Vinyl, CD & Tape 1369 Items

LP | 1967 | EU | Reissue (Merlins Nose)

Release: 1968 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1972 reissue. Gatefold cover.

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Jacqueline Taieb

244,99 €*

A Little Togetherness / Beginning Of The End

Release: 1967 / EU – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record with some scuffs and slight scratches! Cover has a minimal stuffed corner!

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The Younghearts

7" | 1967 | US | Original (Canterbury)

219,99 €*

Sunday At The Village Vanguard

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with light scuffs and hairlines

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Bill Evans

2LP | 1967 | US | Reissue (Analogue Productions)

210,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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The Jimi Hendrix Experience

Are You Experienced Larity Vinyl Edition

Box Set | 1967 | US | Reissue (Ananlogue Productions)

168,99 €*

Workin' With The Miles Davis Quintet

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Analogue Productions präsentiert eine weitere Uhqr - den Jimi-Hendrix-Klassiker "Are You Experienced". In Zusammenarbeit mit Quality Record Pressings ist diese Wiederveröffentlichung ein echtes Sammlerstück - eine Ultra High Quality Record (Uhqr) Veröffentlichung!

Diese Uhqr-Stereo-Wiederveröffentlichung ist auf 20.000 Exemplare limitiert und hat einen mit Goldfolie einzeln nummerierten Umschlag.

Bei seiner Erstveröffentlichung im Jahr 1967 stellte "Are You Experienced" die Musikwelt auf den Kopf, denn Hendrix zeigte allen, was es bedeutet, "erfahren" zu sein. Hendrix synthetisierte verschiedene Elemente der modernsten Rockmusik von 1967 zu einer Musik, die sowohl futuristisch klang als auch in den besten Traditionen von Rock, Blues, Pop und Soul verwurzelt war. Die meiste Aufmerksamkeit erhielt natürlich seine atemberaubende Gitarrenarbeit, mit der er neue klangliche Territorien in Bezug auf Rückkopplung, Verzerrung und schiere Lautstärke erschloss. Das hätte jedoch nicht viel bedeutet ohne sein hervorragendes Material, ob psychedelische Raserei ("Foxey Lady", "Manic Depression", "Purple Haze"), instrumentale Freak-Out-Jams ("Third Stone from the Sun"), Blues ("Hey Joe") oder zarte, poetische Kompositionen ("The Wind Cries Mary"), die die Bandbreite seines Songwriting-Talents demonstrierten. Nicht zu unterschätzen waren die Beiträge von Schlagzeuger Mitch Mitchell und Bassist Noel Redding, die der Musik einen rhythmischen Puls gaben, der Teile des Rock und des improvisierten Jazz verschmolz.

Was Jimi über die Neuauflage seines Debütalbums in den USA durch Reprise Records dachte, die "The Wind Cries Mary", "Purple Haze" und "Hey Joe" in die ursprüngliche 11-Track-Liste aufnahmen, ist nicht ganz bekannt. Aber Jimi äußerte bei späteren Bühnenauftritten seine Enttäuschung darüber, dass "Red House", seine großartige Original-Blueskomposition, aus dem US-Album gestrichen worden war.

Die US-Version des Titels wurde im August 1967 veröffentlicht. Enthalten sind auch die ersten drei britischen Singles der Gruppe: "Purple Haze", "Hey Joe" und "The Wind Cries Mary".

Diese Uhqr wurde von dem legendären Bernie Grundman von den originalen analogen Masterbändern remastert. Jede Uhqr wird im Presswerk von Acoustic Sounds, Quality Record Pressings (qrp), auf handselektiertem Clarity Vinyl® gepresst, wobei auf jedes einzelne Detail geachtet wird. Diese Platten weisen das gleiche flache Profil auf, das die ursprüngliche Uhqr so begehrenswert gemacht hat. Von der Einlaufrille bis zur Auslaufrille weist das Profil keine Neigung auf, so dass die Abtastnadel des Kunden wirklich senkrecht zu den Rillen von der Kante bis zur Mitte spielen kann. Clarity Vinyl ermöglicht die reinstmögliche Pressung und die visuell beeindruckendste Präsentation. Jede Uhqr wird nach Abschluss der Pressung von Hand geprüft, und nur die wirklich makellosen Exemplare werden auf den Markt gebracht. Jede Uhqr wird in einer Deluxe-Box verpackt und enthält ein Booklet, in dem der gesamte Herstellungsprozess einer Uhqr beschrieben wird, sowie ein handsigniertes Prüfzertifikat. Dies wird ein wahrhaft luxuriöses Sammlerprodukt sein.

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The Miles Davis Quintet

LP | 1960 | US | Original (Prestige)

150,99 €*

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Original US deep groove Mono pressing. Torn spines and discolouration.

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"Live" At The Village Vanguard

LP | 1962 | US | Original (Impulse!)

114,99 €*

Earthquake / Opportunity Street

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Plays with faint surface noise but far from overpowering the music.
Upper and lower seam are split. Sticker on back cover.

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Bobbi Lynn

7" | 1968 | UK | Original (Stateside)

99,99 €*

Release: 1968 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record has just a few hairlines and is close to VG+.

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LP | 1968 | US | Original (Columbia)

Nefertiti

93,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing.

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LP | 1961 | US | Original (Atlantic)

My Favorite Things

90,99 €*

Joya Landis / Alton Ellis, Phyllis Dillon

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US mono MGM pressing.

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Angel Of The Morning / Love Letters

7" | 1968 | UK | Original (Trojan)

Curtis Fuller With Red Garland

Release: 1968 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Record in excellent condition with clean labels and just a few hairlines. Plays with very faint surface noise in the run-ins, far from over powering the music. Prong has been removed.

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LP | 1962 | US | Original (New Jazz)

LP | 1967 | US | Original (Blue Note)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

US original.
Sleeve has taped seams, heavy wear, punchhole.
LP has scratches.

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Lee Morgan

Delightfulee

Art Blakey & The Jazz Messengers

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs, hairlines and a couple of deeper marks. Cover with seam split, tears and shelf wear.

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Mosaic

LP | 1961 | US | Original (Blue Note)

LP | 1962 | JP | Reissue (Riverside)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US mono pressing . Vinyl with scuffs and hairlines. Cover close to VG+

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The Bill Evans Trio

Waltz For Debby

88,99 €*

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1993 reissue. OBI is missing. With insert. Stuffed corner. Vinyl is close to NM.

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Nefertiti

83,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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2LP, 180 Gram Audiophile Vinyl, Numbered Limited-Edition

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LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Miles Smiles

82,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

John Mayall & The Bluesbreakers

A Hard Road

LP | 1967 | UK | Original (Decca)

80,99 €*

Release: 1967 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

John Mayall & The Bluesbreakers

Bare Wires

LP | 1968 | UK | Original (Decca)

80,99 €*

The John Coltrane Quartet

Release: 1968 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker residue on front cover. Mono, gatefold.

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Africa/Brass

LP | 1961 | US | Original (Impulse!)

79,99 €*

LP | 1968 | BE | Reissue (Elektra)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

US original.
Sleeve has taped edges, heavy wear.
LP has hairlines and surface marks.

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Nico

The Marble Index

75,99 €*

Blues & Roots Atlantic 75 Series

Release: 1968 / BE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1972 reissue.

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Charles Mingus

2LP | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

Greatest Hits 45RPM, 200g Vinyl Edition

Release: 1960 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm

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Patsy Cline

2LP | 1967 | US | Reissue (Analogue Productions)

75,99 €*

2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.
In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy's biggest hits — all of them from the country singles market — including "Walkin' After Midnight", "Sweet Dreams (Of You)", "Crazy", and "I Fall to Pieces".
Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's 'countrypolitan' sound. And trust us, on this 200-gram QRP pressing, mastered by Sterling Sound, Cline's seductive vocals have never sounded clearer or richer.
Cline's life and career has been the subject of numerous books, movies, documentaries, articles and stage plays. She has sold millions of albums through the past 50 years, giving her an iconic fan status, similar to that of country artists such as Johnny Cash and Dolly Parton. In 1992, the U.S. Postal Service honored her, along with Hank Williams, on a U.S. postage stamp. And in 1995 she was honored with a Grammy Lifetime Achievement Award. Cline was also honored with a star on the Hollywood Walk of Fame in 1999.
Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top-selling country album of all time by a female artist.

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Johnny Cash

At Folsom Prison

74,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The Crazy World Of Arthur Brown

LP | 1968 | US | Original (Track)

74,99 €*

2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1968 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

US first pressing. Strong VG copy!

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Jefferson Airplane

Surrealistic Pillow

73,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 Gram MONO 45RPM Audiophile Vinyl, limited/numbered

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2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Filles De Kilimanjaro

73,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Sorcerer

73,99 €*

Big Brother & The Holding Company

Release: 1967 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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Cheap Thrills

LP | 1968 | JP | Original (CBS/Sony)

70,99 €*

2LP | 1962 | US | Reissue (Analogue Productions)

Release: 1968 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

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Tony Bennett

At Carnegie Hall

69,99 €*

LP | 1961 | US | Original (Blue Note)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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This is it, the live, double LP where the magical Tony Bennett created indelible memories! "Tony Bennett At Carnegie Hall" is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings!
We've given "Tony Bennett At Carnegie Hall" the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe 'old-school' tip-on gatefold jacket from Stoughton Printing!
Originally recorded in 1962, "Tony Bennett At Carnegie Hall" is a testament to Bennett's live vocal ability, writes allmusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.
Along with standards like "I Left My Heart In San Francisco" and "Just in Time", Bennett reached out to create great medleys such as "(I Like New York in June) How About You/April in Paris", that automatically become his as soon as they are performed. Altogether there are 30 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece!

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The Three Sounds

Here We Come

66,99 €*

I Never Loved A Man The Way I Love You

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam split

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Aretha Franklin

LP | 1967 | US | Original (Atlantic)

66,99 €*

2LP | 1967 | US | Reissue (Impex)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US mono Monarch pressing. Cover has slight wear.

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Thelonious Monk

Straight, No Chaser

62,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In Person At The Blackhawk

2LP | 1961 | US | Reissue (Impex)

62,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | JP | Reissue (London)

The Rolling Stones

Beggars Banquet

60,99 €*

Sonny Rollins With The Modern Jazz Quartet Featuring Art Blakey And Kenny Drew

Release: 1968 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM. 1978 reissue.

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Sonny Rollins With The Modern Jazz Quartet

LP | 1960 | JP | Original (Top Rank International)

60,99 €*

Release: 1960 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1962 | US | Original (ATCO)

The Coasters

59,99 €*

Art Blakey & The Afro-Drum Ensemble

Release: 1962 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear on the back, close to VG+

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The African Beat

LP | 1962 | US | Original (Blue Note)

59,99 €*

LP | 1967 | US | Reissue (International Artist)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US original.

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13th Floor Elevators

Easter Everywhere

58,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1962 | EU | Reissue (Dialogo)

V.A.

Passaporto Per L'italia

58,19 €* 96,99 € -40%

LP | 1968 | WW | Reissue (Mobile Fidelity Sound Lab)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Simon & Garfunkel

Bookends

57,99 €*

The Ornette Coleman Quartet

Release: 1968 / WW – Reissue

Genre: Pop

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A Timeless Reflection on America and Ourselves: Simon & Garfunkel’s Searching Bookends Searches and Asks Big Questions, Includes “Mrs. Robinson” and “A Hazy Shade of Winter”

Mastered on MoFi’s Renowned System and Limited to 4,000 Numbered Copies: Mobile Fidelity’s 180g SuperVinyl 33rpm LP Magnifies the Brilliance of the Original Recording Sessions

1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe

Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel’s Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.

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This Is Our Music

2LP | 1960 | DE | Reissue (ORG Music)

56,99 €*

Sgt.Peppers´s Lonely Hearts Club Band

Release: 1960 / DE – Reissue

Genre: Organic Grooves

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Pressed at Pallas in Germany

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The Beatles

LP | 1967 | UK | Original (Parlophone)

55,99 €*

Release: 1967 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Uk reissue from the 2000s.
Includes original inner sleeve.

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Coltrane Hq Ltd 200g Editionmono Numbered

LP | 1962 | US | Reissue (Analogue Productions)

53,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Gene Ammons

Nice An' Cool

53,99 €*

Blues In Orbit 200g Vinyl Edition

Release: 1961 / US – Reissue

Genre: Organic Grooves

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This 1961 set of standards, favoring ballads, is Gene Ammons in his prime. For the most part, this session is tight and structured, keeping Ammons firmly locked in the groove more so than on some of his more wandering dates. His big-as-a-house tone stands center stage in front of a sympathetic piano-bass-drums trio of Richard Wyands, Doug Watkins and J.C. Heard, respectively.

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Duke Ellington

53,99 €*

LP | 1961 | JP | Reissue (Teichiku)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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It's tempting for "Blues In Orbit" to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In A Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues In Blueprint and "Sweet And Pungent". It is also in stereo, and the arrangements are superb.
The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing "Smada".
The full Analogue Productions reissue treatment is at work on this smashing LP — famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 200-gram disc in a premium Stoughton Printing gatefold jacket.
All of the takes were recorded during after midnight sessions recorded over two nights starting on December 2, 1959 in New York at Columbia Record's studio on East 30th Street. Each night Duke's late dinner arrived at 2 a.m. — a sizzling steak, a pot of coffee with lemons in it, portions of American cheese, and grapefruits. After dinner, and a breather for the band, the sessions finished around dawn in a swinging fashion.
If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.

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Hideo Shiraki

In Fiesta

52,99 €*

Release: 1961 / JP – Reissue

Genre: Organic Grooves

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The Genius After Hours Sacd Edition

Ray Charles

SACD | 1961 | UK | Reissue (Mobile Fidelity)

51,99 €*

2LP | 1961 | JP | Original (Top Rank International)

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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Sacd

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V.A.

Modern Jazz Gallery

Release: 1961 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

The Fourth Dimension In Sound

Shorty Rogers

LP | 1962 | JP | Original (Warner)

LP | 1961 | US | Reissue (Impex)

Release: 1962 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. Japanese pressing.

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Bud Shank

Barefoot Adbenture

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Impex)

The Dave Brubeck Quartet

Time Further Out

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | UK | Reissue (Roulette)

Count Basie

Basie In Birdland

Someday My Prince Will Come

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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e-mastering by Ray Staff at Air Mastering, Lyndhurst Hall, London

'Basie at Birdland' is a 1961 live album featuring Count Basie and his famed orchestra playing at Birdland in New York City. Recorded on June 27-28th of 1961, and released just one month later in July of that year, 'Basie at Birdland' proved once again that Count Basie was one of the world's best players, band leaders, and flag bearers of Jazz. Birdland, the self-proclaimed, 'Jazz Corner of the World' provides a raucous, lively backdrop to the band's soulful Kansas City style Jazz, on tunes like, 'Blue Backstage', and 'Good Time Blues' alongside their harder hitting, big band bop. 'Basie at Birdland' features the Count at the height of his prowess, and he and his band's fervent, swinging performance cannot be missed - it's perfect for novices and aficionados alike.

This is a jaw-dropping recording of Basie's band in 1961. The band is so tight and swings so hard it sounds at times as if one is listening to a Wurlitzer organ. There simply was no band that swung as hard as Basie's - at least not as recorded on this live date. Amazing.

Simply the best live recording of a big band ever!

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The Miles Davis Sextet

LP | 1961 | US | Original (Columbia)

LP | 1960 | JP | Reissue (Liberty)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Terre Haute pressing.

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Julie London

Around Midnight

LP | 1960 | JP | Reissue (Cadet)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1994 reissue. OBI is missing. With insert.

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The Kenny Burrell Trio

A Night At The Vanguard

Sgt. Pepper's Lonely Hearts Club Band

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl seems unplayed. With OBI and insert. 1975 reissue. Cover is close to NM.

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The Beatles

LP | 1967 | DE | Reissue (Odeon)

2LP | 1968 | EU | Reissue (Polydor)

Release: 1967 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Early German reissue. Cover is close to NM. Vinyl seems unplayed.

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Cream

Wheels Of Fire

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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2LP | 1967 | US | Reissue (Polydor)

Velvet Underground

White Light / White Heat

Release: 1967 / US – Reissue

Genre: Rock & Indie

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2LP | 1967 | Reissue (Rhino)

The Monkees

Headquarters

47,99 €*

Release: 1967 / Reissue

Genre: Rock & Indie

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The Latin Bit Tone Poet Vinyl Edition

Grant Green

LP | 1962 | UK | Reissue (Blue Note)

47,99 €*

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Time Out 200g Vinyl Edition

The Dave Brubeck Quartet

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it — for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite," "Pleasantville" and "Constantine." The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time — so distinctive, it's a rare jazz track that became a pop hit.
Including the monster hit "Take Five", the Brubeck Quartet's "Time Out" is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 200-gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you "Time Out" renewed.
Like its 45 RPM sibling, "Time Out" is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.
The jacket is also special — very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic ‚old school‘ look and feel. This jacket is a beauty! Never has "Time Out's" colorful iconic cover art looked so vibrant.
The record label's sales executives didn't want a painting on the cover when "Time Out" debuted in 1959 on Columbia Records, Brubeck told an interviewer. An entire album of originals? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and "Time Out" became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.
The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music. Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five“, at Brubeck's urging to try and write a song in quintuple (5/4) time.
"Time Out" peaked at No. 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching No. 25 on the Billboard Hot 100, and No. 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.

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Eric Dolphy

Outward Bound

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Dolphy had left his native California and come east as part of Chico Hamilton's group, settling in New York in 1960 and becoming part of Charles Mingus's group. This first recording as a leader brought comparisons with Ornette Coleman but the two were really parallel figures in the then-emerging avant-garde. Dolphy did not eschew 'changes', as Coleman did, but he used them in new ways. This LP was significant not only for his alto saxophone but introduced his individual approach to the flute and, particularly, the bass clarinet.

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Thelonious Monk

At The Blackhawk

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Oliver Nelson

Screamin' The Blues

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Lush Life 200g Vinyl Edition

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Here is one of the musical giants of the 20th century, poised on the precipice of greatness. Between the spring of 1957 and the winter of 1958, during which time "Lush Life" was recorded, the music of tenor saxophonist John Coltrane (1926-1967) was developing in giant steps, thanks in great part to a six-month 1957 stint with Thelonious Monk that had much to do with sharpening Coltrane’s harmonic conception and torrential attack.
"Lush Life" contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life”. Coltrane handles the tune’s delicate complexities with infinite style and finesse.
Coltrane and jazz would never be the same.

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Eric Dolphy

At The Five Spot

Release: 1961 / US – Reissue

Genre: Organic Grooves

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One night during a one-time, two-week engagement at the Five Spot produced enough music of lasting merit for three albums. When Rudy Van Gelder took his portable equipment down to the fabled Cooper Square jazz club on July 16, 1961, he captured the interaction of an extraordinary quintet.
Eric Dolphy, Booker Little, Mal Waldron, Richard Davis and Ed Blackwell had formed a cooperative group and, if LIttle had not died in October 1961, there is no doubt that it would have been a potent force in the music of the 1960s and beyond. Dolphy himself died in June 1964, after establishing himself as one of the important contemporary reedmen. Here his alto saxophone and bass clarinet and Little’s trumpet explore three originals: "The Prophet" by Dolphy, "Bee Vamp" by Little, and "Fire Waltz" by Waldron. It’s time caught in a bottle — music for the ages.

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Lightnin' Hopkins

Lightnin'

Out There 200g Vinyl Edition

Release: 1961 / US – Reissue

Genre: Organic Grooves

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"Lightnin'" is among the rewarding acoustic dates Lightnin' Hopkins delivered in the early '60s. The session has an informal, relaxed quality, and this approach serves a 48-year-old Hopkins impressively well on both originals like "Thinkin' 'Bout An Old Friend" and the familiar "Katie Mae" and enjoyable interpretations of Sonny Terry & Brownie McGhee's "Back To New Orleans" and Arthur 'Big Boy' Crudup's "Mean Old Frisco". Hopkins' only accompaniment consists of bassist Leonard Gaskin and drummer Belton Evans, both of whom play in an understated fashion and do their part to make this intimate setting successful. From the remorseful "Come Back Baby" to more lighthearted, fun numbers like "You Better Watch Yourself" and "Automobile Blues", "Lightnin'" is a lot like being in a small club with Hopkins as he shares his experiences, insights and humor with you.

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Eric Dolphy

Release: 1961 / US – Reissue

Genre: Organic Grooves

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In 1960, the free jazz pioneered by Ornette Coleman, Cecil Taylor, Horace Tapscott and a very few others was rejected by many musicians and most listeners. For the visionary saxophonist, clarinetist and flutist Eric Dolphy, it was simply new music fed by the mainstream, a logical extension of the jazz tradition. In "Far Cry" without leaving form behind, he incorporated the spirit of adventure and abandon with which free jazz at its best infused freshness into jazz. Recording with a pianoless quartet that used Ron Carter’s cello as the other melody instrument, Dolphy worked from chord patterns developed within structures that depart from ordinary 32-bar jazz and popular song forms. He used 30-bar, 35-bar and 18-bar structures, but he also observed standard practice with 12-bar blues, “Serene”. Dolphy’s speech-like improvisations and Carter’s bowed or plucked cello solos soar over the impeccable and responsive accompaniments of bassist George Duvivier and drummer Roy Haynes.

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Standard Coltrane 200g Vinyl Edition

LP | 1962 | US | Reissue (Analogue Productions)

2LP | 1968 | JP | Reissue (Apple)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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John Coltrane brought a new sound and style to jazz, and he applied it in his own unique way to the standard material of the storehouse of American music gathered from Broadway, Hollywood and Tin Pan Alley. With the excellent rhythm team of Red Garland, Paul Chambers (both of whom had done so many concert, club and recording dates with him) and Jimmy Cobb and the Miles-directed flugelhorn of Wilbur Harden, Trane puts his personal stamp on numbers not done that often like Henry Nemo's "Don't Take Your Love from Me", Fred Ahlert's "I'll Get By" and two more familiar yet still not overdone songs, Richard Rodgers' "Spring Is Here" and Bronislau Kaper's "Invitation."

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The Beatles

LP | 1960 | US | Original (HiFi Jazz)

Release: 1968 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Numbered 1973 reissue: A151010. Japanese pressing without OBI. No pin-ups, with folded poster. Vinyl has a bit of foxing on the matrx runout and the cover has yellowing. Overall copy close to VG+.

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The Paul Horn Quintet

Something Blue

Blues & Roots Atlantic 75 Series Sacd

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

tear in spines

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Charles Mingus

CD | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)

John Fred & His Playboy Band

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Sacd

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Judy In Disguise Record Store Day 2022 Edition

LP | 1967 | US | Reissue (Liberation Hall)

45,99 €*

Best Of Booker T. & The Mg's

Release: 1967 / US – Reissue

Genre: Pop

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Record Store Day 2022 Drop 1 Release. On “psychedelic purple” vinyl. Limited to 1,000 copies. First re-release since the 1960s.

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Booker T. & The Mg's

LP | 1968 | US | Reissue (Friday Music)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Assocation's Greatest Hits Yellow Vinyl Edition

Association

LP | 1968 | US | Reissue (Friday Music)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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2LP | 1968 | JP | Original (Atlantic)

Otis Redding

All About Otis Redding

The Best Of Sonny & Cher Pink Vinyl Edition

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. close to NM. OBI is missing.

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Sonny & Cher

LP | 1967 | US | Reissue (Friday Music Two)

Release: 1967 / US – Reissue

Genre: Pop

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LP | 1968 | EU | Reissue (Music On Vinyl)

Spirit

LP | 1968 | US | Original (King)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Clear vinyl!

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James Brown

Show Of Tomorrow

Thinking About Little Willie John And A Few Nice Things

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Torn spine. Sticker on front.

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James Brown

LP | 1968 | US | Original (King)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US stereo pressing. Beginning seam split.

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In Person, Friday Night At The Blackhawk, San Francisco, Volume I

LP | 1961 | US | Original (Columbia)

Total Eclipse Tone Poet Vinyl Edition

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

torn spines. original US mono pressing

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Bobby Hutcherson

LP | 1968 | Reissue (Blue Note)

Extensions Tone Poet Vinyl Edition

Release: 1968 / Reissue

Genre: Organic Grooves

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Bobby Hutcherson’s 1968 album "Total Eclipse" was the vibraphonist’s first recording to feature saxophonist Harold Land who would become a key collaborator for years to come. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson, and drummer Joe Chambers on this impassioned and probing 1968 set of post-bop.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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McCoy Tyner

LP | 1968 | EU | Reissue (Blue Note)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Blues A-Plenty Acoustic Sounds

Johnny Hodges

LP | 1960 | Reissue (Verve)

Release: 1960 / Reissue

Genre: Organic Grooves

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Czeslaw Niemen & Akwarele

Dziwny Jest Ten Swiat..

LP | 1967 | PL | Reissue (Warner)

Release: 1967 / PL – Reissue

Genre: Organic Grooves, Rock & Indie

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Tex Book Tenor Tone Poet Vinyl Edition

Booker Ervin

LP | 1968 | Reissue (Blue Note)

Release: 1968 / Reissue

Genre: Organic Grooves

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Oscar Peterson Trio with Milt Jackson

Very Tall Acoustic Sounds

LP | 1961 | EU | Reissue (Verve)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Easterly Winds Tone Poet Vinyl Edition

Jack Wilson

LP | 1967 | EU | Reissue (Blue Note)

Indian War Whoop Deluxe Ediiton

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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"Easterly Winds"—the second of three Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, and Billy Higgins on drums.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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The Holy Modal Rounders

LP | 1967 | US | Reissue (Don Giovanni)

Best Of Wilson Pickett Volume Two

Release: 1967 / US – Reissue

Genre: Rock & Indie

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"Some people think this record is unlistenable, while others consider this one of the key documents of the American music underground" - Byron Coley -55th Anniversary edition, one time pressing of 1500 foil numbered 2xLP copies -2 disc collection including original album remastered and Live in 1965 -Half-speed mastered vinyl cut by Miles Showell at Abbey Road Studios -Live in 1965 (Disc 2) remastered by Ryan Schwabe and available on vinyl for the first time -Comprehensive liner notes by Jesse Jarnow (Heads: A Biography of Psychedelic America) and Peter Stampfel The year 1967 proved to be a strong point of the ’60s generation culture and the ever growing New York underground music scene. Steve Weber and Peter Stampfel provided a blithe sendup of musical Americana as they mined this tradition, while introducing outrageous and zany virtuoso turns on acoustic guitar, banjo and violin. Their lyrics and vocals are uniquely their own. Their personalities were profoundly incompatible, like those of Gilbert and Sullivan.

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Wilson Pickett

LP | 1967 | US | Reissue (Friday Music)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Byrd In Flight Tone Poet Vinyl Edition

Donald Byrd

LP | 1960 | EU | Reissue (Blue Note)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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King Tut Black Friday Record Store Day 2024 Edition

Steve Martin

12" | 1968 | US | Reissue (Rhino/Warner)

Release: 1968 / US – Reissue

Genre: Soundtracks

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 3000

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LP | 1967 | EU | Reissue (Columbia)

Nefertiti

Big Brother And The Holding Company

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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180g audiophile pressing.

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Cheap Thrills SACD Edition

CD | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

The Blues And Abstract Truth Acoustic Sounds Edition

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Sacd

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Oliver Nelson

LP | 1961 | EU | Reissue (Impulse)