Vinyl, CD & Tape 153349 Items

2LP | 2021 | EU | Original (Colorful World)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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“A seed is the basis of life: a tree, food, a baby, conception, a thought, an album, a band,” says Arp Frique around the title and narrative theme of his latest album. “A seed is growth from almost nothing to everything.”

It’s also linked to a track by Stevie Wonder that he often covers with the band live - 'A Seed's a Star/Tree Medley.' Arp Frique has an inherent understanding of funk and a flush-tight connection to the groove. This was apparent on his debut Welcome To The Colorful World of Arp Frique, via its fusion of disco and funk interwoven with Caribbean and Cape Verdean sounds, and it continues even more so here. If anything, the album plunges deeper into Arp Frique’s love of rhythm and groove. “I went deeper into my love for synths and drum machines from a dance floor perspective,” he says of the album. “This one has more of an electronic vibe.”

The result is an album that feels potently alive, sonically exploring the globe via a concoction of sounds that takes in disco, synth boogie, funk and the sounds of the Caribbean, West and East Africa. The album radiates the feeling of a lost gem, the kind that a crate digging aficionado may find in some far flung place that ends up with a re-release. Whilst Arp Frique expresses a real fondness for such classic sounds - “honestly I wouldn’t even know how to make modern stuff, I am stuck in the 70-80-90s and I love it there” - a tired exercise in retro nostalgia this isn’t. Instead, the album feels more like a fresh take on sounds that once ignited dance floors across the world.

On top of having the dance floor in mind, the album is also a deeply personal one. “I wanted to make this one even more personal and have the lyrics go deeper,” he says. “The lyrics on the album reflect the times we live in: the confusion, hope, despair, rebellion, unity, upgrading consciousness and divinity.” The creative process - despite benefiting hugely from guests that include Americo Brito, Mariseya, Orlando Julius and The Scorpios - is also a personal and intense one for Arp Frique. “I always think in terms of sound and emotion, the two most important aspects of music,” he says. “Every layer that I add needs to add emotion and amplify the sonic palette. It’s a very deep process that I need to do on my own - there is no other way for me. I connect to a higher level of consciousness during these sessions and all external influences need to be cut off in order for this to have maximum effect.”

The theme of the seed that runs through this album, and the connotations of a life cycle, is linked to parenthood. “My daughter, now 5 years old, is my everything and the main drive for everything I do,” he says. “I dedicated this album to her and because this album means so much to me and reflects so much, I also have a full movie almost ready to be released together with the album.” Much like the album itself, the accompanying video will touch upon the tones and styles of bygone decades. “It’s a mixture of a road movie of me and the live band, mixed with a semi-fictional autobiographical story with the album as a soundtrack, all in VHS. Think Holy Mountain meets Sun Ra movies meets Purple Rain but on a low budget with a VHS-cult vibe to it.”

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Arp Frique

The Seed

LP | 2021 | CA | Original (Aural Medium)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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XVARR

Transitional Being

28,49 €* 29,99 € -5%

12" | 2021 | EU | Original (Knekelhuis)

Release: 2021 / CA – Original

Genre: Electronic & Dance

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"Transitional Being reveals another side of Xvarr’s production palette — characteristically tranceinducing, this release highlights the transformational potential of dance music.

Spanning the last ten years, these six tracks handpicked by Aural Medium align with a particular relationship to technology that has formed the central pillar to the Xvarr studio set up. Often starting with a drum pattern and sequenced bass-line, the physical rhythm is stripped out and surrounding elements are drawn out and manipulated to convey the ‘hidden’ intention behind the track. With the tracks compiled here, he lets the rhythms ride. The influence of more ‘club-orientated’ music has remained firmly embedded in Xvarr’s psyche, although typically the trip has been more introverted. The approach here may differ from other Xvarr outputs, but the mood most definitely remains the same, with an overarching desire to channel emotion and passion from the other side of nowhere.

Xvarr recognizes the parallels between the ritualistic dance of the Witches’ Sabbath and a dark room filled with sweat, smoke, and sound. It is in this parallel void of transcendent possibilities that tracks such as “Running out of Time”, “The Crooked Path” (a nod to Andrew Chumbley) and “Universal” reside. There’s also a subtle presence of influences from Industrial music, with groups such as SPK, Conrad Schnitzler, Chris Carter and Cabaret Voltaire paving the way for Xvarr’s early experiments with electronic music. The alchemical results on this EP float in a universe populated by such luminaries as AFX, Drexciya, and the constellation created by Chain Reaction, within a cosmos governed by the gravitational pull of Baldelli and Weatherall."

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Keito

Manget

LP | 2021 | US | Original (Black Studies)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Summer has arrived and with it our first club release in ages, a high energy burner by Kσito from Tokyo, Japan. We are more than excited to welcome this talented MPC finger drummer Keito Suzuki to fiery post-lockdown dance floors. He draws inspiration from the South African Gqom and percussive music, and in his own stately way he merges big room intensity with an experimental explosion of weirdness. Expect bare bones techno, full of earworm hooks. Tolouse Low Trax and Kӣr complement this record with a bunch of psychedelic remixes, creating a great balanced journey.

Artwork by Marta Marinotti.

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Lamin Fofana

Darkwater

LP | 2021 | EU | Original (Frederiksberg)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Release Text:

High in the tower, where I sit above the loud complaining of the human sea, I know many souls that toss and whirl and pass, but none there are that intrigue me more than the Souls of White Folk.

Of them I am singularly clairvoyant. I see in and through them. I view them from unusual points of vantage. Not as a foreigner do I come, for I am native, not foreign, bone of their thought and flesh of their language. Mine is not the knowledge of the traveler or the colonial composite of dear memories, words and wonder. Nor yet is my knowledge that which servants have of masters, or mass of class, or capitalist of artisan. Rather I see these souls undressed and from the back and side. I see the working of their entrails. I know their thoughts and they know that I know. This knowledge makes them now embarrassed, now furious. They deny my right to live and be and call me misbirth! My word is to them mere bitterness and my soul, pessimism. And yet as they preach and strut and shout and threaten, crouching as they clutch at rags of facts and fancies to hide their nakedness, they go twisting, flying by my tired eyes and I see them ever stripped,—ugly, human.

The discovery of personal whiteness among the world's peoples is a very modern thing,—a nineteenth and twentieth century matter, indeed. The ancient world would have laughed at such a distinction. The Middle Age regarded skin color with mild curiosity; and even up into the eighteenth century we were hammering our national manikins into one, great, Universal Man, with fine frenzy which ignored color and race even more than birth. Today we have changed all that, and the world in a sudden, emotional conversion has discovered that it is white and by that token, wonderful!

This assumption that of all the hues of God whiteness alone is inherently and obviously better than brownness or tan leads to curious acts; even the sweeter souls of the dominant world as they discourse with me on weather, weal, and woe are continually playing above their actual words an obligato of tune and tone, saying:

"My poor, un-white thing! Weep not nor rage. I know, too well, that the curse of God lies heavy on you. Why? That is not for me to say, but be brave! Do your work in your lowly sphere, praying the good Lord that into heaven above, where all is love, you may, one day, be born—white!"

I do not laugh. I am quite straight-faced as I ask soberly:

"But what on earth is whiteness that one should so desire it?" Then always, somehow, some way, silently but clearly, I am given to understand that whiteness is the ownership of the earth forever and ever, Amen!

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Hugo Moolenaar

Mocko Jumbie

36,99 €*

LP | 2021 | EU | Original (Black Studies)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Compilation of the best tracks of Mocko Jumbie's only two albums, infectious blend between funk/soul/soca, has a disco tinged feel on 'Children Children' and a electronic edge on 'We Can Live Together', flipside holds lovely soca tunes. The second youngest of eight children, Hugo Leanzo Moolenaar was born on September 23rd, 1948, in St. Thomas, US Virgin Islands. His mother was from Puerto Rico; his Dutch-German father worked as a contractor, but also played the guitar and had a 6-piece band that performed at house parties. The young Hugo was a born entertainer. Watching his elders, particularly an uncle who played the ukulele, he began to teach himself to play guitar, practicing on his own. Eventually he began to perform his own songs as he gradually gained confidence and ability. As well as being a proficient musician, Hugo would also become a highly skilled Mocko Jumbie — a performer of the carnival stilt dancing tradition which has had a presence in the Virgin Islands for several hundred years, and which historians consider to have been brought to the Caribbean by enslaved West Africans. Carnival in the Virgin Islands was revived in 1952, and from then on it became an annual event. The two most famous Mocko Jumbies at this time were John Magnus Farrell and William Richardson (to whom Hugo would dedicate his second album). The pair mentored a young talent named Alvin “Allie” Paul who later in turn would go on to teach many others. In 1964, at age 14, Paul entered the St. Thomas carnival as a stilt-dancer, and revolutionized the Mocko Jumbie style. While Farrell and Richardson would perform in a more European influenced outfit — usually a conical shaped hat, a female dress and a wire mask — Allie brought back some of the older African influence, wearing what some say is a Ghanaian-style hat and striped pants to cover the stilts. Paul founded his own troupe in the late 1960s. He was the first to allow female students, starting by teaching family members and friends. One of his best students was Hugo Moolenaar, who quickly became known as one of the fastest dancers on the 6’ stilts, and was renowned for adding kung-fu-style moves to his performances. In 1968, Hugo enlisted in the US army. He served in Vietnam, where he was severely injured. In 1970 he was honorably discharged and was awarded the prestigious Purple Heart for his service. Nevertheless, his injuries did not stop him from returning to Mocko Jumbie performance, and his reputation continued to grow. He also began to work for local government in St. Thomas. In the fall of 1982, Hugo was asked to become a resident performer at the Hotel Shibui in Contant Hill, St. Thomas after a convincing audition for the manager. Hugo brought in his girlfriend Juanita, a singer since high school, and a duo was born. Together, they performed Hugo’s compositions. Eventually, Juanita started to learn Mocko Jumbie as well. The couple, who were married in 1983, later founded a Mocko Jumbie school, that at its peak had 75 students. The steady income from the hotel residency provided financial opportunity that the entrepreneurial Hugo seized. Travelling with their band to Puerto Rico, Hugo and Juanita hired a local horn section and created Hugo’s first album, entitled High, High, High, a reference to the Mocko Jumbie tradition. The cover depicts Hugo dressed in a golden outfit on stilts, on a palm beach, holding a guitar while Juanita looks on from the ground, holding their two children. Hugo’s second release, Mocko Jumbie Jamboree, came out not long after and also featured original compositions. It was recorded at the local Virgin Island studio Turtle Point. Both albums were self-distributed and feature a heady cocktail of island and popular sounds – from jump-up calypsos and kaisos to drummachine modern soul and upful disco. During his career, Hugo performed the Mocko Jumbie on many neighboring Caribbean islands, as well as in the US, in New York, Portland, Oregon, and at the 1979 Super Bowl show in Miami, alongside the Grammacks band from Dominica. He also performed in Japan, as well as at the Festival de Música del Caribe in Cartagena, Columbia, where he appeared in a bullfighting arena with a group of the finest Mocko Jumbies and a local Virgin Islands band. But in 1989 a hurricane — ironically named Hugo —destroyed many of the Moolenaar’s belongings, including master tapes and photos, leaving them with very little to show for their long careers. Hugo retired in 2008, after working 32 years for the local government. In 2009, the Virgin Islands Department of Tourism adapted a new logo, a Mocko Jumbie. I’d like to think Hugo Moolenaar was a part of the reason. Hugo passed away on January 25th, 2012, from cancer. It is thought that the disease may have been a result of exposure to Agent Orange during his military service in Vietnam. To his very last day, Hugo lived by his motto: “Peace, Love and Happiness Always”.

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Lamin Fofana

Blues

20,79 €* 25,99 € -20%

Let’s Ride / Bare Witness Feat. Guru Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Limited Edition LP.

Release Text:

So that moving from the middle passage forward (and backward), as Jacques Roumaine said, from that “railroad of human bones . . . at the bottom of the Atlantic Ocean,” one traced the very path and life and development, tragedy, and triumph of Black people. How they had been “removed” from Africa and had been transformed by this hideous “trip,” and by the context of their lives in the actual “West,” into a Western people. By the beginning of the nineteenth century, Du Bois points out, the majority of us were “Americans.” (Here, a pause, for “canned” studio laughter!)

At each juncture, twist and turn, as Black people were transformed, so was their characteristic music. It became emphatically clear to me that by analyzing the music, you could see with some accuracy what and why that change had been. To reflect that “newer” them, which I later termed, in the book Black Music, “The Changing Same.” In the continuously contrasting contexts of their actual lives. My deep concentration on the continuing evidence of surviving “Africanisms” and parallels between African customs and philosophies, mores, etc., and the philosophies and their Afro-American continuum were to teach myself, and whoever, that Black people did not drop out of the sky, although, “fo’ sho’,” they continue to be, despite the wildest of ironies, the most American of Americans.

But for all the syncretic re-presentation and continuation of African mores and beliefs, even under the hideous wrap of chattel slavery (“many have suffered as much as Black people ... but none of them was real estate” –– Du Bois), there is one thing that I have learned, since the original writing of Blues People, that I feel must be a critical new emphasis not understood completely by me in the earlier text. That is, that the Africanisms are not limited to Black people, but indeed American Culture, itself, is shaped by and includes a great many Africanisms. So that American culture, in the real world, is a composite of African, European, and Native or Akwesasne cultures, history, and people. [...]

Actually, Blues People is a beginning text. There is much work yet to be done to properly bring the music into the open light of international understanding and collective social development and use –– despite the massive commercial exploitation...*

— Amiri Baraka, Blues People: Blues People: Negro Music in White America (1963)

*excerpt from the introduction of the 1999 First Quill edition by Amiri Baraka

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Choclair

7" | 1999 | CA | Reissue (Flipnjay)

Release: 1999 / CA – Reissue

Genre: Hip Hop

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12" | 2021 | EU | Original (Infiltrate)

James Infiltrate

Void Remixes

White Line Sunrise II.I (Le Roy Soleil)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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In 2018, unknown artist James Infiltrate dropped an album of smart electro tunes that get everyone talking. It turned out to be an alias of James Burnham aka Burnski aka the Constant Sound boss aka Instinct, who is one of the most visible and prolific artists of recent years. Now some of the cuts from that album get choice remixes - AlexJann flips 'Flash' into a caustic electro banger with bright synths and twisted bass. Stojche goes for a lurching, loopy, scintillating and loopy remix of 'Isolate' that takes you to the stars and the flip offers up an acid laced electro cruiser from Sound Synthesis and Relpek mix of 'Reconnect' that is melodic and mysterious.

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Roy Of The Ravers

2x12" | 2021 | EU | Original (Emotional Response)

12" | 2021 | EU | Original (Push II Shove)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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"Emotional Response celebrates its 50th release with a special limited-edition from label stalwart Roy Of The Ravers. Following 2019’s magnum opus White Sunrise II is the accompanying “Soliel”, where our nom dee plume delves further into his archives of recently rediscovered disks to present an 8-track double pack, cut loud for DJ play.

The music too is more expansive, with the ambient and techno signatures matched with touches of jazz keys, Balearic sampledelica and even acoustic outtakes, all with that Ravers humour included.

The opening cinematic symphonies of The Smell Of Orange Peel and Kliszewicz Klopcic Klim highlight again a side not seen on his more acid / club cuts found on various labels. However, it’s the B side that compounds expectations with the deep house meets techno melodics of City Limits, before the ever-expanding feel-good vibrations of center piece Feathers hooks all. Sometimes a simple groove and catchy vocal sample is all you need to create a classic.

The second half then glides with 14 minutes of house dramatics via Versace 101624, a master of arrangement and beats, preempting the interlude of Clock House’s return. To close, EL-9400’s intense scatter percussion melds with anthemic acid undertones before its 2nd half melts to a choral ambience, leading to the closing acoustic jam dub curiosity My Brother And His Mate and the curtain for another stage in the Roy sagas. "

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LHAS

12" | 2021 | EU | Original (A-Z)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Larry Heard Appreciation Society returns. For those newbies at the back, Lhas is the work of Jaime Read, whose celebrated releases over the last 20 odd years on labels like Ugly Music, Golf Channel, Fragmented etc etc have kept him - quite rightly - at the top of class for on-point homages to golden era Chicago House & early Techno. Utilising a familiar, authentic sound palette, Lhas manages to be at once familiar, timeless and yet right up to date and relevant on floors still underpinned by the same sonic blueprint. This new selection is, in our humble opinion, up there with his best. From atmospheric, glacial machine groovers to deep, disembodied vocal joints, to an uplifting retro-Chicago workout and, last but by no means least a spectacular late-night jam which manages to drive via Sterling Void & Marcus Mixx, to all new alien destinations. Top class, for your head and your ass.

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Sangre Voss

Mendl 15

11,99 €*

LP | 2021 | EU | Original (Sunfunk)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After his excellent debut EP 'Dance Class', which garnered a lot of love and attention from many DJ's across the dance music world, Sangre Voss returns with a superb new 6 track EP on Al Zander's A-Z Records. Ranging from slow, balearic rhythms to dystopian atmospheres reminiscent of Detroit Techno, equally perfect for both a longing summer's day or a recently reopened dancefloor. Subtle yet diverse musical references and idiosyncrasies run throughout this six-tracker, which together create a unique, genre-blending style that really stands out. Label boss, Al gives his own take on 'Bona Fide Friday', potentially the most club or House ready out of the lot, with its dramatic breakdowns and acid melody.

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Sun Junkie

Two Decades

19,99 €*

Mattel Silver Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Welcome aboard to the newly minted 'Sunfunk' label, and the beautiful debut album from Sunjunkie. A project which combines a blend of influences and musical styles into the 12 track LP "Two Decades". Named and inspired by witnessing the art of soundtracking sunsets in Ibiza over the last 20 years, the album provides a range of tracks which effortlessly cross genres from Ambient to Jazz to Trip Hop while managing to keep the whole thing a full & rewarding listening experience. Sure to be drifting out of beach-bars for many summers to come.

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Masters At Work

12" | 2021 | EU | Original (MAW)

18,99 €*

The Bearer Feat. Karina Mia

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Masters At Work are now ready to release their first new track in over 20 years. Mattel, the title comes from early drum machine, the boys have used sounds from that original drum machine and have produced a drum driven electronic groove. The beats and groove reaches a climax and goes into a frenzy percussion solo played live in the studio by Kenny Dope. Louie Vega bounces off the beats and percussion solo with a bouncing bassline and hard hitting stabs taking this seven minute and fifty nine seconf track into the stratosphere. Masters At Work are happy to be releasing new music for their fans (new and old) and have set up releases throughout the year consistently into 2022 and more!!!

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Never On Sunday

12" | 2021 | EU | Original (430 West)

11,99 €*

Hello Brooklyn 3.0 (Big Daddy Kane Edit) / 99 Problems (D-Nice Edit) Classic Gangster Edits By Flipout & Jay Swing

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Skream, P41 and Octave One Remixes. Octave One's deep and downtempo 90s project Never on Sunday will be back later this year with another EP. Before that, they tease with a lead single that comes with remixes from Skream, P41 and the legendary Detroit brothers themselves.

Though best known for their electrifying live shows and stadium-sized techno productions as Octave One, the Burden brothers also started the electronic band Never On Sunday back in 1991. It saw them put out one solo EP, and one with MK, before the success of the Octave One project took over. Aside from an experimental audiovisual live show in Rome in 2018, it has laid dormant... until now. During the pandemic and no doubt inspired by more time at home and away from the energy of the dance floor, the brothers have cooked up a wealth of deep and thoughtful new material that is rich in detail and atmosphere, as this new single proves.

The Bearer (Original Instrumental) is still defined by scintillating angle sounds, from the meandering synths to the crunchy broken beats, but the tempo is slowed so you have more time to gaze at the cosmic pads and sink deep into the otherworldly sonic landscapes. First to remix is party-starting UK DJ and multi-faceted producer Skream. He lays down rock solid kicks with rib-rattling bass rumbles that make for an incendiary techno track. Add in the spine-tinglingly chilly vocal performance from Karina Mia, and you have a track designed to make a huge impact in even the largest of warehouses.

Next up is P41, the Italian electronic-engineer who worked with Francesco Tristano on his famed live shows and has himself played everywhere from Off Sonar to Studio 80 in Amsterdam. His remix is hugely emotive, with chunky drums laced with subtle melodic bleeps and a futuristic atmosphere that will hypnotize all who hear it. Finally, the Octave One remix is six minutes of perfectly well-swung deepness. The hits are dry, the vocal becomes more warm and soulful and the mid-tempo groove is irresistible.

This is a superb new EP that re-introduces the Never on Sunday in fine style.

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Jay-Z

7" | 2021 | CA | Original (Flipnjay)

12" | 2020 | DE | Original (Broken & a logic Records)

Release: 2021 / CA – Original

Genre: Hip Hop

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The Answer To The Question: What would a Jay-Z record sound like if he dropped in the late ’80s? Back when he first appeared along side Jaz-O… Back when Big Daddy Kane would bring him on tour with him… Back when he was getting his photo taken in a Red Gucci Sweatsuit!"

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Yottagon

Tristopia

9,99 €*

Release: 2020 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2020 | Original (Deutsche Grammophon)

V.A.

XII 2020

18,99 €*

Tape 22 Coke Bottle Clear Vinyl Edition

Release: 2020 / Original

Genre: Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with beginning of seam spliton top spine

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Sixpress (Adé Hakim)

LP | 2021 | US | Original (Novelty)

39,99 €*

2LP | 2015 | EU | Original (Anti-)

Release: 2021 / US – Original

Genre: Hip Hop

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Three years before switching his moniker to Adé Hakim and making beats for Earl Sweatshirt, sixpress dropped this artistry-defining beat tape on Bandcamp in the first chapter of a budding underground hip hop revolution known as [sLums]. Released the summer before the debut of his subsequent rap records and considered to be the beat tape which established the sound of sixpress, Tape 22 has now been given the official release it has long deserved.

Tape 22 has been remastered for premium sound and pressed on 180 gram vinyl with an etched b-side. Included in the package is a custom phenakistoscope slipmat designed by Helena Reed and J. Park of Crusty Angels, elevating the listening experience by providing a fitting and unique visual aspect to the record.

The coke bottle clear variant comes with a limited flexi disc featuring an unreleased track by sixpress, exclusive to the flexi only.

All vinyl purchases come with a digital download of Tape 22.

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Deafheaven

New Bermuda

12" | 2021 | US | Original (Blkmarket Music)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

few paper scuffs, tiny wear

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JLM Werx

Heartbeatz' EP

12" | 2021 | EU | Original (Isophlux)

Release: 2021 / US – Original

Genre: Electronic & Dance

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The 11th release on Blkmarket Music comes from JLM Werx with 4 hard hitting electro-bass tracks.

The Russian born producer JLM Werx (aka Kiril Junolainen) is based between Turku (Finland) and St. Petersburg (Russia) and is a man of many production aliases. He is the founder of four record labels Datarocket, Lasergum, Dvatri and Intraflex.

JLM Werx makes his label debut with his ‘Heartbeatz’ EP.

His 4 track EP features tracks [a1] Heartbeat MC, [a2] Telephone, [b1] Total Zero, and [b2] Just a Mirage.

Prepare to get taken into outer orbit and into another galaxy.

We are excited to welcome JLM Werx to the Blkmarket Music family.

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Gosub

Cosmic Cannibals

12" | 2021 | EU | Original (EPM Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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For over 20 years Gosub has brought us his brand of classic electro cuts, so it was really interesting to see his techno mind in action on “Cosmic Cannibals”. Though out this release Gosub drapes soul across the Detroit fueled 808/909 foundation though out this vinyl release. Starting with “The Depth Charge” a dark dimensional warping bass and a synth that cuts through the darkness sounding like if Charlie Parker designed a synth a definite for repeat. Full 909 in effect on “The Way Home II” with heavy toms an high Ph acid lines provoke the listener to pay further attention to the details in this track. On the B-Side “The Ratio” which features New York’s Preston Fulwood on vocals and keys brings in the funk infused to Gosub’s more familiar electro beats we find really rewarding. This track is brings the funk and jazz while Preston’s vocals make you want to sing and find your own soul. The ending’s dark vocoder reminds the listener that “This is just your virtual reality”. Preston & Gosub makes you want more of this future sound. Lastly, “Omni Presence” grounds us again with low swung 303 baselines grinding against a straight 4 on the floor beat while supporting synths carry on with their own conversation. Be warned. We hope you enjoy this analog recording.

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V.A.

EPM20 EP2

LP | 2021 | EU | Original (Rotkat)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Epm20 – EP 2’ turns the spotlight on electro. For this special EP, we’ve gathered brand new tracks by The Advent & Zein Ferreira, Carl Finlow, Detroit’s Filthiest and Modulator a.k.a. Freddie Fresh. As all good electro-heads will know, The Advent (Cisco Ferreira) is as renowned for electro as he is for techno. On ‘Strangeform’ he works alongside his son and rising talent, Zein to turn in pure electro-funk that’s blistering to the last beat. Another absolute master of the scene is Carl Finlow who brings deep bass notes, carefully crafted melody and his meticulous production skills to ‘Optogenetic’. Detroit’s Filthiest has been wowing listeners with his work for labels like Casa Voyager, Bass Agenda, Philthtrax and his own Mcec. His track ‘Werewolf’ is the electro monster the title suggests – dark and tough Detroit-electro book-ended with a playful vocal. The EP closes with the legendary, Freddie Fresh who after three decades is a genuine virtuoso. Under his Modulator guise he layers beautiful retro synth stylings and sci-fi atmospherics on ‘ProMars’. The third EP featuring four house tracks will follow in July, with the ‘Epm20’ compilation after the summer.

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Brik Tu-Tok

The Giggle Gallery

17,84 €* 20,99 € -15%

LP | 2018 | DE | Original (Tonzonen)

Release: 2021 / EU – Original

Genre: Pop

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With “The Giggle Gallery” musical performance duo Brik Tu-Tok takes you on a surreal trip to an obscure giggle theatre of the 21 century.

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Björn Gögge

Cracau

Shadow Sect & Dope D.O.D.

Release: 2018 / DE – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White wax!

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STFU Green Vinyl Edition

7" | 2021 | EU | Original (PRSPCT)

LP | 2020 | EU | Original (Mercury KX)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dutch hardcore hip hop crew Dope D.O.D teams up with Italian hard Drum & Bass duo Shadow Sect for a solo track and a remix with Hallucinator.

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Ólafur Arnalds

Some Kind Of Peace

34,99 €*

Identity Process Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with slightly bent corners

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VTSS

12" | 2019 | EU | Original (Repitch)

Dave Sharp Worlds With Ndio Sasa

Release: 2019 / EU – Original

Genre: Electronic & Dance

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REPITCH Recordings welcomes VTSS to its ranks. The Polish DJ and producer (real name Martyna Maja) being a proud alumni of Warsaw’s Brutaz club night and Jasna1 club (as well as one of Discwoman’s most recent acquisitions), it is no wonder her style overflows with dark energy and tenacious ravey vibes. Her REPITCH debut channels this same ardor into four heavy-hitting bangers that serve as sonic power conductors and ecstatic stamina enhancers. The industrialized pounding of her drum sounds is always accompanied by a taste for reimagining the classic vestiges of techno, rave, and even hardcore: from hoover sounds and sampled vocal refrains to classic Berlin style staccato synth pulses. Her approach is though far from just piling a set of tokenized references, and the raw urgency that fuels her creative energy keeps her production as fresh as her behind-the-decks manifestations.

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Nairobi Music

LP | 2020 | KE | Original (Dagoretti)

LP | 2021 | EU | Original (Joyful Noise)

Release: 2020 / KE – Original

Genre: Electronic & Dance

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"DAVE SHARP called the Dagoretti Records office one day in September, 2016 asking if he could do a recording session in Nairobi. We naturally told him 'Yes!' not believing he might actually come. Through some twist of fate, Dave came into a handful of money and appeared unannounced in May of 2017. NDIO SASA were available without question. An SMS message was sent out to BOAZ JAGINGO (of KENGE KENGE ORUFU SYSTEM). A positive reply came immediately, time was booked at ADA and we were practicing the next day armed with nothing more than a few riffs and ideas. Dave is a well known professional bass player from Michigan with a heavy, distinctive sound with jazz, Indian, funk and metal influences. Boaz is among the best active musicians in Kenya, playing the orutu, a one stringed, violin like instrument from Western Kenya and singing in a traditional Luo style. KABOGE is an accomplished African percussionist who melds numerous percussion styles from East and West Africa. Alongside him is TOMO TSUKAHARA, percussionist from Japan who has lived in East Africa for nearly a decade. PETE LARSON plays the nyatiti, an eight stringed lyre like instrument from the Lake Victoria region of Kenya and the shamisen from Japan. Rounding out the sound is COLIN CROWLEY, a long time resident of Kenya who plays the American banjo in a Malian clawhammer style typical of the ngoni. This was a truly unique mix of people create a truly unique sound. The sessions for the album were nothing short of magical. Dave has brought in a few simple ideas and made almost no demands on what people played or didn't play. The songs you hear on this record arose organically from the unique combination of people who happened to be in the room on that particular day and would have been possible with no other group of musicians.

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The Ophelias

Crocus

23,79 €* 27,99 € -15%

LP | 2021 | EU | Original (Sinderlyn)

Release: 2021 / EU – Original

Genre: Rock & Indie

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After 2018's critically acclaimed Almost opened The Ophelias to a world beyond their Cincinnati home, the indie rock quartet craved a return to a sense of community. The band members no longer lived in the same city - bandleader Spender Peppet (she/her) and new bassist/longtime music video collaborator Jo Shaffer (they/them) live in New York, while drummer Mic Adams (he/him) and violinist Andrea Gutmann Fuentes (she/her) remain in Ohio. When it came time to record the candid, expansive Crocus, The Ophelias purposefully focused on the experimental, communal spirit that fueled their first record. Crocus was recorded at night in a converted "2000 percent haunted" Masonic lodge, which surely had an effect on the album's ability to weave darker tones through the taut song structures. Engineer John Hoffman kept spirits high at The Lodge KY, ensuring the Ophelias had the freedom to experiment in the grey area between pain and rebirth. Despite The Lodge's eerie nature, the ghosts remain personal, finding Peppet facing herself and her own truth without blinking. Through songs equally infused with references to the Bible and The Twilight Zone, The Ophelias extract mystic emotion out of the spaces between their past, present, and future. The four core Ophelias members provide a wide-reaching exploration into genre, emotion, and sonic textures over the course of Crocus. That expansiveness shines on album highlight "Neil Young on High," a track that finds Peppet's firefly vocals backed by harmonies from Julien Baker. On "Spitting Image" Gutmann Fuentes leans hard into country swing, showing her range as a violinist while a chorus of voices sing the taunting "ha ha ha" hook below her. Shaffer's bass intertwines seamlessly with the drums on "Becoming a Nun," which explodes into feedback and punk-inspired textures beyond what The Ophelias have previously created. Peppet's direct delivery of intimate lyrics draws you in - detailing the murky line between the things we mourn and the things we remember. "Crocus represents that state of flux, between dreaming and reality or internal reflection and external action. I had to wring this out of my chest," and as a listener you immediately identify with her. The Ophelias' growth has been marked -- so much has been transformed and rebuilt. Crocus is a safe haven, built with trust, love, and the assuredness that comes with growing up.

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Homeshake

Under The Weather

How Long Do You Think It´S Gonna Last?

Release: 2021 / EU – Original

Genre: Rock & Indie

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Peter Sagar - also known as Homeshake wrote the majority of his fifth studio album, Under the Weather, in 2019, when he was going through a long, unrelenting period of sadness. "I was in a deep, deep depression," he recalls of that time period now. Sagar and his partner were living in Montreal, and while everyone was out being social, he was inside listening to ambient music, binging Star Trek, and writing songs. (Sound familiar?) "It was a bit of a dark pit," he says. "That's kind of what the whole album is about." Under the Weather is hazy and moody, the pace slow as syrup, and from beginning to end, a fog falls over every synth and guitar line. "Oftentimes when you're in a dark place, you're supposed to journal and that helps release the pressure," Sagar says. "For me, it always found its way into the music." Capturing the cloudy sound of a depressive funk was no simple feat, especially in the headspace Sagar was in for over a year. For that reason, he decided to enlist his friend, Jerry Paper's Lucas Nathan, to help with production on the record. Having Nathan contribute helped Sagar dial back some of the "dry, pristine digital sound" that defined his fourth studio album, Helium, and add back personal analog touches that drew people to the Homeshake project in the first place. As Sagar readies for the album's release this September, the record he wrote about feeling isolated, alone, and despondent has begun to seem eerily prescient. "I've been writing about feeling isolated my whole life," he says - but with age, he has come to understand them better. "I had a fairly clear idea what the album was going to be like based on where I was emotionally at the time," he says about Under the Weather. "I just try to make music that is honest about how I'm feeling."

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Big Red Machine

Tape | 2021 | US | Original (Jagjaguwar)

How Long Do You Think It´S Gonna Last? Red Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

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Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

27,99 €*

How Long Do You Think It´S Gonna Last? Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

25,64 €* 26,99 € -5%

2LP | 2021 | EU | Original (World Of Paint)

Release: 2021 / US – Original

Genre: Rock & Indie

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Palmbomen II

Make A Film

12" | 2021 | EU | Original (Little Red Hand)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This new album 'Make a Film' by Palmbomen II can be viewed as a (faux) crash course in filmmaking plus the soundtrack to score your first movie. A beautiful double vinyl album with a step-by-step course on writing, directing and shooting your first film. To make it easy, Palmbomen included 24 tracks that set the right mood for different scenes. From Medium Melancholy to Slightly Dark.

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Cyclonix

Metal Bass EP

12" | 2021 | EU | Original (Polydance)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Nottingham based artist Cyclonix launch new journey Little Red Hand and kicks off its schedule with heavy 3 track "Metal Bass" EP from him. Label aim is to champion the sounds of modern electronic fusion music on the broken beat and future jazz spectrum taking in hints of house, techno and breakbeat culture. Music that will stand the test of time - like the handprint in the logo - one of the oldest forms of human expression. Powered BY Art-aud

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Androo

12" | 2021 | EU | Reissue (Miss You)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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For the third release of Poly Dance Theatre Androo comes back with a heavier sound. Get ready to dance, cause we have two slow mid tempo killers! Uno.nostalgia (dub) is drawing inspiration from new wave and dub music and brings a rawer edge to the release. Meanwhile RCA rhythm (modern mix3) is clearly influenced by weighty dancehall riddims. On a brighter note sans-titre (pop exp) brings some pop melodies to ease your heart from the stomping dance session.

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Richard Plasko

California Big Hunks

LP | 2021 | EU | Original (Infinite Machine)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Total oddball production that has left a terrifying wake of mystery throughout many online digger circles which eventually even led to a mini documentary explaining the origin of the crown jewel “Dirty Cowboy” sound which is featured in this release along with another one of Richard Plasko’s tripped out involuntary lo-fi excursions on the B-side. Ron Hardy and the Village People walk into a bedroom studio...Thoroughly remastered from master tapes and brought back to life on vinyl for the first time.

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Galtier

Pulchra Es Elementis

12" | 2021 | EU | Original (La Sape)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With 10 years in the 'biz' firmly under his belt, Jiah Wells is poised to release the first full-length LP of his Galtier project, Pulchra Es Elementis. Whilst Galtier is arguably one of the originators of the percussive style that would eventually fall under the Hard Drum label, the heightened theatrics of his recent output have seen him channel Blade Runner-styled sonics and move further away from absolute club functionality. Whilst Galtier's output often seems to soundtrack hypothetical, off-planet words, Pulchra Es Elementis turns the focus inwards: towards Wells' own emotional constellation, his evolving spirituality and his attempts to tap into planes of existence beyond the tangible. The album's Latin title translates to 'Elements are Beautiful' and encapsulates the artist's belief that there is grace in all of life's aspects; pushing past what we deem as good or bad, minuscule or massive.

Pulchra Es Elementis begins with Crystalised Larva, a brooding opener of breathy pad synths and expansive kick drums which reverberate through the mix as if the hits originate from the bottom of a valley. There's an indistinct sense of tension on this track, in part due to a central melody, which never resolves but only descends lower in pitch. This tension turns to explorative wonder on Wilfull Saviour, where a mirage of musical ideas come in and out of focus. Although the sonic worlds Galtier explores are internal to him, Wilfull Saviour still possesses that sense of a cosmic journey we've come to expect from Wells; an ardent fan of dystopian films and literature.

Continuing this emotional odyssey, Bruised, But Not Broken sees the artist push deeper into the psychological undergrowth; its murky tonality juxtaposes crisp, Reggaeton-inspired drum patterns with a heavily compressed one-note synth line that modulates wildly - cutting through the mix like a nagging thought that won't leave your mind. Next up is U Were, U Are & What U Will Be, one of the more club-ready tracks of the LP, which gets us moving with a snarling bassline and layers upon layers of percussive hits and inflections.

At Pulchra Es Elementis' mid-point is the LP's title track, a drumless interlude where blissful, shimmering synths create a patchwork of intensities. Galtier's approach to songwriting shines through here; ignoring musical pragmatics, he opts to feel his way through his compositions without knowing where they might end up. Following on from that weightless breather, Phantasiai turns up the freneticism with its head-spinning mix of drum programming and a glitched-out synth line that yo-yos up and down octaves. Things get even more furious on the Superficie-featuring Cavernam, a hollow Hard Drum banger inspired by Eskibeat sensibilities and designed to create a sense of self-implosion.

The album's penultimate track, (U Are) Beautiful, is a tale of two halves: beginning with a moment of serenity as synthesizers swell like an ocean tide before evolving into a marching crescendo of raw energy. Rounding off the album, Shine Forth hurtles through pacey drum work and all manner of strange zaps and klaxons before giving way to a final dose of nebulous ambience.

A musical journey unlike any other 'club music' albums, Pulchra Es Elementis is an LP that demands to be consumed in one sitting. Reflecting on his place within the universe and the musical landscape, the album could be viewed as a musical exorcism which sees Galtier working through and shedding huge chunks of his ego that stuck to him out of fear of the unknown. Pulchra Es Elementis begins on an insecure, overwhelming or, even, existential note before rounding off with a related sense of vastness seen with new, more positive eyes. It's a voyage we hope you will join him on.

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Jk Group

What's Real?

19,99 €*

Bubbha Thomas & The Lightmen

Release: 2021 / EU – Original

Genre: Organic Grooves

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A collective of forward-thinking "jazz" musicians from Australia. We owe our thanks and gratitude to the founding mothers and fathers of the music people call jazz. We respect and continuously study their legacy whilst embracing our current surroundings in making music that honestly reflects our time and space.

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Boogie Down

7" | 1980 | EU | Reissue (Pressure Makes Diamonds)

LP | 2021 | EU | Original (Shapes Of Rhythm)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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On 'Boogie Down' Bubbha Thomas and The Lightmen lean away from the jazzier moods that they were best known for, towards a mid-tempo boogie/funk workout featuring wide open drum breaks, analog synths, fat claps and vibey backing vocals.

The original 45, released in 1980, now goes for silly money if you can find one, so we thought it would be nice to make it available again. Dedicated to the extensive musical and educational work of Bubbha, who passed away at the end of 2020.
Remastered from original master tapes, officially licensed from Now Again.

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Awkward Corners

Amateur Dramatics

17,99 €*

12" | 2021 | EU | Original (Columbo)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Amateur Dramatics is Awkward Corners AKA Chris Menist's second LP in the space of a year. In 2020 â€“ a time when the global pandemic gave artists more time and space to think about their music â€“ Chris took his collaborations and compositions to a different level. Having already collaborated remotely with Sarathy Korwar, as well as Kitty Whitelaw through Karthik from Flamingods' Isolate/Create/Collaborate community, Chris turned his thoughts towards a new project. Amateur Dramatics is influenced by the events of early 2021 and alludes to the general atmosphere of political life in the UK right now where we are chivvied along by people who seem woefully unqualified to be commanding authority. Musically, the LP builds on foundations of the meditative, devotional electronic aspects of previous LP Dislocation Songs but this time frames it more in a jazz context with significant collaborations with Collocutor and Maisha's Tamar Osborn on four tracks.Vocals (from Kitty Whitelaw) feature on an Awkward Corners track for the first time, as well as double bass provided by David Leahy.The result is a thoughtful and deep listening 40 minute listening experience.

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Troniq

Never Say The Last One

7" | 2021 | EU | Original (Rumi Sounds)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The cirle is now complete. Well.. maybe because Never Say The Last One. Troniq left the Prague city life and now he's exploring ambient journeys under his real name Martin KuÅ¡ka while for the dance stuff he reserved the new Goobye Mirage nick.
Two melancholic tracks were left behind unreleased and here they come as a first release on Columbo Records. Polished and glamorised for the hazy dance floors, boosted by stunning remixes of Etbonz and Imre Kiss.
Digital Bonus: Two more mixes from Imre Kiss!

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Erbatur

Kacacagim / Seyyah

CD | 1994 | US | Original (Jive)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Erbatur is a Turkey-born singer/songwriter most recognized as the lead singer of the Turkish rock bandZardanadam. However, these two tracks are melancholic ballads dealing with the desire to leave, to run away, and find a peaceful place on earth.
Both "KaÃ§acaÄŸÄ±m" and "Seyyah" have been known to his fanbase from live gigs, radio and TV appearances since the 1990s, but are recorded here with a super-group of international musicians living in Berlin. Fans of Erbatur and the songs will be surprised by these beautiful versions complete with pedal steel, cello and tar arranged and produced by Big Daddy Mugglestone.

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UGK

Super Tight

The Lost Maestros Collection

Release: 1994 / US – Original

Genre: Hip Hop

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11 tracks

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V.A.

2LP | 2021 | EU | Original (Deviation)

24,99 €*

7" | 1981 | EU | Reissue (Paint A Picture)

Release: 2021 / EU – Original

Genre: Organic Grooves

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To reveal to the world all the musical riches of Mali, and more particularly the music of the Mandé region, cradle of the great griot families, is the highly laudable purpose of this LP The Lost Maestros Collection. To perpetuate and transmit this ancestral musical history, The Lost Maestros Collection brings together 8 wonders of Mali who have each in their own way managed to develop this tradition towards more modern and electrified countries and associates pioneers of Mandingo music and actors of the young post generation. The Lost Maestros Collection is the result of the collaboration between Deviation Records, newly created by Phil Margueron and the independent Malian label Mieruba, which has been working since 2010 to ensure that this golden age of Mande music does not fall into oblivion. Aware that these nuggets are not eternal, Mieruba, based in Ségou on the banks of the Niger river and capital of the former Bambara kingdom, undertook for eight years the preservation of this musical heritage by putting these 16 pieces on tapes at the Kôré studio de Ségou as well as at the famous Bogolan studio in Bamako.

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Reflex

Funny Situation

12" | 2021 | EU | Original (Sweetspot)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Paint A Picture are incredibly pleased to announce news of their first release: a fully remastered, licensed reissue of rediscovered British 7” Funny Situation recorded by Reflex - a band put together by drummer David Humphrey (Public Image Ltd., Sparks, Mike Oldfield) and privately released on his Star Records back in 1981. With the original record now changing hands for in excess of £200 and just in time for a 40th anniversary release the reissue - remastered and cut by Frank Merritt at The Carvery - will include updated original artwork whilst also containing an insert providing further details and context on the release. Recorded a few months after seminal Britfunk tune "Southern Freeez" at the very same Vine Yard Studios and with the same engineer Simon Sullivan - the release unfortunately suffered from a lack of marketing and proper distribution but almost forty years later the record is now receiving the attention it deserves and with a price tag to match. The A side presents a beautiful mesh of funk and soul styles with influence from other Britfunk bands of the time but with a more overt jazz and rock feel fusing a tight rhythm section with smooth vocals and climaxing in a guitar and saxophone duel. The instrumental Version Two provides a fresh approach with the addition of dub FX and Indian percussion with the use of a tabla added to the mix.

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NTSC

Motivity EP

Other You Limited Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Ntsc return for the second release of their Sweetspot imprint, accompanied by the Berlin-based Russian chameleon Tripmastaz on the remix duties. Motivity EP features three minimal house cuts of warm and deeply atmospheric character sparkled with elements of dub – the kind of music that can easily be used as a tool for dancefloor introspection in those levitating early morning hours. Tripmastaz expands on Ntsc’s ideas, twisting and turning the EP’s title track ‘Motivity’ into a sonically complex world with hints of acid while consistently keeping both groove and ambiance at the center of the stage.

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Steve Gunn

2LP | 2021 | EU | Original (Matador)

30,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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CD | 2021 | US | Original (Big Crown)

Holy Hive

Holy Hive Pink & Blue Splatter Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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In 2020 Brooklyn's Holy Hive introduced us all to something we didn't know we needed. Homer Steinweiss' thickly pocketed drumming paired with Paul Spring's floaty falsetto vocal produces a sound that's like a salve. It's been dubbed Folk Soul and Holy Hive not only expertly overlay the more apparent musical aspects of folk and soul-but they also draw from the more profound: being able to pull traditions from the past and make them their own. When Homer wasn't playing drums for Lady Gaga or Adele or Bruno Mars, he'd produce Paul's solo folk records. Along with original bassist and frequent collaborator Joe Harrison, these sessions proved to be Holy Hive's foundation. And their fi rst record, Float Back to You, expertly combined what each musician does best: Paul's heady, reflective approach to folk with Homer's universal classic soul sound. With their new record released on Big Crown, Holy Hive's beautifully simple-and-sparse Folk Soul sound is back-but updated. With new influences and the challenge of creating and capturing music during a global pandemic, this new self-titled album, is more personal, more reflective. They describe three distinct phases when piecing together Holy Hive: this first stage was pre-pandemic in California while traveling as a group, then-like the rest of us-they were separated, creating together but apart, and lastly an explosion of output once they reunited in New York. There is a natural but subtle evolution for Holy Hive on this record. Homer and Paul drew from new and maybe more obscure-yet-honest influences. It's still very much Folk Soul-how could it not be. But, like all artists, they've taken in what they've made and how they've made it, only to push it into new places. We know of Holy Hive's ability to lyrically convey the abstract and complex in poetic and palatable ways. But where the first record was soulfully silver-tongued with chill songs about love and affection, Holy Hive widens the lens with these novel influences, reflecting the points both Homer and Paul are in their own lives. Featuring musical contributions from Mary Lattimore, Robin Pecknold (Fleet Foxes), Anant Pradhan, Nick Movshon, Leon Michels (El Michels Affair), Shannon Wise (The Shacks), Dave Guy (The Roots), and Elliot Skinner.

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Holy Hive

LP | 2021 | US | Original (Big Crown)

24,99 €*

Holy Hive Black Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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Holy Hive

LP | 2021 | US | Original (Big Crown)

24,99 €*

10" | 2013 | EU | Original (Prosthetic)

Release: 2021 / US – Original

Genre: Organic Grooves

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Wolves Like Us

Get Gone

9,99 €*

LP | 2019 | Original (It Sounds)

Release: 2013 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Includes original insert.

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Christian Steiffen

Ferien Vom Rock'n Roll

Release: 2019 / Original

Genre: Pop

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LP | 2019 | Original (It Sounds)

Christian Steiffen

Gott Of Schlager

Release: 2019 / Original

Genre: Pop

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Alex Picone, Charonne & Cobert

Undefined Tales 1.2 - Mind & Senses Purified

12" | 2019 | EU | Original (Undefined)

Uncut Gems (Original Motion Picture Soundtrack)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The Undefined Tales saga continues. This time with seekers bossman Alex Picone; the man who doesn't need an introduction with his impressive trackrecord, a true legend in the scene. On the other hand we've got from Paris residing Charonne boys; these new kids on the block are quickly making name for themselves with releases on Partisan, Imprints & LMML. And last but not least Cobert; a diamond in the rough, with quality releases on amazing stories.

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Daniel Lopatin

2LP | 2019 | UK | Original (Warp)

Release: 2019 / UK – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2021 | EU | Original (Burning Rose)

Morgan Wright

Class Tourist

LP | 2021 | EU | Original (SUED)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The core tenets of Morgan Wright’s music have long tested club music’s context; the rituals and customs that define it, and how each of those genres change once removed from their traditional settings. It’s a space Morgan Wright feels at home in; one where he’s constantly asking questions of the structure club music resides within, and what it means to create a new space for familiar sounds. And over the course of his debut album, Class Tourist, Morgan has found new ways to elevate those same questions - whether by way of intention, or a pandemic-induced coping mechanism. In Class Tourist, Morgan again borrows from familiar strains of the subgenres which have come to form his musical identity. This time, he fuses sounds of post-punk, IDM and breakbeat, hopeful they converge to form a bastardised rendition of the latter, with “Australiana” at its core. It’s a sound that was made possible by a change to his songwriting approach, after pivoting from a loop-based production style - one which he has applied to a slew of other projects, for the better part of five years - to one which lends itself to a more standardised, contemporary format. Moving through the record, Morgan toys with musical tropes of contrast with a calculated refinement unheard throughout his previous work. The coalescence of melodic optimism and bleak, mournful soundscapes feature on Class Tourist again, as you would expect. But this time, contemporary structure - with the exception of a few songs - along with the features of label-mate, Purient, and frequent collaborator, Endl355, breathe new life, and even a new genre, into Morgan’s work

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SVN

12" | 2021 | EU | Original (Altered States)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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SVN is back with his second solo album, this time on his own imprint Sued. Coming strong with a new approach. As he states himself: “A change of equipment and the loss of my old tape machine marks a new era in my sound and production.

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Green Ink

Family EP

OST 5 Bambole Per La Luna D'agosto Crystal Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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We are super excited to introduce our label Altered States with this four track EP by one of the label-heads Green Ink, a showcase of his versatile production with dancefloor focus. After his first vinyl release on Andrew Thompson’s and Auntie Flo’s Highlife Imprint, and collaborating with Nicola Cruz, bedroom producer Green Ink gained confidence in his creations. Dedicating most of his free time to music, the idea of an own label developed. Together with his good friends dj n/a and visual artist Han$ Wor$t the concept of “Altered States” materialised, and finally comes to life with this release.

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Piero Umiliani

LP | 1971 | Reissue (AMS)

Release: 1971 / Reissue

Genre: Soundtracks

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OST Inferno Crystal Vinyl Edition

Keith Emerson

LP | 1980 | Reissue (AMS)

Release: 1980 / Reissue

Genre: Soundtracks

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L'aurora Crystal Vinyl Edition

Le Orme

LP | 1970 | Reissue (AMS)

Release: 1970 / Reissue

Genre: Rock & Indie

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Con Giulio Libano E La Sua Orchestra Blue Vinyl Edition

Adriano Celentano

LP | 1960 | Reissue (Jolly)

Release: 1960 / Reissue

Genre: Pop

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Furore Blue Vinyl Edition

Adriano Celentano

LP | 1961 | Reissue (Jolly)

Release: 1961 / Reissue

Genre: Pop

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Al Charly Max Canta I Beatles In Italiano

Augusto Righetti

LP | 1966 | Reissue (Vinyl Magic)

Release: 1966 / Reissue

Genre: Pop

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Traslocando Pride Edition

Loredana Berte

2LP | 1982 | Reissue (Atlantic)

37,99 €*

Release: 1982 / Reissue

Genre: Pop

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LP | 1969 | Reissue (Vinyl Magic)

Oronzo De Filippi

Meccanizzazione

12" | 2008 | EU | Reissue (Perlon)

Release: 1969 / Reissue

Genre: Organic Grooves

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At the end of the '60s in Italy - but also abroad, especially in France and
England - a very particular trend began to spread, that one known as 'Library
music' or 'sonorization': as suggested by its name, those were real music
libraries intended for the accompaniment of audiovisual productions such as
television programs, advertisements, documentaries and films. Since they
were created in total artistic freedom condition, they are often difficult if not
impossible to catalog, as they're not anchored to a specific musical genre;
this freedom also allowed the authors to compose, sometimes in the most
complete anonymity, experimental and avant-garde music, capable of
anticipating the sounds that only many years later would have been
widespread on a larger scale.
Oronzo De Filippi is known not only for his library music works, but also for
having been part of the project The Braen's Machine, together with
Alessandro Alessandroni, another very important name in this context.
"Meccanizzazione" is a completely instrumental record - like practically all
LP's in this genre - literally dominated by the sound of the harpsichord, and it
substantially features two main kinds of compositions: the most 'friendly' and
easy-listening ones with a jazz-lounge and bossanova flavor, and the darker
and hypnotic ones, decidedly more fitting the repetitiveness of the industrial
world and its machines at work.
"Ritmo dell'industria N. 2" is part of a reissues series, made in collaboration
with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's
published between late '60s and early '70s, most of which have never been
released again until today, and that are finally made available again for
collectors and sonorization music lovers.

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Portable

Knowone Can Take Away

With Confidence Colored Vinyl Edition

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

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2021 repress

Alan Abrahams, that’s the man behind Portable, born and raised in South Africa, where he started to produce music in the 90’s. 1997 he moved to London. After several releases on Labels like Context or Background, he started his own imprint “Süd Electronic” around 2002. Another Project named “Bodycode” was born and found a home at USA based “Spectral", the sisterlabel of Ghostly.His first “Portable” album was released at the end of 2007 through “Süd Electronic". Now Perlon is more than happy to welcome mister Abrahans on board with this incredible deep 12″ entitled “Knowone Can Take Away". Two songs for eternity!

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With Confidence

LP | 2021 | Original (Hopeless)

Release: 2021 / Original

Genre: Rock & Indie

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A Small Unknowable Thing Limited Edition

Josienne Clarke

LP | 2021 | Original (Corduroy Punk)

Release: 2021 / Original

Genre: Rock & Indie

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2LP | 2012 | Reissue (Mascot Label Group)

Flying Colors

25,99 €*

Release: 2012 / Reissue

Genre: Rock & Indie

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The Room Turquoise Wave Vinyl Edition

Ricky Reed

LP | 2021 | US | Original (Nice Life)

31,99 €*

Wolf's Clothing Tangerine Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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The Room will be Ricky Reed’s first artist album since becoming a house-hold-name producer, and launching his own label with Nice Life Recording Company. The project features Leon Bridges, Jim James of My Morning Jacket, Dirty Projectors, Terrace Martin, Duendita, Ayoni, Lido Pimienta, St. Panther & John-Robert and more. The Room is a title that came to him in the wake of the death of George Floyd and the galvanizing of the Black Lives Matter movement across America and the world. He wanted to create a communal place where it’s as necessary to cry as it is to rejuvenate; where it’s as vital to be angry as it is to find joy. The music is an invitation to share experiences, commiserate, rejuvenate, and offer hope. It is upbeat in places, meditative always, and has real soul to it. Ultimately, Reed feels fundamentally changed by quarantine, particularly with his process of creating. All the songs were written via text and voice memos. The Room feels like an offering to the world at a time when Reed was back in the process again. Back at a new start. “When this comes out, whether it is well or not, the only thing that matters is that I made it.”

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Batsauce

LP | 2021 | US | Original (Full Plate)

12" | 2021 | US | Original (Young Heavy Souls)

Release: 2021 / US – Original

Genre: Hip Hop

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Wolf’s Clothing is the culmination of a years-long undertaking into what beatsmith, Batsauce refers to as “Dark Jazz” – moodier textures; muted instrumentation; whispers within the kaleidoscopic rhythms; untold stories coming to life by way of bending bass and drums. This Is an intentional body of work inspired by the legends that Batsauce discovered during crate-digging expeditions to be repurposed into his familiar environs. Across 20 instrumental tracks, Batsauce assumes the duality of bandleader and sideman, pulling from the archives of the greats to present what is as true a representation of Jazz and Hip-Hop’s long standing synergy in the present day. Presenting to your ears and souls, Wolf’s Clothing.

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Nuntheless

Bankruit

20,99 €*

Tape | 2021 | US | Original ((In)Sect)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Bankuit, is the ambitious tech house EP from Nuntheless. Cultivated from a deeply-rooted appreciation for the works of Detroit's house and techno all-stars like Patrice Scott, Omar S and Motor City Drum Ensemble, the release is an inspired four-song effort from Erik Washington, the veteran DJ, producer, and multi-instrumentalist and mastermind behind the Nuntheless moniker. Washington, who can often be found producing R&B and Hip-Hop music, credits his proximity to the up-and-coming talent in Detroit for his approach to Bankuit.

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Vämps

Grosero

LP | 2021 | US | Original (Boom Bap Project)

Release: 2021 / US – Original

Genre: Hip Hop

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Victor Gutierrez ; aka Vämps, an underground hip-hop producer, was Born in Brownsville and grew up in McAllen, TX. On “Grosero”, his 2nd tape release, he not only provides the beats, but also gets on the mic for the first time on a record with 15 songs in just 26 minutes. An absolutely grimy flow with an east coast voice rhyming about South Texas life over gritty, twisted and sampled beats. His original style along with his keen sense of finding the perfect sounds to fit the brutal heat of his home state. Victor’s message for folks on the album: “This is South Texas Raw Shit meant for chill mfs to ride to. Inspired by antiquated data of all sorts. Recorded and produced with MPC 2000, a Sp-404sx, microphones and records. My influences include: shitty dollar bin records and That Smoke. The Sun Pisses Me Off Sometimes. But that’s Texas. If you’re a fan of Roc Marciano, Curren$y and having a dusty ass soul, I think you’ll dig it.” For Fans of: Madlib, Westside Gunn, Hitboy, Diamond D, Z-ro and Pete Rock

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Boom Bap Project

Return Flight

CD | 2021 | US | Original (Boom Bap Project)

Release: 2021 / US – Original

Genre: Hip Hop

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The Boom Bap Project releases their first new album in almost 15 years. Previously signed to Rhymesayers, the Boom Bap Project's new album "Return Flight" shows the trio of Karim aka Nightclubber Lang, Destro Destructo and DJ Tre are back like they never left. The album features production from NW heavyweights Trox and Vitamin D, and an appearance from NY legend Wordsworth. After spending the early to mid 2000's touring the world and spreading the Pacific NW hip-hop gospel, Boom Bap returns with their best music yet.

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Boom Bap Project

Return Flight

17,99 €*

Cas Metah, Sintax The Terrific, & DJ Sean P

Release: 2021 / US – Original

Genre: Hip Hop

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Mere Mortals

LP | 2021 | US | Original (Illect)

Biggie B-Day Serato DJ Control Vinyl Special 10"

Release: 2021 / US – Original

Genre: Hip Hop

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Humans are fragile. Careers are fragile. Reps are fragile. What you build in a lifetime you can ruin in a day. Cas Metah and Sintax the Terrific have lived some real life after years of making music as members of the mega crews Scribbling Idiots and Deepspace5, respectively. And, they’ve never been more acquainted with their own mortality than now. But, Mere Mortals doesn’t try and solve the world or themselves. Sometimes an album just follows the music it’s given. And, when you have Dj Sean P in the lab and on the tables that’s an easy lead to follow. From the accessible first single Mere Mortal to the sure-to-be new summertime fav, Alright, to the sober finale, Homecoming, Sean P carries the many sentiments. Lament and celebration, braggadocios and confessionary. Mere Mortals isn’t too heavy and isn’t too light. It’s just everything in between. Three artists just trying to justify this fragile human existence.

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The Notorious B.I.G.

10" | 2021 | US | Original (Finisher)

44,99 €*

CD | 2006 | US | Reissue (Threshold)

Release: 2021 / US – Original

Genre: Hip Hop

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On what would've been Christopher Wallace's 49th Birthday, DJ Mister Cee celebrates the life and legacy of his dear friend, the greatest rapper of all time - The Notorious B.I.G. To Celebrate his immeasurable impact on Hip Hop, Mister Cee, Serato, and Fatbeats decided to put together this limited edition 10 inch vinyl containing the infamous "Where Brooklyn At" free style, and Serato DJ Control. Enjoy.

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Substance Abuse

Overproof

18,99 €*

Crushed Velvet And The Velveteers

Release: 2006 / US – Reissue

Genre: Hip Hop

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Classic and critically lauded debut album featuring Kool Keith, MF Doom, Thes One, Motion Man, Saafir, P.E.A.C.E., Myka Nyne, and Rasco.

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Love & Truth

LP | 2021 | US | Original (Vintage League)

LP | 1977 | US | Reissue (Ubiquity)

Release: 2021 / US – Original

Genre: Organic Grooves

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Alan Evans, multi instrumentalist and co-founder of acclaimed band Soulive releases a powerful soul album ‘Love & Truth’ , as his alter ego Crushed Velvet and the Velveteers. The album evokes the classic 60s and 70s Soul & Funk sound of Chicago, Detroit, Memphis and NYC. It blends a retro sound with a modern sensibility, strong songwriting and powerhouse vocals from the likes of Kim Dawson(Pimps of Joytime) , Saundra Williams (Sharon Jones & The Dap-Kings, Saun & Starr), Lyle Divinsky (The Motet), Yanick (After Funk), Brother GoodLove (Aztec Sun).

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Francisco Aguabella

Hitting Hard

29,99 €*

Hidden Spaces White Vinyl Edition

Release: 1977 / US – Reissue

Genre: Organic Grooves

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“Hitting Hard” originally released in 1977 by Epsilon Records is widely regarded as one of Aguabella's seminal works, with its “street-style” rare groove fusing Brazilian, salsa, Latin jazz, and funk flavors. Playing with a talented cast of heavyweights including San Francisco vibist Nerio De Gracia, the dynamic Cedric Deon Bi on vocals, and percussion great Armando Peraza. With original copies still fetching a pretty penny in the secondary market, this limited reissue of essential Latin jazz-funk is a worthy addition to any record collection.

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Limina

LP | 2021 | US | Original (Sonic Ritual)

22,39 €* 31,99 € -30%

Ninja Eliminator Purple Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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The debut album from Limina, the new project from film and game score composer Tyler Durham, comprises six pieces that, taken together, reflect on the ways in which inspiration eases into existence and, through collaboration among muse, body and technology, wrangles its way into being. Combining ideas drawn from ambient electronic music, contemporary classical, and new age, the album openly explores transitive passages and the very nature of the creative process. Crafted for single-sitting immersion with each of the six works building on musical ideas expressed in earlier movements and seamlessly flowing from one track to the next without interruption.

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Le Matos

LP | 2021 | US | Original (Mondo)

OST The Dandara: Trials Of Fear Edition White Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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* Composed by Le Matos * Artwork by Donald Caron * Pressed on 180 Gram Translucent Purple Vinyl * Manufactured in the Czech Republic

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Thommaz Kauffmann

2LP | 2021 | US | Original (Mana Wave)

49,99 €*

LP | 1979 | JP | Reissue (HMV Record Shop)

Release: 2021 / US – Original

Genre: Soundtracks

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* Gatefold packaging * Vinyl 2xLP comes with two 'Salt' white 180g in two printed inner sleeves * Artwork by Luísa Almeida

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Jackie Magno

Loving

39,99 €*

LP | 1995 | JP | Reissue (Universal Music Japan)

Release: 1979 / JP – Reissue

Genre: Pop

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* Vinyl reissue of the original 1979 album

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Yumi Murata

Desire

31,99 €* 39,99 € -20%

2LP | 1992 | JP | Reissue (Pony Canyon)

Release: 1995 / JP – Reissue

Genre: Pop

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* Originally released in 1985 * Under the production and arrangement of Masanori Sasaji

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Fishmans

King Master George

102,99 €*

2LP | 1993 | JP | Reissue (Pony Canyon)

Release: 1992 / JP – Reissue

Genre: Reggae & Dancehall

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* Completely remastered * Pressed on Heavyweight 180g Vinyl * LP 2-disc set record (limited edition)

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Fishmans

Neo Yankees' Holiday

72,09 €* 102,99 € -30%

Endless Flight (Night Traveler)

Release: 1993 / JP – Reissue

Genre: Reggae & Dancehall

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* Completely remastered * Pressed on Heavyweight 180g Vinyl * LP 2-disc set record (limited edition)

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Masataka Matsutoya

LP | 1977 | JP | Reissue (HMV Record Shop)

39,99 €*

Mackey Feary Band Black Vinyl Edition

Release: 1977 / JP – Reissue

Genre: Pop

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* Faithful reproduction of the 1977 original * Cut from the original analog master

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Mackey Feary Band

LP | 1978 | US | Reissue (Aloha Got Soul)

31,99 €*

Weezer X Wave Break 7 (Feat. "Tell Me What You Want")"

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Must have rare groove classic from Hawaii * Original tracklisting includes full version of 'Powerslide' * Meticulously restored and remastered by Jessica Thompson * First official reissue outside of Japan

Highly coveted Hawaiian jazz/soul album. The debut album from Mackey Feary’s solo band after departing seminal contemporary Hawaiian group, Kalapana. This LP reads like a who’s who in the local 70s music scene: Nohelani Cypriano (of “Lihue” cult fame), Azure McCall (of Lemuria), Jimmy Funai (who produced Hal Bradbury’s debut), and Gaylord Holomalia (who now runs the island studio where stars record, incl. Kanye West, Jay-Z, Mariah Carey). Unlike other reissues, this Aloha Got Soul pressing includes the full version of “Powerslide” in all its 7-minute glory. An all-time classic must-have record from the Hawaiian Islands.

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Weezer

7" | 2021 | US | Original (Iam8bit)

12,59 €* 13,99 € -10%

CD | 2021 | UK | Original (Forever Living Originals)

Release: 2021 / US – Original

Genre: Soundtracks

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* 7” Vinyl with Screen Printed Wave B-Side * Featuring “Tell Me What You Want” from Wave Break * Music by Weezer * Album Art by Cory Schmitz

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Sault

NINE

15,19 €* 18,99 € -20%