an exceptional run of mid-1970s offerings alongside Witch, Ricky Banda and Crossbones. Officially licensed, carefully restored and beautifully reproduced, Zambia's most requested reissue has finally returned for everybody to enjoy.

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Woo

In The Heart Of Love

43,19 €* 47,99 € -10%