Vinyl, CD & Tape 124228 Items

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999

2LP | 2024 | EU | Original (Music From Memory)

7" | 1978 | EU | Reissue (LAVA ON WAX)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The next installment of MFM's popular multi-artist compilation Virtual Dreams: 'Virtual Dreams - Ambient Explorations In The House And Techno Age, Japan 1993-1999'. As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.

The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.

'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.

'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.

Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita,

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Outfit

Dr. Spougenstien

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Re-issue of this hyper rare single from 1978 on Whirl (West Indies Records Limited). George Clinton's Parliament getting funked up in the Caribbean. TIP!

The Outfit was one of the funkiest bands ever coming from The Caribbean. They showed (together with other top bands from Barbados like The BRC or The Organization) the potential of Spouge music and the many creative possibilities that this genre can lead to.

This single is one of the finest examples of Spouge and Funk blended perfectly together in an explosive, ultra funky cover of the Parliament's "Dr. Funkenstein", titled for the occasion "Dr. Spougenstien". Despite being an extremely rare single, this song used to be quite popular in Barbados, to the point where most people on the Island used to think this was an original song. B side "Theme From Peter Gunn" serves up a punchy and groovy Cosmic disco tune on the very popular Theme from the Peter Gunn tv show.

This single is proposed to you as a first issue on the newly born Lava On Wax Records, started by Dj and Collector Matteo Fava, who have been to Barbados multiple times and works together with former Wirl label since 2020. The release has been possible thanks to help of GUTS from France, who worked since the start of this project to the end in close collaboration with Matteo. Here is what he has to say about this release: " Lava on Wax , It's putting love into old things to make them new with conscience and respect "

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Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999

2CD | 2024 | EU | Original (Music From Memory)

20,99 €*

Shapeshifters / Johnnie Taylor

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Lola's Theme / What About My Love

7" | 2024 | UK (Jackin' Disco)

Gloria Jones / R. Dean Taylor

Release: 2024 / UK

Genre: Electronic & Dance

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Early 2000's house anthem on 7" for the first time ever, plus the soulful disco track that was jacked to make it!

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Coming Soon

Tainted Love / There's A Ghost In My House -

7" | 2024 | UK | Reissue (Outta Sight)

Release: 2024 / UK – Reissue

Genre: Organic Grooves

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New on Outta Sight, an official reissue of the Gloria Jones classic “Tainted Love”. The song originates from 1964, then made a household favourite from 1981 when made a hit by Soft Cell. Gloria’s 1965 release in the USA was originally a B-side to a non-hit, and it took ten years for it to be discovered in the UK where it was played on the Northern Soul scene. It’s the Motown-like rhythms and arrangements that made it relevant. Gloria re-recorded it herself in 1976, and while still not a hit, the song in NME’s Top 500 greatest of all time and Gloria dubbed ‘The Queen of Northern Soul’. She was in a relationship with Marc Bolan at the time of his fatal accident. This single is coupled with another northern soul favourite, the Holland/Dozier/Holland song “There’s A Ghost in My House” by Motown artist R. Dean Taylor. It was originally recorded in 1966 and reached No.3 in the UK Charts (1974)

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12" | 2024 | EU | Original (Afrosynth)

Music Team Sampler

19,99 €*

Tape | 2024 | EU | Original (Nothing But Net)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Selection of all winners from the Music Team label - mid 80s to early 90s gems on here!

One of South Africa’s biggest independent labels for more than a decade, Music Team offered working musicians a shot at fame via access to top studios, producers, songwriters and session musicians, as well as distribution via a number of imprints: CTV, Red Label, Solid, Spinna, Mambo Music and others. Artists in the stable who tasted success would typically release a few albums over as many years before moving on to other labels or falling off the radar as times changed. At their peak, according to label boss Maurice Horwitz, Music Team was selling a million records a month, and was at the forefront of South African pop music as it evolved from soul to disco and beyond.

Afrosynth Records’ ‘Music Team Sampler’ dusts off six rare and long-forgotten gems from the Music Team catalogue, originally released between 1986 and 1992. Four are typical of the label’s take on the popular ‘bubblegum’ sound of the day — Isaac ‘Cool Cat’ Mofokeng’s ‘Candy’, ‘I Won’t Let You Go’ by Linda Oliphant, Jappie Lebona’s ‘My Love is Yours and ‘Instant Love (Eyami Lendoda)’ by Thandi Zulu (aka TZ Junior). Two instrumentals — Mr. Ace’s ‘Ace 1’ and ‘Axe Chop’ by The Hard Workers, a studio project by Music Team’s in-house producer Tom Mkhize — meanwhile hint at the imminent rise of kwaito and house.

Forged in the fire of a cruel and volatile political system that was gradually unraveling, instead of addressing political realities these indelible pop songs sought to provide an escape to a world where love and music were all that mattered.

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Jamma-Dee

Perceptions

Teardrop / Touched 2024 Repress

Release: 2024 / EU – Original

Genre: Hip Hop

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Nothing But Net presents “Perceptions”, the debut LP from Los Angeles producer/beat maker Jamma-Dee aka Dyami O’Brien. Jamma-Dee has been a figure in the west coast modern funk and boogie scene, both as an accomplished DJ and music producer, having released records under his own name and producing for the likes of Joyce Wrice, Mndsgn and others.

From a musical upbringing in Los Angeles, Dyami’s adolescent obsession with record digging and beatmaking eventually led him to Dam-Funk’s renown Funkmosphere parties where he built friendships with key players in the LA funk scene and began to make a name for himself as a DJ and producer. In the second half of the 2010’s he released a series of EPs on Arcane and hosted the legendary Soul In Paradise show on NTS radio.

His first full-length, “Perceptions” is a long time in the making. Beginning with studio experiments nearly a decade ago, a version of the album found its way to producer and Nothing But Net label boss Onra, who helped guide the project to completion. The album artwork was created by outsider soul music conceptualist and painter, Mingering Mike, whom O’Brien felt compelled to reach out to after discovering his work years earlier. Thematically, the artwork, record, and its title touch on very modern themes: the alienation of life in a world of instant-gratification, an overly-connected society of masks, distorted realities and shifting identities.

Musically, “Perceptions” is the culmination of a life lived under the groove. Featuring a long list of collaborators, including Benedek, Mndsgn, Koreatown Oddity, the legendary Craig T. Cooper and fellow NBN labelmate, Devin Morrison, the double album touches on all of O’Brien’s musical influences. Album opener “Up N Down” sets the scene with it’s syrupy g-funk impressionism, before “Jamma’s Jam” bounces out of the speakers through an auburn-colored sunset haze of lush Rhodes chords and sparkling vibraphones. “It Takes A Freak” and “Datafile Groove” shuffle westward, re-imagining New Jack Swing grooves through a distinctly Californian lens. Elsewhere, the album touches on classic deep house rhythms (“Tic Toc” and “Silly”) and crystalline, downtempo R&B and UK street soul (“Joy”, “Saturday”).“U.R.” features legendary L.A. guitarist Craig T. Cooper laying down a network of stunning, silken guitar lines with absolute class.

Over the course of these 15 tracks, Jamma Dee consolidates, renovates and perpetuates the sound of his influences. “Perceptions” is a masterclass in modern funk and soul production.

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Lew E

12" | 2023 | UK | Reissue (Basic Spirit)

20,99 €*

Release: 2023 / UK – Reissue

Genre: Electronic & Dance

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Limited 2024 Repress

For the third Basic Spirit release, Lew E turns in two stompers for a limited vinyl only release. Reimagining two big tracks from yesteryear with a dose of euphoria, nostalgia and whimsy. The resulting double A-side 12” sounding more like unearthed remixes from a lost decade, than modern facelifts.

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12" | 2024 | UK | Original (Invisible, Inc)

Mondo Ritmo

12" | 2024 | UK | Original (First Second Label)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Following on from last years's "Mondo Organico" compilation, the latest Invisible Inc compilation EP "Mondo Ritmo" sets its sights firmly on rhythm and percussion. Featuring a global array of artists hailing from Argentina to Senegal and everywhere in between, the influences and styles featured include latin, afro, dub, dancehall, experimental, acid and more. Proven and tested dancefloor bombs are Mytron & Balam's opening track "Cabasa Loca" which label boss GK Machine has been spinning at his Wrong Party nights and elsewhere for the last 6 months or so...and the house/dancehall hybrid floor filler "Wicked Can't Run" by LA producer Tom Chasteen (Exist Dance/Dub Club) featuring legendary Jamaican DJ and toaster U Brown, and mixed by equally legendary producer/keyboardist David Harrow who first came to our attention through his regular keyboard contributions to all things On-U Sound related in the 1980s.

The rest of the tracks may not be peak time bangers but they are sure to please the more esoteric and adventurous dancefloors out there...it's an honour to have on board Calypso Records head honcho Thomass Jackson, Thomash (Voodoohop) and Gats (Suçuarana / Curuba) who together as Changa Boys bring in Senegalese drummer Ndiaxo dal Jaam, and last but not least a certain Machine with assistance on percussion from the mysterious Congo Caveman.

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Coe

D-I-Why / Skooma

Beanntan A' Bhròin [Mountains Of Sorrow]

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Take Coe's hand and experience grafted waft like you never have before. Hammer to nail. Drill to screw. Sound to ear. Paloma tested.

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Watkins Group

Tape | 2024 | UK | Original (Frequency Consortium)

7" | 2024 | EU | Original (G&D Records, Inc.)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Watkins Group is a new project from one half of infamous Crust House vagrants Watkins & Almodovar, taking inspiration from the landscapes, myths and legends of ancient Scottish & Celtic culture. The title of this debut album on the newborn Frequency Consortium label, Beanntan a’ Bhròin (Mountains of Sorrow), might already give an indication as to where we’re headed here; evoking Nan Shepard’s meditations on the Cairngorms at their most isolationist & uncompromising as much as it does the creatures that occupy the crags, gullies & glens of old Caledonia. Watkins Group dive deep into fx-drenched grot and expansive somnambulant driftworks over six tracks, as spacious as they claustrophobic, recalling the works of Deathprod, early-90s Lustmord and at times even the stark soundtracks of Mica Levi.

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G&D

G&D Edit 6

Hear You Yellow, Black, White Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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G&D back with their 6th Volume of edit series. Limited press to 300 handwritten numbered copies. Three killer tracks are always seriously edited by the unknown Italian duo. No Repress.

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Toe

LP | 2015 | US | Reissue (Topshelf)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Every Heaven Surf's Up Blue Vinyl Edition

Humdrum

LP | 2024 | US | Original (Slumberland)

22,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Dulling The Horns Mustard Yellow Vinyl Edition

Wild Pink

LP | 2024 | US | Original (Fire Talk)

My Life 30th Anniversary Maroon Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

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Iris Dement

LP | 1994 | US | Reissue (Yep Roc)

Drag Queens In Limousines Translucent Ruby Vinyl Edition

Release: 1994 / US – Reissue

Genre: Rock & Indie

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My Life, Americana trailblazer Iris DeMent’s sophomore album, cemented her legacy as one of the nation’s greatest living songwriters. Dedicated to her father, Patrick Shaw DeMent, who died in 1992, the album illustrates DeMent’s razorsharp songwriting on originals like “Sweet Is the Melody,” “No Time to Cry” and the title track. The songs “are jewels of universal longing” (Chicago Tribune) and “it is nearly impossible to exaggerate the beauty of these recordings.” (AllMusic). The album is being officially reissued for the first time for its 30th anniversary, pressed on maroon color vinyl and remastered by Mike Westbrook of MW Audio. The lacquer is cut by renowned mastering engineer Kevin Gray and is pressed at the state-of-the-art audiophile facilities at Citizen Vinyl in Asheville, North Carolina. This pressing is limited to 2,000 copies worldwide.

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Mary Gauthier

LP | 2024 | Original (Kill Rock Stars Nashville)

LP | 2024 | US | Original (Whited Sepulchre)

Release: 2024 / Original

Genre: Rock & Indie

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25 years ago, this record sprang on the scene— a record holding a voice impossible to draw comparison to, and lyrics and stories alien to anything that resonated from The Opry’s stage beforehand. Mary was the first openly queer person to play The Opry, and for us at KRS, this record encapsulates things new, exciting, bold, while being an absolute standout to what the realm of Americana has to offer. This is an authentic American experience, cliches weren’t needed. Mary is a legend. This record will always feel new, exciting, and bold.

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Desert Liminal

Black Ocean

25,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Crying Time 2024 Remaster

Ray Charles

LP | 2024 | Original (Tangerine)

Release: 2024 / Original

Genre: Rock & Indie

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I Used To Know Her Colored Vinyl Edition

H.E.R.

2LP | 2024 | EU | Original (Sony Music Catalog)

31,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP | 1996 | EU | Reissue (Most wanted)

Sh'killa

Gangstrez From Da Bay

39,99 €*

Release: 1996 / EU – Reissue

Genre: Hip Hop

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G's Perspective Black Vinyl Edition

Undasett

2LP | 1995 | EU | Reissue (Most Wanted)

Release: 1995 / EU – Reissue

Genre: Hip Hop

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G's Perspective Splatter Vinyl Edition

Undasett

2LP | 1995 | EU | Reissue (Most Wanted)

Release: 1995 / EU – Reissue

Genre: Hip Hop

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G's Perspective Orange Vinyl Edition

Undasett

2LP | 1995 | EU | Reissue (Most Wanted)

Release: 1995 / EU – Reissue

Genre: Hip Hop

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7" | 2024 | US | Original (Big Crown)

Les Imprimes

With You / Only Love

12,99 €*

7" | 2024 | UK | Original (Tuff Cut 7)

Release: 2024 / US – Original

Genre: Organic Grooves

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Les Imprimés is back in the studio working on their sophomorealbum and treats us to a smashing two-sider with thefirst two songs from these sessions.The A side "With You" is an instant hit for the DJs and dancefloors. An uptempo, uplifting tune about a eeting encounterthat leaves you craving more. Frontman Morten Martensdoesn't waste a word over the shuffling drums and dancingpiano lines. He sings about the pleasantly surprising impact ofa chance encounter with a woman, whom he winds up piningfor. Martens longs for her, but joyfully, as if just rememberingsuch a connection is possible is what he really needed.The B side "Only Love" is built over a gritty, punchy drumbreak with a chorus that is simple yet profound, and thearrangement leans into the message. Martens sings of lettinggo of inhibition and fear and allowing love to have a chance tothrive. "Only love can set us free_"

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Lntg

Volume 1

12" | 2024 | UK | Original (Sound Of Style)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Lntg returns with a new 7 inch series featuring 2 stone cold soul classics remixed for the floor.

Limited Edition act fast!

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Hotmood

Baby Come Down EP

LP | 1974 | EU | Reissue (Elemental)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Hailing from Playa Del Carmen, Mexico our dude Hotmood keeps it funky with his 'Baby Come Down EP'! Hot off his multi pressing sellout release on Blur Records Hotmood gets straight to the funk with the title track 'Baby Come Down'. All heat for your feet for this jam! House music legend DJ Sneak comes correct with his bangin floor stomper B.B.B. (Big Boss Bizness) Remix of 'Baby Come Down'. Peak time biz right here, bang it out! Back to the Hotmood sure fire floor filler 'Disco Lady' with baseline for days, and a catchy spoken word over steamy funk filled disco heat. Natural Rhythm kicks in the cruise control as we hit high velocity with a deep and funky slice & dice of 'Disco Lady'. Heavy drum work and tight percussion is the call with this cleverly woven gem that’ll fill the floor and get em moving! Next up we have the House music icon Nail of Robsoul, Classic and Diy fame with his 'Fleng EP'.

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Pharoah Sanders

Love In Us All

37,99 €*

7" | 2024 | EU | Original (Mad About)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Biggest Tip! Limited Edition LP. Deluxe 180-Gram Reissue. Special Gatefold Edition Including Original Artwork. Few will need introduction to the work of Pharoah Sanders. He is a titan with few equivalents in histories of free and spiritual jazz. The creator of some of the most important and singular records in these fields, Sanders, who was once described by Ornette Coleman as “probably the best tenor player in the world”, is equally noted for his work with artists like John Coltrane, as a member of his groundbreaking final quintet, Alice Coltrane, Leon Thomas, Ornette Coleman, Don Cherry, and Sun Ra, often rendering a remarkable influence over the results.

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Duo Ouro Negro

Dança Do Robalinho

LP | 1958 | EU (Shellac Disc)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Milo MacMahon and Raúl Indipwo, arrived to Portugal in 1959 and, over next three decades, they developed an international career in the music industry.

In addition to Portuguese and the various Angolan languages, the group recorded songs such as “Sylvie”, “La Kwela” and “Le Palmier” in French, among others, and also covered Latin American, Spanish-speaking, Brazilian and even North American repertoires, where on their various tours they came into contact with the struggle for the Civil Rights of the black population.

In 1969 Duo Ouro Negro went on tour to the United States. Their experience there was decisive for what we would come to know three years later. “Don't forget your blackground”, Raul Indipwo would exclaim in 1972, the voice of ‘Blackground’, the Angolan band's landmark album. Awakened to the activism of Black Power, attentive to the jazz that was being created on American soil, combined with an interest in the independence movements of the African colonies, what was then the most international of Portuguese bands recorded an album in Lisbon that was a vibrant cultural statement through music.

In 1981, “Blackground” was revised with new arrangements, including the instrumental “Dança do Robalinho”. Jazz-Funk at its best and now reissued for the first time in 7” format. You can't miss this jazz-funk gem made in Angola.

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Cal Tjader

Goes Latin

26,99 €*

Bebo Valdes Y Su Gran Orquesta

Release: 1958 / EU

Genre: Organic Grooves

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Callen Radcliffe Tjader Jr. has often been described as “the most successful non-latino Latin musician.” He was a pivotal figure in the expansion of Latin Jazz in the USA, but he also explored rhythms of Africa and the Caribbean in addition to those arriving from Latin America. He was born in St. Louis, Missouri, in 1925 to touring Swedish American vaudevillian parents. At age two the family established in California and opened a dance studio. Young Cal soon became a music prodigy, learning piano, drums, vibraphone and every other instrument that would fell in his hands. In the mid ‘50s, after having played drums in the Dave Brubeck Trio, he formed the Cal Tjader Mambo Quintet that produced several successful albums for Fantasy, including the mythical Mambo with Tjader. it was in those years that he met the Afro-Cuban big bands led by Machito and Chico O’Farrill and also Mongo Santamaria and Willie Bobo, both members of the Tito Puente orchestra by the time. It was obvious that Tjader grew in the Latin sounds, and the album you hold in your hands, originally released in 1958 is a superb prove of the authenticity of his music.

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LP | 2024 | EU (Shellac Disc)

26,99 €*

12" | 2024 | EU | Original (Phil Boogie Times)

Release: 2024 / EU

Genre: Organic Grooves

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Dionisio Ramon Emilio Valdés Amaro, better known as Bebo Valdés, was born in Cuba in 1918. He is considered one of the pivotal figures in Cuban music. Trained as a pianist, he also became a master arranged and conductor and worked with figures like Olga Guillot, Celia Cruz or Elena Burke. A trip to Haiti in the 1940s arised his interest in African rooted music, and on his return in La Havana, performing at the legendary Tropicana cabaret under the direction of Armando Romeu, he started including these rhythms in his sound becoming a prominent figure in Afro-Cuban jazz. He worked with big names like Joséphine Baker and Nat King Cole. He had been playing for ten years at the Tropicana when a bomb exploded very near his piano in the middle of his performance, he nearly died. He quit the Tropicana and benefited of the rising of television broadcast in the 1950s, getting even more fame in several Cuban TV shows until 1958, when he emigrated to Mexico first to finally set in Sweden, were he has Paramount in establishing a world taste for Afro-Cuban jazz. His career saw a big rebirth when in 1994 he teamed with saxophonist Paquito d’Rivera and, in a more mainstream way, with Fernando Trueba’s Calle 54 movie. He had kept busy since then until his passing in 2013. he is acknowledged as one of the originators of Latin Jazz and Afro-Cuban music.

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Ocie III

What's My Return On Love

19,99 €*

12" | 2024 | EU (Mule Musiq)

Release: 2024 / EU – Original

Genre: Organic Grooves

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What's my return on love is a killer boogie track from 1983, produced by the great Donald Burnside. The B side features an inedit Tony Massera Dub Version of that song. The original release from 1983 exists only as 7" and it's extremely rare and pricy.

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Martinou

Matter

Release: 2024 / EU

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Repeat)

Eddie Richards

Time Travel 1

12" | 2024 | EU | Original (Fresh Tunez)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After the debut release on Repeat, which is already in high demand among collectors, renowned UK Acid-Tech Pioneer Eddie Richards is launching a new reissue series of his rare and iconic vinyl - Time Travel!

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Melgar

Sound Of A Past Time

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (FXCK RXP)

Turich Benjy

Ultrasound Deluxe

39,99 €*

Release: 2024 / EU – Original

Genre: Hip Hop

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Live At Fox Theater, Atlanta February 1980

Weather Report

2LP | 2024 | EU (Whp)

22,99 €*

Midnight Confessions Volume 2

Release: 2024 / EU

Genre: Organic Grooves

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Back in 1980, Weather Report consisted of Wayne Shorter - tenor & soprano sax, Joe Zawinul - keyboards, Jaco Pastorius - bass, Peter Erskine - drums and Bobby Thomas Jr. - percussion. Often considered as one of the best line ups in the band's history, this was a super tight combo playing with the same energy and power of a big band. The 1980 tour, also known as the "Night Passage" tour, is also remembered for the great visual impact, a large scale staging including laser and film projections. The Atlanra Fox Theater show sees the band at its peak, performing great renditions of classic tunes such as Zawinul's "Madagascar" and "Fast City", Pastorius' "Three Views of a Secret" and Shorter's "Port of Entry". This is an important live document from the greatest electric jazz band of all times, period!

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Italoconnection

LP | 2024 | EU | Original (Bordello A Parigi)

21,99 €*

Remember Me Remixes Ice Blue Vinyl 2024 Repress Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2021. Italoconnection, the partnership of Fred Ventura and Paolo Gozetti, released Midnight Confessions Vol 1. Three years on, the awaited second volume has arrived. All of the analogue emotion that characterised the first collection is present from the outset, warm throbs of bass coupled with clean melodies in “The Wait”. Smoky lyrics permeate the nine track album, the unmistakable timbre of Ventura’s voice recanting tales of optimistic encounters and lost love. As with the 2021 release, collaborations with fellow italo romantics are peppered throughout. Francesca Gastaldi returns to work with Italoconnection once again. Having featured on their Humanize EP, Gastaldi’s vibrant voice shines through the smouldering synthlines and robust beats of “Live Forever”. Jaia Sowden takes centre stage for “Just Like Water”. A story of discontent and disconnect is sang over bittersweet keys as eastern undercurrents flow. Contemporary commentary is intertwined with undulating melodies and distant lyrics in “Cold War Lovers”, a cold wave edge cutting through the sounds and words of “Systematic” .The dancefloor surfaces throughout the record. Bodies are pulled tight by the bold and bright bars of “Why” before drifting apart in the lovelorn lamentations of “Lover 2 Lover”. “Europa” pays homage to the machine music of the continent as a litany of influences are drawn upon . The title piece closes. A fragile drum pattern is bolstered by cascading chords, piano notes sailing alongside words by Gastaldi and Ventura. Welcome confessions from musicians who live and breath the synthesizer traditions of Italy.

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Blue Boy

12" | 2020 | EU | Original (High Fashion Music)

12" | 2024 | EU | Original (Bordello A Parigi)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2024 Ice Blue Vinyl Repress Edition

Following its release in 1997, ‘Remember Me’ was cemented as an international dance hit, peaking at #8 in the UK singles charts, as well as #2 in the American Dance Chart. Instantly recognizable for the iconic Marlena Shaw vocal samples and down-tempo chugging bassline, ‘Remember Me’ has gained cult status throughout the world as a dance-floor classic. Releasing the original over 20 years ago, the incomparable track has only received one previous official remix with Dutch producer and DJ, Franky Rizardo now injecting new life into an already seminal track also. The Dutch imprint has now asked non-other than David Penn to add his magic to this sure-fire repeat player! Madrid based David Penn get to grips with the Blue Boy classic and the results are spectacular! Some of you may have already heard it on David’s recent Live lockdown streams all over social media?! Now you have been hand-picked to help break this house anthems!

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Doctr & Julia

Now You Can Fly

Split Machine Volume 3 EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Doctr is no stranger to the Bordello. Now You Can Fly is his third visit to the label, his first with company. Paired with Julia, the offering is pure peak-time elation. Bending bars are cut through by beats and synth stabs, Doctr building a palpable energy with vocals synergising perfectly. Daring key shifts unveil the full track, inspirational words and melodic wizardry waltzing arm-in-arm. Flying ever higher, electrical pulses of hi-nrg jolt this dancefloor burner. Julia’s vocals are parred back for the flip, leaving those sun-kissed synthlines to soar above calypso-infused percussion. Two works of sheer happiness; just what the Doctr ordered.

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KAFKACTRL / UHF

12" | 2024 | EU | Original (Gladio Operations)

Be The Cowboy Coke Bottle Clear Vinyl Editoin

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Gladio Operations’ tenth release touches down with the third volume of the Split Machine Series, which bears the signatures of KafkaCtrl and UHF and marks the end of this electrifying trilogy.

Side A kicks off with “KafkaCtrl”, where we discover cuts “Hashing Technic” and “XOR Calculator”, which seem freshly extracted from a thriller, full of intriguing passages and wrapped in a delicate and assembled bassline. The French artist gifts us a last cut titled “Integer Corruption”, where we distinguish a more rhythmic path impregnated with dark textures.

The owners of the UHF label resume their presence by taking charge of closing the EP with two powerful tracks. First off, “Floating Pimps” transports us to an absolute level of psychedelia, which we have already experienced in their past works, and a characteristic trademark of the Spanish duo. “The Threat Of Machines”, which closes the EP, takes us into a state of extreme intensity, where UHF squeezes out a wild and incessant bassline from beginning to end.

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Mitski

LP | 2018 | US | Reissue (Dead Oceans)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Coke Bottle CLear Vinyl. The breakout success of 2016's Puberty 2 saw Mitski hailed as the new vanguard of indie rock, the one to save the genre from the white dudes who've historically dominated it. But the often overlooked aspect of being a rising star is the sheer amount of work that goes into it. "I had been on the road for a long time, which is so isolating, and had to run my own business at the same time," Mitski explains, "a lot of this record was me not having any feelings, being completely spent, but then trying to rally myself and wake up and get back to Mitski. I was feeling really nihilistic and trying to make pop songs."We want our artists to be strong but we also expect them to be vulnerable. Rather than avoiding this dilemma, she addresses directly the power that comes from appearing impenetrable and loneliness that follows. "With a lot of the romantic infatuations I've had," she says, "when I look back, I wonder, Did I want them or did I want to be them? Did I love them or did I want to absorb whatever power they had? I decided I could just be my own cowboy figure that I so desire." In Be The Cowboy, delves into the loneliness of being a symbol and the loneliness of being someone, and how it can feel so much like being no one.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Do Not Resist The Beat / Jazzy Rap

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Samo DJ & Kamo

7" | 2024 | EU | Original (Öhr Research Technologies)

11,99 €*

Pyramid - 45 RPM Audiophile Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Preorder shipping from 2024-11-15

Masterpiece by Samo DJ & Kamohelo! You can´t resist! Limited to 150 copies worldwide! Vinyl only!

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The Alan Parsons Project

2LP | 2024 | UK | Original (Cooking Vinyl)

46,99 €*

LP | 2024 | Original (Azure Vista)

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP 180gm 45 RPM audiophile edition, printed insert, polylined inners, gatefold sleeve, numbered Obi strip.The Alan Parsons Project "Pyramid" is re-issued in a variety of different formats including this 2LP heavyweight, 45 RPM Audiophile edition. The first pressing comes with a numbered Obi-strip. This edition was expertly cut by Miles Showell at Abbey Road Studios, October 2023 on a customised Neumann VMS 80 lathe at half speed using high-resolution archive transfers taken from the original 1978 mastertapes.As with other The Alan Parsons Project albums, the focus was on very high-quality studio sound production, and they recorded the album at Abbey Road Studios in London. There were a variety of different lead vocalists employed including John Miles, Colin Blunstone, Lenny Zakatek, David Paton, Jack Harris and Dean Ford. Plus, a selection of session musicians such as guitarist Ian Bairnson and drummer Stuart Elliot with arrangements by Andrew Powell.

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Jonas Munk

Mirror Phase

LP | 2024 | EU | Original (Agogo)

Release: 2024 / Original

Genre: Electronic & Dance

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Jonas Munk closes his ambient trilogy with mammoth drone pieces, multi-layered guitars and hymnal krautrock."Mirror Phase" concludes a trilogy of minimal ambient albums in Munk's (Causa Sui) own name. These eight compositions, based on guitar and synthesizer loops, marks a return to the warmer sounds Munk is often associated with. Sonic structures that slowly and gradually evolves and changes, like cloud formations in the sky. The title track, "Mirror Phase", is Munk's most expansive drone opus so far. It's a carefully arranged piece where sounds that oscillates with the same interval, but at different phases, are continuously added, hence creating shifting patterns throughout the track's nearly 18 minute duration.Elsewhere, in "Transition", multi-layered guitars creates the sonic equivalent of waves gently splashing on the shore. "At a Distance" creates a haunting, and hypnotic, soundscape by using slightly out-of-tune analog synthesizers, summoning the transcendent krautrock of Popol Vuh. And "Rise", as well as the closing track, "Return to Nowhere", recalls the glistening sounds of his Manual releases. "Mirror Phase" might just be Munk's ambient oeuvre reaching its zenith.The CD edition comes with an extra CD with Jonas Munk's 2021 album, "Altered Light", which has previously only been released on digital download and streaming.

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Krajenski.

B-3 Volume 2

26,99 €*

12" | 2024 | UK | Original (Belpaese Edits)

Release: 2024 / EU – Original

Genre: Organic Grooves

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A journey - that"s how musicians like to describe working on a new album. In the case of of krajenski"s new LP "B-3 Vol. 2" it really was a journey. Many ideas were born and discarded, several sessions were played for inspiration, plenty of songs were produced in advance - the journey is the journey. Then the decisive missing link: krajenski. was able to find the two musicians and producers Dirk Berger (Peter Fox, Seed, Marteria) and Samon Kawamura (Joy Denalane, Max Herre, Till Brönner) for this project. And suddenly the production took a completely different magical turn - away from a "band album" towards a musical experiment.

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The Unknown Artist

Belpaese 11

7" | 2024 | UK | Original (Edits)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Straight Outta Belpaese, MORE disco – exotica – balearic- Italo-funk for the demanding digger!!!

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Casual Connection

Edits Volume 6

7" | 1983 | UK | Reissue (April)

Release: 2024 / UK – Original

Genre: Hip Hop

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2 more slices of Hip Hop & R&B mash-up gold on 45 via CC.

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Matt Covington

I'm So In Love With You

12" | 2024 | UK | Original (Atjazz Record Company)

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Prepare to experience a true soul gem reimagined for the modern age with this special 7-inch reissue of Matt Covington’s classic, I'm So In Love With You. Originally released in 1983, this rare groove masterpiece captures the essence of early '80s R&B with its smooth, heartfelt vocals and lush instrumentation. Covington’s romantic delivery and the track's elegant arrangement have made it a coveted piece for collectors and soul aficionados alike, with the original pressing becoming increasingly hard to find over the years. For the first time ever, I’m So In Love With You is being reissued, allowing a new generation of listeners to discover its timeless charm. On the flip side, we’ve included Muhammad Ali, a standout cut from Covington’s self-titled album that resonates with soul, funk, and infectious energy. A favorite of acclaimed DJ Floating Points, Muhammad Ali pays tribute to the legendary boxer with a groove that’s as fierce as its namesake. Whether this has been sat in your wantlist for years or new to Matt Covington’s music, this 7-inch offers an essential addition to your collection. With its impeccable blend of silky soul and rhythmic punch, this reissue promises to become as cherished as the original release.

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Abel feat. Brutha Basil

Hand Made

12" | 2024 | UK | Original (Discotecas)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A slick techy dance-floor banger featuring the sultry tones of US Vocalist ‘Brutha Basil’.

Hand Made has been a go-to number from Abel’s well-received ‘Cosmic Law’ album. Taking a deeper and much more techy approach to sound design, Abel and Atjazz enlisted the brilliant ‘Brutha Basil’ to lay down some truth about ‘doing this music thing for the right reasons’. With some incredible remixes from Peacey who swipes things up to a new energy level, Rocco Rodamaal whose punchy re-work takes us way back to NYC’s early days of house music, and South Beach Recycling’s Chicago and Detroit-inspired late-night groover. This is one of those releases that will stay on target for a long time, no doubt!

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Discotecas

Discotecas 005

12" | 2024 | UK | Original (Drumcode Limited)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Make some music. A noise that’s fun. Dance to it. This is how we do it.

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Simina Grigoriu

Declare Me

MYT HHV Exclusive Signed Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The Berlin-based artist Simina Grigoriu debuts on Dcltd. The opener 'Declare Me' steps up the energy with searing intent, while never losing a sense of deep brooding atmosphere. One for the marathon Sunday afternoon sets. ‘Astral Waters’ bubbles away with tight drum work and a deep Motor City vibe. ‘Technology of Prayer’ mixes late-night techno soundscapes with driving rhythms. An essential tool for bridging moods during longer sessions. And finally ‘The Right Calibre’ positions tribal rhythms at the fore for a rolling cut that doesn’t take a backwards step from creating plenty of tension through the mid-section via a stirring break.

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Moses Yoofee Trio

LP | 2025 | EU | Original (Leiter)

27,99 €*

LP | 2025 | EU | Original (Leiter)

Release: 2025 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2025-02-07

Limited edition of 200 copies with signed sleeves, only available at HHV!

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Moses Yoofee Trio

Myt

27,99 €*

Release: 2025 / EU – Original

Genre: Organic Grooves

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Funky Stuff Green Vinyl Edition

Soul Media

LP | 1975 | JP | Reissue (Nippon Columbia)

57,99 €*

Takeshi Inomata / Sound Limited

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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"Japanese jazz and Jazz Funk masterpieces are re-released on clear green color vinyl!

A jazz-rock masterpiece by the virtuoso Jiro Inagaki! Beyond jazz and rock. Led by Jiro Inagaki, Soul Media arrived at the ultimate tight, cool groove. As Inagaki himself has said, ""I did black funk,"" his musicality leaped to another dimension by combining the explosiveness of jazz-rock that he had cultivated up to that point with the tenacity and elasticity of black music. Combined with the virtuoso Hiromasa Suzuki's arrangement, the groove is polished, glossy, and shiny. All songs are highlights, such as ""Painted Paradise"" full of dynamism and galloping, ""Breeze"" where funkness and mellowness coexist, and a cover of ""Funky Stuff"" by Kool & the Gang with a low center of gravity and sharpness. It is now a definitive masterpiece that is constantly wanted from all over the world.
text by Yusuke Ogawa (UNIVERSOUNDS/DEEP JAZZ REALITY)"

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Sounds Of Sound L.T.D. Clear Vinyl Edition

LP | 1970 | JP | Reissue (Columbia Japan)

39,99 €*

Kyoto Jazz Sextet Feat. Takeo Moriyama

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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"Japanese jazz and Jazz Rock masterpieces are re-released on clear vinyl!

The raging drums scorch the times. Accompanied by a whirlwind of young talents, Takeshi Inomata proudly heralds the arrival of the golden age of jazz-rock.
Takeshi Inomata, a drummer who led the jazz scene in Japan with his precise stick work and musicality that looked ahead to the times. At the end of the 1960s, he was influenced by brass rock, which was flourishing at the time, and formed Sound Limited.
""I want to fuse jazz and rock and bring together young musicians to do music with vitality, and I want this group to be a large-scale group that does not fit into the small framework of modern jazz,"" he says.
His first album and masterpiece was ""Sounds of Sound L.T.D.""(1970). Led by ""Theme ~ Moustache"", which is loved as a symbolic song, it is a masterpiece full of dynamism and enthusiasm throughout the film.
text by Yusuke Ogawa (UNIVERSOUNDS/DEEP JAZZ REALITY)"

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Succession

2LP | 2024 | JP | Original (Lawson)

44,99 €*

Next Door (Edit & Backing Tracks EP)

Release: 2024 / JP – Original

Genre: Pop

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A dramatic encounter between the elite group led by Shuya Okino and a legendary drummer. Connecting the past and present of Japanese jazz and illuminating the future that is an extension of it.

●kyoto Jazz Sextet is an acoustic jazz unit started in 2015 by Shuya Okino of Kyoto Jazz Massive, a DJ/music producer unit that is active worldwide. With the concept of expressing the "current state of jazz" rather than just a nostalgic hobby, he has released two albums so far: "mission" (2015) and "unity" (2017).

●Fully featuring Takeo Moriyama, the pinnacle of Japanese jazz drumming. The two performed together for the first time as headliners at Tokyo Crossover/Jazz Festival 2021 held at Shinkiba ageHa@STUDIO Coast on November 20, 2021. The audience was overwhelmed by the spirited collaboration that transcended generations.

●In addition to Moriyama's representative repertoire, which is popular among club jazz listeners, the album includes a new song "Father Forest" written by Shuya Okino. The all-analog recording and cutting from a half-inch analog tape master create a robust and dynamic sound.

Kyoto Jazz Sextet Shinpei Ruike trumpet Ken Kurihara tenor saxophone Yusuke Hirado piano Yoshihito"P"Koizumi. bass Shuya Okino (vision, sound effect on Watarase) featuring Takeo Moriyama drums

Produced by Shuya Okino (Kyoto Jazz Massive) Recorded, Mixed and Mastered by Akihito Yoshikawa (studio Dedé)

■Live information Kyoto Jazz Sextet feat. Takeo Moriyama 3rd Album "succession" LP Release Live Friday, September 20, 2024 @cotton Club

For live inquiries: Extra Freedom info@extra-freedom.co.jp

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Hitomi Tohyama

12" | 1983 | JP | Reissue (Nippon Columbia)

32,99 €*

Release: 1983 / JP – Reissue

Genre: Pop

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LP | 2017 | JP | Reissue (Nippon Columbia)

Pecker

Pecker Power

34,99 €*

12" | 2024 | UK | Original (Technicolour)

Release: 2017 / JP – Reissue

Genre: Pop

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Percussionist Pecker came to Jamaica in 1980 to reissue the Japanese DUB original work he created with The Wailers and Sly & Robbie!

Pecker Power, Japan's first dub album, was produced in 1980 by Pecker, a percussionist who created Japan's first salsa band, Orquesta del Sol. This stateless dub sound was born from sessions with The Wailers at Bob Marley's studio ``tuff Gong'' and sessions with Sly and Robbie at ``channel One'' and was titled ``21st Century Dub.'' A strange masterpiece that was distributed in the United States in 1987 and has since become known all over the world.

■Japanese dub originator Dub, which originated in Jamaica, was adopted by British rock bands such as The Clash and the Rolling Stones in 1980. Pecker produced this dub work around the same time. By the way, Mute Beat, known as Japan's first dub band, started their activities in 1982. This shows how advanced this work is.

■Authentic dub session This work is based on a session with The Wailers at the ``tuff Gong'' studio and a session with Sly & Robbie at the ``channel One'' studio. The former includes the rhythm section of the Barrett brothers from Aston and Carlton, Marcia Griffiths from I-3, Judy Mowat, and other fierce performers who supported Bob Marley's golden age. The latter was gaining momentum and popularity at the time, featuring an ironclad rhythm section of Sly Dunbar and Robbie Shakespeare, who were still in their 20s, and Augustus Pablo on piano. Additionally, Rico Rodriguez, the trombonist from The Specials, flew in from Berlin for both sessions. The two teams, who viewed each other as rivals at the time, competed with their high-potential performances, resulting in a miraculous recording that brought out their best performance.

■Started as a sequel to Katsumi Watanabe's album "kylyn" Initially, the plan was to record in New York as the second part of the ``kylyn'' session, but the core members, Kazumi Watanabe and Ryuichi Sakamoto, became busy, so the plan was changed to Jamaica recording as Pecker's solo work. In addition to Pecker, Minako Yoshida and Naoya Matsuoka will be traveling to Jamaica. The legendary session mentioned above was held. After returning to Japan, Kenji Omura's guitar was overdubbed at Columbia Studios.

■World-recognized DUB from Tokyo The album ``Pecker Power'' (released on July 25, 1980) and the 10-inch album ``Instant Rasta'' (released on September 25, 1980) that were completed in this way received high praise in some quarters, but their content was timeless. Perhaps because we were too proactive, it did not lead to sales. However, in 1987, a cassette was released under the title ``21st Century Dub'' by the New York label ``roir'', and the unique, stateless DUB received high praise. It was later released on CD in 1999 and became known to DUB enthusiasts around the world.

■Recording location Channel ONE session (Sly & Robbie): Track.A1, A3, B2, B4 Tuff Gong session (The Wailers): Track. A5, B1, B3 Tokyo session：Track. A2, A4

■Musicians Pecker, Minako Yoshida, Robbie Shakespeare, Sly Dunbar, Aston Barrett, Carlton Barrett, Augustus Pablo, Rico Rodriguez, Marcia Griffiths, Judy Mowat, Kenji Omura

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Fcukers

Baggy$$ White Label EP

25,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The Silver Tongued Devil And I Vinyl Me, Please Edition

Kris Kristofferson

LP | 1971 | US | Reissue (Vinyl Me, Please)

33,99 €*

Root Down - Jimmy Smith Live! Acoustic Sounds

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Kris Kristofferson was the true country outsider, a man who single-handedly pushed the genre leftward, changing forever the perception of its songwriters, its performers and its message. He was long-haired, anti-war and sang songs with drug use, sex and violence always lurking as dangers in the margins, at a time when Waylon and Willie were wearing sweaters and playing golf on their album covers. He was the outlaw, in a genre that would soon have people recording his songs, and co-opting his vision for a new version of country, to much greater financial success.

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Jimmy Smith

LP | 2024 | US | Original (Verve)

38,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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The Tony Williams Lifetime

Emergency! Verve By Request

2LP | 2024 | US | Original (Verve)

51,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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OST Romy Schneider Un Portrait Musical

Philippe Sarde

2LP | 2024 | Original (Decca)

49,99 €*

Release: 2024 / Original

Genre: Soundtracks

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LP | 2024 | US | Original (Verve)

Jimmy Smith

The Cat Acoustic Sounds

38,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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2LP | 2024 | EU | Original (Plangent)

Recondite

Indifferent

12" | 2024 | EU | Original (Remain)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Feeling the deep and the hi simultaneously. Not craving for the extreme - finding balance instead. Indifference.
The word reflects what I often felt in recent times. Not just a feeling but a desire for things less pointed. It seems to be a general zeitgeist phenomenon but as I am part of the electronic music scene, I reflect a lot
about what is happening within this genre. There has been an urge for the either really hard, driving, fast and aggressive, or the extreme opposite.
Catchy vocals with a pop music feel, very direct and relatable melodies, soft grooves, piano chords. Either way - it feels like it has to be very distinctive - aggressive or soft - as long as it is extreme. It seems to be a moment in time where in whatever you do - it HAS to be in the face. All of this is fine of course - but never was my nature or personality. There is a reason why I chose to the adjective "Recondite" as an artist name because I could identify with the meaning of it. "hidden, obscure, not in the obvious”.
“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.

SHORT VERSION:

“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.

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Picture
Coming Soon

Axel Karakasis

Clutter EP

Time + Space Colored & Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Axel Karakasis once more unleashes his talents and demonstrates his skills! On the Clutter E.P, brings you a vinyl edition of four solid bangers. Dark and heavy basslines, powerful percussions and proper techno groove is the recipe for this great release.

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Chronicle

12" | 2024 | EU | Original (Curvature)

Realization Colored & Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Making a return to his Chronicle alias for the first time since 2001, Tim Cant brings his unique blend of laid back atmospherics to the Spatial family for the first time with Time and Space on Curvature. Sit back, relax, or dance Chronicle has you covered for either with this welcome return to the scene.

A1 Geosynchronous Getting straight to business with an intro of thick Hot Pants breaks, Geosynchronous sees Chronicle bring his unique take on atmospherics to Curvature in welcome style. An early breakdown with synths and subtle melodies is followed by a dreamy layer of two step amens and 808 basslines, completing a collage of beats as the increasingly memorable melodies slowly weave their story throughout the track.

A2 Life On Earth A dream like, reflective affair is up next with Life On Earth Chronicle returning to the late 90s vibe of the moniker with a plethora of classic FX, vocal samples and long constant synthwork cascading above. Utilising a simple but effective core melody, danceable two step breaks and layers of detail that would fit in any retrospective set from the Progression Sessions era to the modern renaissance, this is one to savour.

B1 Future Fragments A real treat for fans of synthy, sci fi tinged atmospheric goodness from eras gone by as Chronicle transports you to 99 Shepherds Bush Empire you had to be there now you can be with a track that encapsulates the era perfectly. Drizzling the mix with frequent echoing effects and washes of spacey synths and pads over an earworm melody not to mention the crisp rolling breaks this is a versatile and enduring track youll keep going back to.

B2 Nostradamus Closing out the EP, we have Nostradamus which opens lightly with hi hats and airy padwork before finely edited old school breakwork injects energy to the mix. The breaks build with additional elements creating a very danceable and rhythmic loop, punctuated by a catchy melody. One sample proclaims The Future Is Power - if its in the hands of producers like Chronicle, effortlessly channeling the past with a modern twist, we know we are in good hands.

Words by Chris Hayes Spatial Red Mist

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Eusebeia

12" | 2024 | EU | Original (Curvature)

Our Thang / Phungry Purple Label Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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No stranger to the Spatial family following the release of his excellent Age of Awareness EP back in 2023, Eusebeia brings his eclectic breakbeat driven vibes to sister label Curvature for an EP spanning a variety of energies with a free-spirited approach to drum patterns and atmosphere you wont want to miss.

A1 Set In Motion Shimmering melodic keys and light hi hats quietly introduce Set In Motion, as Eusebeia takes a laid back opening approach to his Curvature debut. Clean, wandering breaks enter the mix and develop continually, as a subtly used, luscious female vocal greets the listener with a curiously soothing vibe. Following the breakdown, a deep, pounding bassline punctuates skillful synthwork riddled with intrigue and atmosphere to round off a unique, eclectic track.

A2 In Perpetuum Stepping things up with a doggedly breakbeat focus, In Perpetuum is an energetic piece with an opening backdrop akin to an aging printer being coaxed back to life, before an echoed vocal welcomes hyperactive, rasping breaks, edited and chopped with the scintillating talent we have come to expect from Eusebeia. The latter half of the track changes up the vibe slightly with inquisitive padwork gliding above the omnipresent edits.

B1 Flow State Subtle cowbell style cymbals and gentle melodies introduce Flow State, before an inimitable duality of old school atmospheric breaks pass the baton repeatedly through the track in typically impactful style from Eusebeia. The melodies and an understated bassline wrapped around kickdrums continues through the various phrases before the beats depart, leaving the listener to reflect on a truly captivating track just as the title suggests.

B2 The Cure For What Ails You Reverberating percussion and classic whale sounds instantly grasp your attention before ominous 808 bass ushers in a thunderous helping of pure amen pleasure sent straight from the old school - edited and programmed to perfection by Eusebeia with a finesse seldom seen in modern production. Dense kickdrums vibe perfectly with the highs and mids of a track destined to headline many an atmospheric junglists set.

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Jorun Bombay

7" | 2024 | UK | Original (Soundweight)

12,99 €*

Our Thang / Phungry Red Label Edition

Release: 2024 / UK – Original

Genre: Hip Hop

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"Our Thang" is the instrumental revisit of a classic JB funk tune with extra guitar work,
trombone solo and vibraphone (courtesy of Jorun's "Espressolites" band) giving the tune
a new breath of life and color. A must have for the 45 collectors.

"Phungry" instrumentally combines a 90's Hip Hop classic together with reggae vocals
in the same musical key. You never heard it like this before!
The perfect addition to your record crate that will sit comfortably next to your original version
of "Passing me By" and will musically blend perfectly with it.

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Jorun Bombay

7" | 2024 | UK | Original (Soundweight)

12,99 €*

7" | 2024 | UK (Heat Rock)

Release: 2024 / UK – Original

Genre: Hip Hop

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Altered Tapes

T Turns It Up

LP | 2024 | US | Original (Nature Sounds)

Release: 2024 / UK

Genre: Hip Hop

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Next up in the Heat Rock catalog! For HR-020, Altered Tapes (Chicago) and Platurn (Bay Area) offer a double dose of Marvin from his classic blaxploitation soundtrack. Already a b-boy classic in its original form, Altered Tapes decided to turn up the b-boy dial even more with a flip centered around a heavy drum break for Side A. While over on Side B, Platurn offers us an extended, DJ-friendly, stemmed-out version that holds more true to Marvin's take while also adding all the flavor we wish the OG had! Both are guaranteed to make you bounce.

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Your Old Droog

Movie

36,99 €*

Release: 2024 / US – Original

Genre: Hip Hop

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12" | 2024 | EU | Original (Cécille)

Easttown

Timeless EP

Charlie Brown Thanksgiving Purple Jelly Bean Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mid October welcomes the return of Amsterdam’s Easttown to Cécille with a fresh five- tracker entitled the ‘Timeless’ EP. Dutch producer and DJ Easttown has been rapidly gaining recognition in the house music scene with his signature blend of sample-rich, disco-infused house. His tracks have been featured on renowned labels like Franky Rizardo’s LTF Records, Folamour’s House Of Love, and most notably Cécille, where he made a splash in April this year with his “Chaos” EP. The release garnered widespread acclaim and heavy rotation from top-tier artists such as Marco Carola, Fleur Shore, Franky Rizardo, Pawsa, and Dennis Cruz. With such a strong debut, there’s every reason to keep an eye out for the follow-up to his most successful release to date. Title-cut ‘Timeless’ leads with an amalgamation of swirling, intertwined synth lines, chuggy bass tones, sweeping filters and breathy vocals running atop a bouncy organic drum groove. ‘Phunky’ follows and as the name would suggest infuses a funk energy via to a snaking bass groove, intricate congas and choppy guitar hits. On the flip-side, ‘Slipstream’ strips things back to crisp drums, a bouncy bass groove, and fluttering arpeggios intertwined with plucked bass notes and chord stabs. ‘Wavy’ then concludes the vinyl release on a more Disco House tip with airy keys, groovy bass licks and low-slung drums.

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Vince Guaraldi

LP | 2024 | US | Original (LMFP)

Release: 2024 / US – Original

Genre: Soundtracks

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Make Italo Disco Great Again Volume 4

12" | 2024 | EU | Original (Cracki)

LP | 2014 | US | Reissue (Get On Down)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Parisian label Cracki Records has teamed up once again with Hong Kong label Fauve Records, headed by producer and DJ Romain FX, for a new compilation entitled “Make Italo Disco Great Again Vol. IV”! Following in the footsteps of Coeo, Arash & Quasar, Tre Turner, Maltitz and Mangabey, this new album continues to give the floor to artists from all over the world (Ireland, Korea, Mexico, Germany...) to share their vision of the unique genre of Italo disco. With contributions from Mystery Affair, Shubostar, Sara Miller, Cole, Maltitz and Romain FX.

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Wiz Khalifa

Blacc Hollywood

40,99 €*

Release: 2014 / US – Reissue

Genre: Hip Hop

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LP | 2024 | Original (Mamita)

Amparanoia

El Poder Del Machin

Release: 2024 / Original

Genre: Organic Grooves

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Amparanoia & Artistas Del Gremio

Fan Fan Fanfarria

LP | 2024 | Original (Mamita)

Release: 2024 / Original

Genre: Organic Grooves

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The Low End Theory Vinyl Me, Please Edition

A Tribe Called Quest

2LP | 1991 | US | Reissue (Vinyl Me, Please)

43,99 €*

Hootenanny Vinyl Me, Please Edition

Release: 1991 / US – Reissue

Genre: Hip Hop

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The Low End Theory is the second studio album by A Tribe Called Quest, released on September 24, 1991. Widely regarded as one of the greatest hip-hop albums of all time, it marked a significant moment in the genre, blending elements of jazz with boom-bap beats, and pioneering what would become the cornerstone of alternative hip-hop.

The album is known for its innovative fusion of jazz samples with minimalist hip-hop beats, creating a sound that was both sophisticated and accessible. Unlike the dense, layered production of many contemporary hip-hop records, The Low End Theory focuses on space and simplicity, with deep basslines and crisp drum patterns.
Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) trade verses over the jazzy instrumentals, creating a unique vocal dynamic, where Q-Tip’s smooth, philosophical tone contrasts with Phife Dawg’s more playful, energetic style.
Ali Shaheed Muhammad handled the DJing and production, contributing to the overall smooth, laid-back vibe of the album.

Lyrically, The Low End Theory covers a wide range of topics, including Afrocentricity, Black identity, the music industry, and the state of hip-hop culture at the time.
The album is both introspective and socially conscious, with songs like “Excursions” reflecting on the evolution of hip-hop and its roots in jazz, while “Check the Rhime” is a more playful celebration of the group’s rise in the rap scene.
“Jazz (We’ve Got)” explicitly pays homage to the connection between hip-hop and jazz, reinforcing the album’s central theme of blending the two genres.

"Excursions" – The opening track, which features Q-Tip reflecting on the history of music and the parallels between jazz and hip-hop. It sets the tone for the album’s jazz-influenced sound.
"Check the Rhime" – One of the album’s lead singles, this track is an upbeat, braggadocious song that showcases the chemistry between Q-Tip and Phife Dawg, with its catchy hook and memorable horn sample.
"Scenario" – A high-energy posse cut featuring Leaders of the New School, including a young Busta Rhymes, who delivers one of his most iconic verses. The song is a standout due to its explosive energy and rapid-fire lyricism.
"Jazz (We’ve Got)" – This track serves as a tribute to the connection between jazz and hip-hop, with a smooth, mellow beat that perfectly complements Q-Tip and Phife Dawg’s lyrical flows.
"Butter" – A Phife Dawg showcase, this track finds him reflecting on relationships with wit and humor, over a funky, bass-heavy beat.

The Low End Theory was not just a commercial success, reaching #45 on the Billboard 200, but it also had a profound influence on the direction of 90s hip-hop. Its emphasis on live instrumentation and jazz influences inspired countless artists, including The Roots, Common, and Kendrick Lamar.
The album is widely considered one of the best hip-hop albums of all time, often appearing in "greatest albums" lists. It was instrumental in defining the alternative rap movement and proved that hip-hop could be both musically sophisticated and commercially viable.
The fusion of jazz and hip-hop on The Low End Theory created a template for the genre’s future evolution, especially with its influence on the development of neo-soul and jazz rap in the following years.

The Low End Theory is a landmark album that changed the landscape of hip-hop. Its minimalist production, jazz influences, and thoughtful lyricism continue to resonate today, and its impact on the genre remains undeniable. A Tribe Called Quest created a timeless record that pushed the boundaries of hip-hop, showing that the genre could be introspective, artistic, and intellectually engaging while still maintaining mass appeal.

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The Replacements

LP | 1983 | US | Reissue (Vinyl Me, Please)

33,99 €*

12" | 2024 | EU | Original (Les Disques Du Crochet)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
The Replacements built an entire career out of rebelling, reacting and kicking against the pricks. And they never kicked harder than on their 1983 album Hootenanny — a stylistic free-for-all that would mark the band’s true artistic departure point.

Crucially, though, it would be Hootenanny that freed the band from its early punk trappings and set them loose. Even though they’d assimilated a variety of genres on the record, Westerberg would note proudly that Hootenanny was “the first album that sounds just like us. The first one, I think, that is our style.”

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Pierre Chiffonnier

Fortune

Doors Hq 45 Rpm 200g Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Pierre Chiffonnier (author, composer, and performer) borrows elements from pop, electronic music, jazz, and traditional French chanson to create his debut album featuring many instrumentalists. At the crossroads of the concept album and the musical tale, "Fortune" is a unique and multifaceted assemblage, produced by zerolex and influenced by Flavien Berger, Bertrand Belin, Jacques, whose lyrics are inspired by the myth of the ragpicker.

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Doors

2LP | 2018 | US | Reissue (Analogue Productions)

75,99 €*

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Orange 9mm Yellow Eco-Vinyl Edition

Orange 9mm

LP | 1994 | US | Reissue (Revelation)

El Chicotazo / Matando Los Chivos

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Orange 9mm was formed by vocalist Chaka Malik (burn) in 1992 with Chris Traynor on guitar, Eric Rice on bass, and Larry Gorman on drums. The hardcore rhythm outfit are self-described as a result of being “happy and pissed off at the same time and playing at the moment.” Orange 9mm went on to release two full-lengths on major labels East West and Atlantic, releasing videos, and touring with bands such as Quicksand, Biohazard, Deftones, and more.

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Sylvia De Grasse

7" | 2024 | US | Original (Devin's 7s)

21,99 €*

Marvel Cinema & 88 Katanas

Release: 2024 / US – Original

Genre: Organic Grooves

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An absolute Banger from Ms. De Grasse’s 1959 LP La Cita.

I first got hip to her a few years ago on the @Panama45s account on instagram a few years ago with the title track from that album and was instantly taken with her voice—it’s fucking killer. And not that it matters, but she happens to have been stunning as well. I found a copy that’s been in heavy rotation ever since at my house and found myself wishing that I had 'El Chicotazo' on 7-inch. She was one of the first on my long list of dream 7s to put out, and I can’t front; I got a little emotional when I heard back from the amazing folks at Ansonia Records that they were willing to work with me on this.

The flip side is 'Matando Los Chivos', another smash hit in my opinion. A very similar rhythm but a slightly different vibe, and would probably mix very well, should you be so inclined to do so."—Devin

Limited run of 500 copies.

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Titanium Blade EP

12" | 2024 | UK | Original (Over/Shadow)

12" | 2024 | EU | Original (Major Keys)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Marvel Cinema and 88 Katanas debut on Over/Shadow.The Berlin and New York based producers exquisite takeon Jungle / DnB can be heard throughout this 4 track EP.

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Gary Bartz

Music Is My Sanctuary

Release: 2024 / EU – Original

Genre: Organic Grooves

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12" | 1981 | UK | Reissue (Panorama)

Haze

Jazz Carnival

12" | 2024 | UK | Original (Hell Yeah)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Back in 1981 Haze were a band consistently touring the south west of England, rocking shows from Torquay, Exeter and slightly further beyond, their release, recorded to campaign to save milk bottle tops for the local disabled school, did quite well.

On the record is a few classics, a cover of Johnny Cash, a cover of Abba, a cover of… Azymuth? Yep, the trio from Rio made an impression on Tony Ridley as he took it to the band to include on their record.

For 43 years their version hasn’t even graced youtube, and with only 3 wants at the time of writing on discogs this version truly did get lost along the way. Now Panorama unearth this gem in their trademark 7inch format, from Rio to Torquay - Haze knew how to jazz funk.

Panorama Records is a newly established label based in London, is dedicated to rediscovering and showcasing musical gems with a fresh approach. With early support from notable DJs such as Gilles Peterson, Patrick Forge, Rainer Trueby, Mr Bongo DJs and Zag Erlat from My Analog Journal. Their unique take on Jazz and Funk from the further afield has shown they will become trailblazers in the reissue game for a long time.

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Calm

Before Remixes

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Calm's superb Before album is the gift that keeps on giving as Hell Yeah serves up a collection of the best remixes from it. Willie Graff, Gallo and Aura Safari all step up on a fresh 12" that lands this summer.

Before arrived on double vinyl in 2022 after a CD-only release in Japan in 2021. Since then it has become a Balearic mainstay and go-to record for lovers of lavish downtempo sounds. Now, remixes of three tracks from it all appear on this one record with Ibirican-American Willie Graff going first. He is a deep house don who has held several key residencies around the world while dropping his sublime sounds on the likes of Leng, Music For Dreams and many more. His remix of 'I Love You' is a gloriously horizontal one with blissful piano keys rippling over the bubbly drums and bass. Yearning reed melodies add an emotional romantic edge to make this a standout in any setting. Then comes Gallo, the Balearic Gabba Sound System member and resident at Berlin Balearic nightspot Buena Onda. His 'Tropical Hinterhof' remix of 'I Love You' is expertly exotic and soothing as mellifluous keys rain down over a groove as smooth as silk. It's a heart-achingly beautiful sound that will make for truly special moments on the dance floor.

Italian collective Aura Safari then offers two different remixes. They are master musicians who have served up a superb double album Islands Dreams here in late 2023 where they showcased their escapist blend of dub, jazz, Afro-cosmic, Balearica and boogie. First up, 'Feel It' (Aura Safari Desert mix) is six minutes of oriental melody over loose drums. There's a playful feel to the dancing piano keys and richness in the percussion that makes this one a sophisticated sound for both early evening warm-ups or moments of late-night reflection. 'Kunpoo' (Aura Safari Daydream mix) has a nineties feel with its gentle breaks, hypnotic string loops, and sustained chords. They break over you in gentle rays of earth and euphoria to ensure utterly blissed-out results.

These four versions all bring sophisticated dance floor energy to the timeless originals.

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12" | 2024 | UK | Original (A Lifetime On The Hips)

Killowat Hour Va

12" | 2024 | UK | Original (Razor-N-Tape Reserve)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Sub-label to the ever-flourishing Semi Delicious and the brainchild of Demi Riquisimo - A Lifetme On The Hips returns for VA number five – the biggest one to date – releasing on 4th October.

Featuring singles from L.P. Rhythm, Mad.Again, and Rokar, this VA effortlessly bridges the gap between raw, peak-time club hitters and deeper, more introspective cuts—all designed to keep the dance floor grooving.

Hips005 delivers six gritty, no-nonsense club tracks, making it a dream release for any dedicated raver. With a tracklist that includes both familiar names and emerging talent, this latest VA encapsulates the label's unwavering dedication to pushing the finest in electronic music.

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Megatronic

Do I Belong To You EP

LP | 2015 | WW | Reissue (Mexican Summer)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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UK-born, Lisbon-based DJ, Producer, Songwriter, and activist Megatronic joins the RNT roster with her ‘Do I Belong To You?’ EP, a bold statement of her soulful and visionary sound. Side A opens with the deeply emotive ’The World’ featuring soulful and melancholic vocals by Stavros, then moves to the pulsating and freewheeling groove of Nuffin’ But Love (co-produced by Jitwam) and finishes with the jazzy vibes of Organic, with Meg’s sultry spoken poetry floating over live instrumentation. On the flip side two superlative remixes by heavyweights Jimpster and Kiko Navarro take Meg’s music straight to the dance floor, with Jimpster bringing is his signature lush deep textures to ‘Been Thinking’ (the original of which is available as part of the digi EP only) and Kiko delivering an acid afro-house banger of a mix on ‘The World.’ A gorgeous listen from beginning to end, this EP captures a sound that feels both classic and futuristic all at once-

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Weyes Blood

Cardamom Times

24,99 €*

Release: 2015 / WW – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (Def Jam)

Kanye West

Jesus Is King

36,99 €*

Release: 2020 / US – Original

Genre: Hip Hop

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Dat Tapes Volume 02 Blue Marbled Vinyl Edition

Nuron

2xLP | 2024 | EU | Original (De:tuned)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Radiant Ep Red Marbled Vinyl Edition

Dbfb

12" | 2024 | EU | Original (Planet Rhythm)

13,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Overview Music)

Koherent

Grunge EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Hayes)

Adlas

Nothing Else To Go By

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sound Synthesis / Acidulant / Raim

The Electro Guilde II

12" | 2024 | EU | Original (Zodiak Commune)