Vinyl, CD & Tape 1005 Items

Boz Scaggs Blue Vinyl Edition

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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Boz Scaggs

LP | 1969 | US | Reissue (Friday Music)

44,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Sunday At The Village Vanguard

Bill Evans

2LP | 1967 | US | Reissue (Analogue Productions)

210,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Speakers Corner)

Freddie Hubbard

Backlash

LP | 1969 | US | Reissue (Impex)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled "Backlash", is still until today the best of the bunch.
Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford Brown in his heart and fingers. All the titles are excellent. Of special note, however, is "Little Sunflower". The sound colouring of the flute harmonizes particularly well with Hubbard’s brass, and Ray Barretto’s contribution is more than mere decoration. You’re certainly on the right track with this LP, no matter whether it’s the beginning of a Freddie Hubbard collection or a further contribution to a large jazz collection.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber
Production: Arif Mardin

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The Youngbloods

Elephant Mountain

49,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Live At The Village Vanguard

John Coltrane

LP | 1966 | EU | Reissue (Vinyl Passion)

17,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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2LP | 1969 | EU | Reissue (Rhino)

Grateful Dead

Live dead

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Music On Vinyl)

Thelonious Monk

Underground

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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CD | 1966 | US | Reissue (Light In The Attic)

Nancy In London

22,99 €*

U.F.O. Black Vinyl Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”

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Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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LP | 1966 | US | Reissue (Light In The Attic)

Boots Blue Vinyl Edition

2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

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Miles Davis

Sorcerer

73,99 €*

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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Ethiopians

Reggae Power

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU (Endless Happiness)

Jimmy Ruffin

Ruff 'N Ready

Willie Rosario And His Orchestra

Release: 1969 / EU

Genre: Organic Grooves

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All killers and no fillers on this fabulous 1969 Motown masperpiece. It is a shame that Jimmy lived in the shadow of those other Motown singers such as Marvin Gaye and Stevie Wonder. It really is one of Motown's best albums!

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El Bravo Soy Yo!

LP | 1963 | EU (Survival Research)

16,99 €*

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 1963 / EU

Genre: Organic Grooves

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Puerto Rican composer, bandleader and percussionist Willie Rosario was a giant of Latin music, known as Senor Afinque or Mr. Tight for the strength of his musical arrangements. Born in Coamo in 1930, Rosario had already formed the Coamex band, prior to his emigration to New York in 1947, where he played in various orchestras, forming his own band in Spanish Harlem in 1959 and also presenting a Spanish-language music show on radio station Wado. Signing to Alegre in 1962, he began touring widely, the label issuing this sought-after debut in 1963; mixing covers and original, the hot salsa here features the dulcet tones of lead singer, Frankie Figueroa.

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The Free Spirits

Out Of Sight And Sound

LP | 1969 | EU | Reissue (Ohr)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Possibly one of the first crossover jazz-rock album ever, ‘Out of Sight and Sound’ was released in 1967 by ABC Records. The album was recorded by Rudy Van Gelder and produced by Bob Thiele. Featuring a stellar line up comprised of young talented guitar player Larry Coryell (soon to be a proficient solo artist on Vanguard) the record was a true expression of the musicians lifestyle and artist heritage. With drummer Bob Moses (Compost, Steve Kuhn) on board, second guitarist Columbus "Chip" Baker, saxophonist Jim Pepper (a native American who’s debut on Herbie Mann Embryo is still regarded as a masterpiece) and bassist Chris Hills, Free Spirits were possible the first fusion group around !

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Amon Düül

Psychedelic Underground

26,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1962 | EU | Reissue (Jazz Workshop)

Ron Jefferson

Love Lifted Me

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Shirley Horn

Embers And Ashes

LP | 1962 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued as Stere-O-Craft #16
Subsequently reissued by Hi-Life Records as HLS 55

The Shirley Horn Trio
Shirley Horn (piano & vocals), Joe Benjamin (bass), Herb Lovelle (drums).
Lewis Packer, bass, and Harry Saunders, drums, replace Benjamin and Lovelle on "Day by Day"
Recorded in New York City, 1960

Back-liner notes written by Mort Fega
Jazz Unlimited, WEVD, New York City
Recording produced by Buddy Smith

180 Gram Newly Remastered Vinyl Reissue of the original Stere-O-Craft #16 Limited edition in Solid carton sleeve

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John Wright

Mr. Soul

LP | 1962 | EU | Reissue (Jazz Workshop)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7233)
Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7233)

The John Wright Trio
John Wright (piano), Wendell Roberts (bass), Walter Perkins, Jr. (drums).
Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, April 10, 1962

Engineered & mastered by Rudy Van Gelder
Cover photo & design: Don Schlitten
Back-liner notes: Tom Wilson
Recording supervised by Esmond Edwards

180 Gram Newly Remastered Vinyl Reissue of the original Prestige Prlp 7233 Limited edition in Solid carton sleeve

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Don Ellis

The Essence

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | JP | Reissue (P-Vine)

The Ballads

The Gift Of Love

LP | 1962 | US | Reissue (Spin The Blues)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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The only original album by West Coast soul vocal group The Ballads, released in 1969, is still a favourite among soul fans, but has only been reissued on vinyl once before, in 1982. P-vine is honoured to be able to reissue it on LP with a Japanese obi.

The album is extremely rich and wonderful, with gems such as Gene Chandler's 'God Bless Our Love' and 'The Gift Of Love', as well as Detroit-style dance numbers, and will also include a bonus track that was only released as a single. The album captures the band's cradle period in the 1970s, when they began to fully embrace a sweet soul style.

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Arthur Big Boy Crudup

Mean Ol' Frisco

LP | 1967 | US | Reissue (International Artist)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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* Originally released in 1962 * Japanese OBI-strip * The jacket is reproduced based on the original edition Arthur 'Big Boy' Crudup was an American Delta blues songwriter and guitarist from Forest, Mississippi. He is best known, outside blues circles, for his song 'That's All Right' which was later recorded by Elvis Presley when he debuted in 1954. 'Mean Ol' Frisco' is his first solo album which was released in 1962 from Fire Records when he was 57 years old and there are no reissues on LP in recent years. As a pioneer of Japanese blues music, P-vine proudly presents this important album historically and musically with the artwork of the original edition!

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13th Floor Elevators

Easter Everywhere

58,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Craft)

Brenton Wood

Baby You Got It

35,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Rhino)

The Doors

Strange Days

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1963 | BR | Reissue (Polysom)

Jorge Ben

Sacundin Ben Samba

39,99 €*

Irene Colored Vinyl Edition

Release: 1963 / BR – Reissue

Genre: Organic Grooves

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Polysom Brazil vinyl LP repress import, released in 1964.

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Caetano Veloso

LP | 1969 | EU | Reissue (Lilith)

O Bem Do Amor Clear Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Although Veloso had already been thrown in jail once for his criticism of Brazil’s military regime, he continued to speak out against it on his second album (1969), with tracks like “Irene”, (about a machine gun-toting outlaw celebrated by the left). No wonder he would soon find himself in political exile in the UK. The general tone of the album is in keeping with its dire message and actually, Veloso felt it was important for his voice of protest to be heard around the world. If he was a high profile public figure, he felt that he would be safer. All this (or perhaps because of all this) and the man still managed to make excellent records! Color vinyl version.

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Ellis Regina

LP | 1963 | EU | Reissue (Sowing)

LP | 1962 | Reissue (20th Century Masterworks)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Elis Regina one of the greatest Brazilian interpreters of all time! Originally released in 1963 when she was not even 20 years old, this was her fourth album and second for Columbia records. Still a few steps before she became a star, here Elis Regina's fresh and extremely ductile voice shines on top of sophisticated Jazz arrangements by Astor Silva and a mixed repertoire based on charming romantic songs and vibrant sambas, all composed by Brazilian authors, among them a couple of highlights such as Baden Powell's "Se Você. Quiser" and "O Ben do Amor" the title track composed by guitarist Rildo Hora. This is an an early and fine statement in Regina's fast way to the peak of Brazilian music history.

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Stan Getz & Charlie Byrd

Jazz Samba

18,99 €*

Release: 1962 / Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Far Out)

Jose Roberto Bertrami

Jose Roberto Trio

Mutantes Bottle Green Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time vinyl reissue of Jose Roberto Bertrami's 1966 ‘José Roberto Trio’ via Far Out Recordings. Best known as the keyboardist and bandleader of legendary trio Azymuth, the late José Roberto Bertrami also wrote for, arranged for and performed with Elis Regina, George Duke, Sarah Vaughn, Jorge Ben, Eddie Palmieri, Milton Nascimento, Flora Purim and Erasmo Carlos, among countless others.

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Os Mutantes

LP | 1969 | EU | Reissue (Vinyl Lovers)

LP | 1960 | EU | Reissue (Intermusic)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here

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John Lee Hooker

House Of The Blues

Release: 1960 / EU – Reissue

Genre: Rock & Indie

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Gandalf Clear Vinyl Edtion

Gandalf

LP | 1969 | US | Reissue (Jackpot)

35,99 €*

The Haunted Clear Vinyl Edtion

Release: 1969 / US – Reissue

Genre: Rock & Indie

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If you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce GANDALF’s 1969 self-titled release as one of our proudest moments. Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych-pop record (fans of THE Left Banke, Kaleidoscope, THE Millennium, and THE Zombies, take note!). Recorded at Century Sound in Manhattan with Grammy-winning producer Brooks Arthur (who engineered Neil Diamond’s “Sweet Caroline” and Van Morrison’s “Brown Eyed Girl”), the production of the album was created on the spot in the studio with arrangements being thrown about and the incredibly haunted vocals being recorded directly from the band’s PA using a Binson Echorec to make this innovative sound (Pink Floyd later used the same echo unit to great effect). Add to that sitars, vibes, B3 organs, harpsichord, minor tragic guitar chords, and bass drones aplenty, and you’ve got the recipe for an album that bears listening to with eyes closed, music cranked, mind open. So get in on the beauty of this record, and as Sando says on the liner notes: “Put the needle in the groove, sit back, and take the trip with GANDALF.” Enough said.

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The Haunted

LP | 1967 | US | Reissue (Return To Analog)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Gloria Coleman Feat. Pola Roberts

Soul Sisters Verve By Request Edition

LP | 1963 | EU | Reissue (Impulse)

27,99 €*

LP | 1969 | UK | Reissue (Proper)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Organist Gloria Coleman discovered drummer Pola Roberts and formed a female band with her. In 1963, the "Soul Sisters", joined by guitarist Grant Green and Leo Wright on saxophone recorded this satisfying and soulful album, unique in the Impulse catalog. Produced by Bob Thiele and recorded by Rudy Van Gelder.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve.

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Spooky Tooth

Spooky Two

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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LP | 1963 | Reissue (Jazz Samba)

Baden Powell

A Vontade

18,99 €*

Release: 1963 / Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (RCA)

Lucio Dalla

1999 White Vinyl Edition

31,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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La Stagione Dei Sensi Clear Vinyl Edition

Ennio Morricone

LP | 1969 | EU | Reissue (Vinylmagic)

Release: 1969 / EU – Reissue

Genre: Soundtracks

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Nancy Wilson W/ Cannonball Adderley

Nancy Wilson

LP | 1962 | EU | Original (Intermusic)

Release: 1962 / EU – Original

Genre: Organic Grooves

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Noisy Silence - Gentle Noise

The Dave Pike Set

LP | 1969 | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Verve)

Nina Simone

High Priestess Of Soul

Bring It Home To Me Tone Poet Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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180g Vinyl LP pressing. High Priestess of Soul is the last album Simone released under Philips Records. The songs are accompanied by a large band directed by Hal Mooney. The album contains popular songs, such as "Don't You Pay Them No Mind" and African American gospel and folk related songs written by Simone herself, such as "Take Me to the Water" and "Come Ye." After this album title, Nina Simone was sometimes referred to as "the high priestess of soul." Nina Simone was an American singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Simone's musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.

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Blue Mitchell

LP | 1966 | EU | Reissue (Blue Note)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Sam Jones

The Soul Society

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Bobby Timmons

Soul Time

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Blue Mitchell

Blue's Moods

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Columbia)

Miles Davis

Greatest Hits

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Baile Ud. Con Betico Salas

Betico Salas Y Su Sorona

LP | 1966 | EU | Reissue (Vampisoul)

17,99 €*

Alfredo Linares Y Su Sonora

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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HIGHLIGHTS:First solo LP by the talented Peruvian artist Betico Salas, lead trumpet player of the great Sonora de Lucho Macedo, one of the best ensembles playing Cuban repertoires in the early '60s.This 1966 album features Alfredo Linares on piano and sonero vocals by Benny del Solar, and combines a mix of guarachas, guanguancó and even cumbias. Betico Salas would later release two more albums and become a legendary trumpet player in Peruvian musical history.First time reissue.- DETAILS:Alfredo Linares on piano and sonero vocals by Benny del Solar stand out on this album. Benny del Solar sings lead vocals on the cumbia of Argentine origin 'Nos vamos a casar'; the Colombian 'Lo que pasa es que la banda está borracha', a continental hit since the early sixties; the guaracha 'A los muchachos de Belén', by Puerto Rican musician Tito Rodríguez; the guaracha 'Ritmo del amor'; the elegant Cuban guaguancó 'Así namá', also well known for Tito Rodríguez's rendition; and the cumbia 'Qué le digo a mi mujer'. Singer, César Gonzales, who would have an extensive career in Peruvian tropical music, sang lead vocals in the guaguancó by the Sonora Matancera 'Lindo Omelenko' and the bolero 'El árbol', a hit for the singer Roberto Ledesma, also recorded that same year by Peruvians Carmita Jiménez, Anamelba, Raul del Mar and Lucho Macedo himself, who decided to sing for his new record label.The mythical singer Johnny Arce, years later known as Mr. Macondo, also appears on the album on the two guarachas: 'La renga', a composition by Esther Forero, known as La novia de Barranquilla; and 'Yo soy candela', a composition by the Colombian Ray Rodríguez.Finally, 'La chola' is a cumbia by Peruvian composer Tomás Benítez; and 'Mambo Jazz' is a version of the descarga 'Yayi's instant mambo', an innovative instrumental track performed by Puerto Rican Willie Rosario, who recorded it in the United States at the start of 1966 with his own orchestra.Betico Salas would later release two more albums and bec...

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Yo Traigo Boogaloo Record Store Day 2020 Edition

LP | 1969 | EU | Reissue (Vampisoul)

17,99 €*

Markley (West Coast Pop Art Experimental Band)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 500 copies.

Long sought after by collectors, DJs and lovers of hard salsa and boogaloo alike, 'Yo Traigo Boogaloo' is now lovingly reissued in replica form with the original cover art, remastered from the studio tapes, reproducing that magical MAG stuio sound for today's aficionados to enjoy like it was 1969 all over again.

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Markley, A Group

LP | 1969 | EU | Reissue (Life Goes On)

25,99 €*

Elis Regina & Toots Thielemans

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych stroke of genius.

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Elis & Toots Limited Edition

LP | 1969 | EU | Reissue (Fontana)

27,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The Velvet Underground & Nico

Velvet Underground

LP | 1967 | EU | Reissue (Vinyl Lovers)

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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... one of the greatest albums of all time! ... 180 gram vinyl with bonus track 'chelsea girls'

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Jameson

Color Him In

LP | 1969 | EU (Life Goes On)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Another lost gem from the non-jazz Verve catalogue, Color Him In is a daydream experience from loner singer/songwriter Bobby Jameson. Released in 1967 the album is an orchestrated psychedelic trip, no surprise then Jameson had a part in the cult film Mondo Hollywood. Produced by Curt Boettcher the album had several psych-pop numbers with rare female vocals harmonization.

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Harvester

Hemat

18,99 €*

LP | 1962 | EU | Reissue (Honeypie)

Release: 1969 / EU

Genre: Rock & Indie

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More than a single cult, the sole album by Swedish combo Harvester was released as a sort of private press on the small Decibel Records. A magical blend of folk and psychedelic rock, Hemåt was published in 1969. With some extra-rock elements like cello, fiddle and even spare horns, the record is a beautiful and magical ritual. The band eventually morphed into Träd, Gräs Och Stenar.

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Ahmad Jamal

All Of You

13,99 €*

LP | 1969 | EU | Reissue (Cosmic Rock)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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All of You is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at Jamal's own club in Chicago in 1961 and released originally on the Argo label. Jamal's group had a personal sound of its own, often playing quietly and leaving space but never losing the passion. These versions of "Time on My Hands," "Star Eyes" and "All of You" in particular are well worth hearing. On the cover, photographed by Don Bronstein, one of the first staff photographers for Playboy magazine, Jamal sits in an MAA chair, designed by George Nelson.

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The Advancement

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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After collaborating with Gabor Szabo on such influential ‘rare groove’ albums as ‘More Sorcery’ and ‘Dreams’, bassist Louis Kabok and drummer Hal Gordon further embraced jazz-rock fusion under The Advancement monicker. Their self title album from 1969 opens with the moody expressiveness of "Juliet" moving on "Moorish Mode" on more interesting drums break. Their heady melting pot of jazz, hard rock and psychedelia is anyhow well described on closing number "Fall Out"

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Goldenrod

Year Of The Iron Sheep Clear Vinyl Edtion

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Vietnam war, the excruciating motto ‘turn on, tune in, drop out’, all of a sudden we were in a new era, just across the lysergic exploitation and the political turmoil. The self-titled album by American trio Goldenrod was released on a small run in 1969 on the enigmatic Chartmaker. An instrumental album full of extended and improvised jam recorded in their hometown of Los Angeles. It comprises of just four tracks, enough for an essential trip. Titles such as "Karmic Dream Sequence" and "Descent Of The Cyclopeans" offers a new exploratory vision, between the past and the future. Goldenrod was a rare metaphysical drug experience you wouldn’t miss again! All three band members met while playing behind The Fifth Dimension and they had earlier played with Ballroom who were a pre- The Millennium-Sagittarius band. After all the three members became all of a sudden top LA session men. Jerry Scheff went on to play with The Millennium (the Californian super group led by Curt Boettcher, basically consisting of psychedelic rock musicians) while Ben Benay appeared in the blues-rock outfit Funzone in the seventies.

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Ken McIntyre

LP | 1962 | EU | Reissue (Sowing)

20,99 €*

Fapardokly Record Store Day 2022 Vinyl Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Recorded intermittently between June and September 1962, "Year of the Iron Sheep" was Ken McIntyre's third album, the fruit of various studio sessions featuring three different personnels. Here the great multi-instrumentalist, mostly known for his collaborations with the likes of Eric Dolphy, Archie Shepp, Cecil Taylor and Charlie Haden is heard on alto sax and flute while the rhythm section variously features pianist Jacki Byard, bassists Ron Carter and Ahmed Abdul-Malik, drummers Ben Riley, Louis Hayes and Warren Smith. An amazing cast of players for a great and yet forgotten post-bop gem.

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Fapardokly

LP | 1967 | EU | Reissue (Bonfire)

LP | 1963 | US | Reissue (Polydor)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Fully remastered and licensed ltd to 500 copies, 180 gr. Fapardokly was an American band from the West Coast. They’re sole self-titled album was effectively a 12 tracks developed by leader Merrell Fankhauser accompanied by a rotation of musicians. Originally released in 1967 on the small imprint UIP, the album is a perfectly fitting lost nugget from the psychedelic era, collecting a series of lysergic pop numbers with solemn orchestration and strong choral vocal efforts. One of the leading tracks – ‘Gone To Pot’ – has an aurea similar to the classic Byrds ‘Eight Miles High’, promoting an extra-sensorial experience all the way.

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James Brown

Live at the Apollo

37,99 €*

LP | 1969 | US | Reissue (Columbia)

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Back To Black 180 gram vinyl reissue

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Terry Riley

A Rainbow In Curved Air

Charlie Palmieri & His Charanga (La Duboney)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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180 Gram Reissue!

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Viva Palmieri

LP | 1962 | US | Reissue (Alegre)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1960 | US | Reissue (Herald)

Lightnin' Hopkins

Lightnin' And The Blues

LP | 1969 | US | Reissue (Blue Note)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Lonnie Smith

Turning Point

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Arsenio Rodriguez & The Afro-Cubano Sound

Viva Arsenio!

LP | 1967 | US | Reissue (Bang)

15,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Jazz Wax)

Wes Montgomery

Montgomeryland

16,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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OST Codice D'amore Orientale

Blue Marvin Orchestra

LP+CD | 1969 | EU | Reissue (Schema)

LP | 1969 | DE | Reissue (Universal)

Release: 1969 / EU – Reissue

Genre: Soundtracks

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“Codice d’amore orientale” isn’t really Piero Vivarelli’s best film, but it features a great soundtrack (as most of
the movies of that era) written by Alberto Baldan Bembo (here under the moniker of Blue Marvin), a n excellent
composer and pianist, older brother of the way more famous song writer Dario. The nine tracks span several
genres and linger between Italian popular music and orchestral pop, Asian influences (couldn’t have been
different), breakbeat, funk and some experimentalisms. Perfect for any self-respecting DJ’s music selection!

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Frank Zappa

Hot Rats

22,99 €*

LP | 1969 | EU | Reissue (Mercury)

Release: 1969 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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„Hot Rats“, originally released 1969, is Zappa’s second album. It‘s considered to be one of the first Jazzrock albums ever and mostly contains instrumental compositions except from one track.

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Scott Walker

Scott 3

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Electric Prunes Blue Vinyl Edition

The Electric Prunes

LP | 1967 | US | Reissue (Jackpot)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Underground Light Blue Vinyl Edition

The Electric Prunes

LP | 1967 | US | Reissue (Jackpot)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Rocks The House Blue Vinyl Edition

Etta James

LP | 1963 | US | Reissue (Jackpot)

31,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Best known for the lush 1961 rendition of the ballad “At Last”– a slow-dance staple at wedding celebrations everywhere,she is also celebrated for having recorded one of the bestlive albums of all time, “Rocks the House.” Recorded in 1963at the New Era Club in Nashville, James is captured at her performance peak. The foundation for her reputation as a fiery no-holds-barred performer was firmly established in this recording.

Blues, soul, jazz, R&B, and rock vocalist Etta James, needs no introduction. An icon from early rock’n’roll’s pantheon of divas, she has inspired 5 decades of listeners and fellow artists with her vocal stylings. From Janis Joplin to Beyonce, her expressive and guttural style has been imitated but never quite matched.

Jackpot Records is honored to release this momentous record on stellar blue vinyl, with the original album artwork and including 3 bonus tracks which have only ever been released previously on CD. Her powerful version of “Something’s Got a Hold on Me” will shake you. Her impassioned version of “All I Could Do Is Cry,” will break you.

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Frank Zappa

Hot Rats

LP | 1969 | US (Zappa)

37,99 €*

Release: 1969 / US

Genre: Rock & Indie

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Mack The Knife: Ella In Berlin

Ella Fitzgerald

LP | 1960 | EU | Reissue (Verve)

25,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Best Of Wilson Pickett Volume Two

Wilson Pickett

LP | 1967 | US | Reissue (Friday Music)

43,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Nancy In London Summer Wine Red Vinyl Edition

LP | 1966 | US | Reissue (Light In The Attic)

39,89 €* 41,99 € -5%

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Nancy In London Black Vinyl Edition

LP | 1966 | US | Reissue (Light In The Attic)

37,99 €* 39,99 € -5%

Greatest Hits 45RPM, 200g Vinyl Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Patsy Cline

2LP | 1967 | US | Reissue (Analogue Productions)

75,99 €*

Sweet Rain Acoustic Sounds Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.
In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy's biggest hits — all of them from the country singles market — including "Walkin' After Midnight", "Sweet Dreams (Of You)", "Crazy", and "I Fall to Pieces".
Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's 'countrypolitan' sound. And trust us, on this 200-gram QRP pressing, mastered by Sterling Sound, Cline's seductive vocals have never sounded clearer or richer.
Cline's life and career has been the subject of numerous books, movies, documentaries, articles and stage plays. She has sold millions of albums through the past 50 years, giving her an iconic fan status, similar to that of country artists such as Johnny Cash and Dolly Parton. In 1992, the U.S. Postal Service honored her, along with Hank Williams, on a U.S. postage stamp. And in 1995 she was honored with a Grammy Lifetime Achievement Award. Cline was also honored with a star on the Hollywood Walk of Fame in 1999.
Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top-selling country album of all time by a female artist.

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Stan Getz

LP | 1967 | US | Reissue (Verve)

38,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Le Stelle di Mario Schifano

Dedicato A Purple Vinyl Edition

LP | 1967 | EU | Reissue (AMS)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1960 | JP | Reissue (P-Vine)

B.B. King

The Great B.B.King

The Horace Silver Quintet

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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After creating a storm in the 50s with over 30 chart-hitting singles, BB King didn’t slow for a moment as he marched into the next decade. The Great B.B. King, the blues legend’s fifth release for Crown Records, was released in 1960 and collects a number of his iconic 50s hits including “Sweet Sixteen” and “I Had A Woman (Ten Long Years)”. P-vine is delighted to be revisiting this essential album for a limited pressing on 180g heavyweight vinyl paired with an iconic Japanese obi strip.

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Horace-Scope

LP | 1960 | EU | Reissue (Danger Grooves)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Clark Terry & His Orchestra

Clark Terry

LP | 1960 | EU | Reissue (Sam)

31,99 €*

Ummagumma Remastered Edition

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Re-mastered from a copy of the Mono Master Tapes. Limited edition 2000 copies. 180 gr vinyl pressed by Pallas in Germany. Deluxe high-gloss flipback album jacket. Facsimile reissue using the original photo by JP Leloir. Double insert using an original photo by JP Leloir from 1959. Each record has been visually checked to prevent defects.

Recorded October 1959, Paris.

Original LP issue: Decca 153.924

Critics often complain that small-group sessions comprised of members of the Duke Ellington Orchestra are somewhat disappointing; this is definitely not the case with this session led by Clark Terry, recorded during a 1959 tour of Europe in the final month of the trumpeter’s almost eight-year tenure with the band. Fellow Ellington sidemen Paul Gonsalves, Jimmy Woode, and Sam Woodyard are present, along with Raymond Fol at the piano. Terry was one of the most gifted trumpeters to grace the Ellington band and he blossoms when he has more opportunities to solo in a small group setting like this one. Gonsalves proves to be the perfect foil for Terry as they trade lines on several of the numbers. Unlike many dates led by Ellington veterans, this one doesn’t rely heavily on songs from the vast Ellington songbook; instead, Terry includes only ‘Satin Doll’, a Monk’s tune, one by Babs Gonzales and three of his own compositions, with ‘Serenade to a Bus Seat’ (a remake of his upbeat instrumental interpretation of the hectic life of a touring musician) proving to be the most memorable.

This studio date was recorded for French Decca label and was almost impossible to find until now.

Clark Terry (Trumpet) Paul Gonsalves (Tenor saxophone) Raymond Fol (Piano) Jimmy Woode (Bass) G. T. Hogan (Drums)

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Pink Floyd

LP | 1969 | EU | Reissue (Parlophone)

32,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Bo Diddley Is A Gunslinger

Bo Diddley

LP | 1960 | EU | Reissue (Waxtime)

16,99 €*

Release: 1960 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Guerssen)

The Living Daylights

Let's Live For Today

26,99 €*

Release: 1967 / EU – Reissue

Genre: Pop

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7" | 1966 | EU | Reissue (Madmua)

Sonia

Aquí En Mi Nube

20,99 €*

LP | 1967 | US | Reissue (Craft)

Release: 1966 / EU – Reissue

Genre: Pop

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Official reissue of the super rare Spanish EP from 1966, one of the holy grails in the Spanish 60s collector circles, and a key title from the female ye-ye scene.

Includes a nice cover of Stones’ “Get off of my cloud”, and the label has used a song from another EP of Sonia, “Si tuviera un martillo”, replacing the weak “Concierto para enamorados” that was on the record originally.

Has a 4-page full colour insert with extensive linernotes (Spanish only!) and some photos.

Limited to 450 hand-numbered copies.

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Albert King

Born Under A Bad Sign

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Today (Bluesville Acoustic Sounds Series)

Skip James

LP | 1966 | US | Reissue (Craft)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Mercury)

Scott Walker

Scott 4

22,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Arthur Or The Decline And Fall Of The British Empire

The Kinks

2LP | 1969 | EU | Reissue (BMG/Sanctuary)

Release: 1969 / EU – Reissue

Genre: Pop

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LP | 1960 | Reissue (Culture Factory)

Walter Davis Jr.

Davis Cup

Release: 1960 / Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Life Goes On)

Hal Blaine

Psychdelic Percussion

LP+DVD | 1967 | EU | Reissue (Bear Family Productions)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Psychedelic Percussion definitely sticks to his title. With the help from Paul Beaver of Beaver & Krause (famous keyboard wizard and sound engineer for the likes of Stevie Wonder), vibe master Emil Richards (check is two fantastic album on Impulse! with The Microtonal Blues Band featuring Joe Porcaro, father of the famed Toto brothers) and Gary Coleman (percussionist in the famous Wrecking Crew), Blaine goes wild in the studio with drums, gong, xylophone, organ, bongos, congas and timpani. Unusual textures and tones lead the way to 12 instrumental exotic numbers similar in a way to Raymond Scott most visionary experiments. This is pure madness, a record full of breaks and still unsurpassed in many ways. Blaine was an American drummer and session musician, estimated to be among the most recorded studio drummers in the history of the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one, as well as many film and television soundtracks. He became one of the regular players in Phil Spector's de facto house band, which Blaine nicknamed "the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond and the Byrds.

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Tages

Studio

LP | 1966 | UK | Reissue (Pure Pleasure)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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It happened in 1967... ‚The Summer of Love’ may date back 50 years, but ’Tages – Studio’ will remain a timeless classic. Every household should get its copy!!!
Tages (pronounced "tah-guess") are universally known as the best sixties pop band from Sweden. They struck it big early, hitting the Swedish #1 with Sleep Little Girl in 1964! Their efforts in the psychedelic era would be their last. ’Studio’ should sit comfortably next to other masterpieces of the year 1967, a few notches closer to ’Odessey & Oracle’ than ’Sgt Pepper’s Lonely Hearts Club Band’.
Thanks to the tape cuts, orchestration, harmonies, and studio tricks, it sounds like the guys got their hands on a copy of Brian Wilson's then yet unreleased ’Smile’ tapes. Certainly, anybody willing to spend enough time exploring all the rabbit holes in the Beatles’ catalog owes themselves a trip through this marvelous record
Have You Seen Your Brother Lately
The album opener, Have You Seen Your Brother Lately, proves how apt the name ’Studio’ is for such a creatively produced statement. Few won't be sold within the first few seconds, hearing a looping string quartet surrender to a commanding rhythm highlighted by pounding drums and boxy plucked bass lines. Delicate touches of grand piano and kazoo bust open the door to an album rife with auditory treats and excellent craftmanship. Vocals are good, reminding of an edgier Colin Blunstone, with plenty of fine backup parts.
’Studio’ comes across of rather diverse nature. It's My Life, the second track growls out dark guitar distortions straight from the Move arsenal under workout vocal leads. The drums stand out, consistently providing ahead-of-their-time, vicious beats.
Tunes are often loaded with orchestration like the soft ballad, People Without Faces, and bouncier brass marches like What's The Time and She's Having A Baby Now. Tasteful psychedelic treatments abound in backwards guitar leads, weird stomp boxes, and sound effects sprinkled throughout the record.
First time on DVD, ever
The accompanying previously unreleased DVD of ’Dalamania’ was produced by Swedish national TV, SVT and shows the Tages on the height of their psychedelic career. This little piece of rock history appears to be such a thing as the Swedish version of the UK Beatles movie, ’Magical Mystery Tour’. Since its original broadcast in 1968, ’Dalamania’ has remained unnoticed on the shelfs of SVT. First time on DVD, ever.
An album like ’Studio’ should have propelled the Tages to the top 500 lists, worldwide, rather than remain a Swedish Rock ’n’ Roll footnote. Members of the Tages would form Blond in 1969 a band that disbanded in 1970.
1-LP (Gatefold sleeve) with 8-page booklet 25x25 cms) plus bonus DVD in cardboard sleeve (DVD5, b&w, 30 mns, English, 4:3, NTSC, region: 0)

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Charles Lloyd

Dream Weaver

Alton Ellis / The Soul Syndictae

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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The first studio date of the Charles Lloyd Quartet, with Keith Jarrett, Cecil McBee, and Jack DeJohnette, was recorded and released just a few days before the band took both the European and American festival circuits by storm. First came Europe, which was just getting the disc as the band was tearing up its stages. While the live dates are now the stuff of legend, it's easy to overlook the recordings, but to do so would be a mistake. "Dream Weaver" is a fully realized project by a band -- a real band -- in which each member has a unique part of the whole to contribute. Jarrett's unusual piano style fits musically with Lloyd's lyricism in a way that it shouldn't. Jarrett was even then an iconoclast, playing harmonic figures from the inside out and relying on counterpoint to create new spaces, not fill them in. (Just listen to "Autumn Sequence", where his solos and his backing harmonics are equally strident and inventive as Lloyd's Eastern explorations of mood and mode.) And then there's the rhythm section of McBee and DeJohnette, whose modal inventions on the intervals make the "Dream Weaver" suite an exercise in open time, allowing all players to wander around inside it and take what they want out. The set closes with a group party jam on "Sombrero Sam", with Lloyd and Jarrett trading eights on a Cuban variation on a fantasia. There were no records like this one by new groups in 1966.

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If I Could Rule The World / Lava

12" | 1967 | EU | Reissue (Only Roots)

14,99 €*

Mickey & The Soul Generation

Release: 1967 / EU – Reissue

Genre: Reggae & Dancehall

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Reissue of a 1967 rocksteady gem (extended version) b/w and extended mix of The Soul Syndicate's 'Lava'.

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Iron Leg

7" | 1969 | EU | Reissue (Gc Production)

12,99 €*