Vinyl, CD & Tape 825 Items

Mark Wirtz Orchestra & Chorus

Release: 1960 / US – Reissue

Genre: Organic Grooves

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180 gram pressing!

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Latin A Go-Go

LP | 1966 | EU | Reissue (Vinilisssimo)

LP | 1964 | US | Reissue (Vee Jay)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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ark Wirtz' most famous output was recorded during the mid/late '60s when he was working as an in-house producer for EMI at Abbey Road. His 'Mood Mosaic' LP and the unfinished concept album 'A Teenage Opera' (a single off this LP, 'Grocer Jack', was actually released in 1967) provided Wirtz with an iconic status. However, his lesser known 1966 album 'Latin A Go-Go' is the one to have if you aim to hit the dancefloor. To get an idea of the music, think of wild cocktail parties in sunny California in the mid-'60s, cosmopolitan hotel lounges in Copacabana or the hippest clubs in Swinging London.
The LP co-features the likes of Barbara Moore (from the legendary library music album 'Vocal Shades And Tones') and Jim Sullivan (Lord Sitar).

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John Lee Hooker

On Campus

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Reissue (ESP)

Pharaoh Sanders

Pharaoh Sanders Quintet

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1965 | EU (Endless Happiness)

Astrud Gilberto

The Shadow Of Your Smile

LP | 1964 | EU (Trading Places)

Release: 1965 / EU

Genre: Organic Grooves

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The Shadow of Your Smile is a studio album by Astrud Gilberto. With arrangements by Don Sebesky, Claus Ogerman, and João Donato, it was released via Verve Records in 1965. It peaked at number 66 on the Billboard 200 chart.

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Little Richard

Little Richard Is Back

LP | 1966 | EU | Reissue (RCA)

Release: 1964 / EU

Genre: Rock & Indie

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Known as ‘the Architect of Rock ‘n’ Roll,’ the flamboyant rhythm and blues extrovert, Little Richard, made an incredible impact with unorthodox piano playing and rasping, shouted vocals, yielding a series of pivotal hits in the mid-1950s, but he abandoned secular music for gospel following a tour of Australia in 1957. Lured back into rock by promoter Don Arden, his UK tour featuring The Beatles as support, Little Richard Is Back was his comeback set for Vee Jay, his voice now deeper and seasoned; the range of covers are tackled with plenty of pep, and original ‘Groovy Little Suzy’ was co-written by Harry Nillson. All hail the King!

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Lucio Dalla

1999

22,39 €* 31,99 € -30%

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Turkish Delight Clear Vinyl Edtion

Oudi Hrant

LP | 1964 | EU | Reissue (Sowing)

22,49 €* 24,99 € -10%

LP | 1964 | EU | Reissue (Rearward)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Blind musician Hrant Kenkulian (1901-1978), generally known as Oudi Hrant was a master of the oud (fretless lute) who was probably best known for his taksims. He was an Armenian born in Adapazar, a city close to Istanbul which had a large Armenian population before the Genocide of 1915. After WWI, Hrant's family settled in Istanbul. Hrant started out singing in the church choir, but soon moved on to the oud. He made his career in Istanbul, but he toured the US in 1950, and did a world tour in 1963 to Paris, Beirut, Greece, America, and Yerevan, Soviet Armenia. He was a teacher of many Armenian-American oudists including Richard Hagopian. He was the pride of the Armenian people, and many consider him to be the most soulful oudist ever to emerge from Turkey. Released in 1964 on jazz label Prestige the record shows the stunning classical inspiration of the musician.

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Sahib Shihab

Summer Dawm 2024 Repress

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.

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Boots Black Vinyl Edition

LP | 1966 | US | Reissue (Light In The Attic)

LP | 1960 | UK | Reissue (20th Century Masterworks)

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some” Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet CD housed in a digipak and featuring a 28-page booklet Release to be supported by worldwide press campaign in cooperation with Nancy Sinatra “Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

Light in the Attic is proud to present the next installment of the Nancy Sinatra Archival Series with a deluxe reissue of Nancy’s first album, Boots.

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

Remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin, the reissue is complemented by a new Q&A interview with Nancy and GRAMMY®-nominated reissue co-producer Hunter Lea.

The CD edition is housed in a digipak and features a 28-page booklet, while each vinyl set is presented in an expanded gatefold jacket (featuring a 20-page booklet), with special color editions available exclusively at NancySinatra.com, LightInTheAttic.net, and independent record stores.

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Miles Davis

Sketches Of Spain

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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The Centaur And The Phoenix

Yusef Lateef

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP+CD | 1968 | EU | Reissue (Schema)

Piero Umiliani

Fischiando In Beat

LP | 1964 | DE | Reissue (Blue Note)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1969, “Fischiando in beat” presents twelve gems of instrumental beat music,
fabulous specimen of that music genre often labelled with the much-abused term ‘lounge’ – or ‘easy
listening’, if you prefer. Forget about the experimental “Synthi Time”: here you can only breathe an
incredible desire for fun and dream of the late 60s, Rome and its exclusive cocktail party.

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Sam Rivers

Fuchsia Swing Song

LP | 1966 | EU | Reissue (Mr Bongo)

Release: 1964 / DE – Reissue

Genre: Organic Grooves

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Der Saxophonist Sam Rivers hatte sich schon sehr früh in seiner Karriere durch bemerkenswerte Originalität ausgezeichnet. Nach einem kurzen Intermezzo im zweiten großen Quintett von Miles Davis, spielte Rivers im Dezember 1964 für Blue Note sein Debütalbum “Fuchsia Swing Song” ein. Das Repertoire bestand aus sechs Kompositionen von Rivers, die zwar fest im Post-Bop und Blues wurzelten, aber die avantgardistischen Tendenzen des Saxophonisten auch nicht leugnen konnten. Das Highlight des Albums ist die atemberaubende Ballade “Beatrice”, die später sogar von den Tenor-Giganten Joe Henderson und Stan Getz aufgegriffen und interpretiert wurde.

BLUE NOTE CLASSIC VINYL EDITION: Stereo, komplett analog von Kevin Gray von den Originalbändern gemastert, Optimal-Pressung (180 g), wattierte Innenhülle.

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Marcos Valle

Braziliance!

LP | 1965 | EU | Reissue (MCA)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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To call Marcos Valle 'a legend' of Brazilian music is much more than just easy press-release hype. As singer, writer, musician and record producer, Marcos has played an integral role shaping the sound of the country’s music from the 'golden era' of the 60s and 70s, through to the modern day. Alongside his brother, Paulo Sergio Valle, they have penned a huge catalogue of classic songs, not just for themselves but for other greats such as Elza Soares, Astrud Gilberto, Claudia to name a few.
‘Braziliance!’ takes things back to the early heady days of Marcos’ career with the bright and optimistic sound of Rio's Bossa Nova scene. It includes an instrumental version of ’Crickets Sing For Anamaria’ or 'Os Grilos’ in Portuguese, which would also be re-recorded with
vocals. Though only in his early twenties at the time, ‘Braziliance!’ depicts very sophisticated production for a musician so young. Recorded in 1966, produced by Louis Oliveira and Ray Gilberts with arrangements by the very talented Emir Deodato, the album was released on Warner Bros. Records. The artwork presents a very clean-cut, wholesome looking Marcos but darker things were around the corner for Brazil. The ‘Tropicalica’ movement was on its way and about to shake thighs up both musically and politically. Unlike some of his Bossa Nova contemporaries, Marcos continued to stay relevant, surfing the changes and adapting to the musical developments that culture and society projected and needed, without comprising his art.
Under exclusive license to Light In The Attic Records & Distribution, LLC | Mr Bongo Records.

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B.B. King

Live At The Regal

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Astral Weeks Limited Olive-Green Vinyl Edition

Van Morrison

LP | 1968 | EU | Reissue (Warner)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Creedence Clearwater Revival

LP | 1968 | EU | Reissue (Fantasy)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Speakin' My Piece Blue Note Classic Vinyl

Horace Parlan

LP | 1960 | EU | Reissue (Blue Note)

Bluesnik Blue Note Classic Vinyl Edition

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Best known for his work with Charles Mingus, pianist Horace Parlan began recording for Blue Note in 1960 with an excellent run of hard bop classics including Speakin’ My Piece, a quintet date featuring a frontline of Stanley Turrentine on saxophone and Tommy Turrentine on trumpet with the rhythm team of George Tucker on bass and Al Harewood on drums.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.

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Jackie McLean

LP | 1961 | EU | Reissue (Blue Note)

Joao Gilberto Clear Vinyl Edtion

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Alto saxophonist Jackie McLean had the blues on his mind when he went into Van Gelder Studio in 1961 to record his hard bop masterpiece Bluesnik with a blazing quintet featuring Freddie Hubbard on trumpet, Kenny Drew on piano, Doug Watkins on bass, and Pete La Roca on drums. The six-song set of bluesy originals brims with immediacy and vibrancy.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.

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Joao Gilberto

LP | 1961 | UK | Reissue (Burning Sounds)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Joao Gilberto's self titled third album, is the fruit of the collaboration between Gilberto and the great composer and arranger Antonio Carlos Jobim and Walter Wanderley and his ensemble. This is one of the greatest pieces of work in the field of Brazilian music. Gilberto's delicate singing moves on top of extremely subtle, elegant orchestral arrangements of various songs from the classic repertoire, "Samba da Minha Terra" and "Saudade da Bahia" (Dorival Caymmi), "O Barquinho" (Roberto Menescal / Ronaldo Bôscoli) without forgetting essential numbers by Carlos Lyra, Vinicius de Moraes and Tom Jobim. A timeless masterpiece, period!

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Owen Gray

Sings

LP | 1968 | EU | Reissue (Meantime)

Release: 1961 / UK – Reissue

Genre: Reggae & Dancehall

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Owen Gray was the island’s first home grown star to sing in a style that wasn’t mento, calypso or jazz. This is a 180 gram vinyl reissue of his 1961 album. This was the first Jamaican album to be manufactured and released in the UK. This re-issue commemorates the 60th anniversary of its original release.

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Karin Krog

Joy

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | UK | Reissue (Mr Bongo)

Pedro Santos

Krishnanda

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Krishnanda is an album in the truest sense of the word – a spiritual, psychedelic Brazilian masterpiece from start to finish – celebrated by everyone from Seu Jorge and Kassin to Floating Points, Madlib and DJ Nuts. These days, originals change hands for thousands of dollars.

Pedro dos Santos, born in Rio in 1919, was a percussionist virtuoso, composer and inventor of instruments that apparently included oddities such as the ‘Tamba’ (electrified bamboo drum) and the mouth berimbau whistle. Nicknamed Perdo ‘Sorongo’ after the rhythm he invented, that features throughout ‘Krishnanda’. A highly spiritual man who was regarded as a philosopher by many.

He worked with greats including Baden Powell, Elis Regina, Maria Bethany, Elza Soares, Sebastião Tapajós, Roberto Ribeiro, Milton Nascimento, Clara Nunes, Paul Simon and Arthur Verocai, playing on his legendary self-titled LP. In the same vein as Verocai and his self-titled LP, ‘Krishnanda’ was Pedro’s chance to shine with his own, and only, solo recording.

Krishnanda was produced by Hélcio Milito, the drummer of Tamba Trio, and arranged by conductor Joppa Lins, and originally released in 1968 on CBS (Brasil). Musically, the album touches folk, samba, afro-brazilian and psychedelia plus added effects, with a lyrical depth and diversity to match; themes including morality, perception, existence and ego.

Despite the genius of the record and the influence that it had on musicians at the time of release, it disappeared into obscurity. We first discovered the record around 2003, through a friend Julio Dui. Around that time Brazilian funk and bossa was the flavour of the day, so didn’t catch our ear immediately, however it continued improve with age and now we consider it to be one of the best albums ever made, regardless of genre or origin.

The Mr Bongo reissue is produced as a replica original LP / audio master by Ricardo Garcier at Magic Master (Rio de Janeiro) / artwork restored by Andrew Edwards, from the original copy borrowed from Julio Dui – thank you, sir!

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CD | 1966 | US | Reissue (Light In The Attic)

Nancy In London

LP | 1966 | EU | Reissue (Blue Note)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”

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Cecil Taylor

Unit Structures

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | EU (Endless Happiness)

Herbie Hancock

OST Blow Up

LP | 1965 | EU (Endless Happiness)

Release: 1966 / EU

Genre: Organic Grooves, Soundtracks

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Blow-Up is a soundtrack album by American jazz pianist Herbie Hancock, featuring music composed for Michelangelo Antonioni's 1966 film Blow Up. The album features performances by Hancock, trumpeters Freddie Hubbard and Joe Newman, alto saxophonist Phil Woods, tenor saxophonist Joe Henderson, guitarist Jim Hall, bassist Ron Carter and drummer Jack DeJohnette. Furthermore, there are four psychedelic rock songs that Antonioni strongly wanted to include in the movie, the pearl of them being Stroll On by the Yardbirds, performed live in the film by the band.

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Moacir Santos

Coisas

LP | 1968 | EU (Endless Happiness)

Release: 1965 / EU

Genre: Organic Grooves

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Coisas is an album recorded in 1965. The album was listed by Ben Ratliff in his 100 most important recordings and by Rolling Stone in their 100 Greatest Brazilian Music Records.Although the album was not met with acclaim when first released, it has gone on to receive praise. Many reviews by The New York Times, Village Voice and Allmusic described the album as "one of the great accomplishments of modern Brazilian music, a brilliant unification of large-ensemble jazz arranging, wickedly persuasive songwriting and Afro-Brazilian rhythm. An album that melds the various tonalities and flavors of creative jazz to the heart of Brazil's folkloric and emergent musical traditions."

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Nara Leao

LP | 1966 | EU (Endless Happiness)

Release: 1968 / EU

Genre: Organic Grooves

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Nara Leão is known as "the muse of bossa nova”. Already as a teenager in the late 1950s, she became friends with several singers and composers who took part in Bossa Nova's musical revolution, including João Gilberto, Vinicius de Moraes, and Antônio Carlos Jobim. By 1963, after singing as an amateur for a few years, she became a professional and toured with Sérgio Mendes. In 1968 she appeared on the album “Tropicália: ou Panis et Circenses” together with artists including Gilberto Gil, Caetano Veloso, Os Mutantes and Gal Costa, performing "Lindonéia”, which appears as first track in this album, published in the same year.

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Otis Redding

The Soul Album

Little Johnny C Blue Note Classic Vinyl Edition

Release: 1966 / EU

Genre: Organic Grooves

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The Soul Album is the fourth studio album by American soul singer-songwriter Otis Redding, released in 1966. It features Redding performing songs that he co-wrote, as well as covers of songs by such musicians as Sam Cooke, Eddie Floyd, Roy Head, and Smokey Robinson. Guitarist Steve Cropper contributed guitar on the album and is also credited as the co-author of three tracks. The Soul Album shows Otis Redding moving from strength to strength in a string of high-energy, sweaty soul performances, interspersing his own songs with work by Sam Cooke ("Chain Gang"), Roy Head ("Treat Her Right"), Eddie Floyd ("Everybody Makes a Mistake"), and Smokey Robinson ("It's Growing") and recasting them in his own style, so that they're not "covers" so much as reinterpretations.

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Johnny Coles

LP | 1961 | EU | Reissue (Blue Note)

Presents Chocolate Moose Spearmint Green Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Under-recognized trumpeter Johnny Coles recorded only one album for Blue Note but 1963’s Little Johnny C is a little-known treasure of the catalog featuring Coles at the helm of a dynamic sextet with tenor saxophonist Joe Henderson, alto saxophonist Leo Wright, pianist Duke Pearson, bassist Bob Cranshaw, and drummers Walter Perkins & Pete La Roca.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.

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The Zoo

LP | 1968 | EU | Reissue (Reel Music)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1961 | EU | Reissue (Honeypie)

Alegre All Stars

Blakey In Paris Feat. Bud Powell And Lee Morgan Clear Vinyl Edtion

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Born from a studio jam organized by Al Santiago in 1961, the "Alegre All Stars" was inspired by the famous late 50's Cuban jam sessions. Originally published by Alegre Records, a New York City based label specialized in Latin music, this album stands as a legendary release in the field. This is like an open door on a wild Nuyorican party including food, drinks and an ongoing selection of highly infectious Latin grooves to dance to.

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Art Blakey

LP | 1960 | UK | Reissue (Public Domain)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! This is Art Blakey and his Jazz Messengers, with guests Bud Powell - piano and Barney Wilen - alto sax, caught live at the Théâtre des Champs-Élysées in Paris in1959. At that time Blakey's Messengers were no less than Lee Morgan – trumpet, Wayne Shorter – tenor sax, Walter Davis Jr. – piano and Jymmy Meritt – bass. In other words one of the greatest Hard Bop combos ever, a pool of great young individuals under the direction of one of the most influential drummers and band leaders in the history of Jazz. No need to add that "Paris Jam Session" is regarded as an essential release in Blakey's extensive discography.

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Kenny Dorham

Quiet Kenny

LP | 1966 | US | Reissue (We Are Busy Bodies)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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One of the most active bebop trumpeters, Kenny Dorham started in the big bands of Mercer, Ellington, Lionel Hampton, Billy Eckstine and Dizzy Gillespie and eventually landed in the Charlie Parker Quintet. In addition, he was a charter member of Art Blakey’s Jazz Messengers, recorded as a sideman with Thelonious Monk and Sonny Rollins and replaced Clifford Brown in the Max Roach Quintet. Throughout his career he can be heard playing trumpet on various recordings with Lou Donaldson, Sonny Stitt, Fats Navarro, Kenny Clarke, Mary Lou Williams and many more musical legends. “Quiet Kenny” is a jazz masterpiece. Recorded by the great Rudy Van Gelder with a group of musicians playing at the top of their game, this title continues to be one of the most collectible Jazz LPs due to its high demand and short supply.

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Barney Wilen

Zodiac

LP | 1968 | EU | Reissue (Gramophone Company Of India)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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We Are Busy Bodies is proud to announce the first official reissue of 'Zodiac' by brilliant French tenor saxophonist, Barney Wilen. Originally released on the Disques Vogue label in 1966, the album has been restored and remastered from Barney Wilen's personal copy of the album. The album was recorded a few years after performing on albums and European tours with Art Blakey's Jazz Messengers and Miles Davis. The album is an exploration of free jazz, dedicated to the signs of the zodiac. Wilen and his friend, photographer Jean Larivière worked together to create the photos and artwork for his album, Zodiac. The intention at the time was to also create a film with a storyline and characters developed by Jean. Unfortunately, the concept was never fully realized at the time,. Sketches, photos and further context are included in the accompanying album insert.

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Brijbhushan Kabra

Brij Bhushan Kabra

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Heavy Soul Clear Vinly Edition

Ike Quebec

Dexter Calling Clear Vinyl Edtion

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"Heavy Soul" can be easily considered as one of Ike Quebec's best showcases. Recorded in 1961 by master Rudy Van Gelder and originally released on Blue Note, this fine studio session sounds as a perfect mixture of down-home blues spirit and warm, sensual ballads, with Quebec's big tenor sax voice as the leading force of a hard swinging quartet featuring Freddie Roach - organ, Milt Hinton - bass and Al Harewood - drums.

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Dexter Gordon

LP | 1968 | US | Reissue (8th)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Dexter Gordon, one of the true sax giants in the history of Jazz. Recorded in 1961 and released the following year, "Dexter calling" is his second recording for Blue Note.A solid swinging session with Gordon at the head of a great quartet featuring pianist Kenny Drew and the great bass and drums team of Paul Chambers and Philly Joe Jones. This is a very well-balanced selection of hard-driving numbers, gospel-tinged blues, and deep ballads.

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T-Bone Walker

The Truth

LP | 1968 | EU | Reissue (Lion / Groovie)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Aaron Thebeaux "T-Bone" Walker was all but destined for performance from the start. After all both of his parents were musicians, who taught him how to play guitar, ukulele, banjo, violin, mandolin, and piano. He was even an early protege of Blind Lemon Jefferson, who was a friend of the family, and often came over to dinner. Walker began performing blues music during the late 1920s and early 1930s, cutting his first singles, while performing as a sideman across the country, often performing alongside Blind Lemon Jefferson himself, as well as contemporaries like Douglas Fernell, Big Jim Wynn, and Charlie Christian. By the 1940s, Walker had begun to perform more frequently as a solo act, recruiting his own backing band, and being among the first to adapt a guitar technique that would change the course of music history: electric amplification.Were it not for Walker leading the charge and pioneering the electric blues sound, contemporary music might have been very different. His sound help set the stage for essential Chicago Blues artists like Muddy Waters, Howlin' Wolf, and Willie Dixon, while providing key influence to the likes of B.B. King, Jimi Hendrix, Chuck Berry, and innumerable others.

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Yays & Nays

LP | 1960 | US | Reissue (Vee Jay)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Monster rare USA private pressing from 1968, rated with 6 stars in the Hans Pokora 3001 Record Collector's Dreams book. The Yays & Nays were a groovy, hip group (says so on the original LP jacket!) comprised of three guys and three girls. Theirs is a truly unique sounding album, full of creative songwriting and vocal arrangements and a style that defies categorization. There's garage folk-rock-the opening track 'Gotta Keep Traveling' is really astounding!, tracks with vocals in a kind of 'Kicking Against the Pricks"-era Nick Cave-channelling-Tony-Joe-White-meets-Johnny Cash vein, a little country flair, and some cuts of an ''Incredible Strange Music'' type. Weird and wonderful, in it's own peculiar way. Reissued for the first time, in collaboration with band members, and with original artwork.

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Lee Morgan

Here's Lee Morgan

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Fabrizio De Andrè Volume 3

Fabrizio De André

LP | 1968 | EU (Sony Music)

Release: 1968 / EU

Genre: Rock & Indie

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The Blues And The Abstract Truth Limited Edition

Oliver Nelson

LP | 1961 | EU | Reissue (Soundsgood)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | Reissue (Waxtime In Color)

Chuck Berry

Rockin' At The Hops

Release: 1960 / Reissue

Genre: Rock & Indie

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Rooster Blues Vinyl Edition

Lightnin' Slim

LP | 1960 | EU | Reissue (Blues Joint)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Sunday At The Village Vanguard

The Bill Evans Trio

LP+7" | 1961 | EU | Reissue (Glamourama)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Kiss Me Quick / Suspicion

Elvis Presley

7" | 1964 | Reissue (Culture Factory)

Release: 1964 / Reissue

Genre: Rock & Indie

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Gladys Knight And The Pips

Gladys Knight & The Pips

LP | 1965 | UK | Reissue (Reel)

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Midnight Special (Blue Note Classic Vinyl)

Jimmy Smith

LP | 1961 | EU | Reissue (Blue Note)

Pentangle White Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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It’s a testament to Jimmy Smith’s volcanic creativity that the Hammond B3 organ firebrand recorded not one but two soul jazz classics—Midnight Special and Back at the Chicken Shack—in a single day when he entered Van Gelder Studio on April 25, 1960 with Stanley Turrentine on tenor saxophone, Kenny Burrell on guitar, and Donald Bailey on drums. Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

Jimmy Smith (Hammond B3 organ); Stanley Turrentine (tenor sax); Kenny Burrell (guitar); Donald Bailey (drums)

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The Pentangle

LP | 1968 | UK | Reissue (Renaissance)

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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LP | 1965 | DE | Reissue (Blue Note)

Anthony Williams

Spring

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Music On Vinyl)

Ro-D-Ys

Earnest Vocation

23,24 €* 30,99 € -25%

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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LP | 1964 | UK | Reissue (Kent)

Jimmy Hughes

Steal Away

23,74 €* 24,99 € -5%

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1964 / UK – Reissue

Genre: Organic Grooves

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colored vinyl

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Eden's Children

23,74 €* 24,99 € -5%

Nous Les Gars Nous Les Fille Record Store Day 2022 Splattered Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The debut album by the Boston psychedelic power trio, originally released in 1968 on ABC Records. The album consists of a rather awkward mix of Jimi Hendrix inspired heavy guitar rockers, peppered with smoother, jazzy crooners. The standout track on the record is the epic "Just Let Go", with her jazzy nightclub feel, turning soon into a guitar laden Eastern psychedelic jam. An authentic cult finally unleashed!

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Johnny Hallyday

LP | 1961 | US | Reissue (Culture Factory)

23,79 €* 27,99 € -15%

Release: 1961 / US – Reissue

Genre: Rock & Indie

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LP | 1965 | DE | Reissue (Impulse)

John Coltrane

A Love Supreme

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Blue Note)

Lee Morgan

The Sidewinder

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Blue Note)

Horace Silver

Song For My Father

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Mal Waldron

The Quest

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"Although often reissued under Eric Dolphy's name, this reissue gives the leadership back to pianist Mal Waldron. The seven originals not only feature altoist Dolphy (who makes a rare appearance on clarinet during "Warm Canto") but tenor-saxophonist Booker Ervin, Ron Carter (on cello) and Waldron. With bassist Joe Benjamin and drummer Charlie Persip giving alert support, the complex music (which falls between hard bop and the avant-garde) is successfully interpreted. Worth checking out." Scott Yanow -All Music Guide

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The John Wright Trio

South Side Soul

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7190) Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7190) The John Wright Trio John Wright (piano), Wendell Roberts (bass), Walter McCants (drums). Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, August 30, 1960 Engineered & mastered by Rudy Van Gelder Cover photo & design: Esmond Edwards Back-liner notes: LeRoi Jones Recording supervised by Esmond Edwards

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Harold Land

The Fox

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"Due to his decision to settle in Los Angeles, tenor saxophonist Harold Land has long been underrated. A strong bop stylist who later on would be influenced a great deal by John Coltrane, Land in 1959 had a sound closer to Sonny Rollins. For this excellent straight-ahead quintet set with trumpeter Dupree Bolton and pianist Elmo Hope, Land performs four of Hope's superior but little-known compositions along with two of his own. This is high-quality hard bop, easily recommended to fans of straight-ahead jazz." Scott Yanow -All Music Guide

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Harold Land

West Coast Blues!

Eastward Ho! Harold Land In New York

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"[...] Tenor saxophonist Harold Land leads an all-star sextet that includes guitarist Wes Montgomery, trumpeter Joe Gordon, pianist Barry Harris, bassist Sam Jones and drummer Louis Hayes. Together, they perform three of Land's originals, "Don't Explain," and Charlie Parker's "Klactoveedsedstene," and an early version of Montgomery's "West Coast Blues." The music is as well-played and swinging as one would expect from this superior bop group." Scott Yanow -All Music Guide

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Harold Land

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"Tenor saxophonist Harold Land and trumpeter Kenny Dorham make for a potent front line on this session, a superior hard bop set. With an obscure and quietly boppish rhythm section (pianist Amos Trice, bassist Clarence Jones, and drummer Joe Peters) giving suitable backup, Land and Dorham stretch out on five selections, most notably Cole Porter's "So in Love," "On a Little Street in Singapore," and Land's "O.K. Blues," which was dedicated to producer Orrin Keepnews. A fine effort that serves as a strong example of Harold Land's early work." Scott Yanow -All Music Guide

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Clifford Jordan

Starting Time

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"This fine set matches together the already distinctive tenor of Clifford Jordan with veteran trumpeter Kenny Dorham, pianist Cedar Walton, bassist Wilbur Ware and drummer Albert "Tootie" Heath. Other than Duke Ellington's "Don't You Know I Care," the group sticks to originals by Jordan, Dorham and Walton. The music is straight-ahead, and although the tunes are pretty obscure, the solos and high musicianship uplift the music. Recommended to straight-ahead jazz collectors." Scott Yanow -All Music Guide

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Bobby Timmons

Soul Time

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Blue Mitchell

Blue's Moods

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Where? Feat. Eric Dolphy And Mal Waldron

Ron Carter

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Skye)

Gabor Szabo

Bacchanal

Melba Liston and Her 'Bones

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Labeled “the Nureyev of the guitar” by jazz critic Leonard Feather, Gabor Szabo was at his creative peak at the end of the 60s, when he recorded his masterpiece “Bacchanal”. Szabo’s 60s quintet, featuring guitarist Jimmy Stewart, is on top
form here with another of his unique collections of both jazz and pop hits. His restrained use of feedback at just the right moments shows Szabo was willing to open up to new sounds yet he keeps a tight grip on his signature sound throughout these eight cuts.

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Melba Liston

OST Un Homme Et Une Femme

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo as MetroJazz LP (SE 1013)

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Francis Lai

LP | 1966 | EU | Reissue (Lucky Planets)

The Horace Silver Quintet

Release: 1966 / EU – Reissue

Genre: Soundtracks

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Vinyl reissue of the soundtrack by Francis Lai, Pierre Barouh & Nicole Croisille from the 1966 film “Un Homme Et Une Femme” directed by Claude Lelouch.

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Horace-Scope

LP | 1960 | EU | Reissue (Danger Grooves)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Flashes Black Vinyl Edition

Ill Wind

LP | 1968 | EU | Reissue (Out-Sider Music)

Nancy Sinatra & Lee Hazlewood

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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“Flashes”, the sole album by Boston based band ILL Wind, was produced by Tom Wilson (Simon & Garfunkel, Mothers Of Invention, Velvet Underground…) and originally released on ABC Records. Terrific West Coast styled sound with male/female vocals, strong guitar interplay and inventive songwriting, featuring titles like “Dark World”, “People Of The Night”, “Hung Up Chick”… and wait till you hear their cover of “High Flying Bird”! *Hard cardboard sleeve + OBI *Includes insert with liner notes and photos

* Includes digital download card

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Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

LP | 1966 | EU | Reissue (Cortizona)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Patty Waters

You Loved Me

Magic Lantern Black Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single 'My One And Only Love' and a recorded live session at Lone Mountain College in 1974.

The album 'You Loved Me' is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60's and her post 90's releases. The missing link between the radical ingenue of the 1960s and her late 90's songs wherein she expressed the resolution of all of her life's moments through mature readings of traditional songs and jazz standards. This collection aims to provide that missing link and to finally complete the picture of her storied recording career.

In what would have been her third LP, the 'You Loved Me' album serves as the inverse of Patty's debut. While her debut "Sings" concerned itself with themes of heartbreak, loneliness and yearning, there's an abundance of love, joy and togetherness on "You Loved Me".

Or in Patty's own words:

"I was a young girl alone at age 19, I was longing for love and dreaming of how wonderful love could be"

On 'You Loved Me' Patty Waters velvet voice captures this longing for love, straight from her soul to your heart. Crossing the border of the avant garde jazz entering a strange zone, somewhere between spiritual jazz, early folk vibes on the songs on the A-sides while the 14 minute composition 'Touched By Rodin In A Paris Museum' on the B-side is (dixit David Stubbs for Uncut in 2004) a brilliant extended showcase for the uneasy Cageian minimalism of her piano playing.

'You Loved Me' proves also again why Albert Ayler introduced her to ESP-Disk president Bernard Stollman, impressed Miles Davis, Pharoah Sanders and Henry Grimes with her concerts and can count Patti Smith and Yoko Ono (to name a few) amongst her fans.

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Haymarket Square

LP | 1968 | EU | Reissue (Guerssen)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally from Chicago, Haymarket Square released in 1968 one of the rarest vinyl artifacts from the US underground psychedelic scene: the “Magic Lantern” album. Originally conceived as the soundtrack to a psychedelic lightshow art installation, the album offers crude, dark, psychedelic rock featuring trippy fuzzed out / wah guitars, male-female vocals and long tracks. Newly remastered sound, insert with liner notes, repro of the ultra-rare Baron & Bailey Lightshow poster.

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CD | 1966 | US | Reissue (Light In The Attic)

Boots

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI. Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. CD housed in a digipak and featuring a 28-page booklet

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

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LP | 1966 | US | Reissue (Light In The Attic)

Boots Blue Vinyl Edition

The Sky Is Crying Audiophile Edition

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

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Elmore James

LP | 1965 | US | Reissue (Waxtime)

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Introducing George Guzman

George Guzman

LP | 1968 | US | Reissue (Get On Down)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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It was 1968 when Fania Records President, Jerry Masucci, received a phone call from conguero George Guzman, inviting Jerry to listen to his band. Jerry turned the project over to Harvey Averne, who later reported to Jerry that the band was “out of sight” and suggested that Masucci sign them up. A short time later, things became complicated for George and his band. First of all, the lead singer was drafted into the military, leaving George high and dry. By the time a replacement was found, George learned that his trumpet player was leaving to join another orchestra, so the search was on for his replacement. One problem led to another and before you knew it several months had gone by before George was finally ready to enter the studio and begin recording. Thanks to George and Harvey’s perseverance, “Introducing George Guzman” was released in time for George to join the fray of Boogaloo bands that had brightened up the night scene in New York City in 1968. - Bobby Marin

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Joe Harriott Quintet

Free Form

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Les McCann

The Truth

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Paul Gonsalves

Gettin' Together

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Parlophone)

Pink Floyd

A Saucerful Of Secrets

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Bear Family)

Etta James

Tell Mama

With A Little Help From My Friends

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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'Tell Mama' is the eighth studio album by American singer Etta James. The album was originally released in 1968 on Cadet Records and was produced by Rick Hall.

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Volker Kriegel

LP | 1968 | EU | Reissue (Cinedelic)

LP | 1966 | Reissue (Mapache)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Volker Kriegel is considered the pioneering Jazz-rock and Fusion guitarist from Europe. 1968 was a crucial year for his career as he released "With A Little Help From My Friends," his first solo album, and signed with American vibraphonist Dave Pike, joining what would quickly emerge as one of the most popular and influential jazz fusion combos. This precious document reissued for the first time by Cinedelic Jazz with bonus tracks highlights all his qualities that enabled him to become one of the most acclaimed and innovative guitarists in European jazz. The original album included two recording sessions; Side A in Cologne and Side B in Frankfurt, with different performers. Side A as a trio with double bass and drums, and on the other with the addition of vibraphonist Claudio Szenkar. The covers performed are the two by Lennon-McCartney 'With A Little Help From My Friends' and 'Norwegian Wood’, and the traditional Brazilian 'Nãnã Imborô'. Added to the original album are four previously unreleased tracks of great depth recorded at the Deutsches Jazz Festival in Frankfurt in 1968: "Teaming Up" and "Vian-De" by Kriegel himself, "Spanish Soul" by Szenkar and "Nina's Dance" lasting over 9 minutes and featuring Tony Scott on Clarinet and Gustl Mayr on Tenor Sax. Over the years, Kriegel would go on to participate in over 200 albums.

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David Blue

23,99 €* 29,99 € -20%

Release: 1966 / Reissue

Genre: Electronic & Dance

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LP | 1965 | EU | Reissue (Blue Note)

Herbie Hancock

Maiden Voyage

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Atlantic)

John Coltrane

Giant steps

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Blue Note)

Eric Dolphy

Out To Lunch

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Sam Jones

The Soul Society

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Descarga)

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Ray Barretto

Barretto Para Bailar

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Sommor)

Las Mosquitas

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Infectious rock&roll, surf, beat, girl group and ye-yé sounds by LAS Mosquitas, the first female beat band from Argentina.

Including their rare album from 1965 for the Music Hall label plus bonus tracks from singles and their impossible to find split EP with Los Gatos Salvajes.

Las Mosquitas (“The Little Flies”) consisted of Stella Maris Conde (Pupé) on vocals and guitar, María Cristina Medina (Nita) on bass, Ana María Millán (Nené) on vocals and guitar and Beatriz Cabrera (Dina) on drums. They performed their original compositions as well as Spanish sung covers of hits from the era. Producer Ricardo Romero of pioneering rock&roll Argentinean band Los Cinco Latinos took them under his wing and secured a deal with the Music Hall label.

They toured nationally and internationally, sometimes supporting Los Cinco Latinos, other times as the main act. Not only that, but they conquered every city they performed in, they were received by fans, ambassadors, presidents and their daughters, all eager to see Las Mosquitas on stage. Tours through Panamá, the Dominican Republic, Peru, Puerto Rico, Chile, Uruguay, Brasil, Curazao and Argentina were completed with fantastic public response and TV appearances.

The “Mosquitamania” was born and a string of singles and a full album on the Music Hall label followed. All of them are compiled here for the first time.

“Their music was a mix of ye-yé and beat and they dressed how you would expect the Beatles to dress if they had been women” - Gareth Wynne (Ugly Things)

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Orphan Egg

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.

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H.P. Lovecraft

H.P. Lovecraft II

Soft Winds: The Swinging Harp Of Dorothy Ashby Clear Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The 2nd chapter, yet a revelation. Released on Philips in 1968, right after their ’67 self titled album this iconic psych-folk masterpiece still detain a refreshing and revelatory approach. The Chicago band, named after American supernatural fiction writer, is on the verge of some weird songwriting experience, as suggested by some explicit titles as Mobius Trip or At The Mountains Of Madness. Celestial electro-acoustic harmonies and spacey keyboards gave way to mystical show, still entertaining nowadays.

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Dorothy Ashby

LP | 1966 | EU | Reissue (Far Out)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Dorothy Ashby album from 1961 that also features female vibes player Terry Pollard. Comes with a version of The Skatalites 'Guns of Navarone' which is a pretty surreal listening experience. From the original liner notes: "Dorothy Ashby may not be the first jazz harpist (Caspar Reardon) or the first female jazz harpist (Adele Girard), but her good feeling for time and ability to construct melodic, guitar-like lines, mark her as the most accomplished modern jazz harpist (...) Accompanying her was another Detroit girl, Terry Pollard. Terry's main instrument is the piano and she is one of the best in the country, bar none. She is also a pretty fair country vibraharpist and in this set, Miss Pollard plays vibes exclusively. With them is still another Detroiter, Herman Wright, who like Miss Pollard has worked with Terry Gibbs and Yusef Lateef, and who also served as Miss Ashby's regular bassist. (...) Completing the quartet is Jimmy Cobb, drummer for the Miles Davis group. During the proceedings, Cobb travels between brushes and sticks without upsetting the equilibrium of this essentially quiet set. There is wide range of material presented here, from blues like Benny Goodman's title number, 'Soft Winds', and Miss Ashby's 'With Strings Attached', to movie themes such as 'Laura', 'Wild Is the Wind', and 'The Guns Of Navarone'. Then there are works by such superior writers of standards as Kurt Weill ('My Ship'); Gershwin ('The Man I Love' and 'Love Is Here To Stay')"

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Jose Roberto Bertrami

Jose Roberto Trio

O Amor, O Sorriso E A Flor Clear Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time vinyl reissue of Jose Roberto Bertrami's 1966 ‘José Roberto Trio’ via Far Out Recordings. Best known as the keyboardist and bandleader of legendary trio Azymuth, the late José Roberto Bertrami also wrote for, arranged for and performed with Elis Regina, George Duke, Sarah Vaughn, Jorge Ben, Eddie Palmieri, Milton Nascimento, Flora Purim and Erasmo Carlos, among countless others.

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Joao Gilberto

LP | 1960 | EU | Reissue (Sowing)

Ibrahim Khalil Shihab Quintet

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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First released in Brazil in 1960 this is Joao Gilberto's second studio effort. A seminal album that just one year later introduced Bossa Nova to the United States. Joao Gilberto, one of the true masters of the genre, displays a great selection of songs including various Tom Jobim's classic gems such as "Samba de Uma Nota Só" ("One Note Samba"), "Corcovado" and "Outra Vez". An essential piece of work in the whole history of Brazilian music.

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Spring

LP | 1968 | UK | Reissue (Matsuli)