Vinyl, CD & Tape 12232 Items

King Gizzard & The Lizard Wizard

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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We're very happy to present you a new 12" record which is comin' from non other than the mad talented producer duo Smalltowndubz from Austria. For the My Garden EP them got some cool international dub artists, who joined forces to bring you this heavyweight soundsystem smasher. The main tune My Garden comes in a hot dubwise style and features Tenor Youthman on the microphone, who brings down some hot lyrics. Another sure shot for any selection. On top we have a deep Remix from the man called Jah Schulz and Tribuman plays the horns - you just have to feel this wonderful combination.

We continue the vibes on the B-Side with two original productions by Smalltowndubz, which shows the variety of their musical style. Mad Thing is an UK inspired steppers killer, that you have to listen on a big soundsystem. The other track is called Rooted and features our family member Hazel Dub on melodica. This one is a deep and heavy bass bomb, which enters your mind and instantly wants you to play that record on repeat.

For next level pressure, we hooked up again with LXC to do that heavy mastering on all tunes.

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Live In Melbourne '21 Clear Splatter Vinyl Edition

3LP | 2022 | UK | Original (Fuzz Club)

51,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Hand-numbered triple LP box-set on splatter coke bottle green 180g vinyl with coloured splatter. Includes 62x62cm poster. Artwork and remaster exclusive to Fuzz Club Bootlegs. Limited to 666 copies. For Indies Only Next up on Fuzz Club's series of official King Gizzard & The Lizard Wizard bootlegs is 'Live In Melbourne '21'. This 18-track live album was recorded when the prolific Australian group descended on Melbourne's Sidney Myer Music Bowl on February 26th 2021. Comprised entirely of King Gizzard's microtonal material, the album draws largely from their recent 'K.G.' and 'L.W.' albums (including the singles 'Automation', 'Honey', 'O.N.E', 'Pleura'), as well as fan-favorites from 'Flying Microtonal Banana' ('Rattlesnake', 'Billabong Valley', 'Sleep Drifter') and 'Gumboot Soup' ('All Is Known'). As with all Fuzz Club Official Bootlegs, this 'Live In Melbourne '21' bootleg is remastered by Brett Orrison (Jack White, The Black Angels, Roky Erickson) exclusively for Fuzz Club and arrives as a triple LP box-set - here on coke bottle green Colored Vinyl.

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LP | 2022 | EU | Original (Wagram)

Trip Hop Vibes 01

Release: 2022 / EU – Original

Genre: Electronic & Dance

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2LP | 2022 | EU | Original (Wagram)

French Touch 02 By Fg

Release: 2022 / EU – Original

Genre: Organic Grooves

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Peripheral Vision Clear Orange Vinyl Edition

Turnover

LP | 2015 | US | Reissue (Run For Cover)

26,99 €*

Ironman 25th Anniversary Chicken & Broccoli Colored Vinyl Edition

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Virginia Beach's Turnover has never been a band afraid of telling the truth. The emotional honesty poured out over a number of anthemic releases has been a proven formula of success for the band, but on their sophomore LP Peripheral Vision, the band treads into deeper water. Working again with Magnolia producer Will Yip (Title Fight, Circa Survive), Turnover's latest record shows a band maturing to create their best effort: an ethereal, reverb-drenched soundscape blending elements of hazy dream pop and the delicate emo rock of yesteryear. Songs like "Hello Euphoria" and "Like Slow Disappearing" highlight the new calmer, more subdued approach to songwriting, matched by Austin Getz's somber, confessional lyrics that echo throughout songs as if his words were haunting every measure. Peripheral Vision solidifies the idea that Turnover is a band with its finger on the pulse of its generation: growing and learning with every release, but never failing to provide a relatable, cathartic experience for anyone listening.

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Ghostface Killah

2LP | 1996 | US | Reissue (Get On Down)

41,99 €*

Hermeto Pascoal & Grupo Vice Versa

Release: 1996 / US – Reissue

Genre: Hip Hop

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Ghostface Killah released his debut solo album 25 years ago on October 29, 1996. Produced by fellow Wu-Tang Clan member RZA, Ironman found inspiration in sources ranging from blaxploitation films to classic soul and charted a whole new direction for hip-hop in the process. The album features classic bangers like Daytona 500 featuring Raekwon and Cappadonna to soulful emotionally moving cuts like All That I Got Is You with Mary J Blige.

To commemorate the 25 year anniversary Get On Down is proud to present Ironman in a 2xLP set available on both ‘Blue & Cream’ and ‘Chicken & Broccoli’ half-n-half colored vinyl, each version housed in a deluxe gatefold jacket, packed inside a ‘shoebox’-style 2nd outer jacket embossed with the year 1996.

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Viajando Com O Som Green Vinyl Edition

LP | 2017 | EU | Reissue (Far Out)

32,99 €*

2LP | 2022 | EU | Original (Toy Tonics)

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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One per customer only.

Coloured Vinyl LP (Green). Hermeto's lost 1976 masterpiece pressed on a (very) limited edition green vinyl.

Recorded in just two days in 1976, at Rogério Duprat's Vice Versa Studios, São Paulo, Viajando Com O Som featured Zé Eduardo Nazario (drums), Zeca Assumpção (bass) and Lelo Nazario (electric piano), as well as saxophonists Mauro Senise, Raul Mascarenhas and Nivaldo Ornelas, guitarist Toninho Horta and vocalist Aleuda Chaves.

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Magou

Who Is Magou?

21,99 €*

Full Circle Sliver / Black Splatter Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Who is Magou? All we know is that, 2 years ago, Toy Tonics released a 12” EP that created a little buzz on this artist without a face and social media. The only clue is that Magou is allegedly a mysterious side-project by an otherwise well-known Italian music maker, producer and dj. Who cares about fame? This one is all about the music, so Toy Tonics is now back with a sassy 2LP release of Magou's full album.

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Pennywise

LP | 1997 | EU | Reissue (Epitaph)

LP | 2017 | UK | Reissue (Rough Trade)

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Full Circle is the emotional and pivotal album that followed the tragic death of founding member and bassist Jason Mathew Thirsk. Dedicated to the memory of Thirsk, Full Circle is hard as nails, reflective and ultimately redemptive. Despite the somber task at hand, the record is exhilarating and uplifting . With the help of long time friend Randy Bradbury on bass, Pennywise was able to look inward and work through the issues that would have torn a lesser band apart. Full Circle also features a moving re-recording of "Bro Hymn" and a special hidden piano instrumental of Unknown Road.

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Arthur Russell

Instrumentals

30,99 €*

Release: 2017 / UK – Reissue

Genre: Pop

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Future Feelings EP Blue Vinyl Edtion

2030

12" | 2022 | EU | Original (Construct Re-Form)

12" | 2022 | EU | Original (House Puff)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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We’re thrilled to welcome back home 2030 with his very first solo-EP on Construct Re-Form : Futurs Feelings. Full of electro bleeps, acid vibes and lovely breaks, 2030 reveals a very exciting, terrific 4-track electro-oriented release and teams up with talented Versalife for a huge remix of ‘Maze’.

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Aron Volta & DJ Steawy

Split EP 1

LP | 2022 | EU | Original (Knekelhuis)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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First chapter of a new series with the talented Aron Volta.

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Stacks

Love And Language

CD | 1995 | UK | Reissue (The Vinyl Spot)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Stacks is the Belgian duo of Jan and Sis Matthé. These Antwerp residents build and undress different timbres and textures into vocal-hooked songs, flouting the rules of pop in the process. We at Knekelhuis appreciate this immensely and are delighted to work with them. ‘Love and Language’ is a romantic, moody pop-not-pop record in which everything falls perfectly into place.

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Doesia Click

Hard On Da Grind

22,99 €*

Release: 1995 / UK – Reissue

Genre: Hip Hop

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12" | 2022 | EU | Original (Home Again)

Sandile

Home Again 04

Rickey Calloway & His Tennessee Band / The Tennessee Band

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Home Again Records push forward presenting their 4th release, this time welcoming label affiliate Sandilé. The Cologne based artist has become notable for her eclectic sound which is reflective of her background appreciation of broken beat, UKG and the musical essence of London, as well as warm funk and soul. This limitless exploration of genre is perfectly depicted on Home Again 04 which is her debut release for the Berlin label, the EP features 3 originals plus a remix from house mainstay Malin Genie. The EP kicks off with the fast paced four-to-the-floor ‘Bossbias’, featuring classic house vocals and skippy high hats, interestingly the track originated as a collaboration between Sandile and UKG hero Zed Bias, hence the title reference. Found on the flip side is ‘Sista From Da Block’, a dreamscape of liquid jungle fused with soulful jazz vocals, whilst on the B-side ‘Trayvon’ offers a deeper head-down club track that unfolds inspirational male vocals, bouncy undertones and an uplifting whistle throughout the body of the track. Malin Genie re-jigs ‘Trayvon’ layering up with some retro feels on the B2 completing the package. ‘Everyone’s now getting back on the dancefloor...house music without dancing and people coming together sure had a different taste. I guess it’s the perfect timing for my first Home Again release, because it sure does feel like I’m finally coming home again!’ – says Sandilé

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Everybody Say Yeah / Mr. Meaner

7" | 2022 | US | Original (Funk Night)

9,99 €*

Release: 2022 / US – Original

Genre: Organic Grooves

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Nancy Sinatra & Lee Hazlewood

Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

9,99 €*

Step Beyond EP Keepsakes & Slave To Society Remixes

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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EAS

12" | 2022 | EU | Original (Pure Hate)

The Cast Of Netflix's Film Tick, Tick...Boom!

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Berlin’s Pure Hate drops it’s first release for 2022 from California’s EAS. The ‘Step Beyond EP’ consists of 3 original tracks plus 2 remixes from Keepsakes & Slave To Society. EAS is a Southern California based Techno producer and co-owner of Tympanum Records. Involved in the ever-growing Los Angeles Techno scene, Emmanuel Andreas Santamarina is an artist that experiments with a multitudinous array of styles. Having featured on the Perc Trax Remixes EP in 2021 with his huge remix of Perc’s ‘Dumpster’ his productions are fast becoming in demand. On remix duty this time are Haven label boss Keepsakes who strips back lead track ‘Step Beyond’ into a more Jackin groove aimed squarely at the dance floor, while Slave To Society heads deep into the realm of Industrial Jungle & Breakcore territory with his remix of ‘Take Your Position’

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OST Tick, Tick...Boom!

2LP | 2022 | EU | Original (Masterworks)

29,99 €*

Release: 2022 / EU – Original

Genre: Soundtracks

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Mr Brown Eyed Soul Volume 2

Sunny & The Sunliners

LP | 2022 | US | Original (Big Crown)

Release: 2022 / US – Original

Genre: Organic Grooves

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Back In The World Of Adventures (Re-Issue 2022)

The Flower Kings

2LP+CD | 1995 | EU | Reissue (Insideoutmusic Catalog)

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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12" | 2022 | EU | Original (Twig)

Eversines

Blurred Vision EP

2x12" | 2022 | EU | Original (Sketches)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After the last EP from Lapucci, Twig comes back with 4 tracks from Dutch producer Eversines.

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Max Underson & Stekke

Universal Law

20,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Vice Squad Records Recordings

Plasmatics

LP | 2022 | EU | Original (Plasmatica)

Release: 2022 / EU – Original

Genre: Rock & Indie

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A Song For You Black Vinyl Edition

Rainbow Team

LP | 2019 | EU | Original (Full Time)

14,99 €*

Andrew Weatherall & Ricardo Villalobos

Release: 2019 / EU – Original

Genre: Organic Grooves

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Limited to 500 handnumbered copies.

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Volume V

12" | 2022 | EU | Original (DisDat)

LP | 2022 | EU | Original (Themes For Great Cities)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Disdat returns with its 5th release, dedicated to a true pioneer that has shaped electronic music culture as we know it today, Andrew Weatherall. There is not much to say.

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Folie 2

EP 1+2 Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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One Day the dreary, new normality became an endless loop of unsteady moods and contradicting sounds. Marlene Kollender, Gregor Darman and Sebastian Welicki from Düsseldorf became Folie 2. Now it all makes sense! Marking TFGC’s 20th Release, Folie 2 present a fascinating cosmos of sound and feeling. No shortcuts, this is a journey!

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Yaeji

LP | 2022 | UK | Original (Yaeji)

26,99 €*

LP | 2022 | US | Original (Srrschl)

Release: 2022 / UK – Original

Genre: Electronic & Dance, Pop

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A lot has been said and repeated about the interiority of this club music - how the joyful tremor of the "Raingurl" refrain holds hands with such soft and doubtful verses. How special it is that house music so of New York can contain storytelling cultivated so far away. That repetition is born of people all over the world going out, and staying in, with this music as a compass; songs that define so many late night hangs for crews of friends, singalongs in DJ booths, contemplative 5am walks home from the club. What can get lost in that repetition, in the shifting canonization of these recordings as symbols of any one scene or moment, is what was behind the pair of round glasses reflecting so tirelessly outwards. Yaeji, an exceptional friend only at the very beginning of finding herpath as a cross-disciplinary artist and collaborator.Yaeji wrote this music while going out nearly every night of the week to DJ and support her own NYC community of friends at their turns behind the decks. These tracks originated from explorations in dancefloor anonymity, growing from seeds planted by sharing her first musical experiments online.

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Curren$y & Harry Fraud

Regatta

2LP | 2021 | EU | Original (Blue Note)

Release: 2022 / US – Original

Genre: Hip Hop

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Following the trio of projects they released in 2020 - The OutRunners, The Director’s Cut and the Bonus Footage EP, in the fall of 2021 Harry Fraud and Curren$y (aka Spitta Andretti) dropped Regatta, yet another classic project from this dynamic duo. Clearly they wanted their fans to start 2022 off the right way, as Regatta is now available on a limited vinyl format. Entirely produced by Harry Fraud, with features from 2 Chainz, Larry June, Styles P and Jay Worthy, limited edition vinyl record is a must have for collectors and hip hop fans alike.

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Tony Allen

There Is No End Box Set

60,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Stab Breaks Red Splatter Vinyl Edition

Ugly Mac Beer

12" | 2022 | EU | Original (Beatsqueeze)

7" | 2022 | UK | Original (Super Disco Edits / Hidden Gem)

Release: 2022 / EU – Original

Genre: Hip Hop

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This "blood splatter" vinyl record is primarily a tool for turntablists and beatmakers who love horror movies. It clearly refers to the Scream saga of the 90s. Side A (aka the blood side) is composed of 12 skipless loops at 133 bpm. You will find screams of terror, sound effects and other voices from the film. The B side (called the ghost side) is a sound bank (also at 133 bpm) with orchestral music, brass, distressing violin, dark piano, choirs, voices, sounds & effects. As a bonus: a download card with the contents of the disc but also 10 instrumentals composed by Kooltrasher, Mister Modo, Ugly Mac Beer, Dj Troubl' and A_n_d_b_n_d. a 60x30 poster 2 x Stickers Limited to 500 hand numbered copies.

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Dayton

Sky's The Limit

CD | 1998 | EU | Reissue (Hip Hop Enterprise)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Formed in Ohio, Dayton were formed by: David Shawn Sandridge (lead vocals / guitar) Chris Jones (lead vocals / keyboards / trumpet), formerly of the group Sun. Other members were: Dean Hummons (keyboards) Derrick Armstrong (vocals) and Jenny Douglas (vocals) who originally recorded as Magnum. Kevin Hurt (drums / percussion) Rachel Beavers (background vocals) Elaine Terry (background vocals) Rahni P. Harris (lead and background vocals, piano and synths) and Karen Harris Chappel (lead and background vocals) We chatted to Shawn Sandridge who presented us with a few previously unissued cuts. Many hitting the funk sound that was very en vogue around the 1980's. But our pick of the bunch was the smooth syncopated drum sound of "Sky's The Limit". It jumped out straight away and hit all the right buttons at SDE Hq . Criminally overlooked for some reason as an lp cut. With the release you get the full 6 mins version on the B-Side. Whilst we trimmed it down for a nice loud radio friendly cut on the A Side

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Paula Perry

Tales From Fort Knox

20,99 €*

LP | 2015 | US | Original (Trans)

Release: 1998 / EU – Reissue

Genre: Hip Hop

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"Paula rapped for the first time over the phone. I was impressed that she just rapped at the drop of a dime, no hesitation. She didn't explain what the rhyme was going to be about , she just rhymed!" Masta Ace recalls. "The female rappers who were out in rap at the time weren't really flowing as well -- on record or at shows -- as she did over the phone.”

Ace liked Paula's style and put her down with The INC., where she was featured on “Who u Jackin'" (from the LP Slaughtahouse) as well as doing background vocals for “What's Going On”, and "Eastbound." Paula also later appeared on the 1995 Sittin' on Chrome album tracks “This Ain't No Game" and "The 8-Side." While being a member of The INC. Paula toured the world with Ace, sharing the stage with the likes of Notorious B.I.G., Wu-Tang Clan, Warren G., Blackstreet, and Queen Latifah.

In getting a deal for Paula, Ace decided to create the music and get it out to the underground, instead of taking the customary route of shopping a demo tape to various record labels. They concocted "Paula's Jam (I Keep It Real Like That)" and after the song was completed, he pressed up some vinyl and shipped it to the top DJ’s all over the country. Once the record was serviced, it immediately became a mixtape staple and requests for the record came from all over including record stores, radio stations, clubs and college radio. Early supporters include New York DJ's Red Alert and Funkmaster Flex, mixtape kings Mister Cee and D.J. Clue, along with Wu-Tang's Method Man and rapper Redman. Record labels were bidding for Paula, but Loose Cannon won out.

"Paula Perry is one of the most talented rappers I've ever heard. She epitomizes what the label is looking for -- raw talent and in your face style. Paula's a true loose cannon and we look forward to blowing up the spot with her," says Lisa Cortes President of Loose Cannon Records.

All the info above are parts taken from an original press release issued by Loose Cannon Records after “Paula’s Jam” was released and in anticipation of the full album that would later become known as “Tales From Fort Knox”. Soon after in 1996 Polygram made the decision to discontinue “Loose Cannon Records” and from the entire label roster only Buju Banton was retained. Paula then shortly fell under the Mercury umbrella but after a lot of in-house changes she ended up at Motown, who planned to release the album on their “Mad Sounds Recordings” sublabel which was primarily focused on hip-hop. When it was time for “Extra, Extra!!” to be released, the label had shifted big chunks of Paula’s promotional budget to Queen Latifah and eventually the album ended up getting shelved.

The album contains production by Domingo, DJ Premier, Easy Mo Bee, Masta Ace (Ase One), Clark Kent, Fanatic, DR Period, Jesse West and features by Masta Ace, Jesse West, Lost Boyz, Kelly Price, Bahamadia, Heather B, Nikki D, Precious Paris & Rah Digga.

Limited to only 350 copies, including a 4 page booklet and all tracks have been remastered by Tradd. The CD version will also have an extra bonus track, the "Paula's Jam (Remix)" produced by Knobody.

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Chris Walla

Tape Loops

18,19 €* 25,99 € -30%

Isildurs Bane & Peter Hammill

Release: 2015 / US – Original

Genre: Pop

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200g LP w DL. Chris Walla has said little publicly about his 2014 departure from Death Cab for Cutie, a band that he co-founded and called home for 17 years. He begins to break his silence with Tape Loops, a full-length album that doesn t so much provide answers or explanations, but invites the listener into the instrumental landscapes of his inner world. Sidestepping the specificity of narrative songwriting in favor of immersive aural topographies, Chris Walla's Tape Loops offers up a quietly dynamic listen that is as beautiful as it is masterful. Leaning into the constraints of analog loop-based recording, Walla's virtuosity as a composer and producer shines. The album's richly layered arrangements reveal their powerful intricacies little by little. Chris Walla is a writer, musician and record producer. Tape Loops is his first solo album since Field Manual (2008). A founding member of Death Cab for Cutie, he was the guitarist, producer and co-writer from 1997 to 2014.

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In Disequilibrium

LP (Isildur)

Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Organic Grooves

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Nils Berg & Mikael Augustsson

Gubbstol 1937

LP (Hoob)

20,99 €*

Genre: Rock & Indie

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LP (Vinyl Passion Classical)

Ludwig van Beethoven

Sinfonie 3 Eroica

Genre: Classical Music

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I Need Somebody's Shoulder To Cry On / Wonderful Dream

Fermena Edwards

7" (Spade)

Genre: Reggae & Dancehall

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LP | 1970 | EU | Reissue (As Shams)

Gideon Nxumalo

Early-Mart

28,99 €*

LP | 1987 | EU | Reissue (Polysom)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Gideon Nxumalo was a key figure during the formative years of South African jazz in the 1950s, helping shape the emerging South African jazz sound as a pianist and composer and contributing to the scene as a radio presenter, music teacher and arranger. His recorded output as bandleader/composer is comprised of three iconic albums from Jazz Fantasia (1962) to Gideon Plays (1968) to Early-Mart (1970).

Early-Mart was Gideon Nxumalo's tribute to his friend and musical compatriot, drummer Early Mabuza (Castle Lager Big Band, Mankunku Quartet), who died in 1969. Nxumalo assembled what journalist and observer Leslie Sehume reports was a 14-piece band for the album, which was recorded during a legendary overnight session in February 1970 and released just months before Nxumalo's own death on 24 December 1970.

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Chakal

Abominable Anno Domini

39,99 €*

Smellls Like Blakk Page Orange Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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(Clássicos Em Vinil) Reissue on 180 Gram vinyl by Polysom (Brazil, 2019)

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Drone Operatør

7" | 2021 | EU | Original (Drone Operatør)

2x12" | 2022 | EU | Original (Sonic Groove)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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New Dresden based label. Experimental, eclectric electronics, free jazz and neo-classic inspired by famous songs.

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Madeon

Now I Am Become Death

33,99 €*

Motomami Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Maniacal Laughter quickly gives way to a non-stop onslaught of irresistible electronics and a ceaseless, pounding groove. Boom! You are embedded in Maedon’s world. Dark and futuristic, her album “Now I have Become Death” is another worthy addition to the Sonic Groove catalogue. This is music that works the body and captures the mind. It’s her 3rd release for the imprint, following up 2020’s “Escape to Berlin” and 2019’s “Against His Will” EP. Maedon crafts some very melodic jams, with refreshing song structure and storytelling trips achieved through excellent sample work and programming prowress. Make no mistake, this is fghting music. It’s blazing hard, with grueling energy, and a fair for the dramatic. Maedon likes relevant content, as tracks like “Rave-Act Never Forget” expose pathetic pledges from poser politicians who have dared to protest against the dance music scene in their past. You have been exposed Biden. The madness continues with the menacing “Destroyer of Worlds”, a massive rave jam with otherworldly synths based around the words of a certain man’s famously guilty post-atomic quote from the Hindu scripture known as the Bhagavad Gita. It’s a reminder of your sins, Oppenheimer. The selection continues to concoct clever experiments with pressure and feels at times like riding a roller coaster thru outer space “Destroy the Status Quo” with subtly pitch-shifting metallic highs and ravey tone-work captivates the mind as gravity drops jerk the body into uncontrollable motion. “Rudersdorf Trip” is a sick adventure into the darkness, with whispered vocals ‘this is what you want this what you need’ leading the charge of hypnotic, spiraling acid. “Childhood dreams” is an excellent ending to the LP, an innovative melodic charmer with nostalgic future vibes pumped up by a broken techno beat. In truth, all the tracks stand out; a solid efort from start to fnish. It serves as a lesson in production for her peers. She enjoys the process, creating a chance for all to dance away their pain. For Maedon, our ears are like trophies to collect. no one is safe.

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Rosalia

LP+Poster | 2022 | EU | Original (Epic International)

29,99 €*

Release: 2022 / EU – Original

Genre: Pop

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LP | 1971 | EU | Reissue (Bureau B / Sky)

Cluster

Cluster 71

Release: 1971 / EU – Reissue

Genre: Pop

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Is This Love Or Desire Black Vinyl Edition

Betty Davis

LP | 1976 | US | Reissue (Light In The Attic)

33,99 €*

12" | 2022 | EU | Original (Contrafact)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Betty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (Betty Davis and They Say I’m Different), and Nasty Gal for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.

Is It Love Or Desire is a little-known gem in the Davis catalog. Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes, the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band Funk House.

Never bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sisters contributions to music and popular culture. Its time to get down…

Long live Betty Davis!

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Hanna

Skate And Flow EP

14,99 €*

12" | 2022 | EU | Original (South Of North)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Having soothing melodies go hand in hand with catchy rhythms is an achievement in and of its own. But to make them memorable and something to come back to time and time again is something else entirely! Still, Hanna – alias of Warren Harris – does it again. After the release of Love All, Contrafact Records proudly welcomes him back with the Skate and Flow EP. It demonstrates the artist’s tremendous skill and the basis for his continuous popularity within the Detroit House Scene, in which Harris is deeply rooted. Hanna’s groovy melodies gently kick in. Especially of note here is a masterly smooth collaboration with Jeru the Damaja! Together, the three tracks on this record form a perfect – should we say crucial? - ingredient to moments of total relaxation. Wherever and whenever you are, Hanna’s Skate and Flow EP’s got your back!

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Nicolini

Goods / Human Experiment

15,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Nicolini is back! Delivering two slices of finest DIY post-punk digi (styles), woven together with bouncy basslines, punchy drum machines, and Casio melodies, as Nic’s voice beams in from beyond the ether.

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O.G. Psychokilla Presents G-Funk Tha World, Vol. 1

CD | EU

18,99 €*

Love Apple Red Vinyl Edition

Release: EU

Genre: Hip Hop

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O.G. Psychokilla who hails from South Central, LA has been collecting tapes since as long as he can remember. He's one of the guys behind the WGFprod. discogs account and collective and has one of the most impressive tape collections on the planet. Demos, unreleased material and rarities is what he focuses on strictly.

I'm proud to announce the very first volume of "O.G. Psychokilla Presents G-Funk Tha World" which will be distributed exclusively through HHE. The tracklist will blow you away, and keep in mind that this is material that most likely will never see the light of day. Vaulted Death Row tracks, demos and unreleased material it's all included. This mixtape will be factory pressed, and will be limited to only 250 copies.

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Love Apple

LP | 2012 | US | Reissue (Numero Group)

23,99 €*

LP | 2022 | CA | Original (Constellation)

Release: 2012 / US – Reissue

Genre: Organic Grooves

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In the late '70s, three do-right women from Cleveland forged a brief partnership with Ohio's everything man, Lou Ragland. Unlike the prefabricated singing combos of the day, Lily Pearson, Annette Warren, and Avetta Henry swapped lead duties as situation demanded. When a Ragland-centric publicity stunt preempted a concert appearance, Love Apple disintegrated, abandoning this rehearsal tape within the lo-fi confines of Thomas Boddie's cherished Eastside studio. Devoid of bass, the sparse instrumentation (only Lou on guitar and piano and Hot Chocolate's Tony Roberson on drums) accentuates each vocalist's aptitude, showcasing some of Ragland's finest songwriting in the process. During any given take, Ragland can be heard calling audibles, directing his singers to repeat a passage, or lending his own sweet tenor to the vocal mix. Never intended for release, Love Apple's six-song sketch is the perfect companion to I Travel Alone, bringing Ragland's unique musical vision into sharper focus.

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Eric Chenaux

Say Laura

26,99 €*

12" | 2022 | EU | Original (Kompakt Extra)

Release: 2022 / CA – Original

Genre: Rock & Indie

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180gLP in 350gsm jacket w/colour flood interior + 300gsm inner + 12"x24"poster + DL card.The new record by Eric Chenaux is his most immaculate and pristine. Say Laura perfectly incarnates the counter-intuitive interplay of instrument and voice that Chenaux has beenrevealing and revelling in throughout the past decade: his gently unhinged juxtaposition of resplendently smooth, seductively assured singing and puckish, frazzled, thoroughlydestabilized guitar could come from no other musician. The five wandering, wondering ballads on Say Laura bring Chenaux's semi-improvised but keenly intentional songwriting to its fullest, clearest, warmest and coolest articulation; uncompromising and generous, hyper-specific and loose, spartan and luxurious, elemental and ornate. Say Laura might as well be a jazz record_certainly as much as his previously acclaimedalbums Slowly Paradise and Skullsplitter tread that genre-adjacent territory_though it also features moments and melodies that come as close to pop flirtation as Chenaux is likely to get. But above all, Say Laura breathes like no other Chenaux album. Voice and guitar are inscribed with elemental clarity in a wondrously open, symbiotic sonic space. His pure tenor croon glides through a crisp, reverberant ether while his fried guitar careens dizzily and giddily, every gesture and timbre captured in unflinching detail by engineer Cyril Harrison. Chenaux has also made his most minimal, controlled, regulated and rhythmic record. Citing a spectrum of influences_Sun Ra, Jeanne Lee, Gang Starr, Charlie Parker, Betty Carter, EPMD and Thelonious Monk_Say Laura expands on a foot-pedal technique Chenaux has previously used here and there, taking things to a more programmatic level: beatscomposed on a Boss drum machine are used as noise gate triggers, slowed down and inserted into his guitar signal path to create tempered pulses. Opener "Hello, How? And Hey" immediately establishes these subtly heightened characteristics of elementalism, dualism and structure,...

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Kölsch

Speicher 119

Ever Green / Heaven Knows

Release: 2022 / EU – Original

Genre: Electronic & Dance

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With the purchase of the Record, you will receive the Download immediately and not only at the release day of the Vinyl. Kölsch returns to his first home and Kompakt’s eternal Speicher series following a remarkably productive past 18 months that included his 4th full length opus “Now Here No Where”, a double single on his own Ipso imprint and remixes for the likes of Joe Goddard, Douglas Greed and Agoria.

Expect the unexpected this round from our man with the hat with the squelching “Woohman”. He rolls back the clock and brings back a spirit of Rave, delivered in the way we adore his signature style most. The flip side “Speicherband” feels for us here at Kompakt like an homage of sorts to one of our founding father’s Wolfgang Voigt. The minimal churn of a technofied bass drum pounds forth, as a troop of horns call forth the return of unadulterated gatherings to the once empty dance floors across the globe.

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Omar S

7" | 2022 | US | Original (FXHE)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Phil Ranelin & Wendell Harrison

Message From The Tribe

LP | 1972 | US | Reissue (Now-Again)

31,99 €*

7" | 2021 | UK | Original (Stream)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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The Tribe founders’ collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin’s side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison’s side contains extended, full versions of two songs. The definitive reissue of this Spiritual Jazz masterpiece. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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The Nombres

Trivialities / Todos

16,99 €*

Why Is It They Say A City Like Any City

Release: 2021 / UK – Original

Genre: Organic Grooves

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One part War, two parts Santana, and a dash of Motown, immersed in a rich Puerto Rican stock, Los Nombres were the undisputed kings of Northern Ohio’s Rust Belt barrios. Following successive explosions of brown-eyed and Latin soul in Los Angeles and New York during the mid and late ’60s, Willie Marquez led a rotating cast of Latino teens through numerous underfunded recording sessions for the Day-Wood, Beth, and Lorain Sounds imprints. “Trivialities” was initially recorded in 1972 for release on Beth label and was again re taken in 1977 for the Lorain Sound imprint. Both releases are today as rare as Caribbean pirate’s doubloons and were backed on the flipside by the incredibly groovy barrio banger “Todos”. Here we present the 1977 version of Trivialities and the only existing take of Todos, finally at an affordable price.

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Ale Hop

LP | 2022 | EU | Original (Karl)

19,99 €*

D'Virgilio, Morse & Jennings

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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A download code is included.

The new album by the Peruvian-born / Berlin-based experimental artist Ale Hop was conceived in a context of immobility and provides six sonic vignettes that wonder about location, circularity, rootedness and experience. In collaboration with Ana Quiroga, Concepcion Huerta, Daniela Huerta, Elsa M’balla, Felicity Magan, Fil Uno, Ignacio Briceño, KMRU, Manongo Mujica, Moises Horta, Nicole L’huillier, Raul Jardín, Sukitoa Onamau, Tomas Tello.

Following her explorations on music's inherent fixation to geographic space and time, be it through the longing of home ("Apophenia" 2019) or scientific magnification of invisible worlds ("The Life of Insects" 2020), Berlin-based Peruvian-born experimental composer Ale Hop's fourth album, "Why Is It They Say a City Like Any City?", was conceived in a context of immobility. During the lockdown months, she started a process of remote collaboration, by sending messages, posted from various cities along a South American trip, to thirteen musicians from around the world. She journaled her impressions upon these places to an intimate fictional character while reflecting on matters of time, sound, space, cosmology and colonial memory. The thirteen musicians dialogued with this voice by
taking upon the challenge of responding to the messages with sound collaborations.

Field recordings, mouth drumming, drone cellos, electronic loops, arrhythmic rhythms and voices came back from this experiment. Ale assembled them, by layering, twisting and turning, into sonic vignettes that wonder about location, circularity, rootedness and experience, making it the first time she's set her guitar aside. Expect no answers to the album's title question, but an innermost psychedelic rumination.

"Despite the technological resources that appear to dilute distances, the simulation of closeness mirrored on the digital space is an emptied body, a state of precarity, a flat surface; unable to withhold an experience of exchange," Ale states. "So, I began this project by asking myself, how can we escape from the reduced experience of the virtual? The idea behind this experiment was that my messages and the places they describe could drive the composition, be a catalyzer, a score. Thus, to use geography as a tool to remember and imagine, to allow new soundscapes to emerge."

"Memory, diffuse and divergent, sometimes reaches out to the future in its search for form, taking shape from the reflections and echoes that come back … like throwing a rock in a pond and having a rock thrown back at you." The release of "Why Is It They Say a City Like Any City?" is accompanied by a 50-min audiovisual installation that will premiere at CTM 2022 Exhibition in January, which was created in collaboration with the Mexican technologist and artist Moises Horta. For this piece, an Artificial Intelligence multi-modal neural network was fed with readings of the messages written by Ale, synthesizing them into free-flowing images. The visual imagery resembles the way memory works
when triggered by words, by traveling freely through mental images unfolding them into openended assemblages of spaces and temporalities.

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Troika

LP+CD | 2022 | EU | Original (Insideoutmusic)

23,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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2LP | 2011 | EU | Reissue (Kompakt)

John Tejada

Parabolas

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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A download code is included.

"Expect the unexpected," they say, and it should come as a surprise to many as we warmly welcome to the KOMPAKT family one of America’s most celebrated producers in dance music, JOHN TEJADA! Born in Austria, he relocated to his current home of Los Angeles at the age of 8 and, following a brief career in hip-hop, found his home in electronic music. If you're even the slightest fan of the genre, you’ll be hard-pressed not to have heard his music over his decade long career. Whether on his own Palette Recordings, Poker Flat, or Plug Research — plus a Fabric Mix CD under his belt, it’s thanks to a steady stream of massive releases (think “Mono On Mono” and “Sweat On The Walls”) that he remains a mainstay in the charts of Beatport and uncountable DJs. He is also half of the long-standing City Centre Offices act, I’m Not A Gun (together with Takeshi Nishimoto). “I wanted to experiment with some longer phrases again and to step away from the analog sequencers more and get back to using my hands to create the melodies. I also feel for the first time in quite a while I've made an album of songs for myself without worrying about the usual pressures.” Resident Advisor called Tejada “one of the most notoriously meticulous producers around" — an unmistakable proof lies within these recordings. Genres collide and combine with an unraveling of blissful layers on “Parabolas”. The opening track, “Farther & Fainter,” offers a musicality today's techno and house often lack — an accomplishment that resonates throughout the album. Tracks such as “Subdivided” and “Unstable Condition” reflect the wondrousness of Aphex Twin’s Polygon Window project, something that could only be reanimated and brought to 2011's standards by Tejada. “Parabolas” is a true highlight in John Tejada’s deep catalogue. Bold words indeed for a producer who is known for unexpected variation and tremendous musical imagination.

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12" | 2022 | EU | Original (Warehouse Classics)

Soul Of The Makossa Man

Release: 2022 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Rutilance)

Coral O'connor

Conversations EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2015 | EU | Original (Polysom)

Roberta Campos

Todo Caminho É Sorte

32,99 €*

Release: 2015 / EU – Original

Genre: Organic Grooves

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Alpha Games Black Vinyl Edition

Release: 2011 / EU

Genre: Electronic & Dance

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One of Detroit's best house producer gets the Boot treatment… some classics from Kenny Dixon Jr.!

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Bloc Party

LP | 2022 | EU | Original (BMG / Infectious)

Release: 2022 / EU – Original

Genre: Rock & Indie

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CD | 2021 | US | Original (Gyldezone)

Dam-Funk

Above The Fray

Release: 2021 / US – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Planet Rescue)

Montel Palmer

Catastropheland

Bill Callahan & Bonnie Prince Billy

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Includes A3 poster print by Frank West . . .

Welcome denizens of disaster, one and all - please make yourselves uncomfortable.

Did anyone ever tap you on the shoulder as you were walking through an unfamiliar land, just to tell you to watch where you’re going? In this interlinked age of protocol-onies and networked nations, the only territory you can’t rely on is your own state of mind.

Mapped-out by a series of second guesses and double takes, Catastropheland is the one place you’re welcome to try and expand your diminished reality. In Catastropheland, the road signs are all traps, the charts are the wrong way round, the jokes fall flat, and it always rains upwards.

Meanwhile, nine tracks of virtual shapes are bounced off the dishes of an orbiting Syncom 7 and beamed straight into your personal space. The quest for the augmented self might not lead to the results you expect, but as a citizen of Catastropheland, your residency permit is never up for review, and you’re only a shipwreck away from being washed-up on a melting shoreline.

The music was performed by Montel Palmer in Cologne during summer 2018

Mastered by The Bastard

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Blind Date Party

2LP | 2021 | US | Original (Drag City)

42,99 €*

LP | 1968 | US | Reissue (Blue Note)

Release: 2021 / US – Original

Genre: Rock & Indie

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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.

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Andrew Hill

Grass Roots

19,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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7" | 2022 | US | Original (Dead Oceans)

Bill Fay / Kevin Morby

I Hear You Calling

16,99 €*

12" | 2021 | EU | Original (Self Reflektion)

Release: 2022 / US – Original

Genre: Rock & Indie

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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.

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Vil

50 Shades Of Grain

15,99 €*

OST Patlabor 2: The Movie

Release: 2021 / EU – Original

Genre: Electronic & Dance

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One of the most promising techno producers around right now - Vil presents his '50 Shades Of Grain EP' for the Self Reflektion imprint. The 'Groove Dealer' from Portugal, member of the Hayes collective and known for his recent work on Klockworks (together with Cravo) and Be As One delivers a selection of sexy, groovy yet pounding tracks for our label. Highly essential!

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Kenji Kawai

CD | 2021 | EU | Original (WRWTFWW)

18,99 €*

Road To The Sun Limited Edition Box

Release: 2021 / EU – Original

Genre: Soundtracks

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Wrwtfww Records is absolutely honored to announce the release of Kenji Kawai’s complete soundtrack to Mamoru Oshii’s 1993 superb political thriller science-fiction mecha anime Patlabor 2: The Movie, available on vinyl for the first time ever and housed in a beautiful heavy gatefold sleeve with obi, as well as on digipack CD. Both versions come with liner notes by the great Masaaki Hara. A true soundtrack maestro, Kenji Kawai is behind the legendary soundscapes of cult animes and movies such as Ghost in the Shell, Avalon, Ring, Ip Man, and Seven Swords among numerous others. Patlabor 2: The Movie (Original Soundtrack) is one of his most experimental offerings, an outstanding palette of emotion-filled ambient atmospherics and percussion mastery breathing beautifully through Kawai’s minimalism meets modern classical approach. His symphony of moods paints a delicate picture of urban isolation, a central theme in the movie, but doesn’t hide hints of hope for a joyful future. Patlabor 2: The Movie (Original Soundtrack) is an ideal companion to Kenji Kawai’s Ghost in the Shell soundtrack, already available on Wrwtfww Records. Points of interests - For fans of electronic, soundtracks, ambient, experimental, minimalism, synth, Kenji Kawai, Geinoh Yamashirogumi, Ghost in the Shell, Akira, anime music, Japan, robots, urban isolation, hope for the future. - First ever vinyl release of Kenji Kawai’s Patlabor 2: The Movie (Original Soundtrack), in full audiophile experience

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Pat Metheny

3LP | 2021 | EU | Original (Modern)

76,99 €*

Release: 2021 / EU – Original

Genre: Classical Music

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5LP | 2021 | EU | Original (Ostgut Ton)

Ostgut Ton Fünfzehn + 1

74,99 €*

Return Of The Deacon (Gerald Mitchell)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Fünfzehn + 1 is a commemorative compilation celebrating 16 years of Ostgut Ton – and the first glimpses of light at the end of a long dark tunnel for parent club Berghain.

Originally planned for release in 2020, the music focuses on the interwoven nature of the label and the club in its multitude of different spaces and musical facets. Ostgut Ton artists and close affiliates worked together in pairs to make music dedicated to five different floors, each represented by a specific 12" vinyl. The result is a diverse selection of sometimes functional, other times more abstract sonic tributes; musical homages to spaces they have both influenced and been influenced by.

With the pandemic having forced the club to close temporarily, the collaborative nature of the 5x12" boxset represents an attempt to transcend varying degrees of isolation and to wrestle with memories of music and space that had been inaccessible. But certainly not forgotten.

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Funky Revolutions EP

12" | 1999 | EU | Reissue (Rawax Motor City Edition)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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The Cookhouse 5 Gold Vinyl Edition

94 East

LP | 2019 | US | Reissue (Numero Group)

LP | 2006 | US | Original (XL)

Release: 2019 / US – Reissue

Genre: Organic Grooves

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LP in tip-on jacket with purple velvet and gold foil stamping. In 1975, Brooklyn transplant Pepe Willie booked time at Cookhouse Recording Studios in Minneapolis, Minnesota, to demo five original compositions. Without roots in the Twin Cities' insular scene, Willie had no fixed backing group to help realize the arrangements he and vocalists Marcy Ingvoldstad and Kristie Lazenberry had been rehearsing. Willie organized a young cast of backing musicians for the session, among them his wife's cousin: a 16-year-old guitar prodigy named Prince Rogers Nelson. Known colloquially as "The Cookhouse 5" these recordings showcase Prince's instantly recognizable guitar playing, seasoning to perfection 94 East's short-but-sweet songbook. A crucial document concerning the origins of the Minneapolis Sound, the B-side boasts instrumental versions of each infectious tune, providing an even greater vantage point from which to admire the Purple One's expressive playing style, already evident in his teenage years.

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Thom Yorke

The eraser

35,99 €*

Release: 2006 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Music From Memory)

Alex Ho

Move Through It

Release: 2021 / EU – Original

Genre: Pop

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Debut album from Alex Ho out of Los Angeles.

In his foundational essay on Los Angeles, L.A. Glows, the essayist Lawrence Weschler speaks on the city's uncanny, immediately recognizable light; "The late-afternoon light of Los Angeles—golden pink off the bay through the smog and onto the palm fronds." Weschler traces the city's mysterious refracted light from the iconic paintings of David Hockney through the city's frequent portrayal on film and TV, noting its ability to put residents into a state of "egoless bliss."

Similarly, Alex Ho's new album for Music From Memory, 'Move Through It', radiates with the unmistakable LA glow. While the Pasadena native's studio work is just now coming to light, Ho has long been a fixture in the Los Angeles dance music scene, throwing what are perhaps the city's most musically expansive warehouse events and carving out a singular voice as a DJ, as heard on his brilliant Moony Habits show for NTS. The eight-track record, however, lands in a more contemplative zone, better suited for a golden hour drive than a night out.

Though it's his first record, 'Move Through It' is the accomplished work of a fully-formed artist, produced patiently between 2017 and 2020 with help from friends including Baba Stiltz, Phil Cho, Damon Palermo and John Jones. "Mark," the Koanic track conclusion side A, is an arpeggiated slow burn reminiscent of Pino Donaggio's brilliant score for Brian De Palma's 1984 film Body Double. Ho's stunning, pure falsetto soars above gentle melodies. "Miss Suzuki," the piece that originally caught the ear of MFM's Jamie Tiller and Tako, opens the record with a blue, cinematic sway. Ho's facility for poignant melodies—easily conveyed through saxophone, vibes, various keyboards and his own voice—shines on "College Crest Drive," as well as the title track. The lyrical "Move Through It" and the restrained and beautiful closing cut, "TYFC," are abetted by glimmering Kraut guitar figures courtesy of John Jones.

While Ho's rhythms and melodies paint a crystal-clear musical vision, the music's emotional centre is more elusive, indicative of a yearning feeling synonymous with the City Of Angels. Hitting these hazy and subtle notes, Move Through It falls within a canon of sun-addled records spanning from Herb Alpert's "Rotation" to Dam-Funk's Private Life trilogy as Garrett. An immersive and concise statement, Alex Ho's 'Move Through It' is as warm and uncanny as the city that inspired it, a definitive LA album.

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Late Night Tales: At The Movies

2LP | 2021 | EU | Original (Late Night Tales)

36,99 €*

Release: 2021 / EU – Original

Genre: Soundtracks

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Hippy Boys / Rupie Martin & Hippy Boys

Bangalang Shangalang / Natural

7" (Big Sax / Modified)

Genre: Soundtracks

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Fat Girl In Red / Trust The Book

Mellotones / Versatiles

7" (Amalgamated)

Genre: Soundtracks

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Lobby Dreams EP Laidlaw Remix

Nate S.U

12" | 2021 | EU | Original (Sukhumvit)

Tape | 2021 | US | Original (Light In The Attic)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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My good friends Nate and Laidlaw are responsible for Soi012, belter tracks. Rocket A-side, Fire B-side. Nothing to add to that.

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Leo Nocentelli

Another Side

8,99 €*

Open Arms To Open Us Dawn Cherry Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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*Available Nov. 19th, 2021*

“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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Ben LaMar Gay

LP | 2021 | US | Original (International Anthem)

Release: 2021 / US – Original

Genre: Organic Grooves

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Ben LaMar Gay's critically-lauded 2018 break out Downtown Castles Can Never Block The Sun was more like a greatest hits than a debut album, as it compiled the best of the prolific but obscurity-prone Chicago native artist's previously unreleased music. Open Arms to Open Us will be our first release of brand new, freshly baked tunes by Gay, a collection recorded entirely at International Anthem studios in Chicago between March-June 2021. Featured artists on the album include: Ohmme singers Sima Cunningham and Macie Stewart, bassist/vocalist/arranger Ayanna Woods, multi-disciplinary Rwandan artist Dorothée Munyaneza, poet A.Martinez, cellist Tomeka Reid, and vocalists Onye Ozuzu, Gira Dahnee, and Angel Bat Dawid.

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Tickets For Doomsday: Heavy Psychedlic Black Friday Record Store Day 2021 Edition

LP | 2021 | US | Original (Now-Again)

30,99 €*

3x12" | 2017 | UK | Original (Lobster Theremin)

Release: 2021 / US – Original

Genre: Rock & Indie

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Limited to 2700 copies worldwide. Now-Again Records follow up to one of its most well-loved compilations, Forge Your Own Chains, with another batch of rare, largely uncompiled - and sometimes barely heard - heavy psych-rock and funk. Pounding drums, scathing fuzz guitar and morose, contemplative lyrics will bring you up on a downer. Tickets For Doomsday, as the title hints, is and rumination on what might befall the human race – made especially salient by the past year’s trials and tribulations – as performed by prison funk ensembles, Indonesian hippies, Krautrock legends, Icelandic prog-rock bands and even Bay Area rap catalyst E-40’s uncle, the man to rst distribute Master P’s No Limit Records, and the creator of this album’s title track, St. Charles “Chucky” Thurman. A unique and compelling listen, and surely a worthy companion for these times.

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1800HaightStreet

Endless

29,99 €*

Cpt. Yossarian Vs. Kapelle So&So

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is very close to NM. Cover has tiny wear.

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Bob Marley In Dub

LP | 2022 | EU | Original (Echo Beach)

23,99 €*

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Gabriel Magdelani & Niran Mantin

Improvisation Of Emotions EP

12" | 2021 | EU | Original (Tur)

12" | 2021 | EU | Original (Marlon Brandog)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tur002 by Gabriel Magdelani & Niran Mantin from Jaffa, Tel-Aviv. Two producers prove that music unites and has no boundaries. Vinyl only.

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Marlon Brandog

The Dogfather

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Ohm Resistance)

The Masamune

12" | 2021 | EU | Original (Domina Trxxx)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Atlanta’s The Masamune presents his debut 12″ release on Ohm Resistance – 4 absolute dancefloor controllers, with a special guest appearance from DJ Hidden on remix duties. This self-titled EP is aimed squarely at the next generation of Drum & Bass DJs and listeners, competing for the top step on the production podium. A direct representation of the storied Drum & Bass history of the label, The Masamune wires together his signature traditional symphonic strings and orchestral elements with the hardest hitting modern dancefloor sound. His beats range from half time punishers, in his signature Neuro-hop style, to running and rolling steppers, with a strong hip hop/b-boy influence appearing throughout his produdctions. According to The Masamune: “This project was made almost specifically to serve as a prelude to the full length LP I’m currently writing for Ohm Resistance.” The EP showcases the numerous talents of the artist, as well as crucial amplifications from his collaborators. Including Jakob Klug on artwork (previously work includes Black Sun Empire and The Outside Agency) and The Netherland’s legendary DJ Hidden, who has remixed the closing track – Doomslayer. The Masamune comments: “I consider DJ Hidden a pioneer and an early influence of mine. He was gracious enough to lend his talents on the remix of my 2018 track “Doomslayer”. The Masamune is a multi-genre producer, remixer, & live act from Atlanta, GA. A composer and sound designer known for his niche style of blending orchestral elements into the chaotic palettes of hard drums and heavy synths, his tracks explore dark themes and deliver punishing consistency. A top-flight production ethic combines with rich exploration of the dark side of Drum & Bass, his works are an automatic dancefloor uplifter in the hands of skilled DJs. He has released on Harder & Louder, Mindocracy, Smackdown Recordings, and was a participant in the Ohm Resistance 7″ series, as well as an annual contributor to the Perihelion compilation series.

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L.D.F. & Javonntte

Tales From The Space

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tape | 2021 | EU | Original (Karl)

Arash Akbari

Fragments Of Yearning

Space Operator Donato Dozzy Remix

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Limited edition tape (100), handnumbered.
A download code is included.

After PORYA HATAMI and SABA ALIZADEH, we are excited to welcome the 3rd Iranian musician on KARL: the sound and new media artist ARASH AKBARI. ARASH AKBARI is a musician, sound, and new-media artist, based in Tehran, Iran. His interest in dynamic art systems, human perception, nonlinear narrative, and the co-existence between physical and digital worlds compelled him to explore the fields of generative systems, interaction design, and real-time processing. He explores the relationship between human, technology, space, and the environment, and examines the ways interactive cybernetic systems, natural emergent
behaviors, and phenomena can evoke meanings as well as social and emotional responses. Akbari directs his experimental practices into audio-visual performances and installations, interactive applications, and multisensory experiences. His compositions investigate experimental approaches to sound generation, field recordings,
acoustic instrumentation, digital synthesis, DSP, and noise to create immersive sonic environments that explore the agency of autonomous systems, indeterminacy, memory, and the perception of time and space. His works have been exhibited in different festivals and exhibitions around the world, such as Athens Digital Arts Festival, Simultan Festival, New Media Fest, 3D Web Fest, Cinnamon Colomboscope, and Graphical Web Conference. He has released albums on Flaming Pines,
Unknown Tone Records, Taalem, and Soft Recordings among numerous other labels. “Fragments Of Yearning”, AKBARI’s latest solo work, is a finely crafted sonic journey into ambient soundscapes, centered around the topics of yearning, memory and humanity. In his own words: “Some moments linger in us, buried in time but molded the eternity. The dusty echoes from the past, yet are vividly unraveled. The irreplaceable momentary fragments of being human.”

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4 M International

12" | 2021 | EU | Original (Mr Disc Organisation)

LP | 2021 | US | Original (Now-Again)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Here's a brand new EP for the italo lovers. Released for the first time
in 1982 on Full Time Production off-shoot Good Vibes, 4 M
International's "Space Operator" is repressed on hand-numbered limited
edition vinyl on Mr Disc Organization!
This special EP includes the Techno producer Donato Dozzy cadillac
rhythms reshape and the vocal and instrumental versions of the record.

Spaced out disco electro. The mysteriously named 4M International was a
side project of the production team behind the Italo group Trilogy ("Not
Love", "Black Devil" etc). "Space Operator" is the only record the
outfit recorded and is an ultra spacey, pitched down, cosmic anthem with
a wealth of killer sound FX, synth washes and sinister vocoded voices
inviting us to join them in some intergalactic space travel!

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Fabiano Do Nascimento

Ykytu