Vinyl 5549 Items

LP | 1987 | EU | Reissue (ZYX)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Hectic is the debut EP by the American ska punk band Operation Ivy. Hectic was originally released in January 1988 and is credited as one of the first ska-core records. Now reissued on 12" black vinyl in a regular sleeve. Includes 8 page booklet with liner notes and lyrics.

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Roy

Shooting Star

15,99 €*

Release: 1987 / EU – Reissue

Genre: Pop

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Have You Heard This Story? Blue Vinyl Edition

Swamp Dogg

LP | 1974 | EU | Reissue (Alive)

33,99 €*

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Murphy's Law Record Store Day 2023 Red Vinyl Edition

Murphy's Law

LP | 1986 | UK | Reissue (Astor Place)

36,99 €*

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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In Full Gear 35th Anniversary Record Store Day 2023 Edition

Stetsasonic

2LP | 1988 | Reissue (Tommy Boy)

31,99 €*

Release: 1988 / Reissue

Genre: Hip Hop

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LP | 1984 | EU | Reissue (Arabusta)

Tchiss Lopes

Ja Bo Corre D'Mim

LP | 1971 | EU | Reissue (Elemental Music)

Release: 1984 / EU – Reissue

Genre: Reggae & Dancehall

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* First ever official reissue * Remastered from the original analog tapes * LP includes insert featuring lyrics with translation, archival photos and liner notes with artist bio and album story

Já Bô Corre D’Mim

After his first LP Stranger Já Catem Traboi, Tchiss decided to further experiment with reggae and funaná, inspired by the local rhythms of the island of Santiago. Gathering some of the best Cape Verdean musicians of the time, in 1984, together with Zé António on guitar, Bebethe on bass and Alírio on drums, he recorded his second LP Já Bô Corre D’Mim. An album that sings of a young man far from home, his unrequited love and saudade, the struggles of street life in a foreign land and a world of inequality. Recorded in just 3 days at the Pomodoro Studio in Sutri, the album fully expresses the deep and layered sound of Tchiss’ music, where upbeat tempo, powerful vocals and electrifying guitar solos tangle together in a dynamic mix of traditional melodies and cosmic reggae.

Tchiss Lopes

With music in his finger tips and football in his feet, Narciso “Tchiss” Lopes was born on the São Vicente island of Cape Verde on July 27th 1959. Surrounded by the island’s vibrant musical scene, Tchiss began playing guitar at the age of 6, and when he was not playing music, he was playing football for one of Mindelo’s best teams.

Soon enough, at the beginning of 1980, the political situation pushed Tchiss to emigrate at the age of 21. With his heart full of hope and ambition, he moved to Portugal and then to Rome, where he obtained an 11-month contract on a Greek cargo ship. As his father before him, Tchiss became a man of the sea, and his first world tour thus began: from Civitavecchia to Lagos, Nigeria to Senegal, Poland to Scotland, all the way to his dream land, Brazil. Experiencing the sounds of Brazil on his own skin, Tchiss returned to Rome, where his musical career finally exploded.

Tchiss toured Italy from north to south, playing in cities such as Milan, Rome, Naples and Palermo, and brought his music all over Europe: in the Netherlands, France, Portugal, Luxembourg and Germany, to name a few. He defines himself a musical communicator and never stops spreading his music and love all around the globe.

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Diana Ross

Surrender

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Island)

Bob Marley & The Wailers

Exodus

31,99 €*

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1979 | EU | Reissue (Island)

Bob Marley & The Wailers

Survival

Jiro Inagaki + Soul Media

Release: 1979 / EU – Reissue

Genre: Reggae & Dancehall

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Limited 180 gram vinyl LP pressing including original artwork. Containing what is considered Marley's most defiant and politically charged statement to date, Survival concerns itself with the expressed solidarity of not only Africa, but of humanity at large. The album was controversial right down to the jacket, which contains a crude schematic of the stowage compartment of a typical transatlantic slave ship. Bob Marley was a Jamaican reggae singer, song writer, musician, and guitarist who achieved international fame and acclaim. His music in the 70s established his worldwide reputation and produced his status as one of the world's best-selling artists of all time, with sales of more than 75 million records.

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Memory Lane

LP | 1980 | JP | Reissue (Columbia Japan)

46,99 €*

Rock Joint Biwa - Kumikyoku Fulukotofumi HHV Exclusive Transparent Red Vinyl Edition

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Soul Media is led by Jiro Inagaki, who played a part in the development of jazz rock in Japan. This album “Memory Lane” was recorded in 1980.

Regarding this work, Inagaki said, “We made this work while anticipating the fate of fusion music.”

This album contains the mellow and emotional track “Memory Lane”, the stormy and refreshing “I Will Give You Samba”, and the groovy and edgy “Take My Hand”

The sound that Jiro created with his sworn friend Norio Maeda while looking ahead to the future of Jazz has an extraordinary degree of perfection in terms of song, arrangement, and performance. Listening to this album years later, it’s still vivid and fresh.

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Hiromasa Suzuki

LP | 1972 | EU | Reissue (Cinedelic Orient Series)

Masayuki Takayanagi And New Directions

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies pressed on transparent red wax exclusively available at HHV.

The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated on these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong infiltrations of tradition, characterized above all by the extremely calibrated and perfectly ad hoc interventions of the Biwa (lute of the Japanese tradition once used by blind monks to recite poems) and the Wadaiko drum. From its entirety, a highly evocative and magical sketch in nine suites emerges, a viaticum towards the most ancestral past of Japan, but at the same time also immersed in the modernity and expressive relevance of the land of the rising sun. A masterpiece that, buried for too long in the archives, is finally back reissued on vinyl with original graphics on its gatefold cover and enriched by an insert with the translations of the precious introductory essay contained in its original edition. Accompanying Suzuki's acoustic and electric piano is the crème of Japanese jazz that gives free rein to one's primordial instincts. Some passages come close to progressive, especially thanks to Kiyoshi Sugimoto's Allan Holdsworth style guitar.

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Independence: Tread On Sure Ground

LP | 1970 | EU | Reissue (Cinedelic)

LP | 1982 | EU | Reissue (Virgin)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Considered the 'Lochness monster' of Japanese free jazz records due to its incredible rarity, this album was the debut recording of Takayanagi Masayuki as leader with The New Directions. Recorded at the Teichiku Kaikan studios on 18 September 1969 (released in 1970) Independence - Tread on Sure Ground, is largely regarded as the first true classic of Japanese free jazz. The group thrashes out an entirely new Japanese methodology for improvisation based on Takayanagi's theories about progressive art. As Alan Cummings explains in his texts to review issues, the group's sonic outburst is pregnant with an urgent intensity similar to a violent rotating windstorm. .....“An electric guitar string is pinged with a sour and markedly unlovely resonance. It is left to fade away naturally, its dying whisper replaced with a wavering feedback tone that grows steadily in volume and thickness. Against the slow feedback wave, a sudden loud percussive crash, urgent staccato rolls across the toms, and the dry rasp of a rattle. A choppy, non-sequential series of chords from the guitar, still mouth-puckeringly bitter is set against the warmer resonance of an alternately bowed and plucked double bass. Each instrument sounds self-contained, like lunar bodies spinning on their own axes at different tempos, but locked together by unfathomably complex rules of motion. Additional percussive rattles and scrapes have been overdubbed to fill in the blank space. Tendrils of feedback snake in and out, like cosmic dust from some cataclysmic celestial event. The playing is exploratory and deliberate, technically adept and keenly judged, easily sustaining interest and motion across the track's eleven minutes. Its sense of focused concentration is more akin to the European free improvisation of AMM or The Spontaneous Music Ensemble than the violent ecstasies of American fire music.”....... (by Alan Cummings) Includes OBI and insert

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Roxy Music

Avalon

38,99 €*

Release: 1982 / EU – Reissue

Genre: Pop

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The Complete Thom Bell Sessions Record Store Day 2022 Colored Vinyl Edition

Elton John

LP | 1979 | Reissue (Mercury)

Epsilon In Malaysian Pale Record Store Day 2022 Green/Milky Clear Vinyl Edition

Release: 1979 / Reissue

Genre: Pop

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Limited to 7000 copies.

Record Store Day 2022 will be the first time The Complete Thom Bell Sessions has been made available on Colored Vinyl, as well as the first time it has ever been available on vinyl in the UK. Recorded in 1977, the original pressing ‘The Thom Bell Sessions ‘77’ (released in 1979) only features 3 tracks, but this release brings together the full recording session on one album. This pressing will be released on 180 gram purple vinyl and features the hit singles ‘Are You Ready For Love’ and ‘Mama Can’t Buy You Love’.

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Edgar Froese

LP | 1975 | US | Reissue (Culture Factory)

LP | 1985 | EU | Reissue (Virgin)

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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Limited to 3500 copies.

Epsilon in Malaysian Pale... which could be described as part of the "Phaedra Rubycon Epsilon" trilogy, shows Froese's impressions after the Australian Tangerine Dream concert tour, in relation to the flora and fauna there. Froese creates here a lush sonic atmosphere, the music matches the cover artwork perfectly. The music is harmonic and melodic. A sun-drenched musical landscape that is in no way inferior to the most famous Tangerine Dream albums.

It was not without reason that both David Bowie and Björk named Epsilon in Malaysian Pale as one of their inspirations.

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Bryan Ferry

Boys And Girls

Release: 1985 / EU – Reissue

Genre: Pop

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LP | 1974 | EU | Reissue (Soave)

Marcello Giombini

Transvitaexpress

21,99 €*

Situazioni Del Terzo Mondo

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Transvitaexpress Psycho-phonic tale of the afterlife One of the weirdest italian album ever released 'Transvitaexpress is the sonorous realization of an idea that had been developing in me for some time and to which the encounter with the poet Barbarino gave the decisive push. I used the "tape-sound" technique, that is the organization and integration of sounds, noises, speech, song and rhythm, of which the resulting sound, being the result of electronic manipulation of the sound events themselves, is audible, therefore repeatable, only by means of magnetic tape. The sound material is, in part, reportage, so the work often takes on the character of a “disc-truth”, in part it is a faithful reconstruction of parapsychological events. We have defined this work "Psycho-phonic tale" in fact it is a sound experience, that is, a journey into the world of sounds of an "afterlife", rooted in us due to childhood, ancestral reminiscences, superstitions, legends, anxieties, utopias and above all fear. Fear of the mystery, fear of the unknown. Transvitaexpress is therefore the sound representation of these cultural and existential limits, and is therefore a critical, liberating, provocative work. I certainly do not expect, and perhaps I do not want someone after having listened to tell me that it is "beautiful". Transvitaexpress is the name of a train full of ... that travels in an afterlife so "beyond" that it coincides with the most central point of my ego. Perhaps the most logical "end-continuation" of life, the least imaginative, the least corrupt. The distortions, things that are too, or too little, defined, realistic situations, clichés, monotheisms and captions are embedded in the most traditional dream fabric, the most suitable in my opinion to promote approaches with the mysterious, with the esoteric, with the magical.' M. Giombini

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Maria Teresa Luciani

LP | 1972 | EU | Reissue (Cinedelic)

LP | 1979 | EU | Reissue (Sundazed)

Release: 1972 / EU – Reissue

Genre: Soundtracks

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The world of Italian Library music surprises us again with an extremely evocative record. Released with the name of Maria Teresa Luciani but really produced and composed by her brother Maestro Antonino Riccardo, Situazioni del Terzo Mondo ranks among the most important abstract soundscape records. Spontaneous tribalisms tainted with concrete sounds support the looming psychedelic vein, with different solutions from track to track. Recorded in 1972 it is reissued in a limited edition by Cinedelic Records.

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Annette Peacock

Perfect Release

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Paul Di'anno's Battlezone

Fighting Back Clear Vinyl Edition

LP | 1986 | EU | Reissue (Back On Black)

17,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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2LP | 1970 | UK | Reissue (BBE)

Kohsuke Mine

First

41,99 €*

Brothers In Arms Half Speed Remastered Edition

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines.

Reissued for the first time since original 1970 release, Mine is joined by master keyboard player Masabumi Kikuchi on electric piano, and two American players – bassist Larry Ridley and drummer Lenny McBrowne – to deliver one of the strongest debuts in the J Jazz canon. ‘First’ announced the arrival of a serious talent, one who was to be a hugely influential figure in the Japanese jazz scene across the decade that followed and beyond. ‘First’ established an artist who built a reputation for standout albums spanning spiritual jazz, post-bop, modal and funk-fusion. All of that started here, on this exemplary album.

‘First’ is issued on CD, digital and vinyl. The vinyl edition is presented as a double album, cut at 45rpm by the Grammy-nominated Carvery, with full original reproduction artwork, including obi strip. Both CD and vinyl comes with a 4500 word sleeve note and interview with Kohsuke Mine by Tony Higgins, plus artist portraits by Shigeru Uchiyama.

J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden for BBE Music.

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Dire Straits

2LP | 1985 | DE | Reissue (Mercury)

42,99 €*

Release: 1985 / DE – Reissue

Genre: Pop

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2LP | 1981 | EU | Reissue (Spittle)

Eyeless In Gaza

Caught In Flux

Trans-Europe Express English Version Clear Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Inspired by a weird mixture between Aldous Huxley's visionary work and some biblical myths, Eyeless in Gaza, (formed in 1980) are one of the most original and creative bands emerging from the early 80's British post-punk scene. An intimate duo line up featuring Martyn Bates - vocals, guitar, organ, and Peter Becker - drums, bass, synth. "Caught in Flux" originally released in 1981 on Cherry Red and reissued here in its original format LP + 12" is their second album. The result of a one-take studio session with no overdubs. A perfectly balanced combination of various elements arising from post-punk, art rock, ambient music, and psychedelia. This was an important step towards a form of music where all these influences were organically integrated into a highly purified sound experience.

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Kraftwerk

LP | 1977 | EU | Reissue (Parlophone)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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Trans-Europa Express German Version Clear Vinyl Edition

Kraftwerk

LP | 1977 | UK | Reissue (Parlophone)

34,99 €*

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Gilberto Gil Transparent Beer Colored Vinyl Editon

Gilberto Gil

LP | 1971 | EU | Reissue (Klimt)

Lonnie Liston Smith & The Cosmic Echoes

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Released in 1971 while Gil was living in London, this is the third self-titled release from the bossa nova and tropicalia legend. Gil recorded this album while in political exile from his native Brazil and its somber, straightforward tone is a welcome change from the experimental, psychedelic assault of his 1969 long player. Featuring 8 originals and a brilliant cover Steve Winwood's 'Can't Find My Way Home,' this Water release also contains 3 bonus tracks including covers of Jimi Hendrix and The Beatles. A tropicalia classic.

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Visions Of A New World Remastered Edition

LP | 1975 | UK | Reissue (Pure Pleasure)

35,99 €*

LP | 1982 | EU (Black Saint)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Pianist Lonnie Liston Smith began his true professional career with Pharoah Sanders and then moved on to the very electric Miles Davis band before embarking on his own journey -- one that took him deep into the waters of pop music and disco by the late '70s. On Visions of a New World, Smith, accompanied by his working unit the Cosmic Echoes, digs deeper into the soul-jazz vein that he had begun exploring on Expansions and Funk Extraction in 1973 and 1974, respectively. In 1975, Smith was looking for a smoother, more soulful groove than he had displayed previously. Elements of the earlier band are in evidence: Vocalist Donald Smith is still on board, as are Dave Hubbard and Cecil Bridgewater on horns. Reggie Lucas even helps out on guitar in one or two places, and Ray Armando helps the percussion section. Despite these fiery players, the music here is strictly a late-night seduction/meditation groove. Tracks like the opener, "A Chance for Peace," keep the funk in mid-tempo while rounding off the edges, but "Love Beams" sounds exactly like its name. "Colours of the Rainbow" is a duet between Donald and Lonnie on keyboard and vocals, and "Devika" is the first place where the groove exceeds the mood. Latin rhythms, loosely woven horn lines, funky backbeats, and a slinky melody bring the whole thing up a couple of notches. The only other place the album heats up is on the final two tracks: the second part of the title suite -- when Donald Smith stops singing -- and "Summer Nights," when the concentration is on pure movement and sweaty, shimmering late-night funk. - ThomJurek/AMG

Recorded in 1975 at Electric Lady Studios

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John Carter Octet

Dauwhe

19,99 €*

LP | 1974 | EU | Reissue (Far Out)

Release: 1982 / EU

Genre: Organic Grooves

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Originally released in 1982, "Dawhe" is the first chapter in John Carter's "Roots and Folklore" saga. A five parts epic journey through the African American heritage conceived by the great clarinetist-composer and performed by a stellar line-up featuring Carter himself, Bobby Bradford - cornet, James Newton - flute, Charles Owens - soprano sax, oboe, clarinet, Red Callender - tuba, Roberto Miranda - bass, William Jeffrey - drums and Luis Peralta - percussion. This is a highly integrated form of Jazz based on the processing of different musical forms and related topics. From the ancient African mythology through the Blues experience towards the open land of Creative Jazz. A strong musical and cultural statement from one of the greatest West Coast modern Jazz composers.
Highly recommended for open-eared listeners - Scott Yanow - All Music Guide

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Ana Mazzotti

Ninguem Vai Me Segurar

25,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Hypertension / Ritmo Latino

Calender

12" | 1975 | EU | Reissue (Matasuna)

LP | 1977 | BR | Reissue (Polysom)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Matasuna Records presents another treat with its latest release: an official reissue with two songs of the US funk band "Calender". Both tracks are available on a 12" Maxi-Single for the first time. In addition to the mastered original versions, this EP features great reworks by two of our favorite producers: Mexican disco edit king "Hotmood" and the highly acclaimed Matasuna artist "Voodoocuts".
The band "Calender" from New Jersey was founded in the 70s by Paul Kyser. Besides his activities as songwriter, arranger and producer he set up his label Pi Kappa Records. The band's only album "It's a Monster" was released on this label in 1976 and has grown into a legendary status over the years and is appreciated by fans and collectors alike.
The opener "Hypertension" is a disco banger par excellence. Kyser's sophisticated arrangements merge thrilling grooves, elegant strings, varied funk elements and soulful vocals to a great and unique joint for every dancefloor. It's very pleasing that the song doesn't get overloaded or cheesy, as it's often the case in disco music.
Hotmood transfers the track, which was created more than 3 decades ago, into the present time. His great disco edit focuses on the instrumental parts of the original. Thanks to his clever arrangement, a tension curve is constantly built up without seeming repetitive.
On the flipside, "Ritmo Latino" takes a different musical direction. As the name suggests, there are all kinds of Latin American influences to be heard: the brass section, rhythm parts, piano sounds and the grooving bass line, which goes straight into the veins. Nevertheless, the song is also strongly rooted in funk & jazz and inspires its listeners with its unique character.
Voodoocuts rework comes up with a monster broken beat and gives the song a dancefloor friendly structure with its new arrangement. Especially the killer break part in the middle of the song will not only make B-Boy hearts beat faster! Additional instruments, samples and effects give the rework an individual and autark touch and prove once again impressively that Voodoocuts is setting the bar higher and higher with his productions.

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Joao Gilberto

Amoroso

2LP | 1983 | EU | Reissue (BBE)

Release: 1977 / BR – Reissue

Genre: Organic Grooves

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A warmly intimate album from Joao Gilberto – one that has the singer and guitarist in the same special space as his wonderful albums from the early 70s - a bit more sophisticated than the bossa years, but equally personal throughout!

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Takeo Moriyama

East Plants

41,99 €*

LP | 1984 | EU | Reissue (4AD)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1983 on the Japanese VAP
label, ‘East Plants’ is an essential album in the J
Jazz canon. It’s an album that distils several key
characteristics of Moriyama’s music: clearly
articulated and inventive rhythms, open yet orderly
arrangements, and an accessible groove balanced
with a graceful control.
‘East Plants’ features no piano, just percussion,
bass and reeds. From the luxurious raga-like build
of the album’s hypnotic title track and the fierce
post-bop workout of ‘Fields’, to the stately modal
track ‘Kaze’ ( as featured on the sell-out BBE
compilation, ‘J Jazz: Deep Modern Jazz From Japan
1968-1984’), the album was, until now, a rarely
acknowledged masterpiece. ‘East Plants’ shows
Moriyama’s quintet at their most transcendent:
delicate layers of percussion by Yoji Sadanari, a
warm and pliant bass from Hideki Mochizuki, with
colour and texture provided by the eloquent reed
work of Shuichi Enomoto and Toshiko Inoue. And,
overseeing it all, Moriyama’s discreet yet
commanding drumming.
The BBE J Jazz Masterclass Series is curated by
Tony Higgins and Mike Peden and is dedicated to
presenting the very finest in Japanese jazz. The
series will feature rare, long-lost and unreleased
material presented in the highest quality
reproductions of the original releases, fully licensed
and authorised.

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Cocteau Twins

Treasure

Release: 1984 / EU – Reissue

Genre: Pop

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Roberto Musci / Giovanni Venosta

Water Messages on Desert Sand

LP | 1987 | EU | Reissue (Rer Vinyl)

21,99 €*

LP | 1974 | EU | Reissue (Sonor Music Editions)

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Another great release in the prestigious ReR Recommended vinyl reissue series.
Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987.
Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electronic, acoustic and documentary source, taking ethnic field recordings (from Africa, Indonesia, Asia, India) as their thematic centre. "Water Messages" finds place In the realm of Eno-Byrne "My Life in the Bush of Ghosts" but far more accomplished and developed. A rich moving and still very stimulating work and an essential purchase for anyone interested in adventurous modern art informed by ethnic music and sound explorations. In two words: Highly Recommended!

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V.A.

Mare Romantico

Atras Do Porto Tem Uma Cidade

Release: 1974 / EU – Reissue

Genre: Soundtracks

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Amazing Italian Library Electronic and Underwater gem originally released in 1974, which has remained totally obscure until these days and absolutely impossible to find - Bewitching Underwater music trip made through analogue synthesizers and sophisticated Electronic Lounge mood music especially recorded for TV sea documentaries - for sure one of the finest examples we had of Italian Underwater Library music. Delicate marine themes alternate with hypnotic and abyssal vibes with droning effects, elegance reflected in crystal clear waves. A little jewel for fans of early Electronic music and Library junkies.
Renewed artwork by painter Stefania Casagrande. Back sleeve liner notes by music journalist Marco Ferretti. 180 gram vinyl. Limited edition of 500 copies.

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Rita Lee

LP | 1974 | BR | Reissue (Polysom)

35,99 €*

LP | 1985 | EU | Reissue (Nettwerk)

Release: 1974 / BR – Reissue

Genre: Organic Grooves

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The reissue comes on 180g. A wild solo project from Rita Lee – done after the breakup of Os Mutantes, and offered up almost as some sort of commentary on mainstream rock in the 70s.

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Skinny Puppy

Bites

Release: 1985 / EU – Reissue

Genre: Pop

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12" | 1985 | US | Reissue (Peoples Potential Unlimited)

Leroy Ace Miller

Teacher

LP | 1973 | BR | Reissue (Polysom)

Release: 1985 / US – Reissue

Genre: Organic Grooves

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This was one record that started the PPU label,.. 10+ years in the making, Ace and PPU finally bring you his underground 80s funk bomb. Written and recorded in Macon Georgia.

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Novos Baianos

Futebol Clube

Within The Realm Of A Dying Sun

Release: 1973 / BR – Reissue

Genre: Organic Grooves

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A great 70s album by Os Novos Baianos – a wonderfully youthful group that was one of the bright spots in Brazilian music after the Tropicalia years. The band had a style that mixed folksy percussion with honest personal songwriting, plus occasional touches of elements gleaned from the larger influences in Brazilian rock at the time. The album has a sound that's a lot more intimate than later work, with some especially great work on guitar and bandolim, and great production on the band's vocals. Titles include "Sorrir E Cantar Como Bahia", "Dagmar", "Vagabundo Nao E Facil", "Cosmos E Damiao", "Com Qualquer Dois Mil Reis", and "Os Pingo Da Chuva".

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Dead Can Dance

LP | 1987 | EU | Reissue (4AD)

Eu Quero E Botar Meu Bloco Na Rua

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Dead Can Dance's third album. Within The Realm Of A Dying Sun, was originally released in the Summer of 1987. Recorded during an intense period of musical and personal growth for the band, the album’s eight songs are split equally between the duo with the first half being sung by Brendan and the second Lisa.

The album’s cover only adds to the album’s aura of mystery with a haunting photograph of the family grave at the Père-Lachaise cemetery in Paris of famed French biologist François-Vincent Raspail.

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Sergio Sampaio

LP | 1973 | BR | Reissue (Polysom)

Wonderful & Frightening World Of The Fall

Release: 1973 / BR – Reissue

Genre: Organic Grooves

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This is a classic Latin must-have.

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The Fall

LP | 1984 | EU | Reissue (Beggars Banquet)

Release: 1984 / EU – Reissue

Genre: Pop

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LP | 1973 | EU | Reissue (Music On Vinyl)

Tower Of Power

LP | 1971 | BR | Reissue (Polysom)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Tower Of Power is the third album release for the Oakland-based Funk band Tower of Power. This is their most successful album to date, which was released in May 1973. The album peaked at No. 15 on the Billboard Top LPs chart and received a Gold record award for sales in excess of 500,000. The album spawned their most successful single, "So Very Hard to Go".

180g vinyl.

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Erasmo Carlos

Carlos, Erasmo

LP | 1985 | EU | Reissue (Music On Vinyl)

Release: 1971 / BR – Reissue

Genre: Organic Grooves

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Polysom Brazil vinyl LP repress import, released in 1971. Erasmo Carlos sounds even cooler here than usual – still working with tunes penned with his brother Roberto – but also taking on music by Caetano Veloso, Jorge Ben, and Marcos Valle too!

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Yello

Stella

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1985 / EU – Reissue

Genre: Pop

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Stella is the fourth studio album by the Swiss electronic band Yello, first released in 1985. It was the band's breakthrough album internationally, helped by the success of the song "Oh Yeah", which gained the band worldwide attention the following year after it was prominently featured in the 1985 film Ferris Bueller's Day Off and then two years later in The Secret Of My Success.

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The Meters

Rejuvenation + 2

12" | 1981 | US | Reissue (Peoples Potential Unlimited)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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180g audiophile vinyl

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Dazzle

Explain

2LP | 1987 | US | Reissue (Awesome Tapes From Africa)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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sooooo good! Pure boogie!

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Dur-Dur Band

Volume 5

2LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 1987 / US – Reissue

Genre: Organic Grooves

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4th strike on Awesome Tapes From Africa, another stunner! The classic Somali band's 1987 recording captures some of the incredible sounds happening in Mogadishu during that era.

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Bill Withers

Live At Carnegie Hall

33,99 €*

LP | 1979 | US | Reissue (Alive)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Pressing / Gatefold Sleeve

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Swell Maps

International rescue

Release: 1979 / US – Reissue

Genre: Rock & Indie

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LP+CD | 1973 | EU | Reissue (Lilith)

Brainticket

Celestial Ocean

LP | 1981 | EU (Vinyl Lovers)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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1973s brilliant Celestial Ocean, by the legendary Swiss krautrock band BRAINTICKET, is a concept album that details an ancient pharoahs journey into the afterlife (substitute the word "journey" for "trip" and youll get what they were driving at). However, Brainticket were not mere products of their time, they explored some truly compelling musical territory and produced a superlative blanket of sound-featuring a pioneering mix of early synthesizers, flute, zither, sitar, and male / female stream-of-consciousness spoken word vocals-that ebbs and flows in the same general cosmos as classic Gong. This reissue is fully remastered from the original master tapes.

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The Cure

Faith Grey Vinyl Edition

LP | 1970 | EU | Reissue (Cosmic Rock)

Release: 1981 / EU

Genre: Rock & Indie, Pop

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140 gram grey vinyl reissue!

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V.A.

Simla Beat '70

19,99 €*

Annette Peacock And Paul Bley

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Sensational reissue for the first volume of iconic compilation Simla Beat 70. A psych garage manifesto, the record consisted of groups who appeared at the All-India Simla Beat ‘battle of the bands’ contest held in two years (1970 and '71) in Bombay. The annual event and the records were sponsored by The Imperial Tobacco Company. Bands from all around India would compete for first prize. The album - indeed - was not recorded live on the stage but in a primitive makeshift studio using very little overdubbing or sound reinforcement. The sound is generally influenced by the proto-garage western movement of the mid sixties and later became a massive cult for all the 70s rock fans.

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Dual Unity

LP | 1972 | EU | Reissue (Cosmic Jazz)

19,99 €*

LP | 1970 | EU | Reissue (Rhino)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Here's the reissue of Annette Peacock and Paul Bley's "Dual Unity" album, originally released in 1972 on Freedom Records. Hailed as a pioneer and artistic genius by many, this album captures Peacock in her element alongside husband, Canadian jazz genius Paul Bley. Dual Unity is a landscape of aural vision captured on tape in 1970, during their first European tour. For 33 minutes and 21 seconds, the listener is absorbed by other spirits. Using Robert Moog's earliest synthesizers, Bley and Peacock apply the strategic use of silence to indicate its reflective nature with captivating results. A statement of immensity through synthetic minimalism and a milestone in the avant-garde, free jazz movement. Guests musicians: Han Bennink (drums) on "M.J." and "Gargantuan Encounter", Mario Pavone (bass) and Laurence Cook (drums) on "Richter Scale" and "Dual Unity".

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The Stooges

Fun House

44,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Arabusta)

Horace Martin

You've Changed

Release: 1986 / EU – Reissue

Genre: Reggae & Dancehall

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Lonnie Liston Smith & The Cosmic Echoes

Astral Travelling

LP | 1973 | UK | Reissue (BGP / Flying Dutchman)

25,99 €*

LP | 1977 | UK | Reissue (Southbound)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Born and raised in Richmond, Virginia, keyboard player Lonnie Liston Smith moved to New York in 1963 playing with the likes of Dakota Staton, Al Hibbler, Max Roach and Abbey Lincoln and Roland Kirk. He made his first recordings with Kirk and in 1968 entered into a mutually rewarding and instructive partnership with Pharoah Sanders and Leon Thomas. In 1971-2 he toured Europe with saxophonist Gato Barbieri appearing on his 1973 albums “Under Fire” and “Bolivia”. His growing reputation was also burnished by playing Fender Rhodes with Miles Davis electric band.

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Millie Jackson

Feelin' Bitchy

21,99 €*

The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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In the spring of 1977, Millie Jackson was down in Muscle Shoals, Alabama, laying down tracks for what became “Feelin’ Bitchy” with co-producer Brad Shapiro. Released in August 1977, the album reached #4 and #34 in America’s Billboard’s R&B and Hot 100, going gold with over 500,000 copies sold. Jackson’s cover of ‘If You’re Not Back In Love By Monday’ – already a hit for Merle Haggard in March 1977 – also reached #5 R&B and #43 in the Hot 100 in August. Although the album did not chart in the UK, “Feelin’ Bitchy” sold strongly to a dedicated fanbase who had voted her the #1 female singer in the Blues & Soul magazine annual poll. Jackson also performed much of the material on her sold-out UK dates in early 1978.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

139,99 €*

Only The Strong Red Black Splatter Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Thor

LP | 1985 | EU | Reissue (Dead Line Music)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | JP | Reissue (Union)

Ryusei Tomoyose

Dah Nah

50,99 €*

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Jack The Ripper Red Vinyl Edition

Link Wray

LP | 1982 | US | Reissue (Sundazed)

31,99 €*

Masahiko Togashi / Isao Suzuki

Release: 1982 / US – Reissue

Genre: Rock & Indie

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With his rawboned and ravaged instrumentals from the early ’60s, Link Wray single-handedly made the guitar the ultimately cool instrument of choice for a whole new generation. Wielding a Danelectro Longhorn, Link Wray—who created the blueprint for everyone from the Kingsmen to the Cramps with his flame-throwing sound—proceeded to outdo himself with this rare LP from 1963, now corralled on this Sundazed exact-repro, in crunchily perfect sound courtesy of the original Swan mono master tapes!

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A Day Of The Sun Black Vinyl Edition

LP | 1979 | EU | Reissue (Cinedelic Orient Series)

7" | 1982 | EU | Reissue (Arabusta)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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"A DAY OF THE Sun" is a spiritual jazz masterpiece full of poetry by two geniuses of the Japanese musical scene. Masahiko Togashi and Isao Suzuki, pivotal figures in jazz with a unique talent and sensitivity that transcends conventional jazz forms and styles. In addition to being skilled performers they demonstrate extraordinary compositional talent that transcends their sensibilities and wisdom of more conventional jazz. They are together a wonderful combination of techniques, but without the eyes and ears of these two artists, the mutual understanding, friendship and cooperation that only certain artists are able to recreate together, would never have given rise to this music. The album is based on Togashi's drums/percussion and Suzuki's bass, with occasional changes to cello and piano/synths, and is skillfully performed by just the two of them, creating a unique worldview; a performance that far exceeds expectations. The mystical melodies of the East, earthy percussion, and the sensibilities of the two intertwine to create a unique groove, resulting in a universal masterpiece that will never fade away and connects with today's sound makers and DJs. Top sound quality from original master tapes. Includes 4-sided insert with a very interesting interview at the time with the two musicians regarding the record. Masahiko Togashi: Snare Drums, Tom Tom Set, Melody Tom Set, Bass Drum, Cymbals, Bells, Gong, Cow-bells, Synthetizer, Solina String-Synthesizer Arp Isao Suzuki: Double-Bass, Piccolo-Bass, Cello, A. Piano, Bells, marimba, Maracas, Solina String-Synthesizer Arp

Recorded Feb. 1, 2 & 3, 1979 at King Records, Studio 2, Tokyo.

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Paketo Wilson

Immigration

15,99 €*

Release: 1982 / EU – Reissue

Genre: Reggae & Dancehall

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Hounds Of Love 2018 Remaster Ecopak Cd Edition

Kate Bush

Tape | 1985 | EU | Reissue (Fish People)

LP | 1972 | US | Reissue (Mobile Fidelity)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Hounds Of Love was Kate's fifth studio album, and her second no. 1.

Featuring "Running Up That Hill (A Deal with God)", it has since been certified Double Platinum in the UK by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Bill Withers

Still Bill

58,99 €*

LP | 1982 | EU | Reissue (Arabusta)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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180g

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Tchiss Lopes

Stranger Ja Catem Traboi

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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12" | 1970 | EU (Trading Places)

Mungo Jerry

In The Summertime

LP | 1973 | EU | Reissue (Strut)

Release: 1970 / EU

Genre: Rock & Indie

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After performing together in the skiffle-oriented band Good Earth, singer-songwriter Ray Dorset and keyboardist Colin Earl formed Mungo Jerry, whose breakthrough single, “In The Summertime,” remains a stone-cold anthem of the early 1970s. With Paul King on banjo and jug, Mike Cole on string bass, Earl on ragtime piano and with Dorset’s humorous vocals upfront, “In The Summertime” was skiffle-tinged rock at its best. The reissue of this uncommon 12-inch also features Dorset’s “Mighty Man,” with King’s kazoo and harp, as well as a great cover of Woodie Guthrie’s “Dust Pneumonia Blues.” A must-have!

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Ofege

Try And Love

25,99 €*

Master Control 35th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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New from Strut, a fresh reissue of the classic debut album "Try And Love" (1973) from one of Nigeria"s most celebrated Afro-rock bands, Ofege.The album caught the imagination of a young Nigerian crowd fascinated by the new teen band and Ofege joined a fresh wave of homegrown artists coming through in the wake of Fela"s towering influence and other Afro-rock bands like Monomono, Ofo The Black Company and Blo.

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Liege Lord

LP | 1987 | EU | Reissue (Sony Music/Metal Blade)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Island)

Bob Marley & The Wailers

Catch A Fire

Release: 1972 / EU – Reissue

Genre: Reggae & Dancehall

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Kiss Me, Kiss Me, Kiss Me

The Cure

2LP | 1987 | EU | Reissue (Polydor)

LP | 1985 | UK | Reissue (Beggars Banquet)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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The Cult

Love Black Vinyl Edition

LP | 1985 | EU | Reissue (Archives De La Zone Mondiale)

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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Beggars Arkive will release a long-awaited vinyl reissue of THE Cult"s second album Love on February 24th. THE Cult is fronted by Ian Astbury on vocals and Billy Duffy on guitar. Their music and albums at this point need no introduction as they have cemented themselves over the years since they began in 1983, as one of the greatest rock bands around. Love was the Cult"s second album, originally released in 1985. It was their breakthrough and produced many singles including "Rain", "Revolution" and the epic anthem "She Sells Sanctuary" - songs that still resonate today - in fact "She Sells Sanctuary" was recently featured in Season Two of the hit TV show Euphoria. The album eventually defined their career, but at the time, it flew in the face of everything that was going on in music.

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Berurier Noir

Concerto Pour Detraques

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | JP | Reissue (XXX)

Gauze

Equalizing Distort

LP | 1972 | UK | Reissue (Sony Music)

Release: 1986 / JP – Reissue

Genre: Rock & Indie

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GAUZE's 2nd album, originally released in 1986. The album is full of great songs and is popular both domestically and internationally.

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Simon & Garfunkel

Greatest Hits

Release: 1972 / UK – Reissue

Genre: Pop

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Ghost In The Machine Alternate Sequence Picture Disc Edition

The Police

LP | 1981 | EU | Reissue (Mercury)

38,99 €*

Release: 1981 / EU – Reissue

Genre: Pop

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LP | 1971 | EU | Reissue (Rhino)

The Doors

L.A.Woman

41,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | EU | Reissue (Estars Production)

Sandy Marton

People From Ibiza

They Say I'm Different Black Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Pop

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The success that was launched in 1984 by Sandy Marton is back in the 2022 version and has become one of the summer hits that every year mark the return and the whole summer period. Contains the original

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Betty Davis

LP | 1974 | US | Reissue (Light In The Attic)

34,99 €*

LP | 1973 | EU | Reissue (MIG)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.

There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Ji mi Hendrix — personally inspiring the classic album Bitches Brew.

But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Cla pton as her album producer, seeing him as too banal.

Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”

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Agitation Free

2nd

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Rhino)

John Prine

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Sony)

Simon & Garfunkel

Greatest Hits

Release: 1972 / EU – Reissue

Genre: Pop

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LP | 1981 | EU | Reissue (Sony)

Bill Withers

Greatest Hits

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Techno Pop German Version Clear Vinyl Edition

Kraftwerk

LP | 1986 | UK | Reissue (Parlophone)

36,99 €*

Release: 1986 / UK – Reissue

Genre: Electronic & Dance

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Every Good Boy Deserves Favour

The Moody Blues

LP | 1971 | EU | Reissue (Universal)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Dreamin' Wild Blue Vinyl Edition

Donnie & Joe Emerson

LP | 1979 | US | Reissue (Light In The Attic)

Movin' In The Right Direction

Release: 1979 / US – Reissue

Genre: Organic Grooves

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40th Anniversary Edition
Pressed on Baby Blue Wax
LP include detailed liner notes by Dave Segal, interviewing the Emersons plus unseen photos
Housed in gatefold “tip-on” jacket, with insert and includes download card for full album

“‘Baby’ has been a staple on just about every playlist/mixtape I’ve assembled in the past 3 years. It is nothing short of sublime.” – Ariel Pink
“This is one of those LPs that helps one understand why people bother to even look for records to begin with… lovely, surprising mix of folk, soul, psych and funk.” – Oliver Wang, Soul-Sides
Pacific Northwest isolation mixed with wide-eyed ambition, a strong sense of family and the gift of music proved to be quite the combination for teenage brothers Donnie and Joe Emerson. Originally released in 1979, Dreamin’ Wild is the sonic vision of the talented Emerson boys, recorded in a family built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock.
Spurred on their high school’s music program, Donnie and Joe received a further push from their lifelong farmer father, who drew up a contract stating that he’d support his sons lofty ambitions with their very own recording studio as long as they focused on original material, sage advice for a man with zero experience in the music business. After taking out a second mortgage to help cover costs, Don Sr. also built his children a 300-capacity concert hall (dubbed Camp Jammin’) replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled “The Rock And Roll Farmers” from nearby Spokane, Washington. Even the Emerson brother’s school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not as far as Seattle, five hours away from their rural home. Somewhat rejected by the muted response, but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today.
This rare slice of bedroom-funk gets the usual Light In The Attic treatment with newly remastered audio, detailed liner notes, and expanded original album art with loads of photos from the Emerson’s collection. Be sure to also check out the short documentary (above), Rock and Roll Farmers.

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Steve Parks

LP | 1981 | EU | Reissue (Luv N' Haight)

LP | 1981 | EU | Reissue (Be With)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Originally released by Solid Smoke Records in 1981, and becoming a rare groove staple and classic in the '90s and early 2000's. This is the first proper reissue of the highly sought after album on 180gm vinyl and housed in a heavyweight tip-on jacket. Featuring the title track "Movin' In the Right Direction" along with "Sadness In My Samba".

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