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Vinyl, CD & Tape 6391 Hip Hop 90 Organic Grooves 2250 Rock & Indie 2642 Electronic & Dance 478 Reggae & Dancehall 399 Pop 697 Classical Music 24 Soundtracks 176 Childrens 1
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Reset all Filters Vinyl No Used Vinyl 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 Stocked Items Only
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Vera Spinarova - Andromeda
Vera Spinarova
Andromeda
LP | 1972 | EU | Reissue (Supraphon)
24,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Long-playing Prague debut of a great Ostrava singer

Vera spinarova had to wait until 1972 for her first album. The little lady with the big voice had already had a few hits, but as was the custom at the time, without a strict genre focus, the turn of the sixties and seventies sounded like this. Her energetic delivery was given some excellent opportunities, but it also helped the songs she covered to be at times more vital than the original.

This album is similarly conceived. In her search for the best, spinarova retained Ivo Pavlik’s band, but she was suitably supported by radio big bands at some of the recordings. Among the authors are D. Volejnicek, P. Hannig, B. Ondracek, V. Popelka or Olympic P. Janda. Lyricists V. cort, E. Krecmar, Z. Borovec, M. Prostejovsky, V. Postulka, Z. Rytir or the exceptional J. Werich (“Summertime”) undoubtedly benefited.

The opening medley, led by Music-box, was joined by songs from domestic sources of the quality of “My adie”, but also by the imports “Mame maj” (Wight Is Wight), Den a noc (She’s not there) and Volej, volej (Soley, soley). There was a considerable stylistic range from fine pop to rock pieces to insistent bubble-gum. It is a lasting testament to the singer’s vocal sovereignty. She would have been only 70 in December...
Ventura - Touched / Another Time
Ventura
Touched / Another Time
12" | 1986 | EU | Reissue (I.D. Limited)
16,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves, Pop
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Venom - Welcome To Hell 40th Anniversary Limited Edition
Venom
Welcome To Hell 40th Anniversary Limited Edition
LP | 1981 | EU | Reissue (Bmg / Sanctuary)
24,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Venom - Calm Before The Storm
Venom
Calm Before The Storm
LP | 1987 | EU | Reissue (Back On Black)
22,49 €* 24,99 € -10%
Release: 1987 / EU – Reissue
Genre: Rock & Indie
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"Calm Before the Storm" is the fifth album by black metal pioneers Venom. Originally released in 1987, the album is characterised by a "cleaner", more synthetic sound when compared to Venom's earlier albums. Perhaps mostly due to the addition of another guitarist and the producer Nick Tauber, who had previously worked with hard rock acts such as UFO and Thin Lizzy. The band drifted away from the oldschool Venom sound, in favour of a more upbeat traditional and simplistic thrash metal approach. Gone are the pentagrams, inverted crosses and satanic lyrics. This is one of the most atmospheric albums that Venom ever made.
Venom - Black Metal 40th Anniversary Edition
Venom
Black Metal 40th Anniversary Edition
LP | 1982 | EU | Reissue (BMG/Sanctuary)
24,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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Velvet Hammer - Party Hardy / Happy Record Store Day 2023 Red Vinyl Edtion
Velvet Hammer
Party Hardy / Happy Record Store Day 2023 Red Vinyl Edtion
7" | 1977 | UK | Reissue (Soozi)
15,99 €*
Release: 1977 / UK – Reissue
Genre: Organic Grooves
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Two Velvet Hammer heaters reissued officially for the first time since 1977, 45 years since their original release this time on limited edition red vinyl. An essential slice of Chicago history via Soozi Records, ‘Party Hardy’ is a gorgeous disco groover whilst the B, ‘Happy’, is the ultimate feel-good modern soul classic and about as anthemic as they get. The appeal of this record knows no limits, whether you’ve heard it once or one hundred times. With mint originals being virtually impossible to get your hands on and 2nd hand copies that do come up, clocking in at £250+, this is a reissue which will please many a music lover. Red 7" vinyl in black sleeve.
Vee Gees - Talkin'
Vee Gees
Talkin'
7" | 1974 | UK | Reissue (Stream)
15,99 €* 19,99 € -20%
Release: 1974 / UK – Reissue
Genre: Organic Grooves
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The Vee-Gees (previously known as the Versatile Gents) were from Greensboro, N.C. The versalite Gents started the Group in 1967 originally as "the African Americans" performed at a talent show at Gillespie Park School, Geensboro, North Carolina. Soon After Virginia Massey a Senior Music Major at A&T joined the group and the name was changed to Gin And The Gents. After one year Massey left the Band and their name was changed to The Versatile Gents. They reformed and called themselves the Vee Gees in the early 70’s. The Members are Robert Evans (Vince Evans of the NFL's brother), Nathaniel Herring, Anthony Quick, CC Stewart, Cecil Young.In their band. Carlton Morales that wrote "Vallotte" and played with Julian Lennon on guitar. Kevan Tynes on drums. Walter Carlton on bass. They recored a beautiful sweet soul side call It’s hard to say so long on Jump in 1973. They came back to the studio in 1974 and cut the incredible Talkin on Jump off records. Vee Gees Talkin is the ultimate crossover tune, Spun by some of the best deejays in the world in the last 3 decades including Arthur Fenn, Keith Money, Andy Burns, Buey, Andy Dawes, Alexander Dimitriades Bentley, Jens Chreisti, Steven Clancy and many others. We’re sure you will be singing all day “Hey brother, brother, just had a talk with the man yesterday.. what did he saaaaaay? “
Vaughan Mason & Butch Dayo - Feel My Love
Vaughan Mason & Butch Dayo
Feel My Love
LP | 1988 | EU | Reissue (Be With)
27,99 €*
Release: 1988 / EU – Reissue
Genre: Organic Grooves
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2024 repress.
This release comes on 180g vinyl. If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983.
Vatican Commandos - Point Me To The End
Vatican Commandos
Point Me To The End
12" | 1984 | EU (Radiation Reissues)
22,99 €*
Release: 1984 / EU
Genre: Rock & Indie
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Formed in the wealthy coastal town of Darien Connecticut in the early 1980, hardcore punk band Vatican Commandos released their debut EP, Hit Squad For God, in 1983, followed swiftly by the Just A Frisbee EP. Recorded in the summer of 1984, shortly before their ultimate demise, the blistering EP Point Me To The End captures the band at their most competent, bolstered by high production values, with a one-off poem by beat-punk poet Earl broadening the boundaries; this edition is made complete by the inclusion of crucial bonus tracks ‘Your World Is Flat’ and ‘Morality,’ from the ultra-rare compilation Make It Work.
Vatican Commandos - Just A Frisbee
Vatican Commandos
Just A Frisbee
7" | 1983 | EU (Radiation Reissues)
11,99 €*
Release: 1983 / EU
Genre: Rock & Indie
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First vinyl reissue for Darien, Connecticut hardcore punk legends Vatican Commandos’ 1983 second 7", originally on the Pregnant Nun label. A 'killed by death' holy grail for the US hardcore collectors finally back in print, courtesy of the original members. Faithful reproduction of the original cover art by Rob Zombie himself. Fully remastered.
Vatican Commandos - Hit Squad For God
Vatican Commandos
Hit Squad For God
7" | 1983 | EU (Radiation Reissues)
11,99 €*
Release: 1983 / EU
Genre: Rock & Indie
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First vinyl reissue for Darien, Connecticut hardcore punk legends Vatican Commandos’ 1983 debut, featuring Richard Hall (A.K.A. world famous pop star Moby) on guitar. Originally out on the Pregnant Nun label and now impossibile to find. Holy grail alert!
Vashti Bunyan - Just Another Diamond Day
Vashti Bunyan
Just Another Diamond Day
LP | 1970 | US | Reissue (DiCristina)
22,99 €*
Release: 1970 / US – Reissue
Genre: Rock & Indie
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... voted one of the top 100 British albums of all time!
Vasco Rossi - Le Canzoni D'amore Di Vasco Rossi Red Vinyl Edition
Vasco Rossi
Le Canzoni D'amore Di Vasco Rossi Red Vinyl Edition
LP | 1985 | EU | Reissue (RCA)
31,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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Vasco Rossi - C'e' Chi Dice No
Vasco Rossi
C'e' Chi Dice No
LP | 1987 | EU | Reissue (Carosello)
30,99 €*
Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Vanity 6 - Nasty Girl
Vanity 6
Nasty Girl
12" | 1982 | US (Warner)
13,99 €*
Release: 1982 / US
Genre: Organic Grooves
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Vangelis - OST Blade Runner
Vangelis
OST Blade Runner
LP | 1982 | EU | Reissue (Warner)
24,99 €*
Release: 1982 / EU – Reissue
Genre: Soundtracks
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The Blade Runner soundtrack by Vangelis is a dark melodic combination of classic composition and futuristic synthesizers which mirrors the film-noir retro-future envisioned by Ridley Scott. Vangelis, fresh off of his Academy Award winning score from Chariots of Fire, composed and performed the music on his synthesizers. The musicscape of the 2019 was created in Vangelis' "space" mode of new age music, as heard on such albums of his as Heaven and Hell. He also made use of various chimes and the vocals of collaborator Demis Roussos.
Vangelis - Heaven And Hell
Vangelis
Heaven And Hell
LP | 1975 | US | Reissue (Speakers Corner)
33,99 €*
Release: 1975 / US – Reissue
Genre: Electronic & Dance
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Technical innovations in musical instruments and the development of tonal language have been continual subjects for deliberation from the 19th century onwards at the latest. Additional brain power is necessary to conciliate the two elements with the endless possibilities of electronic sound. In the end, the two factions cannot resolve on a conclusive opinion and the question remains as to whether art always results from skill.
Evángelos Odysséas Papathanassíou, or Vangelis for short, always worked with the newest synthesizer equipment and pushed his cascades of sound to the very edge, right up to the point of electronic overkill. In contrast to many other electronics experimentalists of his time, Vangelis likes to »create important melodies and to develop them further, without going under in the technical equipment« (Stereo Review). Distant human voices, siren-like lost calls lead into oriental dance. A song – far removed from its era – somewhere between Gregorian music and antiphony – a will-o‘-the-wisp, shimmering sound. Polyphonic playing on the Bösendorfer reminds one that every form of musical expression from over the sands of time is welcome. Each listener must discover for himself what sounds heavenly or hellish. But let it be said: musically speaking, the one cannot be imagined without the other.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: September 1975 at Nemo Studios, London, by Alan Lucas
Production: Vangelis
Vanexa - Back From The Ruins
Vanexa
Back From The Ruins
LP+CD | 1988 | EU | Reissue (Minotauro)
40,99 €*
Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Vanessa - Black & White
Vanessa
Black & White
LP | 1976 | EU | Reissue (Roundtable)
24,49 €* 34,99 € -30%
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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Existing somewhere between the post-psychedelic period of Soft Machine and the electric funk of Herbie Hancock’s Headhunters, Black And White, the 1976 album from Norway’s Vanessa is without question a formidable beast of a jazz-rock record. A potent brew of sonic experimentation and pulsating off-kilter groove. Taking their name from the genus of Nymphalidae butterfly, Vanessa was founded in 1971 by saxophonist Svend Undseth and pianist Frode Holm, the founder of the Oslo record store turned imprint, Compendium Records. Unsurprisingly analogous to the music championed across the Compendium catalogue Black And White is clearly influenced by the UK Canterbury scene, highlighted by Compendium’s focus on the recordings of Soft Machine alumni Hugh Hopper and Elton Dean. Vanessa’s spirit also lies synonymous with the collective pedigree on the label’s roster including British progressive jazz stalwart Keith Tippett and Mirage (a UK group consisting of ex-members of Centipede and The Mike Westbrook Orchestra), together with the avant-rock collective Henry Cow and the experimental synthesiser-jazz of US ex-pat Joe Gallivan (together with Charles Austin).

Often dubbed the ‘Compendium house band’ owing to Holm’s association with the label, the Vanessa sound is inherently familiar yet undeniably original. Each of the album’s four long compositions are a meld of complex angular jazz laced with swirling electronic textures - furious rhythms that surge in intoxicating intensity before easing into fluid passages of soulful post-bop. The dichotomy of these styles plants the group firmly into radical new jazz territory alongside their Canterbury contemporaries. Despite their brief existence, the band, alongside the label left an indelible mark on Norwegian jazz-rock and the headier side of European progressive music at large.

- Reissue of 1976 Norwegian Jazz-Rock album. - Post-psychedelic period Soft Machine meets the electric funk of - Herbie Hancock’s Headhunters - Transferred and restored from the original master tape.
Van Morrison - His Band And The Street Choir
Van Morrison
His Band And The Street Choir
LP | 1970 | EU | Reissue (RhIno)
29,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Van Mccoy & The Soul City Orchestra - The Hustle
Van Mccoy & The Soul City Orchestra
The Hustle
12" | 1975 | UK | Reissue (Amherst)
16,99 €*
Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Van McCoy - The Hustle Record Store Day 2022 Edition
Van McCoy
The Hustle Record Store Day 2022 Edition
12" | 1975 | US | Reissue (Avco)
22,62 €* 30,99 € -27%
Release: 1975 / US – Reissue
Genre: Organic Grooves
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Record Store Day 2022 Drop 1 Release. Late arrival.

“The Hustle” by Van McCoy, is the ultimate classic disco song. While Van McCoy may not have invented the dance that was associated with the song, the catchy tune dominated the airwaves and dance floors, catapulting the disco craze into the world during the summer of 1975, hitting #1 on the Billboard charts and earning a Grammy Award for Best Pop Instrumental Performance.
Van McCoy - The Hustle
Van McCoy
The Hustle
12" | 1976 | US | Reissue (Unidisc)
24,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves
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/ love is the answer / soul cha cha
Van Jones - Time Has Made Me New
Van Jones
Time Has Made Me New
LP | 1981 | EU | Reissue (Everland)
19,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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Here’s one very rare early 80’s soul and boogie LP, as clean original copies now fetch well over $500, if you can find it... This brand new and first official reissue ever contains the now classic modern soul dancer ‘Not About That (Show Me Some Respect)’ alongside some very attractive ballad material for the more dedicated soul fans. The elusive Van Jones from Pughsville, VA continued to record - as he did since 1976 - several 7” and 12” singles into the decade. But this highly sought after album from 1981 is widely considered as the definitive moment in his short though fruitful recording career. - Marc Janssen
Van Jones - I Want To Groove You / Your Love Is Like A High
Van Jones
I Want To Groove You / Your Love Is Like A High
7" | 1974 | UK | Reissue (Symphonical)
12,99 €*
Release: 1974 / UK – Reissue
Genre: Organic Grooves
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A limited re-release of the very first single created by Virginia Soul Legend, Van Jones. Originally released in 1974, this release celebrates one of the most soulful, heartfelt recordings pressed onto a 7", the first step in Vans career defining his artistry & expression. The original release remains obscure due to the handful of copies known worldwide, now lovingly restored & released exclusively through Symphonical, in direct collaboration with Van Jones & Erwin Epps.
Van Der Graaf Generator - The Least We Can Do Is Wave To Each Other
Van Der Graaf Generator
The Least We Can Do Is Wave To Each Other
LP | 1970 | EU | Reissue (Virgin)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Van Der Graaf Generator - Godbluff
Van Der Graaf Generator
Godbluff
LP | 1975 | EU | Reissue (Virgin)
28,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Valerie Dore - The Night Transparent Blue Vinyl Edition
Valerie Dore
The Night Transparent Blue Vinyl Edition
12" | 1984 | EU | Reissue (ZYX)
16,99 €*
Release: 1984 / EU – Reissue
Genre: Pop
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V.A. - Wild Style
V.A.
Wild Style
LP | 1983 | UK | Reissue (Mr Bongo)
22,99 €*
Release: 1983 / UK – Reissue
Genre: Hip Hop
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Iconic soundtrack for an iconic film
V.A. - Wild Paarty Sound Record Store Day 2022 Vinyl Edition
V.A.
Wild Paarty Sound Record Store Day 2022 Vinyl Edition
LP | 1981 | EU | Reissue (Lantern)
28,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie, Reggae & Dancehall
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V.A. - Very Special Stash: Best Of Reefer Songs
V.A.
Very Special Stash: Best Of Reefer Songs
LP | 1981 | US | Reissue (Stash)
19,99 €*
Release: 1981 / US – Reissue
Genre: Organic Grooves
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Originally released in 1981, now available again on vinyl, this is a very stoned collection of jazz tunes about - or dedicated to - grass, weed, marihuana, Marie-Jane or whatever you call it in your neighborhood.
V.A. - Underground Mood
V.A.
Underground Mood
LP | 1972 | EU | Reissue (Holy Basil)
26,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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First launched in 1971, Flirt Records was one of the many notable production music imprints distributed by Flipper Music, iconic publishing company founded by Romani Di Bari in 1968 and house to some of the best Italian library music. Back in 1972 the label released this compilation entitled "Underground Mood" featuring music composed by Emma De Angelis, Roberto Conrado, Luigi Lopez as well as Amedeo Minghi, whose anthemic "Lustful" track went on to be sampled by Justin Timberlake in 2013. An incredible 12-tracks collection of guitar driven jazz-funk tinted with fuzzy psychedelic rock vibes, making it one of the most interesting and sought-after releases of the Flirt Records catalog. Now available on vinyl for the first time since its original release as a limited edition of 500 copies.
V.A. - The Other Side Of Futurism
V.A.
The Other Side Of Futurism
LP | 1984 | EU | Reissue (Spittle)
24,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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First Time ON Vinyl ! Originally released on cassette in the spring of 1984 together with the 5th issue of Tribal Cabaret fanzine - included here in its original format - this is an invaluable document focusing on the obscure side of the 80’s Italian post- punk scene. A composite picture drawn by a bunch of different and often under recorded groups from various Italian regions and cities. All together they contribute to defining a prominently dark yet vivid soundscape based on different approaches and styles. All these aspects are perfectly translated through the b&w art and graphics of the beautiful Tribal Cabaret fanzine. If you want to dive deep into the fringes of the 80’s this is one of the places to start.
V.A. - The Hunter (Drama Suite) / Adventure Story
V.A.
The Hunter (Drama Suite) / Adventure Story
LP | 1975 | EU | Reissue (Be With)
24,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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They Say: “Composite themes and incidental cues for dramatic application”. We say: Well, it’s definitely dramatic. No wonder this LP was mined by a multitude of 70s and 80s crime shows. Much like Beat Incidental, this true gem includes a raft of enjoyable sub-ten second incidental cues alongside satisfyingly stretched out, hard-knocking sleuth-funk. The Hunter (Drama Suite) / Adventure Story is a real library-head’s library album. We’re treated to some of the best works of no less than five different heavyweights of the genre: drummer Brian Bennett, guitarist Clive Hicks (of The Gentle Rain), saxophonist Duncan Lamont, rock bassist Dave Richmond and keyboard session giant Steve Gary! Something of a dream line-up, they each contributed stellar efforts to create one of the most sought-after of the legendary KPM albums.
V.A. - The Best Of Philadelphia International Records
V.A.
The Best Of Philadelphia International Records
LP | 1981 | EU | Reissue (Sony Music Catalog)
26,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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V.A. - The Bands That Ate New York
V.A.
The Bands That Ate New York
LP | 1986 | EU (Natural Enemies)
9,99 €*
Release: 1986 / EU
Genre: Rock & Indie
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Compilation from 1986, under the direction of George DuBose, who, from 1978 to now, documented the emerging culture in New York City as a photographer and designer. Featuring R. Stevie Moore with his take on the rock ‘n’ roll classic Chantilly Lace. These are sealed, original copies, in top shape.
V.A. - The All American Powerhouse
V.A.
The All American Powerhouse
LP | 1976 | EU | Reissue (Be With)
24,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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They Say: “Driving brass and sax ensemble over funky rhythm section, playing tracks of various feel and style”. We say: From the Lincoln Continental that memorably adorns the cover to the tranquil funk contained within, this glowing ode to the grooving force of 70s American soul music is ice cool all over. With brilliant contributions from the Three Key Alans™ (Hawkshaw, Parker, Tew) as well as Mike Moran, Les Hurdle and Keith Roberts, this is driving music for only the vibiest cats. Originally released in 1976, The All American Powerhouse is one of the very best of the Themes library releases. It’s killer. A feast of dramatic jazz, horizontal, melodic funk and bouncing sunshine-y West-Coast feels throughout, there also lurks an intense injection of the Blaxploitation sound. Understandable, given the subject matter and year it was released.
V.A. - Street beat
V.A.
Street beat
2LP | 1984 | US | Reissue (Sugar Hill)
28,99 €*
Release: 1984 / US – Reissue
Genre: Hip Hop, Organic Grooves
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V.A. - Still Life
V.A.
Still Life
LP | 1985 | EU | Reissue (Spittle)
24,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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First Time ON Vinyl ! Originally released on cassette in the spring of 1985, together with the 8th issue of Komakino fanzine - included here in its original format. Relatively well- known names coexist with bands that lasted only a season. “Still Life” was and remains a half hour of pure abstraction. An intense and precious post-punk overdose!
V.A. - Soft Selection 84: A Nippon Diy Wave Compilation
V.A.
Soft Selection 84: A Nippon Diy Wave Compilation
LP | 1984 | EU | Reissue (Glossy Mistakes)
24,99 €*
Release: 1984 / EU – Reissue
Genre: Electronic & Dance
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Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.
V.A. - Slow (Motion And Movement)
V.A.
Slow (Motion And Movement)
LP | 1980 | Reissue (Be With)
27,99 €*
Release: 1980 / Reissue
Genre: Electronic & Dance
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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
V.A. - Simla Beat '70
V.A.
Simla Beat '70
LP | 1970 | EU | Reissue (Cosmic Rock)
19,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-07-19
Sensational reissue for the first volume of iconic compilation Simla Beat 70. A psych garage manifesto, the record consisted of groups who appeared at the All-India Simla Beat ‘battle of the bands’ contest held in two years (1970 and '71) in Bombay. The annual event and the records were sponsored by The Imperial Tobacco Company. Bands from all around India would compete for first prize. The album - indeed - was not recorded live on the stage but in a primitive makeshift studio using very little overdubbing or sound reinforcement. The sound is generally influenced by the proto-garage western movement of the mid sixties and later became a massive cult for all the 70s rock fans.
V.A. - Rockers Inna Hungry Town
V.A.
Rockers Inna Hungry Town
LP | 1979 | US | Reissue (Hungry Town)
26,99 €*
Release: 1979 / US – Reissue
Genre: Reggae & Dancehall
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V.A. - Reefer Songs
V.A.
Reefer Songs
LP | 1976 | US | Reissue (Stash)
19,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves
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Originally issued in 1976, this LP offers 16 jazz songs about marijuana, cannabis, bo-bo, weed, wacky weed, tea, reefer, boom, burnie, grass, pot, Mary Jane, crazy herb, or whatever you wanna call it.
V.A. - Puissance 13 + 2
V.A.
Puissance 13 + 2
2LP | 1971 | US | Reissue (Lion)
29,99 €*
Release: 1971 / US – Reissue
Genre: Rock & Indie
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V.A. - Pop & Blues Festival 1970
V.A.
Pop & Blues Festival 1970
2LP | 1970 | EU | Reissue (Long Hair)
30,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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V.A. - OST Top Gun Picture Disc Edition
V.A.
OST Top Gun Picture Disc Edition
LP | 1986 | EU | Reissue (Sony)
29,99 €*
Release: 1986 / EU – Reissue
Genre: Soundtracks
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V.A. - OST The Lost Boys Black Vinyl Edition
V.A.
OST The Lost Boys Black Vinyl Edition
LP | 1987 | US | Reissue (Friday Music)
42,99 €*
Release: 1987 / US – Reissue
Genre: Soundtracks
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V.A. - OST Taxi Driver
V.A.
OST Taxi Driver
LP | 1976 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1976 / EU – Reissue
Genre: Pop, Soundtracks
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V.A. - OST Saturday Night Fever
V.A.
OST Saturday Night Fever
2LP | 1977 | EU | Reissue (Capitol)
38,99 €*
Release: 1977 / EU – Reissue
Genre: Soundtracks
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The soundtrack album from the 1977 film Saturday Night Fever starring John Travolta.
V.A. - OST Rocky IV Black Vinyl Edition
V.A.
OST Rocky IV Black Vinyl Edition
LP | 1985 | EU | Reissue (At The Movies)
28,99 €*
Release: 1985 / EU – Reissue
Genre: Soundtracks
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Rocky IV was originally released in 1985. The soundtrack was successful on the strength of two top-five singles, "Burning Heart", and "Living In America" by James Brown. "Living In America" showed the decadence, extravagance, and sheer bloated pompousness of the 80's. Perhaps the soundtrack's most popular tune is "Eye Of The Tiger". The album reached the Top Ten on the Billboard 200 Album Chart and was certified Platinum by the RIAA.
V.A. - OST Rocky IV
V.A.
OST Rocky IV
LP | 1985 | EU | Reissue (Sony)
29,99 €*
Release: 1985 / EU – Reissue
Genre: Soundtracks
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V.A. - OST Lost Boys Gold Vinyl Edition
V.A.
OST Lost Boys Gold Vinyl Edition
LP | 1987 | US | Reissue (Friday Music)
42,99 €*
Release: 1987 / US – Reissue
Genre: Soundtracks
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V.A. - OST Lost Boys Blue Vinyl Edition
V.A.
OST Lost Boys Blue Vinyl Edition
LP | 1987 | US | Reissue (Friday Music)
42,99 €*
Release: 1987 / US – Reissue
Genre: Soundtracks
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V.A. - OST Dirty Dancing Watermelon Picture Disc Edition
V.A.
OST Dirty Dancing Watermelon Picture Disc Edition
LP | 1987 | EU | Reissue (Sony Music Catalog)
33,99 €*
Release: 1987 / EU – Reissue
Genre: Soundtracks
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V.A. - OST Dirty Dancing
V.A.
OST Dirty Dancing
LP | 1987 | MX | Reissue (Sony)
28,99 €*
Release: 1987 / MX – Reissue
Genre: Soundtracks
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V.A. - OST Did The Red Bird Run Away?
V.A.
OST Did The Red Bird Run Away?
LP | 1973 | JP | Reissue (Lawson)
39,99 €*
Release: 1973 / JP – Reissue
Genre: Soundtracks
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V.A. - OST Daughters Of Darkness
V.A.
OST Daughters Of Darkness
LP | 1971 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1971 / EU – Reissue
Genre: Soundtracks
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Daughters of Darkness is a 1971 English-spoken Belgian horror film. Directed by Harry Kümel, this cult erotic vampire film stars Delphine Seyrig, Danielle Ouimet, John Karlen, and Andrea Rau. The story features a newlywed couple that stops at a posh French hotel on their way to England. They meet a beautiful, red-lipped woman whom the hotel owner swears had been there 40 years ago, even though she hasn't aged. She introduces herself as Countess of Bathory and folks begin to wonder.It's score was created by multiple award-winning composer François de Roubaix, who is seen as a precursor of the French electronic music next to his jazz expertise. Years after it's original release, the music was picked up and sampled by several hip hop artists, such as Ice-T, Ab-Soul and Lil Wayne. Critics, actors, and directors call it one of the best horror movies ever made. A retrospective poll by Time Out in the early 2010s placed the film at number 90 in their top 100 horror films.In 2021, we celebrate the movie's 50th anniversary. Filmfestival Gent will show the movie in it's entity with an orchestra playing the score. With the help of director Harry Kümel and Patricia and Benjamin de Roubaix, the Original Soundtrack of Daughters of Darkness is available on black vinyl and contains an exclusive poster and printed innersleeves.
V.A. - OST Colors
V.A.
OST Colors
LP | 1988 | US | Reissue (Warner Bros)
32,99 €*
Release: 1988 / US – Reissue
Genre: Hip Hop, Soundtracks
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V.A. - OST Black Girl Record Store Day 2024 Colored Vinyl Edition
V.A.
OST Black Girl Record Store Day 2024 Colored Vinyl Edition
LP | 1973 | EU | Reissue (Varese Sarabande)
47,49 €* 49,99 € -5%
Release: 1973 / EU – Reissue
Genre: Soundtracks
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From the film freaks at Varèse Sarabande comes Reel Cult, a sensational new reissue series for B-movie soundtrack aficionados. One of the two titles kicking the series off for Record Store Day is the cult-classic, soul-jazz soundtrack for Ossie Davis' seminal cinematic social commentary, 1972's Black Girl. This LP features (AAA) lacquers cut by Jeff Powell from the original analog tapes and pressed on 180-gram clear/black swirl vinyl in a tip-on jacket. Groovy!
V.A. - OST Back To The Future
V.A.
OST Back To The Future
LP | 1985 | US | Reissue (Geffen)
37,99 €*
Release: 1985 / US – Reissue
Genre: Soundtracks
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V.A. - OST Absolute Beginners
V.A.
OST Absolute Beginners
2LP | 1986 | EU | Reissue (Virgin)
22,99 €*
Release: 1986 / EU – Reissue
Genre: Soundtracks
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V.A. - Nuggets: Original Artyfacts From The First Psychedelic Era (1965-1968), Volume 2 Blue, Purple & Green
V.A.
Nuggets: Original Artyfacts From The First Psychedelic Era (1965-1968), Volume 2 Blue, Purple & Green
2LP | 1974 | EU | Reissue (RhIno)
49,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Nuggets vol. 2 as originally thought of by Lenny Kaye and released to celebrate the 50 years of the legendary compilation.
V.A. - Nuggets: Original Artyfacts From The First Psychedelic Era (1965-1968) Orange, Yellow & Pink Vinyl Edition
V.A.
Nuggets: Original Artyfacts From The First Psychedelic Era (1965-1968) Orange, Yellow & Pink Vinyl Edition
2LP | 1972 | EU | Reissue (RhIno)
51,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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The most groundbreaking and influential compilation of all time. Produced by Lenny Kaye in 1972.
V.A. - Na Szkle Malovane Transparent Grey & Blue Vinyl Edition
V.A.
Na Szkle Malovane Transparent Grey & Blue Vinyl Edition
LP | 1971 | EU | Reissue (Warner)
32,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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V.A. - Mare Romantico
V.A.
Mare Romantico
LP | 1974 | EU | Reissue (Sonor Music Editions)
30,99 €*
Release: 1974 / EU – Reissue
Genre: Soundtracks
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Amazing Italian Library Electronic and Underwater gem originally released in 1974, which has remained totally obscure until these days and absolutely impossible to find - Bewitching Underwater music trip made through analogue synthesizers and sophisticated Electronic Lounge mood music especially recorded for TV sea documentaries - for sure one of the finest examples we had of Italian Underwater Library music. Delicate marine themes alternate with hypnotic and abyssal vibes with droning effects, elegance reflected in crystal clear waves. A little jewel for fans of early Electronic music and Library junkies.
Renewed artwork by painter Stefania Casagrande. Back sleeve liner notes by music journalist Marco Ferretti. 180 gram vinyl. Limited edition of 500 copies.
V.A. - Live At The Vortex
V.A.
Live At The Vortex
LP | 1977 | EU | Reissue (Spittle)
14,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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The compilation that started it all ! In October a series of bands have been recorded at the Vortex Club for a proposed live album along the lines of the first ‘Live At the Roxy Wc2’ record. The record featured the Maniacs, Suspects, Wasps, Neo, Art Attacks, Bernie Torme and Mean Street who were all regular players at the Vortex and Roxy. Released in 1977 - right after the punk-rock breakdown - the compilation made way for a revolutionary statement supporting the newborn counterculture.
V.A. - Las Vegas Grind Volume 2 Aka Louie's Limbo Lounge
V.A.
Las Vegas Grind Volume 2 Aka Louie's Limbo Lounge
LP | 1988 | EU | Reissue (Strip-Tease)
23,99 €*
Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Wacked, Honk'n'grind Sax/Guitar/Grunt-Laden Buttshake Tunes From The 50s & Early 60s. Now Back In Soon!! Remastered!! Exotic Deluxe Gatefold Edition!!
V.A. - Kumo-Koku-Do
V.A.
Kumo-Koku-Do
7" | 1984 | EU | Original (Herberg Rustiek)
13,99 €*
Release: 1984 / EU – Original
Genre: Electronic & Dance
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A compilation squeezed onto a 7” that brings together some of the finest artists active in the Japanese underground. Featuring the talents of Tenniscoats (featuring Undora), Tori Kudo, Yumbo, Kawate Naoto, & Otani Naoki. Each artist has personally chosen a song from the full length record Kumokokudo by LE TON Mité, and made it their own.
V.A. - Junjo Presents The Evil Curse Of The Vampires
V.A.
Junjo Presents The Evil Curse Of The Vampires
2LP | 1981 | EU | Reissue (Greensleeves)
38,99 €*
Release: 1981 / EU – Reissue
Genre: Reggae & Dancehall
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V.A. - It's Christmas Time Again
V.A.
It's Christmas Time Again
LP | 1982 | US | Reissue (Stax)
14,99 €*
Release: 1982 / US – Reissue
Genre: Organic Grooves
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V.A. - In Fractured Silence Smoke Vinyl Edition
V.A.
In Fractured Silence Smoke Vinyl Edition
LP | 1984 | EU | Reissue (Souffle Continu)
26,59 €* 27,99 € -5%
Release: 1984 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last but not least Jean-Jacques Birgé and Francis Gorgé. Stapleton admired their album Défense de. The two Frenchmen just had to conceive of a fabulous precursor to the channel tunnel (check out the inside of the record, you’ll see) to enable Stapleton to come to France in 1980. The Englishman was looking for contributions to a compilation to be released on his United Dairies label that he had created with John Fothergill, and he naturally called on Birgé and Gorgé, who were then playing with Bernard Vitet in ‘Un drame musical instantané’.

It was a done deal and the compilation would be named In Fractured Silence. Alongside Nurse With Wound and Un drame musical instantané, could be heard Hélène Sage (whom Birgé introduced to Stapleton) and Sema, a project from the experimental British musician Robert Haigh who had participated in key records in the Nurse With Wound discography, such as Homotopy to Marie and Spiral Insana.

The curtain is raised and it is Un drame musical instantané who start the ball rolling. Mystery abounds; synthesisers lurk, percussion clatters and the sounds (creaks, whistles, vocal insertions...) fire in all directions. For the piano, it’s a debacle, the Drame won, Hélène Sage can take over. Heading up a quintette including Gorgé and Vitet, she creates a cushioned chamber music with strings and many silences.

On the B side, it’s the other side of the channel. Sema’s piano first off, which dares everything, even melody, before spilling out its darkest ideas in a raucous requiem. Finally, Stapleton appears, delving into his collection of female voices to devote himself to an iconoclastic transformation and concoct a song which collapses under the assault like Marianne at Agincourt. After having listened to In Fractured Silence, you will simply have to choose sides.
V.A. - In Fractured Silence Black Vinyl Edition
V.A.
In Fractured Silence Black Vinyl Edition
LP | 1984 | EU | Reissue (Souffle Continu)
27,99 €*
Release: 1984 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last but not least Jean-Jacques Birgé and Francis Gorgé. Stapleton admired their album Défense de. The two Frenchmen just had to conceive of a fabulous precursor to the channel tunnel (check out the inside of the record, you’ll see) to enable Stapleton to come to France in 1980. The Englishman was looking for contributions to a compilation to be released on his United Dairies label that he had created with John Fothergill, and he naturally called on Birgé and Gorgé, who were then playing with Bernard Vitet in ‘Un drame musical instantané’.

It was a done deal and the compilation would be named In Fractured Silence. Alongside Nurse With Wound and Un drame musical instantané, could be heard Hélène Sage (whom Birgé introduced to Stapleton) and Sema, a project from the experimental British musician Robert Haigh who had participated in key records in the Nurse With Wound discography, such as Homotopy to Marie and Spiral Insana.

The curtain is raised and it is Un drame musical instantané who start the ball rolling. Mystery abounds; synthesisers lurk, percussion clatters and the sounds (creaks, whistles, vocal insertions...) fire in all directions. For the piano, it’s a debacle, the Drame won, Hélène Sage can take over. Heading up a quintette including Gorgé and Vitet, she creates a cushioned chamber music with strings and many silences.

On the B side, it’s the other side of the channel. Sema’s piano first off, which dares everything, even melody, before spilling out its darkest ideas in a raucous requiem. Finally, Stapleton appears, delving into his collection of female voices to devote himself to an iconoclastic transformation and concoct a song which collapses under the assault like Marianne at Agincourt. After having listened to In Fractured Silence, you will simply have to choose sides.
V.A. - Image (KPM)
V.A.
Image (KPM)
LP | 1974 | UK | Reissue (Be With)
29,99 €*
Release: 1974 / UK – Reissue
Genre: Organic Grooves
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Impossible to find in the wild, KPM's Image is exactly that; this record paints extraordinary, hyper-vivid scenes with music, in the way only the library greats can. Originally released in 1974, Image is an absolutely stunning listen from start to finish, and arguably the most wanted KPM grail that's still not been reissued - until now! Just too good…

Worth the price of admission alone, and likely the reason you're all already drooling about this release, the mellow, dramatic beat of "Image", Brian Bennett's opener and title track, is a Jaylib-sampled firecracker. A reflective, scenic underscore which grows to full orchestra and ends as it begins - it's just beautiful. Next up, swoon to "The Little Orphan" by Neil Richardson featuring strings and harp. It's a deeply emotive, sweeping orchestral piece. Just straight gorgeous. It's followed by "Paradise Island", a lush, horizontal Balearic gem courtesy of Gordon Rees and David Gold; it'll send you into a blissful reverie with its elegant strings and gentle drums. From the same pair, "Forbidden Fruit" is, again, string-drenched but the strings are more insistent, stabbing even, and, with drums and Blaxploitation guitars high up in the mix, it's definitely a funkier proposition. "The Enchantress", again a Rees-Gold special, is a slower, groovy, synthy wonder. Closing out the A-Side, "Phenomena" is a mysterious gem, a Gold solo effort set at a breezier tempo with propulsive percussion and head nod, fast-paced breaks with ace keys.

Flip over for "Infinite Expanse", John Scott's dramatic panorama adorned with proud, triumphant horns. Scott's "Static Objects" paints patient, pastoral scenes; there's a serenity and stillness to the proceedings. Next up, Be With favourite John Fiddy delivers shifting shapes and patterns with his wonderful "Metamorphosis", all wah wah, harps, dramatic percussion and strings. It's by turns billowy and blasting. "Cubist Pictures" follows, Neil Richardson's brilliant nebulous, fragmentary piece. Better yet, Richardson's gorgeous, beatless "Analysis" follows, and it's an orchestral beauty featuring cello, harps and woodwind. It's no exaggeration to describe this as transcendental. His "Crystal Ball" presents more static scenes with cello, twinkling percussion and strings, before Steve Gray's fantastically-titled softly-ace "Gliding Through Clouds" closes out this remarkable set.

As with all of our KPM re-issues, the audio for Image comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity.
V.A. - I.D. Art #2 L
V.A.
I.D. Art #2 L
LP | 1976 | US | Reissue (Etats-Unis)
35,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves, Electronic & Dance
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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Lafms primarily reached outside Los Angeles via word-of-mouth and the United States Postal Service, foreshadowing the self-publishing and cassette trading networks of post-punk and industrial subcultures. In 1976, Joe Potts solicited recordings from Lafms affiliates and admirers to edit and compile I.D. Art #2, utilizing correspondence art's technique of "assemblings." (The first installment in this series was a magazine, and the third was a coloring book.) Potts received dozens of pieces by members of Le Forte Four, Doo-Dooettes, Smegma and Ace & Duce as well as painters, filmmakers and non-artists with few recording credits to their name, creating a delirious, winking sound-art collage of field recordings, voicemails and improvisations. Participants purchased time on the record and received one copy each of the finished LP, realizing the philosophy contained in Lafms' motto: "The music is free, but you have to pay for the plastic, paper, ink, glue and stamps." This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.
V.A. - Gay Jamaica Independence Time Limited Numbered Orange Vinyl Edition
V.A.
Gay Jamaica Independence Time Limited Numbered Orange Vinyl Edition
LP | 1970 | EU | Reissue (Music On Vinyl)
26,99 €*
Release: 1970 / EU – Reissue
Genre: Reggae & Dancehall
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Having dominated the rock steady era, Arthur ‘Duke’ Reid was searching for a way to build upon his standing as one of Jamaica’s premiere record producers following the arrival of the new reggae sound towards the close of the Sixties. By releasing Gay Jamaica Independence Time he proved that he still released high quality tracks. Some of the most talented musicians from that period are featured on this record, like U-Roy, The Ethiopians, Alton Ellis and Tommy McCook. Duke Reid may have been late on the reggae scene but his best material stands shoulder to shoulder with the classics of the era and many of the tracks presented here reach that level with ease. The disc closes with the Jamaican National Anthem, as this title was released to commemorate the eighth anniversary of Jamaican independence.
Gay Jamaica Independence Time is available as a limited edition of 750 individually numbered copies on orange vinyl.
V.A. - Galaxy Express 999 Theme Song Inserts Collection
V.A.
Galaxy Express 999 Theme Song Inserts Collection
LP | 1979 | JP | Reissue (Nippon Columbia)
55,79 €* 61,99 € -10%
Release: 1979 / JP – Reissue
Genre: Soundtracks
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The "Galaxy Express 999" Theme Songs and Insert Songs Collection to be Released on Analog Vinyl! An analog version of the theme song and insert song collection of the TV animation broadcast from 1978 to 1981 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the LPs released on February 1, 1979, respectively, on heavy vinyl.
V.A. - Flex Your Head
V.A.
Flex Your Head
LP | 1982 | US | Reissue (Dischord)
24,99 €*
Release: 1982 / US – Reissue
Genre: Rock & Indie
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Flex Your Head was first released in January 1982 and was the first full-length album released by Dischord Records. The compilation features thirty-two songs by 11 DC area bands and went a long way towards “putting DC on the map” as one of the era’s great punk scenes. This new edition, which has been re-cut features a cover image of the DC Flag stars and bars (on a red field), an image so associated with DC punk that many mistake it for a made-up symbol for straight edge. This cover image was also used (on a black field) for an edition of the album briefly pressed in conjunction with Alternative Tentacles in the ‘80s. Tracks from Minor Threat, Teen Idles, SOA, G.I., Youth Brigade, Void, Iron Cross, Artificial Peace, and more. Includes a free MP3 download coupon,
V.A. - Ethiopian Modern Instrumentals Hits
V.A.
Ethiopian Modern Instrumentals Hits
LP | 1972 | JP | Reissue (Groove Diggers)
36,99 €*
Release: 1972 / JP – Reissue
Genre: Rock & Indie
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Seminal compilation of instrumental tracks, originally released in Ethiopia in 1972. Features tracks from Tèsfa-Maryam Kidané, Bahta Gèbrè-Heywèt and Mulatu Astatké including the hit “Yégélé Tezeta”
V.A. - Donna Circo
V.A.
Donna Circo
LP | 1974 | EU | Reissue (Master Music)
26,99 €*
Release: 1974 / EU – Reissue
Genre: Hip Hop, Rock & Indie
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V.A. - Deep Six
V.A.
Deep Six
LP | 1985 | EU (Sand Blasters)
23,99 €*
Release: 1985 / EU
Genre: Rock & Indie
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First vinyl reissue for this rare and sought after LP originally released by C/Z Records in 1985, featuring... well, have a look at the track list below... limited edition 500 copies!
V.A. - Christmas Rap
V.A.
Christmas Rap
LP | 1987 | US | Reissue (Get On Down)
26,99 €* 29,99 € -10%
Release: 1987 / US – Reissue
Genre: Hip Hop
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Re-issue of the 1987 Profile Records holiday compilation in a red and white split colored pressing, with songs by Run-DMC, Dana Dane, Sweet Tee, The Showboys, The Surf M.C.s, Spyder-D, and more. Leading off with the Run-DMC smash, "Christmas In Hollis," this classic Christmas compilation features some of the hottest rap artists of the era, celebrating the holidays, hip-hop style. Highlights include Dana Dane’s "Dana Dane Is Coming To Town," Sweet Tee’s "Let The Jingle Bells Rock" and even the Surf MC's' "A Surf MC New Year," adding a California surfer (and, ahem, Beastie Boys rip-off) twist to the proceedings. Not to be overlooked is the classic front and back cover artwork, featuring a gift-wrapped B-Boy. It remains an essential, evergreen (pun intended) holiday album to this day.
V.A. - Bullshit Detector Two Grey Vinyl Edition
V.A.
Bullshit Detector Two Grey Vinyl Edition
2LP | 1982 | EU | Reissue (One Little Independent)
29,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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CALLING ALL BULLSHITTERS. Crass Records have remastered the infamous ‘Bullshit Detector’ series in all its glorious entirety.
V.A. - Bullshit Detector Two Black Vinyl Edition
V.A.
Bullshit Detector Two Black Vinyl Edition
2LP | 1982 | EU | Reissue (One Little Independent)
29,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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V.A. - Bullshit Detector Three Grey Vinyl Edition
V.A.
Bullshit Detector Three Grey Vinyl Edition
2LP | 1984 | EU | Reissue (One Little Independent)
29,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
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V.A. - Bullshit Detector Three Black Vinyl Edition
V.A.
Bullshit Detector Three Black Vinyl Edition
2LP | 1984 | EU | Reissue (One Little Independent)
29,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
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V.A. - Breath Of Danger
V.A.
Breath Of Danger
LP | 1974 | EU | Reissue (Be With)
24,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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They Say: “A selection of suspense underscores and drama blackcloths which vary in intensity and cover a wide range of suspense and drama situations”. We say: A breaky, funky library great masquerading as a horror score. Oh, and the cover art is amazing. Breath Of Danger was originally released in 1974, and rounded up a killer ensemble cast of library legends including Alan Hawkshaw, Brian Bennett, Alan Parker, David Lindup, Kenny Salmon, Barry Morgan and Ray Cooper.
V.A. - Brazil Classics 1: Beleza Tropical
V.A.
Brazil Classics 1: Beleza Tropical
2LP | 1989 | EU | Reissue (Luaka Bop)
33,99 €*
Release: 1989 / EU – Reissue
Genre: Rock & Indie
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First released in 1989, these songs represent but a small sampling of the fruits of a flowering in Brazilian creativity. The innovations in structure, lyrics and arrangements, combined with a very restrained but heartfelt intensity, are unique to Brazilian pop music... and in their own way, are as radical, seductive and beautiful as the best english language pop
V.A. - Born Bad Volume 1
V.A.
Born Bad Volume 1
LP | 1986 | EU (Born Bad)
16,99 €*
Release: 1986 / EU
Genre: Rock & Indie
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V.A. - Bombardiranje New Yorka
V.A.
Bombardiranje New Yorka
LP | 1989 | EU | Reissue (Dancing Bear)
32,99 €*
Release: 1989 / EU – Reissue
Genre: Rock & Indie
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V.A. - Blorp Esette Volume One
V.A.
Blorp Esette Volume One
LP | 1977 | US | Reissue (Etats-Unis)
35,99 €*
Release: 1977 / US – Reissue
Genre: Organic Grooves
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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. In 1977, Lafms released Blorp Esette, one of several compilations tracking the collective's growth and wild-eyed experimentation. Ace Farren Ford, an early Lafms recruit from the Poo-Bah circle, produced the album and solicited cover artwork by Don Van Vliet (Captain Beefheart). Ford appears in various configurations alongside members of Smegma, Le Forte Four and "unknown artist" (as the credit for more than one piece reads). The Residents, showing their affinity with Lafms, contributed "Whoopy Snorp" for their first non-Ralph Records release. Blorp Esette shows the artists grasping for new, non-idiomatic voicings and collaborative modes, anticipating Lafms affiliates and offshoots such as Airway, Human Hands and Monitor. A second volume would come out in 1980, featuring Ford's punk band The Child Molesters. If you're looking for the missing link between mid-'70s art practice and outsider music, then look no further. This first-time vinyl reissue is limited to 500 numbered copies. Comes with inserts.
V.A. - Big Business / Wind Of Change
V.A.
Big Business / Wind Of Change
LP | 1973 | UK | Reissue (Be With)
24,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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The two sides of 1973’s Big Business / Wind of Change are mainly the work of the great Keith Mansfield but there’s a killer cameo each from Alan Hawkshaw and David Snell to help deliver “a thematic suite, diverse in mood, applicable to dramatic and environmental situations”. A Be With favourite and truly one for the heads.

The Big Business of side A is all the work of Keith Mansfield. It’s heavy on the suspense and features the vital “Hot Property”, an insistent groove so good that Madlib sampled it to lace the ace “Long Awaited” by Lootpack with Dilated Peoples.

“Sleeping Giant 1” is a more fleshed out version of the equally-dazzling “Fatal Error”, evoking the orchestral magic of David Axelrod. Indeed, it conjures images of Diamond D falling over himself in the early-to-mid 90s to loop its intoxicatingly eerie soundscape. Complete with guitar fills that recall Paris, Texas-era Ry Cooder, you need this record for this piece alone.

The horn-and-flute-led "Tycoon" is a head-nodder and "Power Complex" has some fantastic percussion. Other highlights include the breezy glide of “Whistle Stop Tour” and its sister groove “Clean Air.”

Over on Side B is the more expansive Wind Of Change, which includes the David Snell and the Alan Hawkshaw contributions. But these ain’t no filler. Snell’s shuffling “International Flight” sounds like a smooth Dorothy Ashby track tossed from the heavens. Hawkshaw’s “Road And Rail” is about as luxurious and strung-out as the great man gets and it might just be the highlight of this whole set.

Not to be outdone, if Mansfield’s “Balance Of Power” doesn’t make you feel like king of the world then you must be playing it wrong. Oh, and did we mention “World In Action”?!

As with all ten re-issues, the audio for Big Business / Wind of Change comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.
V.A. - Barricated Suspects
V.A.
Barricated Suspects
LP | 1983 | US | Reissue (Toxic Shock)
34,99 €*
Release: 1983 / US – Reissue
Genre: Rock & Indie
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The 1983 Toxic Shock hardcore classic featuring tracks from Massacre Guys (future ALL, Descendents members), MAD Parade, Roach Motel, Human Therapy, RED Tide, Decry, THE Dull, Killroy, Peace Corpse, Knockabouts, S.U.M., Septic Death and more. Includes a 20-page full-size magazine with band info and lyrics plus cover art by Pushead.
V.A. - All Stars 1977 4 Lica Jazza
V.A.
All Stars 1977 4 Lica Jazza
2LP | 1978 | EU | Reissue (Croatia)
31,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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V.A. - Afterglow
V.A.
Afterglow
LP | 1984 | EU | Reissue (Spittle)
24,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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First Time ON Vinyl ! Originally released on cassette in the winter of 1984, together with the 7th issue of Komakino fanzine - included here in its original format. 8 groups and 14 tracks revealing the whole meaning of the Afterglow operation. Bands who already had record deals and enjoyed some popularity, others that will do so shortly, others that will fade in the mists of that decade. “Afterglow” is a document from an era when small gestures and uncomfortable choices were true stances
V.A. - 1st Unit: Underpass Records EP
V.A.
1st Unit: Underpass Records EP
12" | 1989 | EU | Reissue (Rush Hour)
17,99 €*
Release: 1989 / EU – Reissue
Genre: Electronic & Dance
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Reissue of early Japanese house outing by Junichi Soma, Shuji Wada and Katsuya Sayo. Comes with insert with liner notes.

All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sayo.

Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.

The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.

This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).

When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.

As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking Tr-909 drums, undulating analogue bass, dreamy Juno synthesizer chords and evocative vocal samples.

The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.

Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed.
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