Vinyl, CD & Tape 6250 Items

LP | 1972 | JP | Reissue (Warner Music Japan)

Release: 1985 / JP – Reissue

Genre: Electronic & Dance

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Japanese composer Hiroko Matsuzaki began her classic music career as a flutist, and from 1985 to 1987 she worked as a studio musician as a flute/synthesiser player based in London, gaining an excellent reputation abroad without passing through the Japanese music scene. Simon Jeffs of the Penguin Cafe Orchestra heard this work and decided to participate in German electronic musician Rhodelius' Pink, Blue and Amber. This is the first time reissuing the lost work she produced only 100 copies before she left for the UK in 1985 , entitled Mother-Of-Pearl Box. This world-standard masterpiece was born in Japan during the rise of ambient music in the late 1980s, when house and techno were expanding globally with the rise of house and techno.

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Flower Travellin' Band

Made In Japan

Nuggets: Original Artyfacts From The First Psychedelic Era (1965-1968) Orange, Yellow & Pink Vinyl Edition

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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An analog reissue of Flower Travellin' BAND's masterpiece third album ""made IN Japan"" has been decided!

The strongest new rock band, Flower Travelin' Band (ftb) A masterpiece third album that pursues all possibilities and fully packs the band's charm. First Canadian recording. As much as possible at this time, we have chosen materials that are as close to the original materials as possible to recreate the original cardboard jacket.

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V.A.

2LP | 1972 | EU | Reissue (Rhino)

Soundscape 1: Surround Blue Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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The most groundbreaking and influential compilation of all time. Produced by Lenny Kaye in 1972.

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Hiroshi Yoshimura

LP | 1986 | US | Reissue (Temporal Drift)

LP | 1973 | JP | Reissue (Universal Music Japan)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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* First-ever official reissue of the pioneering 1986 ambient work * Produced in full cooperation with Hiroshi Yoshimura’s estate * New liner notes by original album producer Hiroyoshi Shiokawa * Includes Yoshimura’s original notes in Japanese & English * Remastering and lacquer cutting by John Baldwin * Vinyl pressed at Gotta Groove Records "If Surround can be listened to as music that’s asclose to air itself, allowing us to enter each listener’s sound scenery, or assomething that exists within a new perspective, expanding the middle groundbetween sound and music, and transforming it into a comfortable space, it wouldbe much appreciated.— Hiroshi YoshimuraTemporal Drift proudly presents the long-awaited, first-everreissue of Surround, Hiroshi Yoshimura’s sought-after ambient classic. Originally released as an album in January 1986, Surroundwas recorded by Yoshimura as a commission from home builder Misawa Homes,intended to function as an “amenity” designed to enhance the company’s newlybuilt living spaces. A pioneer in the field of environmental music, Yoshimura’sprevious works included Music For Nine Post Cards (1982), originally producedto be played back inside a museum space, and designing sound environments forpublic spaces and subway systems. Surround was recorded almost concurrentlywith the acclaimed and popular Green (1986); the two albums are described byHiroyoshi Shiokawa in his liner notes as being Yoshimura’s yin and yang. In his original notes for the album, Yoshimura recommendsthat Surround be placed in the same family of sounds “as the vibration offootsteps, the hum of an air conditioner, or the clanging of a spoon inside acoffee cup.” And, as he suggests, “with the addition of city noise from outsidethe window,” you may hear Surround in a completely new way."

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Vodka Collins

Tokyo New York

51,29 €* 56,99 € -10%

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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LP | 1976 | JP | Reissue (King)

Bibari Maeda

First

51,19 €* 63,99 € -20%

The Plastic People Of The Universe

Release: 1976 / JP – Reissue

Genre: Pop

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All songs arranged by Hiro Yanagida! The long-awaited reissue of an actress record that plays the finest mellowness! Her 1976 announcement, which is the only work under her own name, is reprinted and reissued in the original specifications! Together with the impactful artwork created by Eiko Ishioka, this is a masterpiece of Japanese music that raises many WANTs. A total of 12 songs gently wrapped in beautiful melodies by Hiro Yanagida’s electric piano. In particular, the mellow modern soul song, “Unexpectedly”, which is short and sonorously sung in less than 2 minutes, is a masterpiece that has been picked up by many DJs.

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Pasijove Hry Velikonocni / Passion Play

LP | 1980 | EU | Reissue (Guerilla)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Harvest 50th Anniversary Edition

Neil Young

3CD+2DVD | 1972 | EU | Reissue (Reprise)

LP | 1974 | HK | Reissue (Evosounds)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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CD1: Harvest Remastered
CD2: Neil Young BBC In Concert (The Royal Albert Hall, London, UK 23/02/71)
CD3: Harvest Outtakes
DVD1: Harvest Time (The Making Of Harvest) - previously unseen 2 hour documentary
DVD2: BBC In Concert, February 1971 - previously unreleased UK TV broadcast concert

Die DVDs haben keine Untertitel.

DVDs come without subtitles

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Bob James

One

Release: 1974 / HK – Reissue

Genre: Organic Grooves

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Clear Spot Black Friday Record Store Day 2022 Clear Vinyl Edition

Captain Beefheart

2LP | 1972 | EU | Reissue (Rhino)

CD | 1972 | UK | Reissue (Mobile Fidelity Sound Lab)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Reissue. Color: Clear. Limitation: 4500 copies. 50th anniversary deluxe edition of the classic 1972 album from Captain Beefheart and The Magic Band. This limited edition 2LP crystal clear vinyl set features the original album recut from the original master tapes at Bernie Grundman Mastering plus an additional LP of rare studio outtakes, alternate versions and previously unreleased instrumental rough mixes from the Clear Spot sessions. Featuring “Big Eyed Beans from Venus”, “Her Eyes Are a Blue Million Miles”, “My Head Is My Only House Unless It Rains” and more.

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Eagles

Eagles SACD Edition

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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2LP | 1981 | UK | Reissue (Pure Pleasure)

Horace Tapscott

Dial 'B' For Barbra

2LP | 1973 | US | Reissue (Pure Pleasure)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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The best of pianist Horace Tapscott's recordings for the tiny Nimbus label is this 1981 LP which features him in a sextet with trumpeter Reggie Bullen, altoist Gary Bias, tenor saxophonist Sabir Matteen, bassist Roberto Miranda and drummer Everett Brown, Jr. The group stretches out on a couple of Tapscott's originals plus a 19½-minute version of Linda Hill's "Dem Folks". Although the music could be called avant-garde, its use of rhythms and repetition keep the results from being forbidding and the performances have a momentum of their own. Scott Yanow/AMG A great group recording from pianist Horace Tapscott – recorded in LA in the early 80s, but done with all the righteousness and spirituality of his earlier albums! Tracks are long and exploratory, but also relatively lyrical too – stretching out with a style that's never too 'outside', and which has Horace and the group really soaring to the heavens on the best moments! The group here is a sextet – with the great Gary Bias on alto and soprano saxophone, plus Sabir Matteen on tenor, Reggie Bullen on trumpet, Roberto Miguel Miranda on bass, and Everett Brown on drums and percussion – all working with a cohesiveness that reminds us of some of Tapscott's larger group recordings, but with a cleaner, leaner kind of feel. Titles include "Lately's Solo", "Dial B For Barbara", and "Dem Folks".

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Clifford Jordan Quartet

Glass Bead Games

2LP | 1973 | UK | Reissue (Pure Pleasure)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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* Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London / Fifth part of the Strata-East Dolphy Series, Glass Bead Games is arguably the crown jewel of the Strata East movement, an amorphous genre that treads an unusual path between post-bop, 70’s avant-garde and spiritual jazz, with a groove.

Glass Bead Games is full of revelations at many levels. First, the decade of the 1970s did produce genuinely creative, "human" new music flowing from the jazz mainstream; second, Bill Lee was more than Spike's dad: he was a superlative bassist, a team player of the first order, a powerful catalyst who, if anything, deserves to be better known than his son; third, Billy Higgins was, as so many musicians insist, a once-in-a-lifetime drummer—the bellows inspiriting the collective flame.

Most importantly, Clifford Jordan was an artist of the first order, his playing so effortless and unforced, unselfconscious and focused, mature and wise that, at a time when altissimo fury was all the rage, it's small wonder his authentic voice frequently went unheard. His musical rhetoric is so personally expressive, its substance so compelling, the listener couldn't care less about the extraordinary technique required to convey its captivating message. Compared to some of his more acclaimed peers he's a less aggressive yet paradoxically more directive and shaping influence. The climaxes, rather than spelled out, are merely suggested, registering with deep and lasting impact on the listener. It all comes down to learning the language, those precious little beads. Not every player, including Jordan or the listener, can use it like Shakespeare, but all can learn to read Shakespeare and understand its principles of arbitrariness and serendipity, of invariance and transformation.

Jordan, no less than Shakespeare, requires a like-minded cast of players—in this case four musicians of such redoubtable proficiency that each remains committed to keeping the beads in play. He's not a man content with a mere musical "dialogue" with his fellow musicians nor is he about to take the initiative in pulling his troops up to his level. Instead he begins to tell a musical story that's so compelling his three comrades are inspired equally to contribute to a collaborative narrative. This is brilliant music-making by a Coltrane- influenced successor who feels no obligation to mime the predecessor. It may be the most significant saxophone performance on record since Coltrane and, providing the listener stays with it for any length of time, the most deeply satisfying. Jordan's game—so effortless, unforced, and "level"—erases distinctions between composed and improvised, soloist and ensemble, narrator and narrative, the dancer and the dance. It seems incapable of wearing out its welcome.

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Rahsaan Roland Kirk

Bright Moments

Linval Presents: Space Invaders

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Pure Pleasure SD2-907

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Linval Thompson

2LP | 1981 | UK | Reissue (Greensleeves)

2LP | 1989 | US | Reissue (Mercury)

Release: 1981 / UK – Reissue

Genre: Reggae & Dancehall

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The official re-issue of the dub classic "Space Invaders" available as extended 2LP vinyl-set with 20 tracks and poster. The original album from 1981 has been state-of-the-art remastered and is twinned with a second disc of the original vocal versions. All recordings recorded at Channel One with the Roots Radics and mixed by Scientist at King Tubby's with producer Linval Thomspon.

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Rush

Show Of Hands

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Past Masters Volume 1 & 2

The Beatles

2LP | 1988 | EU | Reissue (EMI)

LP | 1976 | Reissue (Rhino)

Release: 1988 / EU – Reissue

Genre: Pop

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Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory, 2009 remastered version!

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Genesis

A Trick Of The Tail

Release: 1976 / Reissue

Genre: Rock & Indie

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Close To The Edge Atlantic 75 Series Sacd

Yes

CD | 1972 | US | Reissue (Analogue Productions Atlantic 75 Series)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

Hybrid Stereo SACD

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.

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4 Atlantic 75 Series Sacd

Foreigner

CD | 1981 | US | Reissue (Analogue Productions Atlantic 75 Series)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Sacd

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Straight Shooter Atlantic 75 Series Sacd

Bad Company

CD | 1975 | US | Reissue (Analogue Productions Atlantic 75 Series)

Horace Tapscott with The Pan-Afrikan Peoples Arkestra

Release: 1975 / US – Reissue

Genre: Rock & Indie

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Sacd

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Live At I.U.C.C.

2LP | 1979 | UK | Reissue (Pure Pleasure)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Thriller Limited Edition Numbered Hybrid SACD

Michael Jackson

CD | 1982 | US | Reissue (Mobile Fidelity)

LP | 1974 | US | Reissue (Mobile Fidelity)

Release: 1982 / US – Reissue

Genre: Pop

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Putting into perspective the incalculable impact and pioneering significance of the best-selling album of all time – Michael Jackson's Thriller – has never been easy. Though Thriller lays claim to mind-boggling statistics that serve as reminders of how pervasive and indispensable it remains to music snobs and casual listeners alike, its essence always traces back to the greatness, power, and scope of the music. Now, as it celebrates its 40th anniversary, the record that reimagined pop; united audiences; made strides towards achieving racial equality; established the video as an artistic and commercial format; and taught the world how to dance sounds even more invigorating than it did during the advent of the Walkman. Mastered from the original analog master tapes, pressed at RTI, and limited to 40,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set does for Thriller what Jackson's unforgettable appearance on the "Motown 25" TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative – the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time.

Surpassing the sonics of earlier reissues and pressings, Mobile Fidelity's 180g LP set strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism.

The gorgeous packaging of the Thriller Ud1s pressing befits the album's select status. Housed in an open-ended slipcase, the set features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this reissue exists as a curatorial artifact meant to be preserved and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.

Given that no album released during the past four decades even approaches the magnitude of Thriller, everything about it remains important. Numbers – even the "40" tied to its anniversary – don't even tell half the story. The 1982 blockbuster has sold more than 34 million copies in the U.S.; globally, it has moved upwards of 70 million units. Thriller dominated the 1984 Grammy Awards, winning a record-breaking eight trophies and sweeping every major category. It repeated the feat at the American Music Awards. Seven of its nine songs were released as singles; each charted in the Top 10. Perhaps most astonishingly, Thriller topped the Top 200 Albums chart for 37 weeks during a 59-week stretch. Fast forward 24 years, and the album was the biggest-selling catalog title of 2008.

The record's unimpeachable accolades and archival standing help provide another frame of reference. Acclaimed upon arrival, Thriller topped The Village Voice's comprehensive Pazz & Jop poll in 1983. Included in both the Library of Congress' National Recording Registry and the Grammy Hall of Fame, Thriller was ranked by the Rock and Roll Hall of Fame at No. 3 on its Definitive 200 Albums of All Time. Rolling Stone named it the 12th Greatest Album of All Time. Time deemed it "the greatest pop album of all time." The Independent called it "the most inspiring album of all time."

Thriller proved as influential as it did inspiring. Its unparalleled success, dazzling style, and sleek architecture changed every facet of culture and entertainment. The reverberations echoed throughout society. Thriller crossed over to mainstream channels and white audiences with a degree that no Black musician managed in decades (if ever); prompted MTV to give Black artists a widespread platform; elevated choreography and dance to higher-level artforms; shattered long-standing racial boundaries; and reconceptualized music via a genre- and color-blind blend of fleet pop, funk, disco, soul, and rock sent up with cinematic panache, oversized ambition, and dynamic energy.

Its effect on multitudes of subsequent artists cannot be overstated. Thriller opened up a new galaxy in which Prince soon strolled. It's the same universe that Usher, Maxwell, and Jamiroquai joined in the ‘90s and that contemporary headliners like Beyonce, Justin Timberlake, and Bruno Mars orbit today. Their style-blurring identities, R&B-rooted foundations, and interdisciplinary approaches directly link to those on Thriller. Notably, the album's first single – "The Girl Is Mine," a duet and co-write with Beatles legend Paul McCartney – captured the record's unwillingness to cater to a specific race, generation, class, or style. Eddie Van Halen – at the time, the world's premier rock guitarist – performed a similar bridge role by supplying the electrifying solo on "Beat It."

Jackson, Quincy Jones, and company do the rest. Drop the needle on any track on Thriller and the insatiable desire to move takes hold. So do sensations of familiarity, pleasure, fun, and soulfulness. Be it the breathless, bass-laden swagger of the Moonwalking "Billie Jean"; horn-accented, post-disco slide of the gossip critique "Wanna Be Startin' Somethin'"; rousing tempo of the lush, sequin-adorned "P. Y. T. (Pretty Young Thing)"; gentle balladry and liquid vocal phrasing of "Human Nature"; vivid hybrid of funk-disco and horror-film drama of the title track; or streetwise strut and rhythmic fantasia of "Beat It," Thriller never lets up.

Sacd

Surpassing the sonics of earlier reissues and pressings, this hybrid Sacd strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism. Put simply, this reissue makes the phenomenon that is Thriller eternal.

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Ravi Shankar

Shankar Family & Friends

Release: 1974 / US – Reissue

Genre: Rock & Indie

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2LP | 1985 | US | Reissue (Rhino)

Dire Straits

Brothers In Arms

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Computer World Remastered Black Vinyl Edition

Kraftwerk

LP | 1981 | EU | Reissue (Parlophone)

Radio-Activity Remastered Black Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Computer World (German: Computerwelt) is the eighth studio album by German electronic music band Kraftwerk, originally released on 10 May 1981. The album deals with the themes of the rise of computers within society. In keeping with the album's concept, Kraftwerk showcased their music on an ambitious world tour and issued several different versions of the single "Pocket Calculator" in different languages: namely, German ("Taschenrechner"), French ("Mini Calculateur") and Japanese ("Dentaku", or 電卓). A fifth version, in Italian ("Mini Calcolatore"), was lip-synched to on Italian television in 1981. The compositions are credited to Ralf Hütter, Florian Schneider, and Karl Bartos. As was the case with the two previous albums, Computer World was released in both German- and English-language editions. The title of the final track, "It's More Fun to Compute", is in English in all releases, as it is based on the slogan "It's more fun to compete!", which could be seen on old pinball machines.

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Kraftwerk

LP | 1975 | EU | Reissue (Parlophone)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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2LP | 1987 | DE | Reissue (Island)

The Joshua Tree

LP | 1986 | EU | Reissue (Pias Catalogue)

Release: 1987 / DE – Reissue

Genre: Pop

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The Joshua Tree is the fifth studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 9 March 1987 on Island Records.

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Triffids

In The Pines

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Smokey Blue Vinyl Edition

Smokey Robinson

LP | 1973 | EU | Reissue (Anagram / Elemental / Motown)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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2LP | 1986 | UK | Reissue (Crass)

Crass

Best Before 1984

2LP | 1979 | UK | Reissue (Crass)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Best Before 1984 is a compilation of Crass' singles and other tracks, released in 1986, including lyrics and a booklet ('...In Which Crass Voluntarily 'Blow Their Own'") which details the history of the band in their own words. The album was named in reference to the notion that 1984 was the band's 'sell by date', the year that they had often publicly stated that they would split up. Indeed, the band ceased gigging and recording in that year. For many years, there were plans to release an expanded edition of Best Before 1984, which will include currently unavailable material (such as the 'Merry Crassmas' and 'Whodunnit?' singles) and rarities, in the same vein as the 'Crassical Collection' re-releases of the band's albums. These plans finally came to fruition in 2019, with the announcement of an expanded two-disc version of the album."

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Crass

Stations Of The Crass

Nuggets: Original Artyfacts From The First Psychedelic Era (1965-1968), Volume 2 Blue, Purple & Green

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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"Stations of the Crass is the second album by Crass, released in 1979. The record, originally released as a double 12", includes live tracks from a gig recorded at the Pied Bull pub in Islington, London, on August 7, 1979. The first three sides contain the studio tracks and play at 45 rpm, while the final side comprises the live material and plays at 33 rpm. The album's title is not only a pun on the Catholic rite of the Stations of the Cross (such jibes against the religious establishment were typical of Crass), but is also a reference to the graffiti campaign that the band had been conducting around London's underground railway system, the cover artwork depicting a wall at Bond Street tube station that had allegedly been 'decorated' by them. Although the album met mixed critical reception at first, it managed to sell at least 20,000 copies within two weeks.”

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V.A.

2LP | 1974 | EU | Reissue (Rhino)

My Beach Remastered Colored Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Nuggets vol. 2 as originally thought of by Lenny Kaye and released to celebrate the 50 years of the legendary compilation.

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Surf Punks

LP | 1980 | EU | Reissue (Futurismo)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Electric Byrd Opaque Turquoise Blue Vinyl Edition

Donald Byrd

LP | 1970 | US | Reissue (Blue Note / Third Man)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Multidirection Coke Bottle Clear Vinyl Edition

Kenny Cox

LP | 1970 | US | Reissue (Blue Note / Third Man)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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2LP | 1972 | UK | Reissue (Fire)

Groundhogs

Hogwash

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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The Complete Score From The Catherine Wheel Record Store Day 2023 Black Vinyl Edition

David Byrne

LP | 1981 | Reissue (Warner)

In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette

Release: 1981 / Reissue

Genre: Rock & Indie

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Limited 2 x 140g 12" Black vinyl album. RSD 2023. An absolutely monumental masterpiece of late 20th century music is the seamless funk opera score David Byrne created for choreographer Twyla Tharp’s The Catherine Wheel in 1981. This 2LP set marks the vinyl debut of the full score (previous releases contained only a 1LP condensed version). The tracks "Big Blue Plymouth", "My Big Hands", "Big Business" and "What a Day That Was" were all performed live by Talking Heads in 1982 and 1983.

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Karen Dalton

8Track | 1972 | US | Reissue (Light In The Attic)

LP | 1983 | US (Elevation)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

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Gombloh

Live Gila

2LP | 1986 | US | Reissue (Audika)

Release: 1983 / US

Genre: Rock & Indie

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* Fully-licensed * From original master tape * Remastered at Abbey Road Studio * Long out of print after first pressing in 1983 * New and improved artwork * Folk-rock composition a la Bob Dylan’s Blood on Tracks

Most of Gen X-ers who grew up in the mid-1980s Indonesia must have seen Soedjarwoto Soemarsono, known with his nom de guerre “Gombloh” performing on a state-run television station, playing some of his biggest hits from that era, pop gems like “Kugadaikan Cintaku (I Pawn Off My Love)”, “Setengah Gila (Half-Crazy).”

But of course, it is not fair to judge Gombloh only from these hits. Dig deeper and you will find buried treasure in his early stuff from Indra Records, and there are many of them.

His album with the band Lemon Tree’s Anno ‘69 (yes, that’s the name of the band) is all remarkable, but what he did for Chandra Records was no less spectacular. How can you go wrong with songs like “Kebyar-Kebyar”, the unofficial national anthem for Indonesia, dan “Berita Cuaca” one of the better epic songs in a catalogue full of epochal songs? These were all long out of print and in our journey to source the original master for these albums we met Bob Djumara of Nirwana Records, the Surabaya, East Java-based label which broke Gombloh into the mainstream in the mid-1980s. Almost all albums Gombloh recorded for his early labels, Indra Records and Chandra Records were critically acclaimed, but commercially they bombed, big time. Nirwana Records came up with an ingenious plan. What if they recorded Gombloh performing live and release it as is. After all, the first song in Gombloh debut record Nadia & Atmospheer is him strumming on his guitar backed by the cheering of a crowd, who could be heard going wild when he hurled that epithet “bastard” at the end of the song.

The end result is a brilliant recording which despite being recorded live the sound quality so pristine leading many to doubt the claim of being live. Regardless, Nirwana shipped a decent number of units and Gombloh could buy his first car, a Katana Jeep, with money from the royalty.

One of the best things about Live Gila is its perfect sequencing, beginning with Gombloh’s social commentary on the rich’s debauched lifestyle of preying on young boys and girls, one of the most popular subjects allowed by the censoring machine of the New Order authoritarian government. The second song “Untuk Persada” is a soaring ode to the nation. For this song, Gombloh could be heard drawing his inspiration from The Police, which was undoubtedly popular in the early 1980s, even in a faraway port city like Surabaya.

Listening to this record as a whole (we omitted the last song from the original master tape “Bagimu Negeri” which sounds too jingoistic), we could not help but point to some of similarities it has with Bob Dylan’s Blood on the Tracks. Not a single composition in this record sound indigenous (the Malay-influenced rock of Panbers or Koes Plus come to mind); they all sound modern and effortlessly catchy, and had it not been for the language, this album could be mistaken for a musical output from someone growing up in Laurel Canyon or Southern France.

There are only limited copies of vinyl records in the second-hand market today available for Gombloh music, if at all. For his ardent fans, they have to scavenge for old cassettes to continue to be able to enjoy his music and have to pay top dollar for that. In Indonesia, where he was a superstar in the early 1980s, Gombloh was largely forgotten. With this project, we can only hope that the time is ripe for Gombloh to reemerge and now, more than ever, his music could speak to a bigger audience.

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Arthur Russell

World Of Echo

OST Star Trek: The Motion Picture Orange Vinyl Edition

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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A remastered and revised artwork edition of the extraordinary World Of Echo album from New York avant-garde cellist, songwriter, composer, and disco visionary Arthur Russell. Originally released in 1986, the album is a deeply meditative and seductive work of awe-inspiring beauty, grace, and passion, performed with just cello, voice, and echoes. Eighteen tracks remastered from Russell’s original 1/4-inch sequenced masters, including drumless versions of his disco classics “Let’s Go Swimming,” “Tree House,” and “Wax The Van,” along with four previously unreleased songs from Sketches From World Of Echo. Edition of 1,000 copies.

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Jerry Goldsmith

2LP | 1979 | US | Reissue (Enjoy The Ride)

Release: 1979 / US – Reissue

Genre: Soundtracks

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2LP | 1973 | EU | Reissue (Beatles Solo)

John Lennon

Mind Games

Caribou Record Store Day 2024 Sky Blue Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP 1: Mind Games – The Ultimate Mixes LP 2: Mind Games – The Out-takes Spec: 180g vinyl, gatefold sleeve Booklet: 8 page booklet of photos and artwork Poster: Reproduction of the original triptych marketing poster for the album

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Elton John

2LP | 1974 | Reissue (UMC)

To Anyone Who's Ever Laughed...

Release: 1974 / Reissue

Genre: Pop

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Quantity: 3000
Release type: 'RSD First' Release
Caribou, Elton John’s fourth album to claim the top spot on the charts in the US and his third in the UK, showcases hits like ‘Don’t Let The Sun Go Down On Me’ and ‘The Bitch Is Back.’ In honour of the 50th Anniversary of its release, a Record Store Day exclusive awaits enthusiasts:t with a sky blue 2LP. LP2 features session demos and rarities.

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Randy Rice

2LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

Forces Of Victory Black History Month Vinyl Edition

Release: 1974 / Reissue

Genre: Electronic & Dance

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I was between the ages of 18 and 20 when I wrote the 22 songs found on To Anyone Who Ever Laughed at Someone Else. They express the thoughts and frustrations, hopes and fears of a young man coming of age in a world that was full of upheaval and transformation. I was a product of that period in America we call the sixties—those years between the assassination of President John F. Kennedy in November 1963 and the resignation of President Richard Nixon in August 1974. In fact, this record was released that same month Nixon resigned. Over the next five years, I toured the country as an acoustic artist performing at clubs, coffeehouses and colleges. During that time, I watched the idealism and social consciousness of the sixties slowly fade away. In its place emerged a cynicism and materialism that still seems to be with us so many years later. More than anything else, I think To Anyone Who Ever Laughed at Someone Else is a time capsule that speaks to us from a past era. A period when, above all other things, we asked questions. We questioned our country, we questioned our faith, we questioned the very purpose of life itself. I am very excited to bring those questions and these songs to a new generation on a new continent. Special thanks to my friends Jordi Segura of Wah Wah Records who took the initiative to release this 50th Anniversary Re-issue of To Anyone Who Ever Laughed at Someone Else and Michel Veenstra Klinkhamer, who introduced us.

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Linton Kwesi Johnson

2LP | 1979 | PL | Reissue (UMR)

Release: 1979 / PL – Reissue

Genre: Reggae & Dancehall

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What Does Anything Mean? Basically Clear Vinyl Edition

The Chameleons

LP | 1985 | EU | Reissue (Blue Apple Music)

Forever Changes Sacd Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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The Chameleons second studio album 'What Does Anything Mean? Basically' re-mastered for vinyl in Spring 2018. 180g, clear vinyl.The album is presented on heavyweight clear vinyl in a gatefold sleeve with printed inner bag. The iconic cover art has been re-worked and updated by guitarist Reg Smithies.

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Love

SACD | 1971 | UK | Reissue (Mobile Fidelity)

Brothers In Arms Sacd Edition

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Sacd

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Dire Straits

CD | 1985 | UK | Reissue (Mobile Fidelity)

Limpe Fuchs / Paul Fuchs / Friedrich Gulda

Release: 1985 / UK – Reissue

Genre: Organic Grooves

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Sacd

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It's Up To You

2LP | 1974 | EU | Reissue (Play Loud!)

LP | 1977 | JP | Reissue (P-Vine)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Limited to 300 double vinyl copies, two inlays with photos and liner notes.

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Erik Tagg

Rendez Vous

OST Nightmare City Green Vinyl Edition

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Erik Tagg’s blend of warm, deeply resonating vocals spread like butter over the smooth instrumentation of this AOR and modern soul classic. 1976’s Rendez Vous was the second album from Tagg who had played in the Dutch bands Beehive and Rainbow Train outside his activity as a solo artist. From his debut two years prior, his emergence as a solo artist had always been full of promise. Yet Rendez Vous still came as a surprise with its expanded instrumentation, and the added weight of his voice on tracks, like the soul-searching “Life Goes On,” fine-tuned a winning formula.

Back in 2020 P-vine reissued the album for the first time on vinyl format through its Groove-Diggers imprint, and will again repress the album as a deluxe double gatefold edition with clear vinyl. Also included are four tracks that weren’t originally compiled on the album bringing the total tracklisting to thirteen.

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Stelvio Cipriani

2LP | 1980 | US | Reissue (Death Waltz)

Release: 1980 / US – Reissue

Genre: Soundtracks

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Kyoko Omiya & Orange Clear Orange Vinyl Edtion

Kyoko Omiya & Orange

LP | 1980 | JP | Reissue (Pony Canyon)

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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23 Twenty-Three Years Old Yellow Vinyl Edtion

Chie Sawa

LP | 1974 | JP | Reissue (Pony Canyon)

Release: 1974 / JP – Reissue

Genre: Pop

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Painted Woman White Vinyl Edition

Masaki Matsubara

LP | 1983 | JP | Reissue (Pony Canyon)

LP | 1980 | JP | Reissue (Pony Canyon)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc.

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Junko Hirotani

Blendy

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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DJ Yoshizawa dynamite.jp, an avid record digger and "wamono" style expert who has been active as a professional DJ, remixer, composer, and producer in Japan since the late 80s, published his record guidebook "Wamono A to Z" in 2015. The book introduced many classic and rare Japanese Groove records that were not yet known at the time.

Now, DJ Yoshizawa dynamite.jp recommends four rare light mellow funk and soft rock LPs by Junko Hirotani, Kyoko Omiya & Orange, and Chie Sawa. These LPs were released on the independent Japanese label Pony Canyon from 1974 to 1980.

These albums feature the participation of Haruomi Hosono, Ken Sato, Masaki Matsubara, Masataka Matsutoya, Masayoshi Takanaka, Shigeru Suzuki, Taeko Onuki, Tatsuo Hayashi, Tatsuro Yamashita, Tetsuji Hayashi, Yuji Toriyama, Yukihiro Takahashi, and others.

All songs have been digitally remastered and reissued on translucent color vinyl with a Japanese obi.

Put the needle on the record, turn up the volume, and dig into "Wamono A to Z" right now!

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LP | 1975 | JP | Reissue (Pony Canyon)

Junko Hirotani

Sono Ai Ni..

2LP | 1973 | JP | Reissue (Warner Music Japan)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Flower Travellin' Band

Make Up

LP | 1975 | HK | Reissue (Evosound)

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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An analog reissue of Flower Travellin' BAND's last album in the 70's, "make UP", has been decided! The strongest new rock band, Flower Travelin' Band (ftb) The last album in the 70's, full of live feeling that most embodies the band's style. Produced by: Flower Travelin' Band, Yuya Uchida, Ikuzo Orita

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Bob James

Two Gold Vinyl Edition

Release: 1975 / HK – Reissue

Genre: Organic Grooves

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First Issue Metallic Silver Vinyl Edition

Public Image Ltd

LP | 1978 | US | Reissue (Light In The Attic)

Release: 1978 / US – Reissue

Genre: Rock & Indie

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2LP | 1971 | US | Reissue (Craft)

Woody Shaw

Blackstone Legacy

LP | 1989 | HK | Reissue (Evosound)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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The post-bop opus Blackstone Legacy is the seminal debut album by trumpeter Woody Shaw. Originally released in 1971 on Contemporary Records, the groundbreaking album was inspired by the sociopolitical ills of the '60s. In their review, Allmusic called the album, "... a landmark recording, and a pivot point in the history of post-modern music". This 2-LP reissue was remastered from the original analog tapes by Kevin Gray, and pressed on 180-gram vinyl at RTI, housed in a gatefold tip-on jacket.

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Mr. Big

Release: 1989 / HK – Reissue

Genre: Rock & Indie

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Never For Ever 2018 Remaster Black Vinyl Edition

LP | 1980 | EU | Reissue (Fish People)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. Never For Ever is Kate's third studio album and was released in 1980.

Never For Ever was Kate's first no.1 album. It was also the first ever album by a British female solo artist to top the UK album chart, as well as being the first album by any female solo artist to enter the chart at no.1.

It has since been certified Gold by the British Phonographic Industry.

Kate co-produced the album with Jon Kelly. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Lionheart 2018 Remaster Black Vinyl Edition

LP | 1978 | EU | Reissue (Fish People)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. Kate's second album Lionheart was released in late 1978, just nine months after The Kick Inside.

Lionheart reached no.6 on the UK album chart and has been certified Platinum by the British Phonographic Industry.

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The Sensual Word 2018 Remaster Ash Grey Vinyl Edition W/ Obi-Strip

LP | 1989 | EU | Reissue (Fish People)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. The Sensual World is the sixth studio album by Kate Bush. It was released in October 1989 and reached no. 2 in the UK album chart.

It has been certified Platinum by the British Phonographic Industry in the UK, and Gold by the Riaa in the US. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Hounds Of Love 2018 Remaster Raspberry Beret Vinyl Edition W/ Obi-Strip

LP | 1985 | EU | Reissue (Fish People)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. Comes with Obi-Strip. Hounds Of Love was Kate's fifth studio album, and her second no. 1.

Featuring "Running Up That Hill (A Deal with God)", it has since been certified Double Platinum in the UK by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

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The Dreaming 2018 Remaster Smokey Vinyl Edition W/ Obi-Strip

LP | 1982 | EU | Reissue (Fish People)

Soundscape 1: Surround Black Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. The Dreaming is Kate's fourth studio album and was released in 1982.

Following Kate's production assistance on Lionheart, and her co-production of Never For Ever with Jon Kelly, The Dreaming was the first album Kate produced on her own.

The album peaked at no. 3 in the UK album chart and has been certified Silver by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

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Hiroshi Yoshimura

LP | 1986 | US | Reissue (Temporal Drift)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Lionheart 2018 Remaster Dirty Pink Vinyl Edition

LP | 1978 | EU | Reissue (Fish People)

47,49 €* 49,99 € -5%

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. Kate's second album Lionheart was released in late 1978, just nine months after The Kick Inside.

Lionheart reached no.6 on the UK album chart and has been certified Platinum by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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The Kick Inside 2018 Remaster Mango Chutney Vinyl Edition

LP | 1978 | EU | Reissue (Fish People)

47,49 €* 49,99 € -5%

Genesis Opaque Pink Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. Kate's debut album "The Kick Inside" was released on 17 February 1978 and contains the UK number one hit, "Wuthering Heights".

The album peaked at number three in the UK album charts and has been certified Platinum by the British Phonographic Industry.

The production included contributions from Duncan Mackay, Ian Bairnson, David Paton, Andrew Powell, Stuart Elliott and David Gilmour. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

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Elvin Jones

LP | 1971 | US | Reissue (Blue Note / Third Man)

47,49 €* 49,99 € -5%

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Big Problem Is Not The Solution. The Solution = Let It Be Record Store Day 2023 Yellow Vinyl Edition

Crispin Hellion Glover

LP | 1989 | US | Reissue (Real Gone Music)

2LP | 1979 | JP | Reissue (Universal Music Japan)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2023 exclusive release liimited to 1700 copies.
What do you get when you team the weirdest actor in Hollywood (one Crispin Hellion Glover) with two of the weirdest guys in pop music (Barnes & Barnes of "Fish Heads" fame)?

Something, well, WEIRD! Like, really freaking strange. Fans of The Residents and King Missile might find something to groove to here, but really this provides a voyeuristic dive into the deep, dark waters of one of the true characters of modern times (Johnny Depp or Keanu Reeves rock and roll crossover this ain't). Glover reads from his books of poetry ("Auto Manipulator" is about exactly what it sounds like it's about) over B&B's demented musical excursions. The result is a true cult classic, whose brief 1989 vinyl release remains impossibly scarce and impossibly pricey. Thus this first vinyl reissue (with three tracks never before on vinyl), in light blue with crimson "clowny clown clown" splatter vinyl limited to 2000 copies for Record Store Day! 12" x 18" poster and CD booklet featuring Glover's deeply disturbed comic book scribblings, too! (Don't bother calling the home phone number Crispin put on the back cover, it's disconnected).

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Hiroshi Sato

Orient

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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LP+7" | 1982 | JP | Reissue (Alchemy)

Hijokaidan

Zouroku No Kibyou

LP | 1985 | JP | Reissue (Nippon Columbia)

Release: 1982 / JP – Reissue

Genre: Rock & Indie

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Not for the faint of heart! Predating both Sonic Youth and Swans’ debut albums by a year, Zourokuno Kibyou, initially released in 1982, quickly vaulted Kansai noise rockers Hijokaidan to indie music fame. Compiling their early, borderline grotesque, extreme live performances, Zourokuno Kibyou is as much a historical document as it is one of the heaviest noise albums to ever come out of Japan. With cover art by legendary horror manga artist Hideshi Hino and a booklet containing photos from the wild performances that Hijokaidan was famous for, this is sure to satisfy even the most hardcore of hardcore fans. The LP comes with “A Tribute To Icchie”, a 7” originally released (only 14 copies were initially pressed!) in honor of original member Ichigura Akira’s passing, and repressed for the first time ever. Packaged with an OBI-strip on limited first edition vinyl, this deluxe edition of Zourokuno Kibyou is one you absolutely must not miss!

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Mizuki Koyama

Angel's Dream

Tilt ( Immagini Per Un Orecchio) Blue Vinyl Edition

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Japanese Boogie - The first analog reissue of the urban city pop classic!

The first analog reissue of the debut album released in 1985 by the talented singer Mizuki Koyama, who also played in the inimitable lounge band Safari, with the specifications as close as possible to those of the time!

The album was designed by Hiroshi Shinkawa, who introduced the most advanced bracon sound of the time and designed the album with an urban yet songful feel.

The funky melody of 'He Can't Get Away With It,' composed by Kyohei Tsutumi, and the Japanese boogie number 'Oh! Daddy,' penned by Toshinobu Kubota, are true highlights of the album.

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Arti & Mestieri

LP | 1974 | EU | Reissue (Cracki)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Live Dates II Yellow & Blue Record Store Day 2020 Edition

Wishbone Ash

2LP | 1980 | EU | Reissue (L.M.L.R.)

2LP | 1971 | US | Reissue (Capitol)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.

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Paul McCartney & Wings

Wild Life

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1979 | US | Reissue (Reprise)

Neil Young & Crazy Horse

Live Rust

Release: 1979 / US – Reissue

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Rhino)

Led Zeppelin

Coda

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Physical Graffiti Remastered Edition

Led Zeppelin

2LP | 1975 | EU | Reissue (Rhino)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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John Carpenter & Alan Howarth

OST Halloween 2

LP | 1981 | US | Reissue (Death Waltz)

John Carpenter & Alan Howarth

Release: 1981 / US – Reissue

Genre: Soundtracks

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Pressed on Black Eco Vinyl
Artwork by Paul Mann
Music to the 1981 film directed by Rick Rosenthal
DESCRIPTION

Death Waltz Recording Company is proud to present the return of one of horror’s scariest boogeymen, as well as one of the genre’s most iconic theme tunes with John Carpenter and Alan Howarth’s score to HALLOWEEN II. Set directly after the events of the first film, Rick Rosenthal’s sequel sets itself up as the slasher equivalent of THE EMPIRE STRIKES BACK, making a family connection between Laurie Strode and Michael Myers while getting some good kills in at the same time. Carpenter and Howarth’s score is beefier and more intense than before, using layers of electronics to drive the audience to madness.

As before, Myers aka “The Shape” is propelled by that theme, souped up with a new and more powerful arrangement from Carpenter and Howarth. HALLOWEEN II is more overtly synth and is perhaps less focused than the original score, although that certainly means it’s nastier and more schizophrenic. The score also brings back the evocative ’Laurie’s Theme’, incorporating into a score full of harrowing musical effect, its synthesised howls and wails piercing your ears so that by the time ‘Mr. Sandman’ comes around, you’ll feel just like the final girl, delirious at having survived the aural ordeal. And that’s just when The Shape wakes up.

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OST Halloween III: Season Of The Witch

LP | 1982 | US | Reissue (Death Waltz)

Crimson Clear Vinyl Edtion

Release: 1982 / US – Reissue

Genre: Soundtracks

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Pressed on Black Eco Vinyl
Packaging by Alan Hynes
Music to the 1982 film directed by Tommy Lee Wallace
DESCRIPTION

Death Waltz Recording Co. is delighted to revisit not only one of our favorite HALLOWEEN sequels, but one of our favorite sequels period. It’s been a long, hard road for HALLOWEEN III: THE SEASON OF THE WITCH to be accepted within the HALLOWEEN franchise, but it is now widely considered to be one of the best horror movies of the ‘80s.

The packaging for this release is also completely singular and jaw-dropping; designed by Alan Hynes (the wizard behind our FIGHT CLUB and ANOMALISA releases) it’s unlike all of our other re-issues in this series. It’s still designed to fit in the collectors box and really helps solidify what an outlier HALLOWEEN III is in the overall series.

The film is unique not only due to it lacking Michael Myers (save for a brief appearance on a TV screen) but also for its score. John Carpenter and Alan Howarth completely jettisoned their previous work and deliver nothing short of an electronic masterpiece. The lead track ‘Chariots Of Pumpkins’ is an epic 4/4 beat-driven synth-banger that has regularly been played by DJs over the last 10 years. The rest of the score features lush pads, Linn drums aplenty and veers from beautiful blissed-out ambient drones to sinister stinger-driven mood pieces. Absolutely outstanding stuff.

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Akina Nakamori

LP | 1986 | JP | Reissue (Warner Music Japan)

Best Ii Clear Vinyl Edtion

Release: 1986 / JP – Reissue

Genre: Pop

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The 10th original album, "CRIMSON," includes the famous songs "Eki" and "OH NO, OH YES!" This luxurious album was completed with five songs each provided by two female musicians, Mariya Takeuchi and Akiko Kobayashi.

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Akina Nakamori

LP | 1989 | JP | Reissue (Warner Music Japan)

LP | 1986 | JP | Reissue (Warner Music Japan)

Release: 1989 / JP – Reissue

Genre: Pop

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The second single collection features all 10 singles from the 14th single "desire - Jounetsu -" (winner of the 28th Japan Record Award) to the 22nd single "I Missed 'the Shock'" (including "Nonfiction Ecstasy" released as a single cassette). This best album was simultaneously released on December 24, 1988, in three formats—LP, cassette tape, and CD—each with a different cover photo pose.

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Akina Nakamori

Best Clear Vinyl Edtion

My Life With The Thrill Kill Kult I

Release: 1986 / JP – Reissue

Genre: Pop

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The debut single collection, featuring all 13 singles from "Slow Motion" to the 13th single "SOLITUDE," includes a total of 13 tracks. This best album was simultaneously released in three formats—LP, cassette tape, and CD—on April 1, 1986.

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See Good Spirits.. Limited 2lp Edition

2LP | 1988 | US | Reissue (Wax Trax!)

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Tazenda Clear Red Vinyl Edtion

Tazenda

LP | 1988 | EU | Reissue (The Saifam Group)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Ne Approfitto Per Fare Un Po' Di Musica White Vinyl Edition

Sergio Caputo

LP | 1987 | EU | Reissue (The Saifam Group)

Release: 1987 / EU – Reissue

Genre: Pop

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All The Young Dudes Orange Vinyl Edition

Mott The Hoople

2LP | 1972 | UK | Reissue (Madfish)

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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2LP | 1979 | US | Reissue (Feel It)

The Toms

LP | 1986 | EU | Reissue (Red)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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"the Toms was originally released in 1979. The project of TOM Marolda, a New Jersey musician, he recorded the album in his home studio, playing all the instruments himself. In the years since its release, it's become a highly prized treasure amongst power pop fans around the world, at least those lucky enough to discover it. Beatlesque melodies abound on a record that sounds anything but lo-fi. Feel It Records is proud to re-release this long sought after gem with 12 bonus tracks that have never seen the light of day on vinyl before!"—John M. Borack, Author, Shake Some Action 2.0: An Updated Guide to the 200 Greatest Power Pop Albums.

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Steve Grossman

Love Is The Thing

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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LP | 1986 | EU | Reissue (Red)

Cedar Walton

The Trio 3

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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LP | 1986 | EU | Reissue (Red)

Robert Watson Quartet

Love Remains

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Don't Shoot Me I'm Only The Piano Player Record Store Day 2023 Edition

Elton John

2LP | 1973 | EU | Reissue (EMI)