Vinyl 930 Items

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Don't Play That Song You Lied

Ben E. King

LP | 1962 | Reissue (Gm & Publishing)

27,99 €*

Release: 1962 / Reissue

Genre: Pop

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Don't Play That Song Crystal Clear Vinyl Edition

Ben E. King

LP | 1962 | UK | Reissue (Rhino Atlantic)

38,99 €*

LP | 1966 | EU | Reissue (Musica & Entretenimiento)

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Although Ben E King's name is synonymous with The Drifters, he only actually sang on a dozen tracks with them, most of which were recorded concurrent with the start of his own solo career. This compilation anthologises Ben's solo recordings between 1960-62, presenting his early singles plus a handful of standout album tracks.

All his early hits are here, including the Drifters-like First Taste Of Love, his first million-seller Spanish Harlem, his signature song Stand By Me, the lilting Latin shuffle of Amor, the dramatic, bluesy Here Comes The Night/Young Boy Blues, his Sex'n'Soul double-sider Ecstasy/Yes, the explosive Don't Play That Song, the soulful Too Bad, the haunting I'm Standing By and Goffin & King's Tell Daddy.

Ben E. King’s ‘Don’t Play That Song!’ album is pressed on a single clear LP and is a one time pressing.

This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.

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Beat 4

Boots A Go Go

LP | 1966 | US | Reissue (We Are Busy Bodies)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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This is one of the first Chilean rock albums recorded in Spanish. "Boots a Go Go" (1966) by Beat 4 is released now on vinyl, from the original IRT masters! Los Beat 4 (Santiago de Chile, 1966) began as the partnership of four childhood friends: brothers Mario and Willy Benitez, Johnny Paniagua and Reinaldo Rhino Gonzalez. Under the influence of the Beatles, the Kinks and the Animals, they formed Los Electrones, a group with which they played at school parties and various meetings, following the style of the New Wave. Around 1966, and after the explosion of the beat rhythm in our country with the arrival of the Beatles, they decided to change their name to Beat 4 and sing in Spanish. In 1967, backed by the wide radio diffusion of their single "Llora conmigo" (a Spanish version of an Italian pop song), they toured throughout the country. The band's second hit came with the jingle "Dame un Bananino", composed to promote a banana-flavored ice cream. The song was released as an EP, was a great success and took them on tour to the main beaches of Chile. They would later replicate the model with the song "Ta ta ta ta", as simple and catchy as the previous one. The Beat 4's career was short but intense and popular. At the beginning of the 70's they had already released four LPs, and since then they began to incorporate their own compositions. When Willy Benítez left the band, Tilo Mandiola replaced him, but soon after, the Beat 4 decided to leave. Willy Benítez entered the theater school of the Catholic University, to later begin a career as a humorist in television programs such as "El festival de la una". Reinaldo Rhino González, vocals (1966 - 1971). Johnny Paniagua, guitar (1966 - 1971). Willy Benítez, bass (1966 - 1971). Mario Benítez, drums (1966 - 1971). Tilo Mandiola, bass (1971).

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Barney Wilen

Zodiac

31,99 €*

LP | 1968 | US | Reissue (Demon)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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We Are Busy Bodies is proud to announce the first official reissue of 'Zodiac' by brilliant French tenor saxophonist, Barney Wilen. Originally released on the Disques Vogue label in 1966, the album has been restored and remastered from Barney Wilen's personal copy of the album. The album was recorded a few years after performing on albums and European tours with Art Blakey's Jazz Messengers and Miles Davis. The album is an exploration of free jazz, dedicated to the signs of the zodiac. Wilen and his friend, photographer Jean Larivière worked together to create the photos and artwork for his album, Zodiac. The intention at the time was to also create a film with a storyline and characters developed by Jean. Unfortunately, the concept was never fully realized at the time,. Sketches, photos and further context are included in the accompanying album insert.

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Barbara Acklin

Love Makes A Woman

16,99 €*

Release: 1968 / US – Reissue

Genre: Pop

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The Nervous Kats Colored Splatter Vinyl Edition

Bailey's Nervous Kats

LP | 1965 | US | Reissue (Numero Group)

The Nervous Kats Black Vinyl Edition

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Isolated at the rural fringe of Northern California, Bailey's Nervous Kats took Shasta County by storm in the early '60s. Combining surf, rock n' roll, exotica, and R&B, the Kats were a teenage dream draped in Magnatone amplifiers and crisp white polo tees. Their self-titled_and only_LP came at the dead end of the band's run, issued on Orville Simmons' one-shot Emma imprint in 1965. The mid-century modern LP of your dreams.

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Bailey's Nervous Kats

LP | 1965 | CA | Reissue (Numero Group)

LP | 1966 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1965 / CA – Reissue

Genre: Organic Grooves

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Baden Powell

Tristeza On Guitar

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | Reissue (Jazz Samba)

Baden Powell

A Vontade

18,99 €*

Release: 1963 / Reissue

Genre: Organic Grooves

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Baden Powel E Vinicius De Moraes

Os Afro Sambas

LP | 1966 | EU | Reissue (Forma)

25,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | JP | Reissue (P-Vine)

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B.B. King

The Jungle

LP | 1960 | JP | Reissue (P-Vine)

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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The Jungle, regarded as one of the best of B.B. King's many albums, is being reissued on P-vine! Recorded in 1961-62, at the height of his career, and released on Kent after he moved to ABC, six R&B charting hits came from this album. All of the songs are superbly crafted, and are truly the king of the blues. Slow songs such as '5 Long Years' are typical of B.B.'s music of this era. You can't talk about B.B. King without listening to this album!

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B.B. King

The Great B.B.King

36,99 €*

LP | 1965 | UK | Reissue (Ace)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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After creating a storm in the 50s with over 30 chart-hitting singles, BB King didn’t slow for a moment as he marched into the next decade. The Great B.B. King, the blues legend’s fifth release for Crown Records, was released in 1960 and collects a number of his iconic 50s hits including “Sweet Sixteen” and “I Had A Woman (Ten Long Years)”. P-vine is delighted to be revisiting this essential album for a limited pressing on 180g heavyweight vinyl paired with an iconic Japanese obi strip.

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B.B. King

Live At The Regal

20,99 €*

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Al Charly Max Canta I Beatles In Italiano

Augusto Righetti

LP | 1966 | Reissue (Vinyl Magic)

Release: 1966 / Reissue

Genre: Pop

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LP | 1965 | EU (Endless Happiness)

The Shadow Of Your Smile

21,99 €*

Release: 1965 / EU

Genre: Organic Grooves

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The Shadow of Your Smile is a studio album by Astrud Gilberto. With arrangements by Don Sebesky, Claus Ogerman, and João Donato, it was released via Verve Records in 1965. It peaked at number 66 on the Billboard 200 chart.

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The Astrud Gilberto Album

LP | 1965 | EU | Reissue (Universal)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Exclusive reissue for Plattenladenwoche 2011!

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Look To The Rainbow Verve By Request Edition

LP | 1966 | EU | Reissue (Verve)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU (Endless Happiness)

Gilberto with Turrentine

LP | 1968 | US | Reissue (Brunswick)

Release: 1968 / EU

Genre: Organic Grooves

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Gilberto with Turrentine is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine featuring performances recorded in 1971 released on the CTI label. The album can be described as a blend of jazz, pop, and tropicalia. It was arranged by Eumir Deodato and features appearances by A-list jazz performers including Airto Moreira, Ron Carter, Sam Brown, Hubert Laws, and Toots Thielemans.

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Artistics

The Articulate Artistics

15,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Spin The Blues)

Arthur Big Boy Crudup

Mean Ol' Frisco

37,99 €*

Intensity Limited Contemporary Records

Release: 1962 / US – Reissue

Genre: Organic Grooves

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* Originally released in 1962 * Japanese OBI-strip * The jacket is reproduced based on the original edition Arthur 'Big Boy' Crudup was an American Delta blues songwriter and guitarist from Forest, Mississippi. He is best known, outside blues circles, for his song 'That's All Right' which was later recorded by Elvis Presley when he debuted in 1954. 'Mean Ol' Frisco' is his first solo album which was released in 1962 from Fire Records when he was 57 years old and there are no reissues on LP in recent years. As a pioneer of Japanese blues music, P-vine proudly presents this important album historically and musically with the artwork of the original edition!

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Art Pepper

LP | 1963 | Reissue (Craft)

38,99 €*

Release: 1963 / Reissue

Genre: Organic Grooves

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Art Blakey & The Jazz Messengers

Buhaina's Delight

LP | 1963 | EU | Reissue (Blue Note)

Art Blakey And The Jazz Messengers With Barney Wilen

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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The drum hero’s classic 1963 album
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, during November and December 1961
The Jazz Messengers’ 11th Blue Note album
Featuring the classic Messengers line-up of Freddie Hubbard (trumpet/flugelhorn), Wayne Shorter (tenor), Curtis Fuller (trombone), Cedar Walton (piano) and Jymie Merritt (bass)
Showcasing three classic Shorter compositions (‘Backstage Sally’, ‘Contemplation’, ‘Reincarnation Blues’) plus Fuller’s ‘Bu’s Delight’, Walton’s ‘Shaky Jake’ and a take on Henry Mancini’s ‘Moon River’
Produced by Blue Note co-founder Alfred Lion
Includes photography by BN co-founder Francis Wolff and liner notes by esteemed writer Leonard Feather

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Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

Ars Nova Green Vinyl Edition

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

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Ars Nova

LP | 1968 | US | Reissue (Sundazed)

30,99 €*

Ars Nova Black Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.

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Ars Nova

LP | 1968 | US | Reissue (Sundazed)

30,99 €*

LP | 1968 | EU | Reissue (Long Hair)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Ars Nova

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1965 | UK | Reissue (Pure Pleasure)

Yeah!

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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LP | 1962 | Reissue (Gm & Publishing)

The Electrifying Aretha

8,99 €*

Release: 1962 / Reissue

Genre: Organic Grooves

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Lady Soul Clear Vinyl Edition

LP | 1968 | EU | Reissue (Rhino)

36,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Rhino)

Lady Soul

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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I Never Loved A Man the Way I Love You

LP | 1967 | EU | Reissue (Rhino)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Impulse)

Archie Shepp

Four For Trane

32,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Impulse)

Archie Shepp

Fire Music

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU (Survival Research)

Apryl Fool

20,99 €*

LP | 1968 | EU (Survival Research)

Release: 1968 / EU

Genre: Rock & Indie

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The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.

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Apryl Fool

18,99 €*

LP | 1965 | DE | Reissue (Blue Note)

Release: 1968 / EU

Genre: Rock & Indie

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Anthony Williams

Spring

26,09 €* 28,99 € -10%

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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Life Time Tone Poet Vinyl Edition

Anthony Williams

LP | 1964 | EU | Reissue (Blue Note)

43,99 €*

3LP | 1964 | EU | Reissue (Music On Vinyl)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Der frühreife und begnadete Schlagzeuger und Komponist Tony Williams war bereits Mitglied des Miles Davis Quintet und wirkte an zahlreichen bahnbrechenden Blue-Note-Aufnahmen mit, darunter Herbie Hancock "Empyrean Isles", Eric Dolphy "Out To Lunch", Andrew Hill "Point Of Departure", Jackie McLean "One Step Beyond" und Grachan Moncur III "Evolution", als er im August 1964 sein eigenes abenteuerliches Debütalbum "Life Time" aufnahm, als er gerade einmal 18 Jahre alt war.

Williams hatte nicht die Absicht, auf seiner Jungfernfahrt als Leader auf Nummer sicher zu gehen und machte sich daran, seinen kompromisslosen Ausdruck auf diesem Programm mit innovativen Originalkompositionen zu dokumentieren. Seite 1 präsentiert die ausgedehnte zweisätzige Suite "2 Pieces of One", bei der der Schlagzeuger von dem Tenorsaxophonisten Sam Rivers und den Bassisten Gary Peacock und Richard Davis unterstützt wird. Seite 2 beginnt mit dem fröhlichen "Tomorrow Afternoon", bei dem Williams, Rivers und Peacock mitwirken. Auf dem frei improvisierten "Memory", bei dem Herbie Hancock am Klavier und Bobby Hutcherson am Vibraphon mitwirken, spielt Williams verschiedene Perkussionsinstrumente, und das nachdenkliche Klavier-Bass-Duett "Barb's Song to the Wizard", das von Hancock und Ron Carter gespielt wird und das Album abschließt, ist ganz auf ihn zugeschnitten.

Diese Stereo Tone Poet Vinyl Edition wurde von Joe Harley produziert, von Kevin Gray (Cohearent Audio) von den originalen analogen Masterbändern gemastert, bei Record Technology Inc. (RTI) auf 180g Vinyl gepresst und in einer luxuriösen Gatefold-Tip-on-Hülle verpackt.

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Animals

Complete Animals

41,99 €*

Angelo Francesco Lavagnino

Release: 1964 / EU – Reissue

Genre: Pop

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This triple vinyl package includes the complete sessions that The Animals recorded with producer Mickie Most in 1964 and 1965. The 40 songs capture the band at their peak, including most of their best and biggest hits: "House of the Rising Sun", "Don't Let Me Be Misunderstood", "Bring It on Home To Me", "We Gotta Get Out Of This Place", "I'm Crying", "It's My Life" and "Boom Boom."

180g vinyl.3

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OST Kali-Yug: La Dea Della Vendetta

LP | 1962 | EU | Reissue (Contempo)

13,99 €*

LP | 1964 | EU | Reissue (Blue Note)

Release: 1962 / EU – Reissue

Genre: Soundtracks

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Lavagnino's soundtrack to the great 1962 movie 'Kali-Yug: La Dea Della Vendetta' directed by Mario Camerini and starring Senta Berger and Lex Barker, finally gets a proper reissue since its 1963 release on CAM Records. Composed and directed by Lavagnino, 'Kali-Yug' is one of the best soundtracks ever written by the late Maestro. Known for his beautiful orchestral themes, Lavagnino outdoes himself in 'Kali-Yug', with stunning exotic themes which makes this score a must have for serious soundtrack collectors. Original artwork. Master and sound restoring done by Roberto Zamori at Film Music Art Studio. Original copies, if you're lucky enough to find one, change hands for more than 350 euro!!!

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Andrew Hill

Point Of Departure

25,99 €*

LP | 1968 | US | Reissue (Blue Note)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Blue Note’s modern jazz classic “Point of Departure” features pianist and composer Andrew Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams. AllMusic calls the album "a stellar date, essential for any representative jazz collection, and a record that, in the 21st century, still points the way to the future for jazz”.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Andrew Hill

Grass Roots

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Dance With Death Tone Poet Vinyl Edition

Andrew Hill

LP | 1968 | EU | Reissue (Blue Note)

32,99 €*

Alexis Korner's Blues Incorporated

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Andrew Hill’s 1968 album Dance With Death stands as one of the most gratifying though under-recognized sessions of the brilliant pianist’s discography featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Red Hot From Alex

LP | 1964 | UK (Trading Places)

29,99 €*

Alexis Korner Blues Incorporated

Release: 1964 / UK

Genre: Organic Grooves

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Alexis Korner's third album, originally released on the Transatlantic Label in 1964, after two live albums recorded at the Cavern at the Marquee, featuring his all-time hits 'Stormy Monday ' and Chicken Shack'. A true masterpiece from one of the godfathers of the white blues movement from the 60's.

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R&B From The Marquee Audiophile Edition

LP | 1962 | US | Reissue (Waxtime)

25,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Albert Mangelsdorff Quintet

Now Jazz Ramwong

LP | 1964 | EU | Reissue (Tiger Bay)

20,99 €*

Albert Mangelsdorff And His Friends

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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The virtuoso trombonist Albert Mangelsdorff was one of the prominent figures of European Jazz of the 60s – 70s. Eastern influences with a perfect blend of Western culture characterized this album recorded in Frank- furt after the groups Asian tour. “Now Jazz Ramwong” sees the group in its best shape: alto saxophonist Gunther Kronberg, tenor saxophonist Heinz Sauer, bassist Gunter Lenz and drummer Ralf Hubner. A really mind-blowing mix of jazz, folk and Eastern sounds. The album contains “Three Jazz Moods”, a jazz adaptation of Ravi Shankar’s music.

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Albert Mangelsdorff

LP | 1967 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (ESP Disk)

Albert Ayler Trio

Spiritual Unity

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | EU (Survival Research)

Something Different!!!

17,99 €*

Release: 1963 / EU

Genre: Organic Grooves

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Unorthodox saxophonist Albert Ayler straddled different jazz streams during his brief career. After playing with Stanley Turrentine and Harold Budd in the late 1950s, a move to Sweden brought him into the limelight, fronting his own trio. Debut album Something Different!!!!!! comprised four dissonant songs delivered live with bassist Torbjörn Hultcrantz and drummer Sune Spångberg, with a barely recognisable rendition of showtune “I’ll Remember April,” an off-kilter take of Sonny Rollins’ “The Stopper” (retitled “Rollins’ Tune”) and a wobbly cut of Miles Davis’ “Tune Up,” along with the original “Free.” An exceptional musical experience!

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New York Eye & Ear Control

LP | 1964 | US | Reissue (Esp Disk Ltd.)

34,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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One of the key 60s free jazz recordings!

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Love Cry Verve By Request Edition

LP | 1967 | EU | Reissue (Verve)

31,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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1968’s Love Cry mixes Albert Ayler’s free jazz with a catchy combination of nursery rhythms and brass band marches, resulting in a peak example of experimental jazz of the period. This was Ayler’s last recording with his brother, Donald, who keeps the pace fiery along with the rhythm section of bassist Alan Silva and drummer Milford Graves, and harpsichordist Call Cobbs.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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LP | 1967 | US | Reissue (Superior Viaduct)

In Greenwich Village

27,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In the mid-'60s, Albert Ayler found himself at the center of major transformations within jazz. On his albums for ESP-Disk', his delivery was radically aggressive and his tone blistering – aiming for something beyond the New Thing. His music would be further energized when (at the behest of John Coltrane) Bob Thiele signed him to Impulse! As Ayler told The Plain Dealer at the time, "It's not about notes anymore. It's a sound – a feeling. The approach we're taking will discontinue the use of the word 'jazz.'" In Greenwich Village, Ayler's first LP on Impulse!, perfectly captures the Cleveland-born saxophonist's radiant intensity. Sourced from a pair of live engagements – February '67 at the Village Theatre on New York's Lower East Side and December '66 at the Village Vanguard – these recordings show an improved clarity in production and performance. Both sets feature two basses (including Alan Silva and Henry Grimes) which allowed the ensemble to go in different harmonic directions while maintaining an organic unity. Of particular interest are "For John Coltrane," a tribute to Ayler's mentor who would pass later that year, and "Truth Is Marching In" where trumpeter Donald Ayler joins his brother to celebrate and ultimately deconstruct several jazz traditions to stunning effect. Vibrant in sound and vision, Albert Ayler's In Greenwich Village is a landmark statement in free jazz and a career high-point for this truly original artist. Superior Viaduct is honored to present this classic album on vinyl for the first time domestically in 30 years.

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First Recordings Volume 1 Clear Vinyl Edition

LP | 1963 | EU | Reissue (Sowing)

18,99 €*

Albert Ayler / Don Cherry

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Recorded in Stockholm in 1962, and originally released on Sonet Records, these sessions stand as Ayler's first step into a new sonic world. This was when Ayler was still dealing with classic Jazz standards such as "I'll remember April", M Davis's "Tune Up" and "Rollins Tune", a declared tribute to the older master Sonny Rollins. His already super-strong tenor sax voice dominates a quiet, almost shy, local rhythm section featuring Torbjorn Hultcrant on bass and Sune Spangberg on drums. This was just before stepping into his unique, hyper energetic and ecstatic form of Free Jazz. This was Ayler sowing the seeds of a revolution to come!

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New York Eye And Ear Control

LP | 1966 | EU | Reissue (ESP Disk)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (ESP Disk)

Bells

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | UK | Reissue (Be With)

Al Hirt

Soul In The Horn

29,99 €*

LP | 1962 | US | Reissue (New Jazz)

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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Ahmed Abdul Malik

Sounds of africa

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Honeypie)

Ahmed Abdul-Malik

East Meets West

LP | 1960 | EU | Reissue (Honeypie)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic. The Brooklyn native was of Sudanese descent; in addition to playing bass, he also plays oud, the forerunner to the lute. Originally released in 1960 the album is rich and heady, a multi-layered set of tonal grooves that are wrapped tight beneath the melody lines. The musicians on Malik's eight originals vary from track to track. On the mournful "La Ibky (Don't Cry)," Malik's oud shares the spotlight with a tenor sax (either Benny Golson or Johnny Griffin) plus trumpeter Lee Morgan. "Rooh (The Soul)" features the 72-string kanoon (which is sort of a brittle sounding and much smaller harp) played by Ahmed Yetman, along with Malik's arco bass and the droning violin of Naim Karacand. His ability to fuse Western Jazz with the driving rhythms created by his oud that seems almost sequenced, are startling.

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Ahmad Jamal

Happy Moods

LP | 1962 | EU | Reissue (Jolly)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmad Jamal's contribution to the expansion of the Jazz art form is undeniable. A true genius and a source of inspiration for other Jazz greats, one for all: Miles Davis. Jamal's piano style and music aesthetic come as a unique blend of sophistication and taste. Recorded in Chicago and first released on Argo in 1960 "Happy Moods" is the result of a happy studio date and lush production featuring his great trio with Israel Crosby on bass and Vernel Fournier on drums.

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Adriano Celentano

Peppermint Twist

Release: 1962 / EU – Reissue

Genre: Rock & Indie

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I Rock & Roll Di Celentano Green Vinyl Edition

Adriano Celentano

LP | 1968 | EU | Reissue (SAAR)

30,99 €*

Release: 1968 / EU – Reissue

Genre: Pop

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Con Giulio Libano E La Sua Orchestra Blue Vinyl Edition

Adriano Celentano

LP | 1960 | Reissue (Jolly)

Release: 1960 / Reissue

Genre: Pop

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LP | 1967 | US | Reissue (Mainstream)

A Pot Of Flowers

With love

LP | 1968 | US | Reissue (International Artists)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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13th Floor Elevators

Live

19,79 €* 21,99 € -10%

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (International Artists)

13th Floor Elevators

Easter Everywhere

23,99 €*

Astro-Sounds From Beyond The Year 2000 Record Store Day 2024 Blue Vinyl Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl!

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101 Strings

LP | 1968 | UK | Reissue (Vinyl Exotica)

29,99 €*