Vinyl, CD & Tape 6250 Items

CD | 1989 | EU | Reissue (Chrysalis)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023 with original cover art, black vinyl, ltd 300, lyric sheet, restored original master, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, new cutting by SST

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De La Soul

3 Feet High And Rising

15,29 €* 17,99 € -15%

Solo Piano Black & White Marbled Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Hip Hop

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R.I.P. Trugoy the Dove

Finally back on vinyl. Now also back on CD, officially reissued. Must have! 3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989 It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

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Philip Glass

30,99 €*

Keeper Of The Flame Colored Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Classical Music

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With Solo Piano, Glass presents himself 'unplugged' - no electronic keyboards or synthesizers, and no overdubs, either - just solo piano. 'Metamorphosis' was written in 1988 and takes it's name from a play based on Kafka's short story. It's second track, 'Metamorphosis Two', formed the basis of one of the main musical themes in the film 'The Hours'. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts. 'Mad Rush' was written for the occasion of the Dalai Lama's first visit in New York City. 'Wichita Vortex Sutra' is the result of a chance meeting between two long-time friends, Glass and poet Allen Ginsberg, in a bookstore in the East Village. 'We decided on the spot to do something together, reached for one of Allen's books, and chose the poem 'Wichita Vortex Sutra'.Solo Piano is available as a limited edition of 2000 individually numbered copies on black & white marbled vinyl and includes an 8-page booklet.

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Golden Earring

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | TR | Reissue (Sn Muzik)

Sezen Aksu

Soyluyor

Souvent Fauche Toujours Marteau

Release: 1989 / TR – Reissue

Genre: Rock & Indie

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This is the 9th studio album of pop music diva Sezen Aksu, who has continued her music career in the Turkish Pop Music Scene for almost 50 years, was originally released in 1989 on CD and cassette. In addition to ballads, the artist showed how talented she is in interpreting disco songs.Beside the Sezen Aksu and Onno Tunç concept, this album features Aysel Gürel, Zülfü Livaneli, Bülent Ortaçgil, Orhan Atasoy, Hümeyra, Selim İleri, Melih Cevdet Anday, and is a milestone album in both Sezen Aksu discography and Popular Turkish music. Almost all of the tracks on this album were hit songs, like: "Şinanay", "Belalım", "Beni Kategorize Etme", "Gidiyorum", "Kış Masalı" and "Son Bakış"

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Berurier Noir

LP | 1989 | EU | Reissue (Archives De La Zone Mondiale)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Bim Sherman & Sound Iration

Dream

7" | 1989 | EU | Reissue (Partial)

Crime & The City Solution

Release: 1989 / EU – Reissue

Genre: Reggae & Dancehall

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Vocals courtesy of the late great Jamaican singer Bim Sherman, whose unique haunting voice made him a firm favourite throughout the 70s/80s/90s with the roots reggae crowd as well as On-U Sounds taking Bim to other worldy realms. Originally released on Youth and Alex Patterson’s WAU! Mr Modo label in 1989 and produced by Sound Iration (Nick Manasseh and Scruff). Originally recorded as `It Must Be a Dream’ in the 70s, on this cut, Bim revisits the track in `89 with a meditative part-digital rhythm from Sound Iration backed with a phased-out dub version on the flipside.

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Paradise Discotheque Colored Vinyl Edition

LP | 1989 | UK | Reissue (Mute)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Crime & The City Solution

The Bride Ship Colored Vinyl Edition

LP | 1989 | UK | Reissue (Mute)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Groovy Things Colored Vinyl Edition

The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

LP | 1989 | EU (Radiation Reissues)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Cosmic Dropouts was formed in 1988 by Arne Thelin (vocals) and Morten Henriksen (guitar), and was together with The Willy B Review in the forefront of Norwegian garage rock. In addition to Arne and Morten, the band consisted of Pål Andreassen on organ, Carsten Johansen on bass (later replaced by Lars Albrecht and Stig Jøraholmen) and Elvin Sjursen on drums (later replaced by Rune Johnsen). This line-up recorded the band’s first release that year, a four-track vinyl 7“ EP titled Crashed Cadillac and Broken Hearts. It got good reviews in Norway and landed the band their first gigs. Their next release, an 8-track mini-album titled Groovy Things released in 1989, got raving reviews in Norway and abroad, and paved way for gigs at bigger venues and landed them their first and only gigs outside Norway with this line-up. They played at the New Music Seminar in New York that year in addition to a gig at The Khyber Pass pub in Philadelphia. Previous remotely started discussions with Skyclad Records continued in New York and resulted in this album’s original release. The mini-album and the EP together with their first single Let’s Go To The Beach (also released in 1989), plus a handful of songs recorded separately, were released as a full length album with the title Groovy Things by Skyclad Records in the US in 1990. By that time Arne had left the band (September 1989) and started The Lust-O-Rama, but the band continued with a new singer (Morten Karlsen) and released another two albums after that - Hoolabaloo on That’s Entertainment Records (1991) and Sonic Circus on Kicksville Records (1993). This re-issue was remastered December 2021.

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Toy Dolls

Wakey Wakey!

20,99 €*

LP | 1989 | EU | Reissue (Universal)

Release: 1989 / EU

Genre: Rock & Indie

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By the time Sunderland’s punk humourists the Toy Dolls released 1989’s Wakey Wakey!, bassist John ‘K’Cee’ Casey had joined founding member Olga and longstanding drummer Martin Yule for another great episode of their musical madness. Now with a metal edge underpinning their punk/Oi! hybrid, their versions of ‘Armenian folk song ‘The Sabre Dance’ and Chuck Berry’s ‘No Particular Place To Go’ are riveting and ‘Cloughy Is A Bootboy’ and ‘Lester Fiddled The Tax Man’ leave Olga’s humour intact. Many hail this is among the best Toy Dolls albums of all time – get it and understand why! Best played loud and often!

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Aerosmith

Pump

Attack Against Gnomes Red Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie, Pop

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Limited 180 gram vinyl LP pressing of this album from the classic rock band. Pump is the tenth studio album by Aerosmith, released on September 12, 1989. Pump incorporates the use of keyboards and a horn section on many of the singles ("Love in an Elevator", "The Other Side"), and contains straightforward rockers ("F.I.N.E.", "Young Lust"), the ballad "What It Takes", songs about issues such as incest and murder ("Janie's Got a Gun") and drug and alcohol abuse ("Monkey on My Back"), [4] as well as a variety of instrumental interludes such as "Hoodoo" and "Dulcimer Stomp." The album has certified sales of seven million copies in the U.S. and is tied with it's successor Get a Grip as Aerosmith's second best-selling studio album in the U.S. (Toys in the Attic leads with eight million).

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Prestige

LP | 1989 | EU | Reissue (Massacre)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Attack Against Gnomes Black Vinyl Edition

Prestige

LP | 1989 | EU | Reissue (Massacre)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Live Without Sense Picture Disc Edition

Destruction

LP | 1989 | EU | Reissue (High Roller)

12" | 1989 | EU | Reissue (Chineurs De House)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, COMMEMORATIVE EDITION, 40 YEARS OF UNLIMITED THRASH 1982–2022, picture vinyl, ltd 500, individually numbered, gatefold cover, poster, picture vinyl bonus 7", A5 photo, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1989 sound

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Amedee O Suriam

Tension Hot-Shot

Koi No Shunkan-Can't Stop My Love

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Reissue of Amédée Ô Suriam's banger 'Hot Shot' in editted form, comes with two very dope remixes by 'Manoo'.. Sourced from the master tapes and properly remastered!

Amédée Ô Suriam was one of those flamboyant souls touched by grace. Percussionist, author, composer, singer, stylist, sculptor, the Martiniquan put his divine inspiration at the service of a hybrid and visionary creation. His sudden death in 1992, while in his thirties, left behind him "Tension Hot-Shot", his only solo release from 1989. A resolutely avant-garde track, whose fusion of traditional African and Caribbean music with the beginnings of the house movement in Europe is underlined by the subtitle "Afro House" on the A side of the EP, a term that was barely used until then. It is this mysteriously precursory track that Chineurs de House has found, remastered and reissued today, finally shedding light on the fascinating work of an artist who had fallen into oblivion.

Vocals (Tension Hot-Shot) : M.C. Kann, Amédée Ô Suriam & Marie-José FA Chorus-Keyboard (Tension Hot-Shot) : Luther Pérau Chorus (Tension Hot-Shot) : Prosper St-Aimé, Rémi Laposte Synth-Bass (Tension Hot-Shot) : Fred Montabord Saxophone (Tension Hot-Shot) : Pietro Lacirignola Structure (Tension Hot-Shot) : Allan Dee, J.C. Broche

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Shambara

7" | 1989 | JP | Reissue (Universal Music Japan)

20,99 €*

Release: 1989 / JP – Reissue

Genre: Organic Grooves

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Reeperbahn Pink Vinyl Edition

Udo Lindenberg

10" | 1989 | EU | Reissue (Polydor)

Release: 1989 / EU – Reissue

Genre: Pop

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LP | 1989 | US | Reissue (Craft)

John Lee Hooker

The Healer

37,99 €*

Release: 1989 / US – Reissue

Genre: Organic Grooves

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Bringin' It Down Yellow Vinyl Edition

Judge

LP | 1989 | US | Reissue (Revelation)

35,99 €*

LP | 1989 | EU | Reissue (Atomic Fire)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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To most fans of hardcore, Judge is a band that needs no introduction. Judge took the ideals and positive goals of Youth OF Today and infused them with beefy guitar licks, introspective lyrics, and a hefty influx of New York style. The Bringin’ It Down full-length took Judge to an entirely different level. Funneling the energy of New York Crew through crunching guitars that had never been applied to their powerful brand of hardcore was an enormous shift. As abruptly as Judge had burst onto the scene, in 1991 they played a now infamous “final” show in Florida. Then, in May of 2013, Judge reunited in their hometown of NYC as headliners for the Black ‘n’ Blue Bowl. In 2015, they were the subject of a four-part series on Vice’s music blog, Noisey.com, titled There Will Be Quiet - The Story Of Judge, which has since premiered as a feature-length documentary.

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Meshuggah

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Three Months Three Weeks & Two Days

Bill Pritchard

LP | 1989 | EU | Reissue ([Pias] Le Label)

26,99 €*

Release: 1989 / EU – Reissue

Genre: Pop

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LP | 1989 | Reissue (Mute)

Can

Rite Time

Release: 1989 / Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Mississippi)

Dead Moon

Defiance

24,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | JP | Reissue (Warner Music Japan)

Mari Iijima

My Heart In Red

39,99 €*

Groovy Things Black Vinyl Edition

Release: 1989 / JP – Reissue

Genre: Pop

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Released in 1989, Mari Iijima's 7th album MY Heart IN RED is being reissued for the first time!

Recorded in Los Angeles at the time, the album features top players from the Toto area and Jerry Hey Horns Session from Seawind.

Cut on the latest remastered 96k24bit sound source in 2022, officially certified by the man himself.

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The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

OST Santa Sangre Red Vinyl Black Friday Record Store Day 2022 Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Simon Boswell

LP | 1989 | EU | Reissue (AMS)

Extreme Noise Terror & Filthkick

Release: 1989 / EU – Reissue

Genre: Soundtracks

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Limited edition for Black Friday Records Store Day 2022.

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In It For Life Clear Vinyl Edition

LP | 1989 | UK | Reissue (Back On Black)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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12" | 1989 | EU | Reissue (DBH)

Axodry

You

Gigi Masin / Charles Hayward

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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In 1989 RaHen composed, programmed and mixed the song ‘You’. The song was sung by the great singer Mark Jefferis, who already had a huge success with TXT. Frank Poulton wrote the text. The audio engineer of this song was the incredible Tommy Schmidt / Cream Studios. This production was completely realized in Frankfurt am Main / Germany and is considered another milestone of the Sound Of Frankfurt.

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Les Nouvelles Musiques De Chambre Volume 2

LP | 1989 | JP | Reissue (P-Vine)

35,14 €* 36,99 € -5%

LP | 1989 | EU | Reissue (Invisible City Editions)

Release: 1989 / JP – Reissue

Genre: Organic Grooves, Classical Music

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The two emerging explorations of aquatic themes on 1989’s Les Nouvelles Musiques de Chambre Volume 2 were a unique insight into the respective compositional approaches of its two central figures. The split album featured the Italian composer Gigi Masin on side-a with delicate piano movements rippling above undulating electronics. Its second track ‘Clouds,’ has become an ambient standard with Bjork, Nujabes and cloud-rap duo Main Attrakionz all sampling its rich and euphoric tones.

Side-b belonged to Charles Hayward and the twenty three minute sound portrait ‘Thames Water Authority’. A founding member of post-punk and avant groups This Heat and Camberwell Now, Hayward’s natural inclination towards percussive instrumentation is highlighted by shape-shifting cymbal recordings that trace the expansive systems that meander beneath Greater London. The track later appeared on his tribute album to Mark Rothko, fusing its symmetry with artistic abstraction.

P-vine is thrilled to reissue Les Nouvelles Musiques de Chambre Volume 2 on limited edition vinyl with an iconic Japanese obi strip attached.

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Shawn Pittman

Dreams

18,99 €* 19,99 € -5%

LP | 1989 | EU | Reissue (Golden Core)

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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mited Pressing.

Invisible City Editions returns with an official repress of a fantastic double-sided private press rarity from 1989 Detroit. Featuring two legendary Inner City alumni Producer/keyboardist Engineer Art Forest and Inner City background vocalist dancer/singer Shawn Pittman. On the A side a lush slow modern soul slow burner “Dreams'' features a deep,spatial throbbing bass line with glistening synths floating underneath cool angelic hypnotic vocals by Ms Pittman.” 'Dreams are only Dreams till you make it real' chants Shawn Pittman and we’re lead down a dazzling maze of mirrors. With “I'm Losing Control (Extended Bass-ment Club Mix)” on the flipside a wild late night warehouse dub remix features sci-fi vocal effects,fostex tape loops and ultra-heavy bass and driving drum machines. Minimal lush soul perfect for early mornings and the post-club world and a wild sci-fi house winner for late night club sessions. An IC fave! Remastered by Brandenberg/The Carvery (Note: we’ve also removed the drum machine going out of sync that was on the original press) Official Repress via Art Forest and his label Wildboy.Essential stuff!

Art Forest is an Electronic Engineer and production wizard from Detroit Michigan. He originally recorded 2 of Inner CItys’ Biggest Hits “Good Life” and “Big Fun” and continues to record to this day. Art Forest still finds and repairs equipment to add to his studio today. He also recorded for Paula Abdul “Straight Up” and Madonnas’ “Justify My Love” Shawn Pittman was a singer and dancer from Detroit who was a good friend of Inner City vocalist Paris Grey. Shawn Pittman sang backing vocals and harmonies on “Good Life” and “Big Fun”.

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Exploder

Pictures Of Reality

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Banco Presenta Francesco Di Giacomo

Non Mettere Le Dita Nel Naso Limited Clear Yellow Vinyl Edition

LP | 1989 | EU | Reissue (BTF)

14,49 €* 28,99 € -50%

Release: 1989 / EU – Reissue

Genre: Pop

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LP | 1989 | TR | Reissue (Mega Müzik)

Erkin Koray

Fesuphanallah

LP | 1989 | EU | Reissue (Everland Psych)

Release: 1989 / TR – Reissue

Genre: Rock & Indie

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This is the compilation of singles during the first half of 1970s. Erkin Koray is one of the greatest musician (singer, songwriter and electric guitar master) of Turkish Rock Scene in 1970s. The album has totally psychedelic, acid Rock sound. You will never remain unconcerned when you first hear the killer and groovy guitar sound of him.

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Kola Beldy

White Island

All Hail The Queen Red Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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I have never heard before of the Jurchen culture from the Chinese and later East Russian Northlands and as well not of the Nanai People who have risen from the scattered remains of the Jurchen culture wiped out by furiously attacking Mongolian steppe armies some 850 years back. The Great Khans did not leave much variety after sweeping through the taiga towards Western Europe in the 12th and 13th centuries. So the Nanai people came to exist and had their songs and instruments. Some of them were used by composer Alexander Lavrov and singer Kola Beldy who is of Nanian descent in their music on this, Kola Beldy’s fourth album. Just as all his records from the 1980s, this is extremely rare and originals in good shape can cost a small fortune. Just in case they ever turn up somewhere outside the vast Russian country. Now for the very outstanding music that as mentiond above is based on centuries old folk tunes of the Nanai and Jurchen cultures which get slightly updated in the sense of 1989 state oft he art pop and rock and that even in a slightly progressive way. Kola Beldy, already 60 years of age by then, was a long time active folk and pop singer in the Soviet Union who unfortunately passed away only 64 years old in 1993. He owns a full, warm mid ranged voice and chants the ancient melodies in a mystifying way. The instrumentation behind him shows a good variety of old and modern instruments. While the opening track is based mostly on percussion and drum patterns with an eerie grinding sound and later on a jew’s harp added upon which Beldy lays down a melody with a typical far eastern approach in what seems to be Russian language, further tracks contain synthesizer lines and even an electric guitar. Still the overall atmosphere is mostly mystical, solemn and spiritual. I definitely have not heard anything alike before. The more rock oriented tunes could bring back memories of Italian movie soundtracks by Goblin, based on progressive rock and jazz to the mind of the listener, just with these awesome vocals. Italian 90s progressive rockers Presence also had a similar approach. The keyboards, organ, very modern singing bass guitar head towards a very progressive direction here. Art pop, if you want to call it that. Based on ancient Nanian tunes but made timeless and even in 2021 fresh sounding by a very talented band. So, Kola Beldy’s fourth album may not be a mainstream favorite, fans of progressive pop like that of early 80s Goblin, Presence from the early 90s and good ol‘ Peter Gabriel, not for the voice itself but for the songs, will find pleasure in this nifty obscurity which gets reissued now for the first time on vinyl in 32 years.

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Queen Latifah

LP | 1989 | US | Reissue (Tommy Boy)

29,99 €*

Pungent Effulgent 2020 Ed Wynne Remaster Black Vinyl Edition

Release: 1989 / US – Reissue

Genre: Hip Hop

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Limited red colored vinyl LP pressing. While Queen Latifah may be known more as an actress, host and TV personality these days, it was Queen Latifah the MC that first burst out of Newark and onto the scene with her 1989 debut album, All Hail the Queen. Led by singles, "Wrath of My Madness, " and Monie Love assisted, "Ladies First, " the album peaked at #6 and #124 on the Billboard Top Hip Hop/R&B Albums and Billboard 200 charts. All Hail the Queen became an instant classic and catapulted Queen Latifah into mainstream consciousness where she has remained to this day. Selected by The Source as one of the Top 100 Best Rap Albums, while also making it onto Robert Dimery's 1001 Albums You Must Hear Before You Die list, All Hail the Queen continues to be a must have for record collectors and hip-hop heads around the world.

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Ozric Tentacles

LP | 1989 | EU | Reissue (Kscope)

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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Bright And Guilty Pale Blue Color Vinyl Edition

The Wolfhounds

2LP | 1989 | EU | Reissue (Optic Nerve)

39,99 €*

2LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Deluxe reissue of their 1989 sophomore album pressed on pale blue Color Vinyl. Presented in a gloss laminated gatefold sleeve, which features the original LP plus a bonus disc with all the A and B sides, some compilation tracks and an outtake, plus a 12-page booklet containing previously unpublished lyrics and tons of contemporary reviews and photos.

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Elvis Costello

Spike

33,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Danger Danger

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Tena Stelin & Sound Iration

Wicked Invention

LP | 1989 | EU | Reissue (Partial)

21,99 €*

Lunacy Clear / Blue Splatter Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Reggae & Dancehall

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Tena Stelin’s ‘Wicked Invention’ is one of the most highly-sought UK digital roots reggae vocal albums, produced by Sound Iration (Nick Manasseh & Scruff), essentially, this is the vocal version of the classic dub album `Sound Iration in Dub’. This vocal set, like the vocal counterpart was released on Wau! Mr Modo in 1989. Features the sound system belters ‘Orthodox Music’, `Jah Equity’ and the title track. Limited to 500 copies only.

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Virus

LP | 1989 | UK | Reissue (Back On Black)

Skid Row Colored Vinyl Edition

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Re-issue of Virus' 'Lunacy' on CLEAR/BLUE SPLATTER vinyl!
Brighton-born quartet Virus, sported a sound that originally had a fair bit in common with the faster and darker approach of Sodom and Kreator, and developed a reputation as being the U.K.'s answer to trailblazing progressive thrashers Voivod!
Virus will likely never see the same level of exposure that the average North American and German thrash act of the 80s enjoyed, but their back catalogue deserves more attentive ears and banging heads, and those who complain that thrash metal is too stylistically limited should be the first in line!

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Skid Row

LP | 1989 | US | Reissue (Friday Music)

43,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Friday Music)

Skid Row

43,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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A Day On The Town White Vinyl Edition

Burial

LP | 1989 | EU (Radiation Reissues)

LP | 1989 | EU | Reissue (Emotional Rescue)

Release: 1989 / EU

Genre: Rock & Indie

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Hailing from Britain’s formerly industrial heartland of North Yorkshire, The Burial was a forward-facing ska-punk/Oi band with a strong Left orientation, channelling 2Tone, Northern Soul, punk, and folk influences. Rhythm guitarist Eric ‘Barney’ Barnes made sure the world knew these skinheads were antifascist and the use of a full horn section made their sole LP, A Day On The Town, stand out. Unlike the Redskins, who soon moved to the student circuit, The Burial remained embedded in the working class communities from whence they came; this fine, often overlooked LP will be devoured by all fans of ska-punk and Oi!.

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Vox Populi!

Aither 2022 Repress

Turning Point Orange Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Emotional Rescue celebrates a decade of reissues by again pulling deep from the well with the first of several French avant albums over the coming year. The self-styled "Ethno-Industrial" Vox Populi! present their 1989 Aither album, remastered and repackaged with love nearly 30 years later. Initiated by artist Axel Kyrou in 1982, Vox Populi! was soon joined by long term collaborator Pacific 231 on a series of coldwave/industrial cassette only recordings. Things changed considerably, however, with the meeting of the siblings, Mitra and Arach in 1984. The consequential use of "traditional" instruments and, especially, his wife Mitra's Persian folklore vocals gave a specific tonality, incorporating the band's expanding passion for oriental sounds, electronics and psychedelic music. Involving numerous musicians and friends in often-spontaneous studio sessions, the melting pot of varied cultural backgrounds added ethnic, electronic, concrete music, funk, dub and experimental flavours. This feeling of the subjective absence of the artist was achieved via a communal way for making music, but still with an aim to entertain while leading the listener to experience something unique - mind elevating, non-egotistical, ethereal music - all pushing the intellect towards a more artistic transparency. Welcome to Aither.

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Turning Point

7" | 1989 | US | Reissue (Revelation)

14,99 €*

12" | 1989 | US | Reissue (Dark Entries)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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This recreation of the Turning Point self-titled 7” from 1989 is the second release as Revelation Records reissues the band’s out-of-print catalog. From New Jersey, Turning Point were the state’s answer to the hardcore movement of New York and Connecticut of the late-’80s, playing up and down the East Coast with Chain OF Strength, Bold, Judge, Burn, Mouthpiece, and many more before disbanding in 1991. Jade Tree and Think Fast! Records released the band’s catalog as a discography in the early 2000s so none of the releases have been issued as stand-alone records since they were first put out.

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Shawn Pittman

Dream

18,99 €*

LP | 1989 | EU | Reissue (Putojefe)

Release: 1989 / US – Reissue

Genre: Organic Grooves, Electronic & Dance

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Dark Entries presents a reissue of Shawn Pittman’s 1989 Dreams, an obscure and highly sought-after private press gem produced and written by Art Forest. An undersung figure in the development of the late 80’s Detroit techno sound, Forest collaborated with, produced, or penned material for many of the key players in the movement, including Inner City, Suburban Knight, and the Belleville Three themselves (on Kreem’s “Triangle of Love”). This reissue gives Forest’s own productions some shine while providing a thrill for both dancers and collectors. Dreams features two songs, both written and produced by Art Forest and featuring Shawn Pittman on vocals. The A-side contains two mixes of “Dreams”, a smooth R&B/modern soul number driven by Pittman’s vocal. While the song is undeniably radio-friendly, it contains some of the hallmarks of the Detroit techno sound – sparse arrangement, lush reverb, and booming bass. On the B-side, we are treated to two different versions of the clubbier “I’m Losing Control”. The original mix leans towards boogie/freestyle, with syncopated 909 beats and sassy synth vamps, and wouldn’t sound out of place next to Forest’s work with Inner City. The Extended-Bass-ment Club Mix strips things down and dubs them out, leaving us with shards of bass synth, brooding strings, and Pittman’s vocals eerily warped to the edge of recognition; a perfect late-night warehouse anthem.

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US Steel Cello Ensemble

Noise In The Library

18,99 €*

12" | 1989 | UK | Reissue (Dark Entries)

Release: 1989 / EU – Reissue

Genre: Pop

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2022 repress includes an insert and a poster.

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Hassan Ideddir

Atfalouna

2LP | 1989 | EU | Reissue (Virgin Music Las)

Release: 1989 / UK – Reissue

Genre: Pop

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Hassan Ideddir’s 1989 single “Atfalouna” sees an expanded repress courtesy of Dark Entries. Born to Berber parents in Morocco, Ideddir began making music at the age of 10 after being discovered singing in the stairwell by his school’s headmaster. Encouraged by his peers, he began playing concerts, and his status grew. In 1987, he played a string of sold-out concerts in Casablanca, Rabat, and Marrakesh, in support of a children’s charity. The success of these concerts secured him a record deal, and he went to Paris to record his debut single “Atfalouna” in 1988. Released in 1989 on WEA, “Atfalouna” is a dense slab of multi-genre pop. An opening wash of digital synths and reverberant vocals quickly falls away to a cascade of orchestra hits and pulsing electronic drums; the monotone chant-rap of a female chorus collides with Ideddir’s soaring melismatic vocals, pleading against the injustice and hunger in the world. While Hip-Hop and New Beat borrowed tropes from Arabic music, “Atfalouna” inverts the gesture, resituating orchestra hits and sampling techniques within a Moroccan music framework. A shorter instrumental version follows, which preserves the female vocals. Also included are two tracks not on the original 12”. “Ibina” is a moody, downtempo instrumental that sounds like a cult Italo B-side. The record closes with “Ydouchababe”, an electro number driven by funky guitars, electronic claps, huge horn riff. Here, Ideddir sings of a youth festival honoring Hassan II, former king of Morocco. All songs were remastered by George Horn. The sleeve is a replica of the original 12” cover art, featuring Ideddir set in a cheeky collage of clocks, columns, and camels. Also included is a postcard with a photo of Hassan, as well as lyrics in both Arabic and English. We will be donating 100% of proceeds from this release to Sphere who provide support to the young queer community across Ukraine and the Palestine Children's Relief Fund who help provide urgent humanitarian care for Gaza's children.

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Peter Gabriel

Passion

24,29 €* 26,99 € -10%

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Gutter Ballet Black Vinyl Edition

Savatage

LP | 1989 | EU | Reissue (Earmusic)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Gutter Ballet Silver Vinyl Edition

Savatage

2LP | 1989 | EU | Reissue (Earmusic)

37,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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To The Max / It's My Turn

Stezo

7" | 1989 | UK | Reissue (Sleeping Bag)

Calm Down Record Store Day 2022 Vinyl Edition

Release: 1989 / UK – Reissue

Genre: Hip Hop

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This hip hop dancefloor gem from 1989 has been lovingly remastered and reissued in Tribute to Stezo's sad and far too early passing last year! The original '89 copies, backed with the equally strong "It's My Turn" are changing hands for £100+ and the iconic label Sleeping Bag Records can't have that! This isn't Antiques Roadshow, music is for all...but this is a rare find! Original '89 designed Sleeping Bag Sleeve. Often played by Steve Lamaq on 6 Music which surprises us too.

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Most Wanted

7" | 1989 | UK | Reissue (The Fever)

Understand? Blue Vinyl Edition

Release: 1989 / UK – Reissue

Genre: Hip Hop

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This was THE crossover uptempo hip hop/breaks dancefloor jam in 1989. Played in many many clubs and rave scenes, this genre-busting, "The Commodores" sampling one-off is finally available on 7" for the first time ever using the original 12" artwork, on the original NYC label.

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Naked Raygun

LP | 1989 | UK | Reissue (Audio Platter)

12" | 1989 | EU | Reissue (Thank You)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Re-issue of 'Understand?' the fourth album by Chicago post-hardcore band Naked Raygun, originally released in 1989 through Caroline Records - NOW ON Stunning Blue Vinyl!

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Dreams Come True

Sweet Magic

14,99 €*

Tape | 1989 | US | Reissue (ORG Music)

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Pop

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HiNRG masterpiece and often heard anthem in Mexico's Sonidos movement parties. Originally released in '89 at the tail-end of the HiNRG epoch as “house music” was starting to stake its territory in the charts, this production remained an underground hit by Los Angeles based duo Tyrants in Therapy (aka Dreams Come True). The melodic themes and lyric nuances explored in Sweet Magic make it a unique and unforgettable hymn you'll be humming when you wake up after a night at Patrick Miller. Faithfully remastered from the original master tapes which we managed to find and digitize in Los Angeles. Featuring a new stripped down extended mix by Castro using the original stems from the master tapes.

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Bad Brains

Quickness

15,99 €*

LP | 1989 | EU | Reissue (Mono Jazz)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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"Quickness" is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. At the time of it's release, it was the band's best selling album and also landed them a featured MTV music video for the opening track, "Soul Craft." This reissue marks the fifth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

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Chet Baker

Chet On Poetry

27,99 €*

LP | 1989 | EU | Reissue (V2)

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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Long time hard to find and long awaited reissue of Chet Baker’s last studio album. Lyrical, poignant, it shows Chet Baker at his best. Included the original version of Elvis Costello’s “Almost Blue”. Which has become an all-time classic masterpiece in Chet’s repertoire, also heard on the “Let’s Get lost” soundtrack. HQ re-matsering

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Thelonious Monster

Oh That Monster

15,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Human Hell Red / Black Splatter Vinyl Edition

Harter Attack

LP | 1989 | EU | Reissue (Back On Black)

10,99 €*

LP | 1989 | US | Reissue (ORG Music)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Re-issue of Harter Attack's 'Human Hell' on absolutely stunning limited edition RED AND Black Splatter Vinyl. Thrash so apocalyptic and ferocious it could easily be the soundtrack to Armageddon!

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Bad Brains

Quickness

30,99 €*

LP | 1989 | EU | Reissue (Kalita)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Jivaro

Saturday Fever

Scenes From The Dreams Of Angels

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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Kalita are excited to unveil the first ever album reissue of one of - if not the - strongest South African kwaito/bubblegum albums in existence, Jivaro's 1989 masterpiece 'Saturday Fever'.

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Outskirts Of Infinity

LP | 1989 | EU (Trading Places)

20,99 €*

LP | 1989 | EU | Reissue (Ultimo Tango)

Release: 1989 / EU

Genre: Rock & Indie

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After debut LP Lord Of The Dark Skies, London-based acid psych trio Outskirts Of Infinity released Scenes From The Dreams Of Angels on their own Infinity imprint. Heading deeper into space rock, the album had bassist Nick Saloman on keyboards in places and front man Bari Watts on synth, but his ripping is really spectacular throughout and there’s a nod to the Hendrix influence on a killer cover of ‘Spanish Castle Magic.’ Arguably their best album, it has style, grace, and hallucinogenic power, this edition reproducing the inner gatefold lyrics.

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Tamic

Frost

Alligator Clear Red Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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A young, free-reined musician with a rich music vocabulary and avant-garde sensibilities pours his heart out on cutting-edge musical equipment. Recorded in Northern Italy in 1989 by Michele Tadini, this release effortlessly fuses ambient and library overtones with the influence of early digital electronic music, underlined by an ethereal atmosphere eerily reminiscent of the best soundtracks by John Carpenter. Seemingly unplaceable in time and space, it is both Italian and world-spanning.

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Leslie West (Mountain)

LP | 1989 | EU | Reissue (Floating World)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (P-Vine)

Togawa Jun

Syouwa Kyounen

31,99 €*

The Big Payback Transparent Orange Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Togawa Jun time travels into the vaults of yesteryear for a record of gramophone tape hiss, ballroom jazz through a lens and retrofuturistic experimentation ahead of its time. This collection of nostalgia-decayed covers span the Showa era kayokyoku boom from 1946's hit "Tokyo Flower Girl" for wartime crooner Haruo Oka to to a rendition of Grave of Fireflies author Akiyuki Nosaka's 1974 theme to the largely forgotten film "Virgin Blues".

As always is the case, Togawa stands bold and centre with her unique vocal command and haunting operatic devices. The first three tracks were produced by Koji Ueno who Togawa regularly collaborated with as a duo in their band Guernica. Keeping up pace and adding his own new-wave ingredients to the mix, the last three tracks were produced by Susumu Hirasawa P-Model fame who would work again with Togawa and let his electronic impulses run free as the producer of Yapoos' Dada Ism.

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EPMD

7" | 1989 | EU | Reissue (Mr Bongo)

Release: 1989 / EU – Reissue

Genre: Hip Hop

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Tape | 1989 | US | Reissue (Revelation)

Gorilla Biscuits

Start Today

18,99 €*

Tape | 1989 | US | Reissue (Revelation)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits' "Start Today" is one of the most influential records in hardcore. Hailing from NYC, Gorilla Biscuits carved a niche within the NY hardcore scene. Blending the aggression and energy of bands like Agnostic Front with a sense of melody likened to Dag Nasty, Gorilla Biscuits still stands as a unique reference point for many hardcore bands that have come after them. Now available again on cassette.

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Judge

Bringin' It Down

LP | 1989 | EU | Reissue (Bcore Disc)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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To most fans of hardcore, Judge is a band that needs no introduction. The band took the ideals and positive goals of Youth Of Today and infused them with beefy guitar licks, introspective lyrics, and a hefty influx of New York style. Now available again on cassette.

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Subterranean Kids

Hasta El Final

17,84 €* 20,99 € -15%

Turn Back Trilobite Clear/Red Splatter Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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‘Hasta el Final’ is surely the best album made by Subterranean Kids, absolute pioneers of hardcore Barcelona and indisputable references for any national hardcore band, and we are tremendously excited to announce their reissue on BCore. Originally released in 1989, it is the first time that the album has been reissued on vinyl and we do it in a wonderful remastered edition that also includes two bonus tracks - the two songs that came out on compilation cassette No. 92, also released in 1989 by El Lokal. -. In the words of Boliche himself, drummer and leader of the band, the recording of the album was a real nightmare due to the state of the recording studio, but none of that can be seen in the final result: it is his most complete work and the one that shows a more interesting and varied palette of what hardcore punk can be. The album is full of classics in the band's repertoire such as 'Hasta El Final', 'La Rabia', 'Ciudadano Ejemplar' or 'Sentirme Libre' and ranges from songs played at full speed, moments that flirt with metal and others. that seem to be announcing the punk rock style that would develop in the 90's. In short, twelve short and direct ax blows (+ two bonuses) that make you understand the greatness of a band that wrote an important chapter in the history of punk in Barcelona .

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Sacrilege

2LP+12" | 1989 | EU | Reissue (Back On Black)

21,99 €*

CD | 1989 | EU | Reissue (Hip Hop Enterprise)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Legends of UK punk/metal Sacrileges third album Turn Back Trilobite including 12" with Demo and live sessions re-issued!

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Bass Way International

Gangster Feelin'

LP | 1989 | US | Reissue (Chunklet)

Release: 1989 / EU – Reissue

Genre: Hip Hop

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Jubwa is an American hip-hop persona from Mountain View, CA first created by Jonathan Brown in 1981. He is widely regarded as one of the pioneers in the Bay Area and one of the first radio hip-hop DJ’s of the early 80’s that already highlighted the importance of live freestyling, mixing and scratching.

As a part of “The Members Only Crew” he released an Electro classic in 1985 called “You’re Not Down”, which was the first hip-hop record ever produced at Stanford University. Jubwa followed up with the instant classic and often imitated “Bass Creator” track later that year in 1985. Due to a packed schedule the full album, “Bass Creator!!”, wasn’t released until 1988 under his moniker Nation Def Grooves. “Bass Way 1988” was also released that year, the first release on his own Bass Way Records label.

In 1989 Jubwa took his talents across the whole West Coast and South West with the release of “Gangster Feelin”. After a concert in Tulsa, OK that also featured Salt-N-Pepa, Slick Rick and LL Cool J, Jubwa passed off his “Def Cars” tape single he released back in 1987 to the shuttle driver and everybody started jamming and praising the track. The next year LL releases “The Boomin’ System” on the “Mama Said Knock You Out” album copying Def Cars’ flow, beat concept and even some lyrics.

More than 30 years after Gangster Feelin’ was released on tape and LP, Hip-Hop Enterprise has worked along with Jubwa to bring you a very limited CD edition of “Gangster Feelin”. The artwork was entirely handled by Spek the Architek and the mastering was done by our dear friend Jee Van Cleef. To make it extra special we will include the infamous “Def Cars” track as a bonus. Enjoy!

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Tar

Handsome

26,99 €*

2LP | 1989 | EU | Reissue (Earmusic)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Tar were an uncompromising prolific Chicago four piece band from 1988 to 1995 who put out many records and toured the US and Europe frequently with the likes of The Jesus Lizard, Arcwelder, Unsane, Surgery, and Jawbox. Over thirty years since the original releases, Tar’s first three 12" records are being reissued. Co-released by the band’s No Blow Records and Chunklet Industries, the Handsome EP and full length LPs Roundhouse and Jackson are being rediscovered. All three records were remastered and cut to lacquer by Bob Weston at Chicago Mastering Service. The artwork was painstakingly reimagined and recreated by the band’s drummer, Mike Greenlees. This music has withstood the test of time. With the stunning remastering and 180gm pressing at Chicago's Smashed Plastic pressing plant, this is no regular reissue. With exacting detail, the highest quality and attention to detail, the listener and fans are invited to truly reexperience these releases anew. It’s time to celebrate Tar. Again.

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Saga

The Security Of Illusion

Release: 1989 / EU – Reissue

Genre: Pop

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The Beginner's Guide To Throwing Shapes

Saga

LP | 1989 | EU | Reissue (Earmusic)

24,99 €*

Release: 1989 / EU – Reissue

Genre: Pop

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LP | 1989 | EU | Reissue (East West)

Litfiba

Pirata

41,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Realm Of Chaos White Vinylrausch 2021 Edition

Bolt Thrower

LP | 1989 | EU | Reissue (Earache)

12" | 1989 | EU | Reissue (Stroom)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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limited to 500.

Comes with a Vinylrausch Tote Bag.

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MKS

Musical Keyboard System

19,99 €*

LP | 1989 | EU | Reissue (Goodfellas / Blackbeard)

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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"Naive overlooked New Beat / New Age project from 1989"

Sometimes in life, a certain incentive is needed to convert talent into productivity. As for the case of MKS, the enigmatic and musical disguise of Nicolas Aubard, it was a merely coincidental encounter at the end of the 80s that set the stone rolling. For Nico, it all began in his hometown of Saint-Quentin in Northern France. At a young age, he got obsessed with Japanese and American cartoon culture. Being a devoted collector of cartoon-related toys and widgets, he spent hours watching anime series on TV and creating scale models of science fiction and horror-related sceneries. Growing up in a musical household, young Nico took on stringent training in classical and jazz piano. But, frustrated with the fact of not being the technical virtuoso he wanted to be, he turned away from his training at the age of 16. “I had no choice, as I felt as if my creativity got limited by my piano. That’s when I got drawn into the world of synthesizers.” Not long after, Nico put together a home studio and started to experiment with ambience and sound-inserts. Despite years of experimentation and music making, all Nico’s productions stayed between the 4 walls of his modest home studio. Something that would change in 1988, when Nico bumped into Emmanuel “Manu” Prevost.

“We met on a night out in Lille”, Nico recalls. “I usually just stood by the dj booth, as I wasn’t a good dancer. So instead of throwing shapes at the dancefloor, I started a conversation with the dj, who happened to be Manu. By the end of the night, I handed him a demo tape of the album I was wanting to do.” Propelled by good fate, a fruitful collab happened between Nico and this dj. For Manu, everything also fell in place: “At the time, I was looking for a composer to work on producing a new beat record. As a dj, I often crossed the Belgian border for gigs and this new style was in full explosion over there. I heard Nico’s songs and naively told him: “Let’s make an album”, without knowing how.” Despite the high hopes for the new alliance, the project turned out to be a shot in the dark. “I assumed Manu already had some experience, as he proposed to do the mastering himself. But funnily he only told me after the release of the record that it was his first time too. But you know, we managed.” Not willing to release under his own name, Nico came up with Musical Keyboard System, abbreviated as MKS. The alias was born and the journey ready to take off.

The album finally released in September 1989. After the release, Nico went on a low-key promo tour together with Manu in Northern France. “We aired a video clip on FR3 for two songs, together with a short interview. In their studio, we created a scrimpy décor with some green plants to resemble the Vietnam jungle (as for the track Nam Revelation) and we shot the clip. Manu even lay down behind a screen operating the fog machine.” As a live act, Mks’ career was rather short-lived, with a first and final gig in the Theatre of Saint-Quentin a few months after the release. “In France, we would remain illustrious strangers. Yet in the meantime, our music got played on new age radios in the USA.” After the end of MKS, Nico moved to Paris and Manu took on his military duty. In the army, Manu met movie animator Jacques Rouxel (the man behind French cult series Les Shadoks) and got him in touch with Nico. The duo collaborated with Rouxel on some compositions, before they went their separate ways at last. Nico went on to pursue his childhood dream, as a pioneer in France for integrating 3D animations into classical cartoons. Manu in turn became a producer for feature films.

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Omen

Teeth Of The Hydra

21,99 €*

LP | 1989 | EU | Reissue (Driven By The Music)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Omen from Los Angeles, formed in 1983 should be considered as founders of Us epic heavy metal together with Warlord, Manilla Road, (early) Manowar, Savatage, Virgin Steele and Armored Saint, choosing to worship the genre in its purest and truest tradition, detaching from US thrash/speed metal that was the “king” of that decade. Their 80’s albums, debut “Battle Cry” and following “Warning of Danger” became, rightly, HM classics. “Teeth of the Hydra”, a compilation album originally released in 1989 by Metal Blade, featuring 11 highlights drawn from the four albums and one Ep released during Omen's five-year tenure with the Us label, is such an ideal career wrap-up for anyone looking to sample the band's wares. All the Omen's classics are here, and even if some tracks follow the thrash-way ("Termination", "The Curse"), it's the old-school heavy metal of standouts like "Teeth of the Hydra," "Bounty Hunter," the very Iron Maiden-like "Die by the Blade" (exposing the band's New Wave of British Heavy Metal influences), “Dragon’s Breath,” “Teeth of the Hydra”, “Battle Cry” that find Omen in their true element, an exciting epic heavy metal sound embellished by the unique and rough voice of J.D. Kimball (passed away in 2003). Not to surprise so to find just 1 track from "Escape to Nowhere" ("Thorn in Your Flesh" - 1988) featuring future Annihilator singer Coburn Pharr, who replaced original vocalist on the band's final Metal Blade album.

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Donna Summer

Another Place And Time

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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12" | 1989 | EU | Reissue (Mixed Signals)

Me & E

Rap

19,99 €*

Slipknot Opaque Green Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Hip Hop

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Visionary “Rap” EP by precocious 18-year-old duo Eric Davis (elv) and Chuck Prater (Chuk Chu) from 1989. Imagine if Schoolly D had joined Native Tongues and made an early hiphouse EP produced by Larry Heard.

The story of Me & E took shape in Avalon Park in South Chicago, a vibrant, diverse, and politically active community with a rich musical culture. This was the fertile playground for producer Eric Davis (elv) and lyricist Chuck Prater (Chuk Chu). The park itself was adjacent to Eric’s backyard and they would hop the fence to listen to music, drink beers, and freestyle, even in the middle of the notoriously cold Chicago winters. Eric’s dad, Arlington Davis Jr., was a jazz drummer who played in the legendary spiritual jazz group The Awakening in the ‘70s. Jazz ran deep in their family with proud connections to Miles Davis. Arlington would host weekly jam sessions at his home, and Chuck & Eric were in regular attendance. On those evenings, Eric and his brothers were able to take turns on the sticks alongside the veteran players, honing their fledgling chops. These experiences gave them the confidence to take music seriously, and start a group. Channeling his drumming skills through an array of synths and drum machines, Eric produced tracks in his bedroom, inspired by artists like The Art Of Noise, Kraftwerk, and New Order. Combining their atmospheric electronic elements with his jazz background, and beat-making skills, he created a distinct sound that still sounds fresh today. Chuck was listening to Hendrix,

Joplin, Public Enemy, MC Lyte, and Big Daddy Kane and developed a unique and uplifting lyrical flow. They met up after school almost every day to make music, and quickly produced the four songs that make up their Rap EP.

The music duo never lost touch, and continued to produce throughout the 90’s, forming Rich Boys, another rap group with their crew from Avalon Park. In 1995, Chuk Chu released a solo album, Memoirs of a Blue Light Special, focussing on a more sample based production style. Eric inspired by the house scene in Chicago, produced some ethereal and otherworldly electronic music, which Mixed Signals is compiling for future release. The Rap EP is just an introduction to the ongoing story of Me & E. Mixed

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Slipknot

7" | 1989 | US | Reissue (Revelation)

Mark Wonder / George Nooks

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Not to be confused with the Nu Metal band of the same name, this Slipknot was from Revelation Records' original home base in New Haven, CT. Originally released in 1989, this is the first time this EP has been re-pressed since 2013. For fans of Corrosion Of Conformity, The Accused, and Septic Death. New pressing now available on green vinyl.

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Love Jah / Have Some Mercy

7" | 1989 | Original (Compaq Music)

6,99 €*

Release: 1989 / Original

Genre: Reggae & Dancehall

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Winston Jarrett & Righteous Flames

Jonestown

LP | 1989 | EU | Reissue (Omnivore)

Release: 1989 / EU – Reissue

Genre: Reggae & Dancehall

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Holocaust In Your Head White Vinyl Edition

Extreme Noise Terror

LP | 1989 | EU | Reissue (Back On Black)

29,99 €*

My Girl Hates My Heroin Red & Black Splatter Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Never was a band and its first album both so suitably named as Extreme Noise Terror and their seminal debut full-length, 1989's A Holocaust in Your Head. Simply put, this is one of the key releases of both the crust-punk and grindcore genres, redefining British music's known limits of sonic extremity with its remorseless aggression, blinding speed, and none-more-raw recording.

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The Stooges

LP | 1989 | EU | Reissue (Diggers Factory / FGL)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Nyami Nyami)

Azumah

Long Time Ago

19,99 €*

Think / Atom Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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Azumah was the coming together of a group of talented young dancer-musicians from Soweto (South Africa) with musician and instrument-maker Smiles Mandla Makama of eSwatini (formerly Swaziland). Long Time Ago is the surprising and enticing, resultant album from 1985, recorded in the house of theatre stalwarts Des and Dawn Lindberg in Johannesburg. Produced by David Marks (3rd Ear Music, Hidden Years Music Archive Project), Des Lindberg and Smiles Makama, this album takes us back to a priceless musical moment in the dark and wild eighties of apartheid South Africa. Smiles Makama is a gifted and visionary music-maker. He was born in South Africa but grew up in eSwatini, the small kingdom enveloped by South Africa and Mozambique on each side. He tells the story of the process leading to the recording of this remarkable album: “I was invited from Swaziland by a Soweto-based group, Azumah. […] One of the members knew that there was a wizard in the mountains in Swaziland, building instruments. As I was in the mountains in my hut and then I saw people arrive. They found me. It all started there.” Instead of simplistic images of a generic ‘Africanness’ or ‘South Africanness’ and pictures of constructed and exotic ethnic identity, a contemporary, fresh listen to this album encourages an appreciation of the composition and musical skill at play in this music. Few people speak about the individual innovation and experimentation involved in the creation of this music (or the music of Amampondo for instance). “Woza Moya” sticks out as a dark and melancholy creation, different tonally to what has come before, evoking the work of Naná Vasconelos or Don Cherry. One thing that remains the same decades later is that encouraging deeper listening to the sounds of the mbira, the nyunga-nyunga, the uhadi or makhoyane bows is still challenging. Discouraging the superficial, short-lived acknowledgement of this ‘unchanging’, ‘African cultural expression’ is the everlasting hurdle. This is made so much easier by albums like Long Time Ago: when artists create music to be loved and entangled with, to be challenged by, derived from the musical roots and structures of these instruments and then expanded upon with creative freedom, risk, humour and funk. Azumah did this in 1985 and we have this album again today, newly released, to remind us of that moment and the moments since when musicians have urned inward and done similar. As Smiles has it: “Indigenous music doesn’t fade out. It’s just waiting to be discovered, all the time.”

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Main Source

7" | 1989 | EU | Original (Mr Bongo)

15,99 €*

LP | 1989 | EU | Reissue (Panegyric)

Release: 1989 / EU – Original

Genre: Hip Hop

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A year before Wild Pitch Records properly introduced us to the trio of Queens native Large Professor and Toronto’s Sir Scratch and K-Cut, the soon-to-be-legendary group self-released their own debut single. Dropping on Actual Records, the 12” of ‘Think’ and ‘Atom’ was soon a sought after rarity, with scarce originals still fetching upwards of three figures. On it, they only hint at the greatness to come, while simultaneously showing that they’d already mastered the three-minute rap single – this is concise brilliance with no flab whatsoever. Engineered by the late, esteemed Paul C, ‘Think’ is a study in how to turn well-worn samples into something new. The combination of several James Brown snatches, along with bits lifted from Lyn Collins and Jimmy Castor Bunch, could have been tired and almost parodic by 1989, but instead the group weave something interesting from old fabric. ‘Atom’ is arguably even better, built around a brace of elements from Marvin Gaye and Tammi Terrell’s 1967 duet ‘Little Ole Boy, Little Ole Girl’. On it, Large Pro gives the first real hints that he’ll not just be a super-producer, but a committed MC to watch. Mixing threats with humour, positivity with braggadocio, it’s a calling card performance on a track that could have still sat comfortably on 1991’s ‘Breaking Atoms’ album.

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XTC

Orange & Lemons

38,99 €*

Bunte Republik Deutschland

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The album is one of the most requested vinyl reissues as it was only on vinyl for a short period towards the end of the first vinyl era and was, as a result, never available as a decent quality pressing and poorly presented in a single sleeve. Brrraaannnngg!! – As brash, bright & vibrant as its Alan Aldridge influenced, pop art, outer cover art, Oranges & Lemons, XTC’s ninth studio album, issued in February 1989, arrived like a burst of audio summer at the end of winter. Eloquently answering the question: “How do you follow-up a classic album?” with the most obvious answer “with another great recording”, the album consolidated XTC’s position – especially in America – as one of the era’s finest recording outfits. Following the slow burn success of Skylarking, which by then had become the band’s biggest selling album to date, Virgin suggested the band should consider another American producer. XTC settled on session musician Paul Fox who was just establishing a name for himself as an up & coming producer – having remixed tracks for Yes & Culture Club. Recorded in Los Angeles over a lengthy period, the album allowed Andy Partridge & Colin Moulding to further hone a group of songs that had initially been worked on & rehearsed in the UK with Dave Gregory’s, rarely highlighted but often crucial, contributions to the arrangements apparent in the final mixes...

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Udo Lindenberg

LP | 1989 | EU | Reissue (Polydor)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | PL | Reissue (Mercury)

Tears For Fears

The Seeds Of Love

Release: 1989 / PL – Reissue

Genre: Pop

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Dream Theater

When Dream And Day Unite

26,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Triple Live Mother Goose At Budokan Clear Splattered Glow In The Dark Record Store Day 2020 Edition

Green Jelly

LP | 1989 | US | Reissue (Say-10)

You Can't Hold Me Back Remastered Translucent Red Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.
Limitation: 1500 copies.

The full length that started it all! Previously we reissue the album by Green Jelly that everyone was familiar with and now we are reissuing the album that came out first.

This will be the first time that it shows the Green Jelly name as this album has been out of print since 1989 and generally sells for $100-200 on ebay.

This album has original versions of a lot of the songs that would later be released on the Cereal Killer Soundtrack including the first version of Three Little Pigs, Obey the Cowgod and a handful of others that you know/love.

Side A 1) Circus Circus 2) Obey the Cowgod 3) Nightmare on Sesame Street 4) Whip Me Teenage Babe 5) Rock N Roll Pumpkin 6) Anarchy in Bedrock

Side B 7) Three Little Pigs 8) Food Fight 9) Eat Satan's Ham 10) Flight of the Scajaquada 11) Icrog

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Awesome Dre

LP | 1989 | EU | Reissue (Blocglobal)

29,99 €*

Release: 1989 / EU – Reissue

Genre: Hip Hop

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In the late ‘80s, Detroit rap pioneer Awesome Dre was among the first to stomp onto the national scene from the Midwest. With his mix of political and hardcore he provided a unique perspective and voice during the height of hip-hop's golden era. A voice that would not shy away from controversy by asserting Detroit's place in hip-hop by challenging New York legends Kool Moe Dee and LL Cool J.

Out of print since 1989, this release features a download card to the full album and three exclusive bonus cuts. Presented on translucent red vinyl with an OBI-strip.

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Alice Cooper

Trash