Vinyl, CD & Tape 5800 Items

Fela Kuti & The Africa 70

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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After JANKO NILOVIC and HARLEM POP TROTTERS, Underdog Records has now reissued MARTIAL SOLAL – Locomotion in a colored vinyl edition. This grooviest French jazz-funk and avant-garde album features Henri Texier and Bernard Lubat, and was originally released in 1974 on the PSI label. A masterpiece!

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Yellow Fever

LP | 1976 | UK | Reissue (Knitting Factory)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Rahni Harris & Family Love

A Different Drummer

LP | 1977 | EU | Reissue (Rain&Shine)

19,99 €*

7" | 1979 | EU | Reissue (Rain&Shine)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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1977, East Hartford, Connecticut. Rahni Harris — a 21 year old reverend and multi-instrumentalist — and his band, ‘Family Love’, were not afraid to embrace their love of R&B and Gospel. They laid down ‘A Different Drummer’ LP - One of the most forward thinking LPs recorded during this period and arguably of all time.
‘Syncopated Love’, 'He’s My Friend’ and ‘Make It Easy’ have been supported by DJs and collectors in the know for many years. Now, Rain&Shine give Rahni’s’ seminal record another lease of life for discerned collectors, DJs and music lovers worldwide!
Remastered with full original artwork.

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Shirley Finney

Pray Again

12,99 €*

LP | 1978 | EU | Reissue (Studio Mule)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Rain&Shine present in 45 format ‘Pray Again’ and ‘Give Your Best To The Master’ two certified dancefloor cuts from Shirley Finney’s 1979 LP. Officially licensed and re-mastered from Savoy reel-to-reel tapes. Shirley Finney is personally involved in this project, and is overjoyed to see her music hot in demand almost 40 years after the original recording. Limited.

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Eiji Nakayama

Aya's Samba

Never For Ever (2018 Remaster)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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One per customer only!

Johnny’s Disk Record is an independent jazz label run by the owner of jazz cafe Kaiunbashi No Johnny located in Rikuzentakata city in Iwate prefecture, Japan. The legendary label released a string of albums of high quality but down-to-earth music, spanning from modern jazz, avant-garde jazz to left-field pop. Albums such as “farewell my johnny / left alone” and “aya’s samba” has reached cult status among fans as some of the best works to come out of the japanese jazz scene. Another japanese jazz classic, Aya’s Samba was a debut effort by bassist Eiji Nakayama, who played as part of elvin jones’ jazz machine and toured with Don Friedman. This album is an important release in the johnny’s disk catalogue, not only because it is the first ever release, but also because the owner hearing the band play was the reason why the label came to be. “Aya’s Samba” is a mellow jazz samba in minor key that’s considered a japanese jazz classic. Slow ballad “yellow living” is drenched in melancholy with emotive keys and sax notes, while the dreamy “sea sea town” impresses with a captivating, expressive sax solo. The 4 tracker ends with “far-away road,” an uptempo tune with rhythmic keys.

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Kate Bush

LP | 1980 | EU | Reissue (Parlophone)

Release: 1980 / EU – Reissue

Genre: Pop

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LP | 1981 | EU | Reissue (Rebirth On Wax)

Louis Xavier

Ladja

Say Yeah / Search For Tomorrow

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1981 in France.. Great compositions here, Jazz with West Indies soul!

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Chain Reaction

7" | 1979 | EU | Reissue (Rain & Shine)

11,99 €*

LP | 1970 | UK | Reissue (Parlophone)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Limited Edition for Record Store Day 2018! Original copies of this beautiful Chain Reaction 7 inch have been changing hands for £500, so this is a true digger's delight.
Exceptional soul from the late 70's which hundreds before have attempted to license to no avail. Lack of trust was a key issue in these pursuits, after 'Say Yeah' was used in a B grade Hollywood movie without permission, alongside record collectors cleaning producer Harold Sargent out of his original 45s before upping them on Ebay for $1000 apiece.
Cue the good people at Rain & Shine, a non-profit organisation based out of New Zealand, who have worked with Chain Reaction directly to license this incredible record properly - returning all net profits to the artists involved.
It really doesn't get much better than this - spiritual stuff! Comes complete with picture sleeve , pressed on black vinyl with a large dinked centre hole.

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Jethro Tull

Stand Up

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Parlophone)

Talk Talk

The Party’s Over

20,99 €*

LP | 1971 | EU | Reissue (RCA)

Release: 1982 / EU – Reissue

Genre: Pop

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Talk Talk's musical journey took them from early 80s synth-pop to early 90s post-rock resulting in a diverse and stimulating legacy. This 1982 release showcases the synth-pop/new wave side to the band. After supporting Duran Duran on their 1981 tour, they released the single Mirror Man, as well as their two UK Top 40 hits Today and Talk Talk – all of which are included amongst other great songs on the album.

Their debut album, The Party's Over was released in 1982 and produced by Colin Thurston, who was a former engineer for David Bowie but was better known for producing Duran Duran's first two albums.
A product of its time, the album is classic synth-pop teamed with lyrical depth that went on to be synonymous with lead singer, Mark Hollis.

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Harry Nilsson

Nilsson Schmilsson

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Underdog)

Janko Nilovic

Funky Tramway

25,99 €*

LP | 1978 | EU | Reissue (Sony)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Following the recent reissues of Pop Impressions, Super America, Soul Impressions, and Chorus, Underdog Records label follows-up to the series with another brilliant album by French underrated composer and producer, JANKO NILOVIC.

JANKO NILOVIC certainly was one of the greatest studio talents of Europe in the 70s!
He is a musician who devotes himself to music, which resulted in a great number of published works, but most of them made for library music labels and also not available for sale.
His oeuvre stretches from classical, jazz and funk to pop, psyche and easy listening. And has been sampled many times by hip-hop artists such as JAY-Z, DRE, DAFUNIKS or GUTS...

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Boney M.

Nightflight To Venus

Release: 1978 / EU – Reissue

Genre: Pop

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Lindenberg Remstered Edition

Udo Lindenberg

LP | 1974 | EU | Reissue (Warner)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | UK | Reissue (Rhino)

George Benson

Breezin'

16,99 €*

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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OST Questo Sporco Mondo Meraviglioso

Piero Umiliani

LP+CD | 1971 | EU | Reissue (Schema)

23,99 €*

LP | 1989 | EU | Reissue (Virgin)

Release: 1971 / EU – Reissue

Genre: Soundtracks

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“Questo sporco mondo meraviglioso” is one of the numerous collaborations between the director Luigi Scattini and
Piero Umiliani, and one of the most interesting and varied soundtracks within the composer’s repertoire. A work full of
influences and musical quotes, with guests and valuable collaborators such as Edda Dell’Orso and I Cantori Moderni di
Alessandro Alessandroni. Some of the songs presented in this album are among his best works.

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Queen

The Miracle

Release: 1989 / EU – Reissue

Genre: Pop

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LP | 1980 | EU | Reissue (Music On Vinyl)

Grover Washington, Jr.

Winelight

Winston Edwards & Blackbeard

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Winelight (1980) is a Grammy Award winning album by revered Jazz musician Grover Washington Jr. It received the Grammy Award for Best Jazz Fusion Performance in 1982. The album also includes the Grammy Award winning hit "Just the Two of Us" sung by Bill Withers.

180g vinyl.

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Dub Conference At 10 Downing Street

LP | 1980 | UK | Reissue (Greensleeves)

LP | 1970 | EU | Reissue (Parlophone)

Release: 1980 / UK – Reissue

Genre: Reggae & Dancehall

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Classic dub album from 1980 re-issued! Ten speaker-shaking Matumbi powered dubs recorded under the Well Pack Band flag. Produced by Winston Edwards and engineered by the legendary Dennis 'Blackbeard' Bovell. "Dub Conference: 10 Downing Street" - this re-release is timed to coincide with the 2015 UK general election.

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Syd Barrett

Madcap Laughs

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | UK | Reissue (Panegyric)

King Crimson

Larks’ Tongues In Aspic

Release: 1973 / UK – Reissue

Genre: Rock & Indie

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LP | 1976 | UK | Reissue (Universal)

Burning Spear

Man In The Hills

Release: 1976 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 1987 | UK | Reissue (Warner)

The Smiths

Strangeways Here We Come

LP | 1979 | EU | Reissue (Warner Music International)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Official remastered reissue on 180 gram wax.

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Triana

Sombra Y Luz

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Week-End)

Joyce

Passarinho Urbano

32,99 €*

LP | 1972 | EU | Reissue (Week-End)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy.

She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reductiveness and intimacy.

For a long time, Passarinho Urbano was considered a secret masterpiece and was highly sought after by record collectors, now Week–End Records is glad to be making it available internationally on vinyl for the first time ever.

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Jards Macale

Jards Macalé

34,99 €*

LP | 1979 | Reissue (Union Square - Salvo)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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THE RECORD IS SHRINK-WRAPPED BUT WAS OPENED DUE TO A SUBSEQUENT STICKER ON THE INSERT!

Jards Macalé’s biography is a testament to the electrifying energy of music and the unwavering spirit of artistic rebellion. Macalé has remained true to his vision, unapologetically embracing the unconventional and challenging the status quo. His music, a conduit of emotion and a mirror to society, continues to weave a sonic tapestry that resonates with the souls of listeners.

In 2022, Macalé celebrated the momentous 50th anniversary of his debut solo album, a groundbreaking masterpiece released by Philips in 1972. This iconic record gifted us timeless tracks such as “Vapor Barato”, “Mal Secreto”, “Farinha do Desprezo”, “Revendo Amigos”, and “Hotel das Estrelas”. Its sheer brilliance united the realms of Brazilian music, infusing samba and bossa nova with the fiery essence of rock, classical harmonies, and the improvisational spirit of jazz. As the years passed, a new generation of musicians and fans discovered this gem, fueling its resurgent popularity and inspiring fresh collaborations.

Last year, Jards Macalé assembled a formidable new band, igniting stages across Brazil with a tour that now sets its sights on Europe. Together with Gui Held on guitar, the Paulo Emmery on bass, and Thomas Harres on drums, Macalé conjures an exhilarating homage to his illustrious body of work. This live performance embodies the untamed spirit and boundless musical freedom that define this visionary artist, transporting audiences to a realm where the past intertwines with the present in a breathtaking display of artistic prowess.

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Madness

One Step Beyond

34,99 €*

Release: 1979 / Reissue

Genre: Reggae & Dancehall

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2LP | 1973 | EU (Blind Faith)

Piero Umiliani

To-Day's Sound

40,99 €*

12" | 1972 | EU | Reissue (Week-End)

Release: 1973 / EU

Genre: Organic Grooves

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The sound of today. A very strong statement. Yet, fifty years later, it remains undisputed. Today’s sound is Piero Umiliani's manifesto, his will to demonstrate to the world that he always has his finger on the pulsating vein of the world, ready to embrace the heartbeat of the future. In the summer of 1973, Piero Umiliani, in his futuristic recording studio in Rome, much like Miles Davis for his 'Bitches Brew,' gathered an extraordinary collective of musicians, both old and new guard to measure themselves against some of his compositions. Besides strongly emphasizing the backbeat, what stands out the most is the timbre provided by his 'electronic instruments,' as he liked to call them. Minimoog, Arp 2600, Fender Rhodes, EMS Vcs3, Clavinet, Lowrey organ, Space Echo, self-built envelope filters—machines impossible to see all together in an Italian recording studio at the time and made available to the musicians. The line-up is stellar; under the name 'Sound Workshoppers,' the 'Wrecking Crew all'Amatriciana' is hidden an impossible mix where Marc 4, Gres and Perigeo are blended, along with a brass section of veterans and pioneers of Italian jazz, all members of the RAI Symphonic Rhythm Orchestra. Comparing the recordings from the original scores, one can also understand the space left by Piero Umiliani for his musicians. They are free to move, to contribute solutions, to enrich the maestro's music. The perfectly preserved original masters, once transferred at the maximum possible sampling frequency, allowed for the recovery of many lost frequencies, restoring brilliance and the remarkable low end expertly captured in recording by engineer Claudio Budassi. Today’s sound was extremely difficult to control and fully render with the mastering technology of that time. Paradoxically, Today's sound could not sound as I have managed to make it sound today: urgent, majestic, more alive than ever.

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Slapp Happy

Sort Of

LP | 1978 | EU | Reissue (Comet)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In 1972, left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he might write some straight songs (relatively speaking), which in turn prompted Moore to invite his old schoolfriend Peter Blegvad over to Hamburg to form the band Slapp Happy. Dagmar Krause, a young singer from Hamburg and Moore‘s girlfriend, joined them both on their trip to Wümme to record what was to become this album, Sort of, using Faust as their rhythm section. In honour of this album ́s 50th anniversary the album will get a nicely remastered reissue with the newly founded Week–End Records –the fetsival‘s inhouse label who managed to get the band together for a final reunion shows in November of 2016 and Spring of 2017.

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Ebo Taylor

Twer Nyame

LP | 1970 | EU | Reissue (Be With)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Ebo Taylor “Twer Nyame” is being reissued on vinyl by Comet Records, pressed on high quality vinyl, with label designs and artwork as per the original release. Originally released in 1978 on Philips-West African-Records. Classic highlife sounds; uptempo grooves, vocals, tons of percussion, guitar, horns and organ lines. Featuring the stand-out ‘Atwer Abroba’. Ebo Taylor is one of Ghana's finest producer/arrangers. Taylor was heavily influential in the unique sound that emerged from the country in the 70's; a combination of traditional Ghanaian with Afro-beat, jazz, and funk rhythms. He worked with bands including Stargazers Band, Broadway Dance Band, Black Star Highlife Band (with Teddy Osei and Sol Amarfio who later joined Osibisa), Apagya Show Band and fellow musicians C.K.Mann, Gyedu-Blay Ambolley and the legendary Pat Thomas.

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Nucleus

Elastic Rock

30,99 €*

Lacksley Castell Prince Jammy

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.

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What A Great Day / Throne Of Blood

7" | 1979 | UK | Reissue (VP / Jammy's)

11,99 €*

Release: 1979 / UK – Reissue

Genre: Reggae & Dancehall

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Journey In Satchidananda Acoustic Sounds Edition

Alice Coltrane

LP | 1971 | EU | Reissue (Impulse)

43,99 €*

Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Alice Coltrane’s Journey in Satchidananda, named for her spiritual adviser Swami Satchidananda, is just that: a journey: one of transition and transcendence; it is one of emotion, and one of being human and of divine flow.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

160,99 €*

Rainbow Team Green Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Rainbow Team

LP | 1981 | EU | Reissue (Full Time)

First True Love Affair Yellow Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Reissue of this disco classic from 1981. Remastered in 2022 and pressed on green vinyl.

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Jimmy Ross

LP | 1981 | EU | Reissue (Full Time)

12" | 1986 | EU | Reissue (Kalita)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Official reissue of this disco classic from 1981. Remastered in 2022 and pressed on yellow vinyl.

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Adelle First

Don't Give Up

17,99 €*

LP | 1974 | US | Reissue (Get On Down)

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Kalita are excited to announce the first ever official reissue of Adelle First's highly sought-after 1986 12" South African boogie single 'Don't Give Up'!

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Shuggie Otis

Inspiration Information

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Neu! Picture Disc Edition

Neu!

LP | 1972 | EU | Reissue (Grönland)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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2LP | 1981 | EU | Reissue (Greensleeves)

Wailing Souls

Fire House Rock Deluxe

32,99 €*

You Make Me Do It Black Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Reggae & Dancehall

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A touchstone LP from the beginning of reggae's 'post-Bob Marley era,’ Wailing Souls’ Fire House Rock was released by Greensleeves in 1981 to enduring acclaim. The title track became Wailing Souls’ most popular, anthemic song. Features production by Henry Junjo Lawes, backing by the Roots Radics with mixes by Scientist.

For the Record Store Day 2022 edition, the original mixes were transferred from reel-to-reel to a pristine 24-bit/96k digital master. These are paired in a deluxe gatefold sleeve with a bonus 12-inch single disc of alternate, extended mixes originally released through VP’s Jah Guidance imprint.

Sticker application; 180g Heavyweight Vinyl Pressing Gatefold sleeve with full-colour Inner Bags featuring rare photos and extensive notes.

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Ago

12" | 1981 | EU | Reissue (Fulltime)

10,99 €*

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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12" | 1981 | EU | Reissue (Fulltime)

Kano

New York Cake

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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See All Her Faces 50th Anniversary Record Store Day 2022 Vinyl Edition

Dusty Springfield

2LP | 1972 | EU | Reissue (UMC)

2LP | 1988 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Pop

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Technically Dusty’s seventh studio album, See All Her Faces is a collection of tracks from the late 1960s and early 1970s, and released on the Philips label in 1972. The original album was never released in the U.S., though some of the tracks had appeared on singles there.Amongst the many highlights was the bossa nova-influenced title track, another bossa style number, Come for a Dream, co-written by Antonio Carlos Jobim, as well as beautifully. orchestrated pop ballads, like I Start Counting, and a stab at a Motown-style groover Girls It Ain’t Easy. There were also some deeply soulful tracks, echoing her ‘In Memphis’ LP, such as Tony Joe White’s Willie & Laura Mae Jones, as well as featuring songwriting royalty in the shape of Goffin & King’s That Old Sweet Roll (Hi-De-Ho), Jimmy Webb’s album-opener Mixed Up Girland Greenwich and Barry co-writes -What Good Is I Love You and Nothing Is Forever. Bonus tracks - This unique package includes an additional LP of rare tracks, recordings from the shelved ‘Faithful’ album along with out-takes from the original album sessions

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Pharoah Sanders

Africa

LP | 1980 | UK | Reissue (Burning Sounds)

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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Renowned agent and jazz pioneer Wim Wigt founded Timeless Records in 1975. This
Dutch record label has specialized in bebop, although it also did a sub-series of releases
of Dixieland, Swing and Classical recordings. As of today, Timeless Records has,
together with its three sub-labels, released over 900 albums. Notable releases include
Dizzy Gillespie Meets Phil Woods Quintet, McCoy Tyner’s Bon Voyage, Lou Donaldson’s
Forgotten Man, Eastern Rebellion and albums by the George Adams-Don Pullen Quartet,
Chet Baker, Bill Evans, Art Blakey’s Jazz Messengers and many more.
To celebrate the legacy of Wim Wigt’s Timeless Records, Music On Vinyl is releasing
a 45th anniversary jazz series. The series features albums that are part of the Timeless
Records legacy and will be released throughout 2021/2022.
Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in
jazz, which has earned him royal status amongst free jazz players, critics and collectors.
Harmonically rich and heavy with overtones, his sound can be as raw and abrasive as it is
possible for a saxophonist to produce. His 1987 album Africa is soulful but also searching
for a strong groove at the same time. The album is recorded with John Hicks, Curtis
Lundy and Idris Muhammad and was an explicit tribute to his late mentor John Coltrane,
another giant of jazz.
Africa by Pharoah Sanders is available on black vinyl. The album includes an insert with
upcoming Timeless Records titles from the Timeless Records 45th Anniversary Jazz
series. The sleeve contains liner notes by Kevin Whitehead

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Byron Lee's All Stars

Soul Ska

Go West 2022 Remaster Edition

Release: 1980 / UK – Reissue

Genre: Reggae & Dancehall

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Album first released 1980 and now re-released on RED Vinyl! All songs are performed by Byron Lee’s Allstars. Featuring Ken Lazarus, Jo-Jo, Keith Lynn, Smokey 007, Hubert Lee and Cecil Barker. All the tracks originally recorded in the mid-Sixties, were produced by Alty East, one of the first producers of Ska in Jamaica.

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Go West

LP | 1985 | EU | Reissue (Chrysalis)

25,99 €*

Release: 1985 / EU – Reissue

Genre: Pop

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Free Man Black Vinyl Edition

Friimen Muzik Company

LP | 1976 | US | Reissue (Tidal Waves Music)

19,99 €*

Flesh Of My Skin Blood Of My Blood

Release: 1976 / US – Reissue

Genre: Organic Grooves

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THE Friimen Muzik Company (also known as Friimen) was formed after the Biafran war in 1973-1974 in the town of ABA in the eastern part of Nigeria. Aba was the Number 1 Music Hub in the entire Eastern Region of Nigeria. While bands and artists like ‘Ofege’ and ‘Fela Kuti’ ruled the Lagos scene, bands like ‘Friimen’ and ‘The Apostles’ were ruling the ABA scene.

Before forming the band, most of its members were already working together as freelance session musicians backing up solo artists on several recordings and concerts (or were playing in military bands that gradually became civilian bands because the war had just ended). Friimen members’ credits were numerous and they played, wrote or performed on recordings from well-known acts like The Funkees, The Jets, The Apostles…and countless others.

When they started concentrating on writing their own songs, the group instantly took off and became an overnight hit that resulted in them doing multiple successful nationwide tours. Friimen would go on to record three albums: Free Man (1976), We Can Get It On (1978) and Merry Man (1979). All three albums were released on the Aba based label Anodisc Records (the key label to be on if you wanted your music heard and out there), Anodisc also released hit records by ‘Sweet Unit’ and ‘Voice Of The Cross’ but The Friimen Muzik Company was the label’s signature band.

The Friimen Muzik Company was so solid that every new group or artist wanted the Friimen to back them up in the recording studio. As a result, Anodisc Records received tons of demo cassettes from aspiring artists…the label would then first consult the Friimen members to see if these new acts were worthy of giving a chance to record and release an album for Anodisc. Over the course of the years the band went through several line-up changes…but in 1980 the band finally broke up and their story came to an end.

The album we are presenting you today (Free Man from 1976) was recorded at the famous Decca Studios in Lagos and comes swinging right out of the gate with a set of no less than Eight monster tunes. Expect nothing less than crazy afrobeat and over the top melodic funk influenced by a wide array of artists (both local and international). Mesmerizing solos, captivating grooves, impeccable sequences that turned many heads…everything you need to get a dancehall into a complete uproar. The musicians’ skills are just plain incredible! Free MAN is a quintessential record that every serious collector or fan needs to have in his/her collection.

Originally released in 1976 on Anodisc Records Nigeria, Tidal Waves Music now proudly presents the first official reissue of this seminal Afrobeat/Afrofunk album. This is also the first time the album is being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip and featuring the original artwork. This reissue also comes with an insert featuring pictures of the band and extensive liner notes from band-member Arthur Freds.

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Keith Hudson

LP | 1974 | EU | Reissue (17 North Parade)

OST Exorcist II: The Heretic Orange/Black Marbled Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Reggae & Dancehall

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Outstanding re-issue of 1974 roots classic album in expanded and remastered form! - The original 1974 release of Keith Hudson's "Flesh Of My Skin" showcased the enduring strength and pivotal importance of the development of reggae music, Keith Hudson's complete mastery of the genre and the unqualified praise that followed its release was fully justified. This suburb re-master features the original mix available for the first time since the 1974 Mamba pressing and comes with the addition of the 7-inch single only "Darkest Night Version" and the restoration of the lost "My Nocturne" omitted from the 1988 & 2004 remix versions, also includes the previously unreleased "Hunting Version". Liner notes are written by Keith Hudson’s official biographer Vincent Ellis.

Original Quotes: "The most moving, satisfying piece of Jamaican music I've heard since "Catch A Fire" and surpasses that album, this is the album of the year without a doubt" (Carl Gayle, Black Music Magazine)

"One of the best albums to be released this year, it combines strong, heavy rhythms with strong, heavy lyrics" (Chris Lane, Blues And Soul Magazine)

"Flesh Of My Skin" is the most potent reggae performance in a long, long while, a remarkable piece of music". (Let It Rock Magazine)

Packaging: LP vinyl with liner notes printed on the inner sleeve, packed into matt UV finish Sleeve, box lot 25

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Ennio Morricone

LP | 1977 | US | Reissue (Jackpot)

31,99 €*

LP | 1970 | EU | Reissue (Polydor)

Release: 1977 / US – Reissue

Genre: Soundtracks

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First Time Reissued On Vinyl
Sourced From The Original Master Tapes
Pressed at RTI for Maximum Fidelity
Limited Edition Fluorescent Green Vinyl

In one of his first forays into big-budget Hollywood, Ennio Morricone handed in one of his weirdest, eeriest scores.

From the beautiful to the absolutely demented, while still playing in the same sandbox. Once you get to the deranged Satanic prog-rock of “Magic And Ecstasy,” it hits you: this is the craziest we’ve ever heard Morricone. And it’s amazing.

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Eric Clapton

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Matsuli Music)

The Beaters

Harari

Live Evil Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Excellent reissue of this amazing LP by the South African super group. Check the tunes ''Harari'' and 'Thiba Kamoo'', super groovy arrangements and tight cohesion between Alec Khaoli on bass guitar and Sipho Mabuse on drums, laced with the soaring vocals and guitar play by Selby Ntuli. Tip! The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).

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Miles Davis

2LP | 1970 | EU | Reissue (Music On Vinyl)

LP | 1975 | EU | Reissue (Island)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Live-Evil (1970) by Miles Davis is a double live album which features different settings of Miles Davis' bands. One of such recordings is of a 1970 gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Barts, and Keith Jarrett. The group is groovy, fast, and funky.

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Richard & Linda Thompson

Pour Down Like Silver

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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The All American Powerhouse

V.A.

LP | 1976 | EU | Reissue (Be With)

12" | 1982 | EU | Reissue (Mr. Disc)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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They Say: “Driving brass and sax ensemble over funky rhythm section, playing tracks of various feel and style”. We say: From the Lincoln Continental that memorably adorns the cover to the tranquil funk contained within, this glowing ode to the grooving force of 70s American soul music is ice cool all over. With brilliant contributions from the Three Key Alans™ (Hawkshaw, Parker, Tew) as well as Mike Moran, Les Hurdle and Keith Roberts, this is driving music for only the vibiest cats. Originally released in 1976, The All American Powerhouse is one of the very best of the Themes library releases. It’s killer. A feast of dramatic jazz, horizontal, melodic funk and bouncing sunshine-y West-Coast feels throughout, there also lurks an intense injection of the Blaxploitation sound. Understandable, given the subject matter and year it was released.

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Sun La Shan

Catch

11,99 €*

Tougher Than Leather Translucent Blue Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Limited to 500 numbered copies. Originally released in 1982.

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Run DMC

LP | 1988 | US | Reissue (Get On Down)

25,99 €*

Janet Jackson's Rhythm Nation 1814

Release: 1988 / US – Reissue

Genre: Hip Hop

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Too many people sleep on Tougher Than Leather, Run-DMC’s fourth album. But hear us out as we plead the case for this amazing LP.
By 1988 there was a lot more competition in the rap game – Public Enemy, Boogie Down Productions, Eric B. & Rakim, Ice-T and many more had given
Hollis, Queens’ prodigal sons lots of competition. But Joe, Darryl and Jay were still at the top of their game, and hip-hop fans should never let this
classic – chiefly produced by their Queens neighbor, DJ and multi-instrumentalist Davy D[MX] – get lost in their crates.
For starters, the album’s first single, “Run’s House” b/w “Beats To The Rhyme” is arguably the most powerful one-two punch of the trio’s career,
showing contenders to the rap throne that they could still destroy a beat, tag-teaming with power at any speed. Not to be lost in the shuffle, fans were
also reminded on both sides that Jam-Master Jay remained one of the world’s best DJs, flexing the pinnacle of what would be called “turntablism” a
decade later. Both songs show a musical telepathy between all three that has rarely been equaled.
The second single, “Mary, Mary,” driven by an infectious Monkees sample, took a different approach, shrewdly ensuring that pop fans who jumped on
the Raising Hell bandwagon had something to chew on. But, like “Walk This Way,” the song wasn’t just bubblegum – there was an edge to it, and
the lyrical gymnastics were very real. It wasn’t selling out, it was allowing fans to buy in. “Papa Crazy,” driven in concept and by a sample from the
Temptations’ “Papa Was A Rolling Stone,” followed a similar pop-leaning path.
Overall, the lyrical content on the album was a step up from the group’s first three LPs. It’s easy to infer, looking back, that they were feeling the heat
from their younger competitors in the rap game. The genre was changing fast, and they were up to the challenge. On cuts like “Radio Station” they
bring substance to the grooves, by attacking Black Radio for its continual denigration of rap. “Tougher Than Leather” reminds the world that they were
still the Kings of Rock, with hard guitars to drive the point home. And “They Call Us Run-DMC” and “Soul To Rock And Roll” both bring things back to
their early days, with sure-fire park jam rhymes and killer cuts.
Tougher Than Leather, which went platinum up against a lot of competition, perfectly bookends the ‘80s output of one of the decade’s most
important groups. It encompasses the full range of the trio’s capabilities, and reminds us that Run-DMC should never be forgotten as both pioneers
and party-rockers. And so, we say, long live Joe, Darryl and Jay!

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Janet Jackson

2LP | 1989 | CA | Reissue (Virgin)

42,99 €*

Release: 1989 / CA – Reissue

Genre: Hip Hop

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LP | 1974 | EU | Reissue (Demon)

The Eliminators

Loving Explosion

LP | 1980 | US | Reissue (Fat Possum)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1974 on BRC Records (Brunswick Records Corporation). This is rare and in demand LP proudly reissued by Demon Records on 180g Heavyweight LP with original artwork and printed inner sleeve.

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Los Angeles

30,99 €*

Release: 1980 / US – Reissue

Genre: Rock & Indie

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12" | 1982 | EU | Reissue (RCA)

Plush

Free And Easy

15,99 €*

LP | 1989 | EU | Reissue (Joe Tossini Music)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Three 1982 disco classics from boogie trio Plush formed under the guidance of Angela Winbush, René Moore and Bobby Watson get the official, remastered reissue treatment from the original tapes.
Opening up the EP, an Angela & Rene original ‘Free & Easy’ is taken on by the Plush troupe, with the legendary Tee Scott providing a trademark extended mix. It kicks off with cosmic synths that dissipate into heavy funk, electric bass riffs, whilst scorching top lines and choice guitar licks trade off over the top. Scott’s magic is clear to see in the composition of this extended mix. A man who clearly knew how to work a dancefloor, his use of breakdowns especially, extending the anticipation and power the track commands on its dancers. From the bass breaks that weave in modulated synths, to those that utilise the glorious sustained piano chords, cutting to just vocals and percussion before everything is added back in for ultimate dancefloor elation.
First up on the B side, ‘We Got The Love’, a more soulful, slowed down tip where staccato guitar plucks and chunky slap bass marries with warm Rhodes chords, and lush vocal harmonies blend with the power of Siedah Garrett commanding the lead vocals. A passion ingrained in their voices that cannot be taught, hanging in the air, as they hang onto their phrases.
Lastly, ‘Livin For Your Love’ a boogie-based serenade written by Herman Chainey and Tony L. Phillips, intertwines Phillips’ deep dulcet tones with Plush’s backing. Add in a dose of pure ‘80s bass synth, twanging funk flashes and juicy bass guitar ripples and you’ve got a recipe sure to woo any wandering hearts out there.

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Joe Tossini And Friends

Lady Of Mine

21,99 €*

LP | 1975 | UK | Reissue (Be With)

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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A download code is included. Carefully ReEdited, 100% Original Lady of Mine is the 1989 debut LP by self-made Italian-American Joe Tossini. An astoundingly honest, passionate record of cosmopolitan lounge music, he willed this charming suburban oddity into existence without any formal musical training.

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Francis Coppieters

Piano Viberations

Tom Waits & Crystal Gayle

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Piano Viberations’ “small group jazz featuring piano and vibes with rhythm” makes for a gorgeous Francis Coppieters showcase, surely one of Belgium’s best-kept musical secrets. Released in 1975, and arguably the most low-key of the KPM and Themes records we’re re-issuing, this is easily our current favourite.

“The Open Highway” is the appropriately-named opener, and immediately demonstrates Coppieters’ dexterous interplay between piano and vibes in assured, joyous fashion. The shuffling bossa of “Sales Notes” is a jaw-dropper, well-mined by samplers with impeccable taste. The mellow head-nod drum-break that is “Funky Chimes” brilliantly demonstrates Coppieters’ quiet majestic side with its slow-motion funk rhythm with beautifully reflective notes throughout.

The upbeat and joyful “Cross Talk” closes out side A. Vibes and piano are definitely at the heart of the arrangement here. The quick cut movement of “Piano In Transit” is another gem, driven principally by piano but those vibes along for more than just the ride. On a more gentle, elegiac note, “To Shearing With Love” is a warm, slow, romantic piece in the style of George Shearing. It’s plaintive and sublime.

Piano Viberations is one of those rare library records the original description of which makes as much sense now as it did when it was first released. Piano and vibes with rhythm indeed.

As with all ten re-issues, the audio for Piano Viberations comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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One From The Heart

LP | 1982 | US | Reissue (8th)

31,99 €*

OST La Macchina Della Violenza

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Tom Waits is a highly influential singer/songwriter,
noteworthy for delving into realms of noisy industrial blues
experimentation, blues jazz, and dust, rust-belt folk, as well
as for his distinct, heavily raspy vocal style. Crystal Gayle is
a Top 40 country artist, with more than fifteen #1 singles on
the Billboard US Country charts, including her #2 Billboard
Top 200 signature hit "Don't It Make My Brown Eyes Blue",
and a member of the Grand Ole Opry.
By all accounts there's little reason for these two vastly
different artists to come together and collaborate on an
album. Yet in 1982, the two were brought together to write
and perform on the soundtrack to Francis Ford Coppola's
1982 romantic musical film One From The Heart. The
soundtrack was written by Waits himself, who also sang and
played piano, while Gayle (Whom Waits had picked himself,
after Bette Midler was unavailable.) provided vocals on
several solo songs as well as duets with Waits, all backed by
a cavalcade of jazz session veterans, like Jack Sheldon on
trombone, Shelly Manne on percussion, Greg Cohen on
bass, Teddy Edwards on tenor saxophone, and more.
Though the film One From The Heart was a box office flop,
the Waits & Gayle-featured soundtrack was embraced by
critics, many of whom pointed to it as the best thing
associated with the film. Recorded just before Waits
abandoned jazz-blues for the junkyard clamor of his 1983
album Swordfishtrombones, Waits' ragged baritone is mixed
with Gayle's silky croon to perfect effect, and makes One
From The Heart's soundtrack a must-own for any fan of film
soundtracks, cinematic jazz, and certainly of Waits & Gayle

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Francesco De Masi

LP | 1972 | EU | Reissue (Spettro)

26,24 €* 34,99 € -25%

LP | 1974 | US | Reissue (Anti)

Release: 1972 / EU – Reissue

Genre: Soundtracks

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Another master of the soundtrack is Francesco De Masi, that, through a long carrier, has moved between different genres, giving the soundtrack to spaghetti western movies (like Vado l’ammazzo e torno) comedies, and action movies like La Macchina della violenza (The Big Game), by Robert Day. A soundtrack that goes from tense and nervous songs, to soft ballads with female voice.

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Tom Waits

Heart Of Saturday Night

34,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Music On Vinyl)

Sly & The Family Stone

Fresh

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | US | Reissue (Get On Down)

Johnny Clarke

Rockers Time Now

News Of The World 40th Anniversary Edition Deluxe Box

Release: 1976 / US – Reissue

Genre: Reggae & Dancehall

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Get On Down presents an often overlooked crucial reggae release from the 1970s with Johnny Clarke’s “Rockers Time Now.” The record is a mix of covers and originals, including ethereal versions of the The Abyssinians “Satta Massagana” and “Declaration of Rights,” smash hits on the island just the year before. “Rockers Time Now” was first issued in 1976, Clarke had just been named artist of the year in Jamaica for the second year in a row. This is just one of three full lengths he released that year as this was a very prolific period for Clarke, in particular from 1974 onward when his output was directed by legendary producer Bunny Lee. The pairing resulted in a creative energy that resonates to this day. The release was recorded at Channel 1 with Bunny Lee producing, which of course means the band backing the popular Jamaican vocalist was The Aggrovators, which at the time included Robbie Shakespeare, Earl ""Chinna"" Smith, Augustus Pablo, and Aston “Family Man” Barrett. The release was mixed at King Tubby’s by Osbourne Ruddock…aka King Tubby. Crucial all the way around. Now is the time to rediscover a classic of the genre, “Rockers Time Now”.

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Queen

Box Set | 1977 | EU | Reissue (Virgin)

118,99 €*

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Universal Music will mark the 40th anniversary of Queen‘s 1977 album “News Of The World” with a five-disc super deluxe edition.
The new package includes the original album on CD (the Bob Ludwig 2011 remaster) and two further CDs of recently unearthed outtakes and rarities including ‘Raw Sessions’ an alternative version of the whole album which brings to light never-before-heard alternative versions of each of the album’s 11 tracks. The record label promises that “every lead vocal is different” on “Raw Sessions” and as are most of the lead guitar parts and many other instrumental details. “We Are The Champions” is the full-length version of the song and not the edited 1977 album cut and “All Dead”, “All Dead” features Freddie Mercury on vocals, rather than Brian May. “Fight From The Inside”, is Roger Taylor’s demo vocal version (worked on in his home studio in preparation for the next sessions).
The fourth optical disc is a DVD which features a brand new one-hour documentary “Queen: The American Dream” created from backstage material filmed during Queen’s 1977 USA “News of the World” tour.
The 40th anniversary of “News Of The World” also includes a vinyl version of the album – a “pure analogue” re-cut of the original “direct from the unmastered analogue master mix tapes”.
Finally, this set comes with a 60-page book of images and a selection of NOTW related memorabilia (including three posters).

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Herbie Hancock

Sunlight

Africa Must Be Free By 1983 Dub

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Sunlight by Herbie Hancockis a 1978 jazz-funk, fusion album. It features Hancock's vocals through a vocoder as well as performances by drummer Tony Williams and bassist Jaco Pastorius.

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Augustus Pablo

LP | 1978 | UK | Reissue (Greensleeves)

Release: 1978 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 1979 | EU | Reissue (Wagram)

Dave Brubeck

Take Five

15,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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LP | 1989 | EU | Reissue (Wagram)

Bob Marley

Soul Rebel

15,99 €*

Release: 1989 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1986 | US | Reissue (Varese Sarabande)

Angelo Badalamenti

OST Blue Velvet

Release: 1986 / US – Reissue

Genre: Soundtracks

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Fela Kuti & The Africa 70

Shakara

LP | 1972 | UK | Reissue (Knitting Factory)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (Capitol)

Don McLean

American Pie

35,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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12" | 1985 | US | Reissue (Dark Enttries)

Dario Dell'Aere

Eagles In The Night

16,99 €*

Release: 1985 / US – Reissue

Genre: Pop

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Inventions For Electric Guitar (Remastered)

Manuel Göttsching

LP | 1975 | EU | Reissue (MG.Art)

23,99 €*

LP | 1987 | MX | Reissue (Sony)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.

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V.A.

OST Dirty Dancing

Release: 1987 / MX – Reissue

Genre: Soundtracks

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LP | 1982 | EU | Reissue (Virgin)

Queen

Hot Space

Release: 1982 / EU – Reissue

Genre: Pop

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2LP | 1985 | US | Reissue (Mobile Fidelity Sound Lab)

Dire Straits

Brothers In Arms

74,99 €*

2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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Bob Dylan & The Band

Before The Flood

83,99 €*

Dare! Back To Black Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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180 gram audiophile vinyl, numbered limited edition!

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The Human League

LP | 1981 | EU | Reissue (Virgin)

38,99 €*

Release: 1981 / EU – Reissue

Genre: Pop

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LP | 1978 | US | Reissue (Universal)

Kiss

Ace Frehley

35,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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2LP | 1977 | US | Reissue (Universal)

Kiss

Alive II

59,99 €*

Release: 1977 / US – Reissue

Genre: Rock & Indie

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LP | 1987 | US | Reissue (Def Jam)

Public Enemy

Yo! Bum Rush The Show

38,99 €*

LP | 1986 | UK | Reissue (Greensleeves)

Release: 1987 / US – Reissue

Genre: Hip Hop

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The groundbreaking 1st album is back in print! Bombsquad in full effect.

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King Kong

Trouble Again

Release: 1986 / UK – Reissue

Genre: Reggae & Dancehall

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Straight Outta Compton Remastered Edition

NWA

LP | 1988 | US | Reissue (Priority)

38,99 €*

LP | 1987 | US | Reissue (Reactor)

Release: 1988 / US – Reissue

Genre: Hip Hop

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One of the most iconic rap albums of all time gets the remaster!

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Loop

Heavens End

23,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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LP+7"+CD | 1982 | UK | Reissue (4AD)

The Birthday Party

Junkyard

27,99 €*

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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LP | 1987 | US | Reissue (Touch & Go)

Big Black

Songs About Fucking

27,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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2LP | 1989 | US | Reissue (Sub Pop)

Nirvana

Bleach Deluxe Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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Tommy Y Su Orquesta Olivencia

Plante Bandera

LP | 1975 | US | Reissue (Craft)

36,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Done By The Forces Of Nature Colored Vinyl Edition

Jungle Brothers

2LP | 1988 | US | Reissue (Get On Down)

Endless Riddance Black Vinyl Edition

Release: 1988 / US – Reissue

Genre: Hip Hop

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The Jungle Brothers 1988 debut, Straight Out The Jungle , is important for many reasons. It is lo-fi and goofy, but had moments of real focus and social consciousness. It is a true kitchen sink record, that caught a rap fanbase enraptured by Eric B. & Rakim, Public Enemy, and Boogie Down Productions a bit off-guard. Also of note, beyond the excellence of the album itself, the Jungle Brothers were the fulcrum for what would become the Native Tongues movement - they came first, De La Soul and A Tribe Called Quest followed, under their guidance. By 1989, the group had even more confidence, plus a Warner Bros. contract and advance in their back pocket. They used it to great advantage on the self-produced and criminally underrated Done By The Forces Of Nature , expanding their sonic palette and continuing their Afrocentric approach to music and life. Singles like "What U Waitin 4" and "Doin Our Own Dang"(with De La Soul and Q-Tip, alongside Monie Love) show the group's fun side. But things weren't all fun and games, as deeper, more pensive album tracks like "Black Woman", "Beeds On A String", and "Acknowledge Your Own History" show. It was another accomplished mix of fun, frolic, and knowledge-of-self, proving that you could be serious in the rap game but still let off steam and fill the dancefloor. Done By The Forces Of Nature stands as one of the most cherished hip-hop documents of the late 80s among true-school heads. Get On Down is proud to present a new limited-edition pressing on Tri-Colored vinyl in a gatefold jacket with full lyrics and numbered OBI limited to 1000 copies.

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Front 242

12" | 1987 | US | Reissue (Wax Trax!)

27,99 €*

LP | 1976 | US | Reissue (Now-Again)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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This is the one that started the long relationship between WAX Trax! and Front 242. Endless Riddance was the fourth release from WAX Trax! in 1984 and we are very excited to offer this 12" vinyl reissue on its 40th anniversary!

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Paul Ngozi

The Ghetto