Vinyl, CD & Tape Preorder 7895 Items

LP | 2022 | EU | Original (Bronson)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Treviso, Italy-based two piece Kill Your Boyfriend release their fourth album 'Voodoo'. A frantic and hypnothising bacchanalia of Psych & Industrial tinged soundwaves, the new album is a collection of reverb laden necromantic charms, summoning the souls and bones of the greats in the Rock & Roll pantheon of the 1950s. The duo delivers such glittery dark enchantment via 7 hoodoo hymns, travelling with a crumbling, ghostly and magically whizzing Rocket 88, in the company of Marie Laveau and madame Lalaurie. It's a relentless whirl of Voodoo-Psych, Industrial-Billy, Electro-GrisGris, which you can dance to. With 'Voodoo', Matteo Scarpa and Antonio Angeli, explore new genres and expand the sonic borders, without losing their original intent. They replace the synth bass with a bass-guitar, adding more fluidity and weight to a renewed and punchier rhythmic section. Electronic and acoustic percussion are fuller and heavier, and the band's new stomp-machine is a hyper-convulsive version of the saturated Rock & Roll and R&B drumming, from the cheap garage studios of 1950s indie labels.

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Leatherette

Fiesta

12" | 1984 | EU | Reissue (Thank You)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The group are based in Bologna, but all hail from different towns in Italy. These five young men - singer/guitarist Michele, bassist Marco, drummer Francesco, guitarist Andrea and saxophonist Jacopo - bonded over wildly differing influences - everything from midwestern emo gods American Football, to Berlin-era Bowie, to James Chance & The Contortions, to rap and electronic music - to create a dense, passionate, articulate sound of their own. You can file them near fiery post-punk kindreds like Shame and Squid, or unhinged 90s noisers like Unwound or Hoover, or squalling No Wavers like James Chance, but the truth is there are few bands like Leatherette that walk this Earth. The songs on first full-length, Fiesta precede the Covid era, though the group spent the pandemic rewriting and overhauling their maiden batch of songs at leisure. The result is an astonishing and remarkable debut: poetic, caterwauling, broken and beautiful.

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Ze Carlos

Venha

15,99 €*

Wojtek Mazolewski Quintet

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Imagine for a moment that Arthur Russel had learned to speak Brazilian and then moved to Italy to produce an Italo-Disco single back in 1984. There's a good chance it would sound like the Dub version of the B side on this record (Remixed by Bob One). A percussive foundation channeling Latin Freestyle beats sets the groundwork for the chill sunset vibed melody to pleasantly unfold intertwined with the alluring Brazilian lyrics. The recording engineering on this production is clearly at a higher standard (than the usual neighborhood italo disco studio from back in the day) with some of the techniques at play giving it a very balanced and sophisticated sound for its time. The meticulous remastering this re-issue underwent allow for a generous low end with crystal clear mid range – game changing on any well calibrated dance floor sound system.

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Spirit To All

LP | 2023 | EU | Original (Whirlwind)

LP | 2023 | EU | Original (Whirlwind)

Release: 2023 / EU – Original

Genre: Organic Grooves

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"Spirit To All" is the latest record by Polish bassist and composer Wojtek Mazolewski and his famed Quintet (WMQ), Mazolewski"s distinctive voice and vision are highly lauded and widely recognised for his contribution to the resurgence in Polish jazz and improv music on a global, crossover scale.

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Will Vinson

Tripwire

Release: 2023 / EU – Original

Genre: Organic Grooves

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Recorded in just one day, Tripwire is the latest album from saxophonist and composer Will Vinson.Realising a long-held ambition to record a chord-less trio album, Vinson is joined here by bassist Matt Penman, one of today"s most adventurous bass players, and drummer Eric Harland, known for his impressive work with the world"s jazz luminaries.Special guest tenor saxophonist Melissa Aldana also joins for two tracks. The record captures the energy of returning to the studio and playing for the first time since the Covid-Pandemic lockdowns, and further cements Vinson"s reputation as a virtuosic risk-taking leader.Tripwire skilfully brings together Vinson"s vision of freedom and collaboration into a cohesive album that documents the highly charged reunification of musicians, masterfully captured during a one-off recording session.

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Songs Of Samhain

Release: 2022 / US – Original

Genre: Hip Hop

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LP | 2022 | JP | Original (Jet Set)

Soakubeats

Never Pay 4 Music

67,99 €*

Release: 2022 / JP – Original

Genre: Hip Hop

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Twiztid Presents: Songs Of Samhain Volume 2 - Haunted

Release: 2022 / US – Original

Genre: Hip Hop

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CD | 2022 | US | Original (Capitol)

Toosii

Nau'jour

17,99 €*

Release: 2022 / US – Original

Genre: Hip Hop

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LP | 2020 | EU | Original (On The Camper)

Peter Kernel

Perservance

Relaxing With The Heads Silver Jubilee Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Perseverance, originally released in 2020, is not a new Peter Kernel album. Rather, it"s a collection of songs which didn"t find their place on official albums throughout the years but, one way or another, shaped the duo and brought them where they are today. These tracks are like them: funny, sad, too much, not enough, flawed and simply human! Twelve demos, alternative takes and rarities that come with twelve additional tracks available on a digital download card.

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The Heads

2LP | 1996 | UK | Reissue (Rooster)

34,99 €*

LP | 1983 | EU | Reissue (Litoral)

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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A special 25th anniversary edition of THE Heads’ debut album, first released in 1996 and housed in new gatefold jackets with updated art and bonus material. Amidst a world suffocating in Britpop smarm, The Heads' debut cut a timely swath of unkempt psychedelic rock into the face of the English underground. Featuring ten tracks of guitar-driven, amp-destroying jams, Relaxing With... takes its cues from the US--Stooges, MC5, Mudhoney, Pussy Galore, early Monster Magnet--but adds a distinctly British stamp with the drone and fuzz of Loop / Spacemen 3, the attitude of The Fall, Pink Fairies and Walking Seeds and the spaced rock of early Hawkwind. It is obvious that the four members of The Heads are music obsessives. Bonus LP includes the remastered tracks from the band's Radio 1 sessions from November '95, March and May 1996, along with "Jellystoned Park" (the B-side of their "Television" 7-inch). Jacket art has been embellished with new silver foiling and bordering.

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Alcides Neves

Des (Trambelhar) Ou Não

12" | 2022 | UK | Original (Fresh Milk)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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A joint release between Discos Nada & Litoral. Alcides Neves’ unique second LP ‚Des (Trambelhar) Ou Não’ is reissued for the first time on vinyl, alongside his first release ‚Tempo de Fratura‘.

Somewhat of a concept album, this LP was conceived as having a predominantly experimental A-side and a more folky B-side, with songs influenced by Alcides’ native Northeastern Brazil. Alcides chose to release his second record independently as well, owing to the risk-averse nature of the labels at the time. Indeed, rather than adapting to the demands of the labels and making more romantic or commercial music, Alcides went in the opposite direction and released the most experimental record of his career.

The result is an album with distinct identities on each side but with an experimental bent throughout. The LP’s sounds are reflected by its striking cover, which collates some of Alcides’ artistic heroes - Frank Zappa, Gilberto Gil, Jimi Hendrix, Arnold Schönberg, Igor Stravinsky (to whom he also dedicated a song on the LP) among others, above an artwork in the style of Northeastern Brazilian folk art.

By blending traditional regional Northeastern elements with an experimental approach and influences from 20th century classical music, Alcides Neves crafted one of the most unique Brazilian records.

Carefully remastered by Paulo Torres with updated original artwork, the record is reissued in a gatefold sleeve including a promotional image from the time of release. This LP furthermore includes an insert with a text written by the journalist and researcher Bento Araujo, editor of the bimonthly publication ‚Poeira Zine‘ and author of the ‚Lindo Sonho Delirante‘ series of books.

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Jay Ward & Dan T

17,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Blowout Comb Blue & Gold Vinyl Edition

Digable Planets

2LP | 1994 | US | Reissue (Modern Classics)

45,99 €*

Floret Orange Vinyl Edition

Release: 1994 / US – Reissue

Genre: Hip Hop

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TWe are finally set to reissue Blowout Comb, the 1994 second album by cult, Brooklyn-based hip hop trio Digable Planets.

The album is named for the combs used to maintain an Afro hairstyle, and that’s significant. The group’s Ishmael “Butterfly” Butler said it summed up what they wanted to do with it: "It means the utilization of the natural, a natural style,” he has said.

Like with 1993’s debut Reachin’ (A New Refutation of Time and Space), ‘utilizing the natural’ meant creating hip hop that blended jazz with the formidable rap skills of the aforementioned Butterfly, Craig ‘Doodlebug’ Irving and Mary Ann ‘Ladybug Mecca’ Vieira. Unlike that debut, it meant broadening to include guests such as Gang Starr’s Guru, Jeru the Damaja, and Jazzy Joyce.

Following the gold-selling commercial success of their debut, they here set out to prove their artistic prowess. This is intelligent, alternative hip hop that sounded like party music. Its lyrics are dense with wit, social commentary and politics – and its original inner sleeve was modeled on the newspaper of the Black Panther movement.

Its instrumentation includes sax, vibraphone and flute. Its samples – gathered from global cratedigging trips while touring the first album around the world – included Grant Green, Eddie Harris, Shuggie Otis and jazz-funk pioneer Roy Ayers (whose “We Live in Brooklyn, Baby” became “Borough Check” here). And yet at the same time its beats are infectious and its spirit undeniable.

This is an album firmly rooted in Brooklyn. “Growing up hearing and cherishing this album, it created a textured soundscape of a mythical world of rhymes, jazz, breakbeats, culture, art and urban ambiance,” says DJ and fan Mick Boogie in the liner notes. “When I moved to Brooklyn years later, I found that the world I imagined while listening to this classic LP actually really existed…”

Though Digable Planets have reunited on occasion since – and though their influence endures in every top-shelf rap act with a jazzy sensibility – the trio parted ways after Blowout Comb, citing that old favorite "creative differences”. Sometimes, the most volatile combinations create the best art.

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Lucid Express

LP | 2023 | EU | Original (Kanine)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Golden Ass Gold Vinyl Edition

Fauness

LP | 2022 | EU | Original (Cascine)

22,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 1996 | US | Reissue (Tommy Boy)

Grand Puba

2000

15,99 €*

Release: 1996 / US – Reissue

Genre: Hip Hop

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Needs X Gvr Present The Future Of Vinyl Part 2

12" | 2022 | EU | Original (Needs Not For Profit)

Jaylib (J Dilla & Madlib)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After the resounding success of Vol.1, Needs return for a second instalment of their eco vinyl campaign in collaboration with Green Vinyl records in Holland. Needs continue their journey into the future of vinyl production, partnering with Green Vinyl Records in Holland to produce a 100% recyclable record which now uses 90% less energy cost compared to traditional vinyl production methods. This revolutionary chapter in vinyl history features the production skills of Maara, Priori, Rudolf C & HearThug. For Needs 010 we welcome yet another all-star lineup of producers from around the world across vinyl and digital formats. Featuring trancey techno from Montreal’s rising star Maara; chuggy, percussive, mysticism from Priori; sultry minimal grooves from Berlin based Rudolf C, and a constantly evolving spacey acid banger from Tunisia’s leading light HearThug.

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Champion Sound Black Vinyl Edition

2LP | 2003 | US | Reissue (Stones Throw)

Pick Of The Pops Volume 1 Pale Blue Vinyl Edition

Release: 2003 / US – Reissue

Genre: Hip Hop

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A simple but ill concept: J Dilla & Madlib go back and forth and create a modern day hip hop classic! Finally repressed and back in stock. This one includes the new version of "The Red". Instant Classic.

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The Hit Parade

LP | 2022 | EU | Original (Optic Nerve)

Clarinet & Oiano: Selected Works 2 Milky Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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14 track vinyl version of the 2012 CD compilation. Pressed on pale blue vinyl, with printed lyric inner sleeve. First time on vinyl. Includes poster and postcard. A swish compilation LP featuring fourteen of the most memorable songs in the career of the top notch indie band THE HIT Parade. Entitled ‘pick OF THE Pops (vol1)’ the LP collects together the most poignant moments in the career of THE HIT Parade, and includes their thoughtful recording for Sarah Records “In Gunnersbury Park”, their tubthumping single for Minty Fresh USA “Hitomi” as well as other cuts, both cheerful and desolate in style, that feature Cath Carroll (Factory Records), Amelia Fletcher (Heavenly and Talulah Gosh) and Harvey Williams (Another Sunny Day and The Field Mice). THE HIT Parade was formed by Julian Henry with his school friends Matt Moffatt and Raymond Watts in 1984 when they released their first single ‘Forever’ on JSH Records. Since then they’ve clung to the sensibilities of pure pop and have become a curiosity item with their retro attitudes and songs about dead writers, disused swimming pools and failed love affairs. Their early vinyl singles were lauded by John Peel, the NME and Melody Maker, the now defunct weekly paper that published Julian Henry’S writing. In the 1990s the band toured alongside Edwyn Collins, The Milkshakes and Sarah Records notables, and signed to Japanese and US labels, releasing a sequence of albums that have since become collectible.

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Group Listening

LP | 2022 | UK | Original (Prah)

LP | 2022 | EU | Original (Mono-Tone)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Group Listening"s brilliant first album, Clarinet & Piano: Selected Works, Vol.1, was a haunting, meditative and lovingly considered selection box of musical reworkings. It featured rearranged tracks by the likes of Arthur Russell, Brian Eno and Robert Wyatt. But it was also much more than that. In making this record of reimagined musical works, Stephen Black [Clarinet] and Paul Jones [Piano] were two musicians doing what all music fans do: comparing favourite tracks, turning each piece over for new meaning and developing a musical understanding of each other in the process.

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Paper Lips

The Sound Of Sound

12" | 2022 | EU | Original (Flash Lair)

Release: 2022 / EU – Original

Genre: Rock & Indie

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First psyché solo album from The Baron Four's Mike Whittaker, nine original songs and a cover of the 13th Floor Elevators' Splash 1!Mike Whittaker from The Baron Four's new solo project. Far from his previous English "Rhythm' n' Beat" à la Milkshakes, early Kinks, he dwells here into the spaced-out sound of the Spaceman 3/Spiritualized/ Brian Jonestown Massacre. Slow motion tremolo and psyched fuzz guitar, languid vocals and floating drones.

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Oozy Zoo

Crucial Spheres

12,99 €*

Welcome To Anxiety Group Red Vinyl Edtion

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The second release from Flash Lair and from Melbourne producer Oozy Zoo, Crucial Spheres covers breakbeat electro metres, deep techno grooves, and slick acid licks.

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Drone Operator

12" | 2022 | UK | Original (Participant)

2x7" | 2022 | US | Original (Ever / Never)

Release: 2022 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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“There is a German satellite falling to earth!” a woman’s voice urgently announces. “She says, what if it hits me? Welcome to anxiety group.” A dense cloud on the horizon heralds a fresh onslaught from that infamous swarm of free jazz killer bees, a new project from self-described “conceptual kleptomaniac post digital free jazz outfit” Drone Operatør. Riding hard along the line between experimental electronics, blockbuster sound design and the loosest jazz improvisation, this rogue’s gallery of players, headed up by art world provocateurs Paul Barsch and Tilman Horning, take the fevered pulse of the relentlessly flattened now and note down four key observations which presented together make up Welcøme TO Anxiety Group. Coaxing lively theatricality from a continually provoked altercation between acoustic instrumentation and synthetic sound, each of the project’s four tracks provides a new perspective on what it means to improvise through technological mediation. “Here we are now,” write Drone Operatør. “22 after 2k. mp4 flex to 32bit float. The sax - the heart. The quadcopter - the brain. Duo d'Allemagne not wasting a life time learning jazz standards.” To open proceedings, our faithful operatør whips up exquisite dissonance with ‘Bot Møther’, smashing together squalls of saxophone and ripples of percussion with the sounds of sci-fi artillery, like an amphetamine-fuelled, midnight jam hammered out oblivious to an ongoing alien invasion. Slowing to a furtive creep for ‘German Satellite’, picking out keenly felt anxiety in suggestive plucks, stuttering clacks and strained wails, their cosmic warning signalling a neurotic climax before settling back into a post-coital skitter, flourishes of keys, both digital and analogue, harmonising with Drone Operatør’s weary welcome to the group. Eschewing the electronic completely for the cacophonous gallop of ‘Røhrstøck’, we’re invited to hold on for dear life during a mad scramble towards the ‘The Vessel,’ a staggering sequence of tumbling synthetic chimes, embellished with peals of ornate sax that flare up and out to illuminate the track’s irregularity, alternately submerged and retrieved through a subtle manipulation of filters. It’s a session that has to be heard to be believed, crammed with as much difficulty and as much revelation as any good therapy should. As Drone Operatør describe: “From iconic spamming to intellectual nonsense. Always never predictable, never not cheesy. Battery life cycles full of joy. You say you like free jazz. We don’t believe you.” Welcøme to Anxiety Group will be released on July 29th, 2021 by Participant, on limited edition clear red vinyl, and digital download via the Participant Bandcamp. The release will be accompanied by a series of films by Drone Operatør, featuring editing, FX, and CGI by digital artist Darío Alva. Text by: Henry Bruce Jones Participant is a record label and creative studio run by filmmaker William Markarian-Martin and conceptual artist Richie Culver

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Stefan Christensen

Ruby

The Nameless Ranger Navy Blue Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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The Ruby double 7” was made in loving commemoration of Carl Robert Talbot who was murdered by corrections officers inside the Whalley Avenue jail in New Haven, CT on March 21, 2019 around 7AM. Rob was a magnificently special person, which anyone who knew him knew plainly as fact. The conditions that he was forced to live under and the circumstances in which he died speak volumes to the degradation and humiliation all of us must endure in our current state of affairs. I wish I could say that this record is a celebration of Rob's life but that would be a lie; it is full of heartache, suffering, bitterness and hostility towards a system that dehumanizes even the gentlest among us. Ruby was culled together over a few months entirely from initially improvised tracks made on a variety of second rate guitars—a cheap plastic parlor guitar, a broken banjo, an upside down Strat and the Cowboy Guitar. Most of the rest of the instruments and amplifiers used in overdubbing were thrift store finds and roadside junk. It seemed the only way to honor a man who lived a life almost entirely pieced together from the odds and ends the rest of us left behind..."—Stefan Christensen

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Modern Baseball

EP | 2011 | US | Reissue (Lame-O / Run For C)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Elvis' Golden Records Colored Vinyl Edition

Elvis Presley

LP | 1958 | US | Reissue (Friday Music)

45,99 €*

Release: 1958 / US – Reissue

Genre: Rock & Indie

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Elvis' Golden Records Black Vinyl Edition

Elvis Presley

LP | 1958 | US | Reissue (Friday Music)

43,99 €*

Release: 1958 / US – Reissue

Genre: Rock & Indie

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Sweet Night Dew / Love In Oputer Space

Ossy Little Noise Weaver

7" | 2022 | JP | Original (Right Place)

LP | 2022 | EU | Original (Earth Libraries)

Release: 2022 / JP – Original

Genre: Reggae & Dancehall

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Exquisite mood of exotic electronic dub, rhythm box organ reggae instrumentals at its finest! This is a completely limited 7" from the second album "Woven" released in 2007! This is the first analog version of the very popular Ylnw self-cover of the last single by the Determinations in 2003. This one is a must have! Yossy Little Noise Weaver consists of ex-Determinations keyboardist Yossy and trumpet player Icchie, and the A-side is a self-cover of a classic song from the latter years of the Determinations' career, written by Yossy. The A-side is a self-covered version of a late Detami classic composed by Yossy. The minimalist composition of rhythm box, organ, and trumpet creates an exotic mood, and the endlessly sweet melody with just the right amount of dub is a superb organ reggae instrumental number! The B-side features a cover of the spiritual jazz classic "Love In Outer Space" by Sun Ra. This one has a cosmic exo-jazz groove with electronic sounds, organ, and trumpet, and is super cool! This is a super strong double-sider single without any complaints.

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Charlie Reed

Eddy

22,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Gilgongo)

Sissy Spacek

Blear

The Flow Across Borders: Remixes

Release: 2022 / US – Original

Genre: Electronic & Dance

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An entropic vortex of full-room tear-up texture. Duo lineup of Charlie Mumma and John Wiese. Originally released in 2018 on Lp/cs, this crucial CD reissue brings back into a print a pinnacle of modern, harsh musique concrète - with nearly 15 minutes of bonus material!

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Dohnavur

LP | 2022 | UK | Original (Castles In Space)

24,99 €*

3LP | 1989 | EU | Reissue (Alleviated)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The idea for a remix LP came about following the incredibly positive reception that greeted “The Flow Across Borders” upon its release in May last year. After the services of The Orb and Richard Norris were secured by the label, Frazer and Ali asked some of their favourite artists on Castles in Space to contribute remixes for the project, which subsequently grew into a wonderful overview of both the scope and diversity of the band’s output and the skill and sensitivity of the remixers. Frazer Brown: “As the tracks started to come in, we realised that this collection was going to be something very special. The Orb remix is classic Orb, Richard Norris’ contribution is pure bliss, and the fact that this is the first official remix that Concretism has ever done is especially thrilling. Every track is astounding…”

Ali O’May and Frazer Brown met in early 2018 while performing with their respective bands at an Electronic Music Open Mic (emom) gig in Edinburgh. With obvious common interests, further discussions lead a few months later to Ali passing Frazer a USB drive filled with stems recorded directly from Ali’s vast modular system. Across August and September 2019, Frazer used about a dozen of those stems as the foundation for a set of tracks, building them into fully realised pieces across a range of styles from techno, lo-fi, breaks, acid house and ambient. And thus was born the Dohnavúr method - Ali coaxing the raw materials from his modular set up and Frazer working them up instinctively with his encyclopaedic knowledge of electronic music into tracks for which the feel, genre and direction is inspired by Ali’s foundational building blocks. Sleeve artwork is once again handled by Mark Hall.

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Mr. Fingers

Amnesia

32,99 €*

LP | 2022 | EU | Original (Whirlwind)

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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Re-issue of seminal Mr. Fingers album 'Amnesia', available officially for the first time in 32 years on Larry Heard's own Alleviated Records. This remastered collection of early Mr. Fingers works is an absolute must have.

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Harish Raghaven

In Tense

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | US | Original (Fat Possum)

Courtney Marie Andrews

Loose Future

CD | 2022 | UK | Original (Dawn)

Release: 2022 / US – Original

Genre: Rock & Indie

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Following Old Flowers' 2020 Grammy nomination, a too long to list 4 and 5 star global press campaign, huge wins at radio across US and Europe, and while still in the thick of Covid restrictions, Courtney, for the first time in her young nomadic life, was forced off the road and to remain at home. What resulted was the publishing of her first book of poetry (Andrews McMillan), her first gallery showings of her paintings, and a period of self-discovery leading to the 10 songs on Loose Future. Whereas Old Flowers was a beautiful and emotional break-up record, Loose Future is a bright, dynamic, falling-in-love record. Courtney's got a story to tell, a strong new musical direction (co-produced by Sam Evian), and a show-stopping new record.

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Modern Collapse

Usual Case Scenario

15,99 €*

Jountetsu / Kaze Ha Yondeiru

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Hajj's Dawn label returns with a limited CD drop from Modern Collaspe Recommended if you're into Youth & Bfdm.

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Glim Spanky

7" | 2022 | JP | Original (Universal Music Japan)

32,99 €*

Release: 2022 / JP – Original

Genre: Pop

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Glim Spanky, a male-female rock unit consisting of Remi Matsuo and Hiroki Kamemoto, is releasing two popular songs released in 2021 as limited 7".

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12" | 2022 | EU | Original (Tensor Norm)

Almost Everywhere

2LP | 2022 | UK | Original (Stolen Body)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tensor Norm is back. In this ocassion, we visit differents locations of the world geography to bring you an EP full of electro, breaks, acid and IDM.

Side A goes into the coordinates of dark electro in different ways. “Cell Reprogramming” by Clone Theory (one of its members is Heuristic Audio) is a spatial track with smooth percussion, a heavy, oscillating bassline and minimal melodic design. On “Automorphism”, Sigma_ALgebra resorts to smooth percussion and a drone-like oscillating bassline to generate a floating feel, over which choppy, lightning-like melodic profiles occur. Finally, north american LectrO cOd-E, speeds up the tempo to expose the military round bass, synth twitches and vocoder transmissions of “Morphology”.

Side B is incided in borderline spaces with the incorporation of acid sounds as main elements. After an opening that programs the rhythmic structure and adds pad atmosphere, “Amenacid” by Liðvarð aka DJ VLR ratchets up the tension through a brief acid line modified steadily but subtly. The EP closes with “Phanaire Luses”, a track with typical IDM resources with which, through the accumulation of bleep-like emissions, acid figures, sparks and amorphous sounds, Jaquarius builds a psychedelic track.

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Terror Cosmico

Miasma

49,99 €*

Abdication ... For Your Love

Release: 2022 / UK – Original

Genre: Rock & Indie

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Stolen Body Records is thrilled to announce the release of Mexican Doom Metal band Terror Cósmico’s first album in 4 years - Miasma.

Miasma is the fourth album from Mexico City based duo, Terror Cósmico. The record takes a different turn in production from past albums, having a more aggressive tone, having drums and guitar recorded separately in the studio, being able to create an intense and surrounding sound.

Miasma is made up of 8 tracks which deliver a great range of emotions, going through desperation, anguish and desolation mixed with an air of nostalgic mystery.

Recorded in January of 2021 in Testa Studio in Leon, Guanajuato, Mexico. The sessions held a vibe of doubt and fear to what the pandemic could bring. The album is charged with all the emotions of a very strange moment in our timeline. The artwork was a commissioned task by Portland artist Jason Barnett.

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Reigning Sound

LP | 2011 | US | Reissue (Merge)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Chaikin)

Nick Zinner

41 Strings

Release: 2022 / EU – Original

Genre: Classical Music

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Paradise Red Vinyl Edition

Speedway

7" | 2022 | US | Original (Revelation)

LP | 2022 | CA | Original (Arts & Crafts)

Release: 2022 / US – Original

Genre: Rock & Indie

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Stockholm, Sweden’s Speedway is the offshoot of Time TO Heal, an older band that Jens (bass), Gabriel (drums), and Anton (vocals) were once in. When that band split, Anton and Gabriel spent time living in Japan writing music for what became Speedway. Members have also spent time in bands Existence, Blood Sermon, and Lifeblind before going all in on Speedway. Their latest EP,Paradise includes three high-energy tracks entitled “Balance,” “Hands Of Time,” and title track, “Paradise.” The band channels the passionate energy that made Revelation Records what it once was back in the ’80s, but with a slightly more melodic flare akin to bands like Turning Point, Inside OUT, and Uniform Choice.

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Dan Mangan

Oh Fortune

38,99 €*

Release: 2022 / CA – Original

Genre: Rock & Indie

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Bonnie & Hyde Picture Disc Edition

Mr. Hyde & Cherie Rain

LP | 2022 | US | Original (Nordung)

41,99 €*

Release: 2022 / US – Original

Genre: Hip Hop

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MR. HYDE is undoubtedly one of the best representatives of the American underground hip-hop scene, close friend with La Coka Nostra, Necro and many more. "Bonnie & Hyde" Is a Collaborative Project from MR. HYDE and his Wife and fellow Indie Artist/Musician CHERIE RAIN. The Couple/Duo have been making songs together dating back to Hyde's 3rd album If It Bleeds We Can Kill It back in 2012. Almost a decade later, they came together for this full-length debut. Mr. Hyde delivers his vintage cinematic, attacking lyrics and energetic flow over completely sample free Piano/Keyboard hiphop style beats and self-preformed choruses & harmonies composed by Cherie Rain. The album is extremely creative and original and plays out as a sort of "Ride Or Die" type themed audio movie. It comes out in two strictly limited editions: a Deluxe CD edition (TripleGatefold 7" format 1. 000 copies) and on Picture-Disc LP (Gatefold 500 copies), Both editions are numbered with sticker.

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W.I.C.K.E.D. Twiztid 25th Anniversary Black Vinyl Edition

32,99 €*

Release: 2022 / US – Original

Genre: Hip Hop

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We're All Improvisers Now Natutal Translucent Vinyl Ediiton

Tommy Crane

2LP | 2022 | EU | Original (Whirlwind)

Tape | 2022 | EU | Original (Remecier)

Release: 2022 / EU – Original

Genre: Organic Grooves

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We're All Improvisers Now' is the debut solo album by New York/Montreal-based performer Tommy Crane, a tranquil, introspective journey through boundary-traversing ambient jazz, buoyed by the creative elan of an artist in full experimentation mode. Using sensory percussion and a battery of synthesisers, Crane creates a sequence of lucid sonic environments, where the real and synthetic meet, overlap and reappear disguised and opaque.

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Remer Cier X Deepart

Échange 1:1

2LP | 2022 | UK | Original (Apollo)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Deepart, vétéran de la Techno bizarre Londonienne des années 90 et l’artiste inaugural du label Rush Hour, rencontra Remer Cier, debutant sur Youth, à Plastic People, lors de la soirée séminale CDR, un set improvisé de nouvelle musique électronique. Après presque 20 ans de dialogue erudite, de performances et expositions au Chelsea College of Art et au Royal College of Art, nous présentons leur collection d’improvisations afrofuturistes, enregistrée au Beaconsfield Gallery, Vauxhall, Londres en 2021.

Dédié à Søren Holm et tous amis absents

Merci à Joviale, collaboratice au dessin

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Dan Samsa

Contours

Banner Of A Lost Belief EP

Release: 2022 / UK – Original

Genre: Organic Grooves

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There is the contemporary music tradition, and then there is Dan Samsa. Seamlessly blending classical, techno, jungle and jazz, the musical pioneer joyfully imagines his debut album Contours as a genre-defying exploration far beyond the borders of sound as we know it.

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Fredatlast

LP | 2022 | EU | Original (Small Matter)

Release: 2022 / EU – Original

Genre: Pop

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Swedish songwriter and multi-instrumentalist FredAtlast has announced his debut EP 'Banner Of A Lost Belief' to be released on Small Matter Records. Fred, currently better known for his day job as the bassist in Little Dragon, describes lead single 'One Day' as 'A meditation on impermanence and our way of dealing with loss. A plea to our nearest to be: nearer, dearer and more daring'. The EP was written in Fred's kitchen under the spiritual guidance of the late author Sven Lindqvist and has been his way of finding a direct voice, embracing a new sound and diving into the deep well. It was recorded in the Little Dragon studio in Gothenburg with help and support from the rest of the band who feature in different ways on the EP.

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12" | 2022 | UK | Original (Row)

Row Various Part II

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Row Records comes around with a V.A. to show the range of the label sound with five artists who go different ways in different tempos and ultimately come together. The opening track "Goose Father“ by Suh+Moon from New York embarks on a varied journey, followed by Manchester's Avernian, who taps along percussively with "Seivad". On the flip side comes Pressure Dome's Yushh from Bristol with her deep grooving "Smile & Scarper" and Row Records co-founder Kaep is collaborating with Bhed to let the woods do the talking.

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Mutant Volume 2 25th Anniversary Edition

Release: 2022 / US – Original

Genre: Hip Hop

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Tribute Summon Red & White Vinyl Edition

Trust Fund Ozu

LP | 2022 | US | Original (Needlejuice)

Tape | 1998 | US | Reissue (Bikini Kill)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Bold, anthemic & controversial, Trust Fund Ozu's Tribute Summon bares her soul as pure hyperpop. Faye Fadem supercharges addictive hooks with ingenious production and lyrics as irreverent as they are personal. Spawning several viral singles such as “Poison Ivy,” “Peppermint” and “Succubus,” Trust Fund Ozu proves that there is absolutely no-one else like her. Features special guests Ben Levin and Justice Cow, with mixing by Angel Marcloid.

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Bikini Kill

The Singles

16,99 €*

LP | 2022 | EU | Original (Gülbaba)

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Received a perfect 10 Best New Reissue rating from Pitchfork. Bikini Kill Records is excited to reissue of The Singles, on both vinyl and compact disc. This is the first time that it has been released as a 12-inch (special note for all you vinyl fanatics, we managed to keep it at 45rpm for better sound quality)! The Singles was initially released in 1998 as a CD only compilation of all of Bikini KILL's 7”s. Once called "their defining document" by Pitchfork it includes Bikini Kill's legendary collaboration with Joan Jett on the New Radio (1993) single as well as the long out of print Anti Pleasure Dissertation (1995) and I Like Fucking (1995) singles.

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Ozan Tekin

Anarya

Blauer Samt Re-Edition Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance, Classical Music

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Cologne - based composer and multi - instrumentalist Ozan Tekin’s second studio album “Anarya” will be released via Gülbaba Records on May 27 th . Tekin winds his musical journey back from Cologne to Adana with a long layover in Istanbul in “Anarya”. A triangle of migration drawn by musical notation and performance. The album is composed of 14 tracks and each one of them is a sound story that echoes Tekin’s distinct memories from these three cities. “Anarya” is the end product of a process in which Tekin and his upright piano co - tuned each other. It is an artistic representation of the idiosyncratic phenomenon called stimmung in German; a spectrum of tones, moods and atmospheres expressed in personal and instrumental terms. Tekin concludes the piano conversations from his previously released EPs in 2021 (“Anarya I” and “Anarya Ii”). The remarkably catchy melodies and immersive melancholic arpeggios fl ow throughout. The transposed narrative of “Anarya” sprung up from its roots when Tekin came across with a 66 - years old worn out piano in Cologne. Mesmerized by its unique sound, he felt the urge to make recordings with this piano before it fell apart. Aft er spending months learning its mechanics, Tekin recorded his second album with the old upright piano he repaired and brought back to life. The uneasy changes in time signatures and ambient ornamentations with gloomy synths of 80’s, lush strings and room tones set up the atmospheric stage of “Anarya I” in the first five tracks. Following six tracks of the album attempts to revisit Tekin’s emotional and episodic memories in Istanbul. His unaffected absorption into piano music in the first two parts of “Anar ya” are followed by his coyishly joyful tracks later in the album: an idle “ode”, a lost “lament” and a colorful “jam”. These three tracks blend the neoclassical, jazz and ambient sounds of Cologne and Istanbul with sentiments of childhood and rascality in Adana. The piano conversations of Tekin throughout “Anarya” are accompanied by his analogue synthesizers, vocals, bass guitar, Hanitra Wagner’s violin and Berke Can Özcan’s drums , percussions and vibraphone, and Emre Malikler’s mix and mastering. The sou nds of collaboration go deeper and louder as the album’s tracks move forward and Tekin’s memories go backwards simultaneously. Anarya gitmek (“to go back”) is a vernacular saying from Tekin’s hometown Adana and Tekin makes a figurative attempt to migrate b ackwards via the compositions that came into being in his most recent home, Cologne. Having been born out of an upright piano, Tekin’s compositions have instrumental origins, however, due to his constantly mutating sense of belonging, his melodies can’t be pinpointed to any specific heimat . Tekin’s continuously transforming music is an invitation to his listeners to explore and experience his music in their own terms. Tekin’s personal memories that shape “Anarya” is open to new forms of sonic exploration and rearrangement. This openness lies in Tekin’s determined faith in not to be entrenched in any single genre. The immersive intimacy radiating from the collaborative piano conversations in “Anarya” is an invitation signature to his music’s current and fut ure followers. Text by Mehmet Ekinci

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Torch

2LP | 2011 | DE | Reissue (360 Grad)

Release: 2011 / DE – Reissue

Genre: Hip Hop

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LP | 2022 | UK | Original (VIC)

Polluted Inheritance

Ecocide

24,99 €*

Howlin' Wolf 60th Anniversary Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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On vinyl for the first time. Polluted Inheritance was formed in 1989 and was one of the early Dutch death metal bands. The band released three full length albums in the 90’s. Polluted Inheritance preformed technical death metal. On one hand inspired by Massacre and early Death and on the other hand by the more technical acts such as Atheist, Cynic, Pestilence. ‘Ecocide’ was their highly acclaimed debut album released in 1992 on Sabrina Classen’s (Holy Moses) label West Virginia Records (Holy Moses, Deathrow). Recorded, mixed and mastered at Stage 1 Studio, Buhne, Germany. Produced by Andy Classen ( Belphegor, Asphyx, Destruction). The album is now for the first time released on LP and the inner sleeve comes with eextensive liner notes and rare pics.

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Howlin' Wolf

LP | 1962 | US | Reissue (Friday Music)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Thanatophobia Splatter Vinyl Edition

Marc With A C

LP | 2022 | US | Original (Needlejuice)

Caught In The Rain At The Tea Shop

Release: 2022 / US – Original

Genre: Rock & Indie

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Thanatophobia isn’t just a big word, it’s the first Marc With a C album of (mostly) original material for what’s being dubbed “Phase II”; After 21 years of portraying a combustible persona to fit the bizarre, darkly humorous yet emotionally devastating, minutiae-obsessed, lo-fi DIY records that Marc Sirdoreus created to find a way to bring them to the stage, Marc returns for “Phase II” dropping the stage act, keeping the stage name, and being himself on record for the first time.

Thanatophobia sees Marc Sirdoreus, (a genderfluid person compared with the highly male-presenting Marc With a C Phase I persona, and Marc is fine with “he” for pronouns), confronting most of his deepest fears and anxieties head first. For the production, Marc limited himself to only the instruments that he would have owned in December of 1999 if a record were expected within six months, often beginning with melodic ideas from songs that an early producer had forced Marc to remove from the sessions of the earliest Phase I albums. Expect sonic experiments, the prerequisite character studies, brutal truths about the human condition, and plenty of moments when you aren’t sure if you’re supposed to laugh, cry, or both.

The vinyl, CD and digital download will come with a bonus “enhanced” stereo mix to play in sync with Thanatophobia known as Phobophobia, to give a highly immersive view into this sound-world. Catherine Blackard created a potentially groundbreaking piece of visual art for each format that will reveal wholly different cover art depending on the color of the light bulb you have near your player.

Perhaps most surprising of all is Marc’s decision to leave his DIY days in the past, partnering with Needlejuice Records, also reaching an agreement with the label to reissue as much of the ’99-‘21 Phase I Marc With a C catalog on every format possible.

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Jiyu

LP | 2022 | EU | Original (Dubsoul)

111% Red / White Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Local jazz scenes keep evolving into new interesting variations, and this album by Copenhagen collective Jiyu, is no exception. A dusty brass opening, old as the sun, followed by a guitar/flute theme, driven by a lazy boom-clack beat, quickly outlines this hybrid-jazz sound, blown in from the future. The blend of dreamy, mellow jazz, hip hop, downbeat, bossa nova vibes, and cinematic electronic soundscapes, has caught the listeners attention worldwide, and the digital singles “So Many Moons to Go”, “King of Mañana” and “Parallel Dreams”, have made it to some serious jazz playlists on Apple Music, Spotify and Tidal. The album have been supported by radio dj’s in UK, DK, IT, ES and more… Jiyu is produced by guitar player and composer Emil Jonathan Søegaard A.K.A Low Pressure and former Stereo Deluxe recording artist EMO. The fellow musicians are, Bo Rande on trumpet, Lukas Rande on flute and sax. Carsten Skov on Vibraphone. Lennart Ginman on upright bass. Kinck on vocal, Thomas Dietl on drums, and AC. Woodman on Wurlitzer-piano.

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Mf Khaos

Release: 2022 / US – Original

Genre: Hip Hop

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Always Give Everything 111% . . . MF Khaos releases his 11 track playa soundtrack, including production from Professor Creepshow, Funk Finger, Tracisgrey

Now available on 12" Vinyl Records, Cassette Tape, Compact Disc

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

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Mf Khaos

111% Black Vinyl Edition

Professor Creepshow & Isaiah Deshon

Release: 2022 / US – Original

Genre: Hip Hop

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Mac God Chronicles Splatter Vinyl Edition

Professor Creepshow & Isaiah Deshon

Release: 2022 / US – Original

Genre: Hip Hop

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saiah Deshon & Professor Creepshow team up to extend the Mac God's prophecy. Tymg

Mac God Chronicles is now available on digital streaming, vinyl records, cassette tapes & compact discs

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

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Mac God Chronicles Black Vinyl Edition

2LP | 2021 | UK | Reissue (Forever Living Originals)

Release: 2022 / US – Original

Genre: Hip Hop

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Cleo Sol

Mother

48,99 €*

Release: 2021 / UK – Reissue

Genre: Pop

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Last chance, last repress.

Cleo Sol - Mother is the second studio album by British singer-songwriter Cleo Sol, released on August 20, 2021. The album is deeply personal, with themes centered around motherhood, family, healing, and self-discovery. As part of the Sault collective, Cleo Sol had already established herself as a key figure in the neo-soul and R&B world, but Mother showcases her vulnerability and emotional depth in a more intimate, reflective setting.

The album blends elements of soul, jazz, R&B, and folk, creating a serene, acoustic soundscape that complements its introspective lyrics. Mother features lush, soulful arrangements, with gentle strings, piano, and acoustic guitar forming the backbone of many tracks. The overall sound is calming and meditative, allowing Sol's vocals to take center stage.

Lyrically, the album reflects on Cleo Sol's experience with motherhood and the emotional changes it brings. She addresses themes of unconditional love, personal growth, and the challenges of raising a child while also navigating her own self-healing. Songs like "Don’t Let It Go to Your Head" and "We Need You" express a sense of nurturing and tenderness, while "Promises" speaks to the weight of responsibility and the desire to protect loved ones.

Key Tracks:
"Don’t Let It Go to Your Head" – A standout track that offers both encouragement and advice, encapsulating the nurturing spirit of the album.
"We Need You" – A deeply emotional song that explores themes of connection, support, and the importance of being present for those you love.
"Build Me Up" – A soulful ballad that speaks to vulnerability and the need for support and growth within a relationship.
Critical Reception: Mother received widespread acclaim for its emotional honesty and soothing production. Critics praised Cleo Sol for her vocal performance and the way she was able to capture the complexity of motherhood and personal transformation. The album’s stripped-down production was also commended for allowing her voice and storytelling to shine.

While Mother is a personal solo project, it is clear that Cleo Sol’s work with Sault influences its sound, especially in terms of the introspective lyricism and the use of minimalist, organic instrumentation. Producer Inflo, who has worked extensively with Sault, was also heavily involved in the production of Mother, contributing to its cohesive and intimate sound.

Overall, Mother is a deeply personal and emotionally rich album that solidifies Cleo Sol's place as a standout voice in contemporary soul and R&B

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Sexopolis - French Erotic Movies Grooves Red Vinyl Edition

2LP | 2021 | EU | Original (Cosmic Disco Machine)

38,99 €*

Tales Of Mystery And Imagination

Release: 2021 / EU – Original

Genre: Soundtracks

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Dedicated to “sexplotation” sound lovers, an exclusive double record in limited copies on red Colored Vinyl, including the best french tunes form 60s and 70s of this genre. An amazing easy listening selection which will engage not only the listeners of this genre, but any beautiful valued music lover. If you like series as Easy Tempo, Mood Mosaic, Mighty Mellow, etc…you can’t miss this release to enhance your collection. A great selection of 29 tracks which tells the imaginative and engaging world of one of the most multifaceted eras of the music scene, resulting in a compendium of a journey that lasted decades. Sexopolis is “the collection!”, as the critics define it, and it is definitely a Must.

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Nocturnal Rites

LP | 1997 | EU | Reissue (Jolly Roger / Blackbeard)

Mob Justice Picture Disc Edition

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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In 1990 guitarist/vocalist Fredrik Mannberg formed a band called Necronomic, then by the end of the same year the only two remaining members (Fredrik and drummer Tommy Eriksson) recruited bassist Nils Eriksson and started with the monicker of Nocturnal Rites. In 1991 the band made their first, and still only, official demo recording. A four track release called "The Obscure". It attracted some indie-labels but the band decided to wait for something better. While writing material to be a two track promo recording they found themselves having drifted away from the death metal sound, towards a more melodic and harmonic oriented sound. This new approch, again, attracted some label attention. But the band was not be willing to sign. Around this time drummer Tommy Eriksson left the band and was replaced by Ulf Andersson. The band also added a second guitarist, Mikael Söderström. Through 1993 the band continued writing material and by this time their sound had come to grow into traditional heavy metal, influenced by the likes of Iron Maiden and Judas Priest. The band describes this transition as a normal continuance on what they started on in 1992. By the end of 1993 they felt they had gathered enough good material for another recording. This recording, however, made the band realized Fredrik's vocals didn't quite fit their new sound. So they felt they had to recruit a proper, melodic singer. Fredrik's replacement was found in Anders Zackrisson, a talented and experienced vocalist, formerly of Gotham City band. With 1993's recording with newly recruited Zackrisson they felt the songs had potential and it was sent out to various labels. The tape caught swedish label Dark Age's attention. A deal was worked out and by the end of 1994 the band signed it. Dark Age's intention was always to license the album to a bigger label with better funds and distribution. The partner was found in Megarock Records and finally Nocturnal Rites debut album "In a Time of Blood and Fire" (1995) was launched upon the world. It was critically a big success but, unfortunately, due to some distribution problems and poor efforts in promoting the album, it never became “big” as it potentially could have been. While writing for a follow-up, guitarist Mikael Söderström decided to leave the band and was replaced by Nils Norberg, equally talented as musician and songwriter. In late 1997 the band's second CD, "Tales of Mystery and Imagination" was released in Japan. But since Megarock didn't please Dark Age, they looked for a better deal in Europe and found it in Century Media and so the album was finally released in March 1998. At this point, a whole new era was to begin for the band. After touring Europe in support of the "Tales..." album, the band came back with a newfound confidence to write and record its third offering, the critically acclaimed "The Sacred Talisman" (1999). It showed a more mature and able side of the band and a new addition to the rythm section, the drummer Owe Lingvall. Then the boys joined Nevermore and Lefay for an intense european tour. When all touring duties were done the band and vocalist Anders Zackrisson separated. Quite quickly a replacement was found in local singer, Jonny Lindqvist and with him Nocturnal Rites released the following albums: "Afterlife" (2000), "Shadowland" (2002), "New World Messiah" (2004),"Grand Illusion" (2005), "The 8th Sign" (2007) all under Century Media, then "Phoenix" (2017) under AFM.

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The Rival Mob

LP | 2013 | US | Reissue (Revelation)

Dependent And Happy Part 4 2022 Repress

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Drawn up by some of the most unsavory souls in the Boston, MA underground hardcore scene and reinforced by members who have done time in infamous area bands like Mind Eraser, Righteous Jams, Mental, Xfilesx and many others, THE Rival MOB have become the darlings of the current hardcore scene, inspiring shameless violence and playing high on the bill at the most important hardcore festivals in America; This Is Hardcore in Philadelphia, Sound And Fury in California, and Chaos in Tejas in Austin, TX. In between serving time with their current other projects World WAR 4, Give, NO Tolerance, and Boston Strangler, the band will be playing on both coasts highlighted once again by the big summer festivals as well as their first-ever trip across the Atlantic to Europe. The band’s Revelation Records debut picks up right where their previous EP, Hardcore For Hardcore, left off, with vocalist Brendan Radigan spewing venom at the ills that plague both the outside world and the scene itself, all delivered over fast, stage dive-inspiring hardcore that brings to mind the best of mid-to-late ’80s New York hardcore bands like Youth OF Today, Warzone, and Breakdown.

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Ricardo Villalobos

12" | 2013 | EU | Reissue (Perlon)

12,99 €*

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Duploc)

V.A

140 Allstars Volume 1

12,99 €*

32 Bit Breaks Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Without showing any signs of tiring or losing any of the pace or quality shown this year, Belgian label Duploc announce the imminent arrival of a brand new Various Artists series with a specific focus on sound system, introducing 140 Allstars Vol 1.

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Lil Creepshow

LP | 2020 | US | Original (Sic)

One For All 30th Anniversary Edition

Release: 2020 / US – Original

Genre: Hip Hop

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Edition of 150 Copies.

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Brand Nubian

2LP+7" | 2020 | US | Original (Tommy Boy)

21,99 €*

Release: 2020 / US – Original

Genre: Hip Hop

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2LP | 2020 | UK | Original (Forever Living Originals)

Sault

Untitled (Black Is)

LP | 2020 | UK | Reissue (Forever Living Originals)

Release: 2020 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Last chance, last repress.

“We present our first ‘Untitled’ album to mark a moment in time where we as Black People, and of Black Origin are fighting for our lives. RIP George Floyd and all those who have suffered from police brutality and systemic racism. Change is happening… We are focused.”

Sault - Untitled (Black Is), released in June 2020, is one of the most celebrated albums from the collective Sault. The album came out during a pivotal moment in global discussions about race, equality, and justice, particularly following the murder of George Floyd and the resurgence of the Black Lives Matter movement. This context significantly shapes the thematic and emotional resonance of the record.

Untitled (Black Is) blends a wide array of genres, including soul, R&B, Afrobeat, funk, spoken word, and gospel, creating a sound that feels both timeless and contemporary. The album is deeply rooted in Black identity, pride, and struggle, making it a powerful statement on racial injustice and resilience. Lyrically, the album addresses themes of systemic racism, police brutality, Black empowerment, community, self-love, and the importance of unity.

The production, helmed by the collective’s enigmatic core (likely led by producer Inflo), features stripped-down yet layered instrumentation, with driving basslines, handclaps, and rhythmic percussion forming the backbone of many tracks. The vocals are often communal, with group chants and harmonies giving the album a spiritual, anthemic quality.

Key Tracks:
"Stop Dem" – A politically charged track with a pounding Afrobeat rhythm, addressing police violence and systemic racism head-on.
"Hard Life" – A soulful, melancholic reflection on the hardships faced by Black people, with haunting vocals and minimal production that highlights the emotional weight of the message.
"Wildfires" – A standout song on the album, this track blends silky, understated vocals with a powerful message about injustice and violence against Black lives. Its soulful and reflective tone gives it a timeless feel.
"Miracles" – This track offers a sense of hope and redemption, emphasizing the resilience and strength found within the Black community, despite the hardships faced.
"Black" – A declaration of Black pride and power, this track serves as one of the album’s central anthems, celebrating Black identity and culture while recognizing the challenges that come with it.
Cohesion and Impact: The album flows like a meditation on Blackness, weaving together not just music, but spoken word interludes and chants, creating a narrative arc that goes from pain to empowerment, from struggle to solidarity. The use of group vocals, chants, and Afrocentric rhythms throughout gives the record a communal and collective feel, emphasizing the idea of togetherness and unity.

One of the most distinctive aspects of Untitled (Black Is) is how it balances anger and frustration with hope and healing. While it directly addresses the oppression and violence faced by Black people, it also offers moments of joy, strength, and affirmation. The album is a call for action, but also for love and understanding.

As with previous releases, Sault maintained their air of mystery with Untitled (Black Is), releasing the album without much fanfare or explanation about the contributors. However, it's widely speculated that key figures like Inflo, Cleo Sol, and Kid Sister played significant roles in its creation. The album's timing and thematic focus made it especially impactful, with its messages resonating deeply during a time of global reflection on race and justice.

Untitled (Black Is) was met with critical acclaim, hailed as one of the most important albums of 2020. Critics praised its boldness, its timely themes, and its ability to mix protest music with a sense of spiritual uplift. The album was seen as not only a response to the times but as a work that stands in a long lineage of Black music addressing societal ills, from civil rights-era soul to modern-day protest anthems.

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Cleo Sol

Rose In The Dark

International Language EP

Release: 2020 / UK – Reissue

Genre: Hip Hop, Organic Grooves

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Last chance, last pressing.

Cleo Sol - Rose in the Dark is the debut studio album by British singer-songwriter Cleo Sol, released on March 27, 2020. The album was produced by Inflo, who is also a key figure in the Sault collective. Rose in the Dark established Cleo Sol as a powerful voice in neo-soul and modern R&B, offering a soothing and reflective collection of songs that explore themes of love, self-discovery, and resilience.

The album blends soul, R&B, jazz, and folk influences, marked by warm, organic instrumentation with a retro feel, featuring lush strings, gentle piano, and smooth rhythms. Cleo Sol's voice is central to the album's sound, with its soft, emotional delivery giving the tracks an intimate and reflective tone.

Lyrically, Rose in the Dark centers on themes of love, personal growth, self-worth, and healing. The songs are largely introspective, with Cleo Sol reflecting on relationships and personal challenges, often with a focus on finding inner strength. There’s a sense of vulnerability and emotional honesty throughout the album, which resonates deeply with listeners.

Key Tracks:
"Rose in the Dark" – The title track, a soulful and introspective song about navigating love and finding inner peace.
"Why Don’t You" – A standout track that combines a classic soul sound with a modern twist, addressing themes of self-worth and being true to oneself.
"When I’m in Your Arms" – A tender, love-infused track that showcases Cleo Sol’s ability to capture the warmth and comfort of love through her soulful voice and minimalist production.
"Her Light" – A reflective track about empowerment and self-awareness, encouraging self-love and growth.
Critical Reception: Rose in the Dark was met with widespread acclaim from critics who praised Cleo Sol's soothing voice, the album's timeless sound, and the introspective lyricism. Many noted the calming and healing quality of the album, especially during its release in 2020, a year marked by uncertainty and upheaval. The minimalist production allowed Cleo Sol's vocals and lyrical content to shine, making the album a standout in contemporary soul music.

The album was produced by Inflo, who has been instrumental in shaping the sound of both Cleo Sol’s solo work and the output of the Sault collective. Rose in the Dark shares the same organic, soulful production style found in Sault’s albums, though it feels more intimate and personal due to its focus on Cleo Sol's own journey.

Rose in the Dark has been hailed as a modern soul classic, with its focus on healing, love, and emotional clarity resonating with a wide audience. It’s a highly personal work that highlights Cleo Sol’s talent not only as a vocalist but also as a thoughtful and introspective songwriter.

This album set the stage for her later work, including Mother (2021), where she continued exploring deeply personal and emotional themes

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Earwax

12" | 2020 | EU | Original (Pushmaster Discs)

2LP | 2020 | EU | Original (Blue Note)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Pushmaster discs welcome a new talented artist on the roster, Earwax. Following great release on Planet Rhythm and Arts, the Italian based producer delivers a massive debut solo EP on vinyl.

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Tom Misch & Yussef Dayes

What Kinda Music

16,99 €*

LP | 1981 | JP | Reissue (Nippon Columbia)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

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Takeo Moriyama

Smile

43,99 €*

LP | 2020 | UK | Reissue (Laura Lies)

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Takeo Moriyama, Japan's leading jazz drummer, loved by many new and old fans. Since the late 1960s, he has swept the free jazz world with the Yosuke Yamashita trio. After leaving the group, the radiating heat was condensed into an ensemble, evolving and deepening the musicality in a more melodic and rhythmic direction. And that activity will reach a peak in this work 'Smile'.

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Tara Clerkin Trio

LP | 2019 | UK | Reissue (Forever Living Originals)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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Tara Clerkin Trio present their self titled debut LP on Laura Lies In. Similar to that directorial effect of filming at double speed and then slowing down for playback, the record ambles with assurance, expertly paced.

Opening with a jovial cacophony before the beatific ‘in the room’ confidently relieves, washing away any unease with an innately alien familiarity.

Coming to with the padded percussive patterns of 'Helenica', taking a moment to remember where you are in this temporal smudge. The serene contemplation of 'Any of these' signals we're homeward with a dependable afterglow, a friend you don’t need to thank for a good weekend.

A record existing disconnected from the daily getyadowns, a holiday from life, optimism as resistance against mundanity, something extraordinary amongst the ordinary, positively grey."

Check the review in this month's Wire.

***

"The trio comprises of Tara Clerkin, Sunny-Joe Paradisos and Patrick Benjamin who’ve been playing together and apart in various guises and forms in Bristol for around a decade.

Having solidified the workings of the group over the last year their debut self-titled has emerged alongside a strong live set. Drifting from dubby minimalism to smudged acid jazz, Tara’s stark and tuneful voice acts as the vehicle for her concise poetic lyricism. The group coalesce disparate influences into a cohesive sound, reflecting a romantic view of a familiar world.”

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Sault

30,99 €*

King Tubby Vs Channel One

Release: 2019 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Last chance, last repress.

Sault - 5 is the debut album by the mysterious collective Sault, released in May 2019. It was the first in a series of albums that would establish the group's signature blend of genres, including funk, soul, R&B, post-punk, Afrobeat, and electronic influences. The album received critical acclaim for its fresh sound, combining socially conscious themes with infectious grooves and rhythms.

The album features minimalist yet impactful production, with prominent basslines, funky guitar riffs, and layered vocal harmonies. The vocals are often delivered with a cool, detached style, which contrasts with the emotional and sometimes politically charged lyrics. Themes of identity, love, power dynamics, and the Black experience are present throughout the album.

Sault's 5 also stands out for its stripped-down approach to instrumentation, emphasizing rhythm over complexity, and allowing space for the vocals to shine. The tracks have a raw, DIY aesthetic, reminiscent of post-punk and underground soul movements, yet they feel timeless and modern.

Key Tracks:
“Up All Night” – One of the most well-known songs from the album, it’s a funky, high-energy track with danceable grooves and infectious hooks.
“Don’t Waste My Time” – A song that encapsulates the band’s ability to blend catchy melodies with a gritty, almost industrial sound.
“Why Why Why Why Why” – This track combines soulful vocals with a driving rhythm and contemplative lyrics about the struggles of life.
“Let Me Go” – A standout song about freedom and independence, with minimalist production that places focus on the emotional delivery of the vocals.
Mystery Around Sault: At the time of this release, very little was known about the members of Sault, which only added to the intrigue. The group has kept a low profile, eschewing traditional promotion and rarely giving interviews or detailed credits for their music. It’s widely believed that the producer Inflo is a central figure in the collective, with vocal contributions from artists like Cleo Sol and Kid Sister, though these have not always been officially confirmed.

Sault - 5 marks the beginning of the collective’s prolific output, which would continue to evolve with subsequent albums like 7 (2019), Untitled (Black Is) (2020), and more.

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Dub Soundclash

LP | 2019 | EU | Reissue (Jamaican)

LP | 1968 | EU (Survival Research)

Release: 2019 / EU – Reissue

Genre: Reggae & Dancehall

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King Tubby’s and Channel One, two of the great studios that produced so many of the great reggae rhythms in Kingston, Jamaica, find themselves for one night only, battling it out for the trophy. King Tubby’s (b. Osbourne Ruddock, 194, Kingston, Jamaica) studio was set up at 18 Drummile Avenue, Kingston, Jamaica. His fascination with all things electronic grew out of working and repairing radios and TV sets and the lucrative work of winding transistors. A job that was much in demand in the 1970’s Jamaica. This work gave Tubby a great understanding of sound, ow it worked and how it could be manipulated. Encouraged and helped along by producer Bunny ‘Striker’ Lee and with access to Bunny’s ever growing master tapes, that were stored at Tubby’s studio. Dubplates were made to supply the sound systems of Kingston and in fact Tubby’s own Hometown Hi-Fi sound.

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Apryl Fool

The Midnight Express Show Band

Release: 1968 / EU

Genre: Rock & Indie

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The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.

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Danger Zone Red Vinyl Edition

12" | 1983 | US | Reissue (Tri-Fire)

2x12" | 1990 | EU | Reissue (Midnight Drive)

Release: 1983 / US – Reissue

Genre: Organic Grooves

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CULT boogie funk release from ROBBIE M & The Midnight Express Show Band and the first 12" reissue project from Washington DC's Peoples Potential Unlimited.. Includes the extended club version, instrumental by tom noble, and the 1983 original 7" version hidden on the B Side.

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Mappa Mundi

Musaics

22,99 €*

LP | 2017 | CA | Original (Invisible City Editions)

Release: 1990 / EU – Reissue

Genre: Electronic & Dance

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Techno, Disco, Italo, Electronics, House, Library, Cosmic and Ambient frequencies - These are the bedrocks of the Midnight Drive ethos and sound. A label shining a light on overlooked or unheralded creations and respectfully reissuing them for the contemporary audience. A label that respects and understands the connection between these disparate and sometimes forgotten forms of musical expression and celebrates them. Midnight Drive are extremely proud to reintroduce the world to the sublime after-hours, cult downtempo sounds of Belgian duo Pieter Kuyl and Jan Van Den Bergh aka Mappa Mundi.

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Sandy B

Amajovi Jovi

18,99 €*

2LP | 2017 | EU | Original (Polydor)

Release: 2017 / CA – Original

Genre: Electronic & Dance

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Invisible City returns with the hotly anticipated reissue of “Amajovi Jovi” by Durban’s O.G. kwaito giant, Sandy B. Originally self-released on cassette and a white label 12-inch, rumour has it Sandy had to remake the tracks from memory because even he couldn’t find a copy.

In its original post-apartheid context, “Amajovi Jovi” was a sign of youthful subversiveness, rebellious creativity and a neck snapping rejection to the fascist groove of a silenced nation. While the Pantsulla hustler nods to house legends like Jamie Principle and Pal Joey, its hip hop breaks and interludes show a clear affection for Snoop Dogg’s “Doggystyle”. At its slowed down tempo however, this low-fi kwaito masterpiece turns away from its American influence and looks towards Baldelli and his cosmos. Best of all are Sandy’s vocals— deep, melodic Zulu rap, sung flippantly—the way that only a true gangster could. It now stands as one of the finest glimpses of 90s party music to ever be blasted at the underground parties of the South African townships.

A huge fave of Jamie Tiller, Tako and ICE, we are proud to present a limited vinyl reissue from one of the godfathers of kwaito. Remastered and restored from the original cassette tape. Designed by Zeitype.

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The Cure

Acoustic Hits

4LP | 2017 | US | Reissue (Iam8bit)

Release: 2017 / EU – Original

Genre: Rock & Indie

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For the first time on vinyl and pressed on 180-gram vinyl.

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Disasterpeace

OST Hyper Light Drifter

132,99 €*

4CD | 2017 | US | Original (Ne'Astra Music Group)

Release: 2017 / US – Reissue

Genre: Soundtracks

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The atmospheric score was composed by Disasterpeace - a legend for cult classics like dimension-rifting indie epic, Fez, and psychological horror opus, It Follows.

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Slum Village

Fan-Tas-Tic Collection

The Miseducation Of Lauryn Hill

Release: 2017 / US – Original

Genre: Hip Hop

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This Extensive Collection From The Group’s Dilla-helmed Era Is A Comprehensive Overview Of Fan-Tas-Tic V.1 and V.2.

The contributions of the late Detroit producer James DeWitt Yancey -better known to the world as J Dilla- to the world of hip-hop can't be overstated, and nowhere is his legacy more apparent than his work as a member of Slum Village. A founding member of the trio, (Alongside rappers T3 and Baatin) Dilla provided the group's distinctly esoteric, free-wheeling sound,built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul samples. Against the backdrop of Dilla's rich production, T3 and Baatin's free-flowing style of rhyming would also earn wide critical praise, leading to comparisons as the successors to A Tribe Called Quest. (A label they themselves have rejected.) Dilla himself went on to earn his own legend of brilliance, inspiring a slew of classic artists like Nas and The Pharcyde, to newcomers like Kanye West and Kendrick Lamar. It would be a gratuitous task to encapsulate the full magnificence of the material Dilla produced with Slum Village, but Ne'Astra Media Group have accomplished such a feat, with the arrival of the Fan-Tas-Tic Collection! A comprehensive overview of the underground group's Dilla-produced tracks across four compact discs. The CD includes the entirety of the namesake albums Fan-Tas-Tic Volumes 1 & 2, instrumental versions, and a bonus fourth collection of remixes and obscurities, featuring collaborations with Madlib & Pete Rock, and select cuts from Best Kept Secret, the group's rare release under the name J-88. The Fan-Tas-Tic Box is a veritable crown jewel for any fan of J Dilla or Slum Village, as well as an outstanding entry-point into the legacy of an underground hip-hop production hero.

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Lauryn Hill

2LP | 1998 | EU | Reissue (Legacy)

26,99 €*

12" | 2016 | Original (Alleviated)

Release: 1998 / EU – Reissue

Genre: Hip Hop

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So so classic album by The Fugees' first lady!

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Mr. Fingers

Mr. Fingers 2016

9,99 €*

OST Belladonna Black Vinyl Edition

Release: 2016 / Original

Genre: Electronic & Dance

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Alleviated Records is proud to present the new Mr. Fingers EP. After many years of the moniker being dormant and a long journey trying to get back into a creative mindset, we have a new offering. First up, "Outer Acid" delivers up a Minimal-Space-Acid flavor. Next, "Qwazars" continues the Space motif with a Minimal-Tech touch. "Nodyahed" moves toward a Dark Club Bounce with a dash of Tribal flavor. "Aether" offers up a more late-night Ambient-Space-House flavor. Hope you enjoy these selections at the club and at home for a long time to come. Musically Yours...

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Masahiko Sato

LP | 1975 | UK | Reissue (Finders Keepers)

21,99 €*

12" | 2013 | US | Original (L.I.E.S.)

Release: 1975 / UK – Reissue

Genre: Soundtracks

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An unholy grail of near mythical status finally joins the Finders Keepers Records discography in the form of this first-ever reissue of Masahiko Sato’s elusive sensual psychedelic free jazz score to the stunning Japanese witchcraft animation Belladonna Of Sadness (Kanashimi no Belladonna) directed by anime screenwriter Eiichi Yamamoto in 1973. asn early feature-length example of a micro-genre in which Japanese anime producers collaborated with the “pink” film genre.

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Marcos Cabral

False Memories

10,99 €*

7" | 2013 | UK | Original (Jamaican)

Release: 2013 / US – Original

Genre: Electronic & Dance

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Extended album tracks bound to rip a place up! Early works from this NYC producer whose full album will drop this year as well!

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Niney The Observer

Blood And Fire

10,99 €*

Release: 2013 / UK – Original

Genre: Reggae & Dancehall

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Sound Sculptures Volume 1

Theo Parrish

3LP | 2007 | US | Reissue (Sound Signature)

45,99 €*