US Hip Hop 227 Items

KingUnderground came together with Delicious Vinyl to release a special edition version of Yancey Boys "Sunset Blvd" instrumentals but packaged in brand-new artwork. Edition of 300.

KingUnderground & Delicious Vinyl present a lovingly re-issued version of this sought after & seminal hip-hop record, with all beats by J Dilla, featuring Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson, and the first time re-issued on vinyl since 2013.

Back in 2008, just two years after James Yancey aka J Dilla’s passing, Mike Ross, founder of Delicious Vinyl, presented J Dilla’s mother Maureen Yancey (aka Ma Dukes), with a vault of unreleased beats from her late son. Following Dilla’s childhood friend (and longtime collaborator) Frank Nitty (Of Frank N’ Dank) was a part of a group of confidants, who lovingly went through the treasure chest of music, formulating a tribute to their departed friend the best way they knew how. With hundreds upon hundreds of instrumentals to choose from, Nitty and Dilla’s brother Illa J narrowed the pile down to a collection of about 50 tracks, some of which would become the building blocks of their debut 2013 Yancey Boys album, ‘Sunset Blvd’. Upon its release in 2013, the LP (which featured appearances from Hip-Hop royalty including Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson) became an instant classic, gaining recognition from tastemakers across the world.

Even without J Dilla’s presence during the record’s creation, Frank & Illa J were able to harness Dilla’s omniscient creative energy during the production process of making Sunset Blvd. His contributions and spirit couldn't help but permeate the beats, the undeniable foundation for the tracks on the record. “Beyond the beats, his fingerprints were all over the record, in the guest artists we chose to ask for a feature, to the guys mixing and mastering. Most of whom he (J Dilla) worked with before he passed”, said Frank.

KingUnderground & Delicious Vinyl present a lovingly re-issued version of this sought after & seminal hip-hop record, with all beats by J Dilla, featuring Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson, and the first time re-issued on vinyl since 2013.

Back in 2008, just two years after James Yancey aka J Dilla’s passing, Mike Ross, founder of Delicious Vinyl, presented J Dilla’s mother Maureen Yancey (aka Ma Dukes), with a vault of unreleased beats from her late son. Following Dilla’s childhood friend (and longtime collaborator) Frank Nitty (Of Frank N’ Dank) was a part of a group of confidants, who lovingly went through the treasure chest of music, formulating a tribute to their departed friend the best way they knew how. With hundreds upon hundreds of instrumentals to choose from, Nitty and Dilla’s brother Illa J narrowed the pile down to a collection of about 50 tracks, some of which would become the building blocks of their debut 2013 Yancey Boys album, ‘Sunset Blvd’. Upon its release in 2013, the LP (which featured appearances from Hip-Hop royalty including Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson) became an instant classic, gaining recognition from tastemakers across the world.

Even without J Dilla’s presence during the record’s creation, Frank & Illa J were able to harness Dilla’s omniscient creative energy during the production process of making Sunset Blvd. His contributions and spirit couldn't help but permeate the beats, the undeniable foundation for the tracks on the record. “Beyond the beats, his fingerprints were all over the record, in the guest artists we chose to ask for a feature, to the guys mixing and mastering. Most of whom he (J Dilla) worked with before he passed”, said Frank.

KingUnderground & Delicious Vinyl present a lovingly re-issued version of this sought after & seminal hip-hop record, with all beats by J Dilla, featuring Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson, and the first time re-issued on vinyl since 2013.

Back in 2008, just two years after James Yancey aka J Dilla’s passing, Mike Ross, founder of Delicious Vinyl, presented J Dilla’s mother Maureen Yancey (aka Ma Dukes), with a vault of unreleased beats from her late son. Following Dilla’s childhood friend (and longtime collaborator) Frank Nitty (Of Frank N’ Dank) was a part of a group of confidants, who lovingly went through the treasure chest of music, formulating a tribute to their departed friend the best way they knew how. With hundreds upon hundreds of instrumentals to choose from, Nitty and Dilla’s brother Illa J narrowed the pile down to a collection of about 50 tracks, some of which would become the building blocks of their debut 2013 Yancey Boys album, ‘Sunset Blvd’. Upon its release in 2013, the LP (which featured appearances from Hip-Hop royalty including Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson) became an instant classic, gaining recognition from tastemakers across the world.

Even without J Dilla’s presence during the record’s creation, Frank & Illa J were able to harness Dilla’s omniscient creative energy during the production process of making Sunset Blvd. His contributions and spirit couldn't help but permeate the beats, the undeniable foundation for the tracks on the record. “Beyond the beats, his fingerprints were all over the record, in the guest artists we chose to ask for a feature, to the guys mixing and mastering. Most of whom he (J Dilla) worked with before he passed”, said Frank.

Delicious Vinyl will soon release "Sunset Blvd.", the all new album from Yancey Boys, the group piloted by John “Illa J” Yancey and Frank Nitt. The dynamic new collection is built around previously unheard tracks created by Illa J’s brother: the late, great J Dilla (James Yancey). With Frank Nitt’s standing as J Dilla Music Catalog Curator and the official approval of Yancey Media Group, all productions on "Sunset Blvd." originate from The Lost Scrolls — the stunning cache of beats Dilla left behind.
The first official single from "Sunset Blvd." is "Quicksand" which features Common & Dezi Paige. And the B-Side is no sleeper; “The Fisherman” is a full-court press featuring a chorus from Vice and blistering rhymes from Detroit Serious and cuts by J.Rocc of Beat Junkies. The track is, as Frank Nitt promises, “guaranteed to make you bang your head!” Nitt also reminds us that “this isn’t a nostalgia trip: Dilla’s beats were so future-forward that they’re right on time in 2013.”

For the first time on vinyl. This compilation has been released on CD in 2011 and features tracks from Ghostface, Raekwon, Method Man, U-God and others.

Instrumental versions to Elzhi's (Slum Village) tribute to Nas "Illmatic" performed by Chicago funk band Will Sessions. Limited edition vinyl with free mp3 download card.

The official soundtrack to Christoph Waltz', ehm, Tarantino's "Django Unchained" with tracks by Ennio Morricone, James Brown, John Legend and more. Tip!

DJ stickers.

All tracks produced and arranged by Apollo Brown!

Long out of print on vinyl, Tyler, The Creator’s classic album Wolf finally receives an official repress. The album is pressed on two pink-colored LPs in a gatefold jacket with printed inner sleeves and a 12”x 12” insert.

The package also includes an oversized sticker of Tyler’s face.

Woof, woof, the original OFWGKTA Wolf is back!

Wolfgang or Odd Future or OFWGKTA or whateveryoumightcallem come up with their first proper release: Tyler, The Creator's Goblin on XL Recordings … includes the 4 million-youtube-surprise 'Yonkers'!

Wolfgang or Odd Future or OFWGKTA or whateveryoumightcallem come up with their first proper release: Tyler, The Creator's Goblin on XL Recordings … includes the 4 million-youtube-surprise 'Yonkers'!

Wolfgang or Odd Future or OFWGKTA or whateveryoumightcallem come up with their first proper release: Tyler, The Creator's Goblin on XL Recordings … includes the 4 million-youtube-surprise 'Yonkers'!

Original inner sleeves. With CD.

BigM Productions is back full force!

Compilation featuring Agallah, Jukstapose, Jojo Pellegrino, Chaundon, Sadat X, Craig G, Sean Price, Realio Sparkzwell, Baby Blak, Fresh Daily, Phil Da Agony, Torae, Eternia, Reks, Murdoc, Emilio Lopez, Mac Lethal, Esoteric, Termanology, Punchline, King DOM, David Corey, Blacastan, C Rayz Walz, AG, Big Noyd, El Da Sensei, Emilio Rojas

Only 115 hand numbered copies pressed on Clear Gold Vinyl.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

Ill Adrenaline Records and Soul Tools Entertainment proudly present a new collaborative project by top-notch producer Confidence (of Rashad/Purpose & Confidence fame) and Detroit hip-hop duo The Regiment!

Produced by Patchworks aKa Mr President aKa Uptown Funk Empire and more…

The Legion is back with some more BX rawness for your ears! Following the success of their "Straight Flow / Automatic Systematic" 7-inch from earlier this year, the Bronx trio (Chucky Smash, Molecules and Cee-Low) hits you with two more unreleased tracks before they bless the hip-hop world with a brand new album. "Keep Your Eyes Open" and "Street Truth" are two certified bangers recorded back in 1995 at the infamous D&D Studios, NYC.

Terrace Martin is known for being the main producer on Kendrick Lamar's historic masterpiece To Pimp A Butterfly. His debut album 3ChordFold, released in 2013, is finally available on vinyl!

When this album was released in 2013, he was still not well-known worldwide, but had already gained a following as a notable producer in the hip-hop and jazz worlds. The album features guest appearances from a number of great musicians, including Kendrick Lamar, Robert Glasper, Snoop Dogg, Ab-Soul, Wiz Khalifa, Lalah Hathaway, Musiq Soulchild, Ty Dolla $ign and 9th wonder. It should also be noted that a number of artists who stepped up later have participated on the album.

The style of seamlessly combining sampling and instrumental performance to freely cross hip-hop, soul, and jazz is reminiscent of the Soulquarians, and is showcased in a cover of 'I'm For Real,' an 80's urban soul gem by Howard Hewett, featuring with a star-studded lineup including Snoop Dogg and Lalah Hathaway. Kendrick Lamar is featured on the exquisite mellow tune 'Triangle Ship', which samples the AOR classic 'What You Won't Do For Love' by Bobby Caldwell. "No Wrong No Right" is a collaboration between Jazz pianist Robert Glasper and James Fauntleroy, who was given seven songwriting credits on Bruno Mars' Grammy-winning album 24K Magic. "Watch U Sleep" is produced and featured by Focus, who was a big hit on Dr. Dre's remarkable returning album "Compton".

The King of “Reggae vs Hip-Hop” remixes is back with a new and last LP collecting all his 7inches released over the past few months and a bunch of unreleased new Rocksteady remixes, done for the occasion. Yaaaayyyyy!

Ill Bill, Slaine, Vinnie Paz, Esoteric, Celph Titled, Apathy and Snak the Ripper on the guest list this time!

Classic golden age hip hop featuring Tash, Sadat X, KRS-One, Percee P, MC Eiht, Myka Nyne, and Max Julien, and more!

Limited to 1000 copies worldwide. 2013 album never released on vinyl feat Jakadiss, NORE, Raekwon, Sheek Louch and produced by Scram Jones on cloud color vinyl. Styles and Scram join forces for the full-length album "Float". It’s an unapologetically East Coast affair. As Scram puts it: “The whole project is some classic New York hip hop.”

Entire album produced By Scram Jones! Feat. Jadakiss, N.O.R.E., Raekwon & Sheek Louch!

Celebrating a decade of hip-hop excellence with the 10th Anniversary Vinyl Reissue of Statik Selektah's groundbreaking album, Extended Play. Pressed onto high-quality vinyl and housed in a silver laminated jacket, this limited edition reissue pays homage to the timeless collaboration between the legendary producer and some of the finest wordsmiths in the game.

Extended Play showcases the essence of authentic hip-hop, seamlessly blending old-school vibes with innovative production. Featuring an all-star lineup of rap luminaries, including Action Bronson, Mac Miller, Joey Bada$$, Sean Price, Raekwon, Black Thought, Prodigy, Evidence, Termanology, Posdnous of De La Soul and Talib Kweli amongs several others, this album is a masterclass in lyrical prowess and beatsmithing finesse.

Immerse yourself in the artistry of Statik Selektah as he crafts intricate beats that serve as the canvas for the lyrical dexterity of hip-hop's finest. Each track is a testament to the genre's evolution, capturing the essence of both its roots and its future. From the gritty realism of Sean Price's verses to the introspective musings of Mac Miller, every moment on this album is a revelation.

This commemorative vinyl reissue not only offers listeners a chance to experience the album in its purest form but also provides a glimpse into the collaborative spirit that defines hip-hop culture. The album cover artwork has been meticulously restored and printed onto a silver laminated jacket. Join us in celebrating the legacy of Extended Play and the everlasting impact of Statik Selektah's musical vision!

Produced entirely by Harry Fraud (who produced French Montana's "Shot Caller"), Smoke DZA's upcoming LP will feature appearances from the likes of Action Bronson, Domo Genesis, and his Jet Life labelmate Curren$y, among others. Harlem's own Smoke DZA has seen his career skyrocket lately, as acclaimed projects like George Kush Da Button and Rolling Stoned have introduced the public to Smoke's irresitible laid-back flow. DZA has also been collaborating with a who's who of young hip-hop stars (Asher Roth, A$AP Rocky, Big K.R.I.T., Kendrick Lamar, Cory Gunz, Mickey Factz, Dom Kennedy, and more), firmly establishing himself as a leader of the next generation of rhyme spitters. The proud stoner is now joining forces with High Times for Rugby Thompson, a brand new album produced entirely by Harry Fraud. With Fraud's pounding drums providing the backdrop and appearances from Action Bronson, Curren$y, Sean Price, Schoolboy Q, and Domo Genesis of Odd Future, Rugby Thompson is among DZA's most impressive work to date.

Produced entirely by Harry Fraud (who produced French Montana's "Shot Caller"), Smoke DZA's upcoming LP will feature appearances from the likes of Action Bronson, Domo Genesis, and his Jet Life labelmate Curren$y, among others. Harlem's own Smoke DZA has seen his career skyrocket lately, as acclaimed projects like George Kush Da Button and Rolling Stoned have introduced the public to Smoke's irresitible laid-back flow. DZA has also been collaborating with a who's who of young hip-hop stars (Asher Roth, A$AP Rocky, Big K.R.I.T., Kendrick Lamar, Cory Gunz, Mickey Factz, Dom Kennedy, and more), firmly establishing himself as a leader of the next generation of rhyme spitters. The proud stoner is now joining forces with High Times for Rugby Thompson, a brand new album produced entirely by Harry Fraud. With Fraud's pounding drums providing the backdrop and appearances from Action Bronson, Curren$y, Sean Price, Schoolboy Q, and Domo Genesis of Odd Future, Rugby Thompson is among DZA's most impressive work to date. Also available: Substance Abuse, the hit mixatpe now re-mastered for retail with six bonus tracks (features Devin The Dude, Nipsey Hussle, Curren$y, Cory Gunz, Curtains, and more).

Record Store Day 2021 Release.

Purple wax!

Ishmael Butler (formerly Digable Planets) dropped this one in 2009. It's available on wax now.

Ishmael Butler (formerly Digable Planets) dropped this one in 2009. It's available on wax now.

Vinyl with a couple of light scuffs. Original inner sleeve

Finally, this Sean Price classic gets a reissue treatment!

Limited to 1,000 copies on blue vinyl with aqua swirls.

El-P and Killer Mike are Run The Jewels. The duo’s self- titled, collaborative record – a contender for hip-hop album of the year – will be released throughout Europe in December via Big Dada.

From a laments perspective you can call this Jahcoozi’s Robot Koch meets Scienz of Life’s John Robinson. However we here at Project: Mooncircle like to see this as two dynamic forces of nature coming together in parallel universes, delivering cosmic opted sonics with science-fiction narrative conventions in a metaphysical tone. Robot Robinson is the FUTURE from Earth to Mars to Venus to Jupiter and Beyond, this project spells out the attempts to bring a different pitch of vocals to the world of Electronic Music. Robinson being no stranger to the scientifical lyrical approach along with Robot’s evolutionary voyage prone soundscapes this one is a sure shot! The Future of Music is in Good Hands.
All tracks produced by Robot Koch. All lyrics by John Robinson.
Artwork and original paintings by Ima One (Japan). Design by Gordon Gieseking.

From a laments perspective you can call this Jahcoozi’s Robot Koch meets Scienz of Life’s John Robinson. However we here at Project: Mooncircle like to see this as two dynamic forces of nature coming together in parallel universes, delivering cosmic opted sonics with science-fiction narrative conventions in a metaphysical tone. Robot Robinson is the FUTURE from Earth to Mars to Venus to Jupiter and Beyond, this project spells out the attempts to bring a different pitch of vocals to the world of Electronic Music. Robinson being no stranger to the scientifical lyrical approach along with Robot’s evolutionary voyage prone soundscapes this one is a sure shot! The Future of Music is in Good Hands.
All tracks produced by Robot Koch. All lyrics by John Robinson.
Artwork and original paintings by Ima One (Japan). Design by Gordon Gieseking.

More great music from the RGE plus another jaw-dropping roll call of vocalists including Common, Patrick Stump, Brandy, Jill Scott, Dwele, Marsha Ambrosius, Anthony Hamilton, Faith Evans, Norah Jones, Snoop Dogg, Lupe Fiasco, Luke James, Emeli Sandé, Lalah Hathaway, and Malcolm-Jamal Warner (Yes! Theo from the Cosby Family!).