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Vinyl LP 102034 Items

Vinyl, CD & Tape 102034 Hip Hop 6968 Organic Grooves 23332 Rock & Indie 48517 Electronic & Dance 12280 Reggae & Dancehall 1959 Pop 11352 Classical Music 1380 Soundtracks 3010 Childrens 81 Christmas 285 Halloween 26 Used Vinyl 18617
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Big|Brave - A Chaos Of Flowers
Big|Brave
A Chaos Of Flowers
LP | 2024 | US | Original (Thrill Jockey)
31,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
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Big Brave - Chaos Of Flowers Clear Pink Vinyl Edition
Big Brave
Chaos Of Flowers Clear Pink Vinyl Edition
LP | 2024 | US | Original (Thrill Jockey)
34,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
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Big Brave - Nature Morte Black Vinyl Edition
Big Brave
Nature Morte Black Vinyl Edition
LP | 2023 | US | Original (Thrill Jockey)
31,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / US – Original
Genre: Rock & Indie
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The title, nature morte, is the French term for still life paintings whose literal translation is "dead nature." Big|brave color the songs of nature morte with unease, creating an air of beauty in decay, chords suspended in contemplative stillness. Robin Wattie"s experiences structuring lyrics and song forms on The Body & Big|brave"s Leaving None But Small Birds informed her work on nature morte, creating stories that, like many folk tales, are at once specific and universal. Wattie"s voice manages to be commanding and vulnerable with impressive range and intimacy. Even her gasps carve their way through the tidal crash of Mathieu Ball"s distortion wail and the pummel of Tasy Hudson"s drums. The momentum of nature morte conjures the image of a beast collapsing beneath its own weight before resiliently staggering upright to thunder onward. Big|brave convey heft from silence as deftly as they do from swaths of feedback and distortion to cathartic ends. "Distortion is key," notes Ball The three members recorded primarily live over the course of a week at Machines with Magnets with Seth Manchester, pushing the potential of their instruments beyond expectations. For each song, the trio"s songwriting and attention to detail deliver its simple but devastating emotional power. Across the album"s six pieces Big|brave create a tension between immediacy and patience, invoking the essence of disquiet, while conveying anguish through inventive arrangements and nuanced performances. nature morte captures Big|brave at their heaviest and their mournful fury is at its zenith, an album where each moment is so immense and consuming that it possesses its own gravitational pull.
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Big Brave - Nature Morte Lavender Vinyl Edition
Big Brave
Nature Morte Lavender Vinyl Edition
2LP | 2023 | US | Original (Thrill Jockey)
34,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / US – Original
Genre: Rock & Indie
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The title, nature morte, is the French term for still life paintings whose literal translation is "dead nature." Big|brave color the songs of nature morte with unease, creating an air of beauty in decay, chords suspended in contemplative stillness. Robin Wattie"s experiences structuring lyrics and song forms on The Body & Big|brave"s Leaving None But Small Birds informed her work on nature morte, creating stories that, like many folk tales, are at once specific and universal. Wattie"s voice manages to be commanding and vulnerable with impressive range and intimacy. Even her gasps carve their way through the tidal crash of Mathieu Ball"s distortion wail and the pummel of Tasy Hudson"s drums. The momentum of nature morte conjures the image of a beast collapsing beneath its own weight before resiliently staggering upright to thunder onward. Big|brave convey heft from silence as deftly as they do from swaths of feedback and distortion to cathartic ends. "Distortion is key," notes Ball The three members recorded primarily live over the course of a week at Machines with Magnets with Seth Manchester, pushing the potential of their instruments beyond expectations. For each song, the trio"s songwriting and attention to detail deliver its simple but devastating emotional power. Across the album"s six pieces Big|brave create a tension between immediacy and patience, invoking the essence of disquiet, while conveying anguish through inventive arrangements and nuanced performances. nature morte captures Big|brave at their heaviest and their mournful fury is at its zenith, an album where each moment is so immense and consuming that it possesses its own gravitational pull.
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Big Break - Angels's Piss
Big Break
Angels's Piss
LP | 2023 | EU | Original (Wrong Speed)
24,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Break occur somewhere in the cracks between hardcore, new wave and egg punk. Apparently unable to concentrate on a song for longer than 2 minutes, their music is minimalist, agitated and addictive. Taking inspiration from the likes of Devo, Negative Approach and Food Fight by The Village People, they combine hyper guitar hooks with taut rhythms and break-neck changes of pace. Recorded at Sheffield's Delicious Clam Studio, their debut album, Angel's Piss, features songs about the gaffer (bad), computer phones (bad), bank holidays (good), relationships (mostly bad), and bodily fluids(depends). It's an on/off, in/out, bits and pieces document of the band's first LP that captures their raw energy and sense of immediacy. Formed in the basement of the aforementioned Delicious Clam, the band's current and previous musical incarnations include Best Friends, The Hipshakes, Nai Harvest, Avida Dollars, Thee Mightees, Joy Boys, Thumbuster, Champayne, Town Cruise and more. "Words from us, the label, some context...Will Pearce, who spent a healthy couple of years in the Hey Colossus group, moved to Sheffield. He was soon embroiled in the deep music scene, hitting up the Delicious Clam venue and becoming smitten with Big Break-the band help run the place.
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Big Brother And The Holding Company - Live At The Carousel Ballroom
Big Brother And The Holding Company
Live At The Carousel Ballroom
2LP | 2012 | Reissue (Music On Vinyl)
33,99 €*
Incl. VAT plus Shipping Costs
Release: 2012 / Reissue
Genre: Rock & Indie
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Big Brother & Holding Company - Sex Dope & Cheap Thrills
Big Brother & Holding Company
Sex Dope & Cheap Thrills
2LP | 2018 | US | Original (Sony Legacy)
36,99 €*
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Release: 2018 / US – Original
Genre: Rock & Indie
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Big Brother & The Holding Company - Cheap Thrills
Big Brother & The Holding Company
Cheap Thrills
LP | 2018 | EU | Original (Columbia)
26,99 €*
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Release: 2018 / EU – Original
Genre: Rock & Indie
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Big Brother & The Holding Company - Cheap Thrills
Big Brother & The Holding Company
Cheap Thrills
LP | 1968 | JP | Original (CBS/Sony)
70,99 €*
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Release: 1968 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.
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Big Brother & The Holding Company - Live At The Grande Ballroom Detroit; March 2, 1968 Black Friday Record Store Day 2024 Edition
Big Brother & The Holding Company
Live At The Grande Ballroom Detroit; March 2, 1968 Black Friday Record Store Day 2024 Edition
2LP | 2024 | Reissue (Legacy)
37,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / Reissue
Genre: Rock & Indie
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Coming Soon 2024-11-29, 12:00 CET
RSD Exclusive, Limitation: 3500; For the first time, listen to the complete concert from the Grande Ballroom in Detroit on May 2, 1968. On black double vinyl for RSD Black Friday.
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Big Bur-Na - The Daze Of Bur Black Vinyl Edition
Big Bur-Na
The Daze Of Bur Black Vinyl Edition
LP | 1995 | EU | Reissue (Most Wanted)
41,99 €*
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Release: 1995 / EU – Reissue
Genre: Hip Hop
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Most Wanted Records presents for the first time on wax "Big Bur-NA - The Daze Of Bur-Na 1995-2022" !!
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Big Bur-Na - The Daze Of Bur Splatter Vinyl Edition
Big Bur-Na
The Daze Of Bur Splatter Vinyl Edition
LP | 1995 | EU | Reissue (Most Wanted)
41,99 €*
Incl. VAT plus Shipping Costs
Release: 1995 / EU – Reissue
Genre: Hip Hop
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Most Wanted Records presents for the first time on wax "Big Bur-NA - The Daze Of Bur-Na 1995-2022" !!
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Big Cheeko - Block Barry White
Big Cheeko
Block Barry White
LP | 2022 | US | Original (Nature Sounds)
29,99 €*
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Release: 2022 / US – Original
Genre: Hip Hop
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With a smooth-as-butter flow, an entrancingly deep vocal tone, and an exceptional ear for production, Big Cheeko is one of the most exciting emcees to emerge from Atlanta in recent memory.

After several outstanding mixtapes and a number of high-profile collaborations, the talented artist is now unveiling his commercial debut "Block Barry White". The album is a smoked-out masterpiece, capturing the full reach of Big Cheeko’s creative firepower, and is executive produced by hip-hop folk hero Mach-Hommy. Throughout the collection, Big Cheeko's powerfully authentic rhymes are accompanied by slow-burning, soul-influenced production and hard-hitting percussion, with all beats provided by Matic Lee, an acclaimed producer who has worked with the likes of Tech N9ne, Krizz Kaliko, Rittz, Jarren Benton, and more. Sure to blast out of trunks far and wide, "Block Barry White" features appearances by Mach-Hommy, Smoke DZA, Styles P, and Devin
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Big Cheese - Punishment Park
Big Cheese
Punishment Park
LP | 2020 | EU | Original (Quality Control HQ)
17,99 €*
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Release: 2020 / EU – Original
Genre: Rock & Indie
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Big Cheese have established themselves firmly in the UK hardcore scene, after releasing the Sports Day Demo in 2016, followed by the phenomenally received ‘Aggravated Mopery’ 7”, as well as a New Wave of British Hardcore FM live tape and Discography 12”. They have developed a signature approach to hardcore that skilfully ties together complex rhythms and melodies into catchy and memorable songs with a powerful intensity, inspired by late 80s inspired NYHC ala Rest in Pieces and NWOBHM. Not only that, but after touring Europe twice, and the USA, as well as doing a UK stint with Turnstile, Big Cheese have shown themselves to be one of the most devastating hardcore live bands on the planet right now.
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Big City - Big Kisses
Big City
Big Kisses
LP | 2022 | US | Original (Yofc)
28,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Direct from the depths of the pressure cooker that's NYC and reminiscent of a Times Square a la Taxi Driver, BIG City bursts forth with their first LP Big Kisses. This LP delivers 10 tracks of hooks developed directly from a latent obsession with early '70s stones, nods to the guitar dynamism of Thin Lizzy, and grit passed down directly from the Ramones. Sprinkle on top flourishes of Teenage Fanclub, a serious dedication to the saxophone wailing found on classic Springsteen records, and you have Big Kisses wrapped up in a nice little bow. Members of Rational Animals and Hank Wood & THE Hammerheads, this LP isn’t to be slept on. It's a Big City. You're just living in it.
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Big City Lover - Sex, Lies & Beat Tapes
Big City Lover
Sex, Lies & Beat Tapes
LP | 2023 | EU | Original (Distrito 91)
17,99 €*
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Release: 2023 / EU – Original
Genre: Electronic & Dance
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Madrid-based beatmaker Big City Lover presents a 13-track album filled with lo-fi flavored beats and influences ranging from classic house to 90's hip-hop. A collection of beats and tracks recorded on tape between 2020 and 2023 using an MPC, vintage synthesizers, and fx pedals. Mastered by Damian Schwartz at Lyrebird Audio.
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Big Country - Buffalo Skinners
Big Country
Buffalo Skinners
2LP | 1993 | EU | Reissue (Chrysalis)
30,99 €*
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Release: 1993 / EU – Reissue
Genre: Rock & Indie
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Big Country - Crossing
Big Country
Crossing
LP | 2023 | EU | Original (Proper)
28,79 €* 31,99 € -10%
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Release: 2023 / EU – Original
Genre: Pop
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Big Country - Crossing Expanded
Big Country
Crossing Expanded
2LP | 1983 | EU | Reissue (Music On Vinyl)
35,99 €*
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Release: 1983 / EU – Reissue
Genre: Rock & Indie
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Big Country - Seer
Big Country
Seer
LP | 2023 | EU | Original (Proper)
31,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Country - Steeltown
Big Country
Steeltown
LP | 2023 | EU | Original (Proper)
25,59 €* 31,99 € -20%
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Country - The Crossing
Big Country
The Crossing
LP | 1983 | DE | Original (Mercury)
10,99 €*
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Release: 1983 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Price tag. Original inner sleeve
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Big Country - The Crossing
Big Country
The Crossing
LP | 1983 | UK | Original (Mercury)
14,99 €*
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Release: 1983 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Cover close to VG+
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Big Country - Without The Aid Of A Safety Net
Big Country
Without The Aid Of A Safety Net
3LP | 1994 | EU | Reissue (Chrysalis)
34,99 €*
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Release: 1994 / EU – Reissue
Genre: Rock & Indie
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Big D And The Kids Table - Do Your Art
Big D And The Kids Table
Do Your Art
LP | 2021 | US | Original (Side One Dummy)
26,99 €*
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Release: 2021 / US – Original
Genre: Rock & Indie
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Double LP in a gatefold jacket. Cyan Blue Vinyl, limited edition of 1000 copies.DO YOUR ART isn't just an album title for Big D and the KidsTable's ninth studio album of original material. DO YOUR ARTis an inherently political mission statement delivered with gusto and enthusiasm to anyone creative to remind them to keepgoing, even if the odds are increasingly stacked against them in this hyper-capitalistic society. "I wanted to instill in young artists_or old artists, or whoever_to keep doing it," says frontman David McWane. "Life might pull you away with itsdemands: but don't give up. Every musician, artist and dancerneeds to realize that there's magic inside of them that otherpeople just don't have, no matter the circumstances of theirupbringing." DO YOUR ART, finds Big D and the Kids Table sounding as fresh and inspired as ever for their fifth album with SideOneDummy Records. Produced and engineered by ReelBig Fish's Matt Appleton, DO YOUR ART is a musical meltingpot, highlighting the band's versatile talents and delivering amixture of punk, ska and dub-reggae songs, as well as payinghomage to McWane's favorite `60s B-films. The 20-track albumis truly a moveable feast. And what's moving are your feet!DO YOUR ART is a reminder to make the most of life_evenwhen at its lowest points_and also to not be dissuaded fromcreating what you want to create. It's an album that will makeyou think and feel, but also make you dance and laugh. It's asurge of positivity in a crappy world where it's all too easy to feel equally crappy, and a much-needed jolt of perspectiveabout everything that's going on. "I definitely want this record to be helpful for people mentally," says McWane. "It'ssomewhere for them to go to and laugh. So listeners can focuson recognizing all the good things in their lives_all the beauty, and all the people who love them_and make sure to enjoy their life and DO YOUR ART!"
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Big D And The Kids Table - Fluent In Stroll
Big D And The Kids Table
Fluent In Stroll
LP | 2009 | Original (SideOneDummy)
31,99 €*
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Release: 2009 / Original
Genre: Rock & Indie
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Big D And The Kids Table - Strictly Rude 15 Year Anniversary Edition
Big D And The Kids Table
Strictly Rude 15 Year Anniversary Edition
LP | 2022 | US | Original (Side One Dummy)
40,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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- double LP with Limited Edition color vinyl (LP1 on Black, LP2 on White vinyl)- limited anniversary edition 16 page commemorative booklet with handwritten lyrics and photos- new anniversary gatefold artwork in a commemorative slipcase- 5 previously unreleased tracks- comes with limited edition commemorative 10"x10" anniversary poster//Seminal ska-punk posse BIG D AND THE KIDS TABLE commemorate the 15th anniversary of their classic album Strictly Rude with a limited edition double LP that contains a 16-page booklet with handwritten lyrics and photos. This special edition includes all new gatefold artwork, 10x10 poster as well as five previously unreleased tracks."Strictly Rude was the album that was needed for the genre of SKA at the time," explains vocalist David McWane. It redefined the look, the sound, and the swagger of SKA. The songs are a journey, from positive mental attitudes, fiery frustration, to encouraging pro-activism with finding your own voice in this world. The inviting album cover shouts `You think you know SKA, well here we are, take a good look at us and if you believe you may be one of us, then join us; You are welcome here.'"
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Big Daddy Mugglestone - Hangman & The Rainmaker
Big Daddy Mugglestone
Hangman & The Rainmaker
LP | 2023 | Original (Rumi Sounds)
24,99 €*
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Release: 2023 / Original
Genre: Rock & Indie
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Big Daddy Mugglestone is back, with his first full-length solo release in over 2
decades! Rumi Sounds is proud to
present this collection of songs about Life,
Love, and God that really embody the idea of Americana Gothic. The
songs are dark but not bleak, giving a glimpse of forgiveness...even the
12-minute long murder ballad for which the album is named is still a love song.

With a mixed band of Denver and Berlin-based friends, Mugglestone steps out of the shadowy depths
to create a record you and yr auntie could listen to while doing the dishes or
lounging on the sofa on a rainy day.

The psyche-melodic guitar swirls of Oska Wald and the alluring back-up
vocals of MTN GRL elevate his wry
croon, not quite country but not quite
contrary. Something like if Lee Hazlewood and John Prine both wanted to buy
the same vintage lamp...
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Big Daddy Wilson & The Gossebumps Bros. - Plan B
Big Daddy Wilson & The Gossebumps Bros.
Plan B
LP | 2023 | EU | Original (Continental Blue Heaven)
26,99 €*
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Release: 2023 / EU – Original
Genre: Organic Grooves
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Big Dust - Big Dust
Big Dust
Big Dust
LP | EU | Original (Minimum)
18,99 €*
Incl. VAT plus Shipping Costs
Release: EU – Original
Genre: Rock & Indie
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Big Dust - Pewter & Carbon
Big Dust
Pewter & Carbon
LP | EU | Original (Minimum)
20,99 €*
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Release: EU – Original
Genre: Rock & Indie
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Big Electric Cat - Dreams Of A Mad King
Big Electric Cat
Dreams Of A Mad King
LP | 2023 | EU | Original (Cleopatra)
29,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Eyes Family Players - Oh!
Big Eyes Family Players
Oh!
LP | 2016 | UK | Original (Home Assembly)
14,99 €*
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Release: 2016 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
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Big Fish - Kalla Doda Drommar
Big Fish
Kalla Doda Drommar
LP | 2022 | EU | Original (Progress)
26,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Big Freedia - Hitz Vol. 2 2010-2020 Black Friday Record Store Day 2024 Edition
Big Freedia
Hitz Vol. 2 2010-2020 Black Friday Record Store Day 2024 Edition
LP | 2024 | Reissue (Queen Diva)
TBA
The final price is not yet known.
Release: 2024 / Reissue
Genre: Hip Hop
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Coming Soon 2024-11-29, 12:00 CET
RSD First, Limitation: 1000

A 2010 to 2020 collection of the biggest hits of Big Freedia, the Queen of New Orleans Bounce, pressed on pink vinyl for RSD Black Friday.
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Big Ghost Ltd. - The Black Album Revisited
Big Ghost Ltd.
The Black Album Revisited
LP | 2019 | EU | Original (De Rap Winkel)
33,99 €*
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Release: 2019 / EU – Original
Genre: Hip Hop
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Big Howard,The - Will
Big Howard,The
Will
LP | 2018 | EU | Original (Lotterlabel)
12,09 €* 21,99 € -45%
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Release: 2018 / EU – Original
Genre: Pop
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Big Jay McNeely - Blowin' Down The House
Big Jay McNeely
Blowin' Down The House
LP | 2016 | EU | Reissue (Cleopatra)
19,99 €*
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Release: 2016 / EU – Reissue
Genre: Pop
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Big Jay McNeely - Loose On Sunset
Big Jay McNeely
Loose On Sunset
LP | 1984 | US | Original (Big J)
5,99 €*
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Release: 1984 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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Big Joanie - Back Home
Big Joanie
Back Home
LP | 2022 | US | Original (Kill Rock Stars)
25,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Cover close to NM
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Big Joanie - Back Home Black Vinyl Edition
Big Joanie
Back Home Black Vinyl Edition
LP | 2022 | US | Original (Daydream Library Series)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / US – Original
Genre: Rock & Indie
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Black feminist punk band Big Joanie have announced their upcoming second album 'Back Home', set for release 4th November on Daydream Library Series in the UK and Kill Rock Stars in the US. The brand new album 'Back Home' follows on from last month's one-off single 'Happier Still', and the release of their 2020 single 'Cranes in the Sky', a cover of Solange Knowles released on Jack White's Third Man Records. Recorded at Hermitage Works Studios in North London, 'Back Home' was produced and mixed by Margo Broom (Goat Girl, Fat White Family) and features violin courtesy of Charlotte Valentine of the experimental art rock project No Home, who recently collaborated with the LA-based artist Sasami. 'Back Home' is a dramatic leap forward for the band; the band build on their tightly knit, lo-fi punk formula to bring forth a collage of blazing guitars, down tempo dance punk, and melancholic strings that evoke the full depth of the band's expansive art punk vision. The album title references a search for a place to call home, whether real or metaphysical. "We were really ruminating on the idea of a home and what it means," explains Stephanie. "It's about the different ideas of home, whether that's here in the UK, back in Africa or the Caribbean, or a place that doesn't really exist; it's neither here nor there." The band worked with multidisciplinary artist Angelica Ellis to design the striking embroidered cover art, which is a depiction of Chardine's nephew at the barbers. The artwork is a reference to the embroidered wall hangings popular in Caribbean homes post-Windrush that were a callback to the homes they left behind. The album's strength lies in the band's bold and varied new sound. Album opener 'Cactus Tree' is an eerie, gothic folk tale that tells the story of a woman waiting for her lover while a wall of euphoric harmonies and screaming feedback roll in the background. Lead single 'Happier Still' is a driving, Nirvana-influenced track that grapples with the idea of wanting to push through a depressive episode. Inspired equally by the melodic rock of Hüsker Dü and the mystical sensibilities of Stevie Nicks, closer 'Sainted' brings the club-ready sentiment of the 2018 single 'Fall Asleep' to its natural conclusion.
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Big Joanie - Back Home Red Vinyl Edition
Big Joanie
Back Home Red Vinyl Edition
LP | 2022 | US | Original (Daydream Library Series)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / US – Original
Genre: Rock & Indie
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Black feminist punk band Big Joanie have announced their upcoming second album 'Back Home', set for release 4th November on Daydream Library Series in the UK and Kill Rock Stars in the US. The brand new album 'Back Home' follows on from last month's one-off single 'Happier Still', and the release of their 2020 single 'Cranes in the Sky', a cover of Solange Knowles released on Jack White's Third Man Records. Recorded at Hermitage Works Studios in North London, 'Back Home' was produced and mixed by Margo Broom (Goat Girl, Fat White Family) and features violin courtesy of Charlotte Valentine of the experimental art rock project No Home, who recently collaborated with the LA-based artist Sasami. 'Back Home' is a dramatic leap forward for the band; the band build on their tightly knit, lo-fi punk formula to bring forth a collage of blazing guitars, down tempo dance punk, and melancholic strings that evoke the full depth of the band's expansive art punk vision. The album title references a search for a place to call home, whether real or metaphysical. "We were really ruminating on the idea of a home and what it means," explains Stephanie. "It's about the different ideas of home, whether that's here in the UK, back in Africa or the Caribbean, or a place that doesn't really exist; it's neither here nor there." The band worked with multidisciplinary artist Angelica Ellis to design the striking embroidered cover art, which is a depiction of Chardine's nephew at the barbers. The artwork is a reference to the embroidered wall hangings popular in Caribbean homes post-Windrush that were a callback to the homes they left behind. The album's strength lies in the band's bold and varied new sound. Album opener 'Cactus Tree' is an eerie, gothic folk tale that tells the story of a woman waiting for her lover while a wall of euphoric harmonies and screaming feedback roll in the background. Lead single 'Happier Still' is a driving, Nirvana-influenced track that grapples with the idea of wanting to push through a depressive episode. Inspired equally by the melodic rock of Hüsker Dü and the mystical sensibilities of Stevie Nicks, closer 'Sainted' brings the club-ready sentiment of the 2018 single 'Fall Asleep' to its natural conclusion.
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Big Joanie - Back Home Vinyl Me, Please Edition
Big Joanie
Back Home Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
Black feminist punk band Big Joanie’s Back Home references the search for a place to call home. Stephanie Phillips, the band’s singer and guitarist, shared, “We were really ruminating on the idea of a home and what it means. It’s about the different ideas of home, whether that’s here in the UK, back in Africa or the Caribbean, or a place that doesn’t really exist; it’s neither here nor there.”

The band tapped artist Angelica Ellis for the album’s artwork, an embroidered image of drummer Chardine Taylor-Stone’s nephew, a style of art common in Caribbean homes post-Windrush that were a callback to the homes they left behind.

In Back Home, the band pieces together sounds ranging from intense guitars to emotive strings that fully illustrate their range as artists. Limited to 750 copies, the VMP exclusive edition of Big Joanie's Back Home is pressed on 1LP Opaque Yellow vinyl at Independent Record Pressing. The record will arrive in a single direct-to-board, foil stamped and numbered jacket with lyrics and credits printed on the inner sleeve, along with a download code. The album is mastered by Amy Dragon of Telegraph Mastering.
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Big Joanie - Sistahs
Big Joanie
Sistahs
LP | 2018 | US | Original (Daydream Library Series)
29,99 €*
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Release: 2018 / US – Original
Genre: Rock & Indie
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BIG JOANIE are Stephanie Phillips (singer/guitarist), Estella Adeyeri (bass) and Chardine Taylor-Stone (drums). The band formed in 2013 and released their first EP
'Sistah Punk' in 2014 and the single 'Crooked Room' in 2016. As part of London's thriving DIY punk scene they have played with locals Shopping; toured with US
punks Downtown Boys; and Dutch band The Ex; and performed at the first UK Afropunk festival. Inspired by The Ronettes, Nirvana, Breeders and Jesus and Mary
Chain, Big Joanie have described themselves as being "similar to The Ronettes filtered through '80s DIY and Riot Grrrl with a sprinkling of dashikis." Big Joanie recorded 'SISTAHS' over several sessions from November 2017 to January 2018 at Hermitage Works Studio with producer Margo Broom. One of the main reasons for coming together was to create an atmosphere to be "completely ourselves as black women and discover what was possible to realise in those spaces." The album cover features Steph's mum Joan, whom the band is named after, and her aunt on holiday in Wales.
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Big Joe - At The Control
Big Joe
At The Control
LP | 1978 | EU (Radiation Roots)
16,99 €*
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Release: 1978 / EU
Genre: Reggae & Dancehall
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Second album reissue for Big Joe (born Joseph Spalding in 1955), Jamaican reggae deejay and record producer, who recorded extensively in the 1970s and early 1980s. This is the follow up to Keep Rocking And Swinging, released on Live & Love in 1978 and produced by Bunny Lee. A must for all the reggae and dub fanatics out on Radiation Roots.
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Big Joe Turner And Jimmy Nelson - The Soul Of Joe Turner & Jimmy Nelson
Big Joe Turner And Jimmy Nelson
The Soul Of Joe Turner & Jimmy Nelson
LP | US | Reissue (United)
9,99 €*
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Release: US – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Copy closer to VG+
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Big Joe Turner - His Greatest Recordings
Big Joe Turner
His Greatest Recordings
LP | US | Reissue (ATCO)
4,95 €*
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Release: US – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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Big Joe Turner - His Greatest Recordings
Big Joe Turner
His Greatest Recordings
LP | 1971 | US | Original (ATCO)
11,99 €*
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Release: 1971 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Small saw cut. Original US mono Monarch pressing.
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Big Joe Turner - Pee Wee Crayton and Sonny Stitt - Everyday I Have The Blues
Big Joe Turner - Pee Wee Crayton and Sonny Stitt
Everyday I Have The Blues
LP | 1978 | US | Original (Pablo)
16,99 €*
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Release: 1978 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Original US Alshire pressing.
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Big Joe Turner - Rockin The Blues
Big Joe Turner
Rockin The Blues
LP (Waxtime 500)
20,99 €*
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Genre: Organic Grooves
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Big Joe Turner - Singing The Blues
Big Joe Turner
Singing The Blues
LP | 1967 | US | Original (Bluesway)
11,99 €*
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Release: 1967 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Tiny seam wear.
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Big Joe Turner - The Boss Of The Blues Sings Kansas City Jazz
Big Joe Turner
The Boss Of The Blues Sings Kansas City Jazz
LP | 1956 | UK | Reissue (Pure Pleasure)
38,99 €*
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Release: 1956 / UK – Reissue
Genre: Organic Grooves
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Besides helping to invent rock 'n roll with his hit "Shake, Rattle and Roll", Big Joe Turner was one of the most soulful blues shouters of all time. His best albums married the boogie-woogie piano stylings of the great Pete Johnson with a jazzy jumpin' horn section. "Boss Of The Blues" is arguably Joe's best recording, in part because he sang with particular gusto during these 1956 sessions. At the time, "Boss Of The Blues" marked a nostalgic return to the jump-blues style that Turner helped pioneer in the '40s. Besides Johnson, Boss featured some of Kansas City's finest ever jazzmen and various members of Count Basie's band, including Joe Newman (trumpet), Pete Brown (alto sax), Lawrence Brown (trombone), Frank Wess (tenor sax) and Freddie Green (guitar). The bawdy "Cherry Red" and the rollicking "Roll 'Em Pete" are my favorite Turner-Johnson collaborations. Both feature some incredible playing by the piano master. Turner's versions of "I Want A Little Girl", "Low Down Dog", "You're Driving Me Crazy", and "Morning Glories" are definitive. If I had to compile a list of my 10 favorite albums, "Boss Of The Blues" would be there.
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Big Joe Turner With Pee Wee Crayton And Sonny Stitt - Everyday I Have The Blues
Big Joe Turner With Pee Wee Crayton And Sonny Stitt
Everyday I Have The Blues
LP | 1991 | US | Reissue (Original Jazz Classics)
19,99 €*
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Release: 1991 / US – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
close to NM
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Big John Patton - Let 'Em Roll Tone Poet Vinyl Edition
Big John Patton
Let 'Em Roll Tone Poet Vinyl Edition
LP | 2023 | EU | Original (Blue Note)
34,99 €*
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Release: 2023 / EU – Original
Genre: Organic Grooves
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Kansas City born Hammond B3 organ dynamo Big John Patton made a stellar run of soul jazz albums for Blue Note thru the 1960s but Let ‘Em Roll stands among the finest with Patton adding vibraphonist Bobby Hutcherson to a standard organ trio line-up with guitarist Grant Green and drummer Otis Finch.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.
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Big John Patton - Oh Baby!
Big John Patton
Oh Baby!
LP | 1965 | DE | Reissue (Blue Note)
20,79 €* 25,99 € -20%
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Release: 1965 / DE – Reissue
Genre: Organic Grooves
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Blue Note’s 1960s roster boasted numerous Hammond B3 organ whizzes including the soulful Kansas City born master Big John Patton. The dynamic quintet that Patton assembled for his 1965 album Oh Baby! packed a punch with the B3 master joined by trumpeter Blue Mitchell, tenor saxophonist Harold Vick, guitarist Grant Green, and drummer Ben Dixon.

Big John Patton (organ); Blue Mitchell (trumpet); Harold Vick (tenor sax); Grant Green (guitar); Ben Dixon (drums)

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
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Big K.R.I.T. - It's Better This Way Blue Vinyl Edition
Big K.R.I.T.
It's Better This Way Blue Vinyl Edition
2LP | 2015 | US | Reissue (BMG Rights Management)
42,99 €*
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Release: 2015 / US – Reissue
Genre: Hip Hop
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Double vinyl LP pressing of this 2015 mixtape from the hip-hop artist and producer.
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Big K.R.I.T. - K.R.I.T. Iz Here
Big K.R.I.T.
K.R.I.T. Iz Here
LP | 2019 | EU | Original (BMG)
36,99 €*
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Release: 2019 / EU – Original
Genre: Hip Hop
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Big K.R.I.T. - K.R.I.T. Iz Here
Big K.R.I.T.
K.R.I.T. Iz Here
LP+LP+All Media | 2019 | US | Original (Multi Alumni Studios)
24,99 €*
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Release: 2019 / US – Original
Genre: Hip Hop
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Used Vinyl
Medium: Sealed, Cover: VG
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Big K.R.I.T. - K.R.I.T. Wuz Here
Big K.R.I.T.
K.R.I.T. Wuz Here
2LP | 2020 | US | Original (BMG Rights Management)
33,99 €*
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Release: 2020 / US – Original
Genre: Hip Hop
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Big K.R.I.T. - King Remembered In Time
Big K.R.I.T.
King Remembered In Time
2LP | 2013 | US | Reissue (BMG Rights Management)
42,99 €*
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Release: 2013 / US – Reissue
Genre: Hip Hop
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Double vinyl LP pressing of this 2013 mixtape from the hip-hop artist and producer.
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Big K.R.I.T. - Return Of 4eva
Big K.R.I.T.
Return Of 4eva
2LP | 2011 | US | Reissue (BMG Rights Management)
42,99 €*
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Release: 2011 / US – Reissue
Genre: Hip Hop
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Double vinyl LP pressing of this 2015 mixtape from the hip-hop artist and producer.
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Big K.R.I.T. - Style Not Quite Free
Big K.R.I.T.
Style Not Quite Free
2LP | 2021 | US | Reissue (BMG Rights Management)
37,99 €*
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Release: 2021 / US – Reissue
Genre: Hip Hop
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Double vinyl LP pressing of this 2021 mixtape from the hip-hop artist and producer.
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Big Laugh - Consume Me Coke Bottle Green Vinyl Edition
Big Laugh
Consume Me Coke Bottle Green Vinyl Edition
LP | 2023 | US | Original (Revelation)
31,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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For decades, the upper Midwest of the United States has been a hotspot for hardcore bands that bend genres and refuse to stick to tired formulas, producing acts like Husker DÜ and DIE Kreuzen. Milwaukee’s BIG Laugh are here to continue that tradition, with a sound that finds them as much at home playing DIY shows in dingy basements as playing large clubs alongside some of hardcore and punk’s luminaries
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Big Mama Thornton - Best Of Big Mama Thornton 1951-58
Big Mama Thornton
Best Of Big Mama Thornton 1951-58
LP | 2023 | EU | Original (Acrobat)
23,99 €*
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Release: 2023 / EU – Original
Genre: Organic Grooves
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Big Mess - Cleaning Up With Pink Vinyl Edition
Big Mess
Cleaning Up With Pink Vinyl Edition
LP | 2023 | EU | Original (Specialist Subject)
16,79 €* 20,99 € -20%
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Mess - Heroic Captains Of Industry
Big Mess
Heroic Captains Of Industry
LP | 2024 | US | Original (Sad Milk Collective)
29,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
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Big Midnight - Everything For The First
Big Midnight
Everything For The First
LP | 2003 | Reissue (Alive)
27,99 €*
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Release: 2003 / Reissue
Genre: Rock & Indie
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Big Mountain County - Klaus
Big Mountain County
Klaus
LP | 2022 | EU | Original (Proto)
15,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Two years after the release of their last album Somewhere Else, BIG Mountain County releases a new EP. That's Klaus, the result of an evolution in sound and style that the band has carried out during the long months of forced absence from the scene. Unlike the past, the artistic production was in fact entirely in the hands of BIG Mountain County, which, never as this time, feel perfectly represented their soundscape in the tracks engraved on vinyl, available here from April 22. To open the dances there is (literally) What?, already released digitally last July. It is a song that, despite its attitude rooted in punk, is about artifice, about pushing the sounds to reach new landscapes. The super groovy bass lines, the crunchy drums, the connection between the synths and the vocals, raw, edgy but also refined and elaborate, push the band's style beyond the garage-psych overtones to which they have been associated. The lyrics are about a personal relationship, centered around someone very close who can turn into an unbearable person, leading us to a definitive reaction. But the song is also a vehicle for emotional release, so yell "What?" it becomes an indomitable will to move forward, to go through these absurd times that we are all living, a cry of anger against any kind of impediment. For What? was shot a video, released last July, signed by Paolo Sfirri. It follows the title-track THE Klaus Crossing, the unique track not yet unveiled. It is the track closest to the old production of BIG Mountain County, who speak of it as follows: “In such a "chaotic and fragile" period we need to dream even more strongly. On a heartbeat marked by the arpeggiator, a weave of guitars is being created to send the present to an other side, where we are stripped of material consistency and imagination takes the power. These days are too grey, some relationships are too worn out, there are no expectations, only the prospect of sinking. So we hurry: energies fade, time runs fast, but spring is just around the corner. And to be born it is necessary to die.” Side A is closed by Where ARE YOU?, released as a single in January. Here the contamination of psych sounds, exquisitely analog, with rhythmic and melodic lines with a more synthetic flavor is evident. Over a skeleton of a reiterated rhythm that is not afraid to refer explicitly to the krautrock of Can, we hear guitars and synthetic riffs that remain around Berlin, but look towards California, remembering The Brian Jonestown Massacre. In the middle of this combination, a synthetic arpeggio breaks in, to soon gets stuck in the pressing rhythm, and finally get confused in the closing explosion, BIG Mountain County's trademark. The band's "flirt" with Berlin and California doesn't end with the A-side. Side B, in fact, features the two remixes of Where ARE YOU?, both already released digitally last March. The first one is signed by AL Lover, , cult name of the international psych scene, known for his unique approach to psychedelic and experimental electronic music. Already author of remixes for bands such as Thee Oh Sees and Night Beats, he has collaborated with several labels (Stolen Body Records, The Reverberation Appreciation Society, Fuzz Club Records, Hoga Nord Rekords, Pnkslm Records and Crash Symbols) and artists such as The Brian Jonestown Massacre, White Fence, Goat and Cairo Liberation Front. He has also been the official DJ for festivals such as Levitation and Desert Daze. When Big Mountain County approached the California-based producer about remixing Where ARE YOU?, these were his words: "I really love this track! Been jamming it loud! I love the vibe of the original track and the production value. I tried to preserve some of those elements but with a different twist. I was able to sit down with this over the last few days. Really digging the results, I went with a mix of krautrock / shoegaze / chopped and screwed trip hop vibes." The result doesn't betray his words, but according to the band it goes even further: “The Californian producer Al Lover puts the music of Big Mountain County on film. He projects it on the big screen, cleverly uses photography and rewrites the plot with a very personal editing. Colors of the East, no longer intended as a lysergic space, but as a chaotic traffic of men, vehicles and animals on any given day in the Indian subcontinent (in Mumbai). In this marasmus the echo of what has been, or what could be, is there to re-propose the question that led to writing the screenplay: "Where are you?”. With the second remix, which closes out the EP, Big Mountain County are infected with a tropical disease in this remix masterfully produced by Tropicantesimo, aka UGO Sanchez, metropolitan prophet of slow rhythms and star of nights with no end, if not in hallucinated dawns front of the sea. Big Mountain County talks about it like this: “Here, more than hangover, that's "saudade" . So, the sense of lack becomes a curse - How does it feel to live so far away for me? - to be shouted, shared and cried. But outside, in some crowded city in the South of the world, it's Carnival and Summer is still there to be lived and danced, perhaps at a slower and more rhythmic pace.” An experiment, that of the remix of their songs, long in the band's wish book, finally fulfilled by Hugo Sanchez, cult Rome-based DJ and producer, recently protagonist of the recording declination of Tropicantesimo, a musical ritual dilated in time, through the celebration of sound and dance. This is a party, which over the years has become a real experience of listening, sharing and discovery out of time and space, finding home among the records and recordings of Pescheria, space-studio, but also record project, which sees Hugo Sanchez at the center of a collective of artists of various forms, musical, visual and sound installation. After having premiered two tracks by Klaus at the last Esns in Groningen (nl), Big Mountain County will return to play from April 23rd, in a tour with more than twenty gigs in Italy, Switzerland, Germany, France, Belgium and UK. In July they will be back in Berlin for the Fusion Festival 2022.
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Big Nothing - Chris
Big Nothing
Chris
LP | 2019 | US | Original (Salinas)
17,99 €*
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Release: 2019 / US – Original
Genre: Rock & Indie
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Big Nothing - Dog Hours Transparent Blue Vinyl Edition
Big Nothing
Dog Hours Transparent Blue Vinyl Edition
LP | 2022 | EU | Original (Lame-O)
24,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Being in a band is often a cheap alternative to therapy. It allows an outlet for feelings its members can't articulate. It provides a space for physical inhibitions to be let loose. For Big Nothing's Liz Parsons, the need for that mental nourishment became evident when she moved to Philadelphia. She found herself fitting into the city nicely, yet felt isolated and empty. Her new home was one of America's musical epicenters - a big reason she moved there - and she didn't plan on wasting any time filling the indie rock shaped hole in her life. She shot a text to guitarist Pat Graham, who recently had a conversation with drummer Chris Jordan about starting a new project. Once Matt Quinn caught wind of the three playing music together - he begged to bring his Rickenbacker tone into the mix.After jamming out some Voice Memo riffs - Big Nothing was here to stay. Sonically, big nothing find themselves borrowing cues from indie mainstays like Superchunk and The Replacements. It's clear that they are trying to unhinge themselves from patterns they've repeated in the past, but they're also not afraid to blast the tried and true methods of rock and roll. Their live shows mirror the honesty of their albums. Big Nothing is a genuine rock band.
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Big Paul Ferguson - Virtual Control Red Vinyl Edition
Big Paul Ferguson
Virtual Control Red Vinyl Edition
LP | 2021 | US | Original (Cleopatra)
23,99 €*
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Release: 2021 / US – Original
Genre: Rock & Indie
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Big Popper - Chantilly Lace Starring The Big Popper
Big Popper
Chantilly Lace Starring The Big Popper
LP | 1958 | EU | Reissue (Waxtime)
16,99 €*
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Release: 1958 / EU – Reissue
Genre: Rock & Indie
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Big Pun - Capital Punishment
Big Pun
Capital Punishment
2LP | 1998 | EU | Reissue (Sony Music Catalog)
26,99 €*
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Release: 1998 / EU – Reissue
Genre: Hip Hop
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Big Pun - Capital Punishment 25th Anniversary Colored Vinyl Edition
Big Pun
Capital Punishment 25th Anniversary Colored Vinyl Edition
2LP | 1998 | US | Reissue (Get On Down)
36,99 €*
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Release: 1998 / US – Reissue
Genre: Hip Hop
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Limited to 2000 copies worldwide.

Pressed on Double colored vinyl in a gatefold jacket with 25 Year Anniversary commemorative OBI limited TO 2000 Copies Big Pun remains on the best rappers ever list to this day. Reasons for this weigh largely on his debut Capital Punishment which was released 25 years ago on April 28, 1998. His commanding voice and rapid fire delivery make it clear there will never be another Big Pun. Pun was New York. His confidence on the mic made him stand out among his contemporaries. Similarly, the production -- by a cast of many – remains ever so New York loyal. The close cousins "Im Not a Player" and "Still Not a Player", may have been the hits off this album but it is packed with so many more that show Pun's true abilities.

"Beware" and "Dream Shatterer" are great examples of Big Pun at his best, dark cinematic production with just enough room to let him breathe fire. On "Twinz (Deep Cover)" Big Pun is trading bars with his mentor Fat Joe over a remake of Dr. Dre's classic beat. Here Pun delivers one of his most quoted verses that contains among others "Dead in the middle of Little Italy little did we know that we riddled some middlemen who didn't do diddly." There are numerous guest appearances, the best of which include aforementioned Fat Joe (on several tracks), Black Thought of The Roots on the MC showcase "Super Lyrical", Prodigy and Inspectah Deck on "Tres Leches (Triboro Trilogy)", and an extra-insane Busta Rhymes on "Parental Discretion".

To commemorate the 25th Anniversary Get On Down is proud to present this limited edition that contains a new colored 2xLP presing in a brand new gatefold package with a double sided OBI that folds out into a mini poster. Available for preorder now and shipping in October.
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Big Pun - Capital Punishment Vinyl Me, Please Edition
Big Pun
Capital Punishment Vinyl Me, Please Edition
2LP | 1998 | US | Reissue (Vinyl Me, Please)
43,99 €*
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Release: 1998 / US – Reissue
Genre: Hip Hop
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Why you'll love it...
The beats on Capital Punishment, from RZA, Rockwilder, Domingo, and other A-list maestros, are grimy, radio- friendly, yet low-ley cutting-edge, affirming its status as an undisputed classic. Big Pun was as much a visionary — conceptualizing every song — as a consummate pro in the booth. Citing Picasso and Baby Jesus while purporting to “twist your temples into pretzels,” Pun made Minute Rice out of multi-syllables. There’s no way to describe Pun’s febrile liberties with the king’s English. He doesn’t really breathe; when he does, it’s a sharp gasp for air that almost mimics his Ginsu-like wordplay. Pun’s habit of sucking wind before spitting an ill verse mimics the effect of a lit grenade about to land and decimate entire sections of the population. If Pun’s dense rhymes invoke mixed metaphors, that’s likely because he’s an impossible amalgam of wanton wooer and lyrical hitman, an overweight lover with a murderous mouthpiece.
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Big Pun - Yeeeah Baby Colored Vinyl Edition
Big Pun
Yeeeah Baby Colored Vinyl Edition
2LP | 2000 | US | Reissue (Get On Down)
36,99 €*
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Release: 2000 / US – Reissue
Genre: Hip Hop
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This past year marked the 25th Anniversary of Big Pun's debut Capital Punishment. Big Pun was truly larger than life and sadly passed away at the age of 28, only two months before the release of his sophomore studio album Yeeeah Baby. Yeeeah Baby was released on April 4, 2000, excecutive produced by Fat Joe and a roster of producers including Just Blaze, L.E.S., Buckwild, Younglord, and Sean C among others. The album which would be Big Pun's final release was certifed Gold after three months off the strength of the first two singles "It's So Hard" and "100%" and eventually certified Platinum. Get On Down is proud to present and honor the legacy of Big Pun with a limited edition vinyl reissue pressed on double A-Side/B-Side colored vinyl and stamped numbered OBI limited to 2000 copies.
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Big Red - Blood & Victory
Big Red
Blood & Victory
LP | 2024 | UK | Original (Evidence Music)
31,99 €*
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Release: 2024 / UK – Original
Genre: Reggae & Dancehall
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Preorder shipping from 2024-11-22
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Big Red - Come Again
Big Red
Come Again
LP | 2023 | EU | Original (Baco)
33,99 €*
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Release: 2023 / EU – Original
Genre: Reggae & Dancehall
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Big Red Machine - Big Red Machine
Big Red Machine
Big Red Machine
LP | 2018 | EU | Original (People)
24,99 €*
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Release: 2018 / EU – Original
Genre: Rock & Indie
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Big Red Machine - How Long Do You Think It´S Gonna Last? Black Vinyl Edition
Big Red Machine
How Long Do You Think It´S Gonna Last? Black Vinyl Edition
2LP | 2021 | US | Original (Jagjaguwar)
26,99 €*
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Release: 2021 / US – Original
Genre: Rock & Indie
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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
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Big Red Machine - How Long Do You Think It´S Gonna Last? Red Vinyl Edition
Big Red Machine
How Long Do You Think It´S Gonna Last? Red Vinyl Edition
2LP | 2021 | US | Original (Jagjaguwar)
27,99 €*
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Release: 2021 / US – Original
Genre: Rock & Indie
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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
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Big Ric - Big Ric
Big Ric
Big Ric
LP | 1983 | JP | Original (Scotti Bros.)
26,99 €*
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Release: 1983 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
OBI is missing.
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Big & Rich - Greatest Hits
Big & Rich
Greatest Hits
LP | 2024 | US | Original (Friday Music)
44,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Limited turquoise and blue colored vinyl LP pressing.
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Big Rubato - Menue Monnaie
Big Rubato
Menue Monnaie
LP | 2022 | EU | Original (La Martingale)
29,99 €*
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Release: 2022 / EU – Original
Genre: Pop
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Big Scary - Not Art
Big Scary
Not Art
LP | 2014 | US | Original (Barsuk)
27,99 €*
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Release: 2014 / US – Original
Genre: Rock & Indie
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The story of Big Scary begins in Melbourne, Australia, where duo Tom Iansek and Jo Syme, armed with just acoustic guitars and egg shakers, started playing songs together in the living room of Syme’s parents’ house, gradually working up to a bolder, more expansive sound by incorporating electric guitars, drums, synths and piano. What began as a few rainy day acoustic ballads in their first incarnation soon grew, and before long, the newly named Big Scary were writing anything they pleased – fuzzed-out garage rock; piano-led pop; intricate, pastoral instrumentals – each imbued with an effortless pop sensibility and lightness of touch that would quickly see the duo attract a strong following in their home country. Following a series of early self-released singles and EPs, Big Scary released the intimately crafted debut album Vacation in 2011 via the band’s own label Pieater. The album brought the pair widespread acclaim, and earned the duo a large Australian audience with nominations for ‘Album Of The Year’ from Triple J and ‘Breakthrough Artist Of The Year’ from AIR (Australian Independent Record Labels Association), plus a small but growing cult following overseas. 2012 saw Big Scary take its first small steps onto the world stage – earning further underground acclaim via a self-funded North American tour that saw Tom and Jo play SXSW, CMW, and CMJ, impressing whatever audiences happened upon the versatility, lovable magnetism, intelligent songwriting and dynamic live performances that make up the band’s riveting shows.On the heels of their adventures abroad, an invigorated Tom and Jo returned home and began recording their second full length album. Grappling with the pressures and perceived responsibilities of their Australian success, the daunting goal of bringing their music to wider audiences, and their own expectations of themselves as writers and creators, the band eventually settled into making an album that would be, paradoxically, hotly anticipated at home while acting simultaneously as a first introduction to almost all audiences elsewhere: Not Art.The Melbourne-based duo has become a household name in Australian indie-pop circles and has a growing cult following overseas. Barsuk Records is thrilled to be the U.S. home for the band’s forthcoming album Not Art, a slow-burning stunner produced and engineered by Iansek and mixed by Tom Elmhirst (Amy Winehouse, The Kills, Arcade Fire, Adele) that distills influences of indie rock song structure, pop and hip-hop production, and experimental ambient music.
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Big Scenic Nowhere - Lavender Blues Black Vinyl Edition
Big Scenic Nowhere
Lavender Blues Black Vinyl Edition
LP | 2020 | EU | Original (Heavy Psych Sounds)
21,99 €*
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Release: 2020 / EU – Original
Genre: Rock & Indie
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BIG Scenic Nowhere the supergroup led by Bob Balch from FuManchu is coming back with a new killer EP titled “lavender Blues” The band has a straight core of members as Gary Arce from Yawning Man and Tony Reed from Mos Generator, this time the album going to feature great names as Per Wiberg from Opeth, Spiritual Beggars at synth and piano, Daniel Mongrain from Voivod at the guitar and the mighty producer from Kyuss: Chris Goss from Masters Of Reality at the guitar. The sound once again has this mellow and psychedelic attitude, with pinches of space rock and a matrix of desert sound, but you can also hear some progressive passages, and old school hard rock riffing here and there. The album feature once again the cover art of the visionary Max Loeffler.
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Big Scenic Nowhere - Long Morrow Black Vinyl Edition
Big Scenic Nowhere
Long Morrow Black Vinyl Edition
LP | 2022 | EU | Original (Heavy Psych Sounds)
22,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Bob Balch here. Wanted to let you know about "The Long Morrow." We released the E.P "Lavender Blues" back in October of 2020. "Lavender Blues" and "The Long Morrow" are both the result of a three day jam session back in November of 2019. The players were myself, Gary Arce (Yawning Man), Bill Stinson (Yawning Man) and Tony Reed (Mos Generator). We left that session with hours of stuff to choose from. We still have tons to release! Once 2020 hit, we started digging into what would become "Lavender Blues" with the intention to make it an EP and save the main chunk of the material for the LP which would become "The Long Morrow." Once we released "Lavender Blues" Tony Reed and I began digging into the tunes. All of the songs were jams at first, just two or three parts and lots of improvisation. Tony started chopping them up into arranged songs and added lyrics and a few changes. That's where we got songs like "Murder Klipp" "Defector" "LeDu" and "Lavender Bleu." I did a few guitar overdubs on them as well to flesh out the parts, but for the most part they are all live takes. I'm surprised that "Murder Klipp" came together so easiely that early in the morning. That time signature is bonkers, Bill Stinson had no trouble coming up with a beat that complemented it. I had to take notes and increase my caffeine intake for that one. "Lavender Bleu" is a second take for "Lavender Blues" hence the title similarity. They were both jams but "Lavender Bleu" became a structured song and the second half of it became "Labyrinths Fade" from the EP. I got to play bass on "Defector" and Tony switched to guitar. "LeDu" is inspired by Husker Du and Led Zeppelin. Gary Arce (Yawning Man) planted the main riff ideas for all of those songs on Side One. The dude is a riff machine. “The Long Morrow” takes up Side Two. Clocking in at a little under 20 mins, “The Long Morrow” was the very first jam we did during the session. Took us about 30 seconds to fall into a groove and we didn’t surface for 30 mins. I went home and re-recorded all of my guitar parts throughout 2020. I kept the original ideas in place but embellished them a little. After editing it down and changing guitar parts around it was sent to Reeves Gabrels (the Cure/david Bowie) and Per Wiberg (opeth, Spiritual Beggars) to add guitars and synth. Then it was sent to Tony Reed (mos Generator) for vocals, overdubs and structure changes. Mixed and Mastered by the very talented Tony Reed. I couldn't ask for a better production. Sounds just as I wanted to hear it. We are super proud of this album, and look ahead into the future as this is only the beginning. If we can create stuff like this the first time jamming together we can only imagine that it’s gonna get better and better! More soon!
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Big Scenic Nowhere - Long Morrow Transparent Green/Purple/Yellow Vinyl Edition
Big Scenic Nowhere
Long Morrow Transparent Green/Purple/Yellow Vinyl Edition
LP | 2022 | EU | Original (Heavy Psych Sounds)
29,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / EU – Original
Genre: Rock & Indie
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Bob Balch here. Wanted to let you know about "The Long Morrow." We released the E.P "Lavender Blues" back in October of 2020. "Lavender Blues" and "The Long Morrow" are both the result of a three day jam session back in November of 2019. The players were myself, Gary Arce (Yawning Man), Bill Stinson (Yawning Man) and Tony Reed (Mos Generator). We left that session with hours of stuff to choose from. We still have tons to release! Once 2020 hit, we started digging into what would become "Lavender Blues" with the intention to make it an EP and save the main chunk of the material for the LP which would become "The Long Morrow." Once we released "Lavender Blues" Tony Reed and I began digging into the tunes. All of the songs were jams at first, just two or three parts and lots of improvisation. Tony started chopping them up into arranged songs and added lyrics and a few changes. That's where we got songs like "Murder Klipp" "Defector" "LeDu" and "Lavender Bleu." I did a few guitar overdubs on them as well to flesh out the parts, but for the most part they are all live takes. I'm surprised that "Murder Klipp" came together so easiely that early in the morning. That time signature is bonkers, Bill Stinson had no trouble coming up with a beat that complemented it. I had to take notes and increase my caffeine intake for that one. "Lavender Bleu" is a second take for "Lavender Blues" hence the title similarity. They were both jams but "Lavender Bleu" became a structured song and the second half of it became "Labyrinths Fade" from the EP. I got to play bass on "Defector" and Tony switched to guitar. "LeDu" is inspired by Husker Du and Led Zeppelin. Gary Arce (Yawning Man) planted the main riff ideas for all of those songs on Side One. The dude is a riff machine. “The Long Morrow” takes up Side Two. Clocking in at a little under 20 mins, “The Long Morrow” was the very first jam we did during the session. Took us about 30 seconds to fall into a groove and we didn’t surface for 30 mins. I went home and re-recorded all of my guitar parts throughout 2020. I kept the original ideas in place but embellished them a little. After editing it down and changing guitar parts around it was sent to Reeves Gabrels (the Cure/david Bowie) and Per Wiberg (opeth, Spiritual Beggars) to add guitars and synth. Then it was sent to Tony Reed (mos Generator) for vocals, overdubs and structure changes. Mixed and Mastered by the very talented Tony Reed. I couldn't ask for a better production. Sounds just as I wanted to hear it. We are super proud of this album, and look ahead into the future as this is only the beginning. If we can create stuff like this the first time jamming together we can only imagine that it’s gonna get better and better! More soon!
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Big Scenic Nowhere - The Waydown Black Vinyl Edition
Big Scenic Nowhere
The Waydown Black Vinyl Edition
LP | 2023 | EU | Original (Heavy Psych Sounds)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / EU – Original
Genre: Rock & Indie
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Bob Balch here. These recordings go back to 2021.BIG Scenic Nowhere played a show out in Joshua Tree and while we were all in the same place (Tony the singer lives like 20 hours away) we thought we should spend two days jamming in the studio. Our usual way of recording is jam out freely and then edit those jams down into songs afterwards. The song “The Way Down” was the last jam of that session. We were about to pack up and Tony Reed started playing the main riff. Sometimes that’s all it takes to get immersed into a 25 min jam.
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Big Scenic Nowhere - The Waydown Blood Red Vinyl Edition
Big Scenic Nowhere
The Waydown Blood Red Vinyl Edition
LP | 2023 | EU | Original (Heavy Psych Sounds)
29,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / EU – Original
Genre: Rock & Indie
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Bob Balch here. These recordings go back to 2021.BIG Scenic Nowhere played a show out in Joshua Tree and while we were all in the same place (Tony the singer lives like 20 hours away) we thought we should spend two days jamming in the studio. Our usual way of recording is jam out freely and then edit those jams down into songs afterwards. The song “The Way Down” was the last jam of that session. We were about to pack up and Tony Reed started playing the main riff. Sometimes that’s all it takes to get immersed into a 25 min jam.
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Big Scenic Nowhere - Vision Beyond Horizon Black Vinyl Edition
Big Scenic Nowhere
Vision Beyond Horizon Black Vinyl Edition
LP | 2020 | EU | Original (Heavy Psych Sounds)
21,99 €*
Incl. VAT plus Shipping Costs
Release: 2020 / EU – Original
Genre: Rock & Indie
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This album is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from the melodic stoner mellowness, to faster tempos, to classic heavy sounds, but songwriting is never customary.We can say, "Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man." For sure that is something that's never been tried before!Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a very special record and deserves your full attention, because we predict that over time you will hear different elements within it. So dig in and get lost. Let your journey begin.
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Big Scenic Nowhere - Vision Beyond Horizon Purple Vinyl Edition
Big Scenic Nowhere
Vision Beyond Horizon Purple Vinyl Edition
LP | 2020 | EU | Original (Heavy Psych Sounds)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 2020 / EU – Original
Genre: Rock & Indie
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Limited to 550 copies.This album is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from the melodic stoner mellowness, to faster tempos, to classic heavy sounds, but songwriting is never customary.We can say, "Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man." For sure that is something that's never been tried before!Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a very special record and deserves your full attention, because we predict that over time you will hear different elements within it. So dig in and get lost. Let your journey begin.
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Big Sean - Better Me Than You Clarity Edition
Big Sean
Better Me Than You Clarity Edition
LP | 2024 | US | Original (Def Jam)
35,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Hip Hop
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Better Me Than You (Clarity Edition) Big Sean Better Me Than You is the 6th studio album from Detroit superstar rapper, Big Sean. Clarity Edition LP on BLUE EXPLICIT
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Big Sean - Better Me Than You Focus Edition
Big Sean
Better Me Than You Focus Edition
LP | 2024 | US | Original (Def Jam)
35,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Hip Hop
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Big Sean - "Better Me Than You" Better Me Than You is the 6th studio album from Detroit superstar rapper, Big Sean. Focus Edition LP on GREEN vinyl and includes the bonus track, "Get You Back." EXPLICIT
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Big Sean - Better Me Than You Happiness Edition
Big Sean
Better Me Than You Happiness Edition
LP | 2024 | US | Original (Def Jam)
35,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Hip Hop
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Big Sean -"Better Me Than You" Better Me Than You is the 6th studio album from Detroit superstar rapper, Big Sean. Happiness Edition LP on YELLOW vinyl and includes the bonus track, "Together Forever," featuring The Alchemist. EXPLICIT
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Big Sean - Better Me Than You Pressure Edition
Big Sean
Better Me Than You Pressure Edition
LP | 2024 | US | Original (Def Jam)
35,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Hip Hop
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Big Sean - "Better Me Than You" Better Me Than You is the 6th studio album from Detroit superstar rapper, Big Sean. Pressure Edition LP on RED vinyl and includes the bonus track, "Wire Me." [Pressure Edition LP] EXPLICIT
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Big Sean - Detroit 2
Big Sean
Detroit 2
2LP | 2021 | US | Original (G.O.O.D. Music)
52,99 €*
Incl. VAT plus Shipping Costs
Release: 2021 / US – Original
Genre: Hip Hop
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Big Sean - Detroit 2
Big Sean
Detroit 2
2LP | 2021 | US | Original (Def Jam)
52,99 €*
Incl. VAT plus Shipping Costs
Release: 2021 / US – Original
Genre: Hip Hop
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Big Sean - Finally Famous 10th Anniversary Deluxe Edition
Big Sean
Finally Famous 10th Anniversary Deluxe Edition
LP | 2011 | EU | Reissue (Universal)
15,99 €*
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Release: 2011 / EU – Reissue
Genre: Hip Hop
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Big Search - Slow Fascination
Big Search
Slow Fascination
LP | 2023 | UK | Original (30th Century)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / UK – Original
Genre: Rock & Indie
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