Vinyl, CD & Tape 160928 Items

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Reissue (Relapse)

Incantation

Sect Of Vile Divinities

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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LP | 2015 | EU | Reissue (Relapse)

Gruesome

Savage Land

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Pytheas)

Josh Ritter

Spectral Lines

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Proper)

Richard Thompson

Henry The Human Fly

Release: 2023 / EU – Original

Genre: Pop

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LP | 2023 | EU | Original (Proper)

Lloyd Cole & Commotions

Mainstream

Release: 2023 / EU – Original

Genre: Pop

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3LP | 2023 | EU | Original (Noise Company)

Ben Kweller

Sha Sha

89,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Napalm)

Marianas Rest

Auer Sunyellow

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Any Day Now Crystal Clear Vinyl Edition

Krezip

LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Pop

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LP | 2023 | EU | Original (Mote)

Neil Cowley

Battery Life

Release: 2023 / EU – Original

Genre: Classical Music

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LP | 2023 | EU | Original (Hopeless)

Solence

Hope Is A Cult

19,59 €* 27,99 € -30%

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Glassnote)

Ripe

Bright Blues

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Four Four)

Go Set

Warriors Beneath Us

Release: 2023 / EU – Original

Genre: Rock & Indie

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Thomas Bangalter & Romain Dumas

Mythologies

3LP | 2023 | EU | Original (Erato)

71,99 €*

Release: 2023 / EU – Original

Genre: Classical Music

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Screem Writers Guildtransparentblue Marbled In G

Lordi

2LP | 2023 | EU | Original (Atomic Fire)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Mr. Discotheque Feat. Mrs. Caketooth

You & Me

12" | 1999 | DE | Original (BCC Music)

4,99 €*

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

2x12" | 1994 | FR | Original (EMI Music France)

Andrew Brix

Piano Euphoria

7,99 €*

LP | 2023 | EU | Original (Les Disques Bongo Joe)

Release: 1994 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Promo white label copy. Vinyl is close to NM.

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Alice

L'oiseau Magnifique

LP | 2023 | EU | Original (Kryptox)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Armed with a thrift-store synth, bizarre wit and arresting vocals, the intergenerational, all-female micro-choir Alice release their second album L"Oiseau magnifique. Hailing from Geneva, Alice"s music subverts French and Occitan folk music to create a playful and poignant blend of intricate harmony and storytelling lyricism - a unique sound that is deep yet deceptively minimal.

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Joel Holmes

Into The Abyss

Mark De Clive-Lowe / Shigeto/Melanie Charles

Release: 2023 / EU – Original

Genre: Organic Grooves

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"Into The Abyss", the new album by Joel Holmes (former band leader of Carl Craig"s synthesizer ensemble and member of Grammy-nominated cult band Roy Hargrove) is a perfect capturing of Berlin"s new jazz and electronic scene.

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Hotel San Claudio Orange Vinyl Edition

LP | 2023 | EU | Original (Soul Bank Music)

Mark De Clive-Lowe / Shigeto/Melanie Charles

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves, Pop

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Revered composer, pianist, DJ and acknowledged bridge between jazz, dance and hip-hop, Mark de Clive-Lowe (MdCL), links up with jazz vocalist/flautist Melanie Charles and Detroit drummer/producer & DJ, Shigeto on Hotel San Claudio, a collaborative LP of spiritual jazz and live deconstructed beats. Following Melanie Charles" formidable Verve album Y"all Don"t (Really) Care About Black Women and MdCL"s lauded 2022 Soul Bank album, Freedom - Celebrating the Music of Pharoah Sanders, the three forward-thinking musicians unite for a sonic exploration across jazz, hip-hop and soulful house.

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Hotel San Claudio Black Vinyl Edition

LP | 2023 | EU | Original (Soul Bank Music)

2LP | 1982 | EU | Reissue (Greensleeves)

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves, Pop

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Roots Radics

Dub Landing Volume 2

35,99 €*

Presents Rockers International Volume 1

Release: 1982 / EU – Reissue

Genre: Reggae & Dancehall

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The second part of the all-time dub classic, "Dub Landing" Vol.2, originally released by Starlight Records in 1982! Even more rare than Volume 1 from the previous year it is now re-mastered by Kevin Metcalfe and matched with a second disc of original vocal versions of the Linval Thompson productions. The two disc set got a great newly created cover art by renowned illustrator Tony McDermott, and includes previously unreleased music from Sister Nancy, Papa Tullo, Hell & Fire and other much sought after tunes by The Viceroys and Barrington Levy. This is the classic sound from the Roots Radics band at Channel One with all tracks mixed by Prince Jammy and Overton "Scientist" Brown at King Tubby's studio. The 2CD-set is packaged in a deluxe six-panel hardcover digisleeve with a booklet glued in the package, and there are extended liner notes by reggae expert Harry Hawke. The 2LP-Vinyl set has a one sided giant poster of the frontsleeve atwork inside a 5mm spine double-LP sleeve!

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Augustus Pablo

LP | 1980 | EU | Reissue (Greensleeves)

Release: 1980 / EU – Reissue

Genre: Reggae & Dancehall

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Eek-Ology: Reggae Anthology

Eek-A-Mouse

LP | 2013 | UK | Reissue (17 North Parade)

To Serve The Dune Transparent Green Vinyl Edition

Release: 2013 / UK – Reissue

Genre: Reggae & Dancehall

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The first and foremost exponent of the ‘singjay’ style, Eek A Mouse, has carried all before him over the past thirty years busily blurring the distinctions between roots, dancehall and crossover reggae. Eek-ology collects up a number of rare and in-demand non-album sides including the early self produced ‘Ripton Hylton’ recordings along with the Joe Gibbs sessions where he first unveiled his brand new Eek-A-Mouse style. Mouse’s long and successful partnership with producer Junjo Lawes is represented by the non-album ‘For Hire And Removal’ and tracks like ‘Rude Boys A Foreign’ recorded for Gussie Clarke and ‘Taller Than King Kong’ for King Jammy still ram the dance today!

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Rulaman

LP | 2023 | UK | Original (Tonzonen)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Eight Transparent Red Vinyl Edition

The Boo Radleys

LP | 2023 | EU | Original (Boostr)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Apocalypse Black Vinyl Edition

Rotten Sound

LP | 2023 | EU | Original (Season Of Mist)

34,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | EU | Original (Season Of Mist)

Sortilège

Apocalypso

Release: 2023 / EU – Original

Genre: Rock & Indie

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Apocalypso Black Vinyl Edition

Sortilège

2LP | 2023 | EU | Original (Season Of Mist)

38,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Fawn / Brute White Vinyl Edition

Katie Gately

LP | 2023 | UK | Original (Houndstooth)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Yesterday Today 1992-1997 Colored Vinyl Edition

Ocean Colour Scene

5LP | 2023 | UK | Original (Demon)

114,99 €*

Release: 2023 / UK – Original

Genre: Pop

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Kinda Happy, Kinda Sad Sun Yellow Vinyl Edition

Alien Tango

LP | 2023 | US | Original (Ground Control)

Release: 2023 / US – Original

Genre: Rock & Indie

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The Sun Colored Vinyl Edition

Joseph

LP | 2023 | UK | Original (ATO)

28,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Corduroy Punk)

Josienne Clarke

Onliness

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2023 | EU | Original (Agt Records)

E.T.I.

Lookout

7" | 2023 | US | Original (Organik)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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For their first release of 2023, AGT Records is cruising in straight from the West Coast.

E.T.I. were behind a string of releases in the 90’s and early 2000’s that were part of the new wave of the iconic San Fran sound. The ‘Lookout’ EP, released on their own Oboro Records in 1999, ticks all the boxes of that defining era.

On this EP, breezy breaks and dubby basslines roll alongside funk infused samples, throwing some signature shuffle onto any dance floor. With decent copies going for very high prices online, AGT Records is happy to bring this one back onto the shelves and keep an eye on some more stuff from Oboro in the pipeline this year - all in good time.

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SaltFeend

Daylight's End EP

14,99 €*

12" | 2015 | US | Original (Mistress)

Release: 2023 / US – Original

Genre: Electronic & Dance

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An ode to the future beat movement and the 1st vinyl release from Portland, Oregon's own Saltfeend. With releases on Australia's Uncomfortable Beats & Belgium's Urban Waves this 4 track EP is his first for Organik. Comes with a full color sleeve.

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V.A.

The Redhead

Release: 2015 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Might-Ay White-Ay White Vinyl Edition

Mephiskapheles

LP | 2020 | EU | Original (Jump Up)

Maximum Perversion Red Vinyl Edtion

Release: 2020 / EU – Original

Genre: Rock & Indie

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NYC satanic ska/metal band's third album from 1999 on vinyl for the first time. Ska's own Satan worshipping, hardcore and metal influenced act returned with an album that expanded its musical range, working some jazzier textures into their hyperactive ska-punk-metal circus. It's part Slayer and Metallica while still embracing their Fishbone and Specials flavors. They blur the lines between their influences, not only in the same song, but quite often at the same time. Twenty plus years later the album is enjoying a true rebirth, new fans are discovering this "lost classic" while many longtime fans are realizing they missed the goods the first time around!

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Mephiskapheles

LP | 1997 | US | Reissue (Jump Up)

Time For Change Blue Vinyl Edtion

Release: 1997 / US – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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UP red vinyl reissue of classic 1997 ska-punk masterpiece by NYC act. Gained national attention on MTV's 120 minutes, this 2nd album was ahead of it's time! Extravagant rhythms heralded a new shift into experimental territories with funky breaks, avant garde solos and metal/hardcore forays!

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Eastern Standard Time

LP | 2019 | US | Original (Jump Up)

12" | 2015 | UK | Original (Nonplus)

Release: 2019 / US – Original

Genre: Reggae & Dancehall

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Washington DC's messengers of ska-jazz are back with their first new studio album since 2010. Their signature sound of bop jazz, Jamaican ska, blended with soul and reggae is intact - and has made them a perennial touring act all across Europe. Includes their cover version of SAM COOKE's "CHANGE IS GONNA COME".

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Inland

Wayfinder

6,99 €*

The Soul Of Cell / Furious

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Damaged cover. Original inner sleeve.

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Hoffman & Joyce

12" | 2005 | IT | Original (Fateful Bass Records)

3,99 €*

Release: 2005 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2023 | CA | Original (Seance Centre)

You Can Can

LP | 2023 | EU | Original (Antinote)

Release: 2023 / CA – Original

Genre: Electronic & Dance

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You Can Can is an echoed affirmation, an album which traces song forms around silence, field recordings, and degraded analog memories. This is folk music transmogrified and mutated, as if recorded and reconstructed in Pierre Schaffer’s GRM studio.

Not your typical Mariposa folk duo, the group is comprised of Toronto avant-music scene stalwarts, vocalist Felicity Williams (Bernice, Bahamas) and bricolage artist and synthesist Andrew Zukerman (Fleshtone Aura, Badge Epoch). The album feels like a somnambulant conversation, fragmented and half-remembered with Williams’ vocals traveling through a landscape of field recordings and Zukerman’s saturated concrète topographies. It is an electro-acoustic assemblage, both analog and digital, comprised of air, electricity, minerals, wood, and water. Although the album nods towards traditional forms of folk and musique concrète (if at this point it can be called a traditional form), it is outwardly and inwardly contemporary; non-linear, citational, opaque, and sui generis. In a way it feels like a sonic index of the narrative experiments found on the infamous Language school-related publisher The Figures, in the work of Lyn Hejinian, Clark Coolidge, and Lydia Davis. In the musical continuum, the album picks up where Linda Perhacs left off in the early 70’s—explored by Gastr Del Sol in the ‘90s—a convergence of rural acoustic idioms and urban avant-electronics. This is country music for the discerning cosmopolitan citizen of the 21st Century.

Riyl: Luc Ferrari, Brannten Schnüre, William Basinski, Oval, Eric Chenaux, Emmanuelle Parrenin About Everything In Time and Failure Figures, Felicity Williams says:

Everything In Time is indebted to the language of Brazilian author Clarice Lispector (as translated by Alison Entrekin). Drawing on insights from psychoanalysis, we trace the roots of melancholy to render them available to consciousness; words from the ghostly realm of the transpersonal filter through dreams and shine a beam of light onto a lone trillium in a forest at night. Other influences include the experience of not knowing, of being subject to a gestation outside of one’s control. This is an ode to the power of naming to obliterate, to set free.

Failure Figures is a meditation on the radical contingency of reality and the vicissitudes of the will. With Slavoj Zizek as my guide (think: “Hegel for dummies” - I’m the dummy in this scenario), I wander through the valley of the shadow of death, and take heart. The last verse refers to an experience I had recording at a studio in Brussels. I was singing in French, with which I have some fluency, and the producer was complaining to the artist whose song it was that my delivery was not convincing. Thinking I was out of ear shot, he said in French, “c’est comme elle n'est pas là”; I was pronouncing the words correctly, but I failed to express anything. So what or whom is responsible for conveying meaning, if not the form of the word itself? And if the connection between meaning and form is broken, how do we fix it?

Gratitude to Thom Gill (guitar) and Daniel Fortin (bass) who joined us on the recording of Failure Figures. Thanks as well to my old roommate Christopher Willes, who unwittingly left behind his hand bells deep in the hall closet. We unearthed them by accident, and the bells became an important sound element. Thanks to other past roomies Robin Dann and Claire Harvie, whose childhood piano and guitar respectively still reside with us, and were used in the recording. Field recordings were made in Toronto, Canada and Celestún, Mexico in 2020.

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Nico Motte

The Missing Person LP

Remixes Alex Attias & Byron The Aquarius

Release: 2023 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Nico Motte returns to Antinote with his second album ‘The Missing Person’ after his 2015 introductory EP ‘Rheologia’, 2016’s ‘Life Goes On If You Are Lucky’ LP, and 2017’s ‘18 Rays’ EP collaboration with Zaltan and Raphaël Top-Secret. Truly though, Motte never really left, having been the aesthetic eye for each Antinote artwork since day dot. His visual style would prove pivotal to the labels decade long success in the leftfield music underground. But here Motte shows us once again that his skills don’t solely lie in graphic art.

A bandcamp review of Motte’s first LP reads ‘French late seventies synth-laden electronics of avant garde film soundtracks with a touch of early house, minimalism and Balearic…’ ‘The Missing Person’ holds true to that balearic core while adding flavours of lollipop dub, sugary synth and Martin Denny-esque Exotica. Synth-Pop from a tropical island. Perhaps The Missing Person here is the album’s protagonist themself, having sailed away from the trivialities of urban life to lay on a white sand beach somewhere warm, drinking fresh coconut water and not giving a shit. A laissez-faire attitude.

Underneath the cool sonic facade of ‘The Missing Person’ Motte effortlessly meanders through pastel sounds drawn from an extensive collection of vintage synthesisers, drum machines and effects units at Synth City. The result: a smooth textured continuous listen of an ear off to somewhere far… island life perhaps? perhaps urban life in need of reprieve.

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Soichi Terada

12" | 2023 | EU | Original (Rush Hour)

14,99 €*

LP | 2023 | EU | Original (Morphine)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Heavy hitting remixes by Alex Attias and Byron The Aquarius of tracks from Soichi's 'Asakusa Light' on Rush Hour. TIP!

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Gamut Inc

Sum To Infinity

A New Directive From The Bureau Of Compulsory Entertainment

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Excellent works here, do not miss! TIP!

The sum to infinity of a sequence is the sum of an infinite number of terms in the sequence. It is only possible to compute this sum if the terms of a sequence converge to zero. “Sum To Infinity” is also the second release from Gamut Inc, the retro-futuristic ensemble around composers and curators Marion Wörle and Maciej Śledziecki.

This second album by Gamut Inc combines custom-built autonomous music machines with haunting classical synthesiser sounds to create a dense musical kaleidoscope.

The core of the album is formed by Risset rhythms – cyclic accelerations and decelerations, in which rhythmic layers repeatedly fade in and out, setting in motion a seemingly endless process of rhythmic movement. The motifs are taken from geometric and arithmetic series that create urgency and restlessness. The rigour of the construction is obscured by an orchestra whose timbres are reminiscent of a retro-futuristic indigenous ensemble. Gamut Inc translate strategies of electronic music like pulse-width modulation to music machines such as automated accordion, automated percussion or glockenspiels and create an intense atmosphere that is idiosyncratic, original and modern at the same time.

Gamut Inc build their music machines, play electronic music festivals internationally, curate the Aggregate festival for automated pipe organs and composes for film, radio drama, and theatre. Their first opera, “Rossums Universal Robots”, premiered in 2022. Since 2011, at the intersection of electronic club culture and experimental music, they have produced live music, music theatre, film and theatre scores (including for the Junge Staatstheater Berlin) with their specially developed musical robots. They composed for ensembles like the Rias chamber choir or the robot orchestra Logos Foundation and received invitations and commissions from international festivals and venues such as Sónar, CTM, Berghain, Sonic Acts, Technosphärenklänge or Numusic (no). Gamut Inc has received numerous scholarships, including the Villa Kamogawa scholarship from the Goethe Institute in Kyoto, Japan, 2022. Their first release, “Ex Machina” was produced exclusively with music robots and released in 2014 in cooperation with Bôłt Records.

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Jonny Dillon

2LP | 2023 | EU | Original (All City Dublin)

12" | 2023 | US | Original (Disctechno)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Full length double LP from contemporary Irish guitarist Jonny Dillon. Beautifully recorded blues / folk guitar pieces. Full info soon. TIP!

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Mark Grusane

A House Of My Own

12" | 2023 | EU | Original (Planet Trip)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Mark Grusane's latest offering, A House of My Own is a testament to his long-standing discipleship to the craft of producing hard-hitting house tracks with authenticity and depth. The title-bearing opener on A1 strongly demonstrates this notion with a slew of raw bass stabs and emotive pads leading through a battery of driven percussion in a manner that calls to mind those early 90's Mr. Fingers records. While A2's Essence of Life (Afterhours Mix) takes us further into the darkness with a spiraling timber of percussions lain over distorted vocal arrangements, the "Daytime Mix" of A3 builds on the momentum of its predecessor with a robust uplifting synth lead and sounds of atmospheric ambiance added to the mixture, effectively taking the composition to an entirely new level. B1 kicks off punching and swinging with the track Knock knock, Who's there?, a ferocious gut-puncher of a track that sees classic Chicago "beat-track" style 909 arrangements lay over an intense saturated 303 bassline that relentlessly worms its way throughout the mix with a booming urgency. B2 sees a turn for the naughty on the track Love And Lust with a xxx-rated vocal line slithering its way through the track, sandwiched in between high-pitched keys and a slinky drumline. Finally, Jack Your Ass Off closes out the album and ties it all together on B3 showcasing the full-fledged insanity of the classic trademark Chicago "jack" style that sees the title of the track frantically screamed over and over though a sampler amid hard hitting drums and 303s engineered to make you dance like a freak. A serious 'must have' for any selector or music enthusiast.

(Words by Steve Hoffman)

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Tempo Temple

Enter The Temple EP

15,99 €*

Pavel Milyakov (Buttechno)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Tempo Temple (Caravan & Lord Safari) longtime Planet Trip family enter the stage with a heavy 12” of elevated machine jams and dance-floor ready heaters.

The A side starts things off with high intrigue initialised through the exotica laden, midtempo weapon Spell. Steezy title track Enter The Temple (Outstanding Invoice Mix) splices together a forward facing arrangement with early Belgian New Beat DNA to create a downtempo track for the ages. On the flip the energy gets boosted up to the maximum. The heaving Days of Chandra is a pure, non-stop body mover primed to raise a dancer's heart rate. Its companion piece Nights of Chandra raises the pressure and enhances the euphoria. Closing off with the two steppin’ Spell (Transit State Remix), flipping the records opener into the garage and finishing things off in style.

Another Planet Trip Sureshot!

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Project Mirrors

12" | 2023 | EU | Original (Ad 93)

20,99 €*

Strange Strangers Teal Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A collection of loops recorded between 2016-2021.

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Devon Church

LP | 2023 | US | Original (Felte)

Tape | 2023 | US | Original (Sub Pop)

Release: 2023 / US – Original

Genre: Rock & Indie

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Devon Church ist ein aus Winnipeg, Manitoba, stammender und in New York City lebender Singer-Songwriter. Er war viele Jahre lang Multiinstrumentalist, Co-Autor und Produzent des Dreampop-Duos Exitmusic, dessen Album Passage 2012 bei Secretly Canadian erschien und von Pitchfork als "aufrührerisch, cineastisch und manchmal brillant" beschrieben wurde. 2018, im selben Jahr, in dem Exitmusic ihren Abgesang The Recognitions auf felte veröffentlichte, brachte Church sein Solodebüt We Are Inextricable ebenfalls auf felte heraus, das die texturalen elektronischen Elemente, die er während der Exitmusic-Jahre genutzt hatte, in den Dienst eines Songwriting-Stils stellte, der in der Folk-Rock-Tradition verwurzelt ist. Nachdem Church 2019 in den gesamten USA aufgetreten war (im Vorprogramm von Orville Peck, Adam Green, Kirin J Callinan und Black Marble), machte er sich an die Arbeit, um sein neuestes Werk, Strange Strangers, aufzunehmen, während er in einer Scheune im ländlichen Pennsylvania Zuflucht vor der globalen Pandemie suchte. Das größtenteils selbst produzierte Album klingt, als hätte Eno aus der Apollo-Ära Phil Spector auf halbem Wege zu den Aufnahmen von Death of a Ladies Man die Regler (und die Pistole) entrissen. Die atmosphärischen Elemente von Churchs früheren Produktionen werden auf dem Album sublimiert und in den Dienst von bandgesättigtem Gesang, Combo-Orgeln und Gitarren gestellt. Seine Stimme, die seit seinem Debüt selbstbewusster und zurückhaltender geworden ist, ist immer noch irgendwo zwischen einem lakonischen Lee-Hazelwood und einem rauchigen Tom Waits, aber sie wird bei Stücken wie dem intensiv melodischen und treibenden "Flash of Lightning in a Clear Blue Sky" deutlich ruhiger. Die engelsgleichen Backing Vocals von Churchs Partnerin, der Künstlerin Ada Roth, verleihen dem Bariton des weltmüden Erzählers eine Aura von traumhafter Leichtigkeit. Wenn Roth in gedämpften, an Hope Sandoval erinnernden Tönen in den Vordergrund tritt und einen Text wie "We're so bored of the apocalypse" vorträgt, nehmen die Dinge eine subtil bedrohliche Wendung in Richtung Pop-Surrealismus. Ein Sinn für kosmischen schwarzen Humor hat sich in Churchs Texte eingeschlichen. Strange Strangers leiht sich den Titel von dem Öko-Philosophen Timothy Morton: "The strangeness of strange strangers is itself strange, meaning the more we know about an entity the stranger it becomes.”

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Mudhoney

Plastic Eternity

Plastic Eternity Silver Vinyl Ediiton

Release: 2023 / US – Original

Genre: Rock & Indie

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The world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured Covid. The apocalypse is stupider than anyone could've predicted.Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle & Pop! in Seattle with longtime producer Johnny Sangster. From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix ("Cry Me An Atmospheric River") to a driving rock and roll song about taking drugs meant for livestock ("Here Comes the Flood") to a classic punk attack on treating humans like livestock ("Human Stock Capital"), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020's. It also contains a genuine love song in closing track "Little Dogs," an ode to the simple joys of hanging out with tiny canines. Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm's sharply funny lyrics as potent a combination as they've been since the band's formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm's answer is simple. "We like

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Mudhoney

LP | 2023 | US | Original (Sub Pop)

Plastic Eternity Black Vinyl Ediiton

Release: 2023 / US – Original

Genre: Rock & Indie

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Mudhoney

LP | 2023 | US | Original (Sub Pop)

7" | 2012 | UK | Original (Blunted Astronaut)

Release: 2023 / US – Original

Genre: Rock & Indie

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MPadrums

Blunted Beats Volume 1

39,99 €*

Release: 2012 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Woodfield Rd Allstars / Prince Deadly

Shank I Sheck / Zheng Shang-Chi

7" | 2023 | UK | Original (Original Gravity)

Release: 2023 / UK – Original

Genre: Organic Grooves

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7" | 2023 | UK | Original (Original Gravity)

Luchito & Néstor

Soy Un Hombre

Release: 2023 / UK – Original

Genre: Organic Grooves

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LP | 2023 | US | Original (Mint)

Only A Visitor

Decay

LP | 2023 | US | Original (Digital Regress)

Release: 2023 / US – Original

Genre: Rock & Indie

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Described as “Bjork's light-footed nymph child,” (Beatroute) Vancouver quintet Only A Visitor brings a precise and buoyant live energy to song-crafting with their “kaleidoscopic compositions” (Dusted Magazine.) Fusing together avant-pop, jazz, classical and DIY influences and substituting guitar with three part harmonies that “display a delightful innovation” (HuffPost,) they have released three albums to date and have recently signed to Mint Records for their fourth release Decay. Since forming in 2015, they have appeared at the Montreal, Halifax, Ottawa, Toronto and Vancouver Jazz Festivals and the Vancouver Island Music Festival, among others, and have toured Canada and internationally. With drummer Kevin Romain, bassist Jeff Gammon, and vocalists Emma Postl and Celina Kurz, classically trained but DIY nurtured songwriter and arranger Robyn Jacob wraps gently asymmetrical sonic tendrils around pop skeletons.

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Bobby Would

Styx

LP | 2020 | US | Reissue (Sentient Ruin Laboratories)

Release: 2023 / US – Original

Genre: Pop

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"Bobby's back with a brand new swing. Styx is, conceptually speaking, his boatman's call, two thirteen minute sides of Greek mythology-referencing purgatorial guitar murk, one half on terrafirma, the other floating down the river of the damned... If you remember those first two records on Low Company, or even the pair of records he made under the Itchy Bugger moniker, then you'll already be well acquainted with the openly sardonic, narco chimes of Styx. The fidelity remains of the characteristically 'submerged' variety, which at this point is as much of an instrument as anything actually played. It's a bit post-39 Clocks in that sense, kinda like the Cocoon or Exit Out, the hazy gloom a lot of the appeal. 'You're definitely doing the hype thing,' he sings on 'Hype On.' Are you talking to me, Bobby? 'Cos I've done a number on you here." –World Of Echo Music

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Dearth

To Crown All Befoulment

LP | 2023 | US | Original (Transylvanian)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Oakland black/death metal plague wielders Dearth finally debut with their long awaited and highly anticipated first full-length album To Crown All Befoulment, a sonic reign of terror clawing deep into the most wretched, abominable, and hideous realms of human nature. Nihilistic beyond comprehension and sonically devastating, on the crushing debut LP Dearth explore incomprehensible thresholds of disgust and abjection through a sonic arsenal forged deep into in the most tormented circles of hell, unleashing a cataclysm of dark death metal horror that will leave the listener scarred and ravaged. Thorough an inescapable maze of oppressive death metal riffs and malefic atmospheres, the Oakland death-bringers have drawn influence from extreme metal titans like Dead Congregation, Deathspell Omega, Lucifyre, Demoncy, and Pseudogod to assemble a mortal weapon of mass extermination that symbolizes and glorifies the complete and implacable eradication of humanity in its every form and manifestation.

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Evulse

Pustulant Spawn

37,99 €*

LP | 2023 | US | Original (Transylvanian)

Release: 2023 / US – Original

Genre: Rock & Indie

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Disgusting Death Metal from Oakland, California, with members of Mortuous, Ensepulcher and Swamp Witch. Recorded, mixed and mastered by Fred Avila.

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False Figure

Castigations

37,99 €*

LP | 2023 | US | Original (Sweet Time)

Release: 2023 / US – Original

Genre: Rock & Indie

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We started fleshing out what came to be False Figure in 2015, IAN and I had met through work and started jamming shortly after. We started doing something melodic yet driving, guitars howling through noisy delay and reverb but still driving with tangible melodies. This band drew a little bit of influence from classic California deathrock like Christian Death and Tsol Change Today? era with guitars even pulling influence from black metal. We wanted melodies that would stick in your head with beats that would move you. At the time we were very influenced by contemporaries in the bay and new york like Crimson Scarlet and Anasazi. In the past few years we've shifted towards a more pointed, airy and rhythm-driven song structure where each element has its space to breathe. This style is something that was touched on in our latest EP a promised end, but really got to shine in our latest LP. We aim to keep things flowing and concise. ‘all Killer NO Filler’ as they say. The themes of this release aren't a far departure from the previous releases. There's still an overarching presence of melancholy attached to these songs but not one that bogs the listener down. We aimed to present the music in a manic yet purposeful arrangement, mirroring our own lives and experiences, a controlled chaos. As a three piece attempting a big sound you have to be mindful of what you aren't playing (overplaying) as much as what you desire to play. The lyrics of this release come from our experiences at the time of writing, from failed relationships, to losing loved ones, to feeling the figurative noose tightening around one's neck as we struggle to negotiate to live in the capitalist hellscape that has become the San Francisco bay area where the margins are bursting at the seams."

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Lousy Sue

Artless Artifacts

Tape | 2023 | US | Original (The Flenser)

Release: 2023 / US – Original

Genre: Rock & Indie

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Debut LP from self proclaimed Indiana shit-rockers, Lousy SUE. This fabulous slab contains 15 tracks of stripped down budget rock style rock n roll reminiscent of the great Loli & the Chones. Rip Off Records fans might recognize guitarist JIM KUCZKOWSKI's name from his recording & mastering work on several of their releases. Includes a cover of Buck Biloxi's "Shut the Fuck Up."

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Have A Nice Life

The Unnatural World

16,99 €*

12" | 2023 | UK | Original (!K7)

Release: 2023 / US – Original

Genre: Rock & Indie

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Have A Nice LIFE’s second gloom-fueled, autobiographical meditation. With eight songs clocking in at 47 minutes, The Unnatural World is Have a Nice Life’s most monumental release yet—a colossal, perfectly orchestrated work that leaves listeners comatose on the ground beside their record players. This second full-length delivers doom and gloom at a new level, more focused and soul-tearing than ever.

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James Bangura

Harrar / Witness Dub

15,99 €*

Tape | 2023 | UK | Original (Akashic)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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As one of the three co-founders of Washington D.C. production and DJ trio Black Rave Culture, James Bangura is no stranger to situating electronic music within its most purposeful and potent contexts. With this new duo of tracks, however, Bangura taps into a deep, personal internality, metabolising visceral experiences and personal transitions into unexplored phases of his musical life.

The bass-forward “Harrar” is a complex organism which operates on two planes: a sweat-drenched 150pm symphony of synth pulses, fidgety percussion, shimmies and distorted vocals, that falls into lockstep with a meditative, dubby bass tone that calmly swells and recedes. Emerging out of Bangura’s high intensity hardware jam sessions with friends and collaborators, both the depth and energetic fizz of “Harrar”’ are signified by its name, borrowed from Harrar Coffee & Roastery--a beloved Ethiopian coffee house and community meeting place in Washington D.C. that radiates warmth and familiarity.

“Witness Dub” occupies less of the senses, exploring a state of liminality through a contemplative deep house signature. Having emerged from an extended period of active duty in the military, Bangura had to navigate civilian life for the first time, causing him to process multiple culture shocks that stretched across culture, language, communication and identity. “Witness Dub” finds Bangura at this crossroad, juxtaposing the steady propulsion of kicks and drums with pensive minor key chords, as he begins to explore the other side of the self, letting the energy guide the music.

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Semay Wu

Raspberry Hotel

14,99 €*

LP | 2023 | EU | Original (Bamboo Shows)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Having lived and worked in numerous musical directions for many years, Semay Wu’s begrudgingly faithful cello still remains at her side: from Merseyside, to Manchester, to The Netherlands, and now to Central Scotland. Always trying to push age-old boundaries of how the instrument is viewed and heard, her focus has led her to explore further collaborative and everyday improvisations, blending electronics with mixed media and a variety of gestural art disciplines.

Raspberry Hotel is Semay’s first foray into recorded solo work. Finding it hard to stick to any one brief, she filled out a room of a local studio space, with toys, everyday objects, instruments, and her cello. Sitting on the floor, she recorded whatever came to mind. A week-long session of improvisations were then taken home, spliced up and pieces were composed and mixed. Raspberry Hotel is made up of fleeting, off-the-cuff performances, that can be listened to as separate tracks or as one long piece.

Instruments: cello, voice, toys & electronics.

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Jonquera (of Pilotwings)

La Croix Des Cros

LP | 2023 | UK | Original (Delodio)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Preorder shipping from 2024-11-22

Two years after his acclaimed ‘Darkos LP’, Jonquera is back to Charlieu’s surrounding vales for his second album on Bamboo Shows.

Through ‘La Croix des Cros’, the French Musician delivers a loner-folk eclogue about the fantasized inner demons of a country dweller. Just like clay, audio recordings here are a malleable substance, slowly reworked over a year, following a sinuous production process where all mishaps are welcomed as breaches to step into.

Far from the spaghetti western myth of the reckless bounty hunter, riding his faithful horse in the great outdoors to spill blood; this 14-track album is the grieving lament of a wistful cowboy, longing for a simple patch of peace where one’s free to cultivate the earth and noodle on the guitar.

Heldon’s cosmic space-rock, Badalamenti’s Twin-Peaksesque foggy jazz or Morricone’s glorious soundtracks, so many references to portray another fertile imprint by Jonquera, available from February 13, 2023 on a 12” vinyl.

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Froid Dub

Deep Blue Bass

24,99 €*

291out, Healing Force Project

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Froid Dub continues to explore its synth-lined slowed down digi-dub cave flooded with waves of echoes and acid bleeps. From begging to end, bass lines and flanged delays sail over deep waters, seemingly barely disturbed by the minimal pump of the synth-wave track Not Loved.

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Soundtracks For No Film Vol. 2

12" | 2013 | DE | Original (Acido)

8,99 €*

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Generic

12" | 2007 | UK | Original (B12)

B12

32 Lineup

9,99 €*

Release: 2007 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

All Bad Boy & All Good Girl: Manchester Street Soul Soundtapes, 1988-1996

Death Is Not The End

Tape | 2023 | UK | Reissue (Death Is Not The End)

15,99 €*

7" | 2023 | UK | Original (Delights 45)

Release: 2023 / UK – Reissue

Genre: Electronic & Dance

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A mixtape pulling together extracts from soundsystem tapes out of Manchester's storied street soul scene of the late 1980s to mid-1990s. Featuring DIY cassette recordings of sounds such as Broadway, Stereo Dan & Soul Control playing live at dances and blues parties in south & central Manchester from 1988 through to 1996.

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Pyrope

The Duel / Broken Spell

12" | 2023 | UK | Original (Lovemonk)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Delights label is kicking off 2023 with a new cinematic funk double-sider that brings together some of the label's regulars.
Pyrope is a studio collaboration between Paul Osborne (Project Gemini), Paul Elliott (Oregano/Eleven76/The Library Music Film), Yael Lavie ("Silk and Gunpowder"/Leviot) and Delights head, Markey Funk. On their first 7'', the four are channelling the spirit of the 1960s European thrillers to create two dramatic upbeat cuts - "The Duel" and "Broken Spell" - that blend sinister crime funk with eerie folk horror psychedelia.

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Gecko Turner

Somebody From Badajoz

12" | 2023 | UK | Original (Rua Sound)

Release: 2023 / UK – Original

Genre: Organic Grooves

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With his new album, Gecko Turner confirms that he is a standout artist in the global groove scene, a must for the outernational sounds aficionados.

Somebody From Badajoz is the fifth studio album in his much lauded discography and his first in seven years, eagerly anticipated by both his fans and himself: "this business of dedicating yourself to music and making songs... it's a long game."

With the release of his first two, remarkable, albums, Guapapasea! (2003) and Chandalismo Ilustrado (2006), Gecko started cultivating what one astute journalist defined as Afro-maduran soul—the "maduran" bit referencing Extremadura, a region in central-western Spain.

Badajoz, Gecko's birthplace, is the biggest city in the area, on the border with Portugal, by the Guadiana River. It is a place that oozes history, where there is constant movement at the border, and people's character is friendly and open-minded with foreign habits.

Gecko's Afro-maduran soul isbuilt on Afro-American music and drenched in Brazilian, African, Latin American and Jamaican sounds. There are also echoes of a youth marked in equal parts by our man's admiration for the Beatles and the flamenco that could be heard everywhere in Badajoz in the seventies. It makes for a singular sound and a musical language of its own—spicy, succulent, full of nuances, but with a very personal flavour.

The album opens with the Nigerian talking drums of Twenty-twenty Vision, (neo) soul in a magical falsetto, carried by a sumptuous orchestral arrangement with a cinematic flavour: "I'd been thinking about doing something called 'Twenty-twenty Vision' for some time, making a play on words with the vision we have of the world after the year 2020 and the medical expression, which, in ophthalmological terms, means 'normal or complete vision.' Beyond that particular song, I think that's the mood of the album: a look at society in the twenties of the 21st century and the feelings and demons it produces."

It's followed by De Balde, a very special song born from a posthumously discovered lyric by the great writer Carlos Lencero, a regular collaborator of Camarón, Pata Negra, and Remedios Amaya, and also from Badajoz. While conceived as a fandango, Gecko has moulded it into his sound in such a seamless way it now seems as if the words could only have been written to be embraced by the percussion, brass, and backing vocals heard on the album. It's the only lyric on Somebody From Badajoz not written by Turner, still it sits rather comfortably with the rest, sharing the same emotivity and sensitivity, as well as the trademark humour and irony.

Other tracks see more protagonism for the rhythm.The beat-driven Ain't No Fun Preachin' to the Choir features Gecko's vocals walking the thin line between singing and talking over a phenomenal afro-disco-funk-infused trailblazer. In Am I Sad? it's impossible to not bob your head to the queen of Papatosina's mongrel rhythm, as close to the banks of the Guadiana river as it is to the shores of the Mississippi. Qué Siesta Tan Buena, He Babeao Y To! is an ode to the snooze in true Afro-Maduran fashion. And in Come And Try, the Caribbean influence is evident—lovers' rock that invites you to dance in good company.

In these songs, and throughout the album, for that matter, the musicians accompanying Gecko, who himself plays many of the instruments as well, shine brightly. All hailing from Extremadura, Javi Mojave (percussion), Álvaro Fdez 'Dr. Robelto' (bass), and Rafa Prieto (guitar) have been carrying him with delicate forcefulness since he started out as a solo artist. At the same time, the wonderful and essential voices of Deborah Ayo, Astrid Jones, Fani Ela Nsue, and Miriam Solís give the album a sunny variety of colours. And there are many more—a sensational group of musicians contributes dazzling harmonic bursts to many of the songs. The palette of sounds is very diverse and rich in textures and nuances, including, for example, the ngoni, bells, and various repurposed kitchen utensils.

The groove is always around, moving between the magical border sound of Everybody Knows Somebody From Badajoz and Little Dose, the silky soul of The Sibariteo Appreciation Society, and the exultant celebration of End Of The World (which surprisingly sees Gecko turning to the occasional use of autotune), a piece that could be used for the final credits of a Monty Python film and, in fact, closes the album.

Gecko Turner has done it again with Somebody From Badajoz, looking to the future without losing sight of the roots. In times of upheaval all over the globe, when people are looking for purity, he delivers a formidable piece of work: risky, optimistic in spite of everything, and with a decidedly bastard sound. Let's rejoice.

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San

Under The Scope

12" | 2023 | EU | Original (Greyscale)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The alis of a UK techno producer, San returns to Rua Sound with another statement of intent - "no other junglist delivers this power".
San was born out of the clear necessity for jungle futurism, breakbeat terrorism and hardcore sub bass gangsterism.
The illusive producer's second record on the label is a masterclass in dark jungle choppage dripping with futurism and dread. Fans of Source Direct take note.

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Upwellings

Lark Dub / Fed On Dub

17,99 €*

12" | 2023 | UK | Original (Crosstown Rebels)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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There is big news from the camp at Greyscale Records. Greyscale #9 is here!! A well-respected veteran of the dub techno scene Upwellings (Vincent Raude), is the star of this show for the label's prominent's chapter of releases. Upwellings is not alone thought! #9 features stunning remixes by household names with Bluetrain (Steve O'Sullivan) and Ohm & Octal Industries makes this is one of the must have releases in 2023.

In true Upwellings form, 'Lark Dub' is a brisk and polished track that has a friendly groove that should delight all listener's while Bluetrain turns the remix to a more 4x4 affair naturally injecting it with a house flair. 'Fed on Dub' is a more stark contrast as the alternate featured track. Addictive sequenced sound elements combust like a scientific experiment gone awry. A deep groove that pulses heavy in the sub range. Ohm & Octal Industries up the tempo in their version while still relishing in the signature sound effects. Adding a bit of a melody in spaces brings in a beautiful soundscape and atmosphere to the overall shimmering track. To have all these excellent producers in support on one release is a true treat. Released on super clean white 180 gram vinyl as well as digital. This record will not leave your crate!

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The Deepshakerz

Fire

16,99 €*

12" | 2023 | EU | Original (Magic Carpet)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The Deepshakerz unite with Aaron Pfeiffer for their Crosstown Rebels debit ‘Fire’, back by a remix from, Cameron Jack.
Italian duo Domy Berardino and Mirco Sonatore, aka The Deepshakerz, continue to evolve their take on house music after a decade in the game - releasing material on their Safe Music imprint alongside globally renowned labels including Saved, Cajual, Circus, Moon Harbour and Knee Deep In Sound. Linking up with Miami-based singer/songwriter Aaron Pfeiﬀer, the iconic voice of Jaden Thompson’s ‘Closer’, the trio of talents make their debut on Damian Lazarus’ Crosstown Rebels with the vibrant ‘Fire’, with fellow debutant and Abracadabra singee Cameron Jack on remix duties.
A blissful yet driving production guided by Pfeiﬀer’s alluring vocals, ‘Fire’ is a resonant house oﬀering combining crisp drums with an infectious wavering lead melody, while Cameron Jack’s take strips things back and crafts a medley of organic percussion grooves around the original’s charming vocal interludes.

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Kawaii San

Behind The Waterfall EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Curated By Time)

Kage

A Future Remembered

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Jungle Cat)

Riffz & Dub-Liner

Gold Label Reserve

18,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Muellie Messiah & Punk Not Punk

Exq I

LP | 2023 | EU | Original (Faitiche)

LP | 2023 | EU | Original (Sonic Pieces)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Faitiche presents the album Exq I by Berlin underground techno legends Muellie Messiah & Punk not Punk, mainly known under their 100Records moniker. Weighing in at 36 minutes, the track was recorded in 2010, effortlessly intermingling dub, drone and collage, a blend achieved thanks to the duo’s jazz-inspired approach to improvisation.

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Cisser Maehl

Innemuseum

36,99 €*

The Brutality Of Rhythm Part 1

Release: 2023 / EU – Original

Genre: Electronic & Dance

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»Innemuseum« is the debut album by Danish composer, singer and multi-instrumentalist Cisser Mæhl. The 10 fragile compositions for vocals, sparse electronics and a myriad of instrumentation illuminate a hushed charm unlike few other Sonic Pieces releases to date. This is undeniably a very personal record that sounds like the musical embodiment of Cisser herself. She sings in Danish in a close-miked way like she's sitting right next to you, all while gentle rhythms and soft strings together create a sort of bright, minimal chamber music with hints of pop sensibility. It almost feels like a Scandinavian reflection of Colleen's work in her more quiet, vocal periods. A music box of weightless compositions for the conscious mind.

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V.A.

2LP | 2023 | EU | Original (Mecanica)

33,99 €*

Hide Behind The Silence EP 1

Release: 2023 / EU – Original

Genre: Pop

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“The Brutality Of Rhythm” is a compilation series focused to rescue EBM-electro-industrial jewels from the 90’s. On the first installment have been included some hits, remixes and rare tracks by Sigbefia Five (Germany), Institute For The Criminally Insane (Denmark), Lights of Euphoria (Germany), Birmingham 6 (Denmark), Kevorkian Death Cycle (usa), Fiction 8 (usa), Sleepwalk (Germany) and Brigade Werther (Germany). 100% Aggrepo for your Body Mechanic!

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Vladislav Delay

10" | 2023 | EU | Original (Rajaton)

18,99 €*

Eidetic Dark Green Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Vladislav Delay presents the 1st part of the »Hide Behind The Silence,« a series of five 10inch releases coming throughout 2023. Intuitive and raw music, momentary and reflective, released on the artist's own label Rajaton. As Delay puts it, the series is »about live moments being captured, not much premeditation or editing. More intuitive and raw, even though the end result (to me) feels and sounds quite introspective and calm.«

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Benoit Pioulard

LP | 2023 | EU | Original (Morr Music)

28,99 €*

Eidetic Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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American singer-songwriter, poet, and photographer Thomas Meluch, known musically as Benoît Pioulard, returns with his most structured and vocal release to date. Titled »Eidetic,« a word denoting the ability to recall mental images with extraordinarily rich precision, the album presents unprecedented clarity and vitality for Benoît Pioulard. To access its thematic ground, Meluch looked inward with an affinity towards the people he loves during a period marked by his move from Seattle to Brooklyn in 2019. The resulting work engages with the universe's unflinching mortality and, as he says, »the ways it has modified and improved my relationships, especially with family.« Embodied by the creek, leaves, and ferns of the cover photography — taken in Michigan’s Burchfield Park, where he and his dad used to hike and »muse on existence« — the music glistens and unfurls with the flow of life he’s come to know. »Eidetic« is the culmination of Meluch's craft both as a producer and writer. An evocative sonic vocabulary meets deft lyrical introspection, articulated with the nuance, vulnerability, and confidence of a longtime artist hitting a stride. Meluch has continually refined, redefined, and adjusted the focus of his gentle pop project over the last 20 years. Recorded primarily with guitar, tapes, and voice — and spanning labels with albums for Kranky, Morr Music, Beacon Sound, and Past Inside the Present — his catalog flows seamlessly between ambient improvisation and pop composition. Much like the analog photos that often accompany his releases, songs can feel dreamily softened and distant, and others beautifully vivid and detailed. 2021 full-length »Bloodless« found Meluch deep in droning decay, expressive yet wordless. With »Eidetic,« he swings back to sharpened forms. Lush banks of treated guitar and synth brush against hushed percussion; there is mist in the distance, but everything up close is intricately constructed and radiant. Meluch's voice is notably forward in the mix — a warm and calming tenor, a harmonic coo more than a whisper — ever-observant and actively processing. To record much of the album, Meluch filled a cabin in rural Maine with his usual setup of simple percussion, a couple of Fender electrics, and a parlor guitar made by his friend who does bespoke luthier work. The modest utility is what he knows best, and here he pushes the output to its most pristine potential. »Eidetic« opens in a swirl of familiar haze; »Margaret Murie« eases listeners in, as lush and verdant as the landscapes conserved by its famed namesake. With the setting established, Meluch, the narrator, enters the foreground with »Crux,« a tender piece written about finding new motivations in a new city. »We covet this rare green hue / Here at the farthest point from home,« he sings above a reassuring pattern of strums and percussion. Meluch's prose shines on the swiftly-moving »Nameless,« inspired by the neurological effects that came with the antiquated practice of manufacturing mercury mirrors; »folks would slowly go insane while looking into their own reflections every day,« he adds. The idea informs a series of surreal abstractions before everything drops out in the final minute, and we are left free-floating in eerie nothingness. Across the album, labyrinthine lyrical ponderings scatter with dazzling imagery, artfully blurring scenes from world history with Meluch's more personal, present-day. The propulsive and earnest »Thursday Night« catches his mind overly active and too stoned, riffing on black holes and songwriting itself. »Halve« references the splitting of the atom, what he considers »the beginning of man's downfall,« and the unrealized initiative proposed by the US government that would have created 'nuclear refuges' in its national parks. Meluch's loved ones weave throughout; »Tet« holds his father's experience in Vietnam and its lasting effects. »Lillian Isola« touches on his maternal grandmother's spinal curvature, and »Pastel Dust« navigates the wake of his cat, who died on New Year's Eve 2020. At first blush, Meluch's atmospheric and melodic sensibilities resonate purely in their own right. Upon closer meditation, his ability to render stories — many of which surround human tragedy, misfortune, and understanding — through the prism of his poetry makes »Eidetic« even more rewarding.

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Benoit Pioulard

LP | 2023 | EU | Original (Morr Music)

LP | 2023 | EU | Original (Karaoke Kalk)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Sensory Illusions

Sensory Illusions II

30,99 €*

LP | 2023 | US | Original (Company)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Scottish composer and multi-instrumentalist Bill Wells and virtuoso tuba player Danielle Price once more team up for Karaoke Kalk under the name The Sensory Illusions. The two further explore the affinities between their idiosyncratic musical approaches across a variety of styles and genres while also expanding their sound palette. After its predecessor saw Wells working strictly with his electric guitar, on the »Sensory Illusions II« the piano enters the mix on two of the eleven pieces. Much like his brass-heavy collaboration album »Osaka Bridge« with Japanese collective Maher Shalal Hash Baz—made available again on vinyl by the German label Karaoke Kalk in February 2023—this album injects melancholic atmospheres with a sense of playfulness. Picking up on elements from jazz, pop, blues, and classic songwriting while acknowledging their debt to techniques from the worlds of avant-garde and improv music, The Sensory Illusions weave together disparate elements into a colourful, imaginative suite of songs.

Starting with the folky chords of opener »Four Chord Dream,« the track titles spell out Wells’ characteristic use of ideas that literally come to him in his sleep (the project was even named after a record he found while browsing a store in a dream). The National Jazz Trio Of Scotland leader then fleshes them out together with Price, who again serves as a one-woman rhythm section, as she does throughout most of the album. When Wells enters 1960s spy movie territory with a swirling rendition of John Barry’s »Theme from Vendetta« and picks up on those dynamics with a rolling riff in the next song, her versatile playing provides the backdrop for that. Once Wells sits down at the piano for the tender »Flotsam Bodes,« however, their roles are being reversed and Price—a seasoned and multifaceted musician who was one of only six applicants chosen to attend Chilly Gonzales' Gonzervatory in 2019 and who is currently working with acclaimed London-based trumpet player and composer Laura Jurd—takes the lead. »I’m the Urban Spaceman« makes it even more apparent how seamlessly these two experienced players leave each other space to showcase their respective talent and expand on their individual ideas: Marked by Wells’ soloing and exploring different sonic possibilities of the guitar, it also sees Price showcasing her reduced yet agile solos before they both return to the idea at the heart of the song.

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Tanukichan

Gizmo

LP | 2023 | US | Original (Carpark)

Release: 2023 / US – Original

Genre: Rock & Indie

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When the pandemic hit, Hannah van Loon adopted a dog named Gizmo, who became a much-needed companion while the Bay Area musician wrote her second album as Tanukichan. Aptly named after her new four-legged friend, Gizmo is an exercise in release, whether from situational hindrances—a forced lockdown, for one—or from self-imposed hedonistic coping mechanisms.“ A theme I always had floating around was escape,” van Loon explains of her follow-up to 2018’s Sundays. “Escaping from myself, my problems, sadness and cycles.”

To channel the more uplifting spirit she wanted for Gizmo, van Loon turned to the radio pop-rock of her childhood: “I was struck by the in-your-face positivity of the lyrics,” she adds, referencing artists like 311, The Cranberries, and Tom Petty. “I wanted to bring that positivity while writing about the sad and helpless emotions I’d been grappling with.” But Gizmo’s lightheartedness doesn’t make it shallow: “I think that I could let it go, as beautiful as snow,” she murmurs on “Don’t Give Up,” a nu metal-meets-Cocteau Twins groove about the sudden awareness that all the relationships you depend on could vanish instantaneously. Van Loon’s main collaborator on Gizmo was Toro y Moi’s Chaz Bear, and the jangly pop earworm “Take Care” showcases the heavily distorted, in-your-face guitar work reminiscent of Bear’s own psych joints What For? And Mahal. On the hypnotic, wall-of-sound-rocker “Thin Air” featuring Enumclaw, van Loon channels the triumphant grit of The Smashing Pumpkins as she ponders the impermanence of even the most impactful relationships: “I’ll always have the memories/Of how you used to make me see/Until they fell in the ocean/They’re not swimming/They’re not floating.”

Existentialism aside, Gizmo also sees van Loon break out of her sonic comfort zone. “One of the main changes of how I’m approaching music now is that I want to have more fun in the process,” she says, and she walks the line between melodrama and whimsy gracefully: “I can learn something because I’ve been here before,” she sings on the soaring, bittersweet “Been Here Before.” Deftones-inspired thrash drums and screeching electric guitars are gracefully contrasted with van Loon’s hypnotic, almost deadpan vocal style and a crystal clear acoustic guitar she describes as “cute.” Gizmo the dog suddenly passed away right as van Loon finished the album, but he’s immortalized with his photo on the cover—a fitting emblem of this new era of Tanukichan.

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Mind Music Palace

12" | 2008 | DE | Original (Mikrodisko)

Release: 2023 / US – Original

Genre: Rock & Indie

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Originally released in April 2021, the album is getting a reissue from Carpark in February 2023. It’s fitting that Philadelphia guitarist Victoria Rose and Baltimore producer/musician Stone Filipczak named their band @— a symbol that calls to mind the detachment of an email exchange or a Twitter mention. The folk-pop duo created their debut album »Mind Palace Music« almost entirely remotely from, sending each other recordings over iMessage from their respective cities throughout fall/winter 2020. But although its creators were 100 miles away, the 11-track album gleams with a sense of closeness, tied together with @’s penchant for deeply personal and candid lyrics

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Boys'R'Us

Philter 95

3,99 €*

Release: 2008 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 2023 | EU | Original (More Groove)

Bboy Enea

Sporco Miracolo

Release: 2023 / EU – Original

Genre: Hip Hop

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Jewel Case CD | 2023 | EU | Original (90's Tapes)

Prose & Concepts

Everything Is Nice

17,99 €*

Tape | 2023 | EU | Original (90's Tapes)

Release: 2023 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies on CD in jewel case.

Originally released in 1997 on CD only, the sophomore album "Everything Is Nice" by Prose & Concepts finally gets the full reissue treatment. The group comprised of MC Dope, SharkE, Mic Dub, Beatnik, DJ Ace and Rawi were sporting the Seattle underground sound of heavy drums and dusty loops paired with cuts back and forth.

In addition, the album includes the "Bass Camp Demo" version of "Higher Places". The original track might be known to diggers from the excellent "14 Fathoms Deep" compilation released on Loosegroove Records in 1996 showcasing the vivid Seattle Hip-Hop scene in the mid-90's.

Available in a limited run on 2LP, CD in jewel case, cassette and digitally on all major platforms.

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Prose & Concepts

Everything Is Nice

16,99 €*

Songs Of Surrender Indie Exclusive White Vinyl Edition

Release: 2023 / EU – Original

Genre: Hip Hop

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Limited edition of 100 copies on cassette.

Originally released in 1997 on CD only, the sophomore album "Everything Is Nice" by Prose & Concepts finally gets the full reissue treatment. The group comprised of MC Dope, SharkE, Mic Dub, Beatnik, DJ Ace and Rawi were sporting the Seattle underground sound of heavy drums and dusty loops paired with cuts back and forth.

In addition, the album includes the "Bass Camp Demo" version of "Higher Places". The original track might be known to diggers from the excellent "14 Fathoms Deep" compilation released on Loosegroove Records in 1996 showcasing the vivid Seattle Hip-Hop scene in the mid-90's.

Available in a limited run on 2LP, CD in jewel case, cassette and digitally on all major platforms.

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2LP | 2023 | EU | Original (Island)

42,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Love As Projection Blood In Glass Colored Vinyl Ediiton

Frankie Rose

LP | 2023 | UK | Original (Night School)

24,99 €*

LP | 2022 | UK | Original (Nine X Nine)

Release: 2023 / UK – Original

Genre: Rock & Indie

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This album is about having to focus our collective energies on the small things around that we can control to find joy. A distraction from the the larger systemic problems that feel so overwhelming and are so very out of our collective hands... for now...” Love As Projection is the new album by Frankie Rose, her fifth studio LP and second for Night School following the reissue of her interpretation of The Cure’s Seventeen Seconds. Frankie Rose has forged an enviable musical legacy, from playing with bands like Crystal Stilts and The Vivian Girls but on Love As Projection she takes a bold step into electronic pop production. A sumptuous recorded statement, it dances in ecstasy and broods on the tumult of the western world’s decay in equal proportion. At the heart of the album is glowing, confident songwriting, resplendent in hooks and choruses but still touched with an optimism undimmed. After spending nearly two decades establishing herself across New York and Los Angeles independent music circles, Rose re-emerges after six years with a fresh form, aesthetic, and ethos. Celebrated over the years for her expansive approach to songwriting, lush atmospherics, and transcendent vocal melodies and harmonies, Love As Projection is a reintroduction of her established style through the lens of contemporary electronic pop. Recorded with producer Brandt Gassman and mixed with long-term collaborator Jorge Elbrecht this is the album Frankie Rose has been building up to her entire career. More than a rebirth, a refinement, a resurgence, Love As Projection boasts a widescreen scope: a long- form project heavily considered for half of a decade, culminating in the most personal and accessible collection of art-pop that Frankie has ever written. When Rose aims for the pop jugular as in first lead track Anything, the result is unstoppable. A majestic pop song built for radio, it erupts into an irresistible chorus that marries classic epic 80s American pop with the cult effervescence of Strawberry Switchblade “It’s like a prom scene in a John Hughes movie. It’s a hopeful song about abandoning fear even if the world is quite literally on fire.. In the end, at least we have each other,” says Rose. Sixteen Ways further boasts a propulsive, massive chorus, though tempered by a cynicism built in global post-truth, global malaise. “It’s about getting your hopes up, but simultaneously making lists in your head about how it will never work out in your favour.” The big anthems don’t let up there. On DOA some massive, rolling drums lathered in big mid-80s gated reverb dovetail with a syncopated baseline for the ages as Rose’s vocal sails effortlessly above. The effect isn’t unlike ethereal vocalists Clannad circa Howard’s Way or Enya jamming with Simple Minds in their stadium-conquering heyday. Rose tempers the adrenalin with heart-tugging bittersweet tones and there are plenty of them. Sleeping Night And Day takes its time with an off-the-cuff chorus, swirling around in harmony and chorus-bass. Saltwater Girl picks up the balladeering baton with another nod to album track-mode Switchblade, deep space opening up in the mid-tempo drum track and soupy, digital atmospherics. Album closer Song For A Horse, reimagines modern Pop production a-la-PC Music but shorn of the meta-atmosphere. Pianos, swelling synths, minor keys cut through with major. These moments, also seen in Feel Light offer ballast to the soaring pop choruses. Moments like these are big oceans of emotion to fall into before being led out by Rose into a bright new day.

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16 Tambourines

All Men Are Fools

2x12" | 2023 | UK | Original (GTM)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Formed in the mid 80’s, signed to Arista/BMG, releasing one record and playing their last show for 30 years in 1990, 16 Tambourines burnt bright in a short period of time. Fans and the band themselves have longed for a follow up to the glorious ‘How Green Is Your Valley?’ for over 3 decades, and it is finally upon us. ‘All Men Are Fools’ is the sophomore release 32 years in the making. Created in parts through lockdown, recorded, mixed and mastered post lockdown by original members Steve Roberts, Tony Elliott, Tony McGuigan, David Oliver and Susan Bailey, along with some musician friends. The album is upbeat, sharp, witty and at points scathing. A defiance embodied in the seemingly eternal, joyous struggle to create this body of work. It is described by Steve as Mod, New Wave, Pop & Soul with a couple of jazz chords, just how the band wanted it. The title of the album, ‘All Men Are Fools’ was the first song Steve wrote specifically for the retooled, remodelled 16 Tambourines, reflecting on a talk with his daughter about boyfriends and why men are as they are.

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GTM

Proto

LP | 2023 | UK | Original (Nie X Nine)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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GTM's debut album 'Proto' is unlike anything on Earth, or everything on Earth all at once. Following on from the first EP on their label, South London outfit GTM have crafted an incendiary hyper collision of electro and techno in true kaleidoscopic splendour. This release is a trippy electronic excursion. Available as a 2x12" album housed in a typographic sleeve, it is a writhing, optimistic bomb of a cut mastered by Beau Thomas at Ten Eight Seven Mastering (Aphex Twin, u-Ziq, Warp etc.) After a long era of abstract industrial grayscale form, Proto is here to remind us that dance music doesn't always have to conform - in full technicolour!

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The Room

Restless Fate

2LP | 2023 | UK | Original (Ocean Omen)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Early 80’s Liverpool stalwarts The Room are back. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel they have been compared to Joy Division, The Fall and fellow Liverpool band Echo & the Bunnymen. New album ‘Restless Fate’ picks up where the band left off. At times shimmering, at times haunting, but at all times an arresting and urgent listen. An exploration of man’s search for meaning and the dysfucntion of the human condition, there is still a relentless optimism at the core of this record. A stark post-punk soundcape provides plenty of space for frontman Dave Jackson’s spirited yet acerbic vocal. Perhaps one might find more wisdom in Resless Fate’s songwriting and lyrics than in The Room’s previous catalogue, this could just be experience showing.

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SBT (Sarabeth Tucek)

Joan Of All

28,49 €* 29,99 € -5%