Vinyl, CD & Tape 153039 Items

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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Europa Limited Colored Vinyl Edition

Diplo

12" | 2019 | EU | Original (Caroline)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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12" | 2019 | EU | Original (Drumcode)

Veerus

Hypnosis

12" | 2019 | US | Original (Carpark)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Veerus makes his Drumcode debut, after an impressive contribution to Truesoul’s VA EP in 2017.
The Italian has built up an impressive discography over the last decade, dropping records on labels including Terminal M, Octopus, Filth on Acid and his own Le Club imprint. His collaborative with Maxie Devine ‘My Train’ was a highlight of Solomun’s classic Boiler Room in Tulum, which has clocked 37 million views. In late 2017 he linked up with Brits OC & Verde for the fantastic ‘Naaki’ that featured on Truesoul’s first Various Artists EP, ensuring he was an artist well and truly in Adam Beyer’s sights.
His maiden outing for Drumcode mines 20 years of history, taking inspiration from classic trance and acid from the ‘90s, which he distils to create powerful modern techno works. ‘Hypnosis’ was a huge highlight of Beyer’s Awakenings show at Gashouder during ADE. It’s characterised by an engrossing call-and-response dynamic Veerus builds between the 303 acid warbles and the melodic stabs that run throughout. A track custom made for big moments. ‘Apocalypse’, like its name, is more menacing. Veerus constructs the work to mimic the dramatic theatre of a gladiatorial scene in a film, as heart-fluttering chord progressions, a piercing synth line and dystopian melody mark this memorable track.

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The Beths

Warm Blood

Release: 2019 / US – Original

Genre: Rock & Indie

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10" | 2019 | EU | Original (Basin Rock)

Johanna Samuels

Have A Good One

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 1968 | US | Reissue (CBS)

Joe Thomas Group

Comin' Home

Release: 1968 / US – Reissue

Genre: Organic Grooves

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A Synthetic Love Life Volume 2

Hieroglyphic Being

12" | 2019 | US | Original (Mathematics)

Miroslav Vitous / Eumir Deodato

Release: 2019 / US – Original

Genre: Electronic & Dance

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HIEROGLYPHIC BEING'S Volume 2 of 9 "A SYNTHETIC LOVE LIFE VOL 2" features uptempo electronics & simmering circuit boards stamped with Chicago rhythm patterns. Limited & stamped for MATHEMATICS PLUS.

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New York City / Whistle Bump

12" | 2019 | EU | Original (South Street Disco)

Derya Yildirim & Grup Simsek

Release: 2019 / EU – Original

Genre: Organic Grooves

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Following on from the standout D.J. Rogers release, South Street Disco turn their sights to reissuing two seminal and much sought after ‘70s jazz funk Loft classics. One side houses Miroslav Vitouš’ cosmic disco delight ‘New York City’, the other uncovers the Latin infused whirlwind ‘Whistle Bump’ from Eumir Deodato.
First up the Czech jazz bassist and founding member of Weather Report, Miroslav Vitouš, supplies the infectious vibrations of ‘New York City’. Harnessing the spirit of the bubbling NYC underground club scene of the mid ‘70s, Vitous lays down a proto Arthur Russell flavoured jam, that blends whirling new-wave-esque vocals and brazen basslines over trademark cosmic keys from the master, Herbie Hancock. Combined with tight drumming and fiery, overdriven riffs it paved the way for this to become a dancefloor hit and a clear precursor to the early house scene. With originals trading hands for £120+ it’s high time ‘New York City’ got an official remastered reissue.
On the flip side, a timeless Brazilian instrumental jazz-funk gem from Eumir Deodato that likewise became a certified classic through heavy rotations on New York’s revered dancefloors, most notably via David Mancuso at The Loft. Feel good feelings amplified by spirited Rhodes, psychedelic strumming and that sure-fire Latin infused bongo / whistle carnival combo. Carefree, unbridled energy that sees Pops Popwell’s funk bass perfectly accompanying blazing guitar solos and a horn section from heaven, it’s impossible not to get down to. Pure South American sunshine bottled up and ready to be supplied at will.

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Kar Yagar

CD | 2019 | EU | Original (Les Disques Bongo Joe)

12" | 2019 | EU | Original (Bedouin)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Two years after the success of „Nem Kaldı“, outernational psych-pop sensation Derya Yıldırım & Grup Şimşek deliver their debut album, „Kar Yağar“ - and it was worth the wait! Over the course of it’s 12 tracks, the powerful sound of the Bağlama [Turkish lute] and Derya Yıldırım’s stunning vocals, builds and unravels stories together with the guitars, organs, drums, flute and bass.

Kar Yağar (which translates as „Snow Falls“) has the dynamics of an epic journey through the Anatolian highlands where deep-rooted folk effortlessly switches to sparkly improvisation or dancy pop tracks.

The album was self produced at their studio in the Auvergne-Rhône-Alpes, and the band's tour de force resides in their ability to develop their personal sound and approach whilst keeping their heart tuned to Derya Yıldırım's Anatolian roots.

The album opens with „Üç Kız Bir Ana“ (three daughters, one mother), a smooth, yet epic 5/4 track that introduces the live and psychedelic sound of the band with influences ranging from Anatolian music to 70’s jazz and early prog rock.

The title-song „Kar Yağar“ [written by Derya Yıldırım] is a fresh pop track melodically rooted in the Turkish folk music tradition. The song's lyrics, referring to snow falling in the summer, are an extended metaphor which tells a strong and emotionally charged personal story.
Here, Grup Şimşek bring out their unmistakable signature sound - light and movement inducing tempo, elegant wah wah guitars and magical quartertoned synth licks.

Original songs and instrumentals - all composed and arranged by the band - are scattered throughout the album. Notably - „Seni Hala“, a tear-drawing ballad with stripped-down acoustic arrangement and haunting choir… And Graham Mushnik’s dreamy instrumental „Çocuklar“, in which the band chose to feature a poem by one of Turkey's most renowned 20th century poet Nâzım Hikmet Ran whose title translates as „give the world to our children“. The poem is meaningfully read by Derya’s father Mustafa Yıldırım.

The LP also contains a string of Turkish folk songs, that the band entirely re-arranged whilst preserving their original spirit and soul. In „Ey Şahin Bakışlım“ Grup Şimşek pay tribute to the Alevi culture, a minority community in Turkey for which music - and particularly the Bağlama instrument - has a sacred value. A powerful and majestic version of Mahzuni Şerif’s „Dom Dom Kurşunu“ - one of Grup Şimşek fans’ favourites at live shows - is also featured.

Recorded and Mixed by Grup Şimşek
Mastered by Tim Stollenwerk at Stereophonic
Vinyl Cut by Adi Flück at Centraldubs

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Zomby

Vanta

LP | 2019 | EU | Original (New Info)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Vanta is a construction for the savage. It reaches the profane along with the cryptical. The EP includes 5 tracks in which Zomby redetermines his access to techno by developing a language that is archaic. A language that is his own.

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Ot To, Not To

It Loved To Happen

LP | 2019 | EU | Original (Nettwerk)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Ot to not to is the experimental RnB recording project of Virginia natives Ian Mugerwa and Noah Smith In 2016, Mugerwa released the first Ot to Not to LP Goshen through Nicolas Jaar’s OTHER PEOPLE imprint after being discovered by Jaar in 2015 while recording.
Goshen was a very deliberate effort to create an RnB concept album that explored aesthetics and recording methods usually more associated with European experimental electronic music. More specifically, it was an effort to subvert tropes in pop RnB, whether those be the stereotypical, sterile cleanliness of radio RnB or the safe themes and song structures. While Goshen was undertaken primarily as a solo effort while Ian was casually homeless in Richmond, Virginia, the contributions Noah did make (namely the last track) served as the basis for the aesthetic shift seen in their most recent 2nd LP It Loved to Happen.
After releasing Goshen in 2016, Mugerwa did a series of informal experiments in laptop recording that resulted in his These Movements I & II double EP. The EPs, released through European ambient label ACR, served as an outlet for Mugerwa to explore genres like ambient, modern classical, IDM, and lo-fi R'n'B without the added pressure of being bound to a strict concept or narrative. Furthermore, these EPs afforded Mugerwa some familiarity with the styles and techniques he would explore with Smith on the next Ot to not to LP.
In late 2016, Ian joined Noah at his family’s cabin in the Virginia Appalachian mountains to record a follow-up to Goshen. Prior to this, both artists had been suffering the isolating effects of untreated mental illness, and retreating to mountains to record seemed to offer a desperately needed cathartic outlet. This sylvan setting inspired a shift from the more cold, abstract, electronics of Goshen to the more naturalistic, analog-focused, and guitar-driven aesthetic of the new LP. Artists like Talk Talk, Baden Powell, Nick Drake, Vashti Bunyan and Phil Elverum were playing constantly in the cabin when the duo weren’t actively tracking, influencing the sound of the LP. Just as on Goshen, tape processing was heavily utilized as a way to collage and manipulate samples.
All instruments - even the orchestral parts - were performed by Ian and Noah. Subtle, but detailed sample-based sound design was utilized throughout the album for texture and, unlike their debut, no synths were used. Instead there was an emphasis on manipulating samples the duo would amass from hours of field recording. Throughout the recording session the duo adopted a religious reverence for the woods and mountains that surrounded them, and as a result the album took on themes of spiritual yearning and exploration that flowed under allegorical lyrics about isolation and lost love. Additionally, elements of ambient electronic music were explored on It Loved to Happen, with some tracks abandoning any song structure in favour of raw sound exploration.

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Jon Bryant

Cult Classic

Release: 2019 / EU – Original

Genre: Pop

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Super Lover Cee & Casanova Rud

I'm Back / Girls I Got 'Em Locked

7" | 2018 | US | Original (Fraternity)

12" | 2019 | EU | Original (Drumcode)

Release: 2018 / US – Original

Genre: Hip Hop

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Another 7-inch sure shot straight from the heart of the golden era of hip hop, this double-sided killer dips deep into the heavy catalog of Super Lover Cee and Casanova Rud for an essential addition to any funky DJ’s crates. “I’m Back,” the album opener from the duo’s debut, has never appeared on a 7-inch single before. Supe and Rud trade high-powered verses that backslap all imitators — As Super Lover Cee says, “respect your elders, shorty!” The flip, “Girls I Got ‘Em Locked,” was engineered for extra large sound by all-time great Paul C and kicks things off with the iconic “One Two Ah Pump It Up” vocal intro that makes doubles mandatory, if you didn’t know already!

Another sure shot reissue by The Undercover Brother released on the Mobile Mondays label. This high-quality single is super limited and won’t be repressed…

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Wehbba & DJ Deeon

We Have Bass

LP | 2019 | EU | Original (Local Action)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.
Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.
A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’.
A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

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Lena Raine

Oneknowing

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Swing In Paris

Release: 2019 / EU – Original

Genre: Organic Grooves

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Paris In Love

Release: 2019 / EU – Original

Genre: Rock & Indie

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Bebop Jazz In Paris

Release: 2019 / EU – Original

Genre: Organic Grooves

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Jungle Dub / Hardcore Rave Tune

Drum Cypha

12" | 2019 | EU | Original (Horrific)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP | 1962 | US | Original (Charlie Parker)

Joe Carroll

Man With A Happy Sound

LP | 2015 | DE | Original (Jakarta)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Bluestaeb

Rodalquilar

Release: 2015 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 1982 | EU | Reissue (Epic)

Rose Royce

Still In Love

CD | 2019 | EU | Original (!K7)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Two Rose Royce treasures from the 1982 Epic LP, “Stronger Than Ever” get a much deserved official, remastered reissue, with each side respectively fetching a pretty penny on their own.
First up, ‘Still In Love’, opens with otherworldly keys and a rumbling bass before diving into an alluring disco anthem where lively strings and animated pianos dance with a dose of ‘80s synth action. The powerful and emotive tones of Rose Norwalt swell with the rising string section, before making way for an exquisite piano solo that give this the power to enthral any dancefloor.
Take to the flip to find ‘Best Love’ which follows in those sparkling footsteps, utilising pitch bent top lines, graceful violins and a springing bassline that blend perfectly with Rose’s voice. A sweet and tender tale with an irresistibly soulful touch.
A Rose Royce double header spread lovingly over either side of a 12” for maximum clarity and punch.

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Lafawndah

Ancestor Boy

12" | 2019 | EU | Original (Seilscheibenpfeiler)

Release: 2019 / EU – Original

Genre: Pop

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The debut full- length album from Lafawndah, ANCESTOR BOY, releasing on 22nd March 2019 via her own label imprint CONCORDIA, is a bracing statement of intent, heralding an artist unbound in scope, scale, and intensity. It simply must be heard. The debut full- length album from Lafawndah, ANCESTOR BOY, releasing on 22nd March 2019 via her own label imprint CONCORDIA, is a bracing statement of intent, heralding an artist unbound in scope, scale, and intensity. Having in her prior self-titled and TAN EPs upturned geography, in ANCESTOR BOY Lafawndah digs deep to unravel geology, mining emotions of the deep pastand future. The album's physicality is elemental; its memory, mineral. It is a becoming- of- age story for a people yet to come, created out of a need to find the others. In the middle of the album's sonic and lyrical onslaught is the desire to share the uncertainties of growing up when you don't belong anywhere. Crafted with the aid of fellow travelers Nick Weiss, ADR, and L-Vis 1990, ANCESTOR BOY's maximalism- it's overflow of detail, of feeling, of ideas-serves to amplify a frequent lyrical motif: the sensation that one body, one lifetime, isn't big enough for what you're feeling. The record is pregnant with memories shared across more than one mind, recalling the storytelling antagonisms of Nina Simone at her most strident and unpredictable. Inresponse, the rhythmic aggressions of her music have grown even more determined and psychedelic, drawing a line in fire between Jimmy Jam's turnt industrialism on Control and the furious unease of Red Mecca-era Cabaret Voltaire. With a palate equal parts chrome and dirt, ice and depth, Lafawndah's finesse with song architecture imbues the LP with an uncanny addictiveness: anthems loaded with trap doors. ANCESTOR BOY imagines a pop music that is neither imperial nor local, but a freedom of movement; a residue, perhaps, from the album's nomadic creation between Los Angeles, Mexico City, New York, London, and Paris.

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Peder Mannerfelt

Life Without Friction

Till The End Of Time/If I Care/I Walk With My Shadow

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The second 2019 release on Seilscheibenpfeiler is reserved for one of the most unique producers of our times and marks the label’s most experimental moment yet. Peder Mannerfelt’s discography stretches back more than ten years to when he first started putting out techno records as The Subliminal Kid. Amongst other things he helped producing two acclaimed albums by fellow Swedish artists Fever Ray and gained recognition under his real name, especially in recent years with releases for Numbers. or Hinge Finger and critically acclaimed albums like „Controlling Body“ (2016) or „Daily Routine“ (2018) on his own imprint.
Last year Mannerfelt contributed to Modeselektion Vol. 4, now he’s back with a set of four tracks following his unique strain of abstract techno. „Life Without Friction“ is about disruption as well as peculiar moods and rhythms, and other than its title may suggest, there’s a lot of friction and tenseness in these tracks. The title cut and „Un - Air“ show Mannerfelt in almost straightforward mode, always ensuring it never gets boring or too comfortable. „Lucid In The Sky“ and „Hold The Line“ combine mellow sounds with stabs of noise and twisted percussion. As always, Peder Mannerfelt’s productions remain unpredictable, but predictably great.

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The Sound Reasons

LP | 2013 | EU | Original (Groovie)

12" | 2019 | EU | Original (Infuse)

Release: 2013 / EU – Original

Genre: Rock & Indie

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It defied reason. Forming a band in order to raise from the dead a short, obscure musical period of lawlessness between 1965-67, in a day and age of predictable, artificial and uninspired "music".
Coming from the 4 corners of LA County, The Sound Reasons got it together. Locals began seeing where it was at, because, every performance they saw, the boys brought the thunder and lightning down in the form of a hip shaking, pounding, jangly, fuzz drenched soundscape.To the Sound Reasons, music is THE THING with no artificial ingredients, and real SOUL. With the Sound Reasons, Rock and Roll, really,
is alive and well. For this band, the only thing that counts is getting it tight, out of sight and nailing the elusive SOUND.
This debut release is sure to turn your party, cookout, or freakout ON because these guys have the stuff.
The stuff that defies Reason!
Heavy Carton delux edition, oldschool sleeve glued backflip

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Mennie & Julien Sandre

Phutura EP

12" | 2019 | US | Original (The Nite Owl Diner)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Italian producer Mennie teams up French producer Julien Sandre to release the third of their collaborative EP’s. Previously releasing on Housewax and Poker Flat the duo now grace Infuse with a superb three track EP of exquisite grooves!

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Alexander East

Hazy Shade Of Love

Take Me Back To The South

Release: 2019 / US – Original

Genre: Electronic & Dance

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NITE OWL DINER'S newest comes from House veteran ALEXANDER EAST (UC, SUB- URBAN, FREERANGE) featuring rare mid-90s recordings of jacking Chicago House & Rave. "HAZY SHADE OF LOVE" is a future classic with soulful vocals & keys. "STR8 JACKIN" is a banginâ€™ jacker & "THE BOMBMAKER" is filtered real techno.

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BSN Posse

LP | 2018 | EU | Original (Iberian Juke)

12" | 2002 | US | Original (Arista)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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With this album BSN Posse want to reflect their love, respect and passion for the footwork culture in general and for the city of Chicago in particular, with its guetto suburbs being the origin and starting point of the juke and footwork movement. ‘Take Me Back To The South’ combines masterfully in eight tracks elements of jungle, drum & bass, soul and funk with the classic juke and footwork take at 160bpms.

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Blu Cantrell

Breathe

Release: 2002 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

CD | 2019 | US | Original (Friends Of Friends)

Shlohmo

The End

LP | 2019 | UK | Original (Bella Union)

Release: 2019 / US – Original

Genre: Electronic & Dance

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New album from Los Angeles composer/producer Henry Laufer, out March 22nd on Friends of Friends/Wedidit
“The album is vaguely about the end of the world, but from the viewpoint of smoking on the couch during the extinction event. Reading a nice book while the meteor hits. The fake peace of insularity during chaos” Shlohmo

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E.B. The Younger

To Each His Own

Release: 2019 / UK – Original

Genre: Rock & Indie

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Das Muss Eine Demokratie Aushalten Können

Waving The Guns

CD | 2019 | EU | Original (Audiolith)

Release: 2019 / EU – Original

Genre: Hip Hop

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CD | 2019 | UK | Original (Chopped Herring)

A.J. Munson

Cigarettes & Coffee

12" | 2014 | DE | Original (Dirt Crew)

Release: 2019 / UK – Original

Genre: Hip Hop

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Dope new producer project from the Cali beatmaker A.J. Munson - Heavy Fish!

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Detroit Swindle

Huh, What!

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Sampology, Megan Christensen, Sam Stosuur

Middle Name Dance Tracks Volume 1

12" | 2018 | EU | Original (Middle Name)

12" | 2019 | EU | Original (Crown Ruler)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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New Australian label run by Sampology himself. Middle Name Dance Tracks Vol 1 is the second release from Sampology’s new imprint. The Middle Name Dance Tracks project reflects standout live & club nights in Brisbane of recent years, where there has seen a steady cross pollination between the club and soul/jazz communities. The blurred line between these two musical worlds has delivered an array of diverse and joyful events for both artists and avid music fans.

Harvey Sutherland
"Great live vibes and arrangements on these collaborations Sam, always appreciate the attention to detail on your tracks. “Bless” is a jam! ”

CC:DISCO!
'Fantastic release, sampology continues to wow me with his depth and talent . It’s a yes from me for these Brisbane collabs!!!'

This project is a collaborative creative effort between Sampology, Megan Christensen and Sam Stosuur. The recording process was live in nature with Megan on piano and keys, Sam Stosuur on bass/bass synth and Sampology on MPC drums and programming. Having live conga & timbale from Brisbane based Latin percussion staple Gus Cereiji glues the groove together. These sonic choices were inspired by listening to NYC early 80s disco labels, especially Prelude 12" releases, which balanced drum machine & synths as well as live studio musicians. Vocals on 'Only Joy' were recorded by Kerry Raywood. Vocals for 'Bless' come from Brisbane jazz vocalist Merinda Dias-Jayasinha. The combination of the Middle Name Dance Tracks trio and the additional Brisbane artists offers a specific music palette that’s live in essence, dancefloor in orientation, and magical in delivery.

Middle Name Records Dance Tracks Vol 1.

All songs written by Megan Christensen, Sam Maguire & Sam Poggioli
'Only Joy' co written by Tiana Naug
'Bless' co written by Merinda Dias-Joyasinha

Keys - Megan Christensen
Bass - Sam Stosuur
Drums - Sampology

Vocals for 'Only Joy' - Kerry Raywood
Vocals for 'Bless' - Merinda Dias-Jayasinha

additional percussion - Gus Cereijo

produced / mixed - Sampology

Artwork Sue Poggioli

Vinyl Lacquer cut by Simon Davey, Manufactured by R.A.N.D MUZIK Germany

c&p 2018 Middle Name Records MNR002

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Aaron Broomfield

Boomerang

12" | 2018 | EU | Original (Disk)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Crown Ruler Records returns with a slab of unreleased disco-funk from Miami musician, Aaron Broomfield. HEAVY tune, in two mixes.. TIP.
“Boomerang” was first recorded in 1979, when the Broomfield Corporate Jam leader was attempting to plot a solo career. It was the first cut Aaron Broomfield recorded under his own name – Initially, at the family band’s home studio, Kilimanjaro, and later at professional studios in L.A and Miami – but it was never released.
“I always wanted to be able to share ‘Boomerang’ with my fans some day – I didn’t release it back then because I thought the time wasn’t right,” Broomfield explains. “It was so different to what was considered commercial then and felt ahead of its time.”
Before deciding against releasing it, Broomfield had two test pressings made. It was the accidental discovery of the one remaining record by digger Arun Brown (the other perished when Broomfield’s Kilimanjaro studio was damaged by a fire in 1996) that set in motion the chain of events that finally led to its release.
The jacket boasts a written essay by Broomfield himself, telling the remarkable story behind the song. The wax features the two versions of Boomerang, of which both were meticulously restored and re-mastered by celebrated Australian sound engineer, Dan Elleson.
Head to side A for the “test press” version, a cosmic, starry-eyed chunk of elastic Miami disco-funk where the Broomfield family’s killer instrumentation – all rubbery bass, deep space synths and crunchy Clavinet motifs – arcs around the sound space like a boomerang in flight. The vocal arrangement, in which Aaron Broomfield’s conscious lyrics come through loud and clear, brings it home. On the flipside, you’ll hear how dynamic the band was through the “Demo Version” - a relaxed, loose and spacey groover that sounds as ahead of its time in 2018 as it would have when it was recorded in 1979.

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Baptisma

Pes EP

12" | 1983 | EU | Reissue (Jive)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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‘BAPTISMA is 55 years old, lives in Nagoya and runs an art space and concert venue called Spacio Rita. He has never before released any music.

In the hot and humid Japanese summer of 2016 YPY and I played a show at Sapcio Rita, Shintaro was DJing and BAPTISMA played a short show, too. It was impulsive and driving while somewhat earthy and dark, buzzing with dense energy like a jungle yet spacious like the hall of the mountain king.

BAPTISMA’s powerful sound creates strange places - as inviting as shady.
I was captivated. BAPTISMA liked the idea of a release and we embarked on that long journey that finally led to DISK16. Along the trip we proudly welcomed HODGE from Bristol as a stowaway. His unexpected remix well rounding this square project. Finally MARIA MENDES from Lisboa served as our beacon, providing a simple and beautiful jacket for this neat release!’

Florian Meyer / Don’t DJ

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Sinnamon

I Need You Now

12" | 1975 | EU | Reissue (RCA)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Sinnamon’s ’83 NYC boogie scorcher ‘I Need You Now’ gets the official remastered, reissue treatment - complete with the ‘Fierce Reprise’ dub mix alongside the accapella, providing essential sampling material.

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Buari

Karam Bani

LP | 2018 | EU | Original (Last Gang)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Official, remastered reissue of this disco tinged, afro funk treasure and the first time the ‘Karam Bani’ single has been cut to 12” – maximising every ounce of highlife soul from Sidiku Buari’s productions.

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Riton & Kah-Lo

Foreign Ororo

Release: 2018 / EU – Original

Genre: Pop

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12" | 2019 | EU | Original (Boot)

Greencryptoknight

Superman

CD | 2018 | US | Original (Scmmllc / Empire)

Release: 2019 / EU – Original

Genre: Hip Hop

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Known as the 1st MC to fully use the English accent mixed with Yardie, to make it more distinctly an African thing, is Green Crypto Knight formerly known as Bionic from the Human Beatbox Sipho Jozana's group London Posse alongside Rodney P and DJ Biznizz. Sipho left the group early and Bionic retired a few years later. In the following years he continued to make music,producing his own tracks just to stay match fit but with no intentions to release anything. That was until Jan 2018 when DJ Jazz T sent him a track they had done along with producer Dr Zygote 10 years earlier called Superlover (the first word in the chorus). The tune was a banger and as he now went by the name Green Crypto Knight he decided the tune should be renamed "Superman"(the last word in the chorus). He knew it was time for the resurrection after that career death at age 33. Now back Better Stronger Faster Bionicman (BionicAsar) has been rebuilt on positive settings to do was he was made for and release music infused with love and intelligence .
The 12" is pressed on Transparent Green vinyl and has full colour artwork by Ronny Oner.

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Philthy Rich

Fake Love

Release: 2018 / US – Original

Genre: Hip Hop

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Michael Boothman & Kysofusion Band

Can't Stop Dancing Feat. Keith 'Designer' Prescott

12" | 1988 | EU | Reissue (Cree)

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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Layton Giordani

Phase II

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Layton Giordani steps up for his first solo EP of 2018. In terms of pedigrees, it doesn’t get finer than Layton Giordani. The Brooklyn-born DJ/producer followed up his lauded debut album of 2017, with a collaboration with Danny Tenaglia to close out the year and marked the summer of 2018 with a three-way collaboration with Adam Beyer and Green Velvet, ‘Space Date’. The period has been a big one for Layton personally, also. From humble beginnings in his native NYC as an Output resident, to being thrust into the bustle of the European club and festival circuit, he’s enjoyed a stint living in Amsterdam, growing and developing over this time. All these experiences have had a fundamental influence on him and his music.
The four-track EP ‘Phase II’ represents a new chapter for this exciting talent. Beginning with ‘New York to Amsterdam’, a track that draws inspiration from the Yves Deruyter’s classic 'Back To Earth’, Layton’s work packs a memorable punch as tough acidic undertones and brain scrambling synth effects undulate raising the intensity, making it a perfect opener for Adam Beyer when he played Berghain earlier this year. Following this, ‘Enter the Stratosphere’ is steely electro-tinged techno paired with atmospheric licks of melody, awhile maintaining the artist’s trademark low-end chug. On the B side, ‘Body Language’ follows, a track written when Layton was scrubbed out of touring for a month courtesy of a shattered elbow from a skating accident. Not wasting the downtime, he’s crafted a cut that’s sleek, sexy and smart, with a seductive vocal and rousing melodic riff that runs throughout. Closing out the EP, ‘Black Mirror’, stays true to its dystopic name, a stomping rave cut that pummels dancefloors with a menacing lead synth that’s purpose built for the cold months ahead. A classy conclusion to an EP from one of techno’s brightest talents.

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12" | 2018 | EU | Original (Cree)

Tropical Tricks

Heroes To Zeros Solid Purple Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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We thought turning five this year would be a good reason to ask some friendly DJs and producers to go through our catalogue and select their favorite track to do an edit or remix on.
The first selection by DJ Nomad from Berlin is Barbara Hernandez' 'All Nite Tonight', written and produced by Leston Paul from Trinidad. Nomad's edit drives the song's dance floor ambition even further beyond the top. As a DJ Nomad does not necessarily put a label on his style, but always expresses love for Polyrythms, Soulful harmonies and the African drums and Percussion. He's notorious for finding fresh world music dance tracks all around the globe, before they become hits, and a massive collector of Tropical Soul, Funk and Disco.
His energetic and surprising , always fresh DJ set's earned him a residency in Paris's infamous ‚Tropical Discoteq’ Parties among the best Dj's of the genre. He is the founder of ‚Vulkandance’ Parties, Blog and Label in Berlin .. He's together with Edna Martinez cofounder of ’El Volcan’ - The first continental European Colombian Pico Soundsystem. As a Producer he's breaking ground and travelling the world together with Dirk Leyers and the transcultural Project Africaine 808, besides working as a master Editor for other artists around the globe. Keshav Singh who is part of Trinidadian/British production duo Jus Now put his hands on Trinidad's Mansa Musa's ’Beat The Drum’.
Being a percussionist in his own right he transformed the song into a housy Soca track and pure dance floor fiah! With his partner Sam Interface, he has produced soca music with EDM influence for Bunji Garlin, Machel Montano and 3Canal. Keshav commutes between Trinidad and the U.K.
The next two tracks are taken from our upcoming compilation ’Gotta Nice Buzz - The Funky Sound of Semp Studios Trinidad, W.I.’. French DJ & record collector Waxist gives Zodiac's ’I Believe’ a proper treatment. ’I Believe’, written by Francis Escayg, is an uptempo Caribbean Disco tune with a strong Giorgio Moroder influence with Denise Plummer on vocals.
Waxist, based in Lyon, France, started his love story with records as a teenager when he bought his first reggae 7 inches. If his love for Jamaican music has survived through the years, the DJ has progressively extended his interests to different, more dancefloororiented music genres like Disco, Modern Soul, Boogie or even a touch of House when needed... Being careful with the technique, as well as with the coherency of his selection, his sets are an invite to a dancing musical journey taking the audience from Disco to Modern Soul, through more Caribbean or Brazilian sounds.

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The Beta Band

LP+CD | 2004 | EU | Reissue (Because Music)

Release: 2004 / EU – Reissue

Genre: Pop

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Limited colored edition - 1000 copies available worldwide LP+CD edition with solid purple vinyl in gatefold sleeve with printed inner-sleeve.

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12" | 2018 | EU | Original (Khemia)

Tertium Organum

Sly & Robbie & The Taxi Gang With Leba Hibbert

Release: 2018 / EU – Original

Genre: Electronic & Dance

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For our eleventh release we are excited to be working with five artists who are all new to the label.

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Natty Dread

12" | 2018 | EU | Original (Taxi)

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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A one-off limited pressing from her forthcoming album. Sensational singer, Leba, daughter of reggae pioneer Toots Hibbert, highlights her vocal prowess & charm, on her first release for 2018 - a cover version of the Bob Marley classic.

Backed by the Taxi Gang Band, recorded and mixed at Channel One Recording Studios, Kingston Jamaica. Produced and arranged by Sly Dunbar & Robbie Shakespeare.

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Marco Faraone

Lunar Eclipse

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Marco Faraone returns to Drumcode with some of his most inspired work ever, comprising of four tracks crossing the Techno spectrum.

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Tiger Stripes

Insanity EP

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Since 2015 Tiger Stripes has been an invaluable contributor to Drumcode’s ‘little brother’ Truesoul. As recent as March he released ‘Sound of the Bettest’ in collaboration with Riva Starr, their fresh ragga influenced take on techno entrenched as a 2018 highlight for the label. Drawing from a wide palette of sounds to craft his groovy, personality-laden take on techno, the Swede has produced arguably his finest work yet with the ‘Insanity’ EP.

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A-Sides Volume 7 Part 1

LP | 2018 | EU | Original (Borft)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Part 1 see's the outstanding all-round talent ANNA kick off the compilation with ‘Portable Paradise’, a pulsating cut that sets the tone for the top-shelf club cuts to follow. Wehbba’s straight-talking ‘Just’ hits with an immediate sense of urgency before neck-snap claps strike with force. Label mainstay Luca Agnelli rounds off part 1 with 'Shipment' an industrial techno workout that has been featured heavily across festival main stages all Summer long.

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Frak

Project Digitalis

Ole Mic Odd & Grey People

Release: 2018 / EU – Original

Genre: Electronic & Dance

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FRAK are back on track with this dreamy album with deep dark hypnotic slow rhythmic tracks. This is experimental analog and haunting dancemusic at slow BPMs which gives you a glimpse of swedish smalltown dystopia in all its glory. The A1 track might give the impression that this is a romantic record and the A side in general will make big city people feel the urge to move to small towns again, but on the B-side it just gets darker and weirder (the smalltown kinda reveals its ugly underbelly) and it all ends with a track that would make the taped nipples fake fetishists in techno city shiver. I could say you need a mask to play this out, but lets not take it that far. For old fans of FRAK this record both delivers (A-side) and challenges (B-side). Me, I want doubles. -Joakim Cosmo

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Nrng006

12" | 2018 | EU | Original (Nerang)

12" | 2018 | UK | Original (4AD)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Staples of Nerang; Ole Mic Odd and Grey People melt together in the 5 track EP.

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The Breeders

Safari

12" | 2018 | US | Original (Rhythmnation)

Release: 2018 / UK – Original

Genre: Rock & Indie

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Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

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Sol Ortega

The Blue Club EP

12" | 1979 | UK | Reissue (Columbia)

Release: 2018 / US – Original

Genre: Electronic & Dance

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SOL ORTEGA (Buenos Aires) provides an epic Detroit Techno release with Motor City chord stabs and string orchestration with THE BLUE CLUB EP. Both "THE UNDERGROUND ESTABLISHMENT" & "THE BLUE CLUB" are full of edgy chords & hi-hats. RICARDO MIRANDA'S remixes adds congas, arpeggiation & deep pads.

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Marlena Shaw

Touch Me In The Morning

12" | 2008 | DE | Original (Klockworks)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Finally, Marlena Shaw’s timeless cover of Diana Ross’ ‘Touch Me In The Morning’ gets the official, remastered, reissue treatment alongside the downtempo, slow jam - ‘Shaw Biz / Suddenly It’s How I Like To Feel'.‘Touch Me In The Morning’ is as iconic a track as you’ll ever hear, becoming a huge anthem of discotheques the world over. A tale of lost love, capturing the emotions and exposed honesty of a separation, contrasted with those intrinsically uplifting string and horn sections. It is a truly epic embodiment of strength and courage that Shaw’s vocals summon from your very soul.

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Klockworks

Klockworks 04

10" | 2013 | UK | Original (Yoruba)

Release: 2008 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Toto Chiavetta

Become One

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 2013 | US | Original (M-Plant)

Floorplan

Phobia

With The Tibetan Monks Of The Tashi Lhunpo Monastery

Release: 2013 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

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Blackmoon1348

LP | 2018 | EU | Original (Death & Leisure)

Al Hudson And The Soul Partners

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Here at Death & Leisure we are on a continuing mission to surprise and experiment, and so with our new release we present something very special, Blackmoon1348 and The Tibetan Monks of The Tashi Lhunpo Monastary. This project sounds like nothing else, it fuses heavy drone guitar sounds with traditional tibetan throat singing and live instrumentation. BlackMoon1348 in collaboration with the Tibetan Monks of the Tashi Lhunpo Monastery (Tibet/ India). 2017 BlackMoon1348 embarked on a cultural experimentation of cultural diversity in the arts, forming a collaboration of ancient Tibetan ceremonial practises and instrumentation with sub-harmonic drones and industrial soundscapes. The music amalgamates sacred mantras that date back to the early teachings of Tibetan Buddhism practised in the Tashi Lhunpo Monastery, with heavy detuned western instruments, synths, and electronic music for the first time in recorded history. The Tashi Lhunpo monastery was once home to the Panchen Lama who subsequently “disappeared” under the oppressive Chinese rule of Tibet. A handful of the Tashi Lhunpo monks were fortunate to escape into exile and have since re-built the monastery in Mysore, South India – now flourishing with over 400 monks practising within the monastery. Tibetan Buddhism is an outlawed ancient tradition within Tibet – monks, nuns, and Tibetans cannot openly practise their heritage and traditions, forcing Tibetans to inhabitable plateaus, with such areas are now under “Chinese Re-development”, the land being stripped of natural resources for China’s ever growing economy and totalitarian rule. Tibetans face persecution for as little as owning a Tibetan flag, or picture of the Dali Lama, with such actions landing you in jail, tortured, poised, and/or being released just before the point of death. It is important for us to remember and celebrate the traditions of the Himalayas and its sacred, peaceful practises. The music was recorded live in one take at Flesh and Bone studio in Hackney for NTS Radio’s Black Impulse show. Engineered, mixed, and mastered by Oliver and Owen at Flesh and Bone, capturing the raw, ethereal essence of the collaboration and ceremonial sounds buried deep within the Himalayas. This was the first time in history for such collaboration of tradition, ideology from Adeline Rozario and orchestrated by David Kerry of BlackMoon1348 who created this music to diversify and bring together ceremonial instruments, diversifying the metaphysics of transcendence through ceremonial Tibetan practises. It is important to understand that BlackMoon1348 are not attempting to change the fundamental meaning or belief of the Tashi Lhunpo Monks, or assume to have a deep-rooted understanding of the ancient traditions of Tibetan Buddhism, This is our understanding of Tibetan culture and practices as truly and honestly as we see and feel it, and our attempt to spread this beautiful, sacred, culture, and keep it alive within today’s society. Liberation through hearing.

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Spread Love

12" | 2018 | US | Original (ABC)

Release: 2018 / US – Original

Genre: Organic Grooves

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Jr. Thomas & The Volcanos

Rockstone

CD | 2018 | US | Original (Colemine)

Enzo Siragusa & Martin Buttrich

Release: 2018 / US – Original

Genre: Reggae & Dancehall

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Jr. Thomas & The Volcanos’ sophomore effort Rockstone is more than just a love letter to the roots of Jamaican music. It’s an actual love letter. Tom McDowall aka Jr. Thomas explains, “I could write a musical love letter to all things I loved: my wife, my family, my friends, my band mates. I could write a song to tell me to Chin Up when times got tough. I could give gratitude to the Jamaican artists that paved the way for the beautiful music we now call reggae. I could write a song about what it’s like to lose someone important to you. Or write a song to invigorate me spiritually. Music is healing and that’s the best therapy there is for me.”
Rockstone isn’t just another throwback record to an era gone by. It’s a record that takes risks within the genre, but more importantly it’s a genuinely honest record.
“I called the album Rockstone because true love cannot be defeated. It lives forever. We write tributes on our tombstones because they live on beyond our lives as a remembrance of something special and important to us.”
Recommend for fans of: The Frightnrs, Toots & The Maytals, Jimmy Cliff

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Three Squared EP

12" | 2018 | EU | Original (Fuse)

12" | 2018 | EU | Original (Razor-N-Tape Reserve)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Enzo Siragusa rounds off another incredible summer with a highly anticipated project, a collaborative FUSE EP with Martin Buttrich. Striking a perfect balance between Enzo’s UK rave roots and Martin’s matured finesse, the ‘Three Squared’ EP nestles neatly within FUSE’s distinct sonic palette.

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Nebraska

Usin' Me

12" | 2014 | UK | Original (Noir Music)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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RNT savors the last bit of summer with a deep-n-sexy offering from Nebraska on the 'Usin' Me" single, out now on the Razor-N-Tape Reserve imprint. Londoner Ali Gibbs tweaks a soulful sample with signature finesse; part disco, part house…all vibes!

Aided and abetted by an electro-funk 808-heavy remix from Lovebirds, a dark and stormy take by The Revenge, and a standout slow-burning mix from DJ Nature, we can say for certain you'll be "Usin'" this record, indeed.

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Sabb Ft. Rafa Barrios

Illusiones

Why I Came To California / can I Touch You There

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Single Sided

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Leon Ware

12" | 2018 | UK | Original (Expansion)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Amalia A L'Olympia Gatefold Sleeve Edition

Amália Rodrigues

LP | 2018 | EU | Original (Dol)

Pulsatron / Maestro Del Kiosco

Release: 2018 / EU – Original

Genre: Organic Grooves

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180g Gatefold with liner notes and /or bonus tracks

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Pancrudo

7" | 2018 | US | Original (Discos Mas)

Little Angel Cristi Cons Remix

Release: 2018 / US – Original

Genre: Organic Grooves

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San Francisco’s number one Cumbia-peddler Discos Mas proudly presents the debut 7-inch from Pancrudo! Pancrudo's catchy, vintage-oozing tunes form a rare and lyrical tribute to working class South and Latin Americans all over the world; their dreams, hopes and realities. Using old drum machines and twangy, fuzzed-out guitars, Pancrudo's music is inspired by early Santana recordings, Surf Rock, Chicha, Cumbia and various electronic fringe-genres. This is the music that blares out of the dusty radio at the local kiosco, that you'll hear at a party or at work, when drinking out back or smoking a cigarette on the corner, cursing the dud lottery scratcher that was supposed to change everything, or at least pay back what you owe.

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Enzo Siragusa

12" | 2018 | EU | Original (Infuse)

Been To Canaan / It Don´t Mean A Thing

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Infuse027 marks label head Enzo Siragusa’s debut solo EP on the imprint. For the occasion, he finally releases ‘Little Angel’, a track close to his heart which was debuted on his BBC Radio 1 Essential Mix at the end of 2016.

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Alice Babs

7" | 2018 | EU | Original (Dynamite Cuts)

Big Pig Alley / Cut Loose

Release: 2018 / EU – Original

Genre: Organic Grooves

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Another outstanding Jazz fusion release for Dynamite cuts. limited edition 7” release of 2 masterpieces by Alice Babs and Nils Lindberg's Orchestra. Both tracks taken from the “Music With A Jazz Flavour” LP.

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The Teacher Haters

7" | 2018 | EU | Original (Preservation Project)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Smile your way through two songs by The Teacher Haters — in fact, we challenge you to get through these tracks without smiling. Even the name of the band invokes a chuckle as it suggests what these guys are about — and that’s the P-A-R-T-Y. Straight out of the 60s comes a group that could have been played with Sam The Sham & The Pharaohs back in the day. These whimsical works are deceptively deep as they take us to a time when garage punk fused with R&B.
“Big Pig Alley” is uncomplicated, and that’s what makes it great — it sounds like a bunch of college guys having a good time, writing lyrics on the spot: “If you’re lookin’ for romance, take a train, take a plane...or a raft to France.” The guys have something other than romance on their minds as they chug along on acoustic guitar and trash can drums (and possibly other things). What really makes the track, though, is the witchy background voice — the performance is loose enough, while the witch is doing his own thing entirely.
The witch returns on side B in the up-tempo, dance-ready “Cut Loose.” No obscure artistry here — these guys tell you exactly what the song is for in the title. In fact, just in case you missed it, they state their thesis in the opening lines: “I wanna shake all night, I wanna do it right, I wanna dance, dance, dance with you…” All of their collegiate effort is put toward getting you to move your hips in this groovy, rockabilly-flavored mix.
Snap up the mid-century college party in a box that is PP006 — and hope your tables don’t get too scuffed up from people dancing on them. The fun that The Teacher Haters had in making these tracks is all here and available to you — whether you want to go on a nostalgic trip through a 60s coed party, or host your own shindig where dancing is mandatory. Get your hands on this 7" before the regents show up.

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Trapped (Sixteen R'n'B And Early Soul Stompers)

LP | 2014 | EU (Pancho)

12" | 2018 | US | Original (The Nite Owl Diner)

Release: 2014 / EU

Genre: Organic Grooves

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Repress! Sixteen never-before-reissued R'n'B and early soul stompers, compiled by Jordi Duro. Killer!

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Strategy

Future Shock Ep

LP | 2018 | EU | Original (Jazzline)

Release: 2018 / US – Original

Genre: Electronic & Dance

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STRATEGY (100% SILK, KRANKY) arrives on CHRISSYâ€™s THE NITE OWL DINER label serving up 4 rave inspired cuts. STRATEGY channels early BELTRAM with driving energy & recontextualized sounds as well as layers of lush pads into an epic emotional experience. The FUTURE SHOCK EP is a future electronic classic.

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Poogie Bell

Exhibition Continues

Release: 2018 / EU – Original

Genre: Organic Grooves

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12" | 2018 | EU | Original (Leng)

Super Paolo

Bella Topa

12" | 2018 | EU | Original (Boomarm Nation)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Almost three decades after he put out his first record as one half of Tummy Touch twosome Tutto Matto, Paulo Guigliemino continues to produce effortlessly brilliant music that joins the dots between vintage disco, boogie, proto-house and sun-kissed Balearica. For proof, just check the heavyweight dancefloor sunshine that is “Bella Topa”, his first release on Leng Records.
Slow, sensual and blessed with all manner of delay-laden drum machine percussion hits, the track fixes the producer’s usual colourful, boogie-era synth flourishes and ear-pleasing instrumentation (think fluid electric pianos, fluttering flutes, eyes-closed jazz guitar solos, lilting saxophones and spacey electronic chords) to a chugging, head-in-the-clouds groove reminiscent of Lindstrom and Prins Thomas’s early collaborative work. “Bella Topa” cleverly shifts shape several times throughout, utilising jazzier rhythms and bolder melodies to light up key moments.
Remixes come from Guigliemino’s old pal Federico Marton, a producer best known for being one half of sometime Get Physical, Superfiction and Snatch Recordings artists Italoboyz. He lays down two distinctive revisions, starting with a “Slow” club reconstruction that adds additional percussive heaviness and sparkling electronics to Super Paolo’s twinkling, sun-baked original.
His other version, a “Fast” club reconstruction, drags Guigliemino’s track towards peak-time dancefloors kicking and screaming. Making the most of his friend’s killer groove and finding sufficient time and space for each life-affirming musical element to sparkle, his mix bobs, weaves and eventually soars for 12 mesmerizing minutes. The mix, like his slow version, makes use of additional percussion and wisely gives more prominence to the A-side’s spacey electronics and boogie-influenced synthesizer flourishes. The results are little less than breathtaking.

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Lokal Affair

Seremunia EP

12" | 2018 | EU | Original (Boomarm Nation)

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The first new release exclusively via TAD from Boomarm Nation, who welcomes Tunisian producer Lokal Affair to their family. His debut Seremunia EP, 3 tracks of deep percussive jams, is inspired by life in the Sahara desert, evening fire rituals, and ecstatic drumming styles from across the globe. Lush, mid-tempo spiritual sounds for your sound system. Lokal Affair AKA Malek Midouni is a Tunisian born musician currently living in Lyon, France. As a bonus the label commissioned an incredible thundering remix of the percussion heavy tune “Goumari” from good brother Alter Echo

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Saint Abdullah

Ta Tash

LP | 2018 | EU | Original (Wagram)

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"These sounds are accidents. There was intent only in so far as a simple idea, which is really around bringing together factions and forces in Iranian, Islamic culture, under one roof, to have them play nice together, to co-exist, float as one and to complete each other, in order to tell a story called Ta Tash, which is Farsi for To The End. There's definitely elements of devotional sounds that we weave into the tracks. Stories of the past. But whether this is devotional music, at large, I don't know about that. Like, you're not going to be hearing Vivid Persian Dreams blasting in a mosque anytime soon. But maybe devotional in a more personal sense. It captures the essence of a sentiment during the brutal 8-year war between Iran-Iraq. It is also defensive, and perhaps in response to existing in the US over the past 7 years. But also because of it. Therein lies the beauty of this country. Today, let's talk about this. Glass half full. This country. This beautiful, incredible, fucked up country. The artwork is part of an edited collection of images pulled together from the years of the Iran-Iraq war. A collection of 15 works of art titled Postcards from the Outer Boroughs. Some of these images belonged to our family, others we found by forming a dialogue with the actual men who fought in battle with our family members. Men who remember those last, precious moments of the lives of our loved ones. We were curious to somehow learn more about that moment from those who served. These Postcards are the culmination of the hard work and imagination of Ghalamdar, a wonderful Iranian visual artist based in the UK. In them, we explored how we could modify these quintessentially Iranian motifs to lift the weight of emotion, the weight of innocence, of loss, of blind faith, to the end? How do we connect an Iran of the past, Iran of the books, to the Iran of today? After all, we are of the same blood. As a by-product of mixing media, mixing contexts, we attempt to playfully bridge this gap, if ever so slightly." - Saint Abdullah

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Louis Armstrong

C'Est Si Bon

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 1976 | US | Reissue (Buddah)

Norman Connors

Dance Of Magic

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Terre Haute pressing.

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Adam Beyer & Ida Engberg

The Color Out Of Space

Release: 2018 / EU – Original

Genre: Electronic & Dance

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LP | 2018 | EU | Original (Jazzline)

Jan Felix May

Red Messiah

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Jazzline)

Bobby Broom

Soul Fingers

Release: 2018 / EU – Original

Genre: Organic Grooves

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Keep On (Holding On) / Keep On (Holding On) Kon Re-work

The Devoted Souls

12" | 2018 | UK | Original (Super Disco Edits)

12" | 2018 | EU | Original (Volcano)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Limited edition vinyl!
Unknown studio session that was obtained from Stu Gardner. Must say it’s of the highest order without doubt some of the great session musicians of the time playing on this. We got the original reels transferred and with this great quality thought it the right opportunity to get Boston’s finest, DJ Kon to do one of his famous reworks. We weren’t disappointed.

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Hugh Mundell

Red Gold & Green

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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12" | 2018 | EU | Original (Soul Of Anbessa)

Keteis Oyonde

Natural High

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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LP | 2018 | EU | Original (Far Out)

Ben Hauke

Only Old

Chatter In The Background / Shake And The Fat Man

Release: 2018 / EU – Original

Genre: Electronic & Dance

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This is a 180g vinyl, mini LP. South London producer Ben Hauke takes a sonic excursion to South America via Lewisham for a new seven track release for Far Out Recordings.While littered with Afro-Latin percussion, and samples of obscure Brazilian, Cuban and Colombian records, Only Old stays true to Ben’s distinctly London identity, with a record that fluctuates between house, broken beat and instrumental hip-hop.

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Real Live

7" | 2018 | US | Original (Real Live Musik)

LP | 2018 | EU | Original (Moment Of Collapse)

Release: 2018 / US – Original

Genre: Hip Hop

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Limited edition vinyl!
Since the emergence of the group in 1995 and first album A Long Awaited Drama released in 1996, Real Live has been on hiatus. Meanwhile "K-Def" Producer/DJ of the group has been keeping the groups brand alive with countless LP's and music to date. As years flew by, the group has been recording intricate songs in the process of staying true to the sound. While maintaining the unorthodox approach of real boom bap hip hop.
This 7 inch brings you the gritty rhyme flow with intelligent decisions on music that reflects how we advanced in sound technology. There's a lot to be told in a 20+ year absence. The song "Chatter in the Background" is an example of what happens when you've been counted out. Crazy hitting pulsating drums, scratching and wicked rhymes come to the listeners ear. The B-Side has 2 songs "Shake and The Fatman" which features an up and coming new artist. K-Def recreates a old school classic. "Uncontrollable" Is an Iceberg Slick thought.. Real Live is letting you get a preview of what to expect from the groups 2nd LP "20 TO THE DOOR!

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Egopusher

Blood Red

Release: 2018 / EU – Original

Genre: Electronic & Dance

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CD | 2018 | US | Original (Transistor Sound)

Con Brio

Explorer

LP | 2018 | EU | Original (Leopard)

Release: 2018 / US – Original

Genre: Organic Grooves

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There’s a moment before each Con Brio show — before the backflips, the guitar solos, the buoyant horn lines over bass, drum and synth — when all seven band members come in for a huddle. It's a way to say grace; an acknowledgment of live music as a team sport; a moment of stillness before they explode. "Let's work," they say, their heads bowed together. And then they do.

Named for an Italian musical direction meaning "with spirit," Con Brio is a San Francisco Bay Area band that plays soul, psych-rock and R&B as fresh and freethinking as the place they call home. With charismatic singer Ziek McCarter bringing "the dance moves, splits and all, of James Brown" (KQED) and a band that "comes across like a party punk version of Sly and the Family Stone" (Consequence of Sound), Con Brio is known to convert anyone who sees their electric live show.

Founded in 2013 by veteran players with vastly different musical backgrounds*, the band quickly became a favorite up and down the West Coast, then across the U.S., and then overseas in places like Japan and the Netherlands.

Explorer, out on July 6th, both builds on the success of Paradise and serves as a travelogue of sorts — a reflection on the two years of nearly nonstop touring that followed their first record's success.

Having proved themselves on an international stage, Con Brio breaks new ground on Explorer, expanding beyond raw energy and retro sounds toward a more contemporary, layered production style, all delivered with road-tested confidence. On "I Wanna" — a lusty, mischievous ode to the art of catching a stranger's eye across a crowded club — McCarter pours his voice, richer than ever, over a thick, irresistibly danceable rhythm from Jonathan Kirchner (bass) and Andrew Laubacher (drums).

"Body Language" slows that theme to a simmer, with a nimble, lyrical horn line from Marcus Stephens (saxophone) and Brendan Liu (trumpet) front and center. Songs like "United State of Mind" and "Royal Rage," meanwhile, reflect on America's current moment, urging strength and perspective in the face of cynicism and apathy. Over a cheerful guitar lick from Andrews, the former track sings the praises of travel, the ways it can make the world feel bigger and smaller all at once — and how sometimes you have to leave home to see it with fresh eyes. "Rage" is a rally cry, a call to resistance, with Laubacher's kick drum leading the march: "Feeling the world pulling apart, where is the we in who we are?" asks McCarter. "When will it end, where do we start?"

Then there's Con Brio's tendency to upend expectations: they've never been afraid of a little genre-bending. "Heart Shaped Box" began as a fun cover the band arranged on a whim on a rare day off on tour; within weeks it became one of the most exciting moments in the band's live show. On the record, it's a playful yet potent tribute, served surprisingly well by horns and a smart, slinky synth line from Patrick Glynn.

Ultimately, Explorer is a leap for Con Brio in more ways than one. It's a big record, with plenty of joy, a few growing pains, and more questions than answers. What does it mean to be an American band traveling the world in the year 2018 with a message of hope and tolerance? The record sounds, unsurprisingly, like a band on the verge. Wherever Explorer takes them, they go with open eyes. They're ready to huddle up, take the stage, and get to work — where they've found that, night after night, the things that divide us don't stand a chance on the dance floor.

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Ricky Peterson

Drop Shot

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Viewlexx)

The Conservatives

Terrorama

Boogie to the Top Young Pulse Remix

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Here it is! Appearing first time on vinyl. The film tells the story of six mental cases, trying to get rid of society's norms and values by kidnapping, a well-known TV host. Delivering the soundtrack, The Conservatives (I-F & Intergalatic Gary) are setting down the perfect mood for this cult classic.

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Idris Muhammad

12" | 2018 | EU | Original (Kudu)

12" | 2017 | EU | Original (Railroad)

Release: 2018 / EU – Original

Genre: Organic Grooves

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A much welcomed reissue of the 1978 Idris Muhammad gem 'Boogie To The Top'. Released a year after, arguably, Idris' most well-known anthem, 'Could Heaven Ever Be Like This' the similarities in style and composition are clear. Expertly produced, rich instrumentation, expansive drum fills, gospel tinged full-bodied vocals, all the while epic and life affirming in it's nature - what more could you want?
Young Pulse steps up on the b-side, to add his own subtle touches and tweaks to the original. Looping the guitar and echoing out the vocals whilst working in more of the synth lines. The addition of a crisp clap and extra percussion add an element more vibrancy into this mix, keeping the original feel intact whilst revitalising it for 2018.

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Jah Schulz

A Railroad Session

Release: 2017 / EU – Original

Genre: Reggae & Dancehall

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Alias

NRG

For the Love of Money / Darlin' Darlin' Baby (Sweet, Tender, Love)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Brothers Harvey and Ryan McKay return to Drumcode with their dynamic Alias project.
The title track 'NRG' is an attitude-packed tour de force; compromised of aggressive snares, warped vocals and a tension-filled break, it has been smashed by Adam Beyer for the last six months.
‘Orange Sunshine' pulls no punches as it dishes out apocalyptic acid paired with the sibling's startling drum work. ‘The Event' rounds out the EP and is an exhilarating affair propelled by uplifting synth lines and a buzzing energetic bassline.

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The O'Jays

12" | 2018 | EU | Original (Philadelphia International)

Panic in Fort Greene Park EP

Release: 2018 / EU – Original

Genre: Organic Grooves

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Two incredible 70’s soul cuts from The O’Jays get the reissue treatment for 2018. The A side contains the mighty ‘For The Love Of Money’ a near 7 minute cautionary tale to the dangers of greed and exploitation. "For the love of money. People will lie, Lord, they will cheat. For the love of money. People don't care who they hurt or beat." As pertinent now as it was in the 70’s if not more so considering current affairs. A much sampled record, loved by many!
On the flip, ‘Darlin' Darlin' Baby (Sweet, Tender, Love)’, the second hit single off the O’Jay’s album ‘Message In The Music’, is a romantic soul serenade with that killer Gamble and Huff production – Philly’s finest!

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The Juan MacLean

12" | 2018 | EU | Original (Razor-N-Tape Reserve)

2LP | 1970 | DE | Reissue (Polydor)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Veteran NYC producer and DFA regular Juan MacLean hops on the RNT wagon for a rolling EP of drum-machine driven grooves for the Reserve sub-imprint. The record starts with the peak-time stomper Fine Time, building exquisite tension and release through looped and filtered samples, and then moves on to the boogie-infused swing of Don't Stop For Nothing. Everybody Clap leads off side B with a soulful and string-laden vocal over a bouncing hi-hat-focused house arrangement, and the EP closes out on the dubbier tip with the eponymous Panic In Fort Greene Park, a synthy and smooth slow burner. All around beautifully produced and eminently playable, Señor Maclean has made himself a most welcome addition to the Razor-N-Tape family with this dynamic EP.

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James Brown

Once Upon A Time

Release: 1970 / DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | US | Reissue (Paula)

Montclairs

Dreaming Out Of Season

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Live At The Village Vanguard Gatefoldsleeve Edition

John Coltrane

LP | 2018 | EU | Original (Dol)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Hyperloop

Mentalizm