Vinyl, CD & Tape 157059 Items

LP | 2021 | EU | Original (Office Home)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Brand New Album From The Infernal Sea! Now Available On Vinyl!Black Metal From The Fenlands Of East Anglia, Uk. Terrifying & Captivating Wrenched From The Bleak, Flat Nothingness That Makes Up Much Of The Surrounding Area Native To The Infernal Sea. The Infernal Sea Draw Influences From The Founding Fathers Of Black Metal While Firmly Imprinting Their Own Unique Plague-Ridden Ukbm Stamp. With British Bravado They Inject Their Black 'N' Roll Groove Into Their Savage Riffage To Create Something Truly Diabolical. New Album 'Negotium Crucis' Released September 18th 2020 (Apocalyptic Witchcraft) Expands On The Medieval Concept, Brutally Established On 2016's 'The Great Mortality', Focusing On The Black Death That Swept Across The Uk And Europe From 1348 And The Horrors That Man Inflicted Upon One Another As A Result. An Experimental Album That Bridges The Gap Between 'The Great Mortality' And 'Agents Of Satan' Ep. It Showcases The Progression And Maturity Of The Infernal Sea. This Album Is Raw, Not Only Sonically But Also Production Value Wise. It Captures The 'Black 'N' Roll' Element That The Band Inject Into Their Compositions, It Is Savage Yet Melodic And Sounds Undeniably Like The Infernal Sea.

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Roforofo Jazz

Fire Eater

Moon (Iron Curtis & Johannes Albert)

Release: 2021 / EU – Original

Genre: Hip Hop

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Paris based Roforofo Jazz is a 7-piece liveband fronted by Chicago born MC Days (aka RacecaR), with a certain taste for adventurous blends, mixing hip hop, afrobeat and jazz into their very own style. After more than 15 years slashing the afrobeat of Les Freres Smith with his guitar cuts, Martin Smith digged into the musical sediments and silts in a swamp of hip hop, funk groove, afro power, jazz freedom radicality, with a certain taste for adventurous blends. This wax solid 5 tracks Vinyl was recorded live in Montreuil (France) at Studios La Peche, in November 2019, just a few weeks after the band toured in Nigeria and played at the mythical New Afrika Shrine on the occasion of Felabration 2019, where they got invited to perform by the Fela Kuti family for a series of concerts in Lagos. The 5 titles include the single “Fire Eater”, a raw afro hip hop tune mixing rhythms in the tradition of polyrhythm afrofunk tunes, while also alternating in between jazzy mood and burning hip hop anthem. “Dump It” is a dark, mid tempo beat, borrowing the groove signature of ethiopian soul, and coated with hip hop sharp drops, while horns bring the jazzyness through their themes. “Helelyos” is a cover/extrapolation of Iranian singer Zia’s hit, to which Days vocals bring an heavy old school hip hop vibe. “2Kick1” is a relentless afrobeat oriented tune, though with a languorous spacy chorus that breaks with the traditional afrobeat routine. And “What We Think We Saw” ends the EP with an opening to more psychedelic visions, in which a Gil Scott-Heron spoken word style meets jazzy space echoes, flutes under massive reverbs in a global vibe that could remind old analog recordings of Mandrill, Cymande or LKJ.

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Industrie & Zärtlichkeit

2LP | 2017 | EU | Reissue (Frank Music)

Funkadelic Orange Vinyl Edition

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Welcome to “Industrie & Zärtlichkeit", the raw, quirky yet emotional debut album from Moon! Although the Berlin-based duo is revered for dancefloor bangers such as “Ze power", Johannes Albert and Johannes Paluka (better known as Iron Curtis) have put much effort into making this album a true listening experience without sacrificing their roots in House Music. “Industrie & Zärtlichkeit” (which translates into “Industry & Tenderness") effortlessly achieves what is claimed in its title, namely a fusion of seemingly disparate elements: the rough and the smooth, dirty beats and soothing harmonies, bizarre sounds and comforting chords. The title track is a fine example of this perfectly-dosed blend with its detuned strings that glide over a crisp electro beat and an infectious melody which would make Kraftwerk proud.

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Funkadelic

LP | 1970 | UK | Reissue (Westbound)

LP | 2021 | EU | Original (Warner)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Funkadelic’s first album, eponymously released in 1970, gets the Hiqlp treatment to celebrate its 50th anniversary.

In a thick card sleeve with 180g orange vinyl pressing

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The Staves

Good Woman

Release: 2021 / EU – Original

Genre: Rock & Indie

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New Fragility Bone Opaque Vinyl Edition

Clap Your Hands Say Yeah

LP | 2021 | US | Original (Cyhsy, Inc.)

New Fragility Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Trace the arc of Clap Your Hands Say Yeah's evolution and it shows an accomplished musician and composer sounding ever more confident, constantly refining and broadening his sound and indulging an ever wider set of influences. Few have been as consistently brilliant, eclectic, and intimate; fewer still have done so while being defiantly, 100% independent, refusing to sign deals that compromise artistic vision. New Fragility is a continuation of this, yet it also stands apart as one his strongest collection of songs yet. Personal yet universal, New Fragility confronts numerous modern ills. 'Where They Perform Miracles', a song concerning spirituality and alternative methods of healing, harks back to Ounsworth's time as an anthropology student doing fieldwork in Mexico, while 'Dee, Forgiven' is an intimate look at what harm anxiety, and the over-prescription of certain medication, has on the vitality of youth. The song contains one of Ounsworth's strongest vocals yet - a quivering beacon that shifts from a wail to a low grumble in the blink of an eye, a remarkable expressive instrument that sits perfectly amid the understanded orchestration. For 15 years, it's been one of music's most distinctive voices, and it's never sounded as rich or poised.

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Clap Your Hands Say Yeah

LP | 2021 | US | Original (CYHSY, Inc.)

LP | 1958 | EU | Reissue (Jazz Workshop)

Release: 2021 / US – Original

Genre: Rock & Indie

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Ray Brown

This Is Ray Brown

Grim Moses X Camoflauge Monk

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Mono on Verve MGV 8290.

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The Proletarii Red & Black Marbled Edition

LP | 2020 | EU | Original (Expanded Art)

Release: 2020 / EU – Original

Genre: Hip Hop

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Grim Moses X Camoflauge Monk

The Proletarii White & Black Marbled Vinyl Edition

LP | 2020 | EU | Original (Expanded Art)

Release: 2020 / EU – Original

Genre: Hip Hop

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LP | 2020 | EU | Original (Kith & Kin)

Nick Mitchell Maiato

Pino Carrasco

Release: 2020 / EU – Original

Genre: Pop

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Point The Flashlight And Walk

Told Slant

LP | 2020 | US | Original (Double Double Whammy)

Release: 2020 / US – Original

Genre: Pop

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LP | 2020 | EU | Original (Vizztone)

Lucky Losers

Godless Land

Release: 2020 / EU – Original

Genre: Classical Music

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The Evil Yea Purple Vinyl Edition

Paga

LP | 2020 | EU | Original (Svart)

LP | 2020 | EU | Original (37d03d)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Limited A5 digipak, 500 copies. Svart Records has re-issued some of the very finest classic Finnish Post-punk albums such as Musta paraati, Kola kestää and Nolla nolla nolla, alongside being known for discovering modern underground classics such as Beastmilk. Now we turn our ears towards a new wave of sound from Sweden, to Pågå and their wildly original new album The Evil Year.

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Carm

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Kompakt)

Pop Ambient 2021

Holy Moly! Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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A download code is included. It’s 2020, the year Pop Ambient turns twenty-one years old, a spritely young adult waltzing out of its teenage joys and tears. Pop Ambient has always stood for a certain classicism and elegance, a kind of beatless music that’s diaphanous and hazy, gossamer and glittering. It’s a music that’s no less inviting for its slow pace and becalmed nature, with a different kind of tension bubbling under the surface. For twenty-one years, Kompakt co-founder Wolfgang Voigt has curated a series of peerless compilations that repeatedly find refreshing answers to a simple question – What happens when the dancefloor is empty, and everyone’s home to drift away?

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Blues Pills

LP | 2020 | EU | Original (Nuclear Blast)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Knekelhuis)

Spill Gold

Highway Hypnosis

Flock Light Rose Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Amsterdam based Spill Gold ( who previously released on Portland's Beacon Sound) with a jaunty 7 track mini album for Knekelhuis. sleeve art from Jacob Hoving. The label say: "The summer breeze has gradually turned into a cold wind and the trees showcase their typical variegated color palette; autumn has clearly arrived in all its golden glory, a transition exemplary for Spill Gold’s work. The Amsterdam duo’s music is every bit as colorful and moving as its seasonal counterpart, where one moment a cold and stormy wind swarms the air and other times calm and stillness prevail. On Highway Hypnosis, their first album on vinyl, Spill Gold masterfully juxtaposes darkness and light, playfulness and control, enhancing the transcendental character of the material at hand. Based on strong pop structures, the songwriting here traverses a world of Krautrock and cosmic influences at once catchy and alienating, opening the possibility for catharsis. They’re a wonderful addition to the versatile nature of Knekelhuis. And they’re crazy good live as well."

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Jane Weaver

LP | 2021 | EU | Original (Fire)

Release: 2021 / EU – Original

Genre: Pop

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LP | 2020 | Original (Dais)

Tor Lundvall

Yule Black Vinyl Edition

LP | 2020 | Original (Prosthetic)

Release: 2020 / Original

Genre: Electronic & Dance

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Upstate New York Artist Tor Lundvall's Music Often Evokes A Sense Of Soft-Focus Autumnal Melancholia But Nowhere Is This Atmosphere More Explicit And Evocative Than His Self-Released 2006 Holiday Album, Yule, Newly Reissued By Dais Records. Inspired By Childhood Memories Of "Cold, Dark Evenings" Waiting For His Mother Outside Shops And Supermarkets While Seasonal Songs Drifted Faintly On The Frozen Air, The Collection Feels Appropriately Hushed And Hypnagogic, Half-Remembered Melodies Heard Through Falling Snow.Steady Muted Rhythmic Pulses Wind Through Wintry Landscapes Of Icy Synthetic Textures, Glass Bells, And Distant Metallic Echoes, Occasionally Framed By Lundvall's Soft, Dazed Vocals, Narrating Scenes Of "Slushy, Illuminated Train Stations" And "The Lonely Trees Of January, Still Entangled With Blue Lights Long After The Season Has Ended." It's A Music Of Barren Branches, Crescent Moons, And Willowy Figures Shuffling And Shivering On Their Way Somewhere, Viewed From A Fogged Window Passing By, Or High Above.As With Lundvall's Signature Oil Paintings, Yule's Sonic Vignettes Are Works Of Observation, Poetic Glimpses Rendered In Gradients Of Color And Quiet. He Has Referred To His Music In The Past As "Ghost Ambient" And, Although His Songwriting Here Skews More Foreground Than Background, The Phrase Aptly Captures The Haunted, Half-Light Quality Of These Fragile Tracks. 10 Miniatures Of Wreathed Streets And Silent Woods, Of Twinkling Store Windows Seen From A Distance, The Sensation Of Being Outside Of Life Looking In - The Sentiments That Seeded Lundvall's Vision Remain Undimmed: "There Was A Special Melancholic Beauty About These Moments That Has Never Left Me."

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Dawn Ray'd

A Thorn, A Blight

Once Upon A Time Called Now Colored Vinyl Edition

Release: 2020 / Original

Genre: Rock & Indie

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Limited Edition Vinyl Re-Issue Of Dawn Ray'd's 2015 Medieval Black Metal Debut Release "A Thorn, A Blight".Blue Vinyl.

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Longstanding

LP | 2020 | US | Original (Jealous Butcher)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Edition)

Chris Potter

There Is A Tide

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 1976 | EU | Reissue (Souffle Continu)

Alain Bellaiche

Sea Fluorescent

Time Together (Hues And Intensities)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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First ever reissue of highly sought after french jazz funk fusion nugget from Alain Bellaïche featuring, Jerry Goodman (Mahavishnu Orchestra), John Hicks (Strata-East) & Fabiano (Fabiano Orchestra).

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Susannah Stark

LP | 2020 | EU | Original (Stroom)

Warpaint Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Composed between 2017 - 2020, these songs came to fruition over a period of time coinciding with an awakening spirituality. 'Time Together' is an attempt at describing the beginning of a journey into self knowledge and spiritual awareness through music, creating something soothing and meditative that is also percussive and bass heavy to convey a diversity of spaces, places and emotional states navigated through voice and song

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The Headlines

LP | 2020 | EU | Original (Sunny Bastards)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Thunder Touch)

Vision

Album

Chips Picture Disc Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After their debut single “Midnight Passion”, Vision releases a full-length album that will delight not only Eighties synth-pop lovers. The Switzerland-based producer duo put their hearts and passion into each of the nine meticulously arranged tracks. They comprise of various sub-styles of the genre and reflect the social and the political mood of the 80’s decade. The song themes range from the declaration of love by a trench-coated protagonist to a mysterious midnight lady to the tragedies of the Vietnam War and the division created by the Berlin Wall. Over in France, Vision celebrates the french culture in the romantic song “Chérie” set in Paris, featuring a german and french spoken verse style. And there is more to discover!

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Nameless

LP | 2020 | US | Original ((In)Sect)

2LP | 1993 | EU | Reissue (Century Media)

Release: 2020 / US – Original

Genre: Hip Hop

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Nameless - Raised in Flint, Michigan, he’s a producer & also a human time machine for the 90’s Boom Bap sound. On this album, “Chips”, Nameless is releasing a project that has become the most personal of his career thus far. “Chips” became a 2 year creation due to a life of serious events happening: lot of forks in the road, lot of depression, lot of moving from resting place to resting place, and so on. But when a person is passionate about a creation he’s been working on for 2 years, they’ll go through whatever it takes to see that it comes to life, even if they feel like the process is being dragged. Almost every track on the project involves a story, such as tracks like “Aisle 5”....a non-sampled, Flying Lotus-channeled joint, arguably his most soothing beat, created right after he was laid off from his job, truck driving. The beat was officially completed while sitting in his car, on break from driving for Lyft. It includes a posse cut titled “4 For $1” which features 4 talented rappers: Nametag Alexander, lojii, Vic Spencer & Brain Orchestra....the track also includes 4 beats in one. [hence the title “4 For $1” which is a nostalgic memory of chips that used to be 4 for $1 back in the days] It also has a featured metaphorical spoken word on chips from his good homie Donnie McMillan Jr. on the end of the track “Pringle’s” and you won’t be able to forget the melodic harmonies from his sis, Lyric Jones towards the end of the track “Harvest Cheddar Sun Chips”. The “Chips” project has been molded into a perfect masterpiece to the point that Nameless reached out to his mentor & good friend House Shoes and told him that this project was his own version of “Donuts”.....and that’s a huge statement. Hope you enjoy! For fans of: J Dilla, Devonwho, House Shoes, Kutmah, Flying Lotus

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Voivod

Lost Machine-Live

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Emotional Response)

Latitude

Mystic Hotline

Problem Attic - Red and Orange swirled Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Initial Pressing On Blue Vinyl. _"An Alternate Universe Where Brian Eno Produced "Rumours" And Alex Chilton Wrote Songs With Blondie_" San Francisco 5 Piece Latitude Sophomore Album "Mystic Hotline" Builds On The Foundations Of Their Acclaimed 2017 Debut With A Triumphant Foray Into 21st Century Power Pop. Centered Around The Dazzling Vocal Performance Of Amy Fowler, Tight Band Arrangements And Accomplished Delivery, The 10 Tracks Crackle With Proficiency And Elan. _"Effervescent Power Pop Bliss With Infectious Melodies, Jangly Guitars, Sparkling Synths, And More Hooks Than Your Local Bait & Tackle_." Although Often Drawing Comparisons To Such Pop Heavyweights As Blondie, The Nerves, Nick Lowe, And The Pretenders Latitude Are Far From Revivalists, As This Album Testifies. "Mystic Hotline" Reflects The Present Darker Mood Of The Country, Veering From Carefree 60s/70s Pop Into More Angsty 80s Territory. That Sentiment Is Evident In "Damage Control", A Sonic Bristling At A Grotesque New Trump Reality. "Rising" Testifies To The Senselessness Of The Ghost Ship Fire In Oakland, And The Media Blame Game That Followed. Vertical Highway Is A Deceptively Happy Ditty About Death. Those Are Counterbalanced By Songs Like Thursday Is The New Sunday's Praise For Lazy Love And I Love The Radio, A Tribute To The Many Talented Female Musicians In The Bay Area.

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Nuclear Bubble Wrap

LP | 2020 | US | Original (Needlejuice)

23,99 €* 29,99 € -20%

Andere Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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•180 gram vinyl •Martian red swirl LP •Download card with commentary and stems •Gate fold jacket with artwork by KC Green •Lyric insert. Nuclear Bubble Wrap’s greatest creation yet, Problem Attic is a 45-minute genre-hopping roller coaster ride through the hurricane of bullshit that’s terrorized us for our entire lives. It’s the experience of growing up in a miserable world on the verge of falling apart. Corporations paper over cruelty with fake smiles. The people who should have been doing something about it decades ago avoid responsibility.

It’s got killer AI and lonely mars rovers. It’s got sexy dinosaurs. It’s got vaporwave. It’s got sleazy politicians and illuminati ghouls. It’s got a theme song for pansexual pantheists. It’s even got a zombie Elvis. It’s Problem Attic.

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All diese Gewalt

LP | 2020 | EU | Original (Glitterhouse)

Release: 2020 / EU – Original

Genre: Rock & Indie

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A Common Turn Black Vinyl Edition

Anna B Savage

LP | 2020 | EU | Original (City Slang)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Jagjaguwar)

Lonnie Holley

National Freedom

LP | 2021 | US | Original (Awesome Tapes From Africa)

Release: 2020 / US – Original

Genre: Rock & Indie

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This 5-song collaboration between artist Lonnie Holley and the late visionary producer Richard Swift is a tribute to urgent, raw, American art _ from Howlin' Wolf to Captain Beefheart, from Cecil Taylor to Bo Diddley. The songs pulse with anger, hope, energy and a bit of swagger. You can hear sweat and tears through the speaker. Swift left us two years ago today, but his spirit buzzes through these songs. During a West Coast tour with Deerhunter in late summer 2013, Holley was put in touch with Swift by a friend who suggested using a day off on tour to record at Swift's National Freedom Studio in Cottage Grove, Oregon. Now rather legendary, Swift was in a breakout moment as a producer having recently worked with artists like The Shins, Foxygen and Damien Jurado. Holley's essential debut album, Just Before Music, had come out the year prior. The cosmic connection between Holley and Swift was immediate. They put down five songs in their day together: all conjured in the studio and one-of-a-kind. At the end of that day in 2013, Swift _ always up until the wee hours _ made a late night call to the friend who had set up the session. He was effusive about the experience _ thrilled to have found a kindred spirit in Lonnie Holley and thankful to spend a day crafting unclassifiable, extemporaneous and soulful music.

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Nahawa Doumbia

Kanawa

Fiction EP White Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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Nahawa Doumbia's new album Kanawa concisely captures this current moment in Malian history. The singer, whose storied career spans more than four decades, reflects on the immigration crisis from the Malian perspective in the title of her new album Kanawa. Across eight songs recorded in Bamako with a band including traditional and modern instruments, Doumbia merges her early work that relied on a spare expression of her trademark didadi rhythm with the bombastic range of contemporary Malian pop. The beautifully complex musical accompaniment that results is courtesy of the large ensemble she pulled together with producer and arranger (and day one collaborator) N'gou Bagayoko. The band features two highly expressive Malian string instruments, the ngoni and the slightly smaller kamalé ngoni, as well as a variety of percussion, drum programming, karignan (a metal scraper) and acoustic and electric guitars. Doumbia's daughter, a celebrated singer with her own group and busy concert schedule, Doussou Bagayoko sings on "Adjorobena," a song about patience, tolerance and living in peace. Doumbia weaves together a roadmap of her psyche when it comes to the good and bad life has to offer. She talks about marriage and women leaving home to join another through the metaphor of a tree in the garden; she includes gunshot samples in the song "Foliwilen" to honor the bravery of hunters, soldiers and other courageous people; she uses a bird in "Djougoh" to talk about lazy people; and, in "Ndiagneko" she advises people to ignore critics, just do you. Mali has gone through an intense period of regional strife and terrorist incidents over the last ten years and Doumbia roots the album in tragic local concerns with deep global implications. "The meaning of Kanawa is so simple. We see our children trying to cross the ocean all the time. I said that many of our children die in the ocean and some of them die while crossing the Sahara. But I ask them why do they leave their country? They said that they leave because of the family situation or problems like poverty and unemployment. I ask them to stay and work in their country. I call on the UN and African leaders so that we can coordinate our efforts to find a solution, to create jobs for them so that young people stop leaving. That's why I chose it as the title of my album so that everybody can learn from it and also so that there is a reduction in the number of people emigrating. So that some will hear the message and stay home and grow the land. Leaving is not the only solution. My message is to help the youth find jobs."

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Suuns

LP | 2020 | Original (Joyful Noise)

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Strut)

Sun Ra

Horizon

Dark Myth Equation Visitation

Release: 2020 / EU – Original

Genre: Organic Grooves

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In the years leading up to 1971, Sun Ra wrote many compositions and poems specifically inspired by the ancient African Kingdoms and many others with associated mythological and heliocentric connotations. As such, a visit to Egypt and the opportunity for the Arkestra to play there was a matter of necessity. Ra's first ever concerts outside of the US had occurred in late summer and autumn of 1970 with performances in France, Germany and the UK and a second European tour was arranged for late 1971. At the end of that second tour, Ra caught wind of cheap flights from Denmark to Cairo. This release comprises recordings made by Arkestra member Thomas "Bugs" Hunter made in December 1971 in the streets around the Mena House Hotel, Giza, from a concert held at the house of Goethe Institute ex-pat Hartmut Geerken in Heliopolis, from a live Cairo TV channel broadcast and a concert at the Ballon Theatre in Cairo. The impact and significance of these few weeks upon Sun Ra can be measured by the growth and development of his output over the next few years; the immediate post-Egypt period included new studio and live recordings on the Saturn, Blue Thumb, Atlantic and Impulse labels and the 'Space Is The Place' movie. Ra also edited the three LPs of the 'Live In Egypt' series which were subsequently released on his Saturn record label and its affiliated twin, Thoth Intergalactic: 'Dark Myth Equation Visitation', 'Nidhamu' and 'Horizon'. These three albums are now reissued as single LP editions in their original artwork.

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Sun Ra

LP | 2020 | EU | Original (Strut)

Lee Fields & The Expressions

Release: 2020 / EU – Original

Genre: Organic Grooves

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Big Crown Vaults Volume 1 Black Vinyl Edition

LP | 2020 | US | Original (Big Crown)

And Other Crimes Colored Vinyl Edition

Release: 2020 / US – Original

Genre: Organic Grooves

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We are always sitting on a handful of unreleased songs that didn't make their way to albums. Listening back to these gems we decided to launch a new series entitled Big Crown Vaults and the first volume features the music of Lee Fields & the Expressions. These tunes were cut during the Special Night & It Rains Love sessions. Listening to these tracks you can imagine how difficult some of these decisions were in the first place to leave them off the albums. An absolute standout is "Regenerate," a song that finds Lee in the country soul realm, a style that Mr Fields, a North Carolina native, flourishes in. A drum break starts the song and then drops into a chorus where El Michels, Paul & Big Bill Schalda belt out the earworm chorus. Lee sings an encouraging tune about finding your way out of a low point in a relationship while The Expressions lay down an airtight groove. "Thinking About You" takes it back to the dance floors with what will surely be a hit at Soul parties around the globe. An uptempo drum break opens the song and Lee launches into a tale about the unbreakable bond with his significant other and how they keep each strong through moments of hardship and pain. People who have seen Lee perform live in the last decade might have been lucky enough to hear his rendition of Little Carl Carlton's "Two Timer". For those of you who haven't heard it, Big Crown Vaults has got you covered. A faithful version of the song showcases Lee's gorgeous voice and the Expres- sion's unwavering groove. Another treat on here is the fuzzed out funk banger "Do You Know" where Fields uses his platform to address some of our societal woes in a "Make The World" style. A deeper from the vaults number is "Out To Get You", an instrumental that Lee never laid down vocals to. Even as just a rhythm track it stands as a testament to The Expressions musical prowess, the band that created 5 studio albums with Lee Fields which will go down in history as stone classics.

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Go To Blazes

LP | 2020 | EU | Original (Juke Joint 500)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Craft)

Plain White T's

All That We Needed

Release: 2020 / EU – Original

Genre: Rock & Indie

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Book Of Curses White Vinyl Edition

Adulkt Life

LP | 2020 | US | Original (What's Your Rupture)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Four Finger Distro)

Danger Grove

Want, For Nothing

Release: 2020 / EU – Original

Genre: Hip Hop

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LP | 2020 | EU | Original (Cordial)

Randy Mundy

Celestial Skies

LP | 2021 | EU | Original (Easy Life)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Randy Mundy recorded his album ‘Celestial Skies’ in 1975 in Nashville, Missouri. The album remained previously unreleased on physical formats until Cordial Recordings released the collection of songs in 2020 on Vinyl and CD. The album itself is a beautiful sprinkling of Americano songs, blending a touch of blue eyed country soul with some good old AOR. Randy originally released 3 singles from the lost album, with ‘Sunshine (Come Back To Me)’ being the 45 that first brought Randy to our attention. The song itself features some luscious strings with a strolling summer lick and Randy’s golden tones. The other singles were ‘If I’m Not Crazy’/’Keepin’ In Line’ and ‘Love Song’/’Rainbow Rider.’ This is a bit of a departure from our usual stream of releases but we truly believe that the album is a collection of timeless songs that needs to be heard by a wider audience.

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Lonely The Brave

Hope List

Release: 2021 / EU – Original

Genre: Rock & Indie

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5LP | 2020 | EU | Original (Inside Outmusic)

The Flower Kings

Islands

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Knekelhuis)

Organizatsiya

À L'ombre Des Roches

Long Day Good Night Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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An extraordinary twilight world opens while listening to Organizatisya. Adventurous yet humble, they push the limits towards the unknown. One thing’s for sure, it’s fresher than the juiciest peach on a perfect summer day. Organizatsiya hail from Lyon, France. Leo and Zoe clearly have strong roots in folk and acoustic music. These ‘old worlds’ blend in surprisingly well with more contemporary digital, futuristic sounds. Soothing analog recordings meet hyperdigital compositions reminiscent of IDM creations and peppered with spoken words that dance around in unexpected ways. Seductive, intelligent and deeply hypnotic, this esoteric material delivers a dreamlike experience. Like finishing a game and celebrating victory with cheap champagne in a neon light lit bubble bath with the end tune of The Legend of Zelda in the air. With great contributions from several guest musicians in this record involved. Designed sleeve and printed inner sleeve by Guilhem Prat.

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Fates Warning

2LP | 2020 | EU | Original (Metal Blade)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Skullcrusher Transparent Cloudy Clear Vinyl Edition

Skullcrusher

12" | 2020 | US | Original (Secretly Canadian)

Release: 2020 / US – Original

Genre: Rock & Indie

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12" | 1994 | EU | Reissue (Mixed Signals)

Webb

Elevate

LP | 2020 | EU | Original (-ous)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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David Webb’s hypnotic and raw Elevate 12” from 1994 reveals an overlooked region in Detroit’s seemingly-endless musical landscape, linking the narcotic minimalism of Theo Parrish’s Ugly Edits with the uninhibited, spontaneous, and jazzy jamming found on J Dilla beat-tapes. Raised in the musically fertile and adventurous atmosphere of Detroit, Webb got his start as a mobile DJ while in high school during the late 70’s. Captivated by the local boom of soul, funk and disco, he’d frequent the social clubs, soaking up sounds. His earliest experiments in mixing led him to form a DJ crew with his pal Paul Johnson. Paul enlisted a friend, Jeff Mills, pre-Underground Resistance, to join the trio and they called themselves Frequency Sounds. The three would play underground parties and college events for Michigan State students. Throughout the 80’s, Webb and his friends would play at the local clubs around town, like 431 East (now called Saint Andrews), where he played alongside Ken Collier and other Detroit legends. Each week he found new sounds at his local record shop Buy Rite Records on West 7 Mile, where he’d dig for Italo, New Wave, Disco and House, buying 12”s from labels like Prelude, Trax and Beggars’ Banquet on sight. Webb’s earliest experiments with producing his own sounds started when he bought an Echoplex and Asr-x Drum Machine. During his sets he’d add live effects & rhythm to his favourite songs. This led to building a mini home studio where initially he would record all his songs overdubbing on two tape decks. Two of his earliest experiments, Elevate and Who Am I? Were self-released as a small- run promo 12” that he would hand out to his friends and local DJs. Webb quickly sold out and gave away the pressing, and he would often hear it played by DJs around town, but over time it drifted in the margins, as an obscure footnote in the history of Detroit Techno. Mixed Signals is proud to bring this important record back into circulation, seducing a whole new generation of DJs and dancers with Webb’s dark and silky pleasures.

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Legowelt

Unconditional Contours

New Signs Of Life Smoke Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Legowelt has been a key figure in the Dutch electronic music scene since the early nineties, steadily releasing timeless music that merges the pioneering sounds of Detroit and Chicago with idiosyncratic sci-fi fascinations. "Unconditional Contours" captures Legowelt's stint at the Swiss Museum for Electronic Music Instruments (smem), after he was invited to be the first artist in residence at the institution's "Playroom" project. Legowelt visited Smem in Fribourg, Switzerland, in early 2019 to explore the collection and record music. Possessing an extensive collection of synthesizers himself, he used hand-picked synthesizers from the museum's archive: the rare Farfisa Synthorchestra, the Evs-1 Evolution, the "shittiest rompler ever made", amongst many others. The 10-track album "Unconditional Contours" is both a probe into the vast collection of Smem, and a display of Legowelt's well established compositional qualities. Leaving ample space for new sounds to unfold, Legowelt invokes gentle trips, brooding excursions, bleep heavy soundscapes, and reimagined elements of dance music classicism. Smem and -ous are launching the "smem+ous" series to document the "Playroom" residencies. A limited edition of this album was already sent out to early supporters of the "Playroom". Founded in 2016 and based on a collection of more than 5000 synthesizers, organs, drum machines and effects that had been collected over a 35 year period by Klemens Niklaus Trenkle, Smem offers residencies, studio sessions, talks and workshops.

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Death Bells

LP | 2020 | EU | Original (Dais)

LP | 2020 | EU | Original (Dais)

Release: 2020 / EU – Original

Genre: Rock & Indie

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After swapping hemispheres, Australian outfit Death Bells have found a new home in Los Angeles, emerging with a new album of fervent guitar-driven rock, stripped of gloom and punching through with a new sense of positivity. New Signs of Life, their debut for Dais Records, finds Death Bells using a DIY pedigree to plunder the conventions of "rock music" with a saxophone along for the mission. Rather than leaping genres or formats, New Signs of Life is refined and nuancedâÇ"a methodology built on process, craft, and perspective.Following their 2017 debut, Standing at the Edge of the World, and follow-up single "Echoes," Death Bells left their hometown of Sydney for the United States. Energized by impulse, extensive touring and exploration led to the formation of an ambitious six-piece band that eventually coalesced as a collaboration between founding members Will Canning and Remy Veselis. With Canning and Veselis becoming the engine, Death Bells began to employ several underground mainstay musicians to complete their live presentation, including Cortland Gibson (Dock Hellis), Colin Knight (Object of Affection), and on occasion Brian Vega (Fearing).Revitalized and centered, Death Bells released the single "Around the Bend" in 2019, before workshopping material that would eventually comprise their second full-length effort. As much as Standing at the Edge of the World was an energized disclosure informed by fresh naivete, New Signs of Life harnesses those initial sparks, cloaking the threads of Death Bells with authority, allowing each of the nine tracks which embody New Signs of Life to become lush streamlined vehicles.The eponymous lead single is a grandiose statement, influenced by the theme song of HBO's classic television program Six Feet Under. The lyrics are a shopping list of personal neuroses butted against self-help cliches, dressed with jagged guitars, brass, and percussion providing a deliberate pace for Death Bell's new chapter. As method gives way to melody, New Signs of Life exudes an ur...

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Death Bells

New Signs Of Life

Sundowner Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Kevin Morby

LP | 2020 | US | Original (Dead Ocean)

LP | 2020 | EU | Original (Delodio)

Release: 2020 / US – Original

Genre: Rock & Indie

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In the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn't help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own. As the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o'clock in the summer, when the sunsets are warm and abstract. Landing back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it's nickname, The Little Los Angeles. In January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and inspired me to play almost everything else. All lead guitar, proper drums (save the drums on "A Night At The Little Los Angeles"), mellotron and what I believe to be the albums secret weapon - a Wwii era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit. On the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance. Almost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished. Songs, like sunsets, are fleeting, and it's only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight -- it's beauty profound, though not always immediate -- into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky's proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. -- Kevin Morby, Kansas, 2020.

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Charlotte Leclerc

Bingo

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Live At Third Man Records

The Hives & Olivia Jean

LP | 2020 | US | Original (Third Man)

Release: 2020 / US – Original

Genre: Rock & Indie

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Latin Fire (The Big Beat Of Candido)

Candido

LP | 1959 | US | Original (ABC-Paramount)

LP | 2020 | UK | Original (Village Live)

Release: 1959 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Funkonami

Deep Into Space

Ekundayo Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Hip Hop

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Village Live Records are proud to present ‘Deep Into Space’ (tvi032), the third and final part of Funkonami’s ‘Deep Into’ trilogy.

Made entirely on the E-Mu Sp1200, Akai S950, SCI Prophet 2002, Ensoniq Asr-10, ‘Deep Into Space’ is a 12 track instrumental album paying homage to his previous LP’s whilst developing his signature sound.

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Liam Bailey

LP | 2020 | US | Original (Big Crown)

LP | 2020 | US | Original (Stones Throw)

Release: 2020 / US – Original

Genre: Organic Grooves

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Big Crown Records is proud to present Ekundayo, Liam Bailey's debut record on the label. This album is a long time in the making, and after listening, clearly worth the wait. It didn't take a long time to record, but it did take years for all the stars to line up. Bailey, born and raised in Nottingham, England, the son of an English mother and Jamaican father got his early influences from his mom's record collection. Bob Marley and Dillinger, Stevie Wonder and The Supremes, The Beatles and Jimi Hendrix would eventually shape the singer/songwriter we know today. While Liam's career started 2005 and went through a bunch of record industry twists and turns he and Leon Michels, musician/producer luminary, and the co-founder of Brooklyn's own Big Crown Records, would regularly connect and collaborate. Finally, in 2019, the time was right to do a full-length album together, free of any restricting major label presumptions and opinions. "This is the record we always wanted to make," says Michels. Set to release in November 2020, the album is called Ekundayo. And the word's meaning may be all you need to know to get to the essence of this project. It means "sorrow becomes joy" in Yoruba, a language spoken mostly in Western Africa. On the surface, Ekundayo is a weighty Reggae record, full of new and old textured riddims. But listen more in-depth, and you'll find subject matter that's more recognizable from a modern-day R&B record. An example of the former is the first single off the album. Sung to the most beautiful woman at the nightspot, "Champion" is a joyous anthem powered by a silly-thick Juno-bass throb and 808-proof drums. Then there's a song like "Don't Blame NY." Moody and sparse with a somber drive, you might have to resist the urge to compare it to a Frank Ocean-ish type vibe. Liam's voice is in a different but fitting element here, showing stripped-back emotion and soulful restraint. Credit to Leon's hand, elements of Jamaican production are everywhere, peppered throughout the record. Like the pitch-perfect organ stabs that push through the authentically positive "White Light," or the muted, percussive guitar strums that chug along in the back of "Fight." In the same vein of any fantastic singer/songwriter album, Ekundayo is a reflection of who Liam Bailey is. The journey from conforming to major labels to this latest record has been a long one for Liam, and a bit of a struggle. But struggle may be the only way we truly grow and evolve. With a new clarity of purpose, sound, and life, Liam has found joy out of those struggles. And it's called Ekundayo.

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the Twilite Tone

The Clearing

Release: 2020 / US – Original

Genre: Electronic & Dance

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Crac! Transparent Vinyl Editon

Area

LP | 1975 | EU | Reissue (Cramps)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (No Remorse)

Hittman

Destroy All Humans

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Avenue 66)

SW.

Truelips

LP | 2020 | EU | Original (Echo Productions)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2LP Over the past decade, Sued co-founder SW. has arranged the building blocks of dreamy rave and techno music-billowing pads, undulating sub-bass and adroit, nuanced drum programming-into and novel dance floor structures. TRUElipS, SW.’s first full album since 2016 and his first for Avenue 66, is a beguiling, fully-realised statement. The 12-track LP is rooted in the storied ’90s era when the spirit of orbital raves and free parties was channeled into massive leaps forward in the studio.

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Sinsemilia

A L'échelle D'une Vie

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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LP | 2020 | EU | Original (Edition)

Tim Garland

Refocus

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Edition)

Lionel Loueke

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (MIG)

Andreas Vollenweider

Caverna Magica

Release: 2020 / EU – Original

Genre: Rock & Indie

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Whole New Mess Black Vinyl Edition

Angel Olsen

LP | 2020 | US | Original (Jagjaguwar)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Post Present Medium)

Eric Copeland

Dumb It Down

LP | 2020 | EU | Original (Prosthetic)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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"Dumb it Down" is the fifteenth solo LP by Eric Copeland of Black Dice, released in 2020 by Post Present Medium. Nimble, persuasive, and brisk, these ten songs bounce along with a charm and directness that's entirely unprecedented in Eric's 20+ year career. The evocative, carnival loops that have defined his solo work for the past decade are joined here by the organic warmth of a nylon string guitar and breezy vocals that make no attempt to hide the laughter behind the words. It's captivating, and Eric's sense of catching and holding attention has truly never been stronger than on this record - he's chatty and sly, direct yet never exposed. Rooted in everyday life, these songs dart between enthusiasm and resignation, a deeply relatable contradiction of spirit. While this tension could derail a lesser record, Eric uses it to his advantage, constructing songs that feel casual and unrelenting in equal measure. It's the balance found in "Louie Louie" and Flipper's "Sex Bomb" that make this a wonderful Outsider Pop Music gem.

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Foretoken

Ruin

LP | 2020 | EU | Original (Fysisk Format)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Combining symphonic elements with genres such as folk metal, melodic death, tech deaths, and black metal, have allowed Foretoken to create something familiar yet unique.

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Daufødt

1000 Island

LP | 2020 | EU | Original (Ol' Buddy)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Though they hail from the deepest Norwegian bible belt, punk band Daufødt surely is a beast. Like no other band of today, they create an energy of power and liberation through their iconic live shows where the valkyrian stage command of front-woman and visual artist Annika unites us all in a brew of blood, sweat and hair.

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Brent Cobb

Keep 'Em On They Toes

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | EU | Original (Funkypseli Cave)

Anima & Jazzy Chavo

Petalouda

LP | 2020 | EU | Original (Fake Four)

Release: EU – Original

Genre: Hip Hop

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A download code is included. Limited edition of 300. HQ printed 350gsm sleeve with 3mm spine. 30x30cm 24-page booklet with lyrics & photos. Including download card & stickers. Fresh over-bag.

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Nigel

Tantrum

Release: 2020 / EU – Original

Genre: Rock & Indie

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Metz

Atlas Vending

Bad Boys Of Comedy Sky Blue Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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"Change is inevitable if you're lucky," says guitarist/vocalist Alex Edkins while talking about Atlas Vending, the fourth full-length album by Toronto's Metz. "Our goal is to remain in flux, to grow in a natural and gradual way. We've always been wary to not overthink or intellectualize the music we love but also not satisfied until we've accomplished something that pushes us forward." The music made by Edkins and his compatriots Hayden Menzies (drums) and Chris Slorach (bass) has always been a little difficult to pin down. Their earliest recordings contained nods to the teeming energy of early '90s DIY hardcore, the aggravated angularities of This Heat, and the noisy riffing of AmRep's quintessential guitar manglers, but there was never a moment where Metz sounded like they were paying tribute to the heroes of their youth. If anything, the sonic trajectory of their albums captured the journey of a band shedding influences and digging deeper into their fundamental core-steady propulsive drums, chest-thumping bass lines, bloody-fingered guitar riffs, the howling angst of our fading innocence. With Atlas Vending, Metz not only continues to push their music into new territories of dynamics, crooked melodies, and sweat-drenched rhythms, they explore the theme of growing up and maturing within a format typically suspended in youth. Covering seemingly disparate themes such as paternity, crushing social anxiety, addiction, isolation, media-induced paranoia, and the restless urge to leave everything behind, each of Atlas Vending's ten songs offer a snapshot of today's modern condition and together form a musical and narrative whole. The song sequencing follows a cradle-to-grave trajectory, spanning from primitive origins through increasingly nuanced and turbulent peaks and valleys all the way to the climactic closer, "A Boat to Drown In." The lyrics speak to this arc as well, with the songs addressing life's struggles all the way through to death, as Edkins snarls "crashed through the pearly gates and opened up my eyes, I can see it now" before the band launches into the album's cascading outro. While past Metz albums thrived on an abrasive relentlessness, the trio embarked on Atlas Vending with the goal to make a more patient and honest record-something that invited repeated listens rather than a few exhilarating bludgeonings. It's as if the band realized they were in it for the long haul, and their music could serve as a constant as they navigated life's trials and tribulations. The result is a record that sounds massive, articulate, and earnest. Bolstered by the co-production of Ben Greenberg (Uniform) and the engineering and mixing skills of Seth Manchester (Daughters, Lingua Ignota, The Body) at Machines with Magnets in Pawtucket, Rhode Island, Metz deliver the most dynamic, dimensional, and compelling work of their career.

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Lammping

LP | 2020 | EU | Original (Nasoni)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Style: 60's Psychedelic / Fuzz / Garage | 70's / Psychedelic / Space- & Jam-Rock Ltd. edition 300 pcs. 180g sky blue HQ-vinyl incl. Downloadcard. Bad Boys Of Comedy is a debut record from Lammping, a new psych-rock outfit from Toronto, formed by multi-instrumentalist Mikhail Galkin and drummer Jay Anderson. LP incorporates a wide range of influences that Jay and Mikhail bonded over., from Tropicalia and Turkish Psych to classic NY Boom-Bap drum patterns and Crosby, Stills, Nash and Young-style vocal harmonies. While rooted in riffs and heavy drumming, the debut LP showcases a fresh, eclectic approach to modern Psychedelia, eschewing cliched musical categorizations.

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Bully

Sugaregg Loser Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Bully

Superegg

Release: 2020 / US – Original

Genre: Rock & Indie

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Horse Black Vinyl Edition

Holy Motors

LP | 2020 | US | Original (Wharf Cat)

2LP | 2020 | EU | Original (L.I.E.S.)

Release: 2020 / US – Original

Genre: Rock & Indie

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Holy Motors is a "twang and reverb" band from Tallinn Estonia, united by shared infatuation with the American West that the members developed waiting out their homeland's long, grim winters with the warm company of American western films and their instruments. The more hopeful `sunrise' to 2018's critically acclaimed Slow Sundown, Horse finds Holy Motors acknowledging the Americana and rockabilly strands of their musical DNA without sacrificing any of the otherworldly mystique that keeps them from neatly conforming to the shoegaze and dreampop labels often applied to their music. From the album's opening moments, songs like "Country Church," with its major key and classic rhythm and blues guitarline, and "Midnight Cowboy," which sounds like a lost Buddy Holly 45 played at 33 rpm, make it clear that Horse _ even if it may not accomplish the impossible task of demystifying this band of ex-Soviet cowboys _ will at least show you that there's more to them than the near-impenetrable darkness of their work to date may suggest. While tracks like "Trouble" and "Endless Night" gravitate towards the ethereal production and existential subject matter of prior releases, repeat listens will reveal the same complex compositions and humanity that are much more a hallmark of Horse's eight songs. As a whole, Horse stands as a warmer, more human counterpoint to 2018's celestial Slow Sundown. As to which of the two entries better approximates Holy Motors' natural set point, only time will tell.

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Teste

Graphic Depictions

23,99 €* 29,99 € -20%

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The cult techno outfit "Teste" digs up and re-transmits sonic archives forming a new 2xlp for L.I.E.S. Full story below.....Artwork licensed from legendary NYC street photographer Richard Sandler in appropriate fashion....lp comes with a giant newsprint poster as well. Teste was still-born by the mid-90’s and with the ensuing Ptsd I had become a Shut IN working on the Amiga Computer for Audio and Video and completely immersed in grisly, depraved art-house cinema. This release pays homage to that time in NYC when I frequented Mondo Kims daily to rent the trashiest films I could find. Things like Richard Kern’s “Fingered”, Nick Zedds’s “They Eat Scum”, Makavejev “Sweet Movie”, Merhige “Begotten” all the classicks! The 42nd Street Mind forever! In retrospect I can’t believe they gave me a membership card! Wish I still had it! Micro Budget, Discontinued Formats. All of the tracks on this release are sourced from decaying tapes (vhs, 4-track, DAT, MD) some of which were encoded to early digital formats to add another layer of artefacts and grit. I can emphatically proclaim these ideas have taken three decades to come to fruition at my present Partner in Teste (Goner) Berlin Facility. One chapter closes and another unfolds! One day it’s 1992 playing absurd Teste gigs in a Sports Bar (Tailgate Charlie’s!) in scenic Hammer Onterrible opening up for Lil’ Ed and the Blues Imperials! You could just feel the love in that room! Referred to as the “Toilet Incident” by unsuspecting attendees. From that debacle another unfolded in an infamous “final” appearance at the Pure Party in Glasgow Barrowlands 1994 -which proved an unceremonious demise to the first incarnation of Teste… Details like most things from that era are foggy… No insta stories or tweets! Just instant cameras that didn’t always make it out of the rave! After the Teste fallout then embarking on another Techno adventure for an extended stint in NYC from ’95-97. This proved a pivotal time to say the least. Huren becoming a solo entity and the lasting shockwaves with Zhark which was a New York label in those days. Also in retrospect I can say I experienced the end of the NYC of old right when the “NO Dancing” by-laws were coming in. R.I.P Strange?, Sonic Groove (Manhattan),Liquid Sky/Temple, Save The Robots, Soundlab, Tunnel, Twilo, Limelight and others that slip the memory banks… All I knew of NYC when I got off that Greyhound the first time in Port Authority in 95 after an 11 hour drive was from movies. I thought the city was like what I had seen in Abel Ferrara films “Driller Killer”, “King of New York’ “Bad Lieutenant” or the Schoolly D, or Wu-Tang Clan videos! Turns out I wasn’t too far off in a way as this was the era of the Club Kids depravity. Upon reflection my formative clubbing years had an element of Crime in them as I’ve been in the proximity of two very well known serial killers. First in the 80’s when I attended a club Paul Bernardo used to Frequent in Ontario and later on the Limelight NYC with Michael Alig. Definitely casts a sinister tinge to some of the memories. Curious coincidence the party I performed at in NYC was called Killer… And I myself was almost murdered in 2012 but that’s another story…

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2LP | 2020 | EU | Original (Super-Sonic Jazz / Dance Regular)

Forever 10 Years

LP | 2020 | EU | Original (Dalapop)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Celebrating the tenth anniversary of Summer Dance Forever - Amsterdam’s insanely popular international hip hop festival - Super-Sonic Jazz has teamed up with James Rudie & Evm128’s UK sound-culture imprint Dance Regular to release a ten-track explosion of organic soulful house, broken beat, and bass-heavy uplifting cuts, ripe for the dancefloor. A sterling compilation featuring the who’s-who of fresh and upcoming UK talent, the EP is a coming together of like-minded worlds, full of highly charged dynamic rhythms, driving melodies, garage-like beats and an impassioned and authentic joie de vivre that perfectly matches the festival’s energetic spirit, and sets the tone for its equally impressive programme.

The brainchild of DJs James Rudie and Evm128, Dance Regular was born out of an East London event series that focussed on soulful, bass and body music. Alumni of the CoOp Presents Selectors Assemble, IG Culture and Alex Phountzi’s championing of the Bruk movement, James Rudie & Evm128 have a set a like-minded course to channel the spirt of UK body music culture, with this 10-track EP a fiery illustration of some of the talents at their fingertips. Throughout the 10-energetic tracks you’ll discover the likes of Trev, Entek, Cengiz, and many more fresh, global acts with a penchant for stirring broken beat productions, and deep, soulful melodies. Living at the intersection of garage and house music, with a deep underlying appreciation of jazz, it seems only fitting that the UK crew deliver this choice collection of cuts through the Super-Sonic Jazz imprint.

This year, understandably, the crews behind the tenth edition of Summer Dance Forever will be taking the festival actives online. Normally held at Paradiso, the inner-city urban dance festival would normally bring in participants from across the globe for nine-days of battles, parties, and workshops. Over the course of the past ten years, Summer Dance Forever has welcomed the likes of Dam Funk, Theo Parrish, and DJ Spinna into its home at Paradiso. One face that has always been a constant behind the decks has been Dutch stalwart, and one-part Super-Sonic Jazz founder KC the Funkaholic. The label, festival, and events series has become the home for new and exciting jazz and soul sounds from The Netherlands, in addition to showcasing fresher, soulful global sounds, including IG Culture who debuted his Likwid Continual Space Motion on the label this year. With such a combined focus in harbouring new talent and love for deeper jazz influenced driving-dance music, the collaboration is befit for the honouring of such an important, cultural and respected institution.

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The Dishonest Few

Dishonesty Prevails

The Best Ones Of The Best One Cream Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Hip Hop

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Includes comic book!

The Dishonest Few is Prop Dylan, Henry Bowers, Follow Him To The End Of The Desert, Soulsaga, Logophobia and DJ Lo-Kut.

Special performances by Esoteric, Phonetik, Son Of Light and PH (Pumpkinhead).

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Dashboard Confessional

2LP | 2019 | EU | Reissue (Hidden Note)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (Awesome Tapes From Africa)

Penny Penny

Yogo Yogo

LP | 2020 | GR | Original (Inner Ear)

Release: 2020 / US – Original

Genre: Organic Grooves

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The rags-to-riches chronicle of Penny Penny's life would be remarkable if he had only released his smash debut Shaka Bundu and packed houses for a few years. But the inimitable South African singer and dancer known for his trademark top ponytail and emphatic anthems was no one-hit wonder. In the aftermath of Shaka Bundu's nationwide explosion, far beyond his country the album resonated with ever bigger audiences. He performed up and down the continent, building fanbases in more than a dozen countries. So his sophomore album Yogo Yogo - released in 1996 - solidified Penny Penny's standing in pop music nationally and provided new energy to his pan-African stadium-filling adventures."I was very busy between Shaka Bundu and Yogo Yogo. Shows every week, local and outside the country. There was no relaxing from 1995 until 1999."The album also reflects the era in which it emerged. If Shaka Bundu arrived triumphantly amid newfound political freedom in South Africa with the end of Apartheid and Nelson Mandela's election, Yogo Yogo was a next level expression for the maturing artist. He wanted to get a message out. Composed with Joe Shirimani, who also produced the album, the sound and compositional style echoes the earlier recording but the topical nature of the lyrics became more deliberate, more didactic. In the song "Ingani" Penny proclaims, we are all one people even though we may speak different languages, we are all NguniâÇ"a larger historical grouping that includes many of the ethnic groups in modern South Africa. "Kulani Kulani," which means grow up, urges young people to say no to drugs and yes to education. Ama Owners, referring to the public transport drivers involved in violent rumbles, asks the nation's drivers to relax because we need them for our safe arrival. Penny's success as a Xitsonga artist should not be under-estimated in the context of popular music at the time in South Africa. "When I started with my own style and image, first time in Shangaan we had artist like me," Pen...

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The Vagina Lips

Outsider Forever

Release: 2020 / GR – Original

Genre: Rock & Indie

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LP | 2019 | GR | Original (Inner Ear)

Chickn

Bel Esprit

Release: 2019 / GR – Original

Genre: Rock & Indie

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LP | 2019 | GR | Original (Inner Ear)

Bazooka

Zero Hits

Release: 2019 / GR – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Teerpappe)

Teerschwestern

What Is There Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Endo Monk, Acid Lion, quadratschulz, Sauerstofff, Occupied Head, Fred & Luna, Syncboy, Hans Solo & Wosto, Kaspar Müller.

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Delta Spirit

LP | 2020 | EU | Original (New West)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Jameszoo & Metropole Orkest (Conducted By Jules Buckley)

Melkweg

2LP | 2020 | UK | Original (Brainfeeder)

Release: 2020 / UK – Original

Genre: Organic Grooves

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2x12" | 2020 | EU | Original (BPLR)

Double EP

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2x12" | 2020 | EU | Original (Rough Limited)

Rough Cutz #Four

LP | 1971 | EU | Reissue (Souffle Continu)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Germanys Rough Recordings delivers a double 12 compilation this June/July, entitled Rough Cutz #Four and featuring music from Ruff Stuff, Kevin Over, Tilman, label-head Tobi Danton and more.

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Le Theatre Du Chene Noir

Aurora

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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"In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence in what was a 12th century chapel. The Théâtre du Chêne Noir is therefore not just the name of a space open to all kinds of artistic audacity, but also the name of the great Theatre Group which resides there. Gérard Terronès showed some flair when he published, in 1971 on Futura, the first album by Théâtre du Chêne Noir. It has to be said that the group run by Gérard Gelas was right up his street: non-conformist, eccentric, protesting, just so alive… Singing too, as we can still hear today on Aurora, recorded at Avignon the 22 and 23 June 1971.

Aurora, which had been created a few weeks earlier at Ariane Mnouchkine’s Théâtre du Soleil, is according to, Gelas’ own words, a fantastic tale with actor musicians who play out the fabulous story of the Earth, and children who fight against terrifying bird men who fly from planet to planet to enslave the inhabitants and become the masters of the universe. It is an ambitious subject and thankfully (even more so for the album than for the play), the actors are also excellent musicians! If we can find «Chêne Noir» between Checkpoint Charlie and Chillum in the Nurse With Wound List created by Steven Stapleton and John Fothergill, Aurora is closer to Stances à Sophie by the Art Ensemble Of Chicago and the Divine Comédie by Bernard Parmegiani and François Bayle.

So, we need to move forward cautiously in this landscape of recitals and songs, of mysteries and cries, where saxophones and flutes, electric guitars and percussions spring up… Could the tragic climax have been possible without music? The Théâtre du Chêne Noir replies no to the question and creates a fascinating mix of text and music without one dominating the other. Enjoy the show!"

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Washed Out

Purple Noon

LP | 2020 | EU | Original (Roof Music)

Release: 2020 / US – Original

Genre: Electronic & Dance, Pop

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Washed Out is Atlanta-based producer/songwriter/multi-instrumentalist Ernest Greene. Over three enchanting, critically-lauded albums and an EP, his music has proved both transportive and visual, each release inviting listeners into immersive, self-contained universes. With Purple Noon, his fourth album, and his return to Sub Pop, he delivers the most accessible Washed Out creation to date. Life of Leisure, Washed Out's 2009 debut EP, set the bar for the Chillwave era, shimmering in a warm haze of off-the-cuff Polaroids and pre-IG filters. Within and Without, his 2011 full-length debut on Sub Pop, morphed into nocturnal, icy synth-pop and embraced provocative imagery. 2013's Paracosm was Greene's take on psychedelia, with a full live band and kaleidoscopic light show, and saw him playing to the largest audiences of his career. The sample-heavy Mister Mellow (2017, Stone's Throw) delivered a 360 audio/visual experience, with cut-n-paste and hand-drawn animation to match the hip-hop influences throughout the album. With each release, Greene has approached his evolving project with meticulous detail and a steadfast vision. For Purple Noon, Greene again wrote, recorded, and produced the entirety of the album, with mixing handled by frequent collaborator Ben H. Allen (Paracosm, Within and Without). Production of the album followed a brief stint of writing for other artists (most notably Sudan Archives) which enabled Greene to explore genres like R&B and modern pop. These brighter, more robust sounds made their way into the songs of Purple Noon and mark a new chapter for Greene as a producer and songwriter. The vocals are front and center, tempos are slower, beats bolder, and there's a more comprehensive depth of dynamics. One can hear the luxuriousness of Sade, the sonic bombast of Phil Collins, and the lush atmosphere of the great Balearic beat classics. Mediterranean coastlines inspired Purple Noon, and Greene pays tribute to the region's distinct island culture - all rugged elegance and old-world charm - and uses it as a backdrop to tell stories of passion, love, and loss (Purple Noon's title comes from the 1960 film directed by Rene Clement and based on the novel The Talented Mister Ripley by Patricia Highsmith). Much like romantic Hollywood epics, the melodrama throughout is strong: a serendipitous first meeting in "Too Late"; a passionate love affair in "Paralyzed"; disintegration of a relationship in "Time to Walk Away"; a reunion with a lost love in "Game of Chance." Purple Noon adds a layer of emotional intensity to the escapism of Washed Out's oeuvre, taking the music to dazzling new heights.

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Helge Schneider

Mama

Release: 2020 / EU – Original

Genre: Organic Grooves, Pop

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La Tristessa Durera Record Store Day 2020 Edition

Manic Street Preachers

12" | 2020 | UK | Original (SME)