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All Items / HHV Records / Vinyl, CD & Tape

Vinyl, CD & Tape 982 Items

Vinyl, CD & Tape 982 Organic Grooves 589 Rock & Indie 332 Electronic & Dance 1 Reggae & Dancehall 14 Pop 108 Classical Music 4 Soundtracks 39 Childrens 1 Christmas 3 Used Vinyl 445
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Dorothy Ashby - Afro-Harping Deluxe Edition
Dorothy Ashby
Afro-Harping Deluxe Edition
2LP | 1968 | EU | Reissue (Verve)
39,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
A cult album from 1968 that has long since become known as a groove classic across genre boundaries, now for the first time as a deluxe edition, freshly remastered, with bonus tracks and attractive packaging. Along with Alice Coltrane, Dorothy Ashby was the only world-famous jazz harpist. Thanks to deep grooves and sophisticated orchestral sounds, “Afro-Harping” is her most famous album to date, which is continually breathed new life into thanks to samples and remixes by Pete Rock, Kendrick Lamar, Jay Dee (aka J Dilla), Madlib, Flying Lotus and others. Remastered from the original ¼-inch tapes by Alex Wharton/Abbey Road Studios and featuring eight strong, previously unreleased alternate tracks, including an explosive version of the single “Soul Vibrations”, the classic album is now available for the first time in a high-quality format appropriate to its ever-growing importance.

2-lp: gatefold sleeve, padded black inner sleeves, illustrated eight-page insert with detailed liner notes by Seán Casey/Shindig! magazine.
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The Beatles - A Hard Day's Night White Vinyl Edition
The Beatles
A Hard Day's Night White Vinyl Edition
LP | 1964 | Reissue (UMR)
36,99 €*
Incl. VAT plus Shipping Costs
Release: 1964 / Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
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Sam Rivers - Fuchsia Swing Song
Sam Rivers
Fuchsia Swing Song
LP | 1964 | DE | Reissue (Blue Note)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 1964 / DE – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Der Saxophonist Sam Rivers hatte sich schon sehr früh in seiner Karriere durch bemerkenswerte Originalität ausgezeichnet. Nach einem kurzen Intermezzo im zweiten großen Quintett von Miles Davis, spielte Rivers im Dezember 1964 für Blue Note sein Debütalbum “Fuchsia Swing Song” ein. Das Repertoire bestand aus sechs Kompositionen von Rivers, die zwar fest im Post-Bop und Blues wurzelten, aber die avantgardistischen Tendenzen des Saxophonisten auch nicht leugnen konnten. Das Highlight des Albums ist die atemberaubende Ballade “Beatrice”, die später sogar von den Tenor-Giganten Joe Henderson und Stan Getz aufgegriffen und interpretiert wurde.

BLUE NOTE CLASSIC VINYL EDITION: Stereo, komplett analog von Kevin Gray von den Originalbändern gemastert, Optimal-Pressung (180 g), wattierte Innenhülle.
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Offbeats - The Hump
Offbeats
The Hump
7" | 1968 | UK | Reissue (Tramp)
11,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Monstrous blue-eyed soul / garage double-sider and a must for any rare groove DJ.
250 copies pressed.
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Art Blakey & The Jazz Messengers - Free For All
Art Blakey & The Jazz Messengers
Free For All
LP | 1964 | US | Reissue (Blue Note)
15,99 €*
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Release: 1964 / US – Reissue
Genre: Organic Grooves
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Aretha Franklin - Never Loved A Man Vinyl Me, Please Edition
Aretha Franklin
Never Loved A Man Vinyl Me, Please Edition
LP | 1967 | US | Reissue (Vinyl Me, Please)
35,99 €*
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Release: 1967 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
"‘I Never Loved a Man the Way I Love You’ runs the stylistic gambit without feeling Franklin is doing things just for show. The album isn’t trying to function as a resumé of her skills. Genre shifts feel organic and natural. “Don’t Let Me Lose This Dream” is built on a bossa nova groove, while “Do Right Woman Do Right Man” has a little country ballad flavor. “Dr Feelgood (Love Is A Serious Business)”—one of four songs penned by Franklin herself—is a bluesy belter. She might have been Queen of the genre, but pigeonholing Franklin in soul is like calling Sugar Ray Leonard just a welterweight. She could shuffle through styles as smooth as velvet. Everything is stamped with her own distinct character."
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Simon & Garfunkel - Bookends
Simon & Garfunkel
Bookends
LP | 1968 | WW | Reissue (Mobile Fidelity Sound Lab)
57,99 €*
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Release: 1968 / WW – Reissue
Genre: Pop
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A Timeless Reflection on America and Ourselves: Simon & Garfunkel’s Searching Bookends Searches and Asks Big Questions, Includes “Mrs. Robinson” and “A Hazy Shade of Winter”

Mastered on MoFi’s Renowned System and Limited to 4,000 Numbered Copies: Mobile Fidelity’s 180g SuperVinyl 33rpm LP Magnifies the Brilliance of the Original Recording Sessions

1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe

Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel’s Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.
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Wayne Shorter - Juju
Wayne Shorter
Juju
LP | 1964 | Reissue (Blue Note)
28,99 €*
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Release: 1964 / Reissue
Genre: Organic Grooves
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The Beatles - I Want To Hold Your Hand / I Saw Her Standing There Black Friday Record Store Day 2024 Edition
The Beatles
I Want To Hold Your Hand / I Saw Her Standing There Black Friday Record Store Day 2024 Edition
7" | 1964 | US | Reissue (Capitol)
21,99 €*
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Release: 1964 / US – Reissue
Genre: Pop
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RSD First, Limitation: 10000

With a million orders for “I Want To Hold Your Hand” in the UK, the single shot to #1 in December 1963 knocking The Beatles’ own “She Loves You” from the top spot. This was to be the first official single for The Beatles on Capitol records and was backed by an extraordinary marketing campaign. With “I Saw Her Standing There” replacing “This Boy” for the other side, the single was rush-released in the USA in January 1964, climbing to #1 on the Hot 100 by February 1st. Remaining on the chart for 15 weeks, it went on to sell more than 12 million copies worldwide, and with that, an unstoppable force was unleashed and Beatlemania had truly arrived. This RSD Black Friday reissue single was cut from the original US version of the master tapes –- the same masters as used for the albums in the 1964 box set -- by Kevin Reeves in Nashville, using an all-analog cutting process and on the same 1970 lathe that was in Capitol and has been used on many classic album cuts over the years.
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The Beatles - All My Loving 3" Black Friday Record Store Day 2024 Edition
The Beatles
All My Loving 3" Black Friday Record Store Day 2024 Edition
7" | 1964 | Reissue (Apple)
TBA
The final price is not yet known.
Release: 1964 / Reissue
Genre: Pop
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RSD First, Limitation: 2500

This limited-edition 3” single and Beatles-branded vinyl carrying case celebrates the 60th anniversary of the Beatles’ 1964 American Tour and appearance on the Ed Sullivan Show on February 9, 1964. With the release of "All My Loving," the 3" record set of all five of the songs the band played on the Ed Sullivan Show is complete. Like the previous 3" record releases of "I Want To Hold Your Had," "'Til There Was You," "She Loves You, and "I Saw Her Standing There," this 3” vinyl record is housed in a picture sleeve and includes a limited-edition poster, while the carrying case is made to hold all of your 3" Beatles records.
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Eddie Gale - Eddie Gale's Ghetto Music
Eddie Gale
Eddie Gale's Ghetto Music
LP | 1968 | EU | Reissue (Elemental)
30,99 €*
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Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Lee Morgan - Taru Tone Poet Vinyl Edition
Lee Morgan
Taru Tone Poet Vinyl Edition
LP | 1968 | Reissue (Blue Note)
38,99 €*
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Release: 1968 / Reissue
Genre: Organic Grooves
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Lee Morgan’s 1968 album "Taru" found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold Sleeve with deluxe tip-on jacket.
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Latin Blues Band - I'll Be A Happy Man / Take A Trip Record Store Day 2023 Edition
Latin Blues Band
I'll Be A Happy Man / Take A Trip Record Store Day 2023 Edition
7" | 1968 | UK | Reissue (Speed)
14,99 €*
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Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Reissued for the first time ever on 7 inch, having previously only ever been on the Take A Trip Pussycat LP, Latin Blues Band - (I'll Be A) Happy Man. A dynamic dancefloor jazz and boogaloo belter from 1968, with a legendary piano riff and breakbeats that were most famously sampled by DJ Premier for Christina Aguilera’s classic ‘(Ain´t No Other Man)’. The B side houses another boogaloo bomb in the form of ‘Take A Trip’ that will set you back £80+ for an original copy. Yellow label version with white sleeve.
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Marcos Valle - Samba 68
Marcos Valle
Samba 68
LP | 1968 | EU | Reissue (Elemental)
30,99 €*
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Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Elemental Music, together with Universal Music Spain presents a new vinyl reissue of “Samba ’68“, the only album released on the Verve label by prolific Brazilian singer Marcos Valle. In 1968, Valle was commissioned by Verve to record his Brazilian hits in English in order to capitalize on the then-huge Getz-Gilberto-Jobim-Mendes-Astrud market. Marcos’ rapid and stunning artistic growth is apparent on this brilliant Bossa Nova album. Fans of Sérgio Mendes and Astrud Gilberto (both of whom recorded tons of Valle tunes) will enjoy it immensely, for “Samba ’68” is definitely one of the ultimate “loungy” records. “Samba ‘68 is a vibrant set of Brazilian pop, indebted to bossa nova and samba but undeniably Americanized for a domestic audience. The result is a joyous album throughout that wears its dated sound quite well. Marcos Valle interprets eleven of his own songs, including Brazilian standards like ‘Chup Chup, I Got Away,’ ‘Batucada’ and ‘So Nice (Summer Samba),’ as well as new tracks like ‘Crickets Sing for Anamaria’ and ‘The Answer.’ The vocal harmonies of his wife (the Anamaria of the song title) provide a beautiful counterpoint to Valle’s voice on several tracks, making Samba ‘68 one of the best Brazilian crossovers of the 1960s.”(John Bush, AllMusic) Marcos Valle was the Renaissance man of Brazilian pop, a singer/songwriter/producer who straddled the country’s music world from the early days of the Bossa Nova craze well into the fusion-soaked sound of ‘80s Brazilian popular music. Though his reputation in America never quite compared to contemporaries like Caetano Veloso, Milton Nascimento, Gilberto Gil, or even Tom Zé. Valle is one of the most important and popular performers in the history of Brazilian pop.
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Nina Simone - Nina Simone Sings The Blues Vinyl Me, Please Edition
Nina Simone
Nina Simone Sings The Blues Vinyl Me, Please Edition
LP | 1967 | US | Reissue (Vinyl Me, Please)
33,99 €*
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Release: 1967 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
Nina was singular in both her ability and the music she made. She will always be one of the best to ever do it. "Nina Simone Sings the Blues' comes on 180 gram blue vinyl.
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Nancy Sinatra - Country, My Way Black Friday Record Store Day 2024 Red & White Swirl Vinyl Edition
Nancy Sinatra
Country, My Way Black Friday Record Store Day 2024 Red & White Swirl Vinyl Edition
LP | 1967 | US | Reissue (Light In The Attic)
37,99 €*
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Release: 1967 / US – Reissue
Genre: Pop
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In 1967, Nancy Sinatra would continue her artistic ascent into the pop stratosphere with the James Bond You Only Live Twice theme song, the groovy technicolor television special, Movin’ With Nancy, recording one of the most beloved duets of all time, “Some Velvet Morning,” and a cross-country pilgrimage to the center of the country music scene. Nancy traveled to Nashville to cut her fifth album at RCA Studios, where many of the greatest country songs of all time were recorded. On Country, My Way, Nancy fuses her own personal style with country music, resulting in a new hybrid sound. Producer Lee Hazlewood called it “hippie-billy.” While many people get credit for pioneering the contemporary country sound, like many milestones of the 1960s, Nancy was one of the first. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture.
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Lee Morgan - The Sidewinder
Lee Morgan
The Sidewinder
LP | 1964 | EU | Reissue (Blue Note)
23,99 €*
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Release: 1964 / EU – Reissue
Genre: Organic Grooves
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The Beatles - Magical Mystery Tour
The Beatles
Magical Mystery Tour
LP | 1967 | EU | Reissue (Apple)
27,99 €*
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Release: 1967 / EU – Reissue
Genre: Pop
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Just one word to say: Essential!
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Jefferson Airplane - Surrealistic Pillow
Jefferson Airplane
Surrealistic Pillow
2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)
73,99 €*
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Release: 1967 / US – Reissue
Genre: Rock & Indie
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180 Gram MONO 45RPM Audiophile Vinyl, limited/numbered
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Jimi Hendrix - Electric Ladyland
Jimi Hendrix
Electric Ladyland
2LP | 1968 | EU | Reissue (Sony)
27,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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All time classic album, including 'Crosstwon Traffic', 'Voodoo Chile' & more!
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Antonio Carlos Jobim - Wave
Antonio Carlos Jobim
Wave
LP | 1967 | EU | Reissue (Elemental)
31,99 €*
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Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Reissue of the 5th studio album by Brazilian jazz legend Antônio Carlos Jobim. Considered one of Jobim’s best albums, this masterpiece peaked at #5 on the Billboard Jazz Albums chart. It features a plethora of star sidemen, such as Dom Um Romão, Claudio Slon, Jerome Richardson, Ron Carter & Urbie Green, among others, as well as superb arrangements by Claus Ogerman.
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The Rolling Stones - Live At Racket, Nyc Record Store Day 2024 Black W/ Blue Swirl Vinyl Edition
The Rolling Stones
Live At Racket, Nyc Record Store Day 2024 Black W/ Blue Swirl Vinyl Edition
LP | 1964 | Reissue (ABKCO)
30,99 €*
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Release: 1964 / Reissue
Genre: Rock & Indie
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To celebrate 60 years since its original release, The Rolling Stones, ‘uk’ edition, is being released in a special bespoke package for RSD 2024.The band’s debut studio album, was released in the UK on 16 April 1964. The American edition of the LP, with a slightly different track list, came out on London Records on 30 May 1964, subtitled England’s Newest Hit Makers, which later became its official title. The remarkable, ground-breaking album arrives like a jet-fueled rush of white hot R&B. Pressed on stunning 180gm blue + black swirl vinyl / includes lithograph print with images by renowned photographer Terry O’Neill / limited edition stamp-numbering on outer sleeves
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Nancy Sinatra - Country, My Way Black Friday Record Store Day 2024 Blue Vinyl Edition
Nancy Sinatra
Country, My Way Black Friday Record Store Day 2024 Blue Vinyl Edition
LP | 1967 | US | Reissue (Light In The Attic)
35,99 €*
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Release: 1967 / US – Reissue
Genre: Pop
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In 1967, Nancy Sinatra would continue her artistic ascent into the pop stratosphere with the James Bond You Only Live Twice theme song, the groovy technicolor television special, Movin’ With Nancy, recording one of the most beloved duets of all time, “Some Velvet Morning,” and a cross-country pilgrimage to the center of the country music scene. Nancy traveled to Nashville to cut her fifth album at RCA Studios, where many of the greatest country songs of all time were recorded. On Country, My Way, Nancy fuses her own personal style with country music, resulting in a new hybrid sound. Producer Lee Hazlewood called it “hippie-billy.” While many people get credit for pioneering the contemporary country sound, like many milestones of the 1960s, Nancy was one of the first. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture.
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Nina Simone - Nuff Said! Vinyl Me, Please Edition
Nina Simone
Nuff Said! Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
35,99 €*
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Release: 1968 / US – Reissue
Genre: Organic Grooves
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Townes Van Zandt - For The Sake Of The Song Vinyl Me, Please Edition
Townes Van Zandt
For The Sake Of The Song Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
35,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.



No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.
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Nancy Sinatra & Lee Hazlewood - Nancy & Lee Black Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Black Vinyl Edition
LP | 1968 | US | Reissue (Light In The Attic)
30,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie
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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
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Horace Silver - Song For My Father
Horace Silver
Song For My Father
LP | 1964 | EU | Reissue (Blue Note)
23,99 €*
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Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Gabor Szabo - Dreams Black Vinyl Edition
Gabor Szabo
Dreams Black Vinyl Edition
LP | 1968 | EU | Reissue (Skye)
25,99 €*
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Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Arrangements by Gary McFarland Recorded at Western Recording, Los Angeles
August 6th, 7th and 9th, 1968
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Lonnie Smith - Finger Lickin' Good
Lonnie Smith
Finger Lickin' Good
LP | 1967 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1967 / EU – Reissue
Genre: Organic Grooves
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La Lupe - Queen Of Latin Soul / Reina De La Cancion Latina Vinyl Me, Please Edition
La Lupe
Queen Of Latin Soul / Reina De La Cancion Latina Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
33,99 €*
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Release: 1968 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
There is something raw and disruptive about La Lupe and her modalities of performance, something that far exceeds tropes of so-called hysteria and all the gendered and racial scripts that come along with it. Uncontrolled expression opens up new routes; it presses against obligatory composure.

The boleros, boogaloos and salsas of Reina de la Canción Latina contain lessons about love, about a willingness to stay alive, about what it means to push against the confines. Reina de la Canción Latina asks us to listen to La Lupe outside of a binary mode — to look a little deeper, to find her personhood and to search for flashes of freedom wherever we can.
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Fabio - Lsd / Reloginho Red Vinyl Edition
Fabio
Lsd / Reloginho Red Vinyl Edition
7" | 1968 | EU | Reissue (Groovie)
18,99 €*
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Release: 1968 / EU – Reissue
Genre: Organic Grooves
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1968, in the Brazilian dictatorship, Fábio released this psychedelic gem LSD (Lindo Sonho Delirante), writed by him and Carlos Imperial.

A soul / garage floor killer till today. Besides the alucinated rhythm, the song was an explicit provocation to the political society of the 60’s.
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Bobby Hutcherson - Happenings
Bobby Hutcherson
Happenings
LP | 1967 | Reissue (Blue Note)
28,99 €*
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Release: 1967 / Reissue
Genre: Organic Grooves
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Donald Byrd - Slow Drag Tone Poet Vinyl Edition
Donald Byrd
Slow Drag Tone Poet Vinyl Edition
LP | 1967 | EU | Reissue (Blue Note)
33,99 €*
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Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Donald Byrd’s 1967 album Slow Drag was one of the last pure hard bop records the trumpeter would make before his music began evolving towards fusion. Byrd flies high on this gratifying set featuring alto saxophonist Sonny Red, pianist Cedar Walton, bassist Walter Booker & drummer Billy Higgins.



BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.
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Freddie Roach - Brown Sugar Vinyl Me, Please Edition
Freddie Roach
Brown Sugar Vinyl Me, Please Edition
LP | 1964 | US | Reissue (Vinyl Me, Please)
35,99 €*
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Release: 1964 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
Freddie Roach’s first three albums introduced him to the world, but Brown Sugar showed it who he was. It was the album that Roach made to capture the energy of soul jazz. To somehow take the sounds in the city, in the clubs, and bring them to a record. In his original liner notes, Roach writes that the album is an ode to late nights and loud clubs, to backs damp with sweat, arms wrapped around waists. ‘’Not caring for the moment about troubles or problems,'' he wrote of people dancing, ‘’their bodies quivering under smiles that seemed to promise ‘after the dance.’'' After talking to Alfred Lion, president of Blue Note, they decided that the album needed to be made up of standards — not the standards of the stage or screen, but the standards of the people. ‘’To get the ‘soul,’'' Roach wrote, ‘’I decided to do show soul tunes.''
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Stan Getz / Joao Gilberto - Getz / Gilberto
Stan Getz / Joao Gilberto
Getz / Gilberto
LP | 1964 | EU | Reissue (Verve)
28,99 €*
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Release: 1964 / EU – Reissue
Genre: Organic Grooves
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The Latin Jazz classic that started it all! Mandatory!
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Ultimate Spinach - Ultimate Spinach
Ultimate Spinach
Ultimate Spinach
LP | 1968 | EU | Reissue (Akarma)
25,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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American psychedelic band from Boston, Massachusetts. Active 1967 to 1969. Their second album was originally released in 1968. Recorded in September 18th, 19th, 26th, 27th and October 26th, 29th 1967 at Bell Sound Studios, New York City
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Nancy Sinatra & Lee Hazlewood - Nancy & Lee
Nancy Sinatra & Lee Hazlewood
Nancy & Lee
Tape | 1968 | US | Reissue (Light In The Attic)
10,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie
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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
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Eric Dolphy - Out To Lunch
Eric Dolphy
Out To Lunch
LP | 1964 | EU | Reissue (Blue Note)
24,99 €*
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Release: 1964 / EU – Reissue
Genre: Organic Grooves
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The Jimi Hendrix Experience - Are You Experienced EU Stereo Version
The Jimi Hendrix Experience
Are You Experienced EU Stereo Version
2LP | 1967 | EU | Reissue (Sony)
27,99 €*
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Release: 1967 / EU – Reissue
Genre: Rock & Indie
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All time classic album, including 'Hey Joe' & 'Purple Haze'!
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Johnny Cash - At Folsom Prison Black Vinyl Edition
Johnny Cash
At Folsom Prison Black Vinyl Edition
LP | 1968 | EU | Reissue (Sony)
27,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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John Coltrane - Blue Train 180g Vinyl Edition
John Coltrane
Blue Train 180g Vinyl Edition
LP | 1967 | EU | Reissue (Dol)
15,99 €*
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Release: 1967 / EU – Reissue
Genre: Organic Grooves
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The Jimi Hendrix Experience - Are You Experienced
The Jimi Hendrix Experience
Are You Experienced
LP | 1967 | US | Reissue (Sony)
27,99 €*
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Release: 1967 / US – Reissue
Genre: Rock & Indie
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Audiophile 180 gram pressing, approved by the Hendrix family!
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Wayne Shorter - Speak No Evil Blue Vinyl Edition
Wayne Shorter
Speak No Evil Blue Vinyl Edition
LP | 1964 | EU | Reissue (Blue Note)
28,99 €*
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Release: 1964 / EU – Reissue
Genre: Organic Grooves
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1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”
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Margo Guryan - Take A Picture Black Vinyl Edition
Margo Guryan
Take A Picture Black Vinyl Edition
LP | 1968 | US | Reissue (Numero Group)
26,99 €*
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Release: 1968 / US – Reissue
Genre: Pop
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Take A Picture is Margo Guryan's one and done classic _ one of record collecting's real unheralded masterpieces _ bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.
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Lee Morgan - The Sidewinder Blue Note 85 Collection Blue Vinyl Edition
Lee Morgan
The Sidewinder Blue Note 85 Collection Blue Vinyl Edition
LP | 1964 | WW | Reissue (Blue Note)
28,99 €*
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Release: 1964 / WW – Reissue
Genre: Organic Grooves
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Nobody had expected the extraordinary success of this album and its funky title track. When Blue Note released trumpeter Lee Morgan's “The Sidewinder” in 1964, the label “only” pressed 4,000 copies, but they were completely sold out within three days. The instrumental album reached number 25 in the pop charts and number 10 in the rhythm'n'blues charts, while the soul-jazzy title track, which was shortened for that, was also successful as a single. The album, recorded with tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw and drummer Billy Higgins, is now a classic album that should be in every jazz collection.
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Cannonball Adderly - Somethin' Else Blue Note 85 Collection Blue Vinyl Edition
Cannonball Adderly
Somethin' Else Blue Note 85 Collection Blue Vinyl Edition
LP | 1964 | WW | Reissue (Blue Note)
28,99 €*
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Release: 1964 / WW – Reissue
Genre: Organic Grooves
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“Is that what you wanted, Alfred?” we hear in Miles Davis’ unmistakable rasp at the end of “One for Daddy-O,” making it clear that the legendary (and assertive) trumpeter was not just playing the role of sideman on Somethin’ Else, the sole Blue Note album by Cannonball Adderley. The alto saxophonist was a memb¬er of Davis’ band at the time and the depth of their musical camaraderie lifts this session up to rarefied heights throughout, from the breathtaking performance of “Autumn Leaves” that opens the album to the thrilling call-and-response theme of the title track. Pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey round out the quintet on this timeless classic.
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Julie Driscoll / Brian Auger - Jools/Brian
Julie Driscoll / Brian Auger
Jools/Brian
LP | 1968 | UK | Reissue (Charly)
27,99 €*
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Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Al Hirt - Soul In The Horn
Al Hirt
Soul In The Horn
LP | 1967 | UK | Reissue (Be With)
29,99 €*
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Release: 1967 / UK – Reissue
Genre: Organic Grooves
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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.
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The Grateful Dead - The Grateful Dead
The Grateful Dead
The Grateful Dead
LP | 1967 | US | Reissue (Warner)
26,99 €*
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Release: 1967 / US – Reissue
Genre: Rock & Indie
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Mankunku Quartet - Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition
Mankunku Quartet
Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition
LP | 1968 | UK | Reissue (Mr Bongo)
29,99 €*
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Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Limited edition of 200 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

The Mankunku Quartet's 1968 album 'Yakhal' Inkomo’ clocks in at just over 30 minutes of jazz perfection. This compact, and to-the-point, album would sit comfortably in amongst some of the best works in the catalogues of any of the quintessential jazz labels such as Blue Note, Prestige and Impulse. 'Yakhal' Inkomo’, however, was originally released on the South African record label World Record Co., which resulted in it becoming an elusive and sought-after piece for jazz collectors. First press copies sometimes fetch as much as £1,000 on the collectors' market. It has been long regarded as one of the finest South African jazz albums and DJ / broadcaster Gilles Peterson cemented this when he included it in his "best of genre" focussed radio show, 'The 20 - South African Jazz'. Tenor saxophonist Winston "Mankunku" Ngozi recorded the session on 23rd July 1968 at the Manley van Niekerk Studios, in Johannesburg. It was recorded by Dave Challen and produced by Ray Nkwe. The session is built up of two original works by Mankunku on the A-side, 'Yakhal' Inkomo' & 'Dedication (To Daddy Trane and Brother Shorter)', and on the B-side, the Horace Silver composition 'Doodlin', and a John Coltrane number 'Bessie's Blues'. What is striking is how the Mankunku-penned compositions not only hold their own next to Silver and Coltrane but they are, arguably, the better tracks on the record - a testament to the beautiful writing and playing of Mankunku. 'Yakhal' Inkomo' features the great musicians; Agrippa Magwaza on bass, drummer Early Mabuza, and pianist Lionel Pillay. Pillay was of Indian descent, making this a mixed-race group, thus the very recording of the album was an act of resistance as it broke the apartheid restrictions of the time. The title of 'Yakhal’ Inkomo' means “the bellow of the bull”, the Black audience would have understood this as coded community symbolism and an act of protest but it escaped the attention of the white government. For this edition, we have enlisted the services of Abbey Road Studios mastering, and lacquer-cutting engineer Miles Showell to cut a special half-speed master from the audio taken off the original master tapes. Miles has previously worked on our Arthur Verocai, Marcos Valle and Ian Carr re-issues, and once again we are blown away by the richness and clarity of Miles' work. We have also presented it as a replica copy using the cover artwork and labels from the primary World Record Co. original version. On the sleeve notes, Ray Nkwe the producer and the President of the Jazz Appreciation Society of South Africa writes "This is the LP that every jazz fan has been waiting for" and Ray was not wrong, it's a stone-cold timeless jazz classic.
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Albert King - Born Under A Bad Sign
Albert King
Born Under A Bad Sign
LP | 1967 | US | Reissue (Craft)
36,99 €*
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Release: 1967 / US – Reissue
Genre: Organic Grooves
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Mel Brown - Chicken Fat Verve By Request Edition
Mel Brown
Chicken Fat Verve By Request Edition
LP | 1967 | EU | Reissue (Impulse)
18,99 €*
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Release: 1967 / EU – Reissue
Genre: Organic Grooves
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The Free Design - Kites Are Fun Red Vinyl Edition
The Free Design
Kites Are Fun Red Vinyl Edition
LP | 1967 | EU | Reissue (Bonfire)
20,99 €* 29,99 € -30%
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Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Limited edition of 100 copies!
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The Haunted - The Haunted Clear Vinyl Edtion
The Haunted
The Haunted Clear Vinyl Edtion
LP | 1967 | US | Reissue (Return To Analog)
21,99 €*
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Release: 1967 / US – Reissue
Genre: Rock & Indie
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Sanford Clark - They Call Me Contry Blue Vinyl Edition
Sanford Clark
They Call Me Contry Blue Vinyl Edition
LP | 1968 | US | Reissue (Numero Group)
29,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie
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Propelled by his 1956 Lee Hazlewood-produced hit "The Fool," Sanford Clark was already a rockabilly legend in his own right by the time he swapped his hair gel and switchblade for a pair of cowboy boots on They Call Me Country. Recorded between 1965-67 and originally released as a series of singles for Phoenix's Ramco label, the 12 tracks on this LP borrow Bakersfield's outlaw sound and ignore Nashville's countrypolitan flair, standing as a true lost masterpiece of country music's third generation. Clark's booming baritone tells tales of bar fights, heartaches, and drinking til you can't stand, while Waylon Jennings provides a backdrop of fuzzed out guitar twang. Mastered from the original session tapes and back on vinyl for the first time since the Nixon administration.
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Pink Floyd - The Piper At The Gates Of Dawn Mono Mix Edition
Pink Floyd
The Piper At The Gates Of Dawn Mono Mix Edition
LP | 1967 | EU | Reissue (Parlophone Label Group)
24,99 €*
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Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Bill Evans - Trio '64 Acoustic Sounds Edition
Bill Evans
Trio '64 Acoustic Sounds Edition
LP | 1964 | EU | Reissue (Verve)
42,99 €*
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Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Ennio Morricone - OST A Fistful Of Dollars & For A Few Dollars More Red Vinyl Edition
Ennio Morricone
OST A Fistful Of Dollars & For A Few Dollars More Red Vinyl Edition
LP | 1967 | EU | Reissue (Klimt)
24,99 €*
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Release: 1967 / EU – Reissue
Genre: Soundtracks
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This is one of the most memorable film soundtracks ever, a rival for that other great example of the art `The Good, The Bad, The Ugly'. Sergio Leone's direction was a breath of fresh air, and his use of music in his films was an integral part of his style and the film successes. "For a Few Dollars More" is the natural progression from that movie, with the addition of a third protagonist - Lee Van Cleef - who joins the two actors: a triad that made history for another masterpiece Sergio Leone's masterpiece. Ennio Morricone's music is equally important. The Maestro here chooses a 'poor' registry, consisting of folk instruments such as ocarina, Jew's harp and chimes, respectively used to accompany the entry stage of the three main actors. But there are, as usual, the contributions of Alessandro Alessandroni and his Cantori Moderni choir, for an incredibly exciting final result
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Yusef Lateef - The Blue Yusef Lateef
Yusef Lateef
The Blue Yusef Lateef
LP | 1968 | UK | Reissue (Speakers Corner)
34,99 €*
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Release: 1968 / UK – Reissue
Genre: Organic Grooves
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"The Blue Yusef Lateef" - Yusef Lateef (ts, fl, perc, voc); Sonny Red (as); Blue Mitchell (tp); Kenny Burrell (g); Hugh Lawson (p); Buddy Lucas (hca); Cecil McBee, Bob Cranshaw (b); Roy Brooks (dr); strings and vocal group

Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also – as in this case – in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next.
On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. "Juba Juba" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef’s plaintive flute and background voices singing »freedom, freedom, freedom«. After such a gloomy beginning the classical blues number "Like It Is" comes over like a breath of fresh air, with its superb string quartet as the foundation. The R&B contributions on the other tracks testify to Lateef’s skilled excursions into the realm of the blues, while the truly adventurous tracks such as "Back Home" and the mystic, Chinese odyssey "Moon Cup" weave a magical net of sheer pleasure. "The Blue Yusef Lateef" is in every possible way absolutely breathtaking. It is a milestone as a jazz album. As a blues album it is quite unique. But as a musical work of art it is a glorious and genial masterpiece.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: April 1968 in RCA Studios, New York City by Ray Hall
Production: Joel Dorn
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Willie Colón - Hustler
Willie Colón
Hustler
LP | 1968 | US | Reissue (Craft)
35,99 €*
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Release: 1968 / US – Reissue
Genre: Organic Grooves
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HIS CLASSIC SECOND ALBUM WITH HECTOR LAVOE AS LEAD VOCALIST AND IT SET THE PATH FOR BOTH MEN AS ONE OF THE GREATEST SALSA DUOS IN HISTORY.
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The Kinks - The Village Green Preservation Society 2018 Stereo Remaster
The Kinks
The Village Green Preservation Society 2018 Stereo Remaster
LP | 1968 | EU | Reissue (BMG/Sanctuary)
25,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Solomon Burke - Rock 'N Soul
Solomon Burke
Rock 'N Soul
LP | 1964 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1964 / EU – Reissue
Genre: Organic Grooves
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The album Rock 'n Soul was originally released in 1964 by Grammy Award winning Solomon Burke (†2010). 7 tracks ended up in Top 100 Billboard Hits at the time. "If You Need Me" went as high as #2 in the Black Singles Chart. This extraordinary album is not only soulful but a confirmation that Burke is a genius when it comes to writing music and making it happen in a studio!
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The Beatles - A Hard Days Night
The Beatles
A Hard Days Night
LP | 1964 | EU | Reissue (Apple)
27,99 €*
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Release: 1964 / EU – Reissue
Genre: Pop
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Just one word to say: Essential!
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Bob Dylan - The Times They Are A-Changin'
Bob Dylan
The Times They Are A-Changin'
LP | 1964 | EU | Reissue (Columbia)
27,99 €*
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Release: 1964 / EU – Reissue
Genre: Rock & Indie
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Leonard Cohen - Songs Of Leonard Cohen
Leonard Cohen
Songs Of Leonard Cohen
LP | 1967 | EU | Reissue (Legacy)
27,99 €*
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Release: 1967 / EU – Reissue
Genre: Pop
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Piero Umiliani - OST Svezia, Inferno e Paradiso
Piero Umiliani
OST Svezia, Inferno e Paradiso
LP | 1968 | EU | Reissue (Schema)
21,99 €*
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Release: 1968 / EU – Reissue
Genre: Soundtracks
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Another excellent soundtrack by Piero Umiliani, maybe his famous one ever,
this time composed for Luigi Scattini’s film “SVEZIA, INFERNO E PARADISO”
(Sweden, Heaven and Hell), a so-called ‘mondo movie’ entirely shot in the scandinavian
country which the title refers to. Umiliani’s music is able to emphasize the different moods
of the movie: at times dramatic, on other occasions ironic or peaceful.
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Albert Ayler Trio - Spiritual Unity
Albert Ayler Trio
Spiritual Unity
LP | 1964 | EU | Reissue (ESP Disk)
26,99 €*
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Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Jimi Hendrix - Axis Bold As Love EU Stereo Version
Jimi Hendrix
Axis Bold As Love EU Stereo Version
LP | 1967 | EU | Reissue (Sony)
27,99 €*
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Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Stereo version, freshly pressed on 180 gram vinyl!
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Aretha Franklin - I Never Loved A Man the Way I Love You
Aretha Franklin
I Never Loved A Man the Way I Love You
LP | 1967 | EU | Reissue (Rhino)
24,99 €*
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Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Os Mutantes - Os Mutantes
Os Mutantes
Os Mutantes
LP | 1968 | EU | Reissue (Lilith)
26,99 €*
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Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Os Mutantes' debut album that made the psychedelic sound popular in Brazil.
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Tiffany Shade - The Tiffany Shade
Tiffany Shade
The Tiffany Shade
LP | 1968 | US | Reissue (Mainstream)
19,99 €*
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Release: 1968 / US – Reissue
Genre: Rock & Indie
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180 Gram Vinyl
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Van Morrison - Astral Weeks Limited Olive-Green Vinyl Edition
Van Morrison
Astral Weeks Limited Olive-Green Vinyl Edition
LP | 1968 | EU | Reissue (Warner)
22,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Piero Piccioni - Ti Ho Sposato Per Allegria Blue Vinyl Edtion
Piero Piccioni
Ti Ho Sposato Per Allegria Blue Vinyl Edtion
LP | 1967 | EU | Reissue (Musica Per Immagini)
26,99 €*
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Release: 1967 / EU – Reissue
Genre: Soundtracks
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“Ti Ho Sposato Per Allegria” (1967) is a comedy directed by Luciano Salce, taken from the theatrical play of the same name (1965) by Natalia Ginzburg. The main characters are Pietro and Giuliana, respectively interpreted by Giorgio Albertazzi and Monica Vitti. A lawyer from a good family, serious, accustomed to a calm and regular life who got married to a indolent and dazed girl with a difficult past a month after meeting her at a party. Despite Giuliana's inability to transform herself into a good housewife, his relationship with Pietro continues to flourish, because he seems to find enjoyment in each of his wife's many mistakes. The reason for their union lies not in love but, perhaps, in a genuine sympathy, as strong as it is mutual. The story has become a minor classic with each new representation. On both stage and screen the themes of everyday life, and the more complex and existential ones, are addressed. The subtle irony of the work relies on recounting problematic events in a carefree tone: realities such as abortion, death, separation and the couple's incommunicability are underplayed with naturalness. The funny events of the film are commented on by Piero Piccioni's music, published for the first time on vinyl by Musica Per Immagini, with an harmonious tracklist. For this first orchestra rehearsal with the director, which will be followed by other important soundtracks, the composer makes an effective and elegant synthesis: on the one hand he reworks moods and aesthetic intuitions of some previous and happy experiences, while on the other he identifies and anticipates the first bars of that unmistakable sound between bossa nova, funk and lounge nuances that will characterize almost all the production of the Seventies. In fact, the Turin-native artist simplifies in a positive sense the articulated harmonic structures that have always distinguished his authorial figure – where the so called jazz features are to be considered more than central in the musical texture, as prominent elements of the harmonic syntax – and he tries a melodic reduction that will make the compositions more catchy or memorized, but not easier for this. Lightness of spirit and rarefied elegance are the keys of this new Dionysian world.
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Elvin Jones & Richard Davis - Heavy Sounds Verve By Request Edition
Elvin Jones & Richard Davis
Heavy Sounds Verve By Request Edition
LP | 1968 | WW | Reissue (Verve)
33,99 €*
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Release: 1968 / WW – Reissue
Genre: Organic Grooves
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Not macht erfinderisch! Das Album “Heavy Sounds” war eigentlich als Trio-Session mit dem Gitarristen Larry Coryell geplant gewesen. Als dieser aber kurzfristig erkrankte und nicht im Studio auftauchte, spielten Schlagzeuger Elvin Jones und Bassist Richard Davis ad hoc eine fast zwölfminütige Duo-Version von “Summertime” ein. Die restlichen Nummern nahm das Gespann einen Tag später mit Verstärkung des Saxofonisten Frank Foster und des Pianisten Billy Green auf, wobei Elvin Jones in “Elvin’s Guitar Blues” höchstpersönlich den Gitarrenpart übernahm. Es sollte seine einzige Aufnahme als Gitarrist bleiben.

Verve BY Request Serie: remastert, audiophiles 180-Gramm-Vinyl von Third Man Pressing/Detroit, Gatefold Sleeve.
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David Bowie - David Bowie Indie Exclusive Cloudy Green Vinyl Edition
David Bowie
David Bowie Indie Exclusive Cloudy Green Vinyl Edition
2LP | 1967 | WW | Reissue (Decca)
41,99 €*
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Release: 1967 / WW – Reissue
Genre: Rock & Indie
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Duke Ellington - Far East Suite
Duke Ellington
Far East Suite
LP | 1967 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Thelonious Monk - Monk's Blues
Thelonious Monk
Monk's Blues
LP | 1968 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1968 / EU – Reissue
Genre: Organic Grooves
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B.B. King - The Jungle
B.B. King
The Jungle
LP | 1967 | JP | Reissue (P-Vine)
34,99 €*
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Release: 1967 / JP – Reissue
Genre: Organic Grooves
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The Jungle, regarded as one of the best of B.B. King's many albums, is being reissued on P-vine! Recorded in 1961-62, at the height of his career, and released on Kent after he moved to ABC, six R&B charting hits came from this album. All of the songs are superbly crafted, and are truly the king of the blues. Slow songs such as '5 Long Years' are typical of B.B.'s music of this era. You can't talk about B.B. King without listening to this album!
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Dragonfly - Dragonfly Black Vinyl Edition
Dragonfly
Dragonfly Black Vinyl Edition
LP | 1968 | EU | Reissue (Guerssen)
26,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Ultra loud heavy psychedelic rock from Colorado, late 60s, with loads of fuzz guitar all over.

Dragonfly were actually a band called The Legend, who changed their name just when they were recording their self-titled album. Originally released by the Megaphone label in 1968, Dragonfly is a hard-psych classic, highly sought-after by collectors since day one. Back in 2012 we did the first official vinyl reissue and we now present a new, improved repress with expanded liner notes and newly sourced / remastered audio, sounding better than ever.

*Official reissue with original artwork in gatefold sleeve *Newly audiophile restoration / remastering *Insert with liner notes and rare photos *Repro of the elusive original sticker

“This album is sure to share space at the top of your shelf with Plastic Cloud, Savage Resurrection and SRC for those special moments when you want to teach a young, unsuspecting psych convert just what that acid rock guitar thing was all about” - Aaron Milenski
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Sahib Shihab - Summer Dawm 2024 Repress
Sahib Shihab
Summer Dawm 2024 Repress
LP | 1964 | EU | Reissue (Rearward)
22,79 €* 23,99 € -5%
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Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.
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Nico - The Marble Index
Nico
The Marble Index
LP | 1968 | Reissue (Domino)
27,99 €*
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Release: 1968 / Reissue
Genre: Pop
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Nora Guthrie - Emily's Illness / Home Before Dark Clear Blue Vinyl Edition
Nora Guthrie
Emily's Illness / Home Before Dark Clear Blue Vinyl Edition
7" | 1967 | JP | Reissue (EM)
20,99 €*
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Release: 1967 / JP – Reissue
Genre: Rock & Indie
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2024 repress of "nora Guthrie - Emily’s Illness / Home Before Dark" (7") has been announced, and this time in Clear Blue Vinyl!! The new edition features a new binding design, a new label, a new jacket format, and a completely new edition that includes valuable photos and lyrics that could not be included in the previous edition! The long-awaited reissue that will bring tears to the eyes of psychedelic and soft rock fans alike! This is a must buy! Repressed for the first time in over 14 years. The new edition features a new binding design, a new label, a new jacket format, and a completely new edition that includes valuable photos and lyrics that could not be included in the 2009 edition! The daughter of American folk musician Woody Guthrie, sister of singer-songwriter Arlo Guthrie, and granddaughter of noted Yiddish poet Aliza Greenblatt, Nora Guthrie released her only and treasured single in 1967, at age 17.
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P.P. Armold - Kafunta
P.P. Armold
Kafunta
LP | 1968 | UK | Reissue (Charly)
27,99 €*
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Release: 1968 / UK – Reissue
Genre: Organic Grooves
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The Insect Trust - The Insect Trust
The Insect Trust
The Insect Trust
LP | 1968 | EU | Reissue (Life Goes On)
18,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Insect Trust were an American jazz-based rock band that formed in New York in 1967. The members of the band were Nancy Jeffries on vocals, Bill Barth on guitar, Luke Faust - formerly of the Holy Modal Rounders - on guitar, banjo, fiddle, and harmonica, Trevor Koehler on saxophone, and Robert Palmer (1945–1997) on clarinet and alto saxophone. Elvin Jones and Bernard Purdie both drummed with the group at times. Bill Folwell, who had played with Albert Ayler (and later an original member of The Mystic Knights of the Oingo Boingo), on bass and trumpet; as well as Warren Gardner on trumpet and clarinet, were part of the band by the time they recorded their second album. The band probably took its name from William S. Burroughs's novel Naked Lunch. The music ranges from surreal folk-rock (in the vein of such local heroes like Holy Modal Rounders and Fugs), to Booker T.-like pop-soul, to flat-out free jazz. Never intended to be a traditional pop act, the Insect Trust should be best remembered for extending rock's boundaries and taking the genre to a much hipper level without resorting to a lot of banal technique.
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David Axelrod - Song Of Innocence
David Axelrod
Song Of Innocence
LP | 1968 | EU | Reissue (Elemental Music)
29,99 €*
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Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Delfonics - Sound Of Sexy Soul
Delfonics
Sound Of Sexy Soul
LP | 1968 | US | Reissue (Philly Groove)
14,99 €*
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Release: 1968 / US – Reissue
Genre: Organic Grooves
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sampled by Afu-Ra, Diamond D ...
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Milford Graves / Don Pullen - Nommo
Milford Graves / Don Pullen
Nommo
LP | 1967 | US | Reissue (Superior Viaduct)
25,99 €*
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Release: 1967 / US – Reissue
Genre: Organic Grooves
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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."
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Booker T. And The Mg's - Doin' Our Thing Blue Vinyl Edtion
Booker T. And The Mg's
Doin' Our Thing Blue Vinyl Edtion
LP | 1968 | US | Reissue (Jackpot)
35,99 €*
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Release: 1968 / US – Reissue
Genre: Organic Grooves
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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Doin’ Our Thing’s first U.S. vinyl reissue since its original 1968 release date. 1968’s 'Doin’ Our Thing' is not only their first self-produced album but offers their most varied selection of songs.
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John Coltrane - A Love Supreme Uhqr Limited Edition Box Set
John Coltrane
A Love Supreme Uhqr Limited Edition Box Set
LP Box | 1964 | US | Reissue (Analogue Productions)
201,99 €*
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Release: 1964 / US – Reissue
Genre: Organic Grooves
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John Coltrane Quartet — A Love Supreme Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 10,000 copies. Mastered from the original tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swing-journal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in Uhqr format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.
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Dexter Wansel - Life On Mars
Dexter Wansel
Life On Mars
LP | 1967 | EU | Reissue (Music On Vinyl)
30,99 €*
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Release: 1967 / EU – Reissue
Genre: Pop
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Steve Martin - King Tut Black Friday Record Store Day 2024 Edition
Steve Martin
King Tut Black Friday Record Store Day 2024 Edition
12" | 1968 | US | Reissue (Rhino/Warner)
42,99 €*
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Release: 1968 / US – Reissue
Genre: Soundtracks
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Coming Soon 2024-11-29, 12:00 CET
RSD Exclusive, Limitation: 3000
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Miles Davis - Miles Smiles
Miles Davis
Miles Smiles
LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)
82,99 €*
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Release: 1967 / US – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-11-08
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The Beatles - Meet The Beatles Vinyl Edition
The Beatles
Meet The Beatles Vinyl Edition
LP | 1964 | Reissue (Apple)
35,99 €*
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Release: 1964 / Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
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Tito Puente - Dance Mania Colored Vinyl Edition
Tito Puente
Dance Mania Colored Vinyl Edition
LP | 1968 | EU | Reissue (Dol)
32,99 €*
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Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-11-22
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Bobby Callender - Rainbow
Bobby Callender
Rainbow
2LP | 1968 | EU | Reissue (Akarma)
40,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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T his bizarre, Alan Lorber-produced psychedelic album appeared originally in 1969 on Boston Sound. Bobby Callendar was an incredibly gifted poet and lyricist whose complex texts could only be compared to Scott Walker; the concepts of a U.K. artist of Indian heritage post-psychedelia were augmented by the lush arrangements of Paul Harris and Bob Gallo. The cast of musicians on this album included some of the highest-caliber sidemen of the time, most notably Richard Davis, the master bassist of Van Morrison's Astral weeks fame (not to mention a jazz musician in his own right), the guitars of Eric Gale and Hugh McCracken, and the astonishingly subtle Burnard Purdie on drums. The album is a rich and complex exploration of Eastern-inspired psychedelic rock and folk centered on the incredibly complex texts and vocals of Bobby Callendar. When reading the lyric sheet, it is most astonishing how such elaborate poetic evocations were somehow made to fit popular song forms. Sure, at these highly conscious times of the late '60s it was not uncommon for deeply poetic, socially conscious, or hallucinogenic themes to appear in the lyrics of pop music, yet this is album is absolutely brilliant for being one of the most ostentatious animations of the written word, yet absolutely vital and musical throughout. Fans of Scott Walker's solo material, Colin Blundstone, and Duncan Browne should give this album a few hours -- if not a week -- of their attention. This excellent Italian reissue from Akarma is packaged and remastered exquisitely. (All Music)
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Gabor Szabo - The Sorcerer Verve By Request Edition
Gabor Szabo
The Sorcerer Verve By Request Edition
LP | 1967 | EU | Reissue (Impulse)
23,99 €*
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Release: 1967 / EU – Reissue
Genre: Organic Grooves
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This 1967 set, recorded live at Boston’s Jazz Workshop, showcases virtuoso guitarist Szabó—a veteran of Chico Hamilton’s and Charles Lloyd’s bands—at the top of his game on a diverse program featuring standards (“What Is This Thing Called Love”) and pop hits (“The Beat Goes On”) as well as the original and psychedelic-tinged jam, “Space.”



Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.
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Andrew Hill - Dance With Death Tone Poet Vinyl Edition
Andrew Hill
Dance With Death Tone Poet Vinyl Edition
LP | 1968 | EU | Reissue (Blue Note)
32,99 €*
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Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Andrew Hill’s 1968 album Dance With Death stands as one of the most gratifying though under-recognized sessions of the brilliant pianist’s discography featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.
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Milford Graves & Don Pullen - Nommo
Milford Graves & Don Pullen
Nommo
LP | 1967 | EU | Reissue (Chush)
21,59 €* 23,99 € -10%
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Release: 1967 / EU – Reissue
Genre: Organic Grooves
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In his 1967 DownBeat review of the initial release, Amiri Baraka wrote: "The music is beautiful on this album... These two players... are making some of the deepest music anywhere. It wants nothing."

Peter Margasak included the album in his list of "Favorite Albums of 2020," and wrote: "Essential coupling of two insanely rare duo albums from a 1966 concert at Yale University: Pullen at his most ferocious and probing, Graves making a huge step in establishing his radical approach to polymetric movement."

In a review for Point of Departure, John Sharpe commented: "The five pieces represent a true dialogue... Although intensity levels vary, the exchanges remain resolutely non-melodic and non-metric throughout... Even after all this time the music still challenges preconceptions. It remains a classic of the genre and deserves to be widely heard."

Thurston Moore included Nommo in his "Top Ten From The Free Jazz Underground" list, first published in 1995 in the second issue of the defunct Grand Royal magazine, calling the interplay between the musicians "remarkable."
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Herbie Hancock - Empyrean Isles
Herbie Hancock
Empyrean Isles
LP | 1964 | EU | Reissue (Blue Note)
28,99 €*
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Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Creedence Clearwater Revival - Creedence Clearwater Revival
Creedence Clearwater Revival
Creedence Clearwater Revival
LP | 1968 | EU | Reissue (Fantasy)
22,99 €*
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Release: 1968 / EU – Reissue
Genre: Rock & Indie
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