Vinyl, CD & Tape Sale 217 Items

Only 200 copies available!

This limited "Gumbo Trilogy Box" packaged in a high-quality paperboard slipcase contains:

- "Gumbo III – The Gorilla Diaries 2012 - 2016" vinyl, cover design by Cone The Weird
- "Gumbo II" vinyl with a brand-new, customized Pantone colorway by Cone The Weird
- "Gumbo I" double LP vinyl available in full length for the first time, cover artwork by Aro
- An exclusive photo book designed by Robert Winter and Jeremias Diekmann which lets you dive into the creation process of the Gumbo Trilogy. Includes rare photographs, cover sketches by Aro and Cone The Weird and essays by Brenk Sinatra and Stephan Kunze

Waxwork Records is thrilled to release Monster House Original Motion Picture Soundtrack by Douglas Pipes. This special double LP marks Waxwork's third soundtrack album release with composer Douglas Pipes following 2014's Trick 'r Treat and 2016's Krampus. Monster House is a 2006 animated Horror film directed by Gil Kenan (Scream, Ghostbusters: Afterlife). The plot tells the story of a neighborhood that is terrorized by a haunted house during Halloween. The movie features the voices of Steve Buscemi (Reservoir Dogs), Maggie Gyllenhaal (Donnie Darko, The Secretary), Mitchell Musso (Hannah Montana), Sam Lerner, Spencer Locke, Kevin James (The King of Queens), Nick Cannon, Jason Lee, Fred Willard (Spinal Tap), Jon Heder (Napoleon Dynamite), Catherine O-Hara (Beetlejuice), and Kathleen Turner (Jessica Rabbit in Who Framed Roger Rabbit).

Monster House marks Sony's first computer animated film produced by Sony Pictures Imageworks. Produced by Roger Zemeckis (Back to the Future Trilogy) and Steven Spielberg's Amblin Entertainment, the film was released in 2006 and was met with praise from fans and critics for its blending of horror and accessibility to a broad audience as a feature animated film.

Roger Ebert gave the film his highest ranking of four stars calling it "one of the most original and exciting animated movies I've seen in a long time" and compared it to the work of Tim Burton.

About the composer:

Douglas Pipes is an award winning American film score composer whose feature films include the Academy Award nominated Monster House, the Halloween horror anthology classic Trick 'r Treat, and the Christmas comedy-horror film Krampus.

Waxwork Records is thrilled to release yet another score by Douglas Pipes after the deluxe vinyl releases of the soundtracks to both Trick 'r Treat and Krampus.

A trilogy of the best of the best, the "White". Revolutionary times revived beyond memory. Flaming piano jazz that ignites the heart! The year was 1967, a time of great change in music. Tonou Naisseau presents the best trio music with a longing for those glorious days! This is the "White" of the trilogy of his best work, which he challenged with a new concept. The album has a wide variety of songs, but the sense of unity as an album is superb. One of his masterpieces is finally available on vinyl!!

Rare double vinyl DJ pack!
Gatefold cover has a small, bent corner!
Limited to 25 copies (21 / 25)!

Orange transparent vinyl. Cover has slight wear!

A reissue of the debut album from John Dwyer under the OCS moniker. Original released in 2003 as a double CD. This is the first time it has seen a vinyl treatment! Lovingly remastered at Golden and cut by Carl Saff

Cover has slight storage wear and a stuffed corner! Vinyl has a few scuffs!

Record Store Day 2021 Release. Lupe Fiasco's Food & Liquor Series is a Limited Edition four LP set featuring Fiasco’s debut studio album Food & Liquor and follow up Food and Liquor II together on vinyl for the first time, exclusively for Record Store Day

A classic in Japanese hip-hop history, released in 2001, is now available on analogue for the first time to celebrate the 25th anniversary of its debut!

The first major full-length album from Kumamoto, Kyushu's land of fire, which suddenly swept the scene and made a name for itself in the national arena, is now available on 2LP!

The first major full-length album "upper Jam" was released in 2001 by the core of the Japanese hip-hop world, Gakki Ranger, and received high acclaim from all quarters. The album features 21 thrilling tracks, with the 2 MCs Potemkin & Yoshi using the skills they have cultivated in their live shows to deliver unpredictable lyrical raps, and GP & DJ High Switch a.k.a. HIRO's ear-piercing, thick-boned backing tracks. Guest artists include Ken-1-raw from Volcano Posse, M.O.S.A.D. from Nagoya, Rappagaria, Fukuoka Yutaka from Pink, RYO the Skywalker from the reggae world and many more. It is a timeless classic with an uplifting feel brought about by the combination of unexpected and irregular rapping and the exquisite pauses that are meticulously orchestrated!

Cover has a small, stuffed corner! Vinyl is close to NM!

Red vinyl with a couple of scuffs and hairlines

Vinyl has a few scuffs and slight scratches!

Gatefold cover. Vinyl is close to NM. With booklet.

Tiny scratch on A5/A6, besides that vinyl is close to NM. Original pressing.

Vinyl has some tiny pressing bumps, close to VG+. Original inner sleeve.

Rare promo copy! Few scratches on both records!

First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

SOURCED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL
1/2" / 30 IPS analogue master to DSD 256 to analogue console to lathe



Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash "Walk This Way," the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything – hard-rock riffs, turntable scratching, itchy rhythms, hit singles – not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, the reissue label's numbered-edition 180g 33RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with its musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME – and included on "Best of" lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet – the triple-platinum effort rocks the house.

Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent – and displayed just how big it could get – Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell.

As for the music, it ranks among the most influential, inventive, and invigorating ever released – rap or otherwise. Vanguard artists such as Ice-T, Eminem, Jay-Z, and Public Enemy's Chuck D – who declared it his all-time favorite and "the first record that made me realize this was an album-oriented genre" – have testified on behalf of its brilliance. And never mind the presence of the Top 5 single "Walk This Way," whose power helped make Aerosmith's Steven Tyler and Joe Perry relevant for the first time in nearly a decade – and literally put Run-D.M.C. in bedrooms ranging from the Bronx to Bartlett to Bad Axe.

Look instead to the rest of the entirely filler-free set, be it the corkscrew turns, slippery wordplay, and "My Sharona"-meets-"Mickey" mixology of the boisterous "It's Tricky," the fat-but-minimized bass grooves and warped turntable wobble of the hysterical "You Be Illin'," chimes-accented inertia and boombox-on- shoulder thunder of the now-iconic "Peter Piper," or voice-as-percussion attack of the funky "Is It Live." With Raising Hell, the answer to the question is always affirmative – a sensation bolstered by the fact the group always had something to say.

The definition of Golden Age Hip-Hop in every way, Run-D.M.C. avoids the negativity and misogyny that later plagued the style, spinning assertive tales about identity (the biographical and culture-changing "My Adidas"), work ethics ("Perfection"), and, most notably, pride (the Harriet Tubman- and Malcom X.-referencing "Proud to Be Black"). Pavement-packed inner cities, tree-lined suburbs, and cornfield-rimmed rural areas would never again be the same. And rocking a rhyme that's right on time would become trickier than ever.

Dark Yellow With Orange And Red Streaks

The reissue of Masahide Sakuma's 1st solo album 'lisa' released in 1984 has been decided!

LP reissue of Masahide Sakuma's 1st solo album 'lisa', which has been active as a member of Yonin Bayashi and Plastics and produced for many famous artists. A work released from the ambient music series 'Music Interior' by sound engineer Seihiko Ono. It is often called a Japanese ambient masterpiece, and it is soaring in the second-hand market, making it one of the coveted fans.

Vinyl with scuffs and hairlines. Cover with price tag on the front. Booklet included.

Samurai Champloo Music Record: Impression is the fourth soundtrack album in the series of the anime show Samurai Champloo. It contains tracks by Nujabes, Force of Nature, Fat Jon and MINMI. The lyrics on “Hiji Zuru Style” are written and performed by S-Word and Suiken. The lyrics on “Who’s Theme” are written and performed by MINMI; vibraphone is by Yoshihiko Katori.

The music of the Samurai Champloo anime series was created by a group of producers: Japanese hip-hop producer Tsutchie of the rap group Shakkazombie, American hip-hop producer & emcee Fat Jon of the rap group Five Deez, Japanese hip-hop producer Nujabes, and Japanese DJ & production duo Force Of Nature. The music genre is primarily instrumental hip-hop.

Quantity: 7500
Release type: RSD Exclusive Release

Recorded June 5, 1970 • First official release • Includes the song “Someday Soon” that was only performed live • 2-lp set 1. Intro/Adolf Hitler (Poem) 2. Roadhouse Blues 3. Someday Soon/Harvest Moon 4. Mystery Train/Train Coming Round The Bend 5. Break On Through 6. Five To One 7. Backdoor Man/Willie Dixon 8. The End 9. When The Music’s Over

Strong limited 3x12Inch Box incl. 2xSlipmat, Poster, Sticker. Each item in extremely high quality. 3x190g Vinyl. 1000g Paper Box with UV Spot Finish, heavy screen printed slipmats, A2 Poster, Stickers. Heavy Underground Resistance and Detroit infected electro anthems! Die Gestalten! Made by a completely unknown source out of nowhere. Very limited copies, no repress, vinyl only! No promotion, no digital, no social media, no faces, no games!

Unfortunately these sleeves arrived with seamsplit. Otherwise the records play excellent.

The Living Legends, return after a 15 year hiatus with the aptly titled album, "The Return". As one of the premiere groups in the DIY, underground scene of the 90's and 00's the Living Legends have amassed a dedicated fanbase who are still ready for new music. The album features production from the crew's own Eligh, as well as the likes of Statik Selektah, Amp Live, Ant from Atmosphere, Chase Moore, Voodoo Lion and more. Along with the 7 members of the crew handling vocals, they invite the likes of, Del The Funky Homosapien, Atmosphere, Jay Worthy, Brother Ali, Opio, Pep Love, N8 The Gr8, Nate Curry, and Reverie.