Vinyl, CD & Tape 43 Items

The Sutcliffe Jügend Tee is equipped with the following features:
• rib crew neck with interior tape
• XXX logo/artwork printed on chest
• regular fit
• 100% cotton single jersey

Symbolically limited to 666 copies, housed in a deluxe wooden box, and also including an exclusive t-shirt and a 240-page book, this magnificent set feature no less than ten LPs and two 7" vinyl records covering the entire Nekrophile Rekords original output, with the welcome addition of two unreleased full-lenght albums by Coming To Now and Metgumbnerbone. Comprehensive edition about the legendary Nekrophile Records tape label. Founded in Vienna by Michael Dewitt, also known as Zoe Dewitt, the label was specialized in occult / ritual industrial music (self-described as 'Martial Music for the New Aeon'). During its lifespan it released eight cassettes and various printed materials.

The Nekrophile Records 1983-1990 Tee is equipped with the following features:

• rib crew neck with interior tape
• Nekrophile Records 1983-1990 artwork printed on front
• regular fit
• 100% cotton single jersey

Limited edition of 100 bundles consisting of a black Science Of Sound logo tee plus the orange 2LP vinyl (limited to 500 copies in total) in a gatefold set incl. inlay card and sticker.

Here it is, one of THE lost albums from the golden era of Hip Hop: Science Of Sound's "Kaleidoscope Phonetics" from the Tribe Called Quest-sphere. With productions and cameos by A Tribe Called Quest and Phife Dawg, Godfather Don, Grandmaster Melle Mel and more. This is true-school rap at its finest and should not be missed by any fan of the classic 90's vibe.

Here's what Ali Shaheed Muhammad is saying about it:

"Science Of Sound, a group established during the 90's "golden era" of Hip Hop. These guys are my family. We were very excited when they signed their record deal and greatly disappointed their label mishandled them. This is the lost album that was recorded in the time I was working on "Beats, Rhymes & Life". There was a lot of back in forth between Tribe's sessions and S.O.S.'s sessions. You can hear the levels they were on and it's as fresh as 20+ years later as it was when it was recorded. Any proponent of golden era Hip Hop will appreciate this find of a lost album." - Ali Shaheed Muhammad, September 3rd, 2020

Available on limited 2LP vinyl, CD and cassette as well as digitally!

1 copy max. per customer.

DJ $HIN's first new release in 16 years, the culmination of many years of battle craftsmanship has been completed!

A masterpiece crafted with precision - the more you experience, the more you appreciate!

Product Review by DJ $HIN

Side A has 15 skipless scratch contents unified at 83 BPM (total of 19 pieces including drum material and tone material).

Side B features 9 skipless scratch contents at 99 BPM and 3 songs to practice beat juggling. (17 pieces, including drum and tone material) We crafted this record to make it accessible for beginners and experts alike.

Track List
Side A
1. Ahhh Fresh
2. Freshhh Ah
3. Ahhhh Fresh
4. Ahh Really Fresh
5. Buta 1
6. Tone 1
7. Unstoppable Uh Go
8. Get Wild Ha Yeah
9. Break Down Yo Word
10. WTF Say Ahh
11. Buta 2
12. Tone 2
13. Rock The Beats with your Hands
14. Break It Down Say Yeah
15. Hey What Yo Come On
16. 1,2,3, Run
17. To The Break It Down
18. All Skipproof Contents 1
19. Tone 3 (Endless)

Side B
1. Ahhhh Beep
2. Freshhh Beep
3. Ahh Fresh Yo Yeah
4. Ah Cut Skratchin' Fresh
5. Buta 3
6. Tone 4
7. Wow Bah woo Hey
8. Yo What It's Fresh
9. Do It huh Come On Yeah
10. Here We Go Ah What Is It
11. Buta 4
12. All Skipproof Contents 2
13. Skratch Samples (ENG)
14. Impeach 2023
15. King Kuter
16. Baddest DJ
17. Endless Beats

Without a pandemic, you’d now be listening to an album wholly recorded in Cuba with local musicians. Back in 2020, everything was organised, so that in May 2021 we could get started. Yet, the sanitary measures proved to be a fierce adversary, so rather than giving up entirely we decamped to Dakar in October the same year – a compromise that ended up being a positive event in itself.
Cuba has a long African history. Under mass enslavement and the Transatlantic trade, Africans were forced from their homelands, against their will, taking their music along with them. Merging throughout the centuries, taking on European influences, led to the birth of a distinctive Afro-Cuban musical tradition. Highly percussive, brass-based, simmering, full of danceable rhythms. The spirit etched into thousands of recordings, forever turning towards Africa. The departure point here is not to keep things the same. Rather, a return to the source enacts a loop – much the same as those providing the foundations for hip-hop beats.
The flame when it’s re-lit illuminates everything. Thanks to the Senegalese musicians in Dakar, the Cubans who crossed the Atlantic to join us and my usual family of musicians, this music – a cross-section of covers and original compositions - exists as a homage to Afro-Cuban music. Made in Africa, in Senegal. Three worlds, three languages, three colours. Recorded over 17 days, non-stop, germinating the seed born in Cuba at the end of 2020 so that the most beautiful fruits might be cultivated in Dakar, 2022.
When the world doesn’t seem big enough, we look up to the sky where even the blackness is lit up, where those I loved who are now gone shine as stars, shining as brightly as all the others. Each time I think I’m not going to make it; I recall the star of my mother. Then the path becomes clear.
Pandemic, visa problems, cultural clashes, bank transfers that didn’t go through, a fractured foot – this project sometimes felt like a series of accumulated challenges. The only thing linking us, a shared love for the music, each of us invoking our personal star and all that we have overcome.
In this way, the music is born as a call to our stars.

This album is inspired by bits and pieces of Ethio-Jazz, Afrobeat, Highlife Spiritual Jazz and dusty funk 45’s. It’s where I’m at now and what has kept this mortal vehicle fueled. I tend to take different paths each musical outing but this one is for the long haul, the one for the blue highways and forgotten byways. It’s the one to get lost to. It’s about the journey, not the destination." Tommy Guerrero continues pushing the boundaries while upholding his San Francisco Bay heritage. Starting from the Bones Brigade skate team in the '80s, he’s made movie appearances, designed for Levi's in Japan, Vans shoes worldwide and Sutro eyewear among others, signed a skateboard contract with Converse, co-founded Real Skateboards and 40’s Clothing, is art director for Krooked Skateboarding, and found time to be a prolific recording artist.

Black vinyl, insert

Green Lung are “Britain’s finest folk horror -indebted heavy metalers” (The Guardian), and this is where it all started for the band in 2018. The five track demo recording Free The Witch, including the bonus track When The Axe Comes Down, now reissued on standalone vinyl.

Remastered for vinyl by the spectacular John Davis (Lana Del Rey, Led Zeppelin, Royal Blood…) at Metropolis Studios in the UK and adorned by striking covert art by the band’s perennial collaborator Richard Wells.

DOC Rotten is back with their middle fingers in air, yelling “Unite Resist.” Their new full-length has 16 high-energy punk-rock songs that will kick you in the teeth. Produced by Bouncing Souls guitarist Pete Steinkopf, Unite Resist talks about everything from the human experience in this crazy world, to exactly why we need to put aside any differences we feel we might have in order to fight the oppressing class. Sprinkle in that East Coast, “fuck you” attitude expected from this punk band and you’ll

The EP "The Whole Shebang" by Patrick "Kay Zee" Hollenstein is an analog fest, that combines a playful and sophisticated approach. The Zurich resident’s distinctive sound, composed of drum machines, synthesizers, percussion and tape effects, preserves a live feel hat has become rare these days in electronic music. Always marked with a certain wit, an understanding of driving grooves and references to ideas from New York's No Wave era and early hip hop cuts.

About a year ago Leroy Se Meurt delivered a simply hard-hitting and smashing debut EP… which quickly sold out at the ET HQ… the mixed background of this duo from Paris in electronic music and in punk-rock shapes the distinctive sound of Leroy Se Meurt… you can call it synth-punk or elektropunk… or simply post-punk for that matter… Not only their debut EP did have impact… possibly even more did their live shows… their live performance is wild and in your face… Now there is the follow up to that acclaimed debut EP… this time Leroy Se Meurt takes a little step back from the totally in your face attitude… the sound is a bit darker and aims less on a direct confrontation but works to crawl under your skin… the energy and tension is still there but is building up gradually… and has a bigger impact that way… Don’t miss out on this next step in the campaign of Leroy Se Meurt!

Groovin Recordings Starts This NEW Series Featuring Three Killer Disco-boogie Tracks Originally Released From 1979 AND 1982. Essential Tunes !

Comes with generic cover.

Jamaica Suk returns with the third release on her quality-not-quantity imprint Gradient, with two fine originals matched by two excellent remixes.