US Hip Hop 212 Items

6 years after the first release of Conway’s classic debut album “Reject 2”, Scmd Music (Taha and Jtlm Records) brings the official reissue with the OG art cover to the world. Straight up classic material! The masterpiece features underground heroes such as Westside Gunn, Roc Marciano, Mach Hommy, Benny The Butcher, Skyzoo, etc. Productions by DJ Daringer. Buffalo in full effect…

6 years after the first release of Conway’s classic debut album “Reject 2”, Scmd Music (Taha and Jtlm Records) brings the official reissue with the OG art cover to the world. Straight up classic material! The masterpiece features underground heroes such as Westside Gunn, Roc Marciano, Mach Hommy, Benny The Butcher, Skyzoo, etc. Productions by DJ Daringer. Buffalo in full effect…

Red Cover Edition. 6 years after the first release of Conway’s classic debut album “Reject 2”, Scmd Music (Taha and Jtlm Records) brings the official reissue with the OG art cover to the world. Straight up classic material! The masterpiece features underground heroes such as Westside Gunn, Roc Marciano, Mach Hommy, Benny The Butcher, Skyzoo, etc. Productions by DJ Daringer. Buffalo in full effect…

This was the first release from Anderson .Paak & Knxwledge as Nxworries: "Suede" and "Link Up" were their first two tracks. "Droogs" is a Knx remake of an Anderson .Paak single. Instrumentals and bonus beats around out the EP.

Limited to 1000 copies worldwide. 2013 album never released on vinyl feat Jakadiss, NORE, Raekwon, Sheek Louch and produced by Scram Jones on cloud color vinyl. Styles and Scram join forces for the full-length album "Float". It’s an unapologetically East Coast affair. As Scram puts it: “The whole project is some classic New York hip hop.”

What a great combination – Chopped Herring's own Brooklyn kids, Penpals meet the incredible production skills of Scots duo Slipmat Brothers aka Jazz Spastiks on the new album “Made For The Underground”- a match made in true Underground Hip Hop heaven!!! All you can expect will be nothing but the finest and dopest vocals straight outta Brooklyn paired with dusty and jazzy beats from the Jazz Spastiks vaults.

Classic new boom bap banger featuring Sean Price, Your Old Droog & Ill Bill. Production from Large Professor, El RTNC, Arch Druids, DJ Skizz, Roc Marciano, Marco Polo and DJ Woof. Must have!

Due to legal problems at Death Row in 1996 this album only was released in 1998 but grew to a double disc in the meantime. It never even saw a release on vinyl until this year!G Funk Classics 1 & 2 features appearences by Snoop Dogg, Daz Dillinger, The Lady Of Rage, 2Pac and a few more.

“If You're Reading This It's Too Late” is the fourth mixtape by Canadian rapper Drake. It was released through the iTunes Store without prior announcement on February 2015, by Cash Money Records. There is a debate upon whether this project is a mixtape or a studio album; although it was released commercially through his record label, Drake himself referred to the project as a mixtape.
The mixtape received generally positive reviews and debuted at number one on the Billboard 200, with three-day sales of 495,000 copies and 40,000 for online streaming credits, making this Drake's fourth time at the top of the chart.

Guest appearances from Talib Kweli, Krizz Kaliko, Masta Ace, Brother Ali, Tech N9ne, Hopsin, Vinnie Paz, Eamon, Sadat X and others … whoo!

Delicious Vinyl will soon release "Sunset Blvd.", the all new album from Yancey Boys, the group piloted by John “Illa J” Yancey and Frank Nitt. The dynamic new collection is built around previously unheard tracks created by Illa J’s brother: the late, great J Dilla (James Yancey). With Frank Nitt’s standing as J Dilla Music Catalog Curator and the official approval of Yancey Media Group, all productions on "Sunset Blvd." originate from The Lost Scrolls — the stunning cache of beats Dilla left behind.
The first official single from "Sunset Blvd." is "Quicksand" which features Common & Dezi Paige. And the B-Side is no sleeper; “The Fisherman” is a full-court press featuring a chorus from Vice and blistering rhymes from Detroit Serious and cuts by J.Rocc of Beat Junkies. The track is, as Frank Nitt promises, “guaranteed to make you bang your head!” Nitt also reminds us that “this isn’t a nostalgia trip: Dilla’s beats were so future-forward that they’re right on time in 2013.”

The largely self-produced effort finds Havoc rhyming alongside Royce Da 5'9", Lloyd Banks, Raekwon, Styles P, Twista, and more. Yes!

In music, timing is everything. When soon-to-be-renowned Boston hip-hop duo 7L & Esoteric collaborated with the Wu-Tang Clan's Inspectah Deck on the title track to 7L&E’s debut EP "Speaking Real Words" in 1999, the timing was perfect. The upstart duo was building a serious buzz on the East Coast and beyond, while Deck was still winning praise for his gold-selling solo disc "Uncontrolled Substance". As flashy pop-oriented rap was pumped on commercial radio stations, their natural chemistry and simpatico skills shone as a beacon to real hip-hop fans, a base of listeners who were soon asking about their next musical summit.
14 years later, the hunger for sharp lyrics and head-snapping beats hasn't dissipated. In the face of the ever-worsening status quo of watered-down and vapid radio rap songs, the call for something real has only gotten stronger, and once again the time is right for a call to action – for someone or something to come in and send wack rappers running for the hills in fear. Enter "Czarface", the upcoming, uncompromising full-length album from Inspectah Deck and 7L & Esoteric.
Not surprising, respect for real hip-hop runs deep, and "Czarface" brings an army with it — consider the star-studded guest list which includes Roc Marciano, Action Bronson, Vinnie Paz (Jedi Mind Tricks,) Oh No (Gangrene,) Mr. MFN eXquire and Deck's fellow Wu-Tang Clansmen Ghostface Killah and Cappadonna.
Aside from one track blessed by the almighty DJ Premier, production on "Czarface" belongs exclusively to DJ 7L, who provides the musical backbone which holds the album together. His ability to craft a hip-hop sound that's current and exciting with a classic feel left Deck impressed: “This is one of the first albums I've heard in a while that gives you so many different feels. You hear the ‘80s hip-hop style, ‘80s R&B and rock combined with what's going on now. That’s creating something new, in my opinion.”

HHE is back with some legendary old school Houston, TX hip-hop! Rap-A-Lot headz better take notice right now!! For those unfamiliar, NoDōz were an old school rap duo out of Houston, TX created by the legendary Def Jam Blaster and rapper D. Latroi.



Def Jam Blaster... aaah where to begin? Maybe back in 1987 when he worked on a 7" which started the career of a local rapper named DJ Akshen? Or 1988 when he worked on one of the most iconic 12" records Ever in hip-hop? A 12" from that same rapper Akshen that would have the world forever know him as Scarface from that day on. Or when Def Jam Blaster started the duo Private Identity in 1989 with another legendary Houston rapper 3-2? Or how in 90's Def Jam Blaster worked on albums for Raheem, Royal Flush, Willie D, Big Mello, Madd Hatta and Mobb Deep.



I think you get my point by now, this is a man that paid his dues with the best of them... Now back to our story... After Private Identity died down after doing some recordings Def Jam Blaster hooked back up with D. Latroi, a rapper he met a year before, and started making some demos, material that has remained shelved up until now as we have had the pleasure to include them as bonus tracks for the CD release.



In 1992 NoDōz were signed to Revolution Records, an imprint that was focused primarily on R&B. Right before they could finish the album D. Latroi started having some serious health issues and Revolution Records started second guessing their decision to drop a hip-hop record so the album was shelved.



Now 30 years later we are excited to present you all the tracks from those 1992 sessions, the demos and remixes all from the DAT tapes. The 8 page booklet will include an interview done by Werner Von Wallenrod with Def Jam Blaster which was done specifically for this release. All tracks remastered by Justin Perkins and DJ Pyra-C and the entire CD layout was handled by man Laurence Di Lullo.



Limited to only 300 copies!

close to NM. Limited edition promo copy.

Stix Records rounds up all recent Mato’s 7inches anthems into this extended player, with all the cuts remastered for the occasion ... this collection
also includes four unreleased hits: “Gangsta Lovin’” by Eve, “La Saga”
by IAM, “Whateva Man” by Redman and “Off The Books” by The Beatnuts.

A Tribe Called Quest - Q-Tip, Phife Dawg (who passed away on March 22nd, 2016), Ali Shaheed Muhammad, Jarobi White - the groundbreaking 90's group that forever transformed the urban music landscape reunited on their first and last studio album together in eighteen years. Guests on ''We got it from Here...Thank You 4 Your Service'' include, Kendrick Lamar, Elton John, Jack White, Andre 3000, Busta Rhymes, Consequence, Anderson.Paak, and Talib Kweli.

In the months leading up the new album, Fishing Blues, Atmosphere released a total of seven digital singles. Much to the surprise of their fans, none of these singles appeared on the album, and they remained available only as digital singles… until now.

Now packaged together as Frida Kahlo vs. Ezra Pound, these singles are available for the first times as a limited edition 7” boxset and on CD. Featuring guest appearances from Aesop Rock, Blueprint, Grieves, Prof, deM atlaS & Eric Mayson.

This 7” boxset contains seven different 7” vinyl, each song featuring individualized artwork by Dave Quiggle printed on full-color vinyl jackets, surrounded by a custom printed hard slipcase including a free digital download card. Each record contains the original track b/w the accompanying instrumental. Guaranteed to be the perfect Holiday gift for any Atmosphere fan.

Why you'll love it...
The Diary, the legendary lost album and instrumentals from J Dilla, released posthumously in 2016, is the VMP Hip-Hop Record of the Month for November 2022. It's here on exclusive 2LP Purple & Orange Marble vinyl, with lacquers cut by...

Nice collection of 20 all-time Wu-classics!

Limited edition of 150 cassette tape for CSD2016. An amazing musical tapestry created by AMERIGO GAZAWAY, an 8 song journey into the world of afrobeat rhythms, funky horn riffs, and classic hip hop gems. More than a mash up, it's new and original. Side A vocals, Side B instrumentals.

KingUnderground & Delicious Vinyl present a lovingly re-issued version of this sought after & seminal hip-hop record, with all beats by J Dilla, featuring Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson, and the first time re-issued on vinyl since 2013.

Back in 2008, just two years after James Yancey aka J Dilla’s passing, Mike Ross, founder of Delicious Vinyl, presented J Dilla’s mother Maureen Yancey (aka Ma Dukes), with a vault of unreleased beats from her late son. Following Dilla’s childhood friend (and longtime collaborator) Frank Nitty (Of Frank N’ Dank) was a part of a group of confidants, who lovingly went through the treasure chest of music, formulating a tribute to their departed friend the best way they knew how. With hundreds upon hundreds of instrumentals to choose from, Nitty and Dilla’s brother Illa J narrowed the pile down to a collection of about 50 tracks, some of which would become the building blocks of their debut 2013 Yancey Boys album, ‘Sunset Blvd’. Upon its release in 2013, the LP (which featured appearances from Hip-Hop royalty including Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson) became an instant classic, gaining recognition from tastemakers across the world.

Even without J Dilla’s presence during the record’s creation, Frank & Illa J were able to harness Dilla’s omniscient creative energy during the production process of making Sunset Blvd. His contributions and spirit couldn't help but permeate the beats, the undeniable foundation for the tracks on the record. “Beyond the beats, his fingerprints were all over the record, in the guest artists we chose to ask for a feature, to the guys mixing and mastering. Most of whom he (J Dilla) worked with before he passed”, said Frank.

More great music from the RGE plus another jaw-dropping roll call of vocalists including Common, Patrick Stump, Brandy, Jill Scott, Dwele, Marsha Ambrosius, Anthony Hamilton, Faith Evans, Norah Jones, Snoop Dogg, Lupe Fiasco, Luke James, Emeli Sandé, Lalah Hathaway, and Malcolm-Jamal Warner (Yes! Theo from the Cosby Family!).

Another great comp on the Late Night Tales imprint feat. Rahsaan Roland Kirk, Koushik, Gravediggaz, Madvillain, Fairport Convention!

6 years after the first release of Conway’s classic debut album “Reject 2”, Scmd Music (Taha and Jtlm Records) brings the official reissue with the OG art cover to the world. Straight up classic material! The masterpiece features underground heroes such as Westside Gunn, Roc Marciano, Mach Hommy, Benny The Butcher, Skyzoo, etc. Productions by DJ Daringer. Buffalo in full effect…

13 tracks feat. Lil Dap of Group Home, Rock of Heltah Skeltah, Sadat x, Chip Fu and Shabazz The Disciple. Tip!

Repress 2024. On “Breakin’ My Heart”, Jim Sharp finds a way to bridge the summery goodness of ATCQ with the original instrumentation sampled by Dilla. The iconic vocal lead of Bebel Gilberto floats over the boom bap drums to make it a sure shot. The flip side, “Check Minnie's Love” once again shows that Naughty NMX and Runex are on point. The product is horns, beefed up beats, fat bass and silky smooth vocals to make you think it’s ’92 again (without the Rhime). Minnie rips the lovely
vocals into a dance floor banger.

BigM Productions is back full force!

2023 pressing coming soon
Knxwledge landed on Kendrick Lamar's "To Pimp a Butterfly" ("Momma") after the Aftermath MC heard one of his beats on Knx's Bandcamp-culling Anthology release. And it was NxWorries' first single, the unforgettable "Suede", that got Dr. Dre's attention, earning .Paak's no fewer than eight appearances on the "Compton" album and, ultimately, a deal with Aftermath. Now here's the Stones Throw full-length debut by one of the two most promising talents in the biz.

The album finds the Haitian born, Montreal raised producer delivering on the promise of his early self-released EPs and remixes.

Since the age of fourteen, when he first began to DJ and when his brother introduced him to music production software, his output has been relentless. He explains, “after he showed me the basics, from that day on I couldn’t stop making beats,” pumping out a handful of tracks per day for the next couple of years.

Having released singles like ‘Drive Me Crazy‘ with Vic Mensa and ‘Leave Me Alone‘ with Shay Lia, Kaytranada has since cemented his reputation and his sound; an undeniable swing of the drums comparable to Dilla’s, a signature soulful touch in the melodies, and a healthy dose of funky bass lines.

99.9% features guest turns from Anderson .Paak, Vic Mensa, Little Dragon, Syd, Craig David, Goldlink, Alunageorge, BADBADNOTGOOD and many more.

Pay Jay Productions, Inc. was the company James Dewitt “J Dilla” Yancey founded in 2001 to house his production company and his publishing company. The Estate of James Yancey has revived Pay Jay as a functioning imprint, and is announcing its release of J Dilla's long lost vocal album, The Diary. The first single features "Anthem" b/w “Trucks” - two of the songs J Dilla recorded in late 2001 and early 2002 as he put the finishing touches on what was supposed to be an album featuring his raps over production by the likes of Madlib, Pete Rock, Nottz, House Shoes, Karriem Riggins and others.
These two tracks, however, were produced by Dilla himself and come straight from multi-track masters found on 2” tape shortly after Dilla’s passing in 2006. These songs have been mixed by engineer Dave Cooley, who worked extensively with Dilla during his years in Los Angeles. Using Dilla’s original demo mixes as his guide, Cooley attempted to finalize Dilla’s vision for these tracks, while keeping all of the elements that Dilla had in place in his original demos present. Rounding out this 12” is Dilla’s original mix of “Trucks,” discovered as a two-track demo mix. We’ve included this mix as it features an alternate version of Dilla’s vocals and a third verse not found on Dilla’s final sessions for this song.

Styles of Beyond MC and Demigodz frontman, Ryu, unleashes his long-awaited debut solo album "Tanks For The Memories". From his early years ruling the Los Angeles radio and cypher scenes, to breaking necks and banging heads with Styles of Beyond via their critically acclaimed seminal debut album "2000 Fold" and their sophomore follow-up "Megadef", through to his work with Mike Shinoda in Fort Minor on their Jay-Z overseen “Rising Tied’ album. Experiencing both mainstream and independent, underground successes, Ryan ‘Ryu’ Maginn states “'Tanks For The Memories' is a metaphor for the battles I've fought throughout my career in the music business. That would include the bad and the good. You win some, but in my case I've lost a lot as well. In the end, I believe I'll win the war.” The album is entirely produced by Divine Styler, except for the last track which is produced by Apathy. Reuniting with Divine Styler on production was a no-brainer for the 'San Fernando Valley Rambo' as he explains “Divine Styler was instrumental in the development of the Styles of Beyond sound. So it was a very natural process when working together on this album." The album features Everlast, Divine Styler, Celph Titled, Bishop Lamont, Tak, Gravity Christ and Jams.

Here it is, the follow-up to the Death Grips' critically acclaimed "Money Store" album. Boom!

Before Sunz of Man and before Wu, there was Da Last Future. The line-up before they got down with the Wu was KiIllah Priest, Prodigal Sunn, Hell Razah, Shabazz the Disciple, 7th Ambassador and our man producer Su-Preme. They dropped a low run 12" on Nocturnal 7 Records, engineered and mixed by another friend o'Herring, Carlos C-12 Bess at the legendary Firehouse Studios in NYC.

... Greatest Rap Hits!Digitally re-recorded and remastered versions of the Def Jam classics.

Conceived in New Jersey’s then-emerging DIY scene of the late 1990s, cult hip-hop act Dälek pioneered an intriguing fusion of progressive lyrical prowess and sonic experimentation. With unique dark ambient / rhythmic noise elements, the trio was described as a mix of Public Enemy and My Bloody Valentine. Their singular sound was documented on four milestone albums released on Mike Patton’s Ipecac Recordings imprint, alongside live actions supporting the likes of Tool and Melvins and collaborative works with artists such as Faust, before the group ceased regular activities in 2011.

In the spring of 2015, mastermind MC Dälek (a.k.a. Will Brooks) revived the project with the blessing of ex-member / co-producer Oktopus. Featuring new members DJ rEk and Mike Swarmbots, Dälek presents their newest release and first proper full-length since 2009’s Gutter Tactics.

A formidable display of true hip hop artistry, Asphalt for Eden is a creative peak for the forward-thinking trio and will generate renewed interest in their iconoclastic sound.

Indie Exclusive - Coalmine Records digs into their storied discography to unveil their ten-year anniversary reissue of Highway Robbery, the collaborative concept album from Detroit’s heavyweight emcee Guilty Simpson and Philly beat smith Small Professor. Weighing in at 11 tracks, the project places the listener in a seemingly post-apocalyptic Detroit where the mentality is feast or famine. Highway Robbery plays as one long narrative of Guilty’s day-to-day survival in Detroit’s concrete jungle, all set to the tone of Small Professor’s foreboding, percussion heavy production. Featuring guest appearances from Detroit’s Boldy James, A.G. (of D.I.T.C.), Elucid and Castle, the album is further highlighted with the meticulous turntablism of both Statik Selektah and DJ Revolution. This reissue also boasts the Zilla Rocca remix of “Go” which features Audible Doctor on the cuts. A decade removed from its original release, Highway Robbery remains a gratifying listen and strong addition to anyone’s hiphop record collection with its high-level lyricism, avant-garde production value and overall creativity.

"Best of Both Hoods" is a really special project. Pop da Brown Hornet, of the legendary GP-Wu crew, representing Stapleton Projects, meets living legend King Just representing Park Hill, who was a member of the famed Shaolin Soldiers. Two icons of Hip-Hop history unite in this Staten Island, New York Hip-Hop milestone. The beats are raw yet relevant. The lyrics are sharp and stinging, and the stories they tell are like urban griots, reflections of a day gone by. For this album these gentlemen decided to go a different route than the usual “all pile-on” Shaolin ciphers, or “big name” epic guest features. They decided to bring it all back to how Hip-Hop was when it was classic and great: Just two master craftsmen showing they they do best. This is not a reissue, this is a brand new Thrice Great Records/Chambermusik release for 2016.

Limited pressings of 500!

Light purple vinyl.

10 tracks feat. Blacastan & Del The Funky Homosapien!

For the first time officially on vinyl.

Record Store Day 2023 first time on vinyl release incl. a download card. Pressed on 180g.

Game's eighth proper studio album came out during an active 2016. Earlier in the year, he released soundtracks for a documentary, Streets of Compton, and a mobile app game, Block Wars. On a personal level, he and 50 Cent made amends following a prolonged period of mutual antagonism, and then he went after Meek Mill, as documented on the forceful but controlled "92 Bars," included here. Although it's titled 1992 and is heavily nostalgic (even by Game's standard), stacked with references to the state of hip-hop circa the early '90s, it's inspired by the era more than it is a period piece.

Some records are steeped in mythology. Frank N Dank’s 48 Hours is just such a recording. Why so few samples from Dilla? Was that MCA’s decision as they didn’t believe they could get clearances? Why did MCA shelve the recording for so long? Where’s the “original version”? There are nearly more questions about this album than cuts on the album. But according to Frank, “contrary to popular belief there was never an 'original version’ of 48 Hours. We started recording songs to sample driven beats of Dilla‘s and we got 80% of the album done and Dilla decided to change the beats to all the songs.”
That’s right, it wasn’t MCA’s legal department, it was Dilla’s creative vision that stripped out the samples. But what about the sample laden “Take Your Clothes Off” and “Off Your Chest” you may ask? Frank interjects, “those were done after the fact.” And why did MCA shelve the project, was this a label afraid to release what the Detroit trio had concocted? Well that doesn’t appear to be the case. According to Nitt turnover in the A&R department at the time was rapid to the point that no one seemed to know who at MCA was responsible for the project. This led to a call to then MCA president Jay Boberg who agreed to release Frank N Dank from their deal. So there you have it. As Freud once said, “sometimes a cigar is just a cigar”. In the case of 48 Hours, it’s one hell of a tasty cigar. 48 Hours is now at last ready for the respect and proper release it has deserved all along, with the complete album as well as a second vinyl of Dilla’s instrumentals. As Frank reminds us, “This is the exact version of 48 Hours that we (Frank N Dank & Dilla) turned in to MCA and the way Dilla intended it to be!”