Vinyl 698 Items

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Island)

Fairport Convention

Unhalfbricking

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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What We Did On Our Holidays

Fairport Convention

LP | 1969 | EU | Reissue (Proper)

31,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Fapardokly Record Store Day 2022 Vinyl Edition

Fapardokly

LP | 1967 | EU | Reissue (Bonfire)

Western Union Gold Record Store Day 2022 Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Fully remastered and licensed ltd to 500 copies, 180 gr. Fapardokly was an American band from the West Coast. They’re sole self-titled album was effectively a 12 tracks developed by leader Merrell Fankhauser accompanied by a rotation of musicians. Originally released in 1967 on the small imprint UIP, the album is a perfectly fitting lost nugget from the psychedelic era, collecting a series of lysergic pop numbers with solemn orchestration and strong choral vocal efforts. One of the leading tracks – ‘Gone To Pot’ – has an aurea similar to the classic Byrds ‘Eight Miles High’, promoting an extra-sensorial experience all the way.

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Five Americans

LP | 1967 | US | Reissue (Sundazed)

Ark 2 White Vinyl Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Limited to 1200 copies. While overshadowed by its euphonic earworm, this is a remarkably deep and diverse album. With saccharin-saturated jangly pop that verges on bubblegum ('If I Could'), infectious Vox organ propelled grooves ('Sound Of Love'), fuzz-driven garage ('Reality') and the splendid and inventive sonic atlas 'Big Cities'! Come for the single, stay for the album! All analog, pressed on Abnak gold vinyl!

1. Western Union 2. Gimme Some Lovin’ 3. Husbands & Wives 4. If I Could 5. Sympathy 6. Big Cities 7. Sound Of Love 8. I Put A Spell On You 9. Tell Ann I Love Her 10. Reality 11. Now That It’s Over 12. See-Saw-Man

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Flaming Youth

LP | 1969 | EU | Reissue (Klimt)

LP | 1969 | US | Reissue (Rhino)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Ark 2 is the only studio album by the short lived British rock band Flaming Youth. It was released in October 1969 by Fontana Records, and was written and produced by the songwriting team of Ken Howard and Alan Blaikley. Its concept, inspired by the media attention to the 1969 Moon landing, tells the story of man's evacuation from a burning Earth and its journey into space. Each member of the band sings a lead vocal. It was drummer Phil Collins' first major label recording.

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Fleetwood Mac

Then Play On

38,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Francoise Hardy With Ezio Leoni And His Orchestra Green Vinyl Edition

Francoise Hardy

LP | 1963 | EU | Reissue (SAAR)

Release: 1963 / EU – Reissue

Genre: Pop

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Frank Sinatra & Antonio Carlos Jobim

Francis Albert Sinatra & Antonio Carlos Jobim

LP | 1967 | EU | Reissue (Universal)

Jingle Bells Evergreen Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Pop

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“Francis Albert Sinatra & Antônio Carlos Jobim” is a 1967 studio album by Frank Sinatra and Antônio Carlos Jobim. The tracks were arranged and conducted by Claus Ogerman, accompanied by a studio orchestra. Along with Jobim's original compositions, the album features three standards from the 'Great American Songbook, ("Change Partners", "I Concentrate on You", and "Baubles, Bangles and Beads") arranged in the bossa nova style. This new edition contains additional bonus tracks.

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Frank Sinatra

LP | 1961 | EU | Reissue (Frank Sinatra Enterprises)

Release: 1961 / EU – Reissue

Genre: Pop

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Frank Zappa

Hot Rats

LP | 1969 | US (Zappa)

Release: 1969 / US

Genre: Rock & Indie

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2LP | 1969 | EU | Reissue (Zappa)

Frank Zappa

Uncle Meat

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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2LP | 1969 | DE | Reissue (Zappa)

Frank Zappa

Uncle Meat

46,54 €* 48,99 € -5%

Release: 1969 / DE – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Speakers Corner)

Freddie Hubbard

Backlash

34,99 €*

The Body & The Soul Verve By Request

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled "Backlash", is still until today the best of the bunch.
Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford Brown in his heart and fingers. All the titles are excellent. Of special note, however, is "Little Sunflower". The sound colouring of the flute harmonizes particularly well with Hubbard’s brass, and Ray Barretto’s contribution is more than mere decoration. You’re certainly on the right track with this LP, no matter whether it’s the beginning of a Freddie Hubbard collection or a further contribution to a large jazz collection.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber
Production: Arif Mardin

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Freddie Hubbard

LP | 1963 | EU | Reissue (Impulse)

33,99 €*

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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On his second and last album for Impulse! Records, trumpeter Freddie Hubbard went all out: with a first-class orchestra conducted and arranged by Wayne Shorter, occasionally reinforced by strings, and a varied repertoire that seamlessly combined standards with originals by Hubbard.
VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve

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Freddie Hubbard

The Hub Of Hubbard

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Good Move Tone Poet Vinyl Edition

Freddie Roach

38,99 €*

LP | 1967 | EU | Reissue (Everland)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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After appearing on Blue Note albums by Ike Quebec, Hammond B3 organist Freddie Roach made his own run of soul jazz classics for the label including the standout 1963 date 'Good Move' featuring Blue Mitchell on trumpet, Hank Mobley on tenor saxophone, Eddie Wright on guitar, and Clarence Johnston on drums.

BLUE NOTE TONE POET EDITION: Mono, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold sleeve with deluxe tip-on jacket.

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Freddy Butler

With A Dab Of Soul

LP | 1967 | EU | Reissue (Bonfire)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A crown jewel of the US American soul music of the 1960s. The earthy production and vivid feeling makes this album way more tangible for fans of the genre than most polished and slick major productions. A true gem for all collectors of underground soul from the USA.

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Free Design

Kites Are Fun

LP | 1969 | EU | Reissue (Ebalunga!)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. 1967, just like it was yesterday, pre Vietnam war scenario, high hopes and a new bright horizon, soon to be fall. Meanwhile, the music and - in this case - the celestial vocal harmonies of the East Coast unit formally known as Free Design Their 1967 debut 'Kites Are Fun' is still a case in point and a major influence on today's alternative pop. Often referred as the East Coast answer to Mamas & the Papas, the band had a more ethereal and eclectic approach. From the gentle orchestral accompaniment of 'Make the Madness Stop' to the folkish bossa of 'When Love Was Young' through the sensational arrangements of 'Proper Ornaments' - a number eventually championed by Madlib in the stunning tribute The Now Sound Redesigned (released on Light In The Attic in 2005) - you'll find more than a singular approach. Produced by none other than Enoch Light the album is still an astonishing piece of heavenly art-pop with such a lysergic counterpoint.

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Gabor Szabo

1969

The Sorcerer Verve By Request Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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“Gabor Szabo exploded onto the American jazz scene in the early sixties. His unusual approach and unique sound brought something startling and new to jazz. With Chico Hamilton, Charles Lloyd and Gary McFarland, Szabo offered something few in jazz had ever heard before: guitarist as enchanter and conjurer and musician as storyteller and mesmerist. Once Szabo declared his independence in 1966, he also proved how seamlessly jazz can blend the Beatles and Bacharach with Latin and Indian styles. The guitarist released a string of albums on Impulse that challenged many assumptions about jazz and stand out today as some of the most radical, yet appealing music of the period. But the times were woefully a-changing. Szabo biographer Károly Libisch considers the year 1969 a “turning point” for the guitarist. The spell Szabo weaved in the press was beginning to wane. The blizzard of coverage he generated in the previous few years began to trickle off. Perhaps the rise of rock – and rock-guitar heroes – tamped down the guitarist’s exotic allure and faddish charm. Then, too, Szabo’s erratic behavior started attracting poor notices and hastened the demise of his storied quintet, featuring guitarist Jimmy Stewart and percussionist Hal Gordon, in late 1968. Now, both Gabor Szabo, the artist and businessman, needed a hit. 1969 was his response to the call of 1969.

The album was released in August 1969, initial reviews were positive. Cash Box raved that Gabor Szabo 1969 “is magnificent music, and an album that deserves great success” while Record World called it “luscious guitaring” that features “lots of contemporary material, which he makes completely his own.” Gabor Szabo 1969 never did find the success it was seeking. But it remains a lovely listening experience that finds the guitarist at his melodic best at an important crossroads in his recording career. “

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Gabor Szabo

LP | 1967 | EU | Reissue (Impulse)

Gandalf Clear Vinyl Edtion

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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This 1967 set, recorded live at Boston’s Jazz Workshop, showcases virtuoso guitarist Szabó—a veteran of Chico Hamilton’s and Charles Lloyd’s bands—at the top of his game on a diverse program featuring standards (“What Is This Thing Called Love”) and pop hits (“The Beat Goes On”) as well as the original and psychedelic-tinged jam, “Space.”

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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Gandalf

LP | 1969 | US | Reissue (Jackpot)

35,99 €*

Another Earth Vinyl Me, Please Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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If you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce GANDALF’s 1969 self-titled release as one of our proudest moments. Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych-pop record (fans of THE Left Banke, Kaleidoscope, THE Millennium, and THE Zombies, take note!). Recorded at Century Sound in Manhattan with Grammy-winning producer Brooks Arthur (who engineered Neil Diamond’s “Sweet Caroline” and Van Morrison’s “Brown Eyed Girl”), the production of the album was created on the spot in the studio with arrangements being thrown about and the incredibly haunted vocals being recorded directly from the band’s PA using a Binson Echorec to make this innovative sound (Pink Floyd later used the same echo unit to great effect). Add to that sitars, vibes, B3 organs, harpsichord, minor tragic guitar chords, and bass drones aplenty, and you’ve got the recipe for an album that bears listening to with eyes closed, music cranked, mind open. So get in on the beauty of this record, and as Sando says on the liner notes: “Put the needle in the groove, sit back, and take the trip with GANDALF.” Enough said.

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Gary Bartz

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

LP | 1961 | US | Reissue (Analogue Productions)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
During the pagan hours of an otherwise uneventful Harlem pre-dawn in 1963, Gary Bartz glimpsed a galactic mystery that conventional aeronautics could not explain. Only a few weeks prior, the nascent alto saxophone virtuoso had acquired his first telescope to pursue a newfound passion for astronomy. The purchase was already yielding dividends.

The recent Juilliard graduate’s fascination with the heavens began with astrology, but the then 22-year-old quickly realized that those celestial sketches were just photographs of the sky as captured during a specific orbit. Why bother with the rough blueprint when you could witness the entire electromagnetic spectrum in its full glory?

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Gene Ammons

Nice An' Cool

53,99 €*

LP | 1961 | US | Reissue (Waxwork)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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This 1961 set of standards, favoring ballads, is Gene Ammons in his prime. For the most part, this session is tight and structured, keeping Ammons firmly locked in the groove more so than on some of his more wandering dates. His big-as-a-house tone stands center stage in front of a sympathetic piano-bass-drums trio of Richard Wyands, Doug Watkins and J.C. Heard, respectively.

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Gene Moore

Carnival Of Souls

40,99 €*

Release: 1961 / US – Reissue

Genre: Pop

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LP | 1961 | EU | Reissue (Waxwork)

Gene Moore

OST Carnival Of Souls

LP | 1967 | DE | Reissue (Blue Note)

Release: 1961 / EU – Reissue

Genre: Pop

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ROB ZOMBIE PRESENTS CARNIVAL OF SOULS Original Motion Picture Soundtrack Features:

The Original Soundtrack Officially Available For The First Time
"Carnival Ghoul" Blue Pinwheel Colored Vinyl
Old Style Tip-On Gatefold Jackets with Matte Satin Coating
New Art by Graham Humphreys
12"x12" Insert

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George Braith

Extension

14,99 €*

Release: 1967 / DE – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (BMG Rights Management)

George Harrison

Electronic Sound

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Electronic Sound Record Store Day 2024 Vinyl Edition

George Harrison

12" | 1969 | Reissue (Dark Horse)

25,19 €* 35,99 € -30%

George Kawaguchi Big Four

Release: 1969 / Reissue

Genre: Rock & Indie

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Dark Horse Records and Record Store Day are excited to announce a multi-year partnership to release limited Zoetrope picture disc pressings of George Harrison’s entire studio album catalog. The first two titles in the RSD exclusive series — Wonderwall Music and Electronic Sound — will be available on Record Store Day in April 2024. Limited to 8,000 units globally and exclusive to Record Store Day, each unit is individually numbered in silver foil and includes an insert reproducing theoriginal artwork. As a direct result of The Beatles’ keen curiosity about experimental music and other avant-garde artistic expression, Apple Records launched its short-lived Zapple subsidiary in February 1969 as a forum for unfettered sonic exploration, or, as announced at the time, “more freaky sounds.” George’s Electronic Sound and John Lennon and Yoko Ono’s Unfinished Music No. 2: Life with the Lions, both released in May 1969, were Zapple’s only releases before it was closed down. Electronic Sound’s cover art, painted by George, depicts his Moog IIIp synthesizer (which was later used on four tracks by The Beatles on their album Abbey Road) with the four modules from which the sound was synthesized. Each side of the Electronic Sound LP featured one exploratory long-form work.

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George And Sleepy

LP | 1969 | JP | Reissue (Victor Entertainment Japan)

45,99 €*

Night Lights Acoustic Sound Edition

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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In the 1950s, the Big Four, led by George Kawaguchi, was a pioneering force in Japan's modern jazz scene, gaining immense popularity. Despite changes in its lineup, the group continued to make a significant impact on Japanese jazz. The album 'George & Sleepy' was originally released in 1969 as part of Victor's Japanese Jazz series. While the original liner notes described it as an attempt to recreate the nostalgia of the George Kawaguchi Big Four, this album is far from just a retrospective. Tracks like "Lover" and "Charade" nostalgically evoke the classic Big Four, offering pure enjoyment. Meanwhile, the album also impresses with more contemporary elements, such as the refined groove of "Tuesday Samba" and the exotic, beat-driven "Vietnam." This thrilling album masterfully showcases the timeless appeal of jazz, blending the past and present through the deep, skillful performances of these jazz veterans.

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Gerry Mulligan

LP | 1963 | EU | Reissue (Verve)

43,99 €*

OST Il Magnifico Tony Carrera

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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The album "Night Lights" by American jazz saxophonist Gerry Mulligan was released in 1963, at the height of the bossa nova boom of the early 1960s. Laid-back rhythms and lyrical compositions leave room for improvisations and charming arrangements of signature solos by his fellow musicians - in addition to three original compositions, there are relaxed versions of Chopin's "Prelude in E Minor" and the Brazilian anthem "Morning of the Carnival" from Luiz Bonfa's "Black Orpheus".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Gianni Marchetti

2LP | 1969 | EU | Reissue (Transversales Disques)

LP | 1969 | UK | Reissue (Matsuli)

Release: 1969 / EU – Reissue

Genre: Soundtracks

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First ever LP reissue of this ultra-rare Italian soundtrack originaly released on cult CAM label. Gianni Marchetti wrote this beautiful score for the Eurospy filmI Il Magnifico Tony Carrera as he was more of a songwritter than a film composer.
The score includes lots of different atmospheres and arrangements: from fuzzy dark psychedelic themes with harpsichord and haunted choirs (performed by the famous 4 + 4 di Nora O²rlandi) to angelic and dreamy vocal themes. Also contains some tense climax sitar tunes with beautiful bass sound.
Compared to the original CAM LP, this reissue dropped some carnivalesque tracks in order to include some nice unreleased variations of the themes, plus all the suspense cues that were largely removed from the original tracklisting.
Il Magnifico Tony Carrera is definitely a major score of the Italian Silver Age.
Limited Edition remastered from the original master tapes.

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Gideon Nxumalo

Gideon Plays

27,89 €* 30,99 € -10%

LP | 1969 | US | Reissue (Universal)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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• Long lost 1968 album from visionary South African jazz composer incorporating traditional African music sources and instruments.

• Officially licensed from the Nxumalo family and reissued with inner sleeve containing archival photographs and new liner notes by Francis Gooding.

Gideon Nxumalo’s Gideon Plays might just be the most mythologised and sought-after LP in the whole South African canon. A sophisticated bop excursion with a distinctive African edge, it was only Nxumalo’s second LP as leader, despite his crucial place in South African jazz history. Pianist Nxumalo was a visionary jazz composer who had recorded regularly during the 1950s, and his 1962 Jazz Fantasia album was the first South African jazz recording to incorporate traditional African musical sources and instruments. But he was also the country’s most significant radio presenter and jazz tastemaker – from 1954 onwards, he had worn the nickname ‘Mgibe’ to introduce ‘This Is Bantu Jazz’, South African radio’s premier jazz show. But in the aftermath of the Sharpeville Massacre in 1961, Nxumalo had been side-lined from radio play, and was eventually sacked for playing records with political meanings. By 1968, he had not been heard on record or airwave for several years. Gideon Plays was a celebrated return to the studio for one of South Africa’s best loved and most forward-thinking jazzmen, and it showcases Nxumalo’s deep understanding of jazz, his brilliant touch as a composer, and his commitment to bringing South Africa’s indigenous sound into the music. However, it was released on the tiny JAS Pride label owned by production impresario Ray Nkwe, and after one pressing in 1968, Gideon Plays fell into the undeserved silence that has obscured so much of the South African jazz discography. It has since become a legend: hardly more than a rumour, it has been bootlegged by the unscrupulous, changed hands for eye-watering sums, and has scarcely been heard outside the circles of the most committed South African jazz devotees. It goes without saying that it has never been released outside South Africa, and even now only a handful of original copies are known to have survived. Over the last ten years, Matsuli Music has been proud to present some of the greatest lost and found jazz recordings in South African history – but we have never presented a rarer, lesser known album than the mighty Gideon ‘Mgibe’ Nxumalo’s Gideon Plays.

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Glen Campbell

Galveston

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Gloria Coleman Feat. Pola Roberts

Soul Sisters Verve By Request Edition

LP | 1963 | EU | Reissue (Impulse)

Eight Miles High Red Vinyl Edition

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Organist Gloria Coleman discovered drummer Pola Roberts and formed a female band with her. In 1963, the "Soul Sisters", joined by guitarist Grant Green and Leo Wright on saxophone recorded this satisfying and soulful album, unique in the Impulse catalog. Produced by Bob Thiele and recorded by Rudy Van Gelder.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve.

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Golden Earring

36,99 €*

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Strictly Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! Full dynamic range 2022 remasters direct from the first generation analogue master tapes! Limited Edition 500 LPs

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Goldenrod

LP | 1961 | EU | Reissue (Culture Factory)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Vietnam war, the excruciating motto ‘turn on, tune in, drop out’, all of a sudden we were in a new era, just across the lysergic exploitation and the political turmoil. The self-titled album by American trio Goldenrod was released on a small run in 1969 on the enigmatic Chartmaker. An instrumental album full of extended and improvised jam recorded in their hometown of Los Angeles. It comprises of just four tracks, enough for an essential trip. Titles such as "Karmic Dream Sequence" and "Descent Of The Cyclopeans" offers a new exploratory vision, between the past and the future. Goldenrod was a rare metaphysical drug experience you wouldn’t miss again! All three band members met while playing behind The Fifth Dimension and they had earlier played with Ballroom who were a pre- The Millennium-Sagittarius band. After all the three members became all of a sudden top LA session men. Jerry Scheff went on to play with The Millennium (the Californian super group led by Curt Boettcher, basically consisting of psychedelic rock musicians) while Ben Benay appeared in the blues-rock outfit Funzone in the seventies.

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Grant Green

Grant's First Stand

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | Reissue (Not Now)

Grant Green

Grant's First Stand

Release: 1961 / Reissue

Genre: Organic Grooves

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Idle Moments Blue Note 85 Blue Vinyl Edition

Grant Green

2LP | 1969 | EU | Reissue (Rhino)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Time and troubles seem to melt away during the fifteen enrapturing minutes of “Idle Moments,” the opening track of Grant Green’s sublime 1963 album of the same name. As the piece unhurriedly unfurls all the unique colours of the ensemble present themselves with Green’s soulful guitar joined by Duke Pearson’s elegant piano, Bobby Hutcherson’s crystalline vibraphone, Bob Cranshaw’s reassuring upright bass, Al Harewood’s subtle drums, and Joe Henderson’s magnificent tenor saxophone. The pace quickens for the rest of this tremendous set including the nimble Green original “Jean de Fleur,” a bluesy take on John Lewis’ MJQ standard “Django,” and a driving performance of Pearson’s original “Nomad.”

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Grateful Dead

Live dead

34,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Cosmic Rock)

H.P. Lovecraft

LP | 1967 | EU | Reissue (Life Goes On)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Originally released in October 1967 by Philips Records, H. P. Lovecraft is the debut album by the American psychedelic rock band H. P. Lovecraft. The album blended psychedelic and folk rock influences and was marked by the haunting, eerie ambiance of the band's music, which itself was often inspired by the literary works of horror writer H. P. Lovecraft, after whom the band had named themselves. This is possibly one of the best second-division psychedelic albums, that shows the immediately identifiable Edwards-Michaels vocal tandem at its best. With deft touches of folk, jazz and sultry horn arrangements the album was a cult behind his own generation.

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Hal Blaine

Psychdelic Percussion

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Psychedelic Percussion definitely sticks to his title. With the help from Paul Beaver of Beaver & Krause (famous keyboard wizard and sound engineer for the likes of Stevie Wonder), vibe master Emil Richards (check is two fantastic album on Impulse! with The Microtonal Blues Band featuring Joe Porcaro, father of the famed Toto brothers) and Gary Coleman (percussionist in the famous Wrecking Crew), Blaine goes wild in the studio with drums, gong, xylophone, organ, bongos, congas and timpani. Unusual textures and tones lead the way to 12 instrumental exotic numbers similar in a way to Raymond Scott most visionary experiments. This is pure madness, a record full of breaks and still unsurpassed in many ways. Blaine was an American drummer and session musician, estimated to be among the most recorded studio drummers in the history of the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one, as well as many film and television soundtracks. He became one of the regular players in Phil Spector's de facto house band, which Blaine nicknamed "the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond and the Byrds.

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Hank Mobley

No Room For Squares

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Steppin' Out Tone Poet Vinyl Edition

Harold Vick

42,99 €*

LP | 1969 | Reissue (Sony)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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In 1963, tenor saxophonist Harold Vick made his sole album as a leader for Blue Note, the underrated soul jazz gem „Steppin’ Out“. The record finds its groove from the first downbeat and stays firmly in the pocket throughout this set featuring Blue Mitchell, Grant Green, John Patton, and Ben Dixon.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket

Harold Vick (tenor saxophone); Big John Patton (organ);

Grant Green (guitar); Ben Dixon (drums); Blue Mitchell (trumpet)

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Harry Nilsson

Nilsson Sings Newman

Release: 1969 / Reissue

Genre: Rock & Indie

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The World Of Harry Partch

Harry Partch

LP | 1969 | US | Reissue (Columbia)

LP | 1969 | EU (Life Goes On)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

A composer, a theorist, and an innovator, Harry
Partch stands out among so many other
American classical artists as one of the most
eccentric. He notably rejected the tradition of
composers like Beethoven and Bach for a lack
of theatricality and drama, and took his greatest
inspirations from Eastern Noh theater,
frequently incorporating speecn and dance into
his pieces, as well as requiring participants to
perform multiple parts. His theories reflected
this dismissal, which sought to return musical
tradition to those of the pre-Classical era, with a
heavy focus on microtonality, and octave
intervals beyond what was traditionally utilized.
Many of the pieces he composed would
prominently feature instruments of his own
invention, including heavily modified string
instruments, mallet instruments, and
pipe organs.
Over the course of his life, Partch released a
number of records, soundtracked numerous
films by Madeline Tourtelot, and wrote the highly
influential text Genesis Of A Music, which would
introduce his theories to a contemporary
audience, and inspire fellow avant-garde
composers as Lou Harrison, Ben Johnston,
James Tenney, and even the famed
experimental collective The Residents.

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Harvester

Hemat

18,99 €*

LP | 1969 | EU | Reissue (Svart)

Release: 1969 / EU

Genre: Rock & Indie

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More than a single cult, the sole album by Swedish combo Harvester was released as a sort of private press on the small Decibel Records. A magical blend of folk and psychedelic rock, Hemåt was published in 1969. With some extra-rock elements like cello, fiddle and even spare horns, the record is a beautiful and magical ritual. The band eventually morphed into Träd, Gräs Och Stenar.

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Heikki Sarmanto Sextet

Flowers In The Water

21,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Rearward)

Helen Merrill

Parole e Musica

OST Breakfast At Tiffany's

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Helen Merrill with Piero Umiliani!

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Henry Mancini

2LP | 1961 | Reissue (Groove Replica)

Release: 1961 / Reissue

Genre: Soundtracks

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Herbie Hancock

Fat Albert Rotunda

42,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The Prisoner Tone Poet Vinyl Edition

Herbie Hancock

LP | 1969 | EU | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Flute, Brass, Vibes And Percussion

Herbie Mann

LP | 1961 | EU | Reissue (Life Goes On)

LP | 1967 | EU | Reissue (Endless Happiness)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.

Personnel: Herbie Mann (flute, bass clarinet), Johnny Rae (vibes), Nabil Knobby Totah (bass), Rudy Collins (drums), Ray Mantilla (conga drums), Ray Barretto (bongos except on #8 and #12). Plus trumpet section: Doc Cheatham, Siggy Schatz, Jerome Kail and Leo Ball. Recorded in New York City, 1959

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Herbie Mann

Glory Of Love

26,99 €* 29,99 € -10%

LP | 1961 | JP | Reissue (Teichiku)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Flutist Herbie Mann is backed by a large rhythm section and a small horn section on this Creed Taylor-produced A&M set (which has been reissued on CD). Actually the most interesting aspect of the R&B-oriented date (which includes such songs as “Hold on, I’m Comin’,” “House of the Risin’ Sun” and “Unchain My Heart”) is that the up-and-coming flutist Hubert Laws is matched with Mann on several tracks.

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Hideo Shiraki

In Fiesta

52,99 €*

Release: 1961 / JP – Reissue

Genre: Organic Grooves

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Go Away With Me / Time Will Tell

Hollis Dixon

7" | 1963 | UK | Reissue (Fame)

11,99 €*

Silver's Serenade Tone Poet Vinyl Edition

Release: 1963 / UK – Reissue

Genre: Organic Grooves

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Fame collectors know how rare this 45 is to find in the wild; it hardly ever happens. ‘Go Away With Me’ is a fabulously, catchy dance number from 1963 when the little-known Dixon wandered into the Fame Studios in Muscle Shoals and laid these track down. It is one of Dan Penn’s very early compositions and the nascent talent of the writer is in evidence here. The tuneful self-penned ‘Time Will Tell’ flip reveals another accomplished musical bent to the singer who, though he only cut two 45s, was revered as a major Muscle Shoals influence by the likes of Jimmy Johnson, Donnie Fritts and David Hood.

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Horace Silver

43,99 €*

LP | 1961 | US | Reissue (Craft)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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"Silver’s Serenade" was the last album Horace Silver made with his celebrated Quintet with Blue Mitchell, Junior Cook, Gene Taylor and Roy Brooks. These five Silver tunes epitomize his compositional style: captivating melodies, sophisticated harmonies and intricate rhythms with an unerring sense of swing.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

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Howard McGhee

Maggie's Back In Town!!

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | UK | Reissue (Charly)

Hubbels

Introducing

Release: 1969 / UK – Reissue

Genre: Pop

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LP | 1969 | EU | Reissue (Sommor)

Hugo Y Osvaldo

La Bossa Nova De ...

LP | 1969 | US | Reissue (Now-Again)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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After the demise of LOS Shakers, brothers Hugo & Osvaldo Fattoruso released in 1969 "La Bossa Nova de Hugo & Osvaldo".

Here, they paid homage to the music they grew-up with: jazz, bossa nova and candombe but adding Beatlesque pop-psych and Brazilian/Latin sounds to the mix, following what they had already done with Los Shakers in songs like "Never Never" or "Adorable Lola".

Cool covers of Burt Bacharach, George Harrison and candombe pioneer Manolo Guardia blend together with lovely self-penned songs and even new, bossa-styled versions from Los Shakers catalogue.

Recorded in 1968 mostly by Hugo and Osvaldo playing all the instruments by themselves, it was originally released in 1969 in a tiny edition of 400 copies, making it one of the most desirable collectable albums related to Los Shakers.

The missing link between "Toto's Bar" and OPA's "Goldenwings"?

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Hunger

Strictly From Hunger

56,99 €*

Strictly From Hunger Black Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.

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Hunger

LP | 1969 | EU | Reissue (Guerssen)

LP | 1969 | EU (Ethelion)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Killer Doorsy organ and fuzzed-out guitars, including all-time psychedelic classics like "Colors", "Workshop" and "Mind Machine".

Transplanted from Portland to the Sunset Strip, Hunger played at all the hip places (Whisky a Go Go, Cheetah, Kaleidoscope...), rubbing shoulders with bands like Hour Glass (pre-Allman Brothers), the Doors or Steppenwolf.

In 1969 they released "Strictly from Hunger!" for the small Public label. Highly sought after, we’re proud to present a straight reissue of such collectable album.

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Igginbottom

Igginbottom's Wrench

Release: 1969 / EU

Genre: Rock & Indie

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Heavy Soul Clear Vinly Edition

Ike Quebec

LP | 1961 | EU | Reissue (Sowing)

22,99 €*

LP | 1963 | EU | Reissue (Honeypie)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"Heavy Soul" can be easily considered as one of Ike Quebec's best showcases. Recorded in 1961 by master Rudy Van Gelder and originally released on Blue Note, this fine studio session sounds as a perfect mixture of down-home blues spirit and warm, sensual ballads, with Quebec's big tenor sax voice as the leading force of a hard swinging quartet featuring Freddie Roach - organ, Milt Hinton - bass and Al Harewood - drums.

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Ike & Tina Turner

It’s Gonna Work Out Fine

13,99 €*

LP | 1969 | EU | Reissue (Elemental / Universal)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Originally released on Sue Records in 1963 this was Ike & Tina Turner fourth album, the one that earned them a first grammy nomination and a further step in the consolidation of their international success. Most of the tunes here are highly energetic up-tempo numbers while the whole album comes as the fruit of a unique combination of raw R&B and highly energetic Rock n Roll.

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Ike & Tina Turner

The Hunter

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | JP | Reissue (P-Vine)

Ike Turner

Rock The Blues

36,99 €*

Ike Turner & The Kings Of Rhythm

Release: 1963 / JP – Reissue

Genre: Organic Grooves

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Ike Turner, a guitarist, pianist, band leader, producer, talent scout... With his diverse talents, he excelled in many fields. In a recent announcement from Rolling Stone magazine, he was ranked 148th in the "250 Greatest Guitarists of All Time," highlighting his undeniable talent as a guitarist. His 1st album "Rock The Blues," recorded in the 1950s and released on Crown Records in 1963, serves as proof of his exceptional skills and originality as a guitarist. P-vine is delightfully reissuing the important album on Japanese edition vinyl with Obi-strip for the first time.

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A Black Man's Soul

LP | 1969 | EU | Reissue (Soulgramma)

OST - Engelchen Macht Weiter

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Here’s the official reissue of the album originally released on Dallas Pompeii label in April 1969. When he was out on tour with his regular gig, the Ike & Tina Turner Revue, Ike found the time to cut this unbelievable instrumental album. Whenever he had some spare time he would drag the band into a local studio and lay down tracks, resulting in these 12 funky soul jams that sound like they were lifted from a blaxploitation movie. The band is tight and laid-back at once, with horns at the forefront most of the time. Los Angeles hip-hop group Jurassic 5 later sampled "Getting Nasty" on their self-titled EP.

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Improved Sound Limited

LP+7" | 1969 | EU | Reissue (Wah Wah)

Goodnight, It's Time To Go

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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The soundtrack to this 1969 German sexual comedy was produced by Improved Sound Limited, showcasing their killer blend of experimental pop, blues, rock, jazz, funk and easy listening, augmented with tape effects, phasing, distorted guitar... Groovy songs influenced by 60's beat and psychedelia.

Newly mastered sound by Jörg Scheuerman. Comes complete with an insert with photos and liner notes. Limited to 500 copies only.

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Jack McDuff

LP | 1961 | EU | Reissue (Honeypie)

21,99 €*

Easterly Winds Tone Poet Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1961 and released on Prestige records in the same year, this was Brother Jack McDuff's fourth studio effort and the first featuring his regular partners Harold Vick on tenor saxophone, Grant Green on guitar and Joe Dukes on drums. Vick and Green would soon become two prominent figures in soul jazz while McDuff stands as one of the key organ players in the genre. This is an absolute soul-jazz gem!

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Jack Wilson

LP | 1967 | EU | Reissue (Blue Note)

43,99 €*

LP | 1961 | EU | Reissue (Blue Note)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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"Easterly Winds"—the second of three Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, and Billy Higgins on drums.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Jackie McLean

A Fickle Sonance

18,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Bluesnik Blue Note Classic Vinyl Edition

Jackie McLean

LP | 1961 | EU | Reissue (Blue Note)

22,99 €*

Let Freedom Ring Yellow Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Alto saxophonist Jackie McLean had the blues on his mind when he went into Van Gelder Studio in 1961 to record his hard bop masterpiece Bluesnik with a blazing quintet featuring Freddie Hubbard on trumpet, Kenny Drew on piano, Doug Watkins on bass, and Pete La Roca on drums. The six-song set of bluesy originals brims with immediacy and vibrancy.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.

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Jackie McLean

LP | 1963 | UK | Reissue (Ermitage)

21,99 €*

Release: 1963 / UK – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Dream Catcher)

Jaklin

22,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1963 | US | Reissue (Polydor)

Live at the Apollo

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Back To Black 180 gram vinyl reissue

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LP | 1969 | US | Reissue (Polydor)

Popcorn

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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LP | 1963 | US | Reissue (Polydor)

Prisoner of love

Release: 1963 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Polydor)

The Popcorn

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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heavily sampled classic funk album!!

- "In the Middle" sampled by Chubb Rock for "Organizer"

- "The Chicken" sampled by 2 Live Crew for "I Ain't Bullshitin'",
Big Daddy Kane for "Calling Mr. Welfare",
CEO for "Hit Me with the Beat" and
Main Source for "Think"

- "Why Am I Treated So Bad" sampled by The Associates for "From the Ground Up"

- "Soul Pride" sampled by Digable Planets for "9th Wonder (Blackitolism)",
Mad Flava for "Gotz ta Flow ta This",
Mr. X & Mr.Y for "1956",
Peshay for "Psychosis" & "Vocal Tune" and
Roni Size for "Hot Stuff"

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Jameson

Color Him In

I Got 'Dem Ol' Kozmic Blues

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Another lost gem from the non-jazz Verve catalogue, Color Him In is a daydream experience from loner singer/songwriter Bobby Jameson. Released in 1967 the album is an orchestrated psychedelic trip, no surprise then Jameson had a part in the cult film Mondo Hollywood. Produced by Curt Boettcher the album had several psych-pop numbers with rare female vocals harmonization.

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Janis Joplin

LP | 1969 | US | Reissue (Speakers Corner)

41,99 €*

I got dem ol kozmic blues again mama !

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180g

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Janis Joplin

LP | 1969 | EU | Reissue (Columbia)

34,99 €*

I Got Dem Ol' Kozmic Blues Again Mama!

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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180 gram high quality pressing vinyl!

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Janis Joplin

LP | 1969 | US | Reissue (Legacy)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1968, Janis Joplin decided to go solo while her album 'Cheap Thrills' with Big Brother & the Holding Company was still on top of the charts. 'I Got Them Ol' Kozmic Blues Again Mama!' was her first effort. She leans more towards Soul/Rock than on her previous work, with heavy horn arrangements from her accompanying band. The album contains the lead hit single 'Try (Just A Little Bit Harder)'. The audio is sourced from the original masters and features the original artwork.

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Jeff Beck

Beck-Ola

After Bathing At Baxter's

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Jeff Beck's second album, originally released in 1969 and featuring Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. All Shook Up 2. Spanish Boots 3. Girl From Mill Valley 4. Jailhouse Rock Side B: 5. Plynth (Water Down The Drain) 6. The Hangman's Knee 7. Rice Pudding

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Jefferson Airplane

LP | 1967 | EU | Reissue (Music On Vinyl)

Bless It's Pointed Little Head

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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'After Bathing at Baxter's is the third album by the San Francisco rock band Jefferson Airplane. The Jefferson Airplane began 1967 with 'Surrealistic Pillow' and closed it with 'After Bathing at Baxter's', and what a difference ten months made. The album was among the purest of rock's psychedelic albums, it was also a lot more daring. The album showed a band in a state of ferment as singer/guitarist Mary Balin largely surrendered much of his creative input in the band he'd founded, and let Paul Kantner and Grace Slick dominate the songwriting and singing on all but one cut ('Young Girl Sunday Blues'). The album peaked at number 17 in The Billboard 200 in 1968. In 1967, the single 'Ballad Of You & Me & Pooneil' was placed 42 in The Billboard Hot 100.

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Jefferson Airplane

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (RCA)

Jefferson Airplane

Surrealistic Pillow

Idiosyncratics And Swallows Wings Black Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The release comes on 180g Vinyl.

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Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

26,99 €*

Idiosyncratics And Swallows Wings Orange Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar.

Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums…

Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching.

“Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.”

Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

*Original artwork in hard cardboard sleeve *First ever vinyl reissue *Insert with liner notes and photos *Download card

Riyl: Nick Drake, John Cale, Bert Jansch, Incredible String Band, Will Malone…

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Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

21,69 €* 30,99 € -30%

Five Years Gone Gold Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Jerry Jeff Walker

LP | 1969 | EU | Reissue (Warner Music Poland)

Release: 1969 / EU – Reissue

Genre: Pop

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180 gram audiophile vinyl
Includes 4-page booklet
Features "Mr. Bojangles" and "About Her Eyes"
Limited edition of 750 individually copies on gold coloured vinyl

Jerry Jeff Walker was an American country music and folk singer-songwriter. He was a leading figure in the progressive country and outlaw country music movement, best known for having written the 1968 song "Mr. Bojangles". The late '60s and early '70s were an interesting time during which a number of enduring singer-songwriter albums were released, and this album is a prime example.

Originally released in 1969, Five Years Gone is a forward-looking album rooted in late-'60s folk and folk-rock rather than popular country. The poetic, yet sometimes inscrutable, lyrics owe more to Bob Dylan than any Nashville tradition. For this album, Jerry Jeff Walker was joined by some Nashville heavyweights, including Weldon Myrick, Hargus "Pig" Robbins, and Charlie McCoy.

Five Years Gone is available as a limited edition of 750 individually numbered copies on gold coloured vinyl, including a 4-page booklet.

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Jerzy Milian Trio

Bazaar

LP | 1967 | EU | Reissue (El Palmas Music)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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This is 180g vinyl.

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Jesus Gomez Y Su Grupo

Jesús Gómez Y Su Grupo

2LP | 1969 | US | Reissue (Analogue Productions)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.

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Jethro Tull

Stand Up

77,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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U.F.O. Black Vinyl Edition

Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

U.F.O. Blue Splatter Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

32,99 €*

U.F.O. Vinyl Me, Please Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Jim Sullivan

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

Axis Bold As Love EU Stereo Version

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
No one knows what happened to Jim Sullivan, but there have been various rumors floated involving the mob, police foul play, and, due to his closeness to Roswell, alien abduction. Because of the mystery of his disappearance, the lyrics on U.F.O. took on an otherworldly quality; the songs about aliens, and being in the sky, and disappearing seem like they were written to explain his disappearance, just written six years early.

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Jimi Hendrix

LP | 1967 | EU | Reissue (Sony)

LP | 1969 | UK | Reissue (Trojan)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Stereo version, freshly pressed on 180 gram vinyl!

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Jimmy Cliff

16,99 €*

Release: 1969 / UK – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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LP | 1969 | EU (Endless Happiness)

Jimmy Ruffin

Ruff 'N Ready