Vinyl 5407 Items

Presents Rockers International Volume 1

Release: 1988 / UK – Reissue

Genre: Reggae & Dancehall

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Das Album von Augustus Pablo aus dem Jahre 1978 wurde von Kevin Metcalfe remastered und wird als LP-Vinyl neu aufgelegt! Neben Augustus Pablo (Melodica, Xylophon, Keyboards) sind die Musiker der Rockers International band zu hören, u.a. Albert Malawi, Benbow Creary, Cleveland Brownie, Leroy "Horsemouth" Wallace (Drums), Jah Bunny, Juinior Dan, Michael Taylor, Robbie Shakespeare (Bass), Clive Jeffrey, Fazal Prendergrast (Guitar), Garth Swaby, Hugh Mundell, Ras McNilik, Teo Benjamin (Percussion), Deadly Headley (Saxophon) - am Mischpult des Channel One und Harry J Studio sass der legendäre Sylvan Morris.

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Augustus Pablo

LP | 1980 | EU | Reissue (Greensleeves)

Release: 1980 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1973 | EU | Reissue (Klimt)

Aunt Mary

Janus Red Vinyl Edtion

LP | 1977 | EU | Reissue (Svart)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Aunt Mary was a prog rock band formed in Fredrikstad, Østfold in Norway in the early 70's. Signed a contract with Polydor in Denmark to release Aunt Mary in 1970. The group gradually moved towards progressive rock with the records Loaded in 1972 and Janus in 73. In the spring of 1973, during the preparations of their third album, Svein and Bjørn decided to take their music even further and spent months together writing for what they wanted to be the band's international album. The music was more prog-orientated than its predecessor. Fans and critics would later compare it to Pink Floyd, King Crimson or even a psychedelic version of The Beatles ! In June 1973, the band entered the studio. But its members were so tired of life on the road that they decided to cut the album, do the launch tour and then split up. Knowing that this album was "their swansong", they really did their best to make it shine. The band spent so much time recording that the producer, Svein Robert Ludviksen, almost lost his job. But the album turned out to be what the band would consider "the best of their career".

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Ave Rock

Espacios

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Bauhaus)

Avi Matos

Dub Im Neshama

You Can't Hold Me Back Remastered Translucent Red Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Reggae & Dancehall

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Straight from the long forgotten tapes of Avi and never released before. The DUB version of Ish I'm Neshama (Man with soul) that was featured on his iconic Lokeach Et Hayom Leat album that was released in 1986 as the first ever reggae and dub record to be made in Israel. Produced by the greatest of the greatest Yossi Fine and Dennis Bovel.

This 7" with the special dub version sees the light of day for the first time ever, alongside its' original track. Fiyah ??

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Awesome Dre

LP | 1989 | EU | Reissue (Blocglobal)

LP | 1987 | US | Reissue (Luxury Products)

Release: 1989 / EU – Reissue

Genre: Hip Hop

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In the late ‘80s, Detroit rap pioneer Awesome Dre was among the first to stomp onto the national scene from the Midwest. With his mix of political and hardcore he provided a unique perspective and voice during the height of hip-hop's golden era. A voice that would not shy away from controversy by asserting Detroit's place in hip-hop by challenging New York legends Kool Moe Dee and LL Cool J.

Out of print since 1989, this release features a download card to the full album and three exclusive bonus cuts. Presented on translucent red vinyl with an OBI-strip.

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AXEMEN

Derry Legend

31,99 €*

12" | 1989 | EU | Reissue (DBH)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Long overdue re-issue of this cracked pop classic and Flying Nun rarity, "Derry Legend" was one of Kurt Cobain's top NZ platters and a staple of his mix-tapes.

Licensed and produced in full co-operation with the band, 100% analog remaster from the original tapes.

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Axodry

You

13,99 €*

LP | 1981 | EU | Reissue (Souffle Continu)

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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In 1989 RaHen composed, programmed and mixed the song ‘You’. The song was sung by the great singer Mark Jefferis, who already had a huge success with TXT. Frank Poulton wrote the text. The audio engineer of this song was the incredible Tommy Schmidt / Cream Studios. This production was completely realized in Frankfurt am Main / Germany and is considered another milestone of the Sound Of Frankfurt.

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Axolotl

Abrasive

27,99 €*

LP | 1974 | EU | Reissue (Wewantsounds)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek Bailey. When Jacques Oger (a saxophonist whom Brunet had met at a workshop given by Steve Lacy at the Châteauvallon festival in 1977) joined the duo Brunet-Dufourd, Axolotl was born. Iconoclastic, the trio was bound to please Jac Berrocal, and he proposed to record their first album In spring 1981 three days were just enough to complete »Axolotl«.

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Ayako Shinozaki

Music Now For Harp

32,99 €*

Shadow Dancing Black Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce the first international reissue of Ayako Shinozaki"s hard to find LP "Music Now For Harp" released in 1974 by Nippon Columbia. The LP was released on the label"s cult "Master Sonic" series and features Shinozaki"s harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic "Heterodyne" featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves. The album has been newly remastered by Nippon Columbia and is reissued here with its original artwork designed by legendary Japanese graphic designer Kohei Sugiura. It includes a 2 page insert with new liner notes by Alan Cummings.

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Azar Lawrence

LP | 1985 | US | Reissue (Tidal Waves Music)

Shadow Dancing Clear Vinyl Edition

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Saxophonist Azar Lawrence (born 1952) needs little introduction, as a young musical prodigy he was lovingly tutored by his mother, who taught music and led their church choir. At age 5, he played violin in the Los Angeles Junior Symphony, then viola, but his ears were turned to the saxophone at age 13. Azar spent his teen years immersed in jazz at the home of his best friend, none other than the late Reggie Golson, son of the great composer/arranger/saxophonist, Bennie Golson. From then on it was jazz, jazz and more jazz!

Azar Lawrence began his jazz career at the renowned Dorsey High School Jazz Workshop. After high school he played in Horace Tapscott's ‘Pan Afrikan Peoples Arkestra’ and started performing in the Los Angeles club circuit. He soon found himself playing with the Ike & Tina Turner band, the Watts 103rd Street Band and War. At the age of 19, Azar joined John Coltrane’s drummer Elvin Jones for over 3 years before being invited by McCoy Tyner to join his quartet (an alchemy that lasted for 5 exuberant years). During his tenure with Tyner, he also recorded with Miles Davis on the album Dark Magus at the famed Carnegie Hall.

Upon leaving Tyner, Azar Lawrence recorded his own projects on Prestige Records, including Bridge Into The New Age (1974), Summer Solstice (1975) and People Moving (1976). After these three albums it would take over a decade before Mr. Lawrence would record another solo album (Shadow Dancing, released in 1985). Azar went on to record/write and perform with luminaries such as Freddie Hubbard, Busta Rhymes, Roberta Flack, The Headhunters and Mulatu Astatke. His sensational collaborations of the period included writing and performing on Earth Wind & Fire’s highly acclaimed platinum album, Powerlight, and on Marvin Gaye’s Grammy award winning, Hear My Dear. Azar Lawrence’s work was sampled by renowned artists/acts from the likes of Madlib, Cypress Hill…and many others.

In the early 2000s, Lawrence surged back onto the jazz scene and continues to electrify audiences with outstanding original compositions and chart hitting albums. His band, The Azar Lawrence Experience (tale) appears with as many as eight musicians who sizzle to the sounds of Azar's powerful compositions, as well as songs from the Coltrane songbook. To this day Tale dedicates itself to sharing a lifetime of Azar Lawrence’s music, art and spirituality with global audiences.

On the album Shadow Dancing (released in 1985), which we are proudly presenting you today, you can hear the musical versatility only an artist like Azar Lawrence can deliver. Next to his trademark jazz sound, this album is filled with funk, soul and boogie influences. If you’re looking for THE perfect mix of synth filled boogie & jazz-funk where the Sax takes the center stage…then this is a highly recommended gem for your record collection (and a must-have for seekers of rare grooves).

Also featured on these recordings are some serious all-star guest musicians from the likes of Oren Waters (Herbie Hancock, Curtis Mayfield), Roy Galloway (Jimmy Cliff, Gladys Knight), Fred Johnson (The Temptations, George Clinton), James Gadson (Bill Withers, Quincy Jones), Leo Nocentelli (The Meters, Maceo Parker), Marlo Henderson (Gil Scott-Heron, Ahmad Jamal), Denzil Miller (Kurtis Blow, Diana Ross) and Eddie Brown (Stevie Wonder, Dennis Coffey).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released in 1985 on Riza Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Azar Lawrence

LP | 1985 | US | Reissue (Tidal Waves Music)

39,99 €*

LP | 1975 | US | Reissue (Craft)

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Azar Lawrence

Summer Solstice

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Mr Bongo)

Aguia Nao Come Mosca

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Golden-era, 1977, Brazilian jazz-funk-fusion album from the legendary Azymuth.
Lush Rhodes, soaring synths and fusion guitars from Malheiros and
Bertrami combine with the inimitable drum grooves from Ivan “Mamao” Conti that create the signature Azymuth sound.
The album moves from mellow soulful moods, into screaming disco-jazz-fusion, samba funk, synth boogie and ends with a tough 160bpm Batucada workout.
This is actually the first Azymuth album that we have released on Mr Bongo, which came as a surprise to us too.
Official Mr Bongo reissue. Licensed from Warner Music.

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LP | 1975 | UK | Reissue (Far Out)

Azimüth

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Reissued on 180 gram vinyl in gatefold sleeve!

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Outubro Deep Aqua Colored Vinyl Edition

LP | 1980 | UK | Reissue (Far Out)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth’s run of prolific output for Milestone Records throughout the decade.

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LP | 1986 | US | Original (Milestone)

Tightrope Walker

Release: 1986 / US – Original

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Geffen)

B. B. King

Live In Cook County Jail

7" | 1981 | US | Reissue (Superior Viaduct)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Limited 180 gram vinyl LP repressing of the classic B.B. King live album. Live In Cook County Jail. Recorded in Chicago's Cook County Jail on a hot fall day in 1970 and released the following year, the recording of this historic event was named #499 on Rolling Stone's list of the 500 Greatest Albums of All Time, hitting #1 on the Billboard R&B charts, #3 on the Jazz charts and #25 on the Top 200. One of several live albums King released, it features a selection of his best-known songs. Includes "How Blue Can You Get?", "Please Accept My Love" and his signature classics "The Thrill Is Gone" and "Every Day I Have The Blues".

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B.C. Gilbert / G. Lewis

Ends With The Sea

13,99 €*

Do It 'Til You're Satisfied Blue Vinyl Edition

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Bruce Gilbert and Graham Lewis have always juggled darkness and light in their various collaborations (Dome, Cupol, etc.); Gilbert’s pointillist melodicism counterbalanced by Lewis’s menacing bass and sardonic lyrics. While the duo explores cinematic soundscapes on their album 3R4, here they return to more song-based territory with icy vocals, detached guitar lines and even a faint industrial vibe. Ends With the Sea provides a vital glimpse into the creative forces that even a band as daring and inventive as Wire could not contain. This first-time vinyl reissue is recommended for fans of SPK, Chris Carter, and Einstürzende Neubauten.

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B.T. Express

LP | 1974 | US | Reissue (Friday Rights Mgmt)

42,99 €*

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Do it til youre satisfied

B.T. Express

LP | 1974 | US | Reissue (Scepter)

LP | 1979 | UK | Reissue (Pure Pleasure)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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- "Express" sampled by Busy Bee for "Express",
Gang Starr for "Gusto",
Leaders of the New School for "Sound of the Zeekers",
Powerule for "Young Stars from Nowhere" and
Rell for "Love for Free"

- "This House is Smokin'" sampled by 3rd Bass for "Triple Stage Darkness",
Above the Law for "Menace to Society",
Positively Black for "Nightmare on America Street" and
W.I.S.E Guyz for "This House is Smokin'"

- "Everything Good to You (Ain't Always Good for You)" sampled by DMX for "Get at Me Dog",
EPMD for "Get the Bozack",
Ma$e for "Would They Die for You" and
Rascalz for "Northern Touch"

- "If it Don't Turn You on (You Outta Leave it Alone)" sampled by Big Daddy Kane for "Smooth Operator",
DOC for "Comm 2",
Dr. Dre for "Stranded on Death Row",
EPMD for "So Whatcha Sayin'?",
Gang Starr for "Premier & the Guru",
Ice Cube for "Jackin' for Beats",
King T for "Can this Be Real?",
Kool Moe Dee for "God Made Me Funky",
Live Squad for "Pump for a Livin'",
Lootpack for "Whenimondamic",
MC Lyte for "Ice Cream Dream",
Nemesis for "Str8 Jackin'",
Rubix for "Imagine" and
Treacherous Three for "Yes We Can Can"

- "Once You Get It" sampled by Above the Law for "Menace to Society",
C.E.B. for "Goes Like This",
Cookie Crew for "Feelin' Proud",
DJ Quik for "Loc'ed out Hood" & "Tear it Off",
Maestro Fresh Wes for "LTD's on the Wheels of Fortune" and
Schoolly D for "Parkside 5-2"

- "Do it 'Till Your Satisfied" sampled by Common Sense for "A for the Effort",
Funky Aztec for "Chicano Blues" and
Truth Hurts ft Rakim for "Addictive"

- "Do You Like It" sampled by Above the Law for "Menace to Society",
Boogiemonsters for "Riders of the Storm",
DJ Quik for "Loc'ed out Hood",
Grandmaster Flash & the Furious Five for "Yo Baby",
Ice T for "The Iceberg",
King T for "King Tee Production",
Positively Black for "Take No Prisoners",
W.I.S.E Guyz for "Let's Rock the House" and
Zhigge for "Harlem"

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Babatunde And Phenomena

Levels Of Consciousness

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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This reissue of an LP cut for the Theresa label contains plenty of exciting music. Percussionist Babatunde Lea takes stirring solos and constantly inspires the ensembles and soloists during a generally high-powered set. The musicians were all based in San Francisco at the time, including guest soloists trumpeter Eddie Henderson and trombonist Julian Priester. The music is Afro-Cuban jazz with bits of 1970s electronics and funk added to the mix. But despite some R&B-ish vocals (which dominate a bit during the last few tracks) and commercial moments, the music is excellent, there are some strong solos.

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Babe Ruth

First Base

LP | 1980 | EU (Survival Research)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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First Base is an album by British rock music group Babe Ruth. It was released in September 1972 and went gold in Canada, and sold very well in the US. It was their biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock.

180g vinyl.

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Babla

Babla's Disco Sensation

16,99 €*

Babs Robert & The Love Planet

Release: 1980 / EU

Genre: Organic Grooves

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Laxmichand ‘Babla’ Shah began his career and a drummer and percussionist on Bollywood soundtracks composed by his older brothers Kalyanji V. Shah and Anandji V. Shah, and then made history through Babla’s Disco Sensation, the adventurous disco and synth-pop recasting of popular film hits released by Polydor in the late 1970s. This rare beast kicked off the ‘Disco Dandia’ craze and is a total killer from start to finish, the sitar funk grooves and eastern melodies clashing with all kinds of Moog madness. It’s a crate-diggers special that was sampled by Metro Area and others – grab your copy now and play loud for best effect!

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LP | 1970 | EU | Reissue (Alpha)

44,99 €*

LP | 1978 | US | Reissue (Mehum)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Folks, this is a must have for any Spiritual Jazz fan! Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

Whereas the post-war modern jazz scene produced a few notable successes, trad and New Orleans style jazz remained popular and bebop and swing were still played during the peak post-bop and free jazz years of the late-60s and early-70s. Despite the overwhelming popularity of ‘historic’ forms, there were a few worthy exceptions who pointed the way to the future: composer and pianist Marc Moulin formed his first trio in 1961 as a backing band for expatriate American musicians such as Johnny Griffin and Don Byas. He later collaborated with Philip Catherine to form Placebo, a group that mixed jazz, funk, rock and electronic sounds. Their influences ranged from Jimi Hendrix to James Brown, via Herbie Hancock and Soft Machine, and they experimented with the Moog and early synthesizers. Between 1971 and 1975 Placebo released three albums that have become much sought after by DJs and producers for beats and grooves to sample.

Moulin also contributed sleeve notes to one of the most sought after European deep jazz recordings of the late 1960s and early 1970s, and it’s a Belgian recording no less: ‘Babs Robert and the Love Planet’ (Alpha 7003, 1970) is one of the few examples of Belgium avant-garde jazz and was originally released on the Alpha label, a tiny enterprise based in Jette, Belgium. Alpha released renaissance / baroque music and the Babs Robert album is a wonderful aberration that is such an outlier as to be seemingly from another planet – the very Love Planet name-checked in the title perhaps?

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (drums). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion.

This is the first official re-release of the ‘Babs Robert and the Love Planet’. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resonates some forty years later.

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Babylon

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP+10" | 1973 | EU | Reissue (Bonfire)

Bachdenkel

Lemmings

29,99 €*

LP | 1974 | EU | Reissue (Everland)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Bachdenkel was an English rock band that started under the name The U (Don't) No Who in 1968. The three piece consisted of band leader Colin Swinburne on vocals/guitars/keyboards, Peter Kimberley on bass/piano/vocals and Brian Smith on drums, with Karel Beer as an additional musician, engineer and producer. The group relocated to France to live, perform and record. Thei first effort – Lemmings – was released on Philips France in 1973, showing their excellent musicianship and songwriting. Conceived as a three sided album it was recorded during the summer of 1970. This double version includes 3 missing tracks originally conceived for the Initial Recording Company EP, a small label ran by Karel Beer. The album has an evident late sixties british psych-rock flavor, but comes with occasional harder moments and longer, more developed compositions in a proto Prog rock manner.

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Back East

Day By Day

LP | 1986 | US | Reissue (ORG Music)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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A masterpiece in the field of dreamy psyche pop that should have been issued five to seven years before. The Fifth Dimension might be a comparison but there is more. Jazz is one of the basic elements here, dreamy colorful pop and soul music are the others. The mixture is exciting despite it’s relaxed atmosphere. All thrillers here on the song front, great coverversions included turned into this band’s very own songs.

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Bad Brains

I Against I

32,99 €*

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I Green Vinyl Edition

Bad Brains

LP | 1986 | US | Reissue (ORG Music)

32,99 €*

LP | 1982 | US | Reissue (ORG Music)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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I Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude.

This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.

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Bad Brains

I And I Survive

Straight Shooter Atlantic 75 Series

Release: 1982 / US – Reissue

Genre: Rock & Indie

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"I And I Survive" is a 1982 EP by Bad Brains, released on the heels of their iconic self-titled debut album. The recordings come from the "Rock for Light" sessions, and were produced by Ric Ocasek. The release was previously out of print for nearly four decades.

This reissue marks the third release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

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Bad Company

2LP | 1975 | US | Reissue (Analogue Productions Atlantic 75 Series)

71,99 €*

How Could Hell Be Any Worse? 40th Anniversary White Vinyl Edition

Release: 1975 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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Bad Religion

LP | 1982 | EU | Reissue (Eptaph)

LP | 1973 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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With this album a fuse was lit, leading to an explosion that spawned a new religion: Bad Religion. How Could Hell Be Any Worse?, their second record and first LP is nothing short of genius. Shattered-glass guitar riffs, fast, furious drums, and a 16 year old Greg Graffin"s voice for the ages. The coalescence of lyrical intellect and savage music make for a sound seldom (if ever) heard before. The impact of this record still resonates to this day. Classic tracks like "Fuck Armageddon...This Is Hell," "American Dream," and "The Voice Of God Is Government" are as crucial and socially lucid as the day they were created in a southern California garage. When the greatest punk records of all-time are discussed, How Could Hell Be Any Worse? is sure to be mentioned. Reissued on clear & black marble vinyl to celebrate the 40th anniversary!

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Baden Powell

Images On Guitar

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Souffle Continu)

Baikida E.J. Carroll

Orange Fish Tears

27,99 €*

LP | 1972 | EU | Reissue (Universal)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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In 1972, trumpeter Baikida Carroll and some of his colleagues from the Black Artists Group took the advice of their friends in the Art Ensemble Of Chicago and left Missouri to discover the bright lights of Paris. The following year they would even get the chance to record their only album which would rapidly attain mythical status and a collector’s item: »In Paris, Aries 1973«, an essential album if you are a fan of free-wheeling avant-garde music from the Art Ensemble of Chicago to Sonic Youth and including Shabaka Hutchings and Rob Mazurek

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Balletto Di Bronzo

63,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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True Confessions Green Vinyl Edition

Bananarama

LP+CD | 1986 | EU | Reissue (London)

LP | 1975 | EU | Reissue (RCA)

Release: 1986 / EU – Reissue

Genre: Pop

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Bananarama’s second album cemented the band as International pop superstars – with no less than 5 hit singles and a Top 10 with Cruel Summer in both the UK & USA The album includes the singles: ‘Cruel Summer’, ‘Rough Justice’, ‘King Of The Jungle’, ‘Hot Line To Heaven’, ‘Robert De Niro’s Waiting’. Bananarama are often cited as the UK’s most successful ever girl group with 5 UK singles and 10 top 10’s. They were the girl group that defined the eighties with their run of pop hits which soundtracked the lives of fans around the world. The news of Bananarama’s reunion, after nearly 30 years, was met with universal approval and saw the band celebrated all over again.

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Banco

Banco Blue Vinyl Edtion

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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...E Via Yellow Vinyl Edition

Banco Del Mutuo Soccorso

LP | 1985 | EU | Reissue (Catalog)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Io Sono Nato Libero Green Vinyl Edition

Banco Del Mutuo Soccorso

LP | 1973 | EU | Reissue (RCA)

55,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Orlando: Le Forme Dell'amore

Banco Del Mutuo Soccorso

2LP+CD | 1972 | EU | Reissue (Insideoutmusic)

31,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Banco Presenta Francesco Di Giacomo

Non Mettere Le Dita Nel Naso Limited Clear Yellow Vinyl Edition

LP | 1989 | EU | Reissue (BTF)

15,94 €* 28,99 € -45%

Release: 1989 / EU – Reissue

Genre: Pop

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LP | 1977 | UK | Reissue (Mr Bongo)

Banda Black Rio

Maria Fumaca

LP | 1977 | BR | Reissue (Polysom)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Banda Black Rio’s ‘Maria Fumaca’ is one of the strongest Brazilian samba-disco-funk-soul-fusion albums of all time. As regularly played by Theo Parrish, Gilles Peterson and co.

Banda Black Rio were formed in 1976 by the late Oberdan Magalhães in Rio de Janeiro. They revolutionised ‘black instrumental music’ at the time with their Brazilian re-interpretation of soul, jazz, funk and disco grooves, inspired by the likes of Tim Maia and reminiscent of Kool & The Gang and Earth Wind & Fire during their most on-point period of the 1970’s. ‘Maria Fumaca’ is the groups first album, originally released by Atlantic in 1977; a record that bought the group worldwide fame.

‘Maria Fumaca’ features in a list of the 100 greatest Brazilian albums of all time published by Rolling Stone Brazil, coming in at number 38.

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Banda Black Rio

Maria Fumaca

39,99 €*

Release: 1977 / BR – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Reissue (Brunswick)

Barbara Acklin

Someone else's arms

15,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Barbara Carr & Roy Roberts / Eddie Floyd:

It's Only You / Guess It Wasn't Meant To Be

7" | 1978 | UK | Reissue (Izipho Soul)

15,99 €*

On The Rise Black Vinyl Edition

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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In 1978, Roy Roberts produced and wrote a song for soul music legend Eddie Floyd; this melancholy storyliner has languished in the vaults for over forty years. Izipho Soul are thrilled to release on a 45 and continue our Rock House Records/Westwood Music Group licensed collaboration. Featuring on the A Side, Southern soul legends Barbara Carr and Roy Roberts duet on the supreme mid-pacer ‘It’s Only You’. 250 collectors’ copies pressed for the Real Soul Heads!

Please note ‘Guess It Wasn’t Meant To Be’ has been restored from the original tape to its best possible quality - unrepairable damage is evident in the final parts.

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Barbara Howard

LP | 1977 | US | Reissue (Remined)

The Stars / How Can I Tell

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Barbara Howard’s On The Rise is more than just another rare soul LP. It’s a love story. It’s a dream. It was an attempt to break through. And although Barbara certainly never became a star, one song did become a staple in rare soul and funk DJ sets, keeping interest in Barbara Howard just under the surface. And as fate would have it in 2016, a sealed copy of the LP would find its way into Plaid Room Records in Loveland, OH and kick start the revival of her story and her music.

In 1968, as an outgrowth of a community movement and talent search program called “Operation Step-Up”, Steven Reece wanted to take his community movement to the next level. This is when the idea of founding an independent label came to mind. The idea was to self-produce quality records and through successful sales attempt to land major label distribution. Steve identified Barbara Howard as the talent and set to producing her record. The idea was to produce an LP with a variety of tracks that could be marketed to a variety of radio formats and markets (gospel, pop, soul, jazz, etc.).

And while the record fizzled shortly after its release, Steve and Barbara ended up getting married shortly afterwards making this possibly the most romantic production of a record is soul music history. So via Colemine’s reissue imprint Remined Records, we are proud to present to you Barbara Howard’s On The Rise.

Recommend for fans of: Aretha Franklin, Betty Davis, Lyn Collins, Sharon Jones, Ann Peebles

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Barbara Lewis

LP | 1970 | EU | Reissue (Outta Sight)

17,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Buddah)

Barbara Mason

Give Me Your Love

18,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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12" | 1982 | EU | Reissue (Best Record Italy)

Barbara York

Tonight

16,99 €*

LP | 1975 | EU | Reissue (Sommor)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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"Tonight" is a captivating, extraordinarily song written and arranged by Paolo Gianolio (one of Mauro Malavasi's most valid collaborators), who strongly wanted Ivana Spagna as a vocalist. In those very early 80s Spagna used to lend her refined voice.to successful productions using various pseudonyms: Mirage, Carol Kane and Yvonne Kay and precisely Barbara York The piece released in 1982 with Delirium Records was then released in 1983 on Smash One Music by Pino Toma who jealously preserved it making it one of the many rare gems of Italo-Disco. Now after 40 years here it is revived by Best Record in all four original versions, perfectly remastered by Dom Scuteri.

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Barcelona Traction

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“After recording in 1972 the cult album "We Are Digging The Beatles" with ex-Màquina! sax player Peter Rohr, innovative pianist Lucky Guri decided to form his own band, having jazz as a starting point but taking it to a more electric, eclectic sound with multiple influences. And thus, in 1973, he created the New Jazz Trio, which would become the embryo for Barcelona Traction. Lucky was accompanied by top double bass player Jordi Clua (ex-Dos +Un) and drummer Francis Rabassa (a veteran of the Barcelona 60s beat scene). The New Jazz Trio was the house band at the legendary La Cova del Drac jazz club, where they played every day, even acting as the backing band for international artists that came mainly through the USA-Paris jazz connection.

Performing life on a daily basis gave the trio great skills and the confidence to create a more personal sound through improvisation. But the turning point came when they decided to go electric. Lucky Guri moved to electric piano and even introduced the mini-moog to their sound. Jordi Clua never left the double bass, but started to use an electric bass as well. Add the modern, daring beat of Francis Rabassa and they started delivering a totally electric jazz-rock sound. The resulting mix arose the criticism of their more jazz-purist followers who turned their back on them, but the younger generations and a new audience coming from rock started to follow them instead.

After changing their name to Barcelona Traction, they caught the attention of popular catalan singer-songwriter Joan Manuel Serrat, who arranged for them to sign for his label, Òliba-Edigsa. The resulting LP contains five instrumental tracks. Three are written by Lucky Guri, the other two are fabulous covers of Rubens Serrano's "Sudamérica" and James Taylor's "Fire and Rain", here translated to Catalan as "Foc i pluja".

On Francesc Bellmunt's film about the famous Canet Rock festival, the band appears playing "Sudamérica". Thanks to this footage we can see how powerful the trio was on stage. Barcelona Traction marked an era, and their eponymous debut LP is here to prove it. Modern, fresh music that gets the attention of the listener. Unlike other bands like Música Urbana, more based in sophistication and more technical developments, Barcelona Traction is a combo that stands out due to the apparent simplicity and high energy of their sound, with the quality of being able to appeal and be listened in any situation, taking it beyond strict, pigeonholed mind sets.” - Álex Gómez-Font

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LP | 1975 | TR | Reissue (Emre Grafson)

2023

Release: 1975 / TR – Reissue

Genre: Organic Grooves

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Re-mastered 180g black vinyl, in gatefold cover 12 pages booklet + poster. Originally released in 1975 by the Pioneer of Anatolian Rock, Baris Manco. He was one of the best musician in golden Era of Turkish Rock Scene. The album contains both traditional lyrics and space rock, progressive rock and psychedelic elements. In other words, nice blend of Turkish understanding with western instruments. Simply hypnotic, groovy.

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LP | 1975 | UK | Reissue (Guerssen)

2023 Black Vinyl Edition

25,99 €*

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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From 1975, this is Baris Manço’s masterpiece. Stunning cosmic, psychedelic, groovy conceptual album with fantastic electronics use and a strong Turkish folk flavour as usual. Legit deluxe release.

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LP | 1987 | TR | Reissue (Coskun Plak / Sahibinin Sesi)

Daglar Daglar

Release: 1987 / TR – Reissue

Genre: Rock & Indie

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Baris Manco & Kurtalan Ekspres

Sözüm Meclisten Disari

LP | 1981 | TR | Reissue (Emre Grafson)

Release: 1981 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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2019 Re-mastered, 180g black vinyl in gatefold cover. It was originally released in 1981. May be the last impressive album of Baris Manco and his band Kurtalan Ekspres which is giving a respect to 1970’s Golden Era of Turkish Rock. The album consists of funk and progressive rock elements from track to track just like their previous release. Hypnotic, cool and clear sound, will make this LP as a reference album.

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LP | 1979 | TR | Reissue (Emre Grafson)

Yeni Bir Gun

Release: 1979 / TR – Reissue

Genre: Organic Grooves

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2019 Re-mastered – 180g black vinyl in gatefold Cover + 2 pages liner notes. It was originally released in 1979 which is (may be) the peak of Baris Manco and his band Kurtalan Ekspres’ musical career. True masterpiece ! It deserves to be a part of your collection. Every track in this LP, open any surprise. While one track is jazz-funk, the next one space rock and a pschedelic song will follow.

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LP | 1979 | EU | Reissue (Guerssen)

Yeni Bir Gun

2LP+DVD | 1972 | EU | Reissue (Souffle Continu)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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The late '70s found Turkey in an economic slump, and there was a huge rise in political violence. Baris, who so often put out collections of singles, rose to the occasion by spending 6 months holed up with his longtime backing band the Kurtalan Ekspres. The result was this studio album of Anatolian bummer psychedelia, often unfairly overlooked because it came out in the rather un-cosmic year of 1979, but also considered his best work by many. Yep, there are still electrified versions of Turkish folk songs, and the spaceshot ARPs and Korgs of '2023' are here too, but dont expect a happy swing around the ceiling of a planetarium. The real star of the album is the keyboard player, whose name translates to Sword Agent. 'Yeni Bir Gun' is viciously funky and brilliantly arranged, with tidbits stolen out of the latest disco hits, and lean, mean synthesizers that emerge from the beats like carbonated bubbles. Melancholy maqams & catastrophic Korgs collide when the Turkish psych master glides unflinchingly into the grim late '70s!! First time ever reissue, this release comes in gorgeous gatefold cover as the original, has a repro of the original poster as well, and brings an extra insert with extensive linernotes.

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Barney Wilen

Moshi

39,99 €*

LP | 1973 | EU | Reissue (Sommor)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In 1970 Barney Wilen assembled a team of filmmakers, technicians and musicians to travel to Africa in order to record the music of the native pygmy tribes. Upon returning to Paris, two years later, he created 'Moshi', a dark, eccentric effort fusing avant-jazz sensibilities with African rhythms, ambient sound effects and melodies rooted in American blues traditions. Cut with French and African players, including guitarist Pierre Chaze, pianist Michel Graillier and percussionist Didier Leon, this is music with few precedents or followers, spanning from extraterrestrial dissonance to earthbound, streetlegal funk. The set includes a 20-page booklet with rare pictures, sheet music and original liner notes. The DVD includes Caroline de Bendern's movie 'A L'Intention De Mlle Issoufou A Bilma', documenting this incredible African journey.

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Barrabas

Power

LP | 1974 | EU | Reissue (Sommor)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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“Power” was the second Barrabás album, originally released in 1973. As well as their first album, this is another great example of funk-rock, but this time with glam, hard & psych touches, including some of their most celebrated songs: “Casanova”, “The Horse”, “Children”... After reaching international success with their first album, the line-up of Barrabas experienced some major changes: Fernando Arbex, more and more involved as songwriter and producer for other artists, leaves the drum kit, being replaced by drummer José María Moll (from Juan & Junior’s backing band). From now on, Fernando will focus on songwriting & production duties for Barrabas. Also, due to an accident, bass player / lead singer Iñaki Egaña is forced to leave the band. A new powerful singer is found: José Luis Tejada (from Los No, a legendary beat band from Barcelona). And finally original guitar player Miguel Morales switched to bass. For the album recording, Arbex decided to use the same studio where they recorded the first Barrabas album: RCA in Madrid. J. Cobos was again the sound engineer and Fernando was the producer and main songwriter. “Power” was the result, released in 1973 housed in a glam-tastic gatefold sleeve. Highlights are “Mr. Money” (pure funk-rock which entered the US charts); the atmospheric “The Horse”, the psych-funk of “Time To Love” or the catchy “Children”, which was a big hit in South America, especially in Venezuela.

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Barrabas

Soltad A Barrabas!

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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“¡Soltad a Barrabás!” (Release Barrabás!) was the third album by the famous Spanish funk-rock band. Recorded in the US and originally released in 1974, housed in a shocking gatefold cover, this time the sound was 100% funk oriented and included big hits like “Hi-Jack”, covered by Herbie Mann. After reaching worldwide success with their previous two albums and a lenghty South America tour, Fernando Arbex went even further with Barrabás: he wanted to register their third album in the US. So he managed to book MGM studios in Hollywood and the band spent a month in L.A. Fernando encouraged all the other Barrabás members to write songs for the planned album. The result was a fantastic pro-sounding recording (thanks to the work of sound engineer Humberto Gatica), where the band nearly dropped their previous Latin influences to concentrate on funk and black music. “Hi-Jack” rocketed to number one in the Billboard and Black Music charts in the US and soon after Herbie Mann released his famous jazzy cover. The album also included other ace tracks like “Tell Me The Thing” - much in the vein of Chicago and Blood, Sweat & Tears, “Suzie Wong”, “Lady Love”...

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7" | 1980 | UK | Reissue (VP)

Crucifixion

11,99 €*

Release: 1980 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 1979 | EU | Reissue (Greensleeves)

Englishman

Barrington Levy / Gg's All Stars

Release: 1979 / EU – Reissue

Genre: Reggae & Dancehall

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10 tracks

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You Have It / You Have A Dub

12" | 1981 | EU | Reissue (Onlyroots)

12,99 €*

Release: 1981 / EU – Reissue

Genre: Reggae & Dancehall

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Same tune as "I Hold The Handle" which appears on the "Life Style" album. Here it comes with an extended version on the first side. Dub on the flip. Produced by Alvin "GG's" Ranglin in 1981.

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Na broke no fight over woman

7" | 1980 | US | Reissue (Jah Guidance)

Release: 1980 / US – Reissue

Genre: Reggae & Dancehall

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LP | 1980 | EU | Reissue (Greensleeves)

Robin Hood

Release: 1980 / EU – Reissue

Genre: Reggae & Dancehall

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Barry Brown / Roots Radics

Jah Jah We Are Calling / Version / Take Your Time

10" | 1982 | US | Reissue (Channel One/Digikiller)

15,99 €*

Release: 1982 / US – Reissue

Genre: Reggae & Dancehall

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LP | 1979 | EU | Reissue (Black Solidarity)

Barry Brown

Step It Up Youthman

18,99 €*

Barry Morgan & Ray Cooper

Release: 1979 / EU – Reissue

Genre: Reggae & Dancehall

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Seminal 1979 roots LP from Barry Brown reissued here by Black Soldiarity, featuring classic production from Bunny Striker Lee.

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Percussion Spectrum (Themes)

LP | 1979 | EU | Reissue (Be With)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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They Say: “Exploring the wide range of moods and sounds produced by percussion”. We say: MPCs at the ready because this does exactly what it says on the tin, to devastating effect. Oh, and the sleeve is stunning. Originally released in 1979, Percussion Spectrum was produced by the legendary percussionists Barry Morgan and Ray Cooper. With dope beats taking in diverse styles, from funk and soul and jazz through to Latin, Brazilian, samba and Afro-Cuban, this is an amazing sample source filled with killer drum-breaks and percussion flares. Unsurprisingly it’s one of the most sought-after records from the Themes catalogue. This library LP is a library in itself, with its mix of short themes of single beats, short breaks.

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LP | 1974 | US | Reissue (20th Century)

Can't Get Enough

Release: 1974 / US – Reissue

Genre: Organic Grooves

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sampled by Kool G Rap, 50 Cent, Raekwon

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It's Ecstasy When You Lay Down Next To Me

12" | 1977 | US (20th Century)

Release: 1977 / US

Genre: Organic Grooves

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/ playing your game baby

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Just Another Way To Say I Love You

LP | 1975 | US | Reissue (20th Century)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Your Sweetness Is My Weakness

12" | 1973 | US (20th Century)

12,99 €*

Release: 1973 / US

Genre: Organic Grooves

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/ never never gonna give ya up

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LP | 1988 | EU | Reissue (Black Mark)

Blood Fire Death

30,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Stunning 180g Vinyl

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Blood On Ice Red Vinyl Edition

LP | 1986 | EU | Reissue (Black Mark)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (Black Mark)

The Return Of Darkness

30,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Stunning 180g gatefold Vinyl

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Under The Sign Of The Black Mark

LP | 1987 | UK | Reissue (Black Mark)

LP+CD | 1981 | UK | Reissue (Beggars Banquet)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Under the Sign of the Black Mark is the third album by Bathory. It had a major influence on the black metal genre, specifically the Norwegian black metal scene that emerged in the early 1990s. The song "Woman of Dark Desires" is a tribute to the band's namesake, Elizabeth Báthory, and has become one of their most recognized early tracks. "Enter the Eternal Fire" was the band's first epic, reaching nearly seven minutes in length, and presaged the turn towards what would become known as Viking metal which Bathory would take on their next three records.

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Bauhaus

Mask

27,99 €*

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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12" | 1988 | EU | Reissue (I.D. Limited)

Beachfront

Once In A Lifetime

17,99 €*

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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LP | 1986 | PL | Reissue (Def Jam)

Beastie Boys

Licensed To Ill

33,99 €*

Licensed To Ill 30th Anniversary Edition

Release: 1986 / PL – Reissue

Genre: Hip Hop

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Reissue of this Hip Hop classic for its 30th anniversary pressed on 180gram vinyl.

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Beastie Boys

LP | 1986 | US | Reissue (Def Jam)

36,99 €*

Licensed To Ill Fruit Punch Colored Vinyl Edition

Release: 1986 / US – Reissue

Genre: Hip Hop

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This special reissue was cut from the original production masters and is presented on 180-gram heavyweight vinyl.

Produced by Rick Rubin and Beastie Boys, Licensed To Ill was originally released November 15, 1986 - making the B Boys the fifth artist to release a full length album on the original Def Jam label after LL Cool J, Slayer, Tashan and Oran "Juice" Jones.

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Beastie Boys

LP | 1986 | EU | Reissue (Def Jam)

2LP+2CD | 1977 | EU | Reissue (Universal)

Release: 1986 / EU – Reissue

Genre: Hip Hop

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In celebration of hip-hop’s 50th anniversary, the iconic Def Jam Recordings brings us some of its classic repertoire on vinyl in a spectacular “fruit punch” variant – a color emblematic of its longstanding association with Def Jam. Some titles include Public Enemy’s Yo! Bum Rush the Show, Ludacris’ Word of Mouf, Method Man’s Tical, and Slick Rick’s The Great Adventures of Slick Rick.

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Bee Gees

OST Saturday Night Fever

150,99 €*

Release: 1977 / EU – Reissue

Genre: Soundtracks

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Relax, You're Soaking In It

Belair

LP | 1980 | EU | Reissue (Mad About)

29,99 €*

LP | 1987 | UK | Reissue (Demon)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Private pressings have always been objects of demand and research by record collectors. In most cases, print runs were no more than 300 copies, and despite the total lack of recognition, this movement can be seen as a countercurrent act to the mass music industry. Private presses are non-commercial print runs distributed as a promotion or sold at concerts. This was the case of Belair that, in 1980, recorded and sold the album “Relax, You're Soaking In It” at their own risk and distributed it in the San Francisco area. At the time, 1000 copies were pressed, which have become rare and highly desirable for collectors.

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Belinda Carlisle

Heaven On Earth

36,99 €*

Release: 1987 / UK – Reissue

Genre: Pop

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LP | 1982 | EU | Original (Orbitone)

Belinda & Tony

You've Got To Try

Release: 1982 / EU – Original

Genre: Reggae & Dancehall

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12" | 1982 | EU | Reissue (Isle Of Jura)

Bella Vista

Mister Wong

16,99 €*

Bemowe Frazy Yellow Vinyl Edtion

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Bella Vista was a one off project from Michel Esteban, founder of seminal New York Disco/Electro/New Wave imprint ZE Records. Originally released in 1982 ‘Mister Wong’ is a Pop oddity that sits between French Synth Pop and Leftfield Disco. The 12” includes the sought after Disco Dub version that lets the bassline work its magic alongside some heavy dub delays, on the flip Jura Soundsystem provide an extended version with added live percussion.

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Bemibem

LP | 1974 | EU | Reissue (Warner)

25,64 €* 26,99 € -5%

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Repertoire)

Ben

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU (Trading Places)

Ben

20,99 €*

Ben Webster & His Quartet

Release: 1971 / EU

Genre: Rock & Indie

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Canterbury-based progressive jazz-rock act Ben only released one obscure album, issued on Philips’ prog subsidiary Vertigo in 1971, but it’s a lovely collective of extended instrumental jams, worthy of discovery for those that missed it the first time around. Peter Davey’s saxophone and clarinet melodies push the material to high peaks, against an understated backing from future Nashville Teens bassist, Len Surtees and former Graham Bond drummer, David Sheen, keyboardist Alex Macleery and guitarist Gerry Reid adding flourishes at key moments. The songs “The Wooing Of The Child” and “The Wooing Of The Man” credit a certain K Jarrett as songwriter, making this rare beast all the more intriguing.

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Wayfaring Webster Black Friday Record Store Day 2023 Black Vinyl Edition

2LP | 1970 | EU | Reissue (Tidal Waves Music)

In Hot House Record Store Day 2023 Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Record Store Day Black Friday 2023 exclusive release Limited 180g Deluxe Double Vinyl Edition (1000 copies) with obi strip Rare unearthed Dutch recordings from 1970 Featuring an all-star line-up First Time ON Vinyl Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (Wayfaring Stranger recorded in 1970 by the NPS Radio network in The Netherlands) you will find mind-blowing high-quality Dutch sessions that were left dormant on a shelf and weren’t commercially released for over 30 years! On ‘Wayfaring Stranger’ the listener is treated to no less than nine sublime tracks that document Webster’s trademark relaxed-swinging but imaginative playing style that never gets boring. The album features an all-star line-up from the likes of Rob Langereis (Toots Thielemans), John Engels (Chet Baker, Dizzy Gillespie) and Cees Slinger (Dexter Gordon, Slide Hampton). Expect a 61-year-old Ben Webster in excellent form giving a warm, dusky, gritty yet funky performance where he delivers everything from up-tempo material, 12-bar blues jams to soulful expressive ballads. Webster’s quartet is in constant musical dialog with each other, creating a unique back and forth between musicians at the top of their game. Tidal Waves Music now proudly presents the First Ever vinyl release of this fantastic album (originally released as a limited Compact Disc edition back in 2000). This unique record comes as a deluxe 180g Double vinyl edition (strictly limited to 1000 copies) with obi strip. Released exclusively for Record Store Day Black Friday (UK & Europe) 2023 and available in participating stores on November 24, 2023.

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Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

In Hot House White Vinyl Edition

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2023 first time ever on vinyl exclusive release limited to 500 copies with OBI strip. Rare Private Pressed Dutch Recordings From 1972

Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual.

The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra.

Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians.

Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note.

Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others.

On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game.

Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.

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Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

LP | 1974 | UK | Reissue (Pure Pleasure)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game. Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember). Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Ben Webster

Live At Pio's

LP | 1977 | EU | Reissue (Svart)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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A great small club date from Ben Webster – different than some of his European concerts of his final years, in that this one was done at a lounge in Rhode Island, and maybe has a bit more bite and focus overall! The tracks are short, and Webster gets superb rhythm accompaniment from the trio of Junior Mance on piano, Bob Cranshaw on bass, and Mickey Roker on drums – who really come out swinging, and push Ben to take some of his boldest solos of the period – plenty of bite throughout, and a fire that you don't always hear on his other 60s recordings. Titles include "Cookin For T", "Sunday", "Pennies From Heaven", "How Long Has This Been Going On", and "Gone With The Wind".

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Benoit Widemann

Stress!

LP | 1979 | EU | Reissue (Sommor)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Stunning synth-heavy prog rock from ex-Magma/Heldon/Dan Ar Braz member. Free-jazz elements mixed with rocking synth and piano and drums, the album is a wildly eclectic fusion of atmosphere and moods. Joined by a whole menagerie of the French prog crème de la crème, such as musicians like Patrick Gauthier, Clément Bailly, Guy Delacroix, Jean-Pierre Fouquey, Bruno Menny, Benoit was a free-wheeling synthesizer demon. A cosmic caper of multifaceted dimensions with some real Heldon-esque and Magma vibes peppered throughout. This album is every bit as entertaining and delightful as the day it was released, a stellar example of the diversity of the synth-driven prog of the age. Now dusted off and refreshed with liner notes to head into another future.

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Benoit Widemann

Tsunami