Vinyl, CD & Tape 152916 Items

Release: 2021 / EU – Original

Genre: Rock & Indie

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Revocation

The Outer Ones

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Metal Blade)

Primordial

Imrama Reissue

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Metal Blade)

Powerwolf

Return In Bloodred

Release: 2017 / EU – Original

Genre: Rock & Indie

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Let The Tempest Come Reissue

Neaera

Release: 2019 / EU – Original

Genre: Rock & Indie

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The Rising Tide Of Oblivion Reissue

Neaera

Release: 2019 / EU – Original

Genre: Rock & Indie

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Lik

Mass Funeral Evocation

Release: 2019 / EU – Original

Genre: Rock & Indie

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Lik

Carnage

Release: 2018 / EU – Original

Genre: Rock & Indie

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Kissin' Dynamite

Ecstasy

Release: 2018 / EU – Original

Genre: Rock & Indie

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Juggernaut

Trouble Within

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Century Media)

Jon Schaffer's Purgatory

Purgatory EP

Release: 2018 / EU – Original

Genre: Rock & Indie

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Goldberg Variations,Bwv 988 1955 Recording

Glenn Gould

LP | 2015 | EU | Original (Sony)

Release: 2015 / EU – Original

Genre: Classical Music

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Fury In The Slaughterhouse

Now

LP | 2021 | EU | Original (Seven.One Starwatch)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Century Media)

Finntroll

Vredesvävd

Release: 2020 / EU – Original

Genre: Rock & Indie

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Ethic Of Radical Finitude

Downfall Of Gaia

Release: 2019 / EU – Original

Genre: Rock & Indie

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Adventskalender - O Du Finstere

Die Drei ???

3Tape | 2020 | EU | Original (Europa)

Release: 2020 / EU – Original

Genre: Soundtracks

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LP | 2017 | EU | Original (Metal Blade)

Cirith Ungol

King Of The Dead

Release: 2017 / EU – Original

Genre: Rock & Indie

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Armored Saint

Symbol Of Salvation

Release: 2018 / EU – Original

Genre: Rock & Indie

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Death To All Re-Issue 2022

Necrophobic

LP | 2022 | EU | Reissue (Century Media)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Reissue (Century Media)

Mayhem

Daemon Re-Issue 2022

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Century Media)

Dark Funeral

We Are The Apocalypse

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Avant!)

M!R!M

Time Traitor

LP | 2022 | EU | Original (Diggers Factory)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Two years and one pandemic after his previous release, the Italian, London-based solo project M!R!M is back with a new full- length album. Inspired by the synth pop classics, as well as from cold and dark waves, multi-instrumentalist Jack Milwaukee has been releasing material on labels such as Fabrika and Manic Depression until his first record on Avant! ”The Visionary” back in 2020. On April 22 his fourth LP ”Time Traitor” will be released and we’re excited to say this is Milwaukee’s most personal job to date. If you are familiar with his work, you know the DIY/lo-fi approach of his first recordings was already gone with his previous LP but these new ten recordings dig even deeper, drawing the outlines of a fantasy world lost within the foggy memories of a collective childhood. Possibly locked in his bedroom for the necessary time, Milwaukee has been able to recreate an imaginative realm of 80’s FM suggestions, scattering a number of acoustic clues from different parts of this parallel, yet so familiar dimension. It’s almost like M!R!M is sending us a message in a bottle with each of these new tracks and each message tells a different story. Post Fight has a punchy pop-punk riff drove by solid synthwave beats, Faultless Pitch hosts a mellow, funky bass line over a solemn drum gate, Desert Love screams italo like nothing else and it was indeed composed four-handed with fellow artists Nuovo Testamento, Say Nothing features SDH singer Andrea Pérez’s backing vocals to invoke a dream-like scenario. There is even a Turquoise Days’ Grey Skies cover that is just one more perfect example of Milwaukee’s ability to take a single item from the suitcase of the past and make it extremely current in a handful of minutes. All this is adorned by semi-instrumental postcards with suggestive names such as Moody Moon, Peninsula and Goodnight Galaxie that will guide you through this journey across M!R!M sound-&-memory experience.

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Yakie

Hact

Prohibited By Law Regiment

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Hact epitomizes Yakie’s signature combination of melancholy and uplifting. As an hybrid ambient and electronic ep, composition of piano and synths evolve a dark and mysterious sound into a warm and celebratory energy. The instruments brings motifs of travel and movement, from roadsides to birds flying, bringing this together with abstractions of nature, water, flowers, and a pace that references a mystical and ephemeral energy of the earth.

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Marked For Death

CD | 1992 | EU | Reissue (Hip Hop Enterprise)

LP+CD | 2022 | EU | Original (Grönland)

Release: 1992 / EU – Reissue

Genre: Hip Hop

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Prohibited By Law Regiment was a pioneering rap group from Anchorage, AK. They released their debut album in 1990 through Seattle's Black Emerald Records, entitled "Armed And Dangerous". They followed it up in 1992 by dropping their sophomore & last album, "Marked For Death" as the group disbanded soon after.

"Marked For Death" was only released on tape originally and is an absolutely amazing album from start to finish with just under 70 minutes of pure heat. Now 30 years later HHE is proud to drop it on CD for the first time ever, in a limited edition of 300 pieces. All tracks have been remastered by Jee Van Cleef.

Due to delays caused by RSD and the poor excuse of an album from Adele the LP version will be coming in a few months along with tons of other vinyl editions of killer hip-hop!

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Das Paradies

Transit

Release: 2022 / EU – Original

Genre: Rock & Indie

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Genre: Pop

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Nuclear Santa Claust

Order Of The New Age

LP | EU (Don Giovanni)

Release: EU

Genre: Rock & Indie

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Yuri Honing Acoustic Quartet

Bluebeard

LP (Challenge)

Genre: Organic Grooves

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Yuri Honing Acoustic Quartet

Goldbrun White Vinyl Edition

LP (Challenge)

Genre: Organic Grooves

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Genre: Classical Music

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Emilie Levienaise-Farouch

Epoques

LP (130701 / Fatcat)

Genre: Classical Music

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Genre: Rock & Indie

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Misery Made Me Colored Vinyl Edition

Silverstein

LP | 2022 | CA (Unfd)

Release: 2022 / CA

Genre: Rock & Indie

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A Journey Through The Life Of Peder Balke

Bresk

LP | 2022 | EU (Drabant Music)

Release: 2022 / EU

Genre: Rock & Indie

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10" | 2022 | EU | Original (Stag-O-Lee)

Gunsmoke 08

Release: 2022 / EU – Original

Genre: Rock & Indie

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Something To Start With / Counterfeit

Passage 4

LP | 2022 | EU | Original (Last Exit)

LP | 2022 | EU | Original (Versatile)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Passage 4 is a skate punk band from Arboga, Sweden. They started back in 1991 before split up again in 1997 and got reunited in 2019 to write new songs and start playing shows again! „Something To Start With“ was (after a demotape) the first release back then before the full length „World Circus“ was released in 1996. It is nowadays credited for being one of the first albums of that genre that incorporate elements of other styles like Emo and Indie Rock into it. Later the same year after releasing their farewell EP „Counterfeit“ the band split up to reunite 23 years later. In march 2022 the german label Last Exit Music put together a compilation on 12“ vinyl which includes both EPs and a new track called „November Sky“.

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Chimere FM

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Old friends John Cravache and I:Cube teamed up to release Chimère Fm’s debut album on Versatile records. Endless improvised studio sessions seamlessly blending electronic synthesis and post dada cinematics. Dreamy synth funk rubs against pagan rhythms and minimalist electronic drones. This album will take you to soundwave paradise. Chimère Fm is an imaginary radio station broadcasting its stellar weirdness live from Paris !

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LP | 2022 | EU | Original (Temple)

Templeight

CD | 2022 | US | Original (Interscope)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Templeight is Temple’s eighth release, The first in our seventh year. It features eight tracks from artists spanning two continents. These are bent songs of glimmering confusion that rejoice in dissolution; songs to truncate the space Between us all. We love them, and you might too. ::))

Artwork by Jonathan Castro & Alejos and Robuche. Mastering by Marco Pellegrino at Analogcut Mastering. Ex-Terrestrial - Inlet and M & Dust - A Day in June mixed by Priori. Phones in the Sun - First Look mixed by Lukas Glickman.

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Juice WRLD

Fighting Demons

LP | 2022 | EU | Original (Northern Writes)

Release: 2022 / US – Original

Genre: Hip Hop

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New Juice WRLD album Fighting Demons cover and tracklist has been revealed. The album, features collaborations with Justin Bieber, Trippie Redd, SUGA of BTS, and Polo G.

“There was nothing Jarad “Juice WRLD” Higgins enjoyed more than delivering new music to his millions of fans around the world. He left behind an astonishingly deep catalog of music that will ensure his fans will have new songs to listen to for years to come. Jarad was always searingly honest about his struggles and through his musical genius he articulated what was on his heart and mind vividly through his art. He never gave up and his friends and family never gave up on offering their support to him. Today we announce a new album “Fighting Demons” out Dec 10th. We encourage all of you who struggle with addiction and mental health to never give up the fight. We continue to extend free support to you via LiveFree999.org created in his honor.”

- Ms. Carmela Wallace and Grade A

Released on July 10th, 2020, Legends Never Die had a record-shattering debut at No. 1 on the Billboard 200 and spent two weeks at the top spot and has since landed five singles in the top ten on the Billboard Hot 100.

In April of 2020, Juice’s mother Carmela Wallace announced the establishment of the Live Free 999 Fund, which receives additional support via Grade A and Interscope Records in addition to individual donations. The Live Free 999 Fund honors the legacy of her son by supporting young people in their battles and to do so with love, joy, and emotional honesty.

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Dubstar

Two

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | CA | Original (Telephone Explosion)

Eucalyptus

Moves

LP | 2022 | EU | Original (Lith Dolina)

Release: 2022 / CA – Original

Genre: Organic Grooves

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Moves is their sixth release, and somewhat of a milestone. In addition to it being the octet's most psychedelic and arrestingly soulful release thus far, it's also their longest—their first, in fact, to cross into bonafide full-length territory. They're marking the occasion by joining the roster of Toronto favourite Telephone Explosion Records.

Touted as “innately personal” by DownBeat Magazine, Brodie West's unique vision has been nourished by a bafflingly diverse array of sources. Meeting the legendary Dutch drummer Han Bennink in 2000 at age 24 not only sparked an ongoing creative partnership (including two records), but also led him in a number of other fruitful directions. Bennink was the connection to exploratory punks The Ex, who brought West aboard for their collaboration with Ethiopian saxophonist Getatchew Mekurya, which produced recordings and tours worldwide.

Where the Brodie West Quintet (Astral Spirits, Ansible Editions) trades in clever jazz asymmetry and his duo Ways is a stark and focussed exploration of rhythm, Eucalyptus is where this eclecticism is most audible. The band simmers with polyrhythmic percussion, laid-back jazz sweetness, various strains of psychedelic wonk, and subtle tropical aromas from dub on “Rose Manor,” named after the retirement home of his musical grandmother Lorna (ever a source of inspiration for West) to Bossa Nova, as heard on “It's In A Move.” Its streaks of free-form bedlam and pure sonic texture keep listeners poised for perplexity and cheerful volatility.

Moves manages to approximate the playful, intoxicating warmth the band conjures in their beloved local live appearances. Eucalyptus has made a tradition out of mounting month-long residencies at Hirut, a cozy east-end eatery that serves delicious Ethiopian cuisine. Hirut even gets a nod in the credits. Perhaps it's because this record's subtle whimsy and inviting disarray draws so much from the spirit of those evenings.

A large part of this odd concoction's success comes down to West's co-conspirators, a veritable who's who of Toronto's underground music community. Trumpet player Nicole Rampersaud, who has since relocated to Fredericton, New Brunswick, has sculpted her unique tone as composer-in-residence at Halifax's Everyseeker Festival and in collaborations with the likes of Rakalam Bob Moses, Anthony Braxton, Joe Morris and Telephone Explosion's own Joseph Shabason. Ryan Driver (clavinet) has cut a series of gorgeous song records for Tin Angel Records, and collaborated with Eric Chenaux (Constellation) in various projects, while leading a number of his own imaginative outfits. Michael Smith (bass) plays with Toronto psychonauts the Cosmic Range and has toured and recorded with Mv+ee, Sandro Perri plus countless others. Fellow Perri collaborator, percussionist Blake Howard brings the palpable joy of his playing to collaborations with Marker Starling, Little Annie, and the surrealist mischief of GUH. 2021 saw Nick Fraser (drums) leading a disc on Hat-Hut's Ezzthetics imprint. It follows a string of other celebrated recordings with international out-jazz heavyweights like Tony Malaby and Kris Davis for Clean Feed, Astral Spirits and more. In addition to pursuing his delicate solo song work, drummer Evan Cartwright plays in both of West's other projects, and has performed and recorded with Tasseomancy, The Weather Station, US Girls, Badge Époque and Andy Shauf.

Another exciting development unveiled on Moves is the presence of guitarist Kurt Newman, who replaces longtime member Alex Lukashevsky. Newman's whirling treatments and colorful array of tones figure prominently into the ensemble's new and disorienting sound. Newman was the co-founder of premiere Austin improv festival No Idea alongside Chris Cogburn. A ceaseless collaborator who's worked with the likes of Sarah Hennies, Tetuzi Akiyama, Mats Gustafsson, he also leads his own projects such as Country Phasers and the Nashville Minimalism Unit.

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Walton

Maisie By The Sea

2x12" | 2022 | EU | Original (Techno Parade Vinyl)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Written over 3 months during Autumn 2020. For Maisie.

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TPMP

Hardester High Frequency

LP | 2022 | EU | Original (Favorite)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Limited to 100 numbered copies. Early support from Cristian Varela, Robert Armani, Van Czar, Richie Hawtin, Joseph Capriati.. We present Tpmp our Chinese artist album strengthen with Robert Armani remix alongside Van Czar, a groovy remix by Swedish Samuel L Session and our German label friend Waffensupermarkt.

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Alan Shearer

Dark Is The Color

Turn It On! Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Favorite Recordings presents Dark Is The Color, the first LP by Alan Shearer reissued on vinyl for the first time. Despite being initially composed and produced for the French library label PSI, this rare and obscure in-demand gem from 1985 sounds retrospectively like a proper album with great coherence and sophistication all along. Indeed, these 11 tracks will delight synthesizers addicts. Expect deeply emotive instrumental compositions, with ingenious analogue sequencing on stimulating chord progressions. The result is a highly retrofuturistic album, sometimes almost anticipating 90's videogames scores. Just imagine Wally Badarou in a bunker with Talking Heads watching New York 1997 from John Carpenter. Composed mostly step by step on a Sequential Pro-One synthesizer, Dark Is The Color is the product of the exciting state of mind from the 80's era with new sounds, new tools and new trends on the music spectrum. Influenced by bands like Talking Head or Japan, the sirens of the new wave scene strongly resonate here with Alan Shearer's familiarity and craftmanship with synthesizers. Back in the days, Alan Shearer aka Frédéric Viger was working for his father’s music label, “Musique Pour L'image”, and their sublabel “psi”. He started with Marathon Life under his real name before taking the Alan Shearer monitor. These records were produced for radio, TV and cinema industries but as well for companies’ internal communication. They represented a real investment from the label and these catalogues are usually full of amazing music from great artists such as Martial Solal, Vladimir Cosma, Joël Fajerman, Harlem Pop Trotters and even Manu Dibango. About his musical illustration process, Alan Shearer tells: "Soundtracks are indeed my biggest influences and I'm a real fan of American composers as Jerry Goldsmith or Elmer Bernstein. I've always considered soundtracks as the new classical music or classical music of our century. There is a real state of mind producing music for illustration: you have to stick to the video. You should not tell what the image is saying but accompany what it is saying. You have to find a unique link, people always told me music should not be noticed for itself in a movie, that's what makes it good.”

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Romero

LP | 2022 | EU | Original (Feel It)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Mr. Nakayasi)

The Miracle

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Palazzo)

Elektro Guzzi

Triangle

Rock On Record Store Day 2022 Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Elektro Guzzi from Vienna are back with their new, their ninth album »Triangle«. Since their first, self-titled album in 2010, Elektro Guzzi have been working on a variety of techno that is not programmed on a computer or sequencer, but rather analogously performed by using electric bass (Jakob Schneidewind), drums (Bernhard Breuer) and electric guitar (Bernhard Hammer) and it is techno-music, that arises in the moment of interaction - a music that often develops in the direction of cosmic music. On »Triangle«, Elektro Guzzi overcame the natural, »learned« sound of their instruments. The futuristic concept of techno shines through all the more as a role model - that there is precisely this clear idea of transcending the present by playing a hypnotic, interlocking music of the future. »Triangle« is the logical next step for a band that is always looking for »more«, for departure, for consistency. The forced break of the lockdowns 2020/2021 and the restrictions in the context of the crisis made the band move closer together; on »Triangle«, Elektro Guzzi increased their efficiency to the unbelievable.

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Del Shannon

LP | 2022 | Original (Demon)

Release: 2022 / Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2022.

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Best Of Chi-Sounds Rec. 1976-83 Record Store Day 2022 Blue Vinyl Edition

2LP | 2022 | Original (Demon)

People Move On: The B-Sides Record Store Day 2022 White Vinyl Edition

Release: 2022 / Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2022.

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Bernard Butler

2LP | 2022 | Original (Demon)

LP | 2022 | EU | Original (Editions Mego)

Release: 2022 / Original

Genre: Pop

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Limited edition for Record Store Day 2022.

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Nik Colk Void

Bucked Up Space

LP | 2011 | EU | Reissue (Faitiche)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Nik Colk Void is well established with her work - using modular systems, voice and guitar - as one half of Factory Floor, one third of Carter Tutti Void (alongside Chris Carter and Cosey Fanni Tutti) and with the late Peter Rehberg as Npvr, but perhaps surprisingly, 'Bucked Up Space' is her first solo album release.

Void explains, “When Peter Rehberg initially asked me to produce a record for Editions Mego, I didn't feel quite ready and asked if we could make a record together instead. Collaboration is so ingrained into what I do, I only felt ready to make this album after working through ideas live, using the audience in place of the collaborator.”

Bucked Up Space combines Void’s love of improvisation with the driving force of beat-driven music absorbed from performing in galleries, residencies and clubs across the UK and Europe. She goes on to say, “You find out more about yourself when you explain your ideas to others, and that’s how I felt the live performance worked for me.”

The process steadily teased out a language and Void employed a variety of tactics in the recording process including a methodical approach of collecting data at her home studio in a manner not dissimilar to keeping a diary. Her microscopic focus on raw instrumental noise, layered and reformulated, resulted in a sound catalogue that Void divided into groups for their tone, density and texture.

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Ursula Bogner

Sonne = Blackbox

Gute Aussicht Black Vinyl Edition

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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Three years have passed since the world first learned of Ursula Bogner's work. Since then, her identity has been surrounded by rumours, her graphic work have been exhibited (ceacc, Strasbourg, France, 2011 and elsewhere) and her compositional instructions have been performed (by Mo Loschelder, Andrew Pekler, Kassian Troyer, Jan Jelinek among others). The release of Sonne = Blackbox brings together all of these aspects in one CD and book: compiled by Andrew Pekler, the album presents Bogner's early experiments with voice and tape music – a previously unknown emotional side of her music is revealed here through her singing.

The 126 page book contains, along with drawings, photos and other curiosities from Bogner’s life, an introduction by Jan Jelinek, texts by Momus, Andrew Pekler, Tim Tetzner, and Bettina Klein as well as interviews with the orgone researcher Jürgen Fischer and the ethnographer Kiwi Menrath. Sonne = Blackbox attempts to locate Ursula Bogner, the sound experimentalist within broader cultural history. A central theme is the phenomenon of fake: how did the erroneous suspicion of fakery come about in the case of Ursula Bogner and what is a post-fake? Answers in this book.

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Muff Potter

LP | 2009 | EU | Reissue (Grand Hotel Van Cleef)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Schrei Wenn Du Brennst Black Vinyl Edition

Muff Potter

LP | 1997 | EU | Reissue (Grand Hotel Van Cleef)

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Muff Potter Black Vinyl Edition

Muff Potter

LP | 1996 | EU | Reissue (Grand Hotel Van Cleef)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | Original (Before Zero)

Akae Beka

Topaz

Steve Lacy / Andrea Centazzo / Kent Carter

Release: 2022 / Original

Genre: Reggae & Dancehall

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Akae Beka's inimitable style, developed over decades performing with St. Croix based band Midnite and countless recordings (including 2014 iTunes reggae album of the year Beauty FOR Ashes and Ride Tru). At the point of his untimely passing in 2019, he had released over 70LP's. He is without a doubt one of the most prolific reggae artists ever known and his quanity is always matched with quality, with his albums consistently featuring in the top 10 on the billboard charts reggae LPs.

A unique contribution to the sea of Akae Beka titles, this LP showcases Vaughn Benjamin in a stripped back, raw accoustic fashion. An LP which will not be easily confined to any one genre, but for the fans of Vaughns uniquly rich, deep, textrued songwriting, uncompromising devotion to RasTafari and soulful healing melodies an absolute must have!

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Trio Live

LP | 1977 | EU | Reissue (Ictus)

Derek Bailey And Andrea Centazzo

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Originally issued in 1977, Trio Live was recorded in 1976, only a handful of days after Steve Lacy and Andrea Centazzo’s Clangs was laid to tape, presumably capturing another moment on the same two-week tour that had rendered the recordings for its brilliant predecessor. This time, the pair - Lacy and Centazzo - is joined by the American bassist, Kent Carter, a sinfully under-appreciated artist who had worked extensively in Steve Lacy's group, played on the two Jazz Composer's Orchestra LPs, and toured in the bands of Don Cherry, Alan Silva, Mal Waldron, Bobby Bradford, Max Roach, Roswell Rudd, Derek Bailey, John Stevens, Trevor Watts, Steve McCall and many others. The previous year, he had also delivered the stellar LP, Kent Carter Solo With Claude Bernard, as Ictus’ second LP, allowing Trio Live to be understood as a narrowing of an already tight circle, despite its slightly expanded ensemble.

Arguably best defining the first two entries in the Ictus reissue series - Clangs and Drops - is a sense of rigorous and artistry. While no less present across the length Trio Live, what takes the forward charge throughout its five tracks is a sense of joy and pure pleasure in playing together. The sounds and structural interventions are locked in and tight, feeling at ease and intuitively responsive in the ways that players with a history of collaboration are only able to produce.

From swinging and chugging to stepped back and sparse combinations of rhythm and tone - moving from the lingering sensibilities of straight-ahead jazz to radically out hard blow fire - Trio Live is a cornucopia of brilliant artistry and improvised music.

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Drops

LP | 1977 | EU | Reissue (Ictus)

Steve Lacy And Andrea Centazzo

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In the history of free improvised music, there has been arguably no greater advocate for the idiom’s power and potential than the English guitarist Derek Bailey. Fiercely principled, between his emergence during the 1960s and his death in 2005, he cut a wide path, positioning this music at the height of creativity, transpiring in real time, and a means through which people from diverse backgrounds could come together, express, and commune. For Bailey, “playing is about playing with other people... Improvisation is a process that gets relationships sorted out.”

Among many great examples of this within Bailey’s sprawling discography, a stand out is his 1977 duo LP Drops - originally issued as the third album on Ictus - recorded with the Italian percussionist / drummer Andrea Centazzo. Capturing the guitarist during one of his most prolific and creatively visionary periods - overflowing with explosive clarity, dialogic energy, and imagination - he clearly found a perfect foil in Centazzo, who recalls of the sessions “The kaleidoscopic quality of Drops was created by this restraint of performing limits, i.e. the choice of instrumental timbres, dynamics and metronome speeds to suit each piece. We explored some aspects of our improvisational art, gleaned the best elements from our baggage of music memories and exposed them clearly and confidently.”

Comprising nine individual improvisations, Drops encounters each of its players at their best, finding a strange middle ground between the intuitive logics of their instruments; Bailey’s tones taking on decidedly percussive approaches, while Centazzo’s fractured polyrhythms and beats often veer toward the presence of a notable tonality. Remarkably expressive and diverse in the approach of each piece, Drops presents creative interplay at its most striking and challenging, rethinking the terms of musicality and collaboration every step of the way. Flurries of rattle back and forth, sculpting barbed and pointillistic landscapes of texture, stripped of reference and precedent, and abstract as real time organised sound comes.

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Clangs

LP | 1976 | EU | Reissue (Ictus)

LP | 2022 | EU | Original (Public Possession)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Ictus Records' reissue initiative fittingly begins with Clangs, the first LP issued by the label in 1976. Featuring Steve Lacy on soprano saxophone, bird calls, and pocket synthesizer (or "crack box”), with Andrea Centazzo on drums, percussion, whistle, and vocals, the album is the culmination of a couple of weeks that the two artists spent together while Lacy was touring Italy during that year.

Clangs encounters Lacy - one of the giants of American free jazz - already two decades into a career defined by brilliant collaborations with Cecil Taylor, Don Cherry, and Thelonious Monk, as well as a sprawling body of visionary work as a leader. Like so much of his work leading into this period, it draws upon the saxophonist’s belief that an artist should 'play what you feel’, a position that Centazzo - roughly 15 years Lacy’s junior - recalls as having torn down the curtain that separated his technique from his creativity.

Comprising a series of duets that investigate timbral relationships, the fragmentation of melody, and abrasive, provocative noise - shifting from the sparse, airy, and restrained, to dance clusters of interplay and back again - Clangs, for all its radicalism and forward-thinking gestures, rests firmly within the historic structures of jazz, deploying the idiom of theme / solo / theme. Lacy’s playing is at the top of his form - fluttering and dancing with a primal touch - met by Centazzo’s rattle and pattern of percussive interventions, the notes and polyrhythms of each respective player being the product of careful listening, response, and raising the bar.

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Rip Swirl

Blurry

LP | 2022 | EU | Original (A Colourful Storm)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Proudly presenting RIP Swirl’s first full length “Blurry”! A selection of 15 tracks: heady, outsider music with a soft spot for pop culture. Influenced by bands like My bloody Valentine, Dinosaur Jr. and Boards Of Canada as well as 90s Skateboard Video Soundtracks, RIP Swirl unfolds his very own notion of a soundtrack to a modern suburbia, at times harsh, melancholic, dreamy and never defined by genre. Guest appearances feature Andreya Casablanca, Catnapp, Clayjay and YdeGirl.

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Princess Diana Of Wales

The Universe Smiles Upon You

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Princess Diana of Wales, by London-based Australian Laila Sakini, is A Colourful Storm's latest and most curious project. Someone, no one, a notion, a feeling... Sakini offers clues but no simple answers. Vocal-led pieces 'Still Beach' and 'Fragments of Blue' are brittle and intoxicating, contemplating recklessness and unfulfillment of a past life: "Watching the future wash away / Giving it up to have this day". She studies closeness and, incredulous of the feelings that emerge, wonders if detachment is impermanent. She catalogues these emotions as a series of memories, colours and images. 'Evaporate', sedated and hushed, is a secret confession and ode to resolution, albeit, fatally, only a temporary one: "Take some form / Later on when I can do this / When we can do this / Together".

Behind the album is a stage of dubwise disorientations evoking in-between states of the everyday. 'Swing' and 'Closer' are woozy and dreamlike, their voices summoning ghosts of fortunes past while 'Exhaust' finds an aperture in our protagonist's daydream. A perilous foreshadowing of the incantatory 'Choir Chant', whose spell pacifies her inquisition, submerging both self and feeling into the deep blue sea. Riyl: Grouper, Kali Malone, Drew McDowall. Full-colour sleeve with insert.

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Khruangbin

LP | 2020 | UK | Reissue (Night Time Stories)

Moderat (Apparat & Modeselektor)

Release: 2020 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

UK reissue from 2020 on 180gr vinyl, closer to NM

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More D4ta Black Vinyl Edition

LP | 2022 | EU | Original (Monkeytown)

LP | 2019 | EU | Reissue (Jive)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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Back in 2017, Moderat announced that they’d be taking an extended break following a final concert in front of 17.000 people in their hometown of Berlin. And now they return. MORE D4TA, the group’s fourth album, arrives more than six years after its predecessor (2016’s III).

Created largely during a time when touring (and most traveling) was off the table, MORE D4TA is an album that wrestles with feelings of isolation and information overload—issues that have become particularly pronounced over the past two years. The ten songs on MORE D4TA are rooted in collaboration, but long before any of its tracks were laid down, Moderat spent months hanging out and getting musically reacquainted, indulging in extended bouts of experimentation and slowly fleshing out ideas as they dove into modular composition, field recordings and other sonic oddities.

But no matter how far the band ventures into music’s outer realms, they always wind up back in their own unique soundworld, a place where emotive pop and fluttering electronic soundscapes walk hand in hand. Many of its lyrics are rooted in Ring’s frequent trips to Berlin’s Gemäldegalerie museum (often with his infant daughter in tow), where he’d seek refuge in the great paintings of the past while worrying about the future.

What they make isn’t necessarily dance music, but it is something that shines brightest in the dark of night, the group’s rich melodies and Ring’s ethereal vocals emitting a warm, almost bioluminescent glow. After spending the better part of two decades making music together, they’ve carved out a sound and aesthetic that are all their own, and MORE D4TA showcases a group that’s creatively recharged and fully dedicated to its craft.

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A Tribe Called Quest

Midnight Marauders

Release: 2019 / EU – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | EU | Original (Sony Music/Metal Blade)

Satan

Earth Infernal

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Akai47 / HHV)

Slowy & Niko

Durch Die Nacht

10" | 2022 | EU | Original (Mutual Intentions)

Release: 2022 / EU – Original

Genre: Hip Hop

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Limited edition of 500 copies of "Durch Die Nacht" by Slowy and Niko.

Previously only available digitally, the album finally gets its well-deserved vinyl release. Slowy raps on 10 tracks produced by Niko, with a feature by Tom Hengst.

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Ivan Ave

Mid Season EP

LP | 2022 | UK | Original (Ghost Box)

Release: 2022 / EU – Original

Genre: Hip Hop

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His last LP has barely touched record store shelves and Ivan ave is back with a EP for Mutual Intentions. Mid Season finds Ivan Ave in bloom as he evokes the sounds of spring on his latest offering. The EP title also refers to a mid-album-recording process, which Ave currently finds himself in. Mid Season gives the listener insight into a forthcoming full length album, entitled All Season Gear. The prolific Norwegian rapper continues to charm with a seductive baritone that blows like a cool breeze through the production’s warm accompaniment. Dusty drum machines under glacial keys and guitars offer a platform from which Ivan waxes lyrical about everything that touches him. He has crafted a unique voice in Hip Hop echelons, finding quirky analogies in the mundane. While in the past, he could find a parable for love in a bicycle lock or existential questions in an worn out sock, he turns his attention increasingly to social realities. He regularly takes aim at the ridiculous aspects of our contemporary society throughout Mid Season, with lyrics that poke fun as much they ask what the fuck? “Spotify owner 'bout to buy a whole ball team… That mean I own a corner flag or some seats at least?,” he sings on «What a Day!!!». The record is peppered with these types of anecdotal metaphors that come together like a social media story through a bionic AI. Ivan Ave is the product of this generation and it’s only right he should reflect that. He does it in a unique way that requires the listener to untangle these preternatural allegories. Playing with a dichotomy of words, he doesn’t labour on a thought before he’s lazily propelled onto the next at the turn of each bar. His laissez faire approach is only emboldened by the slow moving percussion and keys that have come to define his sound. Picking up on early nineties influences from the likes of Native Tongues or Dilla, the music on Mid Season continues to reassess and revolutionise these archetypes. It’s in the keyboard sounds of this latest EP, that Ivan Ave and producers have found yet another new evolution in his sound. Synthesisers that sound like they belong to a Maynard Ferguson record rather than a Hip Hop EP make the record come alive over a chugging and forceful rhythm section. It provides an airy and playful contrast to the more serious elements on the track, and much like Ivan Ave’s lyrical prowess offers an extra layer of depth that often eludes Hip Hop’s most successful stars. The more you listen to Ivan Ave the more you get entrenched in his work and Mid Season continues to send the artist on an exciting trajectory.

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Pneumatic Tubes

A Letter From Treetops

LP | 2022 | EU | Original (Startracks)

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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A Letter from TreeTops is the debut album from Pneumatic Tubes, the solo project of multi-instrumentalist Jesse Chandler. Grounded here in his own bucolic makings, Chandler opens his imagination to the world with this very personal and contemplative album. It’s a kind of American Kosmiche Music, a paean to the wild landscapes of the Adirondacks and Catskills of Upstate New York where he grew up. (TreeTops is the name of a summer camp, fondly remembered by several generations of the Chandler family.)

The album came to Chandler almost as an automatic transmission. Shortly after the death of his father, he holed up alone in the old family home with a few synths, a couple of vintage keyboards, percussion instruments and of course his beloved flutes and clarinets - the “pneumatic tubes” of his nom de plume. Channelling raw memory and landscape, Chandler laid down most of the material for this mystical and elegiac suite of music in just a few days. He later called on some talented friends to flesh out the final recordings; Paul Alexander on bass, Bill Campbell on drums, Marissa Nadler backing vocals and Robert Gomez on electric guitar.

The result is a series of beautifully faded musical photographs. Gentle melodies are propelled along by synth arpeggiators or laidback sidestick and felt beater drums. Chandler’s wind instruments are woven throughout like wild vines binding the elements together. Towards the end of the album an underlying note of melancholy swells into grief during the very moving Witch Water, which is subtly underpinned with Marissa Nadler’s haunting voice. The clouds soon clear, the mountains reappear, and the wheel of the year and of the generations turns again as A Letter from TreeTops signs off with the same lilting melody on which it began.

Originally hailing from Woodstock, New York and now living in Denton, Texas, Jesse Chandler is the keyboard and woodwinds player for the bands Midlake and Mercury Rev. His particular warmth as a composer and improviser is informed by a childhood ensconced in the mystical Catskill mountains, where he absorbed the area’s rich musical history and developed a fascination with keyboard and woodwind instruments.

A Letter from TreeTops is not his first appearance on Ghost Box, he also contributed organ and flute on the Soundcarriers’ incredible Entropicalia album.

Evocative liner notes are provided by Justin Hopper, author of Old Weird Albion and writer of the Ghost Box spoken word album Chanctonbury Rings. By happy coincidence Hopper also grew up in New York State and has his own deep connection to the landscapes there.

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Bedroom Eyes

Sisyphys Rock

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Sony Music/Lotterlabel)

Ansa Sauermann

Weiße Liebe

Release: 2022 / EU – Original

Genre: Pop

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Mellow Moon Black Vinyl Edition

Alfie Templeman

LP | 2022 | UK | Original (Chess Club)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Descriptions Of An Unfolding Event

Domotic

LP | 2022 | EU | Original (Kythibong)

Beispiel (Frank Bretschneider & Jan Jelinek)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Stéphane Laporte's solo musical project, Domotic, is a fine example of longevity. Since Bye Bye, his first album released in 2002, the Parisian conscientiously digs a groove aligning on the same axis — which over time looks more like an orbit — the aesthetically perfect pop of the Beatles, psychedelic rock, Old School Ambient, the glorious electronica of the 90’s, the eccentricities of "library music" and the rigor of minimalism. However, it would be unwise to reduce the half-dozen albums and the handful of shorts signed by Domotic to these few influences, as the approach of each of his discs corresponds to an instrumentarium, a precise recording method and an associated concept. Moreover, it seems that for Domotic the construction process is just as important as the result obtained. It is perhaps this perpetual search for new technological and aesthetic experiences, governed by unusually high requirements, which leads him to produce pop as one would compose scholarly music. In the early 2000s, Laporte began to produce music through Pro Tools software by training as a sound engineer. In the evening, he tries his hand at recording synth sounds that will compose Bye Bye, his first record for the Active Suspension label. Three years later, Ask for Tiger, his second album, transposes his fine melodic triturations into song format and vocals make an entrance. There follows a period during which the Parisian will favor collaborations: Centenaire, post-folk rock project in the company of Aurélien Pottier and Damien Mingus, Karaocake, lo-fi pop duo with finely outdated keyboards, alongside Camille Chambon, and Egyptology, “synthetic-cosmic” pair with Olivier Lamm. On the sidelines of these various projects, Laporte returned to solo production, in 2013, with Before and After Silence, a lo-fi and rugged psychedelic pop album, followed by a series of compositions for art films and short films and instrumental albums, including two for the Antinote label under his own name, and a minimalist krautrock record for Gonzaï. His career and his various experiences have allowed the Parisian to refine the complex aesthetic identity of Domotic while multiplying the caps: multi-instrumentalist, composer, arranger but also sound engineer and producer as he admirably showed by passing behind the console for Orval Carlos Sibelius’ Super Forma in 2013 and Forever Pavot’s La Pantoufle in 2017. Under a dark and deep blue cover with a design reminiscent of sound illustration records, Descriptions of an unfolding event immediately displays its content "Chords / Melodies / Textures / Rhythms / No words". Combining his passion for soundtracks, his talent for writing songs without words and a composition process inspired by both musical and aesthetic minimalism, Domotic develops on this new album themes reminiscent of François de Roubaix or Ennio Morricone's soundtracks. The endlessly pared down writing and composition are based on the simple repetition and changes of chord of layered melodic forms played on piano and synth and supported by vocals; these finely orchestrated melodic patterns are then gently mangled, as if subjected to a drift which would gradually modify their shape and texture. This second step consists in exploring the possibilities of disappearance of these precious variations into rich textural depths. A bit like the American visual artist Sol LeWitt whose work of wall drawings is based on the repetition of simple shapes constructing a true visual narrative. Laporte develops a musical development made up of thirteen pieces that function as so many perspectives, modulations and alterations of melodic patterns; this game of repetitions / variations / deteriorations accentuates the narrative dimension while creating a play-set of distorting sound mirrors, blurring the temporality and bringing out a certain nostalgia. As an assertive purist, Laporte has favored analog devices (pedals, magnetic tapes and spring reverb) for filtering his sounds, giving them subaquatic metallic nuances and offering them an organic unraveling. Imagine Vladimir Cosma grinded by Christian Fennesz or Broadcast granularized by Jan Jelinek; you're almost there, with the difference that Domotic, even in its most advanced dissolutions, likes to preserve a certain physicality to the sound which conveys powerful images. He thus poses side by side a piece with strong and clear instrumentation and its submerged false doppelganger, with degraded contours and resonance, and suggests to hear its melodic DNA through the hull of a submarine: the themes seem to liquefy, the rhythms are no more than a distant hydraulic punctuation and the blips evoke the sweeping of a sonar. If the majority of the titles of the pieces (Very Deep, Deeper Again, Through Phases, Suspension 2) reinforces this feeling of diving into deep waters, Laporte nevertheless allows himself a wink tribute to the composer Morton Feldman in the shape of a melodic madeleine, with the hit-like Morton, available in 2 versions, Pop Drums and Gamelan, which sounds like the credits of a 70s American soap opera, and its Asian version. Special mention to A willingness to fall asleep, a minimalist avatar in the form of an aquatic hypnosis session where a piano motif swims with timeless grace between an asthmatic oscillation and a spectral chorus drowned in reverb. An ambitious project initiated by Stéphane Laporte in 2017, Descriptions of an unfolding event crystallizes the vast musical inspirations and aesthetic concerns that have animated Domotic for several years. Before and After Silence (2013) and Smallville Tapes (2017) were already exploring this logic of “pop decomposition”, each in their own register and time; this new disc sees Laporte at the top of his melodic art navigating between minimalism, psychedelia and liquid experiments. And we envision Steve Reich and Ennio Morricone chatting with Jacques-Yves Cousteau on the Calypso deck...

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Muster

LP | 2022 | EU | Original (Faitiche)

LP | 2016 | EU | Reissue (Relapse)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Faitiche presents Beispiel (German for "example", also suggests playing together), a joint project by Frank Bretschneider and Jan Jelinek. »Muster« is their first album. Free electronic music, the result of spontaneous improvisations. “Meaning” is a concept that is overused in connection with music. Muster does not call for the same kind of air quotes. With its title, German for patterns/exemplars, Beispiel’s album frees itself from the ballast of teleological semantics. Muster is an exemplary work. Nine suggestions for what can be. Nine ideas for possibilities of listening.

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Nothing

Tired Of Tomorrow

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Recherche & Developpement)

Jacques

Limportanceduvide

My Interstellar Love Life Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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First studio album from the eccentric and acclaimed french electronic/pop producer! After three years spent in Morocco, Jacques starts a new phase of extroversion with the release of his first studio album "limportanceduvide" of which we have already heard two first extracts with "La vie de tous les jours" and "?a se voit". A collection of 13 surprisingly pop tracks with a curiously efficient production on which Jacques sings without any manner of mannerisms of texts full of witty games and strong images.

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Helmut

LP | 2022 | EU | Original (Helmut)

Welcome My Last Chapter Purple Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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My Interstellar Love Life is the third studio album by Berlin-based songwriter Adrian Schull aka Helmut. Formerly known for his eloquent use of the loop pedal in focused solo performances, he sought out a group of skilled friends to join the H train for his latest record. Starting off the songwriting process in playful sessions with close friend and multi instrumentalist/songwriter Do Mayer, they were later joined by jazz drummer/composer Akira Nakamura and guitarist/composer Johanna Weckesser, a recent student of Kurt Rosenwinkel.Nakamura since followed the calling to return to his hometown in Okinawa but drummer/producer Garagen Uwe took over for him during late studio production. Studio sessions were overseen by Helmut's longtime collaborator and co-producer (Polymono, Our Walls) Marius Bubat, one half of Cologne electronic duo Coma. Mastering was done in Berlin by Enyang Urbiks. The themes in this collection of 8 songs range from exhaustion with the overall human experience (Enough), metaphorical dreamscapes 'where men turn to stone' (Flowers), love/ghost stories (Ballin'), misplaced romantic expectations (Monster) on to bitter-sweet musings on the entertainment industry itself (Take All). To end things on a wholesome note the synth-pop-ballad Cheer u Up.. might just cheer u up in this brave new pandemic winter.

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Vinterland

LP | 1996 | UK | Reissue (Black Lodge)

LP | 2022 | UK | Original (Fysisk Format)

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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This Black Metal masterpiece has now been remastered by Dan Swanö (Edge Of Sanity, Bloodbath, Nightingale etc.).

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Rat Lord

This Is Not A Record

LP | 2022 | EU | Original (Blacklake)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Rat Lord is a Hardcore Power Violence trio from Bergen, Norway. Featuring members of Blood Command, their music is made to kill. Pretentious black metallers and so-called "art punkers" prepare for war!

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Jazz Sabbath

Jazz Sabbath Vol. 2

Release: 2022 / EU – Original

Genre: Organic Grooves

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Longtime Black Sabbath/Ozzy Osbourne keys and guitar player Adam Wakeman (as Milton Keanes) is back with Jazz Sabbath Vol. 2. According to the liner notes, the UK jazz trio Jazz Sabbath were recording 2 albums in 1969 when disaster struck. Their debut album was cancelled, and their second album shelved; leaving room for a certain band from Birmingham becoming famous by playing metal versions of their jazz songs; claiming they were their own. Jazz Sabbath were powerless to do anything about it. Their 50-year-streak of misfortune ended in 2020 with the discovery of their debut album master tapes and the following re-release of the album. Now, reunited after 52 years, Jazz Sabbath entered the studio and finished recording their sophomore album. With the theft by the band from Birmingham exposed, Milton Keanes and colleagues can now present these songs in their original form, replenished with 52 years of experience, vigor... and rage. The tranquil 'Symptom Of The Universe', the full 8-minute version of 'Paranoid' (not that metal afterthought version everyone knows) and of course the song that other band so blatantly named themselves after.

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CD | 2022 | US | Original (Roc Nation)

OST Harder They Fall

Release: 2022 / US – Original

Genre: Hip Hop, Soundtracks

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LP | 2022 | EU | Original (Second Editions)

Crys Cole

A Piece Of Work

12" | 2022 | EU | Original (Dying Victims)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Sound can be a labyrinth, a twilight drift. It is a fact but also an inbetween. In »A Piece Of Work«, concrete composer crys cole takes us on a journey through those inbetween places. Fragments collected over time in Oslo, Berlin, Vienna, Winnipeg, Melbourne and Lisbon were later arranged and assembled into an invented space, a story arc, a freeform poem. cole's work is one of dynamics and proximity, of complexity and sensitivity.

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Hexenbrett

Intermezzo Dei Quattro

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Underdog)

Dowdelin

Lanmou Lanmou

Close Distance Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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UK only
UK promo by Ballantyne Communications; tour by Earth Agency.
No spot in music is immovable. No music can sit still but it's hardly ever as true as it is for Dowdelin, a band that can't be tied down to a single geography and genealogy. The creole language, Caribbean rhythms, urban energies, dazzling virtuosity, sensual electro: The group evolves in a unique place where genres and colors, heritage and audacity can merge.

Lanmou lanmou, Dowdelin's second album, muddies the waters, blurs the lines, bewilders. It does everything to assuage naysayers such as the conservatives and the lazies, the defenders of an official form of reggae, the right kind of zouk, the trademarked version of jazz or the historically validated biguine. As with the languages, culture and nations of the Caribbean which are never quite European nor completely African, it would be daunting to try and define where exactly Dowdelin is located on the official landscape of music in a Creole afro-futurism, at the crossroads of the black Atlantic...
The Dowdelin experiment finds its roots in a blend of encounters and loyalties: David Kiledjian AKA Dawatile, producer and multi-instrumentalist composer met Lyon-born singer from Martinique, Olivya. Together, they would jam and write songs in English. But, nothing felt right, until she started singing in Creole. Then everything made sense : the language of the French Antilles in the West Indies deployed its revolutionary universality.

David then got back in touch with Raphaël Philibert, a percussionist, saxophonist and singer who has always been involved in developing the field of gwo ka, the heavily percussion-based traditional music of Guadeloupe, of which his relative, Georges Troupé, is a pioneering defender. All this gave birth to Dowdelin and the obvious is striking.
We're reminded that when the poet and theoretician Édouard Glissant speaks of Creoleness as a whirlwind of unpredictability, he speaks of an adventure that couldn't be foretold in the world's istory : From Europeans and Africans forced into a third continent with an insane dream to build a New World, languages, cultures, music in other words mixed heritages, catharsis, diziness, resiliance were born through the mass crimes of slavery and the dispoilment of Native American populations.

Dowdelin released their debut album, Carnival Odyssey, in 2018.Connoisseurs took an appetite for that music with constantly shifting boundaries and countless relatives. This is confirmation that purity activists will always have problems with mixed identities saying things such as "This isn't jazzy enough for my festival", "It's too much for mine" ... But many concerts were performed mostly in Great Britain and France and quite a buzz among those who love unbound music.
The band then expands with the arrival of Greg Boudras, a drummer who has worked with David on other projects such as Vaudou Game, Fowatile, The Bongo Hop to name a few, in order to bring reinforcement to Dowdelin and he70 craft this second album.
What's the blueprint for it ? "We're not trying to pile up experiences or willfully make a collection of experiences," David sums up. It's more about feelings, about combinations that occur subconsciously. So sometimes we come up with things that surprise even us, like a fragment of an English synth pop hit, that only we recognize. The same recipe's never used twice: it can be a song I made at home with my instruments and my daughter's toys or sound designs to which Raphaël and Greg add rhythmic elements that change everything, or even more collective compositions… "

Then the verses emerge, written in Creole, English or French by David and Raphaël, who also happens to be a trained linguist and knowledgeable in the miscellaneous varieties of Creole. Messages of love and struggle, of brotherhood and memory ... And, from one track to the other, the generous burst of creolization is still at work, biguine blending with hip hop, contemporary jazz mixing with reggae, Creole expressing itself through the vast array of musics to which it is related...

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FloFilz

LP | 2022 | EU | Original (Melting Pot Music)

2LP | 2017 | DE | Original (Pingipung)

Release: 2022 / EU – Original

Genre: Hip Hop

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New album by pioneering German beatmaker FloFilz. On Close Distance, the lofiturned-hifi producer blends hip-hop inspired beats with contemporary jazz, alt r&b and a little rap. Featuring Alfa Mist, Blue Lab Beats, Jerome Thomas, KeepVibesNear, Summers Sons & C.Tappin, Dal & Hunter Rose. Close Distance is his fourth album for Melting Pot Music. Since 2013, the self-taught bedroom producer and classically trained violinist has sold more than 10k LPs and gained 200 million streams. Close Distance literally means “near in space or time” (or “nah dran”, as we say in German). The 16 songs on Close Distance came to life over the past two years. Many sketches were birthed at FloFilz's old home studio in Aachen. Some songs were made from scratch in London, where Flo did sessions with UK jazz supremos Alfa Mist and Blue Lab Beats at their studios. One was recorded in a kitchen in Streatham, where rap duo Summers Sons and pianist C.Tappin reside. More sessions were already in planning when lockdown kicked in and travelling was no longer an option. Around the same time, Flo was about to move from Aachen to Berlin which he eventually did in November 2020. Once installed, he started sharing beats and files out of his makeshift studio in Moabit. Beat folders were sent to London where two of our favourite new alt R&B vocalists – Jerome Thomas and KeepVibesNear – live. Another one went to Dartmoor where the jazz/hip-hop trio Dal added their magic touch while Hunter Rose processed her sultry vocals in Cape Town - 12 flying hours away from Berlin. The album artwork has been created by Indonesian illustrator Fatchurofi, who caught FloFilz's attention through his work for everybody’s favourite band Khruangbin. Taking influences from Japanese Ukiyo-e art, Fatchurofi is adding a zen-like clarity (and tranquility) that resonates very well with the album. It is no exaggeration to say that FloFilz has not only created another inspiring album with Close Distance but one that demonstrates how music can close

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Andi Otto

VIA

LP | 1961 | EU | Reissue (Honeypie)

Release: 2017 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear.

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Quincy Jones & Band

I Dig Dancers

Worst In Ex-Ussr Since 2003

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Deliberately presented as a dance music release, this brilliant Quincy Jones album - first released on Mercury label in 1961 - comprises material from two marvelous big band performances recorded the year before in Paris and New York. Here the great composer and arranger leads a first class "dance organization", a top-flight big band featuring the cream of NY Jazz musicians, among them: Clark Terry and Freddie Hubbard - trumpets, Curtis Fuller and Melba Liston - trombones, Phil Woods, Oliver Nelson and Sahib Shihab - saxes, Stu Martin - drums. An exquisite platter of highly swinging and danceable grooves signed by the genius of Quincy Jones

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Mister X

LP | 2022 | EU | Original (Audiolith)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Next Is Now Neon Pink Vinyl Editoin

Vivien Goldman

LP | 2022 | EU | Original (Cadiz Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Making Time: The Best Of Splatter Vinyl Edition

The Creation

2LP | 2022 | UK | Original (Demon)

Release: 2022 / UK – Original

Genre: Pop

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LP | 2021 | EU | Original (Corps Double)

Bernardino Femminielli

Dans Les Yeux D'iris

Release: 2021 / EU – Original

Genre: Pop

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LP | 2022 | EU | Original (Allo Floride)

Blow

Shake The Disease

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Crushed By The Weight Of The World

Pabst

LP | 2022 | EU | Original (Ketchup Tracks)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Violated)

The Droogettes

Clockwork Girls

LP | 2022 | EU | Reissue (Metal Blade)

Release: 2018 / US – Original

Genre: Rock & Indie

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Debut full length from the A Clockwork Orange themed all-girl Oi! band.

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Hallows Eve

Death And Insanity

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Cejero)

Rick Myers

Obstacle #80: Indices