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Vinyl, CD & Tape 1246 Items

Vinyl, CD & Tape 1246 Hip Hop 1 Organic Grooves 683 Rock & Indie 443 Electronic & Dance 11 Reggae & Dancehall 22 Pop 84 Classical Music 2 Soundtracks 39 Christmas 7
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Reset all Filters No Used Vinyl 1960 1962 1964 1966 1967 1968 1969
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Dorothy Ashby - Afro-Harping Deluxe Edition
Dorothy Ashby
Afro-Harping Deluxe Edition
2LP | 1968 | EU | Reissue (Verve)
39,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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A cult album from 1968 that has long since become known as a groove classic across genre boundaries, now for the first time as a deluxe edition, freshly remastered, with bonus tracks and attractive packaging. Along with Alice Coltrane, Dorothy Ashby was the only world-famous jazz harpist. Thanks to deep grooves and sophisticated orchestral sounds, “Afro-Harping” is her most famous album to date, which is continually breathed new life into thanks to samples and remixes by Pete Rock, Kendrick Lamar, Jay Dee (aka J Dilla), Madlib, Flying Lotus and others. Remastered from the original ¼-inch tapes by Alex Wharton/Abbey Road Studios and featuring eight strong, previously unreleased alternate tracks, including an explosive version of the single “Soul Vibrations”, the classic album is now available for the first time in a high-quality format appropriate to its ever-growing importance.

2-lp: gatefold sleeve, padded black inner sleeves, illustrated eight-page insert with detailed liner notes by Seán Casey/Shindig! magazine.
The Beatles - A Hard Day's Night White Vinyl Edition
The Beatles
A Hard Day's Night White Vinyl Edition
LP | 1964 | Reissue (UMR)
36,99 €*
Release: 1964 / Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Ray Barretto - Acid Vinyl Me, Please Edition
Ray Barretto
Acid Vinyl Me, Please Edition
LP | 1969 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
Ray Barretto’s songs are cinematic. Artfully composed, richly orchestrated, each one feels like something deserving of big-screen wonderment. And, indeed, from Martin Scorsese’s Mean Streets (''Ritmo Sabroso'') and Oliver Stone’s JFK (''El Watusi'') to Lee Daniels’ Precious (''Teacher of Love'') to Tom McCarthy’s Spotlight (''Cocinando Suave''), his music as a bandleader made it into movies of major importance across the decades. Of course, you don’t need to be a card-carrying cinephile to appreciate the moods and magnitudes expressed by his work, especially his seminal 1968 album Acid for Fania Records.

It takes more than a minute into ‘’Acid'' before Barretto begins showing off on the congas, leading into a nearly three-minute solo marked by fabulous flourishes that culminates with the full band, including pianist Cruz, showing their united might. Elsewhere on Acid, the group would have dutifully jumped headfirst into this mode, but here it is just a spectacular finish to a rhythmic story — Barretto’s story — told like the best film you’ve never seen.
Sam Rivers - Fuchsia Swing Song
Sam Rivers
Fuchsia Swing Song
LP | 1964 | DE | Reissue (Blue Note)
22,99 €*
Release: 1964 / DE – Reissue
Genre: Organic Grooves
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Der Saxophonist Sam Rivers hatte sich schon sehr früh in seiner Karriere durch bemerkenswerte Originalität ausgezeichnet. Nach einem kurzen Intermezzo im zweiten großen Quintett von Miles Davis, spielte Rivers im Dezember 1964 für Blue Note sein Debütalbum “Fuchsia Swing Song” ein. Das Repertoire bestand aus sechs Kompositionen von Rivers, die zwar fest im Post-Bop und Blues wurzelten, aber die avantgardistischen Tendenzen des Saxophonisten auch nicht leugnen konnten. Das Highlight des Albums ist die atemberaubende Ballade “Beatrice”, die später sogar von den Tenor-Giganten Joe Henderson und Stan Getz aufgegriffen und interpretiert wurde.

BLUE NOTE CLASSIC VINYL EDITION: Stereo, komplett analog von Kevin Gray von den Originalbändern gemastert, Optimal-Pressung (180 g), wattierte Innenhülle.
Bob Dylan - Blonde On Blonde Vinyl Me, Please Edition
Bob Dylan
Blonde On Blonde Vinyl Me, Please Edition
2LP | 1966 | US | Reissue (Vinyl Me, Please)
43,99 €*
Release: 1966 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
“Released on June 20, 1966, Blonde on Blonde is the third entry in Bob Dylan’s so-called ‘rock trilogy’ of the mid-1960s. Following half an electric album (Bringing It All Back Home) and a romping raw rocker (Highway 61 Revisited), Dylan renewed the sound he was seeking with number three. But words can’t fully describe the music on this double LP. It’s simultaneously wiry and mercurial, skirting the border of out-of-control – too fresh to pin down with record store bin titles.”
Howlin' Wolf - Howlin' Wolf 60th Anniversary Edition
Howlin' Wolf
Howlin' Wolf 60th Anniversary Edition
LP | 1962 | US | Reissue (Friday Music)
40,99 €*
Release: 1962 / US – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-11-22
Offbeats - The Hump
Offbeats
The Hump
7" | 1968 | UK | Reissue (Tramp)
11,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Monstrous blue-eyed soul / garage double-sider and a must for any rare groove DJ.
250 copies pressed.
Art Blakey & The Jazz Messengers - A Night In Tunisia Blue Note Classic Vinyl Series
Art Blakey & The Jazz Messengers
A Night In Tunisia Blue Note Classic Vinyl Series
LP | 1960 | EU | Reissue (Blue Note)
28,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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One of the great line-ups of Art Blakey & The Jazz Messengers coalesced when saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons, and bassist Jymie Merritt, as heard on the 1960 album "A Night In Tunisia". Opening with a fiery version of Dizzy Gillespie’s famous piece, the rest of the set showcased new bandmember originals.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Gary Bartz - Another Earth Vinyl Me, Please Edition
Gary Bartz
Another Earth Vinyl Me, Please Edition
LP | 1969 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
During the pagan hours of an otherwise uneventful Harlem pre-dawn in 1963, Gary Bartz glimpsed a galactic mystery that conventional aeronautics could not explain. Only a few weeks prior, the nascent alto saxophone virtuoso had acquired his first telescope to pursue a newfound passion for astronomy. The purchase was already yielding dividends.

The recent Juilliard graduate’s fascination with the heavens began with astrology, but the then 22-year-old quickly realized that those celestial sketches were just photographs of the sky as captured during a specific orbit. Why bother with the rough blueprint when you could witness the entire electromagnetic spectrum in its full glory?
Gandalf - Gandalf Clear Vinyl Edtion
Gandalf
Gandalf Clear Vinyl Edtion
LP | 1969 | US | Reissue (Jackpot)
35,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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If you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce GANDALF’s 1969 self-titled release as one of our proudest moments. Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych-pop record (fans of THE Left Banke, Kaleidoscope, THE Millennium, and THE Zombies, take note!). Recorded at Century Sound in Manhattan with Grammy-winning producer Brooks Arthur (who engineered Neil Diamond’s “Sweet Caroline” and Van Morrison’s “Brown Eyed Girl”), the production of the album was created on the spot in the studio with arrangements being thrown about and the incredibly haunted vocals being recorded directly from the band’s PA using a Binson Echorec to make this innovative sound (Pink Floyd later used the same echo unit to great effect). Add to that sitars, vibes, B3 organs, harpsichord, minor tragic guitar chords, and bass drones aplenty, and you’ve got the recipe for an album that bears listening to with eyes closed, music cranked, mind open. So get in on the beauty of this record, and as Sando says on the liner notes: “Put the needle in the groove, sit back, and take the trip with GANDALF.” Enough said.
Aretha Franklin - Never Loved A Man Vinyl Me, Please Edition
Aretha Franklin
Never Loved A Man Vinyl Me, Please Edition
LP | 1967 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1967 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
"‘I Never Loved a Man the Way I Love You’ runs the stylistic gambit without feeling Franklin is doing things just for show. The album isn’t trying to function as a resumé of her skills. Genre shifts feel organic and natural. “Don’t Let Me Lose This Dream” is built on a bossa nova groove, while “Do Right Woman Do Right Man” has a little country ballad flavor. “Dr Feelgood (Love Is A Serious Business)”—one of four songs penned by Franklin herself—is a bluesy belter. She might have been Queen of the genre, but pigeonholing Franklin in soul is like calling Sugar Ray Leonard just a welterweight. She could shuffle through styles as smooth as velvet. Everything is stamped with her own distinct character."
The Beatles - Abbey Road 50th Anniversary Edition
The Beatles
Abbey Road 50th Anniversary Edition
LP | 1969 | EU | Reissue (Apple)
30,99 €*
Release: 1969 / EU – Reissue
Genre: Pop
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Art Blakey & The Jazz Messengers - Free For All
Art Blakey & The Jazz Messengers
Free For All
LP | 1964 | US | Reissue (Blue Note)
15,99 €*
Release: 1964 / US – Reissue
Genre: Organic Grooves
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Nobuo Hara And Sharps & Flats - Little Giant
Nobuo Hara And Sharps & Flats
Little Giant
LP | 1969 | JP | Reissue (Victor Entertainment Japan)
45,99 €*
Release: 1969 / JP – Reissue
Genre: Organic Grooves
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Sharps and Flats, led by Nobuo Hara, has been a driving force in Japan's big band jazz scene with its diverse activities and distinctive musicality. Among the many works produced throughout their long career, 'Little Giant' stands out as one of their most iconic albums. Originally released in 1970 as part of Victor's Japanese Jazz series, this album is notable for the participation of renowned composers and arrangers such as Masao Yagi, Kiyoshi Yamaya, Norio Maeda, and Masahiko Sato. In addition to their original compositions, the album features unique arrangements of pieces by Oliver Nelson, who had a close connection with Sharps and Flats.

The album's intricate and adventurous arrangements, combined with the band's high-level performance quality, are truly remarkable. You'll be captivated by the hipness of "Little Giant," the strength of "Dark Horse," the cutting-edge sound of "Orbit 8:11," and the sophistication of "Flexibility." This dynamic performance, marked by a perfect balance of tension and relaxation, showcases the full potential and allure of Sharps and Flats. This album is a masterpiece that brings out the best in the band.
Hank Mobley - Soul Station Blue Note 85 Blue Vinyl Edition
Hank Mobley
Soul Station Blue Note 85 Blue Vinyl Edition
LP | 1960 | Reissue (Blue Note)
28,99 €*
Release: 1960 / Reissue
Genre: Organic Grooves
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Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder’s studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station.
The crystalline six-song set was a showcase for Mobley’s lyrical flow from the breezy opening take on Irving Berlin’s “Remember” through bluesy originals like “Dig Dis” and the title track, and the swinging up-tempo numbers “This I Dig of You” and “Split Feelin’s.” Soul Station endures as a jazz classic for the ages.
Simon & Garfunkel - Bookends
Simon & Garfunkel
Bookends
LP | 1968 | WW | Reissue (Mobile Fidelity Sound Lab)
57,99 €*
Release: 1968 / WW – Reissue
Genre: Pop
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A Timeless Reflection on America and Ourselves: Simon & Garfunkel’s Searching Bookends Searches and Asks Big Questions, Includes “Mrs. Robinson” and “A Hazy Shade of Winter”

Mastered on MoFi’s Renowned System and Limited to 4,000 Numbered Copies: Mobile Fidelity’s 180g SuperVinyl 33rpm LP Magnifies the Brilliance of the Original Recording Sessions

1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe

Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel’s Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.
Wayne Shorter - Juju
Wayne Shorter
Juju
LP | 1964 | Reissue (Blue Note)
28,99 €*
Release: 1964 / Reissue
Genre: Organic Grooves
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The Beatles - I Want To Hold Your Hand / I Saw Her Standing There Black Friday Record Store Day 2024 Edition
The Beatles
I Want To Hold Your Hand / I Saw Her Standing There Black Friday Record Store Day 2024 Edition
7" | 1964 | US | Reissue (Capitol)
21,99 €*
Release: 1964 / US – Reissue
Genre: Pop
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RSD First, Limitation: 10000

With a million orders for “I Want To Hold Your Hand” in the UK, the single shot to #1 in December 1963 knocking The Beatles’ own “She Loves You” from the top spot. This was to be the first official single for The Beatles on Capitol records and was backed by an extraordinary marketing campaign. With “I Saw Her Standing There” replacing “This Boy” for the other side, the single was rush-released in the USA in January 1964, climbing to #1 on the Hot 100 by February 1st. Remaining on the chart for 15 weeks, it went on to sell more than 12 million copies worldwide, and with that, an unstoppable force was unleashed and Beatlemania had truly arrived. This RSD Black Friday reissue single was cut from the original US version of the master tapes –- the same masters as used for the albums in the 1964 box set -- by Kevin Reeves in Nashville, using an all-analog cutting process and on the same 1970 lathe that was in Capitol and has been used on many classic album cuts over the years.
The Beatles - All My Loving 3" Black Friday Record Store Day 2024 Edition
The Beatles
All My Loving 3" Black Friday Record Store Day 2024 Edition
7" | 1964 | Reissue (Apple)
TBA
The final price is not yet known.
Release: 1964 / Reissue
Genre: Pop
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RSD First, Limitation: 2500

This limited-edition 3” single and Beatles-branded vinyl carrying case celebrates the 60th anniversary of the Beatles’ 1964 American Tour and appearance on the Ed Sullivan Show on February 9, 1964. With the release of "All My Loving," the 3" record set of all five of the songs the band played on the Ed Sullivan Show is complete. Like the previous 3" record releases of "I Want To Hold Your Had," "'Til There Was You," "She Loves You, and "I Saw Her Standing There," this 3” vinyl record is housed in a picture sleeve and includes a limited-edition poster, while the carrying case is made to hold all of your 3" Beatles records.
Eddie Gale - Eddie Gale's Ghetto Music
Eddie Gale
Eddie Gale's Ghetto Music
LP | 1968 | EU | Reissue (Elemental)
30,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Lee Morgan - Taru Tone Poet Vinyl Edition
Lee Morgan
Taru Tone Poet Vinyl Edition
LP | 1968 | Reissue (Blue Note)
38,99 €*
Release: 1968 / Reissue
Genre: Organic Grooves
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Lee Morgan’s 1968 album "Taru" found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold Sleeve with deluxe tip-on jacket.
Donald Byrd - Byrd In Flight Tone Poet Vinyl Edition
Donald Byrd
Byrd In Flight Tone Poet Vinyl Edition
LP | 1960 | EU | Reissue (Blue Note)
42,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Nancy Sinatra - Sugar Black Friday Record Store Day 2024 Pink & White Swirl Vinyl Edition
Nancy Sinatra
Sugar Black Friday Record Store Day 2024 Pink & White Swirl Vinyl Edition
LP | 1966 | US | Reissue (Light In The Attic)
37,99 €*
Release: 1966 / US – Reissue
Genre: Pop
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"Sugar was the fourth album recorded by Nancy Sinatra in 1966, an uncanny feat considering The Beatles were recording around two albums a year at the time. The iconic Ron Joy cover photo of Nancy in a pink bikini (the first on an album cover!) was a daring move in 1967 that helped propel the album to #18 on the charts (Nancy’s second highest charting album after Boots). It is a peculiar record that pairs one of Nancy’s biggest songs, “Sugar Town,” with mostly 1920s compositions recorded in a contemporary Dixieland jazz pop fusion style that could have only been concocted by producer Lee Hazlewood. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture."
Hank Mobley - A Slice Of The Top Tone Poet Vinyl Edition
Hank Mobley
A Slice Of The Top Tone Poet Vinyl Edition
LP | 1966 | Reissue (Blue Note)
38,99 €*
Release: 1966 / Reissue
Genre: Organic Grooves
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Hank Mobley was inspired by 'Birth of the Cool' on his 1966 album 'A Slice of the Top' featuring Duke Pearson’s arrangements for an octet that added euphonium and tuba to a group with James Spaulding on alto sax, Lee Morgan on trumpet, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on drums.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a gatefold sleeve with deluxe tip-on jacket.
Nancy Sinatra - Sugar Black Friday Record Store Day 2024 Pink Vinyl Edition
Nancy Sinatra
Sugar Black Friday Record Store Day 2024 Pink Vinyl Edition
LP | 1966 | US | Reissue (Light In The Attic)
35,99 €*
Release: 1966 / US – Reissue
Genre: Pop
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"Sugar was the fourth album recorded by Nancy Sinatra in 1966, an uncanny feat considering The Beatles were recording around two albums a year at the time. The iconic Ron Joy cover photo of Nancy in a pink bikini (the first on an album cover!) was a daring move in 1967 that helped propel the album to #18 on the charts (Nancy’s second highest charting album after Boots). It is a peculiar record that pairs one of Nancy’s biggest songs, “Sugar Town,” with mostly 1920s compositions recorded in a contemporary Dixieland jazz pop fusion style that could have only been concocted by producer Lee Hazlewood. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture."
Sonny Rollins - East Broadway Run Down Acoustic Sounds
Sonny Rollins
East Broadway Run Down Acoustic Sounds
LP | 1966 | EU | Reissue (Impulse)
38,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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Marcos Valle - Samba 68
Marcos Valle
Samba 68
LP | 1968 | EU | Reissue (Elemental)
30,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Elemental Music, together with Universal Music Spain presents a new vinyl reissue of “Samba ’68“, the only album released on the Verve label by prolific Brazilian singer Marcos Valle. In 1968, Valle was commissioned by Verve to record his Brazilian hits in English in order to capitalize on the then-huge Getz-Gilberto-Jobim-Mendes-Astrud market. Marcos’ rapid and stunning artistic growth is apparent on this brilliant Bossa Nova album. Fans of Sérgio Mendes and Astrud Gilberto (both of whom recorded tons of Valle tunes) will enjoy it immensely, for “Samba ’68” is definitely one of the ultimate “loungy” records. “Samba ‘68 is a vibrant set of Brazilian pop, indebted to bossa nova and samba but undeniably Americanized for a domestic audience. The result is a joyous album throughout that wears its dated sound quite well. Marcos Valle interprets eleven of his own songs, including Brazilian standards like ‘Chup Chup, I Got Away,’ ‘Batucada’ and ‘So Nice (Summer Samba),’ as well as new tracks like ‘Crickets Sing for Anamaria’ and ‘The Answer.’ The vocal harmonies of his wife (the Anamaria of the song title) provide a beautiful counterpoint to Valle’s voice on several tracks, making Samba ‘68 one of the best Brazilian crossovers of the 1960s.”(John Bush, AllMusic) Marcos Valle was the Renaissance man of Brazilian pop, a singer/songwriter/producer who straddled the country’s music world from the early days of the Bossa Nova craze well into the fusion-soaked sound of ‘80s Brazilian popular music. Though his reputation in America never quite compared to contemporaries like Caetano Veloso, Milton Nascimento, Gilberto Gil, or even Tom Zé. Valle is one of the most important and popular performers in the history of Brazilian pop.
Nina Simone - Nina Simone Sings The Blues Vinyl Me, Please Edition
Nina Simone
Nina Simone Sings The Blues Vinyl Me, Please Edition
LP | 1967 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1967 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
Nina was singular in both her ability and the music she made. She will always be one of the best to ever do it. "Nina Simone Sings the Blues' comes on 180 gram blue vinyl.
Wendy & Bonnie - Genesis HHV Exclusive Green Vinyl Edition
Wendy & Bonnie
Genesis HHV Exclusive Green Vinyl Edition
LP | 1969 | EU | Reissue (Cinedelic)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.
Latin Blues Band - I'll Be A Happy Man / Take A Trip Record Store Day 2023 Edition
Latin Blues Band
I'll Be A Happy Man / Take A Trip Record Store Day 2023 Edition
7" | 1968 | UK | Reissue (Speed)
14,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Reissued for the first time ever on 7 inch, having previously only ever been on the Take A Trip Pussycat LP, Latin Blues Band - (I'll Be A) Happy Man. A dynamic dancefloor jazz and boogaloo belter from 1968, with a legendary piano riff and breakbeats that were most famously sampled by DJ Premier for Christina Aguilera’s classic ‘(Ain´t No Other Man)’. The B side houses another boogaloo bomb in the form of ‘Take A Trip’ that will set you back £80+ for an original copy. Yellow label version with white sleeve.
The Dave Brubeck Quartet - Time Out 200g Vinyl Edition
The Dave Brubeck Quartet
Time Out 200g Vinyl Edition
LP | 1960 | US | Reissue (Analogue Productions)
46,99 €*
Release: 1960 / US – Reissue
Genre: Organic Grooves
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Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it — for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite," "Pleasantville" and "Constantine." The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time — so distinctive, it's a rare jazz track that became a pop hit.
Including the monster hit "Take Five", the Brubeck Quartet's "Time Out" is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 200-gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you "Time Out" renewed.
Like its 45 RPM sibling, "Time Out" is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.
The jacket is also special — very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic ‚old school‘ look and feel. This jacket is a beauty! Never has "Time Out's" colorful iconic cover art looked so vibrant.
The record label's sales executives didn't want a painting on the cover when "Time Out" debuted in 1959 on Columbia Records, Brubeck told an interviewer. An entire album of originals? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and "Time Out" became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.
The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music. Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five“, at Brubeck's urging to try and write a song in quintuple (5/4) time.
"Time Out" peaked at No. 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching No. 25 on the Billboard Hot 100, and No. 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
Nancy Sinatra - Country, My Way Black Friday Record Store Day 2024 Red & White Swirl Vinyl Edition
Nancy Sinatra
Country, My Way Black Friday Record Store Day 2024 Red & White Swirl Vinyl Edition
LP | 1967 | US | Reissue (Light In The Attic)
37,99 €*
Release: 1967 / US – Reissue
Genre: Pop
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In 1967, Nancy Sinatra would continue her artistic ascent into the pop stratosphere with the James Bond You Only Live Twice theme song, the groovy technicolor television special, Movin’ With Nancy, recording one of the most beloved duets of all time, “Some Velvet Morning,” and a cross-country pilgrimage to the center of the country music scene. Nancy traveled to Nashville to cut her fifth album at RCA Studios, where many of the greatest country songs of all time were recorded. On Country, My Way, Nancy fuses her own personal style with country music, resulting in a new hybrid sound. Producer Lee Hazlewood called it “hippie-billy.” While many people get credit for pioneering the contemporary country sound, like many milestones of the 1960s, Nancy was one of the first. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture.
Antonio Carlos Jobim - Wave
Antonio Carlos Jobim
Wave
LP | 1967 | EU | Reissue (Elemental)
31,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Reissue of the 5th studio album by Brazilian jazz legend Antônio Carlos Jobim. Considered one of Jobim’s best albums, this masterpiece peaked at #5 on the Billboard Jazz Albums chart. It features a plethora of star sidemen, such as Dom Um Romão, Claudio Slon, Jerome Richardson, Ron Carter & Urbie Green, among others, as well as superb arrangements by Claus Ogerman.
Kaleidoscope - Kaleidoscope Black Vinyl Edition
Kaleidoscope
Kaleidoscope Black Vinyl Edition
LP | 1969 | EU | Reissue (Guerssen)
29,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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One of the rarest psychedelic garage albums ever, the Kaleidoscope album was recorded in the Dominican Republic by this Boricuan/Dominican band but released only in Mexico in 1969 as a tiny pressing, housed in a fantastic psychedelic sleeve designed by Bodo Molitor.
Hunger - Strictly From Hunger Black Vinyl Edition
Hunger
Strictly From Hunger Black Vinyl Edition
LP | 1969 | EU | Reissue (Guerssen)
27,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Killer Doorsy organ and fuzzed-out guitars, including all-time psychedelic classics like "Colors", "Workshop" and "Mind Machine".

Transplanted from Portland to the Sunset Strip, Hunger played at all the hip places (Whisky a Go Go, Cheetah, Kaleidoscope...), rubbing shoulders with bands like Hour Glass (pre-Allman Brothers), the Doors or Steppenwolf.

In 1969 they released "Strictly from Hunger!" for the small Public label. Highly sought after, we’re proud to present a straight reissue of such collectable album.
Bobby Hutcherson - Medina Tone Poet Vinyl Edition
Bobby Hutcherson
Medina Tone Poet Vinyl Edition
LP | 1969 | Reissue (Blue Note)
38,99 €*
Release: 1969 / Reissue
Genre: Organic Grooves
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Bobby Hutcherson’s cutting-edge 1969 session "Medina" found the vibraphonist with a remarkable band featuring Harold Land on tenor saxophone & flute, Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums. The set presents original compositions by Hutcherson, Cowell, and Chambers.
BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a single sleeve with deluxe tip-on jacket.
Baden Powel E Vinicius De Moraes - Os Afro Sambas
Baden Powel E Vinicius De Moraes
Os Afro Sambas
LP | 1966 | EU | Reissue (Forma)
25,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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The Rolling Stones - Live At Racket, Nyc Record Store Day 2024 Black W/ Blue Swirl Vinyl Edition
The Rolling Stones
Live At Racket, Nyc Record Store Day 2024 Black W/ Blue Swirl Vinyl Edition
LP | 1964 | Reissue (ABKCO)
30,99 €*
Release: 1964 / Reissue
Genre: Rock & Indie
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To celebrate 60 years since its original release, The Rolling Stones, ‘uk’ edition, is being released in a special bespoke package for RSD 2024.The band’s debut studio album, was released in the UK on 16 April 1964. The American edition of the LP, with a slightly different track list, came out on London Records on 30 May 1964, subtitled England’s Newest Hit Makers, which later became its official title. The remarkable, ground-breaking album arrives like a jet-fueled rush of white hot R&B. Pressed on stunning 180gm blue + black swirl vinyl / includes lithograph print with images by renowned photographer Terry O’Neill / limited edition stamp-numbering on outer sleeves
The Beatles - Revolver Special Edition Standard Vinyl
The Beatles
Revolver Special Edition Standard Vinyl
LP | 1966 | CZ | Reissue (Apple)
27,99 €*
Release: 1966 / CZ – Reissue
Genre: Rock & Indie, Pop
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Lee Morgan - The Sidewinder
Lee Morgan
The Sidewinder
LP | 1964 | EU | Reissue (Blue Note)
23,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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The Beatles - Magical Mystery Tour
The Beatles
Magical Mystery Tour
LP | 1967 | EU | Reissue (Apple)
27,99 €*
Release: 1967 / EU – Reissue
Genre: Pop
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Just one word to say: Essential!
Jefferson Airplane - Surrealistic Pillow
Jefferson Airplane
Surrealistic Pillow
2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)
73,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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180 Gram MONO 45RPM Audiophile Vinyl, limited/numbered
Jimi Hendrix - Electric Ladyland
Jimi Hendrix
Electric Ladyland
2LP | 1968 | EU | Reissue (Sony)
27,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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All time classic album, including 'Crosstwon Traffic', 'Voodoo Chile' & more!
George Kawaguchi Big Four - George And Sleepy
George Kawaguchi Big Four
George And Sleepy
LP | 1969 | JP | Reissue (Victor Entertainment Japan)
45,99 €*
Release: 1969 / JP – Reissue
Genre: Organic Grooves
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In the 1950s, the Big Four, led by George Kawaguchi, was a pioneering force in Japan's modern jazz scene, gaining immense popularity. Despite changes in its lineup, the group continued to make a significant impact on Japanese jazz. The album 'George & Sleepy' was originally released in 1969 as part of Victor's Japanese Jazz series. While the original liner notes described it as an attempt to recreate the nostalgia of the George Kawaguchi Big Four, this album is far from just a retrospective. Tracks like "Lover" and "Charade" nostalgically evoke the classic Big Four, offering pure enjoyment. Meanwhile, the album also impresses with more contemporary elements, such as the refined groove of "Tuesday Samba" and the exotic, beat-driven "Vietnam." This thrilling album masterfully showcases the timeless appeal of jazz, blending the past and present through the deep, skillful performances of these jazz veterans.
Blue Mitchell - Blue's Moods Ojc. Series
Blue Mitchell
Blue's Moods Ojc. Series
LP | 1960 | Reissue (Concord)
38,99 €*
Release: 1960 / Reissue
Genre: Organic Grooves
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Nancy Sinatra - Country, My Way Black Friday Record Store Day 2024 Blue Vinyl Edition
Nancy Sinatra
Country, My Way Black Friday Record Store Day 2024 Blue Vinyl Edition
LP | 1967 | US | Reissue (Light In The Attic)
35,99 €*
Release: 1967 / US – Reissue
Genre: Pop
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In 1967, Nancy Sinatra would continue her artistic ascent into the pop stratosphere with the James Bond You Only Live Twice theme song, the groovy technicolor television special, Movin’ With Nancy, recording one of the most beloved duets of all time, “Some Velvet Morning,” and a cross-country pilgrimage to the center of the country music scene. Nancy traveled to Nashville to cut her fifth album at RCA Studios, where many of the greatest country songs of all time were recorded. On Country, My Way, Nancy fuses her own personal style with country music, resulting in a new hybrid sound. Producer Lee Hazlewood called it “hippie-billy.” While many people get credit for pioneering the contemporary country sound, like many milestones of the 1960s, Nancy was one of the first. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture.
Nina Simone - Nuff Said! Vinyl Me, Please Edition
Nina Simone
Nuff Said! Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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Townes Van Zandt - For The Sake Of The Song Vinyl Me, Please Edition
Townes Van Zandt
For The Sake Of The Song Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.



No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.
Gökcen Kaynatan - Moda / Firtina EP
Gökcen Kaynatan
Moda / Firtina EP
7" | 1966 | US | Reissue (Slovenly)
17,99 €*
Release: 1966 / US – Reissue
Genre: Rock & Indie
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Slovenly is proud to present the first ever official reissue of a Turkish holy grail—the 1966 tripped-out surf 45 by Istanbul’s Gökçen Kaynatan. Originals of this record—his first ever release, and from 1966—are so rare that none of our Turkish pals have ever seen a copy, and believe us, they’ve been on the hunt! “Moda / Fırtına” is the platter from his early years as a teenage rock’n’roller, and these two tracks each offer a compelling listen and demand motion. While mostly drenched in the twang of his custom built guitar with relentlessly swinging beats, his budding experimentation with electronics steals the show. Imagine the sought-after Countdown! LP by legendary session man Jimmy Haskell with an Anatolian lean during the peak of modernism and you’re starting to get the point. Gökçen Kaynatan was recently honored by Finders Keepers with an LP reissue of his 70s-era pioneering in electronic realms that reminds of Suicide and Mort Garson, but with the pungent tang of Turkey. This dancefloor ready 7-inch, however, fills a glaring gap for the Wild, and satisfies the raw global itch that is the Slovenly Recordings modus operandi.
Lonnie Smith - Finger Lickin' Good
Lonnie Smith
Finger Lickin' Good
LP | 1967 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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La Lupe - Queen Of Latin Soul / Reina De La Cancion Latina Vinyl Me, Please Edition
La Lupe
Queen Of Latin Soul / Reina De La Cancion Latina Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
There is something raw and disruptive about La Lupe and her modalities of performance, something that far exceeds tropes of so-called hysteria and all the gendered and racial scripts that come along with it. Uncontrolled expression opens up new routes; it presses against obligatory composure.

The boleros, boogaloos and salsas of Reina de la Canción Latina contain lessons about love, about a willingness to stay alive, about what it means to push against the confines. Reina de la Canción Latina asks us to listen to La Lupe outside of a binary mode — to look a little deeper, to find her personhood and to search for flashes of freedom wherever we can.
Nancy Sinatra - Nancy In London Summer Wine Red Vinyl Edition
Nancy Sinatra
Nancy In London Summer Wine Red Vinyl Edition
LP | 1966 | US | Reissue (Light In The Attic)
39,89 €* 41,99 € -5%
Release: 1966 / US – Reissue
Genre: Rock & Indie
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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”
The Ballads - The Gift Of Love
The Ballads
The Gift Of Love
LP | 1969 | JP | Reissue (P-Vine)
34,99 €*
Release: 1969 / JP – Reissue
Genre: Organic Grooves
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The only original album by West Coast soul vocal group The Ballads, released in 1969, is still a favourite among soul fans, but has only been reissued on vinyl once before, in 1982. P-vine is honoured to be able to reissue it on LP with a Japanese obi.

The album is extremely rich and wonderful, with gems such as Gene Chandler's 'God Bless Our Love' and 'The Gift Of Love', as well as Detroit-style dance numbers, and will also include a bonus track that was only released as a single. The album captures the band's cradle period in the 1970s, when they began to fully embrace a sweet soul style.
Fabio - Lsd / Reloginho Red Vinyl Edition
Fabio
Lsd / Reloginho Red Vinyl Edition
7" | 1968 | EU | Reissue (Groovie)
18,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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1968, in the Brazilian dictatorship, Fábio released this psychedelic gem LSD (Lindo Sonho Delirante), writed by him and Carlos Imperial.

A soul / garage floor killer till today. Besides the alucinated rhythm, the song was an explicit provocation to the political society of the 60’s.
Bobby Hutcherson - Happenings
Bobby Hutcherson
Happenings
LP | 1967 | Reissue (Blue Note)
28,99 €*
Release: 1967 / Reissue
Genre: Organic Grooves
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Ben Webster - At The Renaissance Limitedcontemporary Records
Ben Webster
At The Renaissance Limitedcontemporary Records
LP | 1960 | Reissue (Craft)
38,99 €*
Release: 1960 / Reissue
Genre: Organic Grooves
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Donald Byrd - Slow Drag Tone Poet Vinyl Edition
Donald Byrd
Slow Drag Tone Poet Vinyl Edition
LP | 1967 | EU | Reissue (Blue Note)
33,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Donald Byrd’s 1967 album Slow Drag was one of the last pure hard bop records the trumpeter would make before his music began evolving towards fusion. Byrd flies high on this gratifying set featuring alto saxophonist Sonny Red, pianist Cedar Walton, bassist Walter Booker & drummer Billy Higgins.



BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.
Nancy Sinatra & Lee Hazlewood - Nancy & Lee Black Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Black Vinyl Edition
LP | 1968 | US | Reissue (Light In The Attic)
30,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Bob Dylan - Blonde On Blonde
Bob Dylan
Blonde On Blonde
2LP | 1966 | EU | Reissue (Sony)
27,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Hank Mobley - Soul Station
Hank Mobley
Soul Station
LP | 1960 | EU | Reissue (Blue Note)
28,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder’s studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station.

The crystalline six-song set was a showcase for Mobley’s lyrical flow from the breezy opening take on Irving Berlin’s “Remember” through bluesy originals like “Dig Dis” and the title track, and the swinging up-tempo numbers “This I Dig of You” and “Split Feelin’s.” Soul Station endures as a jazz classic for the ages..

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Horace Silver - Song For My Father
Horace Silver
Song For My Father
LP | 1964 | EU | Reissue (Blue Note)
23,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Herbie Hancock - The Prisoner Tone Poet Vinyl Edition
Herbie Hancock
The Prisoner Tone Poet Vinyl Edition
LP | 1969 | EU | Reissue (Blue Note)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Duke Ellington - Money Jungle Tone Poet Vinyl Edition
Duke Ellington
Money Jungle Tone Poet Vinyl Edition
LP | 1962 | EU | Reissue (Blue Note)
36,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Gabor Szabo - Dreams Black Vinyl Edition
Gabor Szabo
Dreams Black Vinyl Edition
LP | 1968 | EU | Reissue (Skye)
25,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Arrangements by Gary McFarland Recorded at Western Recording, Los Angeles
August 6th, 7th and 9th, 1968
Eric Dolphy - Outward Bound
Eric Dolphy
Outward Bound
LP | 1960 | US | Reissue (Analogue Productions)
46,99 €*
Release: 1960 / US – Reissue
Genre: Organic Grooves
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Dolphy had left his native California and come east as part of Chico Hamilton's group, settling in New York in 1960 and becoming part of Charles Mingus's group. This first recording as a leader brought comparisons with Ornette Coleman but the two were really parallel figures in the then-emerging avant-garde. Dolphy did not eschew 'changes', as Coleman did, but he used them in new ways. This LP was significant not only for his alto saxophone but introduced his individual approach to the flute and, particularly, the bass clarinet.
John Coltrane - Giant steps
John Coltrane
Giant steps
LP | 1960 | EU | Reissue (Atlantic)
24,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Freddie Roach - Brown Sugar Vinyl Me, Please Edition
Freddie Roach
Brown Sugar Vinyl Me, Please Edition
LP | 1964 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1964 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
Freddie Roach’s first three albums introduced him to the world, but Brown Sugar showed it who he was. It was the album that Roach made to capture the energy of soul jazz. To somehow take the sounds in the city, in the clubs, and bring them to a record. In his original liner notes, Roach writes that the album is an ode to late nights and loud clubs, to backs damp with sweat, arms wrapped around waists. ‘’Not caring for the moment about troubles or problems,'' he wrote of people dancing, ‘’their bodies quivering under smiles that seemed to promise ‘after the dance.’'' After talking to Alfred Lion, president of Blue Note, they decided that the album needed to be made up of standards — not the standards of the stage or screen, but the standards of the people. ‘’To get the ‘soul,’'' Roach wrote, ‘’I decided to do show soul tunes.''
The Sahib Shihab Quintet - Seeds
The Sahib Shihab Quintet
Seeds
LP | 1969 | JP | Reissue (P-Vine)
34,99 €*
Release: 1969 / JP – Reissue
Genre: Organic Grooves
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In 1969, Sahib Shihab and five leading members of the Clarke-Boland Big Band, including Francy Boland, Jimmy Woode, Kenny Clarke, and Fats Sadi, recorded this album for West Germany's Vogue label. The album features the exquisite Latin jazz track "Seeds," the waltz number "Peter's Waltz" dedicated to his son, and the modal piece "Mauve." Each track is highly stylish and sophisticated, showcasing a pinnacle of European jazz that could only be achieved by this exceptional lineup.
Dusty Springfield - Dusty In Memphis Atlantic 75 Series
Dusty Springfield
Dusty In Memphis Atlantic 75 Series
2LP | 1969 | US | Reissue (Analogue Productions Atlantic 75 Series)
86,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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A classic now cut at 45 RPM!

Originally released in 1969, the concept for Dusty In Memphis was to take England's reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic's Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record's highlights include "Son Of A Preacher Man," "So Much Love," "Breakfast In Bed," "Just One Smile," "I Don't Want To Hear It Anymore" and "Just A Little Lovin'". Springfield is backed by a crack band that had previously worked with Aretha Franklin, Wilson Pickett, King Curtis and Elvis Presley among others. The musicians - collectively known as the Memphis Cats - include guitarist Reggie Young, bassist Tommy Cogbill, drummer Gene Chrismann, pianist Bobby Wood and Bobby Emmons on organ and electric piano. Songwriting contributions came from, among others, Randy Newman, Carole King, Gerry Goffin, Barry Mann and Cynthia Weil. Dusty Springfield is one of the finest white soul singers of her era, and this is the undisputed proof.

"Analogue Productions' reissue functions as a case study in what careful remastering and good pressing can achieve-even if the single-jacket package means both 45RPM LPs get crammed into one space. Sonically, it doesn't entirely erase the lack of fill, but adds such a three-dimensional frame to the picture that the holes begin to disappear. Additionally, it creates a much larger soundstage than found on the original, and the improved pitch stability makes it seem you've acquired a better turntable-not just a better pressing." — 4.5/5 stars, Dennis Davis, vinylreviews.com. Read the whole review here.

LP of the Month - Hi-Fi News
"...this LP proved definitively that Ms. Springfield ranks right up there with Aretha Franklin, Etta James and other soul/R&B queens of the post-WWII era...This edition is the finest I've ever heard." LP of the Month. Sound Quality = 99% - Ken Kessler, Hi-Fi News

"...absolutely stunning double 45rpm issue mastered from the original tape by Kevin Gray...I didn't know what to expect from this but my most optimistic hopes didn't begin to approach this album's reinvention at 45rpm...A classic reinvented. Very highly recommended for the music, for the mastering and for the superbly detailed pressing quality too from Quality Record Pressings." Music = 9/11, Sound = 9/11 - Michael Fremer, musicangle.com, November 2011

"...As with all 45 RPM remasterings, the higher groove velocity has made possible the extended high frequencies and lower noise that make this edition a marvel of sound." Performance = 5/5, Sound = 5/5; Editor's Pick, Recording of the Month — Robert Baird, Stereophile, February 2012

"... Kevin Gray turned in a sparkling re-mastering and the 45-RPM pressing from Chad Kassem's Quality Records could hardly be better. 'The Windmills Of Your Mind' throws a huge soundstage and Dusty on vinyl sets a high barrier for high def digital to aim for." Recording = 10/10; Music = 10/10 — Dennis D. Davis, Hi-Fi +, Issue 86
Toots And The Maytals - Sweet And Dandy
Toots And The Maytals
Sweet And Dandy
LP | 1969 | UK | Reissue (Beverley's)
27,99 €*
Release: 1969 / UK – Reissue
Genre: Reggae & Dancehall
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Formed by lead vocalist legend Toots Hibbert, and the ragged call-and-response background singers Nathaniel “Jerry” McCarthy and Raleigh Gordon, Toots & the Maytals were spotted by Beverley Records’ founder Leslie Kong who produced the group’s first records in the 60s. Their Sweet And Dandy album was featured in 1972’s emblematic movie The Harder They Come, which included a performance of the title track recorded at Beverley Studios and also highlighted ‘Pressure Drop’ in its accompanying soundtrack. The movie’s unprecedented success, combined with some of the solid gold singles pulled from this album, fast-tracked Toots and the Maytals to reggae icon status, assuring the group international success and making Sweet And Dandy one of the most highly acclaimed albums in Jamaican music.
The Stooges - The Stooges
The Stooges
The Stooges
LP | 1969 | EU | Reissue (Rhino)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Wayne Shorter - Speak No Evil Blue Vinyl Edition
Wayne Shorter
Speak No Evil Blue Vinyl Edition
LP | 1964 | EU | Reissue (Blue Note)
28,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”
Margo Guryan - Take A Picture Black Vinyl Edition
Margo Guryan
Take A Picture Black Vinyl Edition
LP | 1968 | US | Reissue (Numero Group)
26,99 €*
Release: 1968 / US – Reissue
Genre: Pop
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Take A Picture is Margo Guryan's one and done classic _ one of record collecting's real unheralded masterpieces _ bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.
Lee Morgan - The Sidewinder Blue Note 85 Collection Blue Vinyl Edition
Lee Morgan
The Sidewinder Blue Note 85 Collection Blue Vinyl Edition
LP | 1964 | WW | Reissue (Blue Note)
28,99 €*
Release: 1964 / WW – Reissue
Genre: Organic Grooves
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Nobody had expected the extraordinary success of this album and its funky title track. When Blue Note released trumpeter Lee Morgan's “The Sidewinder” in 1964, the label “only” pressed 4,000 copies, but they were completely sold out within three days. The instrumental album reached number 25 in the pop charts and number 10 in the rhythm'n'blues charts, while the soul-jazzy title track, which was shortened for that, was also successful as a single. The album, recorded with tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw and drummer Billy Higgins, is now a classic album that should be in every jazz collection.
Cannonball Adderly - Somethin' Else Blue Note 85 Collection Blue Vinyl Edition
Cannonball Adderly
Somethin' Else Blue Note 85 Collection Blue Vinyl Edition
LP | 1964 | WW | Reissue (Blue Note)
28,99 €*
Release: 1964 / WW – Reissue
Genre: Organic Grooves
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“Is that what you wanted, Alfred?” we hear in Miles Davis’ unmistakable rasp at the end of “One for Daddy-O,” making it clear that the legendary (and assertive) trumpeter was not just playing the role of sideman on Somethin’ Else, the sole Blue Note album by Cannonball Adderley. The alto saxophonist was a memb¬er of Davis’ band at the time and the depth of their musical camaraderie lifts this session up to rarefied heights throughout, from the breathtaking performance of “Autumn Leaves” that opens the album to the thrilling call-and-response theme of the title track. Pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey round out the quintet on this timeless classic.
Thelonious Monk - At The Blackhawk
Thelonious Monk
At The Blackhawk
LP | 1960 | US | Reissue (Analogue Productions)
46,99 €*
Release: 1960 / US – Reissue
Genre: Organic Grooves
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Kashmere Stage Band - Our Thing
Kashmere Stage Band
Our Thing
LP | 1969 | JP | Reissue (P-Vine)
36,99 €*
Release: 1969 / JP – Reissue
Genre: Organic Grooves
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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl
Julie Driscoll / Brian Auger - Jools/Brian
Julie Driscoll / Brian Auger
Jools/Brian
LP | 1968 | UK | Reissue (Charly)
27,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Al Hirt - Soul In The Horn
Al Hirt
Soul In The Horn
LP | 1967 | UK | Reissue (Be With)
29,99 €*
Release: 1967 / UK – Reissue
Genre: Organic Grooves
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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.
Quincy Jones - Big Band Bossa Nova Limited Edition +1 Bonus Track
Quincy Jones
Big Band Bossa Nova Limited Edition +1 Bonus Track
LP | 1962 | EU | Reissue (Jazz Wax)
18,99 €*
Release: 1962 / EU – Reissue
Genre: Rock & Indie
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Elaine Brown - Seize The Time - Black Panther Party Record Store Day 2024 Edition
Elaine Brown
Seize The Time - Black Panther Party Record Store Day 2024 Edition
LP | 1969 | EU | Reissue (Soulgramma)
24,79 €* 30,99 € -20%
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Reissued on vinyl for the first time! A milestone of the Black music movement, originally released on Vault in 1969. The debut album of Elaine Brown was arranged by piano player amd composer Horace Tapscott, conducting the Californian Pan-Afrikan Peoples Arkestra. A true political manifesto, the album is an accurate meeting between black poetry and spiritual jazz. After her debut Elaine went to release an eponymous second album on Motown. Elaine Brown is an African American activist and a former leader of the Black Panther Party - Minister of Information and Chairman.
The Grateful Dead - The Grateful Dead
The Grateful Dead
The Grateful Dead
LP | 1967 | US | Reissue (Warner)
26,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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Joe Henderson - Mode For Joe
Joe Henderson
Mode For Joe
LP | 1966 | DE | Reissue (Blue Note)
28,99 €*
Release: 1966 / DE – Reissue
Genre: Organic Grooves
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Stan Getz / Joao Gilberto - Getz / Gilberto
Stan Getz / Joao Gilberto
Getz / Gilberto
LP | 1964 | EU | Reissue (Verve)
28,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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The Latin Jazz classic that started it all! Mandatory!
Ultimate Spinach - Ultimate Spinach
Ultimate Spinach
Ultimate Spinach
LP | 1968 | EU | Reissue (Akarma)
25,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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American psychedelic band from Boston, Massachusetts. Active 1967 to 1969. Their second album was originally released in 1968. Recorded in September 18th, 19th, 26th, 27th and October 26th, 29th 1967 at Bell Sound Studios, New York City
Nancy Sinatra & Lee Hazlewood - Nancy & Lee
Nancy Sinatra & Lee Hazlewood
Nancy & Lee
Tape | 1968 | US | Reissue (Light In The Attic)
10,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.
Eric Dolphy - Out To Lunch
Eric Dolphy
Out To Lunch
LP | 1964 | EU | Reissue (Blue Note)
24,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Freddie Hubbard - Open Sesame
Freddie Hubbard
Open Sesame
LP | 1960 | EU | Reissue (Blue Note)
18,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Oliver Nelson - Screamin' The Blues
Oliver Nelson
Screamin' The Blues
LP | 1960 | US | Reissue (Analogue Productions)
46,99 €*
Release: 1960 / US – Reissue
Genre: Organic Grooves
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Miles Davis - In A Silent Way
Miles Davis
In A Silent Way
LP | 1969 | EU | Reissue (Sony)
27,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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The Jimi Hendrix Experience - Are You Experienced EU Stereo Version
The Jimi Hendrix Experience
Are You Experienced EU Stereo Version
2LP | 1967 | EU | Reissue (Sony)
27,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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All time classic album, including 'Hey Joe' & 'Purple Haze'!
Johnny Cash - At Folsom Prison Black Vinyl Edition
Johnny Cash
At Folsom Prison Black Vinyl Edition
LP | 1968 | EU | Reissue (Sony)
27,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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John Coltrane - Blue Train 180g Vinyl Edition
John Coltrane
Blue Train 180g Vinyl Edition
LP | 1967 | EU | Reissue (Dol)
15,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Gal Costa - Gal Costa
Gal Costa
Gal Costa
LP | 1969 | BR | Reissue (Polysom)
39,99 €*
Release: 1969 / BR – Reissue
Genre: Organic Grooves
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Polysom Brazil vinyl LP repress import, released in 1969.
Otis Redding - The Dock Of The Bay
Otis Redding
The Dock Of The Bay
LP | 1969 | UK | Reissue (Atlantic)
32,99 €*
Release: 1969 / UK – Reissue
Genre: Hip Hop
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The Jimi Hendrix Experience - Are You Experienced
The Jimi Hendrix Experience
Are You Experienced
LP | 1967 | US | Reissue (Sony)
27,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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Audiophile 180 gram pressing, approved by the Hendrix family!
Herbie Hancock - OST Blow Up
Herbie Hancock
OST Blow Up
LP | 1966 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks.
Frank Zappa - Uncle Meat
Frank Zappa
Uncle Meat
2LP | 1969 | EU | Reissue (Zappa)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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John Coltrane - Plays The Blues 180g Vinyl Edition
John Coltrane
Plays The Blues 180g Vinyl Edition
LP | 1962 | EU | Reissue (Dol)
15,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Dizzy Reece - Asia Minor
Dizzy Reece
Asia Minor
LP | 1962 | EU | Reissue (Honeypie)
24,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Jamaican-born jazz trumpeter Dizzy Reece recorded one of his best opus in 1962. Released on the New Jazz label the album featured greats such as bassist Ron Carter, renowned saxophonist Cecil Payne and pianist Hank Jones. It’s a beautifully recorded and sequenced album, the compositions reflecting Reece’s interest in the music of the Asian continent and regions of North Africa, with each piece transitioning nicely into the next. Asia Minor would be the last session Reece would lead until 1967/68. A fixture of the European jazz scene of the Fifties, Reece came to New York in 1959. This intriguing, Eastern-flavored date, is still regarded has one of the best example of cross-pollination in the jazz genre.
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