Vinyl, CD & Tape 1553 Items

Psychicemotus Verve By Request Edition

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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"The Blue Yusef Lateef" - Yusef Lateef (ts, fl, perc, voc); Sonny Red (as); Blue Mitchell (tp); Kenny Burrell (g); Hugh Lawson (p); Buddy Lucas (hca); Cecil McBee, Bob Cranshaw (b); Roy Brooks (dr); strings and vocal group

Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also – as in this case – in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next.
On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. "Juba Juba" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef’s plaintive flute and background voices singing »freedom, freedom, freedom«. After such a gloomy beginning the classical blues number "Like It Is" comes over like a breath of fresh air, with its superb string quartet as the foundation. The R&B contributions on the other tracks testify to Lateef’s skilled excursions into the realm of the blues, while the truly adventurous tracks such as "Back Home" and the mystic, Chinese odyssey "Moon Cup" weave a magical net of sheer pleasure. "The Blue Yusef Lateef" is in every possible way absolutely breathtaking. It is a milestone as a jazz album. As a blues album it is quite unique. But as a musical work of art it is a glorious and genial masterpiece.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: April 1968 in RCA Studios, New York City by Ray Hall
Production: Joel Dorn

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Yusef Lateef

LP | 1966 | EU | Reissue (Impulse)

35,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Survival Research)

Yusef Lateef

Jazz Mood

LP | 1967 | US | Original (Brunswick)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A multi-instrumentalist who reconfigured jazz many times during his long career, Yusef Lateef came to prominence in the late 1950s, after having toured with Dizzy Gillespie. Jazz Mood dates from 1957, when his Quintet had some of Detroit's finest, including Alice Coltrane's brother Ernest Farrow on bass and future Jazz Messenger Curtis Fuller on trombone. The use of an argol on 'Metaphor' and a rabat and finger cymbals on 'Morning' point to Lateef's Islamic grounding and his belief that music serves a higher purpose; this edition has bonus track 'Passion,' from the equally excellent Before Dawn. Rich, deep, and varied, this is required listening for all serious jazz heads.

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Young Holt Unlimited

On Stage

13,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1968 | EU | Reissue (Lion / Groovie)

Yays & Nays

22,99 €*

Five Live Yardbirds Record Store Day 2024 Red Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Monster rare USA private pressing from 1968, rated with 6 stars in the Hans Pokora 3001 Record Collector's Dreams book. The Yays & Nays were a groovy, hip group (says so on the original LP jacket!) comprised of three guys and three girls. Theirs is a truly unique sounding album, full of creative songwriting and vocal arrangements and a style that defies categorization. There's garage folk-rock-the opening track 'Gotta Keep Traveling' is really astounding!, tracks with vocals in a kind of 'Kicking Against the Pricks"-era Nick Cave-channelling-Tony-Joe-White-meets-Johnny Cash vein, a little country flair, and some cuts of an ''Incredible Strange Music'' type. Weird and wonderful, in it's own peculiar way. Reissued for the first time, in collaboration with band members, and with original artwork.

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Yardbirds

LP | 1964 | US | Reissue (Culture Factory)

39,99 €*

LP | 1964 | US | Reissue (Vee Jay)

Release: 1964 / US – Reissue

Genre: Rock & Indie

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Five Live Yardbirds – 1964, their first live album contains some of Eric Clapton's earliest recordings. It was recorded at the legendary Marquee club in London. This lineup features Eric Clapton/lead guitar, Keith Relf/ lead vocals & harmonica, Chris Dreja/ rhythm guitar, Paul Samwell-Smith/bass and Jim McCarty/drums. This deluxe package includes color vinyl, an OBI side spine and printed inner sleeve.

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Wynton Kelly

Kelly Great

23,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | EU | Reissue (Wah Wah)

Wynder K. Frog

Sunshine Super Frog

20,99 €*

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Wynder K. Frog

Out Of The Frying Pan

20,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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The Sound Of Wilson Pickett

LP | 1967 | US | Original (Atlantic)

3,59 €* 5,99 € -40%

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl with many scuffs and hairlines

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The Exciting Wilson Pickett Crystal Clear Vinyl Edition

LP | 1966 | UK | Reissue (Rhino Atlantic)

38,99 €*

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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The Exciting Wilson Pickett

LP | 1966 | EU | Reissue (Rhino)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Best Of Wilson Pickett Volume Two

LP | 1967 | US | Reissue (Friday Music)

43,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Please Don't Go / My Heart Remembers Record Store Day 2023 Edition

Willie Tee

7" | 1967 | UK | Reissue (Nola)

LP | 1968 | US | Original (Hi)

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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First official reissue of this essential and insanely rare Willie Tee double sider. New Orleans gold from the Nola vaults, the A side ‘Please Don’t Go’ is a certified Northern Soul classic with the flip a fantastic smokey, low slung soulful number that’s become a real collector’s favourite. With original copies having traded hands for £1800 in the past, it’s high time this was made available to a new generation of listeners. Red label version original black sleeve.

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Willie Mitchell

On Top

6,99 €*

LP | 1968 | US | Reissue (Craft)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Cover has tape residue on front cover.

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Willie Colón

Hustler

35,99 €*

7" | 1967 | EU | Reissue (Guerssen)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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HIS CLASSIC SECOND ALBUM WITH HECTOR LAVOE AS LEAD VOCALIST AND IT SET THE PATH FOR BOTH MEN AS ONE OF THE GREATEST SALSA DUOS IN HISTORY.

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William Penn Fyve

Swami / Blow My Mind

West Coast Pop Art Experimental Band

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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First ever band-sanctioned reissue of this legendary ‘Pebbles’ garage-psych 45 from 1967. William Penn Fyve aka William Penn & His Pals were a regular presence on the early Bay Area scene, opening for the likes of Jefferson Airplane, Paul Revere & the Raiders and Them. Their line–up included lead singer / organist Gregg Rolie, later of Santana / Journey. In 1966 they recorded their lone single, "Swami" / “Blow My Mind”, for the Thunderbird label. The A-side (written by guitar player Mike Shapiro and famous for being included on “Pebbles-The Acid Gallery”) is early acid-punk with fuzzed-out raga guitars and hilarious lyrics about a guru. The flipside is an energetic garage-punk number with swirling Vox organ and a fuzz rave up á la Yardbirds.

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Volume 2 Mono Edition Colored Vinyl Edition

LP | 1967 | US | Reissue (Jackpot)

32,99 €*

West Coast Pop Art Experimental Band

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Released in 1967 on Reprise Records as a follow-up to 'Part One', 'Vol. 2' (the band's third LP!) takes the band into more ambitious and psychedelic territory than the '66 debut on Fifo Records and the first Reprise full-length, 'Vol. 2' maintains their unique pop sound mixed with ominous fuzz guitar, jumping from graceful folk-rock to wailing guitar freakouts, to multilayered avant-garde compositions at a moment's notice. This legendary LP sees its first ever reissue in mono, with sound taken from the original master tapes.

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Part One Mono Edition Colored Vinyl Edition

LP | 1967 | US | Reissue (Jackpot)

West Coast Pop Art Experimental Band

Release: 1967 / US – Reissue

Genre: Pop

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Formed in Los Angeles in 1965, The West Coast Pop Art Experimental Band was considered by many to be Calfornia's answer to the Velvet Underground. The group created psych/rock music that was both fragile and dreamy. 'Part One' (the band's second LP!) was originally released in 1967 on Frank Sinatra's Reprise Records. Though band leader Bob Markley and his companions didn't achieve the fame or notoriety of other bands from the area, they have nonetheless achieved cult status among collectors. For the first time, this legendary records gets reissued in MONO, with sound from the original master tapes.

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Part One Mono Edition

LP | 1967 | US | Reissue (Jackpot)

Release: 1967 / US – Reissue

Genre: Pop

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The Best Of Wes Montgomery

LP | 1968 | US | Original (Riverside)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original. storage and seam wear

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LP | 1961 | EU | Reissue (Jazz Wax)

So Much Guitar!

18,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Original (Verve)

Movin' Wes

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Original (Verve)

Movin' Wes

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing.

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LP | 1964 | US | Original (Verve)

Movin' Wes

15,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Seam split. Original US mono pressing.

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LP | 1967 | EU | Reissue (Elemental)

California Dreaming

30,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Released in 1967, California Dreaming was Wes Montgomery's last album for Verve (other than an exciting collaboration with Jimmy Smith). It’s an extraordinary orchestral date featuring arrangements by Don Sebesky that showcases soloists such as pianist Herbie Hancock and percussionist Ray Barretto. The songs (which include "Sunny" and the title tune "California Dreaming") are in this case mostly pop material of the era, from which the great performer extracts magic sounds. The album reached No. 1 on the Billboard jazz album chart and No. 4 on the R&B chart, and was one of the last great works by Montgomery, whose later guitar style influenced jazz fusion and smooth jazz. At the peak of his popularity, the guitarist unexpectedly died of a heart attack on June 15, 1968, at the age of 45.

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LP | 1967 | US | Original (Verve)

California Dreaming

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy is close to VG+

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LP | 1966 | JP | Reissue (Verve)

California Dreaming

Release: 1966 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1977 reissue. Cover and vinyl are close to NM. With insert. OBI is missing.

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LP | 1967 | EU | Reissue (Elemental)

A Day In The Life

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Reissue of the debut album on A&M Records by jazz guitarist Wes Montgomery, released in 1967. It reached #1 on the Billboard Jazz Album chart and #2 on the R&B chart. Considered by far the best of his three albums on A&M (in partnership with Creed Taylor’s CTI Records), A Day in the Life features a plethora of star sidemen, such as Herbie Hancock, Ron Carter, Ray Barretto, and Grady Tate, among others, as well as superb arrangements by Don Sebesky. The LP was masterfully engineered by Rudy Van Gelder.

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LP | 1967 | JP | Reissue (A&M)

A Day In The Life

16,99 €*

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI! Gatefold cover is close to VG+ and the record is close to VG!

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LP | 1967 | US | Original (A&M)

A Day In The Life

LP | 1966 | US | Original (Blue Note)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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Wayne Shorter

The All Seeing Eye

49,99 €*

Speak No Evil Blue Vinyl Edition

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many marks, scuffs, hairlines and deeper scratches, plays with grainy background noise. Cover with completely open top and bottom spine, shelf wear

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Wayne Shorter

LP | 1964 | EU | Reissue (Blue Note)

28,99 €*

LP | 1964 | Reissue (Blue Note)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”

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Wayne Shorter

Juju

28,99 €*

Release: 1964 / Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (Verve)

Walter Wanderley Trio

Cheganca

With A Little Help From My Friends

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Gatefold cover has a damaged corner, drill hole in bottom left corner. Vinyl side 1 is VG+. Original US pressing.

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Volker Kriegel

LP | 1968 | EU | Reissue (Cinedelic)

23,99 €*

Oh, Good Grief! - 50th Anniversary Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Volker Kriegel is considered the pioneering Jazz-rock and Fusion guitarist from Europe. 1968 was a crucial year for his career as he released "With A Little Help From My Friends," his first solo album, and signed with American vibraphonist Dave Pike, joining what would quickly emerge as one of the most popular and influential jazz fusion combos. This precious document reissued for the first time by Cinedelic Jazz with bonus tracks highlights all his qualities that enabled him to become one of the most acclaimed and innovative guitarists in European jazz. The original album included two recording sessions; Side A in Cologne and Side B in Frankfurt, with different performers. Side A as a trio with double bass and drums, and on the other with the addition of vibraphonist Claudio Szenkar. The covers performed are the two by Lennon-McCartney 'With A Little Help From My Friends' and 'Norwegian Wood’, and the traditional Brazilian 'Nãnã Imborô'. Added to the original album are four previously unreleased tracks of great depth recorded at the Deutsches Jazz Festival in Frankfurt in 1968: "Teaming Up" and "Vian-De" by Kriegel himself, "Spanish Soul" by Szenkar and "Nina's Dance" lasting over 9 minutes and featuring Tony Scott on Clarinet and Gustl Mayr on Tenor Sax. Over the years, Kriegel would go on to participate in over 200 albums.

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Vince Guaraldi

LP | 1968 | US | Reissue (Omnivore)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Love Me With All Your Heart

Victor Feldman

LP | 1964 | US | Original (Vee Jay)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

White light / white heat Purple Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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140 gram clear purple vinyl reissue!

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White light / white heat

20,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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reissue on 180g vinyl with three bonus tracks

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2LP | 1967 | US | Reissue (Polydor)

White Light / White Heat

48,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The Velvet Underground & Nico

Astral Weeks Limited Olive-Green Vinyl Edition w/ Obi

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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... one of the greatest albums of all time! ... 180 gram vinyl with bonus track 'chelsea girls'

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Van Morrison

LP | 1968 | EU | Reissue (Warner)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Astral Weeks Limited Olive-Green Vinyl Edition

Van Morrison

LP | 1968 | EU | Reissue (Warner)

22,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Rhino)

Van Morrison

Astral Weeks

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Original (Atlantic)

The Super Hits Vol. 2

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1967 | US | Reissue (Atlantic)

The Super Hits

7,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split on bottom spine. Vinyl with scuffs and hairlines

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LP | 1961 | US | Original (Riverside)

The Soul Of Jazz - 1961

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover has splits in seams.

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LP | 1966 | US | Original (VSP)

The Art Of The Ballad

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Punch hole, slightly stained cover.

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LP | 1966 | DE | Original (Star-Club)

Sweet Beat

57,99 €*

Release: 1966 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with long open seam split on bottom spine and punch hole.

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LP | 1966 | US | Reissue (Sue Records Inc.)

Sue Old Goodies

11,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with ring wear

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Stereo Demonstration Record

7" | 1964 | JP | Original (Victor)

4,99 €*

Release: 1964 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover slightly yellowed.

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Special Pink Mood Deluxe = スペシャル・ピンク・ムード・デラックス

2LP | 1968 | JP | Original (Victor)

33,99 €*

Release: 1968 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI!

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LP | 1968 | JP | Original (Atlantic)

Solid Gold Soul Vol. 4

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Rural Blues Vol 1: Goin' Up The Country

LP | 1968 | US | Original (Imperial)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Riot On Sunset Strip

LP | 1967 | EU (Sparton)

17,99 €*

Release: 1967 / EU

Genre: Rock & Indie, Soundtracks

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Rhythm 'N' Blues Volume 1: The End Of An Era

LP | 1968 | US | Original (Imperial)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | ES | Original (Marfer)

Puerto De La Cruz

7,99 €*

Release: 1966 / ES – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Presenting...The James Brown Show

LP | 1967 | US | Original (Smash)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines. Cover with long open seam splits

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LP | 1962 | EU | Reissue (Dialogo)

Passaporto Per L'italia

58,19 €* 96,99 € -40%

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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OST West Side Story Gold Vinyl Edition

2LP | 1961 | EU | Reissue (Music On Vinyl)

39,99 €*

Release: 1961 / EU – Reissue

Genre: Soundtracks

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180 gram audiophile vinyl / Gatefold sleeve.
West Side Story is the soundtrack to the 1961 film by the same name. All music is composed by Leonard Bernstein and lyrics written by Stephen Sondheim. When released, the soundtrack spent 54 weeks at No.1 on Billboard’s album charts, giving it the longest run at No.1 of any album in history. Perhaps Michael Jackson’s Thriller comes close, on the grounds that West Side Story was listed on a chart for stereo albums only at a time when many albums were recorded in mono. During the Grammy Awards of 1962, it won Best Sound Track Album - Original Cast and Best Large Ensemble Jazz Album for Johnny Richards’ orchestrations of the movie score. These successes bolstered the popularity of the movie and soundtrack even further. In the United States, it was the best-selling album of the 1960s, certifying three times Platinum in over two decades. West Side Story includes 4 bonus tracks, “Overture”, “Intermission Music”, “Finale (Somewhere)” and “End Credits”. This 2LP-set is available as a limited edition on gold coloured vinyl, housed in a gatefold sleeve.

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OST How The West Was Won = 西部開拓史

LP | 1962 | JP | Original (MGM)

Release: 1962 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Includes original insert.

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LP | 1968 | US | Original (Original Sound)

Oldies But Goodies Vol 9

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Sticker on label.
Record is close to VG+.
Cover with faint ring wear and seam split.

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LP | 1966 | DE | Original (Marcato)

Nichts Für Zarte Seelen

4,99 €*

Release: 1966 / DE – Original

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Original (Vanguard)

Newport Broadside

4,99 €*

Release: 1964 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | GDR | Original (AMIGA)

Modern Jazz Studio Nr. 2

Release: 1966 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1964 | GDR | Original (AMIGA)

Modern Jazz Studio Nr. 1

13,99 €*

Release: 1964 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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2LP | 1961 | JP | Original (Top Rank International)

Modern Jazz Gallery

49,99 €*

Release: 1961 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1964 | US | Original (Limelight)

I/We Had A Ball

12,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Gatefold cover has a taped top spine. Stereo pressing.

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History Of Rhythm & Blues Volume 1: The Roots 1947-52

LP | 1968 | US | Original (Atlantic)

5,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover with long open seam splits

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Giant Instrumental Rhythm & Blues Hits

LP | 1964 | US | Original (Imperial)

12,79 €* 15,99 € -20%

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

tear in top spine. Mono Research Craft Press.

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Georgie Woods Is Back !!!

LP | 1967 | US | Reissue (Lost Nite)

32,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has some marks and hairlines.

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Fantasie In Schwarz-Weiss

LP | 1968 | GDR | Original (AMIGA)

Release: 1968 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cancionero Folklórico De Las Islas Canarias

LP | 1961 | ES | Original (Hispavox)

11,99 €*

Release: 1961 / ES – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Blues That Gave America Soul

LP | 1966 | US | Original (Duke)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines

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Blues That Gave America Soul

LP | 1966 | US | Reissue (MCA)

11,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1980 reissue.

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Blues At Newport (Recorded Live At The Newport Folk Festival 1963)

LP | 1964 | US | Original (Vanguard)

13,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Betthupferl (Kinderlieder Und Geschichten Zur Guten Ruh)

LP | 1967 | DE | Reissue (Europa)

Release: 1967 / DE – Reissue

Genre: Comics, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Reissue. seam split

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Bbc Radiophonic Music Pink Splattered Vinyl Edition

LP | 1968 | UK | Reissue (Silva Screen)

Release: 1968 / UK – Reissue

Genre: Soundtracks

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Battle Of The Groups Vol. II

LP | 1961 | US | Original (End)

6,39 €* 15,99 € -60%

Release: 1961 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear.

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Austrian Folk Music Volume 1 - The Eastern Provinces (Upper Austria, Styria, Lower Austria, Vienna, Burgenland)

LP | 1967 | AT | Reissue (Roots)

Release: 1967 / AT – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Small writing on cover.
Includes booklet.

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An Anthology Of British Blues

LP | 1968 | US | Original (Immediate)

6,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

American Folk Blues Festival 66 - 1

LP | 1968 | GDR | Original (AMIGA)

12,99 €*

Release: 1968 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+. Seam split.

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V.A. - A Country Christmas With Jimmie Davis - Roy Drusky - Red Foley - Bobby Helms - Jimmy Martin - Bill Monroe - Jimmy Newman - Webb Pierce - Ernest Tubb - Kitty Wells - The Wilburn Brothers

A Country Christmas With Jimmie Davis - Roy Drusky - Red Foley - Bobby Helms - Jimmy Martin - Bill Monroe - Jimmy Newman - Webb Pierce - Ernest Tubb - Kitty Wells - The Wilburn Brothers

LP | 1962 | US | Original (Decca)

18,99 €*

Release: 1962 / US – Original

Genre: Rock & Indie, Christmas

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Used Vinyl

Medium: VG, Cover: Generic

Cover is missing.

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A Collection Of Original 16 Big Hits Vol. 8

LP | 1967 | US | Original (Motown)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

tear in spines

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LP | 1966 | FR | Original (Disques Vogue)

52nd Street

How To Blow Your Mind And Have A Freak-Out Party

Release: 1966 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Unfolding

LP | 1967 | Reissue (Real Gone Music)

38,99 €*

Release: 1967 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

My People Were Fair And Had Sky In Their Hair ...

Tyrannosaurus Rex

LP | 1968 | EU (Vinyl Lovers)

Release: 1968 / EU

Genre: Rock & Indie, Pop

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LP | 1968 | EU | Reissue (Bonfire)

Twentieth Century Zoo

Thunder On A Clear Day

28,99 €*

LP | 1968 | GDR | Original (AMIGA)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Strictly limited vinyl reissue of the Arizona rock band's only album, originally released on Vault Records in 1968. A relatively obscure masterpiece, combining psych rock with distinctive elements of acid blues and jazz. Wild jams sensibly influenced by the West Coast sound and much closer to the Nuggets manifesto. Rising from the ashes of the folk-rock outfit The Bittersweets in 1967, the Phoenix musicians were born to take you on an endless journey. Drifting from acid rock to melancholic blues, this fuzzed out gem from the earliest days of the Phoenix Valley rock and roll scene stands as one of the rarest and purest slices of mid-'60s psychedelia around.

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Trocadero Sextett

Musik Für Sie

3,99 €*

Release: 1968 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Overlander Orange Vinyl Edition

Trevor Lucas

LP | 1966 | US | Reissue (Fire)

32,99 €*

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Ultra-rare 1966 solo album by singer/songwriter Trevor Lucas of Fairport Convention, Fotheringay, and Election. This Australian born folk legend recorded his own songs and a handful of covers – mostly solo acoustic, occasionally accompanied by bass, concertina, and fiddle. First ever authorized reissue (by his estate) of this gem.

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LP | 1968 | UK | Reissue (Island)

25,99 €*

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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The second offering from Traffic, October 1968 would be their self titled Album, achieving a strong balance between Dave Mason’s simple and straightforward folk-rock songs and Steve Winwood’s complex and often haunting rock jams would see the album peak in the UK charts at No’9 and No’16 in the US Billboard Chart. Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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No Face, No Name And No Number / Berkshire Poppies

7" | 1968 | FR | Original (Fontana)

5,99 €*

Release: 1968 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Record has hairlines and a few superficial scratches.

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LP | 1967 | UK | Reissue (Island)

Mr Fantasy

25,99 €*

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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After Steve Winwood jumped ship from chart toppers The Spencer Davis Group and quit the bright lights in favour of the countryside and jam sessions with Jim Capaldi, Dave Mason and Chris Wood, in wake of these events Traffic were formed, it was Birmingham, April ,1967. Traffic began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards like the Mellotron and harpsichord, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. Soon after in December 1967 Traffic would release Mr. Fantasy their debut Album on Island records. Rolling Stone called the album “one of the best from any contemporary group” and has become a staple on almost any best album poll from the 20th and 21st centuries!

Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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Mr.Fantasy

LP | 1967 | CS | Original (Supraphon)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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180 gram gatefold cover vinyl reissue incl. various bonus tracks!

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Traditional Jazz Studio

Trrad Trrad

For The Sake Of The Song Vinyl Me, Please Edition

Release: 1967 / CS – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

sticker tear on cover, seam wear

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Townes Van Zandt

LP | 1968 | US | Reissue (Vinyl Me, Please)

35,99 €*

LP | 1961 | US | Reissue (Candid)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.

No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.

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Toshiko Mariano

Toshiko Mariano Quartet

30,99 €*