Vinyl, CD & Tape 161319 Items

12" | 2023 | UK | Original (Amen Brother)

Release: 2022 / EU – Original

Genre: Classical Music

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Since his debut with the "Darling Darling Darling"track, immediately spotted by the media as well as by electronic music lovers, Louis Warynski has continued to evolve a world that belongs to him alone, over the last ten years and eight albums.Like Lewis Caroll's universe, Chapelier Fou's music is multiple, simple and complex, serious and light, classic and modern. Louis Warynski's work is woven on a classical basis, but it is constantly disrupted by subtle electronic arrangements and rhythms, thus taking the tracks outside of all convention.We find in Chapelier Fou the facetiousness of French composers such as Erik Satie, François de Roubaix or Robert Cohen Solal, not hesitating to blend pop and concrete music, but also this formidable capacity to make serious what is not serious, and vice versa of course. His music, very much at home on screen as well as on stage, has everything that makes up the trait of genius composers: accessible in appearance and adaptable in all forms.This is how Chapelier Fou has performed on stage as a soloist, juggling between violin, guitar, keyboards and pedals, in trio, quartet and even in orchestral formation with the Orchestre National of Metz. Often described as "electronic chamber music", it was expected that one day Chapelier Fou would offer us a version of his music without a single electronic or electrified part. It is now done with this Ensemb7e who performed on the stage of L'Arsenal de Metz, broadcasted by Arte Concert. Chapelier Fou Ensemb7e has received direct support from a wide audience, but also from venues programmers where the septet has been performing since June 2021. Ensemb7e stands for a mainly wooden septet: violin, viola, cello, piano, clarinet and drums accompany the multi-instrumentalist composer. It's hard to resist such musical enthusiasm! The magic happens immediately because the re-reading of these little jewels in pop format gives a touching and fulfilling dimension to Chapelier Fou's work: even more dreamy versions, sometimes more mis...

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Chapman

Bad Man EP

16,99 €*

12" | 2019 | EU | Original (Chestplate)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Stu Chapman is out hardcore hero from down under. Originally from the UK, he packed his bags and his records and moved to sunnier climes, but still has those raw UK flavours still pumping around his veins!

This is the first EP by Chapman on Amen Brother – his previous outings have been on his own Enormous Mouse imprint as well as Remix Records and Ars Musica Imprendere Vitah.

Chapman productions always have a more uplifting feel to them and these are four hardcore anthems to make the ground shake and those hands to reach up to the lazers!

Get tripping on these beats!

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Chapman

Colossus EP

7,14 €* 10,99 € -35%

Release: 2019 / EU – Original

Genre: Electronic & Dance

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First Cut - Streetwalkers

Chapman-Whitney

CD | 2009 | UK | Reissue (Mystic)

The Rise And Fall Of A Mi.. Limited Colored Vinyl Edition

Release: 2009 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Chappell Roan

2LP | 2024 | Original (Island)

43,99 €*

Release: 2024 / Original

Genre: Pop

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Chappie's Attack (Quest The Groove Mix)

Chappie

7" | 1999 | JP | Original (Relax)

Release: 1999 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 2022 | EU | Original (Elrow Limited)

Chapsenza

Triad EP

13,99 €*

12" | 1991 | UK | Original (Rham!)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Chapsenza, the Argentinean duo composed by Matichap and Cosenza, is taking charge of brand new twelve inches record of elrow Limited. In “Triad EP” you can find 3 original tracks of up-to-date and classy minimal house. Also you can find a great remix made by Prunk, PIV owner and amazing producer, putting the cherry on top of the cake of this amazing piece of plastic.

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Chapter And The Verse

Black Whip

They Are Somewhere Out In The Space

Release: 1991 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Writing on cover.

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Chapter & Page

12" | 2003 | DE | Original (Pulse)

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG

12" | 2022 | EU | Original (Music On Vinyl)

Mesmerise

Release: 2022 / EU – Original

Genre: Pop

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12" | 2022 | EU | Original (Music On Vinyl)

Pearl

Release: 2022 / EU – Original

Genre: Pop

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She's A Vision Colored Vinyl Edition

12" | 1993 | EU | Reissue (Music On Vinyl)

27,99 €*

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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12" | 2022 | EU | Reissue (Music On Vinyl)

Sunburst

Release: 2022 / EU – Reissue

Genre: Pop

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We Are The Beautiful Gold & Black Vinyl Edition

12" | 1993 | EU | Reissue (Music On Vinyl)

LP | 2022 | EU | Original (Sony Music Japan)

Release: 1993 / EU – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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Limited edition of 750 individually numbered copies on gold & black marbled 180-gram audiophile vinyl. The British shoegaze band Chapterhouse released two albums during their existence, Whirlpool (1991) and Blood Music (1993). Blood Music spawned the single "We Are The Beautiful", which was released during that same year and also appeared as a 12".

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Chara

Chara's Time Machine

32,99 €*

Release: 2022 / EU – Original

Genre: Pop

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7" | 2024 | JP | Original (Urban Discos)

Chara × In-Sist

I Don't Know / On & On

7" | 2022 | US | Original (Dirt Cult)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Miraculous 7inch collaboration single "I don't know" by Chara and In-sist is finally re-released after 10 years! The superb hip tune "On & On" by In-sist is included on the B-side. Chara, a singer who has established a strong position in the J-Pop scene as a Japanese girl pop icon, has clearly etched her roots in black soul music on this eternal soul classic!

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Character Actor

9,99 €*

2LP | 2018 | US | Original (Drawing Room)

Release: 2022 / US – Original

Genre: Rock & Indie

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Character Actor (Jeff Schroeck - Vocals/Guitar; Evan Kiel – Bass; Brian Gorsegner – Drums) is the result of three old friends living in close proximity and entering fatherhood within a relatively short span of time. With Jeff’s and Brian’s bands (The Ergs!, Night Birds, Black Wine) in varying stages of hibernation, the two shared a much-needed weekly escape to the garage to write some loud, fuzzy pop songs. Evan joined on bass, and the quintessential dad-rock project was born. Soon after, the band recorded it's debut, a 4 song, self-titled EP.

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Charalambides

Tom And Christina Carter

27,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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Of Palm Trees And Decomposition

Charbel Haber

LP | 2016 | UK | Original (Discrepant)

18,99 €*

Chardel Rhoden / Keety Roots

Release: 2016 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Charbel Haber is a Lebanese musician, performer & composer from Beirut. Co-founder and member of longstanding Lebanese post-rock group, scrambled eggs Haber’s work encompasses a wide range of disciplines and styles such as film, video art and theatre, both as a solo artist and as a member of Scrambled Eggs, Malayeen and Johnny Kafta anti vegetarian orchestra.

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Voice Of The People / Dub The People

7" (Black Legacy)

10,99 €*

Genre: Reggae & Dancehall

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Tape | 2019 | US | Original (Pirates Press)

Charger

10,99 €*

Warhorse Blood Red Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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CHARGER is very soon going to be a band that needs no introduction for music fans across the globe.

It didn't start off as a band, but more of a musical challenge between two accomplished heavyweights exploring their roots and mutual passions.

CHARGER is driven by a love for 70's hard rock as much as it is the ever-present 'East Bay sound' that has shaped these musicians lives for decades.

In the same way you can't throw MOTORHEAD in a box and label them metal, punk, thrash or hard rock, this incredible band and record will both prove themselves a force to be reckoned with on a global stage. Defying all genre expectations, and just plain bringing the ROCK - this powerful three piece will undoubtedly take these incredible songs far and wide.

Backing it right up, their live show is superb as well; something folks in the Bay Area have not taken for granted over the past half-year - and something that the rest of the world is about to get a taste of, in a big way!

If you are someone who enjoys the best of BLACK SABBATH, JUDAS PRIEST, MOTORHEAD, DIO, AC/DC, METALLICA, NEUROSIS, HIGH ON FIRE & of course, RANCID (or even one of those bands), listen up! This is for you!

FOR FANS OF:
MOTORHEAD, BLACK SABBATH, METALLICA, HIGH ON FIRE, RANCID

TARGET MARKETS:
Bay Area (Hometown) and wherever great PUNK & METAL albums are sold!

TRACK LIST:
Side A
1. Crackdown
2. Victim
3. Damage

Side AA
4. All Kings Must Die
5. Pray For Light
6. Fall Out
7. Dragdown

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Charger

LP | 2022 | UK | Original (Pirates Press)

27,99 €*

Folk Remedy Anthems 1 & 2

Release: 2022 / UK – Original

Genre: Rock & Indie

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If you’re in the mood to check out ANY new album, let it be this one. Whether you were tipped onto this band by a metalhead (or a Matt Freeman/RANCID fanatic), heard one of the tracks off their highly acclaimed debut EP, or you are just discovering them now, you’ll be glad you found the solution to the question of what album is next to be stuck on repeat: This one! This three-piece, comprised of some of the most talented musicians in the scene, seriously upped their game, delivering a bounty of experience-laden riffs and hooks. They even enlist the ear-splitting vocals of Jake Nunn from Hellfi¬re on the truly spectacular rager “Summon The Demon” - only upping the ante further! It’s undeniable that this band is bound for great things - and this album is sure to lead the way! From beginning to end, the musical journey that this takes you on is unique, powerful, passionate, and fi-lled with raw energy and pure down-and-dirty rock and roll that fuels so many of us!

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Chari Chari

2x12" | 2023 | UK | Original (Mysticisms)

LP | 2023 | EU | Original (Habibi Funk)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The sublime music of Kaoro Inoue is the subject of this essential new compilation on Mysticisms. Inoue describes himself as an "extreme music lover" and has been for more than 30 years. His Chari Chari alias is all about self-expression and the music here has previously only been available digitally. It fuses ambient, house and techno soundscapes across four sides of vinyl with a deeply spiritual outlook and soul-soothing sound. Organic percussion, traditional instruments and new age moods all colour the deeply enticing grooves.

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Charif Megarbane

Marzipan

Charities Its Your Turn / Strangers 45 Random Colored Vinyl EDition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Habibi Funk is excited to share “Marzipan” - our first full length contemporary release courtesy of Beirut’s multi-instrumental phenom Charif Megarbane, also known as the man behind prolific Cosmic Analog Ensemble. The LP is a journey into Charif’s styling, one he terms “Lebrary”: a vision of Lebanon + Mediterranean expressed through the kaleidoscopic sonics of library music. Drawing from artists that encapsulates the HF sound, such as Ziad Rahbani, Ahmed Malek and Issam Hajali, Charif translates these influences into an LP that is equally at home in ’23. We always wondered why Charif’s music stayed under the radar for so long, that all changes with “Marzipan”, out July 14.

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Charities

7" | 2024 | UK | Original (Hi-Tide)

18,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Charing Cross)

Charity Children

Almost Young

19,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Charizma & Peanut Butter Wolf

Big Shots Apple Juice Colored Vinyl Edition

2LP | 2003 | US | Reissue (Stones Throw)

37,04 €* 38,99 € -5%

LP | 2023 | UK | Original (Beggars Banquet)

Release: 2003 / US – Reissue

Genre: Hip Hop

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Big Shots is a studio album recorded between 1991 and 1993 for Hollywood BASIC, and ultimately released on Stones Throw in 2003.

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Charlatans

Melting Pot

36,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Tresors Caches & Perles Rares

Charlélie Couture

LP | 2020 | Original (Rue Bleue)

Release: 2020 / Original

Genre: Rock & Indie

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Charrrlleemmma Gggneelanddddds Ss"""""" (...)

Charlemagne Palestine

LP | 2023 | UK | Original (Blank Forms Editions)

2CD | 2023 | BE | Original (Matière Mémoire)

Release: 2023 / UK – Original

Genre: Rock & Indie

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DINGGGDONGGGDINGGGzzzzzzz!!!!!!! In the newest record by the iconoclasticBrooklyn-born composer Charlemagne Palestine (b. 1947), find two mesmerizing works for carillon,the keyboard-controlled bell tower derived in the 16th century. On side A, a new piece recorded atthe artist's studio in Belgium_a high-ceiling, stuffed-animal-packed paradise he callsCharleworld_among friends and "divinities," his name for the thousands of plush toys he's amassedsince the '60s. On the flip side, Blank Forms Editions' very first and long out-of-print releaseappears on vinyl for the first time: a cathartic street recording of the minimalist composer's 2018musical eulogy for his late friend Tony Conrad, performed on the bells of St. Thomas EpiscopalChurch where the two first met. Two mesmerizing "klanggdedangggebannggg" sessions in theQuasimodo of 53rd Street's unmistakable improvisatory style.Perhaps more than any of his contemporaries in the bustling, cross-disciplinary downtownNew York arts scene of the '60s and '70s, Charlemagne Palestine has embodied the notion of theartist as playful polymath, testing and transcending nearly every creative form imaginable in his morethan six-decade career. Originally trained in Jewish sacred singing to be a cantor, he began his artisticlife as a musician, studying piano and accordion, accompanying figures like Tiny Tim and AllenGinsburg on percussion, using early synthesizers as an assistant to Alwin Nikolais, and eventuallylanding a long-running gig as the carillonneur at Midtown's St. Thomas Episocal. This libertine spiritof experimentation soon led to adventures in other aesthetic arenas: making kinetic light sculptureswith Len Lye, devising choreographed performances with Simone Forti, and producing over a dozenvisceral videotapes with the Castelli Gallery. In the '70s, he was particularly prominent on theburgeoning loft movement, becoming well-known for his sparse, intense, and exacting long-formpiano concerts, that seemed to bend the very natu...

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Charlemagne Palestine

God Bear Archives 1

Release: 2023 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

MMXX-06: Vvvoooodddoooo Ddddooooodddddooooo

Charlemagne Palestine

LP | 2020 | EU | Original (Matière Mémoire)

Charlemagne Palestine, Oren Ambarchi, Eric Thielemans

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Matière Mémoire presents the Mmxx Series: In anticipation of the year 2020, Matière Mémoire asked 20 experimental/electronic artists to create an original 20 minutes piece and an artwork. Throughout this year, each quarter will see the release of 5 new vinyls. Each record is limited to 500 copies and comes as a crystal clear vinyl featuring an original track of 20 minutes on one side, and a laser engraved artwork on the other. Each 12" is housed in a transparent sleeve printed with the Mmxx logo, coming with a print of the artist artwork.

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ץוּרָעਚੈਨਲKAANALचैनलRÁÐ

LP | 2022 | EU | Original (Matière Mémoire)

Charlemagne Palestine & Rrose

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Charlemagne Palestine (born Charles Martin ni 1947 in Brooklyn, New York) wrote intense, ritualistic music in the 1970s, intended by the composer to rub against audiences' expectations of what is beautiful and meaningful in music. A composer-performer, he always performed his own works as soloist. His earliest works were compositions for carillon and electronic drones, and he is best known for his intensely performed piano works. He also performs as a vocalist. Palestine's performance style is ritualistic; he generally surrounds himself (and his piano) with stuffed animals, smokes large numbers of kretek (Indonesian clove cigarettes) and drinks cognac.

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The Goldennn Meeenn + Sheeenn

LP | 2019 | EU | Original (Eaux)

Charlemagne Palestine & Simone Forti

Release: 2019 / EU – Original

Genre: Electronic & Dance, Classical Music

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Charlemagne Palestine's majestic 1976 work The Golden Mean, originally performed by Palestine on two pianos, is revisited here as The Goldennn Meeenn + Sheeenn, a new collaboration between Palestine and enigmatic musician Rrose.
March 2018: the Festival Variations in Nantes commissions Charlemagne Palestine to reinvent The Golden Mean for two pianists. Palestine chose Rrose to join him in this new rendition of the work. Together, they performed The Goldennn Meeenn + Sheeenn onstage at the main opera house in Nantes -- the sumptuous Théâtre Graslin – with extraordinary results.
The concept of the 'golden mean' goes back to the roots of mathematics, and ancient Greek philosophy. It is an important work in the Palestine mythos, embodying his total immersion in the power of the interval. "It's probably his most systematic work . . . a step-by-step journey through the intervals of the octave," says Rrose. "When we rehearsed it, we were noticing how each interval is like a universe of its own -- with its own history, emotions, and sonic qualities all mixed up together. Every time you move from one interval to the next, it feels like moving into another world.
I love the interval," Palestine told me in a recent interview. "I love when it plays with itself. That's what I learned from organ musics too. You can just do an interval, and if they're just slightly out of tune with each other, then they shimmer . . . they play themselves. And it sounds like somebody's playing lots of notes. In your ear, it's like an aural phenomenon . . . that's my whole concept. I make something that then does itself somehow. It continues by itself. So I don't have to always be there. And that makes my music a little less egocentric. So there's more space. Also for the listener — the ear plays with these things, and you're not always being given orders. Your ear isn't given orders all the time of what to listen for."
Beautifully recorded, with mastering by Rashad Becker of Dubplates and Mastering, The Golden Mean + Sheeenn feels expansive, radiant and hypnotic, opening new ears to its enduring mystery.
Rrose adds this note to listeners: "Do not focus your attention on the notes being played, but on the ocean of overtones swimming, suspended, overhead, brushing against one another, kissing one another, melting into one another.

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Illuminations

LP | EU | Original (Alga Marghen)

23,99 €*

Charlemagne Palestine & Simone Forti

Release: EU – Original

Genre: Electronic & Dance

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Alga Marghen proudly presents the first ever release of "Illuminatios", or Charlemagne Palestine and Simone Forti duo interactions, illuminated with dim red lights. In early 1970 Morton Subotnick asked Charlemagne Palestine to join his soon to be created Media Department at the new "Dream School of the Future" endowed by the Disneys to be called the California Institute of the Arts. Charlemagne and Simone Forti met there in 1970, when La Monte Young asked them to arrange a California concert for Pandit Pran Nath. They decided to try an improvisation session together and Charlemagne invited Simone the first time to the electronic music studio where he worked regularly. Their medium blended as a play of interacting sound waves and solid matter in motion as Charlemagne and Simone shared energy and focus. The three previously unreleased recordings on this LP were made between October and December 1971. The first take titled "Illumination" is for two voices moving in the space with small bells and crystal glasses while Simone Forti plays the molimo, a corrugated tube meant for connecting the gas stove. The second take titled "Wed Oct 13th 1971" has Simone and Charlemagne in a song dialogue as animals do. It was also at Cal Arts that Charlemagne Palestine first encountered a Bosendorfer Imperial Piano of Vienna. He played it often as Simone danced during their "Illuminations". Take three is a song sang in falsetto while playing the Bosendorfer Imperial in an arpeggiated style that predates the "strummings". Listening to these "Three Takes" 40 years later they oooozza timeless carefree mystical magical dreamy atmosphere that evoked the times of the late 60s to early 70s in Charlemagne and Simone part of the California Art Scene. Illuminations were a unique open spontaneous form of performance, ritual and prayer. Edition limited to 365 copies with an essay by both Charlemagne Palestine and Simone Forti, as well photos of the performances reproduced on the LP front sleeve.

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Meditative Sound Environments

LP | 2022 | EU | Original (Alga Marghen)

23,99 €*

LP | 2023 | EU | Original (Disciples)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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"alga marghen prsents the second and final chapter in documenting charlemagne palestine and simone forti seminal collaborations. the new "meditative sound environments" lp is more centered around electronic music and also includes a unique two-voice work based on simone's chanting, the magically suspended "simone tape". all the tracks of this new lp present only previously unreleased recordings. in summer 1970 simone forti was invited by allan kaprow (one of the deans of calarts) to do an evening of dance at the pasadena art museum and for this performance she asked charlemagne palestine to try developing a new kind of work together. it immediately clicked!!!! in january 1971 in pasadena they did their first "illuminationss". all of a sudden they were doing a new kind of jamming together. everybody in the audience loved it because it was so dreamy and they found amazing how a man and a woman can act in that strange, very dreamlike oriental way as in trance,,,,,together. this kind of collaboration between man and woman was uncommon at that time. mostly other artists were doing very structural works while with "illuminations" it was totally like they were on magicness drugs. these performances had certain fixed elements. the piano or some electronics like in "meditative sound environment", the title track of this lp. it turned out they liked red lights so they started to always do it in red light. also they liked to do it in a resonant spaces. it became more an approach than a piece, because there were never two "illuminations" that were alike. edition limited to 365 copies with liner notes by charlemagne palestine and simone forti."

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Charlène Darling

La Porte

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (L'amour Aux 1000 Parfums)

Charlène Darling

Saint-Guidon

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 1984 | JP | Original (Motown)

Charlene

Hit & Run Lover

9,99 €*

Release: 1984 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1982 | JP | Original (Victor)

Charlene

I've Never Been To Me

LP | 1982 | JP | Original (Victor)

Release: 1982 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Charlene

I've Never Been To Me

9,99 €*

I Learned My Lesson (The House Mixes)

Release: 1982 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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Charlene Smith

12" | 1994 | UK | Original (Indochina)

5,99 €*

Release: 1994 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1995 | UK | Original (Indochina)

Charlene Smith

Too Much For Me

Release: 1995 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2018 | UK | Original (Peacefrog)

Charlene Soraia

Where's My Tribe

Release: 2018 / UK – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (AvantRoots)

Charles A.D

Deep Diver

Tape | 2024 | US | Original (100% Silk)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The sea has long been central to Japanese culture, symbolizing both sustenance and spiritual
depth. Charles A.D.'s Deep Diver draws inspiration from this, channeling the ancient traditions
of diving and fishing into his music. Historically, the sea has influenced everything from Shinto
rituals to the livelihoods of coastal communities. In Deep Diver, this reverence flows through
aquatic soundscapes, where rhythmic waves of 90s house and Detroit techno meet Japanese
minimal production techniques, New Age and Pacific Jazz. Like the tides, the album ebbs and
flows, creating a serene yet dynamic homage to the timeless connection between Japan and
the sea.
The opening track 'Deep Diver' plunges into the depths, its abstract sound design capturing the
sensation of deep-sea propulsion. Rhythmic bubbles pulse gently alongside slow-moving
chords, creating an otherworldly atmosphere. The textures are lush yet restrained, setting a
tranquil stage that pulls the listener into a submerged world. 'Underwater Ruins' builds on this
aquatic theme, introducing rhythmic layers and bass-heavy notes reminiscent of mid-90s
Japanese ambient techno. The smooth, melodic flow nods to pioneers like Mr.YT and Susumu
Yokota, while subtly incorporating the Detroit techno influence through soulful, deep basslines.
The track feels like a fusion of ambient and techno, balancing serene tones with a rolling
groove, emblematic of Japanese techno soul. As the album progresses into 'Bubble Ring', it
becomes clear that Charles A.D. is a master of minimalism. The production is timeless, leaning
on analog techniques where echo-drenched chords and carefully layered soundscapes take on
an addictive, hypnotic quality. The simplicity of the composition is deceptive, as each element
carries weight, drawing the listener deeper into the rhythm and space between the notes.
'Merperson' is where organic rhythms truly come into play. Charles A.D. gently evolves the
patterns, allowing each percussive hit to flow naturally into the next. Soothing melodies emerge
from within the track’s structure, eventually reaching an emotional peak without ever feeling
forced. The organic nature of the arrangement creates an effortless progression that feels
deeply connected to the natural movement of water.Starting the second half with 'Deep Exploration', the theme of underwater excursions becomes
even more pronounced. Light, steady drumming anchors the track, allowing the melodic layers
to develop gradually. It unfolds with a calm, measured pace, before ending softly, almost as if
the sounds are drifting off into the oceanic depths. 'Diffuse Reflection' stands out as the most
dub house-influenced on the album, with rolling rhythms and hypnotic elements reminiscent of
Maurizio's deep, pulsing sound. Yet here, the production feels submerged, with aquatic effects
swirling around the rhythmic core, blending dub house with a fluid, oceanic touch. 'Traitors'
delves even deeper into dub-inspired territory. Deep, resonant bass hits combine with wooden
drums, while static-like sounds evoke the image of a radio tuning through static to find clarity.
Chords shimmer briefly before fading back into the liquid depths, evoking the ebb and flow of
the tide. The final track on Deep Diver 'Levitation', is a fitting conclusion, as the rhythms merge
and overlap like waves gently lapping the shore. The minimalistic arrangement allows each
element to blend effortlessly into the next, creating a sense of unity and closure. The sounds
move with the gentle grace of water, ending the album in a way that feels both complete and
open-ended, like the infinite motion of the sea.

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Charles A.D.

West Pontoon Bridge

14,99 €*

LP | 1984 | UK | Reissue (Soundway)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Farmer and deep house producer Hiroyuki Tanaka aka Charles A.D. has been quietly cultivating his crop of live hardware dub techno and devotional acid since debuting with the 熱い海 (‘Hot Sea’) EP on Austria’s Dream Raw Recordings in 2017, followed by two long-form classics for Tokyo’s Umé label in 2019 (Inception) and 2021 (Dry Flower). His latest, West Pontoon Bridge, further refines Tanaka's composite of rhythm, repetition, and vanishing point electronics, shaded in what he calls “characteristic sadness.”

Schemed and tracked across a half decade of studio explorations, the album moves through gradient landscapes of twilit trees, mossy waterfalls, and hidden temples shrouded in ocean mist. Named for a nearby Japanese landmark of boards laid across boats at the river mouth in place of a permanent bridge, the collection unfolds in a similarly improvised and panoramic sweep. Lean percussive systems crosshatched with bass, haze, liquid loops, and spatial FX, the album subtly accelerates as it advances, spiraling softly towards a strobing mythic dance floor in a sacred grove.

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Charles Amoah

Sweet Vibration

17,84 €* 20,99 € -15%

LP | 1984 | UK | Reissue (Soundway)

Release: 1984 / UK – Reissue

Genre: Organic Grooves

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Following on from the runaway success of Soundway’s Kiki Gyan 24 Hours In A Disco, another Ghanaian legend looks to have his time to shine. One of the most well-known disco and burger highlife artists of the time, Charles Amoah originally began his career as a drummer. Playing with Alex Kunadu’s band, as well as the Precious Jewels and even Nana Tuffour, he then moved to Germany in the early 80s. His first album Sweet Vibration spawned several hits which went on to be released as separate singles, namely “Scratch My Back” and “Shake Your Body To The Beat”. From the irresistible funk hooks of these singles, to the Lionel Richie-esque instrumentation of “Life’s Like Being In A Boxing Ring”, or the kraut-rock stylings of “Jungle Rock” - there is little doubt that the blend of disco, funk and highlife that was unique to the Ghanaian-German scene can be experienced in its full splendour on Sweet Vibration.

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Charles Amoah

Sweet Vibration

3LP | 2024 | Original (Barclay)

Release: 1984 / UK – Reissue

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2022 reissue.

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Charles Asznavour

Best Of Limited

38,99 €*

Release: 2024 / Original

Genre: Pop

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12" | 1988 | DE | Original (GiG)

Charles Augins

Baby I Need Your Loving

Release: 1988 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | JP | Original (Barclay)

Les Grands Succes

Release: 1982 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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2LP | 1972 | JP | Original (Barclay)

Live In Japan

47,49 €* 49,99 € -5%

Release: 1972 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Picture
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Que C'est Triste Venise 60th Anniversary Edition

2LP | 1964 | UK | Reissue (Blue Wrasse)

43,99 €*

Release: 1964 / UK – Reissue

Genre: Organic Grooves

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LP | 2023 | UK | Original (Diggers Factory)

Vinyl Story

32,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

Charles Bardin / Valentin Ducloux

OST Headbangers - Battle Of The Dancers

2LP | 2024 | EU | Original (Black Screen)

38,99 €*

Release: 2024 / EU – Original

Genre: Soundtracks

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Coke Bottle Green & Transparent Orange Vinyl.This soundtrack features 54 tracks from the game "Headbangers - Battle of the Dancers", the latest game mode in "Headbangers: Rhythm Royale". This exceptionally diverse album was entirely composed and performed by Charles Bardin and Valentin Ducloux, with additional vocals by Priscilla Cucciniello on several tracks. Get ready to ruffle your feathers to the rhythm of all these pigeon-themed songs!Composer Charles Bardin: "With Battle of the Dancers, we wanted to create the most varied soundtrack in the history of video games. This was our intention from the very beginning. The 54 tracks on this album draw their inspiration from a wide range of musical styles: rock, funk, electro, pop, folk, reggae, punk and many more. We conceived this soundtrack as a tribute to music in all its diversity, all combined with silly lyrics about our pigeon friends."

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2LP | 2023 | US | Original (Concord)

OST April Fool's Day

38,99 €*

Release: 2023 / US – Original

Genre: Soundtracks

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OST April Fool's Day Deluxe Edition

2LP | 1986 | US | Reissue (Varese Sarabande)

41,99 €*

Release: 1986 / US – Reissue

Genre: Soundtracks

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LP | 1979 | JP | Original (Parachute)

OST Love At First Bite

15,99 €*

Release: 1979 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert. Promo copy with white labels

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LP | 2023 | US | Original (Graveface)

OST Rumpelstiltskin

40,99 €*

LP | 2020 | EU | Original (Klanggalerie)

Release: 2023 / US – Original

Genre: Soundtracks

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Terror Vision is thrilled to unveil the debut release of Charles Bernstein's 1995 score for Rumpelstiltskin, now available on vinyl. Best-known for his iconic, haunting score to Wes Craven's A Nightmare on Elm Street, Bernstein's long sought-after, synth-driven masterpiece seamlessly complements the eerie, suspenseful ambiance of this beloved video rental store classic. For those unfamiliar with Mark Jones' cult favorite film, its plot revolves around a 15th-century imp named Rumpelstiltskin (played by Star Trek: Deep Space Nine's Max Grodénchik) becoming trapped within a small jade figurine. In modern-day Los Angeles, a recently widowed police officer's wife, accompanied by her baby, stumbles upon a witch's shop and acquires said figurine. This seemingly innocent act inadvertently unleashes the cackling beast, who vehemently demands possession of her child. The blending of contemporary Los Angeles with the timeless Rumpelstiltskin tale injects a fresh and intriguing dimension into the story. Terror Vision's release of the film's long-sought soundtrack will delight fans of the film and music collectors alike, offering the chance to own this exceptional music in physical formats for the very first time. This very special release serves as a wonderful opportunity to relish Charles Bernstein's musical genius and revisit the nostalgic allure of this cherished video rental store classic.

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Charles Bobuck

Nineteen-Sitxy-Seven

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 1973 | UK | Reissue (Pure Pleasure)

Charles Brackeen

Rhythm X

Charles Bradley And His Extraordinaires

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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On this record, the little-known Charles Brackeen brings his saxophone to a party with most of Ornette Coleman's band. As might be expected, while Brackeen certainly holds his own, it's Ornette's boys who bring the thunder, playing around Brackeen's muscular alto as if they were a gang jumping on a new member. Haden's bass playing provides the frantic pulse, here and there ceding the stage to Blackwell's flexible drumming and dropping out to provide rolling sheets of sound by bowing his instrument. Brackeen and Cherry wrestle across this solid bedrock, with results that are often surprising and never short of beautiful.

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Live At Paredes De Coura Festival Portugal 2015

LP | EU (Confident Pigeon)

Release: EU

Genre: Organic Grooves

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LP | 2018 | US | Original (Daptone)

Black Velvet

Release: 2018 / US – Original

Genre: Organic Grooves

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November 5th, 2018 would have been Charles Bradley’s 70th birthday. In celebration of his extraordinary life, Daptone imprint Dunham Records is proud to announce the release of his fourth and final album, Black Velvet.

Black Velvet is a celebration of Charles Bradley, lovingly assembled by his friends and family at Dunham/Daptone Records. Though chronologically the material spans Charles' entire career, this is no anthology, greatest hits or other shallow rehashing of the songs that already made him famous. Rather, this album is a profound exploration through the less-travelled corners of the soulful universe that Charles and his longtime producer, co-writer and friend Tommy "TNT" Brenneck created in the studio together over their decade-long partnership. It features new songs recorded during the sessions from each of his three albums, heard here for the very first time in all their scorching glory: "Can't Fight the Feeling," "Fly Little Girl" and the heart-wrenching single "I Feel a Change", hard core rarities like his funk-bomb duet with LaRose Jackson, "Luv Jones," the psychedelic groover, "(I Hope You Find) The Good Life" and the ever-illusive alternate full band electric version of "Victim of Love", sought-after covers of Nirvana's "Stay Away," Neal Young's "Heart of Gold" and Rodriguez's "Slip Away", and the title track "Black Velvet," a stirring Menahan Street Band instrumental to which Charles was never able to cut a vocal.

Charles was truly a transcendent singer who led a remarkable life, overcoming unimaginable adversity to achieve great success and international acclaim very late in his life. What was really special about him and made him different from everybody else in the world was how he understood his pain as a cry for universal love and humanity. He felt that if he loved enough—if we all loved each other enough—we could take away the world’s pain and sadness. That is why he jumped off the stage and literally tried to hug everybody he could. It's why he took such great care of a mother that had abandoned him. It's why he sang and danced like a lunatic. It's why he screamed like an eagle. And that's why we love him.

Black Velvet is a celebration of his life, and is destined to join Charles' first three albums alongside the cannon of essential soul records for the ages.
The new album is comprised of ten tracks the singer laid down in the years before his death, taken from different recording sessions over the years.

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CD | 2016 | US | Original (Daptone)

Changes

17,99 €*

Release: 2016 / US – Original

Genre: Organic Grooves

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Charles Bradley's third album is highly anticipated and very emotianal again.

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2LP | 2016 | US | Original (Dunham)

Changes

51,99 €*

Charles Bradley Featuring Menahan Street Band

Release: 2016 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover close to NM. With photo.

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Black Velvet

LP | 2018 | US | Original (Dunham)

Charles Bradley Featuring The Sounds Of Menahan Street Band

Release: 2018 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Purple & Black Quad vinyl. Still in shrink, but opened

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No Time For Dreaming

LP | 2011 | US | Original (Dunham)

17,99 €*

Release: 2011 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and record close to NM. Bumped top left corner. Insert included.

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LP | 2013 | CZ | Original (Daptone)

Victim Of Love

Release: 2013 / CZ – Original

Genre: Organic Grooves

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Bow down to the 'Screaming Eagle Of Soul'! Download code for the full album is included.

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Victim Of Love Vinyl Me, Please Edition

LP | 2013 | US | Reissue (Vinyl Me, Please)

33,99 €*

Release: 2013 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
The first notes Charles Bradley sings on Victim of Love, his 2013 sophomore release, are not words but moaned lamentations. A drawn out “ooh” reminds listeners who we are dealing with: The Screaming Eagle of Soul, who doesn’t simply sing. Bradley wails, pleads, begs and screeches his way through Victim of Love. Many tracks are love songs, but they’d be better described as songs of longing.

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LP | 2020 | EU | Original (Craft)

Cool Christmas Blues

35,99 €*

Release: 2020 / EU – Original

Genre: Pop, Christmas

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I Just Want To Talk To You Black Vinyl Ediiton

LP | 2024 | US | Original (Numero Group)

30,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Queer country rock from south ofthe Mason-Dixon line. High schoolfolkie Charles Brown teamed up withregional rural rock rascals SleepyCreek, triggering an unrequitedinter-band love story and this album'smelancholy title track. This 15-songLP gathers Brown's solo and band workfrom 1976-'82, and Jon Freeman'saccompanying essay dissects the originstory of this private pr ess pioneer.

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I Just Want To Talk To You Sleepy Creek Silver Vinyl Editoin

LP | 2024 | US | Original (Numero Group)

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Sleepy Creek Silver Vinyl. Queer country rock from south ofthe Mason-Dixon line. High schoolfolkie Charles Brown teamed up withregional rural rock rascals SleepyCreek, triggering an unrequitedinter-band love story and this album'smelancholy title track. This 15-songLP gathers Brown's solo and band workfrom 1976-'82, and Jon Freeman'saccompanying essay dissects the originstory of this private pr ess pioneer.

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LP | 1978 | US | Original (Big Town)

Music, Maestro, Please

5,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | EU | Reissue (Real Gone Music)

Charles Bukowski

Reads His Poetry

31,99 €*

Release: 1980 / EU – Reissue

Genre: Pop

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LP | 2024 | US | Original (Cellar Live)

Charles Chen

Charles Playy

35,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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12" | 2023 | UK | Original (Drumcode)

Charles D

Don't Stop

15,99 €*

Charles Dockins Featuring Sheila Ford

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Charles D unveils his debut Drumcode EP, following three excellent releases on the label. Ever since the New Yorker shared his remix of ‘Your Mind’ with Adam Beyer, which would go on to become only the second officially released remixes of the legendary track, we knew we were onto a special talent. A strong single on A-Sides Vol.11 ‘Traction’ was to follow, proceeded by another superb remix, this time of Mike Macaluso’s ‘Final Chapter’, reinforcing his skilled studio touch. Now a year on from his first appearance on Beyer’s label, he steps up for a richly deserved debut EP, ‘Don’t Stop’, which encapsulates all the stylistic facets of his productions. The title track is fun and driving, brimming with ‘90s rave stabs and peak-time fizz. ‘No Escape’ is a pulsating stomper fusing together percussive techno and melodic elements to form a track that will work in a variety of environments. ‘Choir’s Palace’ is a dreamy tool and perfect for shifting the momentum during a peak-time set.

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Higher Love

2x12" | 1995 | US | Original (157 Shelter Records)

Release: 1995 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Murilley / Leaving This Planet

Charles Earland

7" | 2024 | UK | Original (BGP)

11,99 €*

Over And Over / Let The Music Play / Intergalactic Love Song

Release: 2024 / UK – Original

Genre: Organic Grooves

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BGP are excited to launch their new 7s at 33 series which aims to deliver classic album length tracks in their full length on 7-inch singles.

Although a new series, we have experimented with this before, releasing Tom Moulton’s extended version of Patti Jo’s ‘Make Me Believe In You’ in 2016 to an ecstatic response and great sales.

Leaving This Planet’ was the title track of Charles Earland’s 1974 album of the same name: one of the finest jazz albums of the 70s. This Track was played at the Loft and other New York dance clubs in the 70s.

Here it is coupled with ‘Murilley’, an organ led vocal number that was a massive jazz dancer at the Wag Club, Dingwalls and beyond in the 80s.

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Charles Earland

12" | 2013 | US (Mercury)

Release: 2013 / US

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Accidental Music 1987-1991

Charles Esposito

LP | 2023 | UK | Original (Mid-Air Museum / chOOn!!)

39,99 €*

LP | 1978 | JP | Original (Arista)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Ultravillage is a collective and burgeoning community of new age music devotees, private press fanatics and underground ambient, minimal and progressive electronic aficionados. Their website at ultravillage.com is fast becoming the go to guide for the most obscure entries in the American new age and minimal music canon – a crucial hub for diggers, archivists and label runners recovering lost sounds from by-gone eras.

Mark Griffey, the man behind Ultravillage, has recently made the venture into releasing albums, with the intention of reissuing forgotten personal masterpieces of 1980s and 90s private press synth culture on new label Mid-Air Museum. MM’s first vinyl record release is a collaboration with Scottish reissue label chOOn!!.

Together, they present Accidental Music 1987-1991 by Charles Esposito, a career retrospective of the experimental composer from Martha’s Vineyard, Massachusetts. The cinematic and the sacred swirl around on Accidental Music, which gives new life to intriguing self-released tapes that Esposito put out in the 1980s and 90s. Heard by few on its original release, the music featured on this compilation ranges from Palace of Lights percussive sonics to an almost minimal techno palette, a meeting of pop and twisted electronics with the hypnotic immediacy of ancient ritual.

Accidental Music 1987-1991 develops a series of resonant harmonic spaces, by adding layers of instruments and played objects. Rather than work as acoustic maps of specific locations, these pieces eddy and gather into positive physical presences. But Esposito’s real strength lies in creating depth of field. The foreground might be dominated by glassy chimes or resonant prayer bowl-like timbres, but beyond it a series of sonic veils seems to recede towards murky imperceptibility. There’s also a kind of surreal decorum at play, passages that sound like an immaculately laid dinner table being shaken by an earth tremor while the tinkling complaints of the silver, glass and muffling linen are scrupulously recorded.

Available for the first time on vinyl, Accidental Music 1987-1991 by Charles Esposito is an exploration into
many inner worlds and dreamscapes, an analogue mirage of avant-garde gems. Produced in cooperation with the artist for Mid-Air Museum and chOOn!!.

Mastered for vinyl and digital and featuring liner notes from Mark Griffey.

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Charles Fox

Foul Play

9,74 €* 12,99 € -25%

Release: 1978 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Charles Gayle / Milford Graves / William Parker

Webo

3LP | 2024 | US | Original (Black Editions Archives)

99,99 €*

12" | 2021 | EU | Original (Shakesphere)

Release: 2024 / US – Original

Genre: Organic Grooves

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"A legendary concert by one of the great unrecorded bands in free jazz history is here at last. Webo, the third installment in the Black Editions Archive series of previously unreleased recordings from Milford Graves' private tape library, roars into the station June 21, 2024. For the first time, Charles Gayle, Milford Graves, & William Parker—three lions of the Black American jazz avantgarde—are finally heard together on record, presented here across three audiophile-quality LPs for two brutalizingly joyous hours of real ju-ju & musical mastery. The trio of Charles Gayle, Milford Graves, & William Parker gave only seven public performances between 1985 and 2013, and released no recordings. Their June 1991 two-night stand at the short-lived Lower East Side venue Webo, long referenced as a signal event in New York free jazz's 1990s resurgence, has been a topic of discussion among close followers of the music for decades. In the uncompromising grassroots spirit of the 1970s New York Musicians Organization and loft jazz movements from which they had emerged, the band produced and promoted the Webo concerts themselves. Photography and audio recording were not allowed at the concerts, and this official recording, commissioned by the artists, was never released—until now. So vivid was the lore surrounding Webo that it topped the list of recordings sought by Black Editions Archive from Graves' private collection. The tapes maximally substantiate eyewitness accounts describing extra-sensory levels of communication within the band, and the extraordinary clarity and impact of their performance. From William Parker's liner notes: 'Imagine a village or choir of drummers, horn players and strings. You can hear the bass and drums churning with a call and response, a melodic-rhythmic propulsion. In reality there is only one drummer, one bass, and one saxophone.' Age 52 at the time of these concerts, Charles Gayle had only recently made his first recordings. To all but the most immediate insiders he was still more myth than reality. Milford Graves, two months out from his 50th birthday, was about halfway into his body of recorded work and had sanctioned just one appearance on a commercially released recording in the last 14 years (Pieces of Time by an all-drummer quartet with Kenny Clarke, Andrew Cyrille, and Famoudou Don Moye). William Parker, the young man of the group at age 39, was a mere fifty entries into his discography, now 500+ entries and counting. All three musicians were at least a quarter century into passionately developing a personal and collective music rooted in the cultural values and radical aesthetics of the 1960s and '70s Black American avant-garde. 30+ years after the Webo concerts, Black Editions Archive is honored to make these historical recordings available to the public. The three LPs are presented in a heavy black, pigment-stamped box with mounted cover painting along with liner notes by William Parker, commentary from Alan Licht (witness to night one of the Webo concerts), a reproduction of the original concert flyer, and a set of 6"x9" printed photos from the 2021 Webo reunion outside MoMA PS1, Queens, NY. Cover Painting by Jeff Schlanger/musicWitness, made June 8, 1991, at Webo during the band's performance. Vinyl pressed at RTI, lacquers cut by Kevin Gray at Cohearent Audio."—Michael Ehlers, 2024

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Charles Green

Mind Restore EP

15,99 €*

12" | 2018 | EU | Original (Revenge Techniques)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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New Furthur Electronix sub label, limited hand stamped copies.

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Charles Green

Revenge 2

11,99 €*

2x12" | 2014 | UK | Original (Kemal)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Introducing Charles Green on the second release of Tafkamp's Revenge Techniques imprint. Hailing from Brighton (UK) Charles has been consistently dishing out club bangers with no remorse. Highly essential club tracks!

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Charles Hayward

Smell Of Metal

16,99 €*

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Charles Hilton Brown White Vinyl Edition

Charles Hilton Brown

LP | 1974 | EU (Klimt)

Release: 1974 / EU

Genre: Organic Grooves

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Baby I Cried, Cried, Cried / Never Had A Love So Good

Charles Johnson

7" | 1980 | EU | Reissue (Alston)

11,99 €*

12" | 2023 | EU | Original (Subosc)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Dinked 7". Wow, this one's a biggie! Some smoothed out modern Soul for the discerning right here... dig it! Released in 1980 Charles Johnson's "Baby I Cried, Cried, Cried / Never Had A Love So Good" is a formidable double-sider, the A-side is a sweet slow jam where Charles lays it on the line in true grown man's fashion over a slick backdrop that is not a million miles away from some Philly style loving. The B-side is the big one though, a proper modern dancer, lovely production and the band is fully in the pocket. Drop this one and watch the dance light up, real music for the dancefloor! This particular 45 has long been a collectors item, and on a good day it can fetch hundreds on the Soul scene. This is a fully legit reissue, and features the classic golden Alston label artwork. A truly beautiful record, with each side primed to be played at the right time. Don't sleep!

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Charles Lcc

Introduction EP

13,99 €*

Charles Leclerc & Sofiane Pamart

Release: 2023 / EU – Original

Genre: Electronic & Dance

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From the shimmering depths of Subosc Records emerges a luminous sonic debut, ushering in a new chapter from France's Charles LCC. His "Introduction EP" unfurls across three ethereal soundscapes of rhythmic immersion and textural wonder.

"Octopus’s Garden" opens like curtains parting to reveal a gleaming aquatic dreamrealm. Rippling percussion and notes dissipating into fathomless seas conjure visions of vivid coraline grottos. In "Introspection," lacey patterns of synthesized thought crystallize upon subdued beats, steeping the listener in hypnotic reflection. The journey peaks within the kaleidoscopic whorls of "Circles," its radial pulses emanating from a shimmering nebula of tuned light. Within this mesmeric vortex, all notions of terrestrial logic dissolve into rapture's core.

Techno maestro Luigi Tozzi adds his magic with the remix of "Introduction", retaining the original's ethereal aura but ramping up the rhythmic intensity and full-bodied low ends for the dancefloor.

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Dreamers

LP | 2024 | UK | Original (Verdigris X 88 Touches)

28,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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8: Kindred Spirits - Live From Lobero

2LP+DVD | 2020 | EU | Original (Blue Note)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Charles Lloyd has played the 150-year-old adobe theater in downtown Santa Barbara more often than any other venue, and more often than any other performer. Knowing that Marian Anderson sang there on February 14, 1940 makes it a sacred space for him. In the concert film you can see him bobbing with pleasure beneath his pointy, indigo knit cap, curly white hair, and long goatee. He beams at his neighbors, places the palms of his hands together and pulls them against his black sweater and golden tenor saxophone in the traditional Buddhist greeting. “I always get nervous before I go on,” Lloyd confesses, “but once I get on, Dorothy [Darr] has to come and drag me off. It seems that once I’m on stage I get met by the spirits. I enter the now. Sometimes Prez and Bird will stop by and say, ‘Hi, Charles.’”

A birthday is a door between the past and the future, and this concert reflected that truth. Representing the future were 34-year-old pianist Gerald Clayton, who performs regularly with Lloyd, and 31-year-old guitarist Julian Lage, who had performed with him when he was 12-years-old. Representing the past was 74-year-old organist and fellow Memphis native Booker T. Jones, who had never played with Lloyd at all. This was a one-of-a-kind line-up for a one-of-a-kind ritual.

“I’ve known Julian since he was 12,” Lloyd says. “He’s from the Healdsburg area, and Jessica Felix, who runs the jazz festival there, asked if Julian could play with us during the festival in 2000. Billy Higgins and John Abercrombie were in the group. I knew she wouldn’t ask if he didn’t have something special, so we let him play, and he had something; he had big ears. We’re all seekers in life; we all get the rays of the sun, but some get a stronger dose. A lot of young geniuses flame out and no one remembers their names. But so far, Julian’s balanced: grounded but at the same time ecstatic. Even though he’s the future, he knows the past.”

“Gerald was often back stage when I was touring with the New Quartet. In 2013 when Jason’s other duties became overwhelming, I decided to try out Gerald. His father and uncle are great musicians,” Lloyd says, referring to bassist John and saxophonist Jeff of the Clayton Brothers, “so he comes from something deep. You can hear it when he plays.”

Jones was still in junior high when Lloyd was graduating from high school, so they didn’t know each other when they were both growing up in Memphis. But they both shared the city’s rich cultural heritage, and when they ran into each other at the 2014 Monterey Jazz Festival, they promised to play together at some point. This birthday party was the perfect excuse.

“Memphis was such a rich environment,” Lloyd recalls. “It was like New York City, only with biscuits and gravy. There was an intelligentsia that inspired me to always be a learner. New York was 1300 miles away, and Chicago 450 miles away, but we were on the river, so musicians were always coming through. These out-of-town guys would play the Peabody Hotel and then they’d come over to the joints in our neighborhood to play with us, and we’d put a hurt on them. We didn’t tap dance or do anything for the man. We had our own culture and we knew it was inspired. We knew nothing of the lamb tongues and the gold mines, and I’m so thankful; we were doing it for the music.”

Don Was first made his name as co-leader and bassist of the 1980s funk-rock band Was (Not Was) and went on to produce albums for the Rolling Stones, Bob Dylan, Brian Wilson, Bonnie Raitt, Lucinda Williams, Jason Moran and many more. In 2012, he became president of Blue Note Records and immediately set out to bring his hero Lloyd to the label. By 2015, he had succeeded in his quest and a magnificent series of albums has followed: Wild Man Dance, I Long To See You, Passin’ Thru, and Vanished Gardens.

Harland anchors every project that Lloyd pursues these days—Sangam, the Marvels, the New Quartet—and Rogers is present in every group but the bass-less Sangam. “Eric and Reuben put a magic carpet under me,” Lloyd exclaims, “and I can travel wherever I want to go. They want to be there, and they know that to be there they have to spread their wings in any situation. When we take that journey together; that’s communal living at its highest. Music is not for sleepwalking; it’s for wakefulness. Reuben and Eric understand. My music dances on a lot of shores, and they have the ability to be in the now with all of it.”

The Lobero set list docked at many of those shores. The evening began with the title track from Lloyd’s first album for Atlantic Records, 1966’s Dream Weaver. This infectious reverie begins with breathy exhalations and ends the same way 20 minutes later, but in between, Lloyd’s tenor saxophone attacks the theme with an increasingly edgy fearlessness—and Lage and Clayton follow his example.

“‘Dream Weaver’ is sacred ground to me,” Lloyd says. “That record was fresh and crazily beautiful. It has withstood the passage of the ages. I started playing it again and found new ways of expressing the truth. There are some notes on the saxophone I didn’t have as a young man. They aren’t on the horn; they’re in between the cracks. I’m not denying the young Charles, but as my character becomes whole, the music gets better.” If that tune reached back to the beginnings of Lloyd’s career, the next three came from his much-lauded resurgence in the 1990s through the 2010s on ECM. “Requiem,” which first appeared on 1992’s Notes from Big Sur, used patient tempos and pointillist solos by the tenor saxophone, piano, guitar and acoustic bass to create a mood that fits the title.

The Mexican folk song “La Llorona” from 2010’s Mirror (and 2016’s I Long To See You) opens with a piano solo that slowly builds from quiet to majestic and closes with a tenor solo that manages to always reference the melody as it’s sprinting through the octaves. That segues into “Part 5, Ruminations” from 2017’s Passin’ Thru, which begins with a meditative, free-floating consideration of the harmony before cohering into a more definite theme that inspires a stabbing guitar solo, a classically flavored piano solo, a rumbling drum solo and a low-register tenor saxophone solo.

The second set found Clayton sitting out until the encores. Rogers switched from acoustic to electric bass, and Was sat in for two numbers on acoustic bass. Jones contributed two compositions: the premiere of his birthday card “Song for Charles,” and his 1962 hit as leader of Booker T. & the MGs, “Green Onions.” Two Lloyd compositions from the 1960s, “Island Blues” and “Sombrero Sam,” joined the old hymn “Abide with Me” and the American folk tune “Shenandoah.” For the encore, Clayton rejoined the band to play Lloyd’s “Forest Flower” and Billy Preston’s 1974 hit single, “You Are So Beautiful.”

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8: Kindred Spirits - Live From Lobero Super Deluxe Box

3LP+2CD+DVD | 2020 | EU | Original (Blue Note)

174,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 1966 | UK | Reissue (Pure Pleasure)

Dream Weaver

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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The first studio date of the Charles Lloyd Quartet, with Keith Jarrett, Cecil McBee, and Jack DeJohnette, was recorded and released just a few days before the band took both the European and American festival circuits by storm. First came Europe, which was just getting the disc as the band was tearing up its stages. While the live dates are now the stuff of legend, it's easy to overlook the recordings, but to do so would be a mistake. "Dream Weaver" is a fully realized project by a band -- a real band -- in which each member has a unique part of the whole to contribute. Jarrett's unusual piano style fits musically with Lloyd's lyricism in a way that it shouldn't. Jarrett was even then an iconoclast, playing harmonic figures from the inside out and relying on counterpoint to create new spaces, not fill them in. (Just listen to "Autumn Sequence", where his solos and his backing harmonics are equally strident and inventive as Lloyd's Eastern explorations of mood and mode.) And then there's the rhythm section of McBee and DeJohnette, whose modal inventions on the intervals make the "Dream Weaver" suite an exercise in open time, allowing all players to wander around inside it and take what they want out. The set closes with a group party jam on "Sombrero Sam", with Lloyd and Jarrett trading eights on a Cuban variation on a fantasia. There were no records like this one by new groups in 1966.

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LP | 1967 | US | Original (Atlantic)

Forest Flower

6,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Cover has small seam split.

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LP | 1967 | EU | Reissue (Speakers Corner)

Forest Flower

Charles Lloyd / John Abercrombie / Dave Holland / Billy Higgins

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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It was a clever move by George Avakian, producer at Atlantic Records, to record live the Charles Lloyd Quartet during their appearance in Monterey, and to release the LP under the title "Forest Flower". Although the hippy flower-power movement tended towards a rather different musical genre at the end of the Sixties, they were blown away by this music. The four artists attracted masses of people and ensured that every seat was taken and all standing room filled at jazz festivals such as Newport, Molde (Norway), Antibes (France) and the Fillmore East and West. The super group also appeared in Monterey, 120 Km south of San Francisco, the centre of the hippy movement, on 18 September 1966.
On the LP we have the almost 18-minute-long title piece and the standard work "East Of The Sun", which were recorded at the festival. The disc is complemented by a Keith Jarrett composition and one by Cecil McBee, both of which were recorded in the studio ten days before the festival.
Of particular note is the rich interplay, the energy that is palpable throughout, the perfect harmony in each and every change of mood, and the intensity. Even 50 years later, it is quite clear that Charles Lloyd managed to break down the barriers between pop and jazz.
Charles Lloyd is committed to this objective to this very day! All four musicians are still active, although they no longer appear together as a group. Such a special treat for the ears is offered by this newly mastered disc only.

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Voice In The Night

2LP | 2019 | EU | Original (ECM)

Release: 2019 / EU – Original

Genre: Organic Grooves

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For the first time on vinyl, his album from 1999.

Charles Lloyd's sixth ECM album is both a departure and a homecoming for the Memphis-born and California-based tenorist, introducing new music and revisiting archive favourites (including the epic "Forest Flower"), and featuring an all-star line-up. With his "Scandinavian" band currently on hold, this is Lloyd's first all-American album in a long while - Dave Holland qualifies as an honorary American by now - with all the differences of cultural emphasis that this implies. ECM veteran John Abercrombie and legendary drummer Billy Higgins are in great form throughout as they lock in with Lloyd to tackle material ranging from Billy Strayhorn's "A Flower Is A Lovesome Thing" to the Elvis Costello / Burt Bacharach-penned "God Give Me Strength" or dig deep into the roots music of the "Island Blues Suite".

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Manhattan Stories Record Store Day 2021 Edition

2LP | 2014 | EU | Reissue (Resonance)

42,99 €*